a few quick questions on Machete, what breed is he? I love the angles of his snout and the proportions remind me of a borzoi though I don't think he is one. Also, does he have a set age for when he's a cardinal? I picture him to be around mid-30s or so. Wonderful art! love your stuff and find you an inspiration :)
He's a fictional breed called Podenco Siciliano, which is closely related to modern day Ibizan Hound (pictured below) and other Mediterranean rabbit-hunting podencos. I usually just default to calling him a sighthound since he's somewhat of a provincial mongrel and not meant to be purebred anyway.
As for the age, mid-30s sounds about right. I think the current timeline goes something like this:
0 - Born to a lower-middle class family in Sicily, father is a tradesman, has three older brothers. Generally considered a runt, is weak and sick all the time, parents suspicious of his unusual colors.
3 - Gets left at a monastery and raised by monks as a foundling. Nervous and meek kid, but the monks think he's endearing and do their best to support him. Is taught to read and write, which is a massive advantage at that day and age, and learns rudimentary Latin through exposure.
9 - Apprenticed to a Neapolitan priest, moves to southern part of mainland Italy (or Kingdom of Naples as it was called, it was ruled by Spain actually). Does chores and runs errands in exchange for education and experience.
15 - The priest gets elevated to a bishop and decides to sponsor Machete's further studies at an acclaimed university in Venice (in Northern Italy). There he studies theology, medicine, arts, law, philosophy and gets fluent in Latin and adequate in Greek. Befriends Vasco but their relationship is short-lived.
21 - Ordained a priest. Leads a parish somewhere in Papal States (Central Italy). Is generally well liked but doubts his career choice from time to time.
26 - Becomes a part of the Papal Court in Vatican, mostly because of the recommendations of his former mentor and professors, good reputation, excellent track record and sheer luck. Still a priest but assists bishops, cardinals and the pope himself directly. Moves to Rome. Becomes pope's unofficial confidant due to his obedient and hardworking nature and because of his lack of prestigious family connections that would render him a threat. Slowly starts to gain wealth.
30 - Created a cardinal (which is the second highest position in the church after the pope, and it's at the sole discretion of the pope who becomes one). Is also a bishop as a technicality. Handles administrative jobs, tons of paperwork, at some point he's in charge of a lot of the political correspondence and diplomatic missions. Still the old pope's trusted advisor but disliked by the majority of the cardinals, who see him as an outsider, sycophant and a potential disruptor of the status quo.
34 - Meets Vasco again. Vasco has become a succesful politician in Florence, he's married with three children.
38 - The pope dies and Machete's status falters. He starts to work with the Roman inquisition more. Oversees trials, torture, excommunications and executions of heretics, witches and most of all, protestants (since we're reaching Counter Reformation times and the Vatican is Very Worried about the spread of Luther's ideas). Isn't having a good time at all but keeps up the appearances. Gets infamous. The beginning of the true villain era.
40 - Grows increasingly more disillusioned with life and his ideals, as well as the corruption of the Curia. Burned out, paranoid and desperate. Uses scare tactics, extortion and legal trickery to expose and undermine his enemies, but gains them faster than he can keep up. Employs spies, thugs and assassins. Feared and loathed.
43 - Gets assassinated and dies in disgrace.
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I do feel kinda bitter over AG though because of all those things you mentioned since i cant look at AM the same way for not having a lot of those things
I can get that. I feel a little similarly. Overall I like AM more because it really delved into Dimitri’s trauma, but AG definitely handled the Blue Lions’ friendships better. What I didn’t like about AM’s characterizations for Sylvain and Felix in AM is that despite five years having passed, they didn’t mature nearly as much as they should have. In comparison, AG was only two years of a timeskip and it felt a lot more fleshed out with their characters. Ingrid was on a lesser scale, but she definitely got the better end of characterization in AG.
In part I think this is also because the writers have had time to decide on some things. When they made Houses, it was a new game. With Hopes they were working with pre-existing characters, so it was probably a lot easier to flesh them out and change their behavior. It just feels weird to look back at Sylvain from a five year skip and see that he hardly changed, but with a two year skip in an AU he’s a much more mature and composed version of himself.
AG also gives us the possibility of having Rodrigue to the end, and I’m wondering if that was a decision the writers made because they saw how he was received and decided to swap his position in the story with Gilbert who was a less popular character. Having the possibility of losing him is like a callback to AM, but we at least have the option this time. There’s also the chance for us to get supports for him with the characters that needed to be more fleshed out in their relationships with him.
Granted, in AM Rodrigue died because that was the final nail in the coffin for Dimitri’s mental state. He needed to have that moment where he gave up entirely and stopped caring about everything, planning to just go out and kill Edelgard or die trying. Byleth was also able to prevent it because they spoke with Rodrigue the night prior and could bring Dimitri to his senses through what they learned when speaking with Rodrigue. In that sense I think it was too important of a scene to leave out, because if not Rodrigue, I don’t believe any other death could have impacted his story to reach that point.
For example, in Ailell Dimitri behaves the same way to everyone around him. When they meet up with Rodrigue, that’s when his manner of speech starts to waver and he is, for the first time in five years, scolded and essentially told to shut up and listen. With Rodrigue being, as Dimitri literally says pre-skip, a second father to him, he didn’t treat that situation as he would have with anyone else, ending it with referring to Rodrigue as his friend (which is more than he did for anyone else by that point, too paranoid and being unconvinced that everyone wasn’t his enemy. The one person he knew would never be his enemy was Rodrigue).
Since the stories are vastly different in both games I do get why things were altered. Going back to AM will just be unfortunate that Rodrigue fans can no longer use him as a playable unit or get all the character lore we got in AG (which was a whole lot tbh for the parent generation, as well as his relationships with the people around him). We also have things like Gilbert coming back to the Kingdom much sooner and thus mending his family relationships, bringing back the old Gustave who is fiercely protective of his family to the point he won’t tolerate any enemy laying a single finger on his daughter and brother. I love seeing him in SB as an enemy and getting to see how aggressive he really is when someone tries to harm his family. To me that shows us who he used to be before Duscur.
I guess in the sense of like, for the sake of fanfics I’ll probably love keeping both stories in mind and mixing the two for things like characterization. Like I said, I understand that they were reusing already established characters so it was much easier to create new situations and improve the characters (to which tbh I’d say was usually hit or miss, like how I can’t even begin to imagine what they were thinking when writing Caspar for Hopes but they did so, so good writing for Lorenz).
Really I guess it’s just kind of what happens when they use existing characters and improve upon them when the original story was already so good. I’m going to hate going back and not having all the Rodrigue content because he’s one of my favorite characters in the franchise itself. On the other hand I’ll like returning to all the sides of Dimtri’s character, because having that aspect of such severe mental illness I think is really important to use in media, particularly in our modern day where that’s a big and largely important topic in our society. While I’d say they also made the attempt with Takumi in Fates, at this point Fates is not a very well loved game and due to how it was handled overall, I think a lot of the attempt at mental illness and suicidal behavior went over people’s heads due to of how poorly the rest of the game was received by players (and admittedly the writing wasn’t nearly as clear with Takumi as it was with Dimitri).
Houses kind of has the vibes of like... a whole lot of “what if” situations that AG used to show the answers of that. SB is more of like... another rendition of Edelgard’s story with not much changed except that we get to actually fight Thales instead of the characters defeating TWS post game. GW is the total opposite of VW, so rather than creating it as a “what if” timeline like AG it’s more of a “what if they went the opposite path they took in VW”. AG focuses more on the possibilities that existed in AM and builds upon those, rather than SB’s choice of the same route but handled differently and GW’s choice of seeing what it would look like if VW was turned on its head (no upside pun intended...).
Technically it’s not bad in and of itself for them to have written SB and GW in those ways, and that’s not to say AG is just absolutely the best because of it. It comes down to personal preference and I saw a lot of people saying the same thing that they see SB as more of a retelling but altered CF, which at that point it’s up to the individual if they prefer the new or the old. GW’s plot in and of itself wasn’t an issue, but it was the treatment of its characters and how the plot wasn’t focused on the characters but instead focused on altering its characters to the plot instead of the characters being what made the plot (ex. AM being written to follow Dimitri, not Dimitri written to follow AM).
Following that thought too, AG follows the formula of its characters being the story itself because in SB and GW, the characters go here and there and everywhere and they’re dragged along. In AG if you try to suggest that you go west during a civil conflict, you’re basically told no, we can’t afford to do that and have to stay here where we already are to deal with this problem and we can head west after that. You’re in one place and kept in that place until the conflict is resolved, rather than being pulled west and then having to go back to where you already were.
In some ways I guess you could say AG was written too well, because now when we go back to AM we’re missing all those improvements on the writing. I do prefer chapter 19 to chapter, what is it, 9 or 10? with the way Claude allied with Dimitri because it felt way more natural in AM and was rooted in a trust that was forcibly finnicky in AG because they were trying to sneak in concepts of GW Claude and how he wasn’t someone people ordinarily trusted. Instead of writing him as just a different path Claude, they tried to keep aspects of him that applied to very different routes and it wound up feeling wonky. AM was much more rewarding, and even more so because Gronder had already happened. Comparably, AG Dimitri and Claude had not even fought each other and yet everyone except Dimitri (and presumably Seteth and Rhea based on the dialogue when they all met up) was highly distrusting of him and treating him like he was some infamous slimy plotter who was going to jeopardize something. It was very forced and kept trying to nudge at GW/SB Claude, so for me that was extremely awkward to see considering in AM, nobody really highly distrusted Claude when he asked for aid. They’d never even fought or had problems in AG, but for some reason most of the cast didn’t want to trust him.
Regarding Thales though, for sure AG did handle it way better. I don’t really like Edelgard’s story in the second half of AG since I prefer AM’s ending for Edelgard (and it makes more sense because she was hellbent on fighting to the end, even if her path killed her. Dimitri gave her a final chance to end it alive, but she willingly chose her death and for her that could’ve been a matter of pride which is more in line with her character, but AG took her character away entirely so that just wasn’t a possibility). Thales imo should’ve been the final boss in AM too, having escaped as Arundel in chapter 19 and fighting the Kingdom later on. Considering how deeply rooted in Dimitri’s entire backstory Thales is, it’s kind of insane to me that he wasn’t the final boss. He has the least connection to Claude but is the second to final boss in VW instead.
For me the perfect ending would’ve been like... a mix between the two, where Dimitri had to come to his senses because Rodrigue almost died but he survives just barely. Perhaps he can’t fight for the rest of the war, thus rendering him unplayable as a unit and making sense as to why he couldn’t be playable from beginning to end. Sylvain, Ingrid and Felix would have grown into who they became in AG when you get to the five year timeskip in AM. Obviously Dedue would keep his story about saving Dimitri with others from Duscur, but then maybe soldiers from Duscur continue to fight with the Kingdom army the way they do in AG. We’d have AM’s version of the Alliance getting the Kindgom’s aid, and we’d have Thales escape as Arundel but fight the combined armies later on. Maybe while they were allied, the Kingdom gets news that people from the Alliance, maybe even Holst, located TWS’ base (since they’re near Goneril territory I think?). Since they were basically one big army, Dimitri could defeat Edelgard as we know their battle to happen in AM, but then they could travel to the Alliance territories with the war being over now and from there, fight Thales and have Dimitri learn the truth. Maybe Rodrigue joins as an NPC in the final battle so that he can be present against Thales, even if he’s not fully recovered because he feels he has to be there since it’s the battle for the truth that he’s been waiting on since he lost his best friend and son.
Whether or not Nemesis would be at the very very end idk, but I think Thales at least should’ve been the final or second to final boss like how he was the latter for VW. I think it would also be nice if Claude hadn’t left right away and instead joined the joint armies, even if just as an NPC since in this case you’d be traveling through the Alliance to fight TWS, and since they’re in Alliance territory I think it would make sense for the Alliance to be much more invested in that fight. It would give Claude the truth he’d be seeking in VW, thus giving a nod to his story in his route, and would give Dimitri and everyone else the truth about Duscur. It would be a complete story imo that way with all loose ends tied up, and if they had Duscur soldiers show up with Dedue in the timeskip then they’d be there too maybe as some NPCs in the final battle, so their story would be concluded too with the truth proving their innocence. Imo it would be a perfect way to resolve the whole Duscur storyline.
I know they were probably going for an imperfect ending in AM in the sense that we can’t have everything, but the only problem with the way they wrote that out was that Duscur was the focal point of AM. At the very least I think they should’ve tied up that entire story from beginning to end, concluding it with everyone learning the truth and Faerghus finally being able to heal when the truth gets around that Duscur’s people didn’t kill their king. Not only do the characters we’re familiar with have resolution, but the actual story we’ve followed right from the start is finished in full.
The problem with ending it with Edelgard for AM is that Edelgard... wasn’t really the true enemy of AM as a route. She was Dimitri’s personal enemy and conflict and he would have to fight her if he was going to end her war, but with the way the actual plot goes, Edelgard should have been AM’s penultimate battle, exactly like how Dimitri is CF’s penultimate battle before she reaches her actual enemy and goal, Rhea. Edelgard’s war was most specifically against Rhea, thus why her route made Rhea the final battle and not Dimtiri. AM should’ve followed that same formula, because Edelgard’s overall gripes weren’t Dimitri himself. Similarly, Dimitri’s story and the plot itself was centered around Duscur and the truth, which defeating Edelgard doesn’t solve a single part of. It concludes Dimitri’s personal arc with his step sister, but it resolves absolutely none of the plot of AM. While it resolves a character arc within the plot, the plot itself remains unfinished.
Like I said, I get the whole idea that we can’t get a perfect ending, but in this situation I don’t think it’s even about a “perfect” ending anymore. You could argue that this ending still should be present even if Rodrigue still died. AG is in a better position for the plot because it actually thoroughly explores the true plot of Dimitri’s background as a character. AM is a character centric ending, but AG is a plot centric ending, and I hate that we don’t get both in either of them. We either get a very good character heavy story, or we don’t get the full depth of the characters (ex Dimitri’s mental state not really being a problem in AG and is only sometimes given a nod to) and have a completed plot.
Hence, I feel like for fic’s sake and headcanon’s sake I like to think there’s more to the point of the Alliance fighting alongside the Kingdom as one army and that the plot related final battle would be against at least Thales if not Nemesis (since Nemesis himself isn’t relevant to AM’s plot or any of the characters, but Thales is deeply involved in multiple characters’ lives). Also, it could maybe give resolution to Dimitri’s personal story with Edelgard, learning that Arundel was killed and that was why he stopped donating, and realizing why Edelgard changed so much post her stay in the Kingdom. Just a final battle against Thales alone would conclude both the story and character plots and make a full, true ending. AG technically has a full, true ending to its story since Edelgard wasn’t in a position to continue her war, so whether she lived or died becomes irrelevant at that point since what happened to her, whether we enjoyed that aspect or not, did resolve that particular conflict. In that sense, yeah, AG solved pretty much everything in one shot.
So yeah, I totally get why you feel bitter about it. AG had an actually conclusive plot while AM was just left hanging as an incomplete story. CF was “complete”, i.e. TWS was defeated post game, and VW was a fully complete story. Instead in Hopes, GW is left a huge question mark and incomplete and SB is still basically complete unless Edelgard continued her war for conquest, so that one is more like... complete(?), with that question mark being necessary. AG is basically complete, since what happens to Edelgard doesn’t really affect the plot which was finished.
Considering TWS is the center of AM’s entire backstory and Dimitri’s most intense trauma, you’d think that would be much more important to the story in AM and that Edelgard wouldn’t be the end of the game. I wish they were still making DLC or updates or something for Houses, because it would be so great if they added that as a late attachment to AM (like how, if you know Tales of Graces, the game ended up releasing and then re-releasing with an entire post game arc added, though in that case it was more of a remake because it was titled differently, adding “F” to the end of the title to indicate there was an addition to the game and changes made/added).
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On The Warp Effect Ending
As much as I enjoyed The Warp Effect from beginning to end, I'm still a little dissatisfied with the ending, and I think one possible fix for me would have been for Alex to still come back to their high school day, but to come back on the morning of the party, not before.
I feel like it would make it all more impactful, and also not erase everything quite so easily. To me, the message regarding what happened with Jean was that there was nothing he could do to fix it then, in the future, after he abandoned her and left her to deal with everything on her own. That is truly what she couldn't forgive, on top of their disastrous sexual experience. She tells him that they were both drunk and that they were both at fault, but where he went from drunken idiot to unforgivable asshole is how he treated her after.
Of course I would prefer she didn't have to go through this at all, but the point is it happens. Teenagers make mistakes, hurt each other and get pregnant, that's a thing. But I feel it would have been better to keep that but to impart the idea that it doesn't have to be the end of the world. It doesn't have to ruin their lives. If he had supported her after, fought off the rumors, helped preserve her after from scrutiny and judgment at school, and if he had been with her to deal with the pregnancy, they would, she would have been able to heal from all that. Maybe not to the point they could resume a romantic relationship again, but that wasn't the point.
Even for the other storylines, it would have made his use of what he learned in the future more meaningful. Like pushing Liu and See ew to see that they didn't have to feel shame, and calling out Army and Joe on the fact that protecting their secret wasn't an excuse for hurting others and themselves (that locking him up naked into a car was NOT GOOD yo). Maybe seed into Jedi and Rose the idea that they didn't have to play the cool open relationship card if they didn't really feel like it, since something like this could have been happening at the party already, with them flirting with other people or something.
Anyway, I just think this would have made for less of a frustrating disconnect between the future and the past. I don't want to say that Alex got off too easy because this isn't about punishment, but I do think they didn't have to erase all their mistakes to still end with a happy ending.
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