*kicks down the door
IM BACK.
maybe. i had brainrot so i indulged.
thank you all for being patient more to come when this little sack of shit invades my brain again. but for now i must ride into the sunset and pretend everything is okay!
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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twice aziraphale has gone to heaven while crowley stays behind on earth…
[ID: A drawing of Crowley from Good Omens. The drawing is split in half horizontally. In the top half, he sits on the floor with a hand over his crying face. Plants surround him in front of a grey background, and wine bottles sit at his feet. In the bottom half, Crowley sits upside down on the floor of Aziraphale’s bookshop. The bookshop is in flames, and Crowley looks upward while crying. /End ID]
+ some closeups below cut
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I get knocked down 😣 but I get up again 😁 you're never gonna be worse than the medical trauma 😏
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Your art is BEAUTIFUL. Big fan of your characterizations and posing. :)
If you need requests—my favorite LU character is Four!
Four!!! He's one of my favourite's too!
Also, thank you for your kind words <3
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