#and i lived through the release of the original

[drunken-ender-art]

Good Huntress Luz

As an energetic, peppy but rather socially awkward child often in her own world full of witches and adventure, Luz was unsure where to go next after a rather unfullfilling and uneventfull highschool... in the end, attracted by its diversified program, from more othodox subjects like history and biology, to classes on occultism and astrology; and by the location itself: Salem, Massachussets, away enough from Connecticut for a change of air but not too much far to remain close to family, she signed up for the Byrgenwerth University.

She was surprise to discovered that two of the most esteemed students, two brothers, originated from her own hometown.

It was during a challenge with other students that she discovered a decrepit crypt beneath the mansion of the campus; a tomb designed to hide a flask full of a strange, dense liquid... it was another challenge that made her drink the entire thing... and thus, the nightmare begin.

"Dang kid... I saw folk going crazy over some blood but this is absurd..."

Now transported into another world and infected with the wretched blood, her only salvation is also her wildest dream come truth: an infusion of Titan Blood and a spark of magic.

Under the wing of a mysterious old magic Huntresses living in a ghostly house, she's harmed and ready to get herself more Titan Blood and finally become the witch she always dreamed of... what's the problem if she'll have to hunt, kill and drain a bunch of monstrous creatures to do so? She has issues to work through after all.

"Look kiddo, you can't learn magic, you either have it in your blood or not... lucky you, we go crazy for infusions 'round here!"

The weapons of an Huntress.

The traditional way to hunt Beasts is with a combination of cold steel and firearm, in this case: a meter long serrated bat equipped with a mechanism that release the teeth turning it into a giant serrated whip, accompanied by a shotgun loaded with quicksilver.

All made by the Clawthorne Workshop, a once famous and higly sought after workshop that is said to be around since the Scourge of Beasts ever began and set off the standard for beasts' hunting all over the Boiling Isles.

The Workshop is now in ruin and abandoned... something Luz doesn't fully understand since she lives there and it's still operational, even if run by a single individual... it's also fair to say that her own mind often seems to not work right since arriving on the Isles, especially in the few occasions where she sleep.

"Dreams? Oh sure kiddo... you could say I'm 'livin the dream' right now..."

Soft rework/repost of my first Owlborne post, now with added text, a new sketch and improved framing to help it blend in with the Amity and Belos' post.

Mostly about Luz's specific journey with a soft lore for how Eda and the Owl House itself fits in with the world.

#character design #the owl house #luz noceda #beta luz #toh fanart #disney #crossover #bloodborne #fromsoftware #dark fantasy #gothic #the owl house bloodborne #owlborne au

[vodika-vibes]

Hey I was wondering if you could write a crosshair x reader where they have a lazy morning maybe with batcher too.

Lazy Morning

Summary: You decide to sleep in on your day off. It leads to a very relaxing day with the love of your life.

Pairing: TBB Crosshair x F!Reader

Word Count: 1087

Warnings: None

Tagging: @trixie2023 @n0vqni @imabeautifulbutterfly

A/N: I started writing this ages ago and then put it on pause, before continuing it today and I have no idea where I was originally going with the story, so I'm sorry if the vibes changes midstory. The only problem now is that I want to lounge by the pool. Alas, there is no pool.

It’s early, though not so early that the sun isn’t high in the sky, and you groan in annoyance when the bright morning sun hits your face, waking you from your very nice sleep.

Wait.

You’re fairly certain that you shut the curtain before you fell asleep last night.

You crack open a singular eye just as something large and heavy lands on the bed, and then you yelp as the solid mass of muscle flops next to you. “Batcher-?”

The lurca hound releases a happy little noise and buries her head under your pillows and blankets. 

You groan and roll onto your back, flinging your arm over your eyes, “Crosshair? Why is your dog in my bed?”

“I’m fairly certain it’s our bed, angel.” Crosshair replies from somewhere on the other side of the room, near the door. He’s probably the one who opened the curtain too.

“You don’t live here, leech.” You counter without any heat in your voice.

“Rude, and I went through all of the trouble of making caf and breakfast for you. But, since you aren’t interested-”

“I hate you. What did you make?” You ask as you slowly sit up and squint at the man leaning against the door frame, “And how’d you get in anyway?”

“I made a quiche-” You shoot him a look, and he rolls his eyes, “Believe it or not, I am capable of following instructions from a recipe.”

“Yeah, but normally people start with, like, pancakes. They don’t tend to jump to quiches.” You reply as you swing your legs off the bed and stretch your arms over your head, “And you didn’t answer how you got in the house.”

“I picked the lock.”

“Cross!”

“Hey, you don’t want me to pick the lock, then give me a key.”

“Ugh, I haven’t had a copy made yet. I’m working on it.” You pad over to him, yawning widely, and then you thump your head against his chest, “Why’re you and Batcher over here anyway.”

“My brothers are annoying.” Crosshair replies as he sets his hand between your shoulder blades, “I needed some quiet.”

“Mm,” You slide your arms around his waist, “And you decided to make breakfast for me while enjoying the quiet?”

You feel him shrug, “You deserve to be spoiled. Maybe.” He says, his hand sliding up to rest lightly at the back of your neck. 

“Maybe?” You ask with a laugh.

“I do have a reputation, kitten.”

“Yeah, yeah. I remember.” You rub your nose against his chest, allowing the sharp scent of Crosshair to fill your lungs, and then you pull back slightly, “Thank you for making breakfast, I appreciate it.”

“You’re welcome,” He lightly rubs the back of your neck with his thumb, a small, slightly crooked, smile on his lips. “It still needs to cook for a bit, so you have time enough to shower and wake up.”

You hum thoughtfully, “Yeah, I might do that.” You lean in to brush your lips against his jaw, only to giggle as he ducks his head to kiss you properly. You lightly trail your fingers against his jawline, “Good morning, Crosshair.”

“Mm, it is a good morning now,” He murmurs, before he drops one more kiss against your lips, “Go take your shower, I’m going back to the kitchen. Batcher, off!” The dog whines but jumps off your bed, dragging your comforter with her.

You sigh, and Crosshair chuckles, “I’ll handle it, kitten. I’m planning on spending the day lounging by your pool, so maybe grab a swimsuit.”

“You just want to watch me parade around for you in a bikini.”

“Yeah, of course.”

You huff, though there’s no heat, and you lightly kiss him one more time before you meander over to your dresser to dig out your swimsuit, “Why do you want to use the pool when we live on an island?”

“Uh, there are people at the beach, and there aren’t people here. Besides, you’re the one who owns a pool in spite of living on a tropical island.”

You scowl at him as you pull out your bathing suit, “I didn’t build the pool, the house came with it.”

“You still bought it.”

“Inherited it.”

“Same difference.” He walks over to you and tugs your bikini out of your hands, before pulling a different one out of your dresser, “Wear this one.”

“...this is white.”

“I know what I’m about, kitten.”

“You’re such a man sometimes,” You take the bikini though and turn towards the bathroom, “I’ll be down shortly.”

“I’ll be waiting.”

Fifteen minutes later, you step into the kitchen, clad in the white bikini and a sarong hung low around your hips. Crosshair offers you an appreciative whistle, before he tosses a ball out the back door for Batcher to chase.

“Prettier than a sunset,” He praises, a small smirk on his lips.

“Only because I’m wearing this thing,” You counter as you walk over to him and lightly pluck his toothpick out of his mouth.

“You could take it off, I won’t complain.” He drawls with an appreciative drag of his eyes down your body.

You point at him with his toothpick, “Pervert.”

“Guilty as charged.” He pushes your hand away and stands so he’s able to catch your lips in a kiss, “I opened the umbrella and put your breakfast on the table outside already. I also put out towels for us, as well as the sunblock.”

“Well, you have everything in hand, don’t you?”

“All that’s left to finish the perfect morning, is you sprawled out in the sun.” Crosshair replies.

You laugh softly, “Well then, who am I to deny you?” His arms snake around your waist and he tugs at the knot holding the sarong in place.

“You’re not going to need this, kitten. It’ll just get dirty.”

“And I’m sure it has nothing to do with wanting to see my legs.”

“Of course not.”

“Uh-huh.” You slide your hands up his chest and then wrap your arms around his neck, “It’s a good thing that I actually like your attention.”

“Oh, how much do you like my attention?” Crosshair asks as he bumps his forehead against yours.

“Enough that I’m considering inviting you to spend the night.”

He chuckles, “Well then, I’d better behave so you don’t change your mind.”

And you laugh one more time, before you pull him down into a kiss, leaning your weight against him. He’s right about one thing, this is definitely the perfect morning.

#star wars #tbb #tbb crosshair x reader #crosshair x reader #star wars fanfiction #x reader fanfiction #f!reader fic #answered asks

[tavolgisvist]

'Early Days'

From this RS interview

You just released a music video for your song "Early Days," where the chorus goes, "They can't take it from me if they tried/I lived through those early days." What are you singing about there?

Revisionism. It's about revisionism, really. I know my memory has got chips in it that still can go exactly back to two guys sitting in a room trying to write "I Saw Her Standing There" or "One After 909." I can see that very clearly still, and I can see every minute of John and I writing together, playing together, recording together. I still have very vivid memories of all of that. It's not like it fades. Since John died so tragically, there's been a lot of revisionism, and it's very difficult to go against it, because you can't say, "Well, no, wait a minute, man. I did that." Because then people go, "Oh, yeah, well, that's really nice. That's walking on a dead man's grave." You get a bit sensitive to that, and you just think, "You know what? Forget it. I know what I did. A lot of people know what I did. John knows what I did. Maybe I should just leave it, not worry about it." It took a little while to get to that.

I know that I have every memory still intact, and they don't, as I say in the last verse, 'cause they weren't there. I think you'll find this in most bands, but in the Beatles' case, it's got to be worse than any case. For instance, I was on holiday once, and there was this little girl on the beach, little American kid. She says, "Hi, there. I've just been doing a Beatles ppreciation class in school." I said, "Wow, that's great." I think, "I know, I'll be really cool here. I'll tell her a little inside story." So I go on about how something happened, and it was a fun story – and she looks at me, she says, "No, that's not true. We covered that in the Beatles appreciation class." I'm going, "Oh, fuck." There's no way out, man! They're teaching this stuff now. <…> To get back to my original point, that's the kind of thing that happens in films, but these books that are written about the meaning of songs, like Revolution in the Head – I read through that. It's a kind of toilet book, a good book to just dip into. And I'll come across, "McCartney wrote that in answer to Lennon's acerbic this," and I go, "Well, that's not true." But it's going down as history. That is already known as a very highly respected tome, and I say, "Yeah, well, okay." This is a fact of my life. These facts are going down as some sort of musical history about the Beatles. There are millions of them, and I know for a fact that a lot of them are incorrect.

I can see how that would be frustrating.

Ну, раньше это расстраивало. Я справился с этим. Все нормально. В "Early Days" есть что-то из этого, но главное - это песня памяти. Это я помню, как шел по улице, одетый в черное, с гитарами за спиной. Я могу представить точную улицу. Это было место под названием Менлав-авеню. [Пауза] Кто-то увидит в этом какое-то значение: Пол и Джон на Менлав-авеню. Давай, давай. Вот как обстоят дела с Битлз. Все было чертовски важно, понимаешь? И это нормально, но когда ты был частью реальности, всё было не так. Это было гораздо более нормально.

#'John knows what I did' #paul mccartney #john lennon #john and paul #the beatles #interview: paul #2014 #Youtube

[hishighnesstheprincess]

I know everyone (rightfully) focuses on Knuckles as the last survivor of his tribe growing up with almost no concrete knowledge about the culture he belongs to but can we put that aside for a second to focus on Tikal.

Imagine growing up with your tribe constantly at war. Imagine watching your own father disregard your warnings about how damage he is causing and having to sacrifice yourself to keep your tribe from being destroyed and being completely helpless to influence the outside world for the next three THOUSAND years. Imagine being forever young in the worst way possible.

Imagine watching you tribe decline over the centuries until there is only one person left. Imagine watching the murals and memorials and history be eroded by the very world you protected until the original intentions and meanings are all but lost. Imagine watching your one successor fumble his way through life, be tricked and manipulated by someone seeking to use the thing you are trapped inside for the type of destruction you fought against. Imagine watching him waste his life away guarding you instead of living for himself.

Imagine watching him find friends. Imagine watching him change for the better because of those friends. Imagine him finding a purpose.

Imagine being released. Imagine meeting his friends and trying to ask them to do a terrible thing that you had to do yourself once.

Imagine being changed the same way he was.

#this is SO crappily written but hngh. lots of emotions #sonic #tikal the echidna #knuckles the echidna #prin posts #sonic posting #sonic the hedgehog

[ititledit]

Terrible headline choice, but overall I'm glad child free women are getting some mainstream coverage

________________

The number of women choosing not to have children is growing and the global birth rate is plunging.

While their reasons vary from climate worries to financial concerns and health complications, those making the decision to be "child-free by choice" say societal acceptance is yet to come, often leaving them feeling ostracised.

The BBC spoke to members of Bristol Childfree Women, a social group with more than 500 members, set up by women and for women who have decided not to have children.

While Caroline Mitchell always knew she never wanted children, she wasn't prepared for how hard reaching "child-bearing age" would be.

The 46-year-old, who lives with her husband in Brislington, Bristol, said while it never bothered her when she was younger, she had not anticipated the barrage of personal questions she would face as friends and acquaintances started to have children.

"I have felt like a freak because of it," she said.

"I feel like my perspective and my experience is just not acceptable."

In Caroline's eyes, society is set up for motherhood.

"You realise how you're quite excluded from a lot of life," she said.

"It's really hard for me to meet people, because it's all about the women you meet at the school gates or the writing clubs for mums."

Caroline said she thinks that sometimes women with children believe the "whole world" is set up for child-free women.

"Actually, it's really exclusionary," she said.

Many in her circle of friends have children and while they have never knowingly done anything to make her feel different, she says, the fact they are "all doing one thing" and she is doing another has been "quite hard".

While Caroline is "100% certain" and "very comfortable" in her identity, she admits she has, on occasion, “agonised" about her decision.

She said that was down to the "cultural expectation" of what was normal and the concept that if you were a woman, having a child was "the natural thing to do".

Official figures released in 2022, external show record numbers of women are reaching the age of 30 child-free.

More than half (50.1%) of women in England and Wales born in 1990 were without a child when they turned 30 in 2020, the first generation to do so, according to the Office for National Statistics.

Megan Stanley, who is originally from Oxfordshire and lives in Bristol, was so certain about her decision to not have children, she has been trying to get sterilised since the age of 19.

When it comes to her painful periods, Megan said it feels "cruel" to go through the "suffering every single month for a body function" she feels she does not need.

"I know that sterilisation doesn't solve periods but it does alleviate a lot of those major symptoms," she said.

But the 31-year-old said she has come up against hurdle after hurdle.

“The doctors would say ‘you're still a bit young’ or ‘you might change your mind’,” she said.

The furthest Megan got was when she was 29 and had an appointment with a surgeon.

"I'd prepared everything - my medical history, prepared all my line of reasoning. I'd even gone as far as to get a testimony from the therapist I was seeing. I'd gone the full mile," she said.

However, permission was not granted once the gynaecologist asked about her relationship status.

"At the time I'd been dating my now long-term partner for maybe three months," Megan said.

She told the doctor that her partner also definitely did not want children and he had already had a vasectomy.

Megan said the doctor then told her that if her partner had a vasectomy, “then you don't need to have this done, do you?"

It was then that Megan said she realised it was "inescapable" and they were "just not going to do it".

"Why should what happens to my body be beholden to what he's done to his?" she said.

"It's got to the point now where I long for the menopause. That's what I'm looking forward to."

Caroline believes women without children may be “complicit” in keeping cultural expectations as they are.

"We don't talk about it - so there's still this thought that it's what everyone does," she said.

"Motherhood is just everywhere all the time, in your face."

She said it was hard not fitting in with the "norm of society" and at times, she had wished she was "different".

"My life would have been easier in some ways," she said.

Yet for many women, whatever choices they make, they seem to beat themselves up about it and "seem to be not very accepting of everyone's choice", Caroline added.

Fiona Powley said she knew she did not want to be a mother from the age of 12 after seeing her own mum struggle with motherhood.

“I just thought motherhood didn't look like lot of fun," she said.

Now 49, Fiona runs the Bristol Childfree Women group, external and while she is currently experiencing menopausal symptoms, she has "no panicking feeling" that she did not use her ability to reproduce.

"It feels very comfortable," she said.

Ironically Fiona now looks at herself and thinks she could have actually done “quite a good job of parenting" but she "never really wanted it enough".

However, like Caroline and Megan she said new people she meets can react negatively when she tells them she chose not to have children.

“There's being told you'll regret it. What's your point of existing? If you don't have children you're not valid as a woman," Fiona said.

Fiona has even been called "selfish" and some have questioned who will look after her when she is old.

“It's almost like people feel uncomfortable," she said.

“It's probably because it never occurred to them that they also had a choice.”

Megan can sympathise.

In the past, the reaction to her not wanting children has been quite "visceral", she said.

She claims some people have painted her as "a child-hater, or a mean person” because of it.

"I think my not wanting kids is just an innate thing to who I am," she said.

Fiona said there were so many reasons why people decide not to have children.

Looking back, she thinks her own reasons were "probably quite unhealthy", but she knows that she is not going to "suddenly wake up as an old lady and feel bitter and regret".

Caroline said she would be a "resentful mother", adding there were a "huge amount of upsides" to not having children, like focusing her time on her relationship with her husband and her hobbies.

Megan agrees.

“There’s a lot of joy to be had in not having kids," she said.

“It isn't all about freedom and money. It's about choice."

#feminism #radical feminism #child free #bbc news

[kwistowee]

∞ Charisma (we do not deserve him) HIT ME BABY ONE MORE TIME

#jack black #hit me baby one more time #tenacious d #kung fu panda #moviegifs #usersugar #userrobin #cinemapix #userthing #filmtvcentral #dailyflicks #mediagifs #dailymenedit #usersansa #mensource #dilfsource #tvfilm #chewieblog #userbbelcher #my*gifs #usercreate #usersource #this man is a gift #he is one of the most inherently hilarious people ever; you cannot change my mind #look at him go #confession: i'd never listened to this song all the way through until tenacious d covered it #and i lived through the release of the original #i know this is an extremely long post but every single one of these makes me giggle

[thetwilightroadtonightfall]

maybe this is a bit harsh but I’m just…so bored watching the a:tla live action. I don’t like it, I don’t hate it. I just feel nothing. Actually, scratch that, all I feel is the urge to rewatch the original again. Maybe that’s what I’ll do

#roadie rambles #a:tla is very precious to me so I had a feeling that this wouldn’t really sit well with me #I appreciate all the effort put into it but I’m too personally and emotionally attached to the original to ever be able to accept a live #action adaptation #let alone watch the entire thing #aside from the general vibe I’m also not really liking plot points being switched around and having my hand held through every concept #maybe it’s worth mentioning that #this is also coming from a person who watched the shyamalan movie in theatres right on their 10th birthday #(the release date was /literally/ my birthday) #and got so utterly betrayed that they just carried that grudge ever since #I’m kidding it’s not actually that deep but it did sting for 10 y/o me back in the day #anyway that’s it thanks for reading <3

[soutsuji]

I like how Kiyohara Hiro transed Kawaminami's gender in the manga adaptation, and then Ayatsuji Yukito was basically like "oh okay yeah you're right, she's a girl". It's so funny to me

#.txt #decagon house #mansion murders/yakata series #god the mystery club truly is just a safe haven for a bunch of queer weirdos #i think at one point i tried drawing a chart of whatever bizarre subtext is going on between those guys #unfortunately i lost it #i wish kodansha would release physical copies of the manga just so that i could have them on my shelf #and so that i could flip through those 4 panel bonus comics at the end whenever i pleased #because those are so so dear to me #kiyohara looked at a relatively well known mystery novel and went 'okay but what if i made this story HURT' #fleshed out the characters. gave them lives #aughhhhh #i need to reread both the manga adaptation and the original novel #just so that i could compare them side by side more #jukkakukan no satsujin #conan doyle decagon house #kawaminami akira #kawaminami takaaki

[wtylas]

im going through a very heartbreaking thing rn and theres no way to explain it without seeming deranged.

#lasi.txt #so basically: followers of this blog will know that i like the young avengers #you may also recall that theyve been living in my brain for around 2 years now #that is the topic of this post: my daydreaming #the version of the young avengers in my brain was created on purpose i think. it was supposed to be a mcu version of the ya #because i started daydreaming about them when wandavision released and i learned about tommy and billy #the original version of this was very embarassing. notes on it live in my notion. the lineup included harvey keener and many champions. #in the past 2 years that 'storyline' has remained: everything going up in my brain is a show #there are 2 seasons where season 2 is divided into A and B and there is a movie #but also i imagined so much with my lineup. thats where my daydreaming kicks in. #my characters went through everything i went through in the past 2 but as actors in their show #in doing so they became entirely different characters and little versions of me. and theyve been with me. for two. full. years. #this isnt out of the ordinary to me. before this i have 3 different daydream stories that all stuck with me for months #these are constant daydreams. im always thinking of the same little people for months at a time. #but recently a new story has taken over. its a new story im developing #i like thinking about this new story a bunch but one day i realized that i wasnt thinking about the young avengers #something about that shattered my soul inside. these characters that live inside my brain that i will never write anything with are ME. #i dont want to lose them. but this is just a natural process that my own brain. #but i dont want to move on all of a sudden. there is so much that happened in my head with the young avengers #im fighting my own brain trying to bring back things my brain itself made but that my brain itself is trying to take away #i will probably think about the jewel guard (new story) for a few months if not years. but god.. #and im not thinking of them anymore and i keep trying to and i just cant. im losing them #the feeling of my characters (that are not even mine) being taken away makes me want to throw up #these characters were ME. i gave them EVERYTHING. i gave them my fears and they turned them into confidence. #and let me remind you: this is all in my own brain. #goddddd. this is why the base text of this post is what it is cuz i really do sound crazy omg #there really is no way to explain all of this without sounding crazy

[azuremist]

“Unfinished Painting” — Keith Haring

This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.

“AIDS Memorial Quilt” — Multiple

This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.

“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres

This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.

The SF Gay Men's Chorus

This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.

“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich

After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.

“Blue” — Derek Jarman

This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.

“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres

Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.

In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”

Please feel free to reblog with more additions

#aids #aids pandemic #aids crisis #lgbt #lgbtqia #queer history #lgbt history #art tag #azure does a thing #(i cried while putting this post together.) #(something about art about those lost to aids makes me want to fall to my knees.) #(happy pride month) #long post #death tw

[nasa]

NASA Inspires Your Crafty Creations for World Embroidery Day

It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.

Here’s what we found:

Webb’s Carina Nebula

Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs

Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.

Ocean Color Imagery: Exploring the North Caspian Sea

Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches

Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.

An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA

Two Hubble Images of the Pillars of Creation, 1995 and 2015

Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching

Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.

Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas

Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.

James Webb Telescope Captures Pillars of Creation

Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art

Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.

Milky Way

Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker

In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.

The Cosmic Microwave Background

This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches

Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.

The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team

GISSTEMP: NASA’s Yearly Temperature Release

Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA

Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.

In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.

Make sure to follow us on Tumblr for your regular dose of space!

#NASA #creativity #fiber art #embroidery #art #art challenge #needlework #crafts #handmade #textile art #cross stitch #stitching #inspiration #inspo #Earth #Earth science #Hubble #James Webb Space Telescope #climate change #water #nebula #stars

[hannieehaee]

SERENDIPITY (teaser)

18+ / mdi

summary: jungkook, god of love and son of venus is given the task by his mother herself to rid the world of you, known as psyche, as your beauty begins to rival her own. unfortunately for all parties involved, jungkook becomes enamored by you upon accidentally pinching himself with his own arrow.

content: cupid!jungkook, psyche!reader, an extremely simplified and smutty version of the og story, afab reader, side character deaths, mentions of attempted suicide, the dialogue is not super fitting of the times, angst(?), fluff, smut, they have sex where she doesnt know who he is multiple times but its consensual, penetrative sex, oral (f receiving), etc.

(^ no actual content warnings in the teaser)

wc: 841 (teaser); 8.6k (full fic)

release date: may 3rd

or you can check it out on my ko-fi or patreon today by subscribing to either one!

a/n: i decided to do my first jungkook full fic in celebration for hitting 4k followers!! i hope u guys enjoy<3

masterlist | kofi/patreon

support me through a one time tip<3

"Why did you call for me, again?"

"Jungkook, pay attention!", hissed his mother, holding her fingers to her temples in stress as one of her many servants walked in with the fruit she'd requested, "I need you to use your arrows on someone."

"What? Why? I thought you didn't like me meddling with people's love lives."

"This is different. This one needs a little help," Venus frowned in sheer annoyance, "She is known as Psyche by many, Y/N by her loved ones. She has become quite a figure among the Roman population. Some have begun to worship her beauty. They pray to her, they bring her offerings, they kiss at her feet, completely disregarding the true Goddess of Beauty."

"And where does this concern me?", Jungkook was beyond bored by his mother's ramblings. On a usual day, he would be out and entertaining himself with the many mortal maidens found around Rome, always guaranteeing himself a partner for the day.

Venus shot Cupid a look as her servants fed her by mouth, making him straighten his back and begin paying better attention. Even as the Goddess of Beauty, Venus was known as one of the most menacing Goddesses to exist, holding far too much power among all Gods and Goddesses. Jungkook couldn't help but feel intimidated by her, even as carefree as he was known to be.

"She has far too many admirers. Even Gods are beginning to show interest in her, yet she is lacking in suitors thus far. I need you to shoot your arrow and tie her off to the most hideous creature you can muster. She may seize from being a disturbance this way."

"Okay, so you want me to doom her to an eternity with a monster?", Jungkook tilted his head in curiosity.

Despite being considered the most beautiful entity, Jungkook knew Venus to be one of the least amicable creatures in all of the land. Mortals were blissfully unaware of her cruelty, thinking her to be the most perfect among all Goddesses. However, Cupid, as her son, knew of the misery that awaited anyone who crossed the Goddess of Beauty.

Venus halted her movements in frustration, scaring the servants nearby before turning to Jungkook in annoyance, "Cupid, my son, you will obey my order without question. I gave you those wings, I gave you that bow., and I gave you that arrow. I don't care how cruel you may think me to be, this is an order. You shall not utilize your powers for your own endeavors until you finish your task," she demanded, "Now, go rid me of that wench before I find someone else to do the job."

With a sigh, Jungkook nodded in defeat, fully aware of the type of punishments his mother could deliver should he disobey her orders. Walking over to the window through which he had originally entered, he pulled his bow and arrow from his back, beginning to fly off with his wings as he embarked on a journey to seek out the mighty Psyche that had his mother so worried.

"Y/N, there's another letter from one of your admirers," announced Psyche's mother, placing the letter on the huge pile of gifts provided by the many civilians who came visit their castle with the hope of getting a glimpse of the beautiful girl.

"Mother, what shall I do with all these? There's so many letters yet not a single suitor," you sighed, frustrated at the lack of prospects you'd had so far, "My sisters have both married, yet I am left alone with no one to seek my heart."

"Child, you should be grateful," said your mother, "You are admired through all the land, vied for as if you were a true Goddess. Someone will come for you one day, rest assured," affirmed your mother, petting your hair as she landed a soft kiss on your forehead and took her leave once more.

It was easy for your parents to grow used to the love and admiration you received. Endless people would come and dedicate themselves to their servitude if it meant as much as receiving your blessing – which was absolutely worthless as a mere princess in a land filled with mystical deities.

Your elder sisters had both been married off months back, finding old yet respectable husbands to take them away and care for them as any and all husbands should. You, however, remained alone with your parents, always hoping that a man would be brave enough to court you.

It was unfortunate, really; the way in which your beauty prevented you from receiving any suitors. You had not chosen to be blessed by Venus herself, nor did you ever hope to become her contender in the title of the most beautiful entity in all of creation. Unlike you, she had found a God to sweep her off her feet, gifting her with the fruit of love himself – her son Cupid. Oh, how you wished he'd shoot his arrow and allow you some rest from this endless search for a husband.

...

please reply if u would like to be tagged when the fic is released!!

OR read today on ko-fi or patreon by subscribing to either one<3

#bts fanfic #bts smut #bts x reader #bts scenario #jungkook scenario #jungkook smut #jungkook fanfic #jungkook x reader #jungkook imagine

[doyoulikethissong-poll]

Tenacious D - Tribute 2002

"Tribute" is a song by American comedy rock duo Tenacious D, and the second single from their self-titled debut album (2001). The song is a tribute to what Kyle Gass and Jack Black refer to as "The Greatest Song in the World" (often confused as the song's title). Upon its release, "Tribute" failed to make a commercial impact in the US, but it became a hit in Australia and New Zealand, peaking at number four on the Australian Singles Chart and number nine on the New Zealand Singles Chart. In Europe, the single reached number 25 on the Dutch Top 40, and number 84 in the UK. The single was re-released in 2021 as part of the band's "Super Power Party Pack", commemorating the twentieth anniversary of the band's debut album.

"Tribute" was the first song Black and Gass played live as Tenacious D. The song, like many other songs that were recorded on Tenacious D, was originally performed on their short-lived HBO TV series. During earlier performances of this song Kyle Gass played the opening to "Stairway to Heaven". In the 2006 film Tenacious D in The Pick of Destiny, it is implied that the climax of the movie, a rock-off challenge between Satan and Tenacious D told through the song "Beelzeboss (The Final Showdown)", is the incident chronicled in "Tribute", and that the portion of "Beelzeboss" performed by Tenacious D is the song receiving tribute.

The music video shows Black and Gass walking down the "long, lonesome road" and their encounter with the demon, played by Dave Grohl, who also plays drums and rhythm guitar on the song. Passersby include cameos from Ben Stiller and video director Liam Lynch. The policeman is played by JR Reed, who played "Lee" in the band's television series. "Tribute" was nominated for two Music Video Production Association Awards: "Alternative Video of the Year" and "Directorial Debut of the Year". In addition, it was a nominee for best video in the 2002 Kerrang! Awards.

"Tribute" received a total of 77,7% yes votes!

#finished #high votes #high reblog #high yes #00s

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

#David Tennant #Michael Sheen #Good Omens #Neil Gaiman #Terry Pratchett #Ty Tennant #Peter Davison #Aziraphale #Crowley #Doctor Who #Macbeth #Ncuti Gatwa #Job #Ennon #Bright Young Things #Series 2 #Matt Smith #John Hurt #Russell T. Davies #Catherine Tate #Max Webster #Life of Pi #Sex Education #Billie Piper #Rose Tyler #BBC Sounds

[backwzzds]

Toji getting out jail and showing us some appreciation 🙈🙈

ˏˋ°•*⁀➷ daddy’s home, toji fushiguro (nsfw)

omg bc prison bf!toji would be something interesting.

the story would be that before prison, toji was the ORIGINAL scammer. all these mfs his sons forreal. of course with being a hired professional hitman, it came with its financial perks, all of which he’d used to spoil his pretty little princess.

you lived comfortably well. you’d known toji since he was just a bum scrounging for any type of work, so you actually got to see the come up frfr. though you’ve always loved him from the start (even when he was broke), he was nearly 10 years older than you. just in your early twenties, you always told him—you did not deserve any type of struggle love. and a struggle life toji lived indeed. you assured him that if he was really about you the way he always swore he was—he’d do whatever he could to support for you.

and support for you he did!

it wasn’t anything about being a gold digger—you just had standards. toji chased after you for years and you loved it—but you knew you deserved better when he couldn’t even take care of himself. by the graces of whoever allowed him to stumble upon a secret job that could land him 1 mil cash—500 upfront as a deposit and the rest later—toji was yours the moment he proved to you he could take care of you indefinitely.

ass ironic as this sounds, he was actually arrested on false charges. the nature of the charges were true on everything—but the actual person they were accusing him of executing and murdering, he simply did not do. the courts didn’t care though, they just needed someone to hang for it and make an example out of them. that led to toji being sentenced to life in prison.

but thanks to his crooked ass lawyer, the piece of shit was out in 6 years.

you nervously tapped your acrylic nails on the pink wrap of your car as you leaned against the passenger side of the door. it seemed as if today was release day for a few other prisoners, seeing as a group of men walked out with plastic bags, all while staring you down. your arms remained crossed over your fat tits barely being able to breathe in the baby tee you wore to accompany your long flowy skirt as you awaited for your own man to re-enter the world again.

the minute another person leaves the building, your eyes meet with the familiar man’s. it was almost as if your energy was instantly drawn to his, because you immediately recognized him off the bat. toji is blown away by your beauty. you were always fine, but damn, watching you outside of a bulletproof plexi glass was top tier when he finally got to see your fuller ass and pudgy stomach in person again.

the second he’s in your vicinity again, instead of doing the normal thing like hugging him—you slapped the shit out of him.

“ow’!” toji groans. “fuck was that for?!” the old man rubs the spot you hit him in, giving you a fearful look. toji didn’t fear anyone or anything, but you had to be at the top of that list, especially when you were upset.

you give him a knowing look with your hands on your hips. toji rolls his eyes and grips your waist, “tch, i told ya i didn’t do that shit!” he groaned, referencing the one crime he was actually innocent for. “but with all the trouble that dead bastard put me through, wish it was me.”

you mirror his previous actions and do a double take in his physique. you weren’t the only one who got finer. toji’s waist got smaller—probably from starving himself like you told the fucker not to—but his build was more muscular, yet lean. he had an unimaginable number of new tattoos hidden under his normal clothes, and you couldn’t even think about what more laid hidden beneath his thick jeans.

toji fully notices your gawking eyes and gives you a cocky smirk with the scar on his lip fully rising. “miss me mama?” a smile can’t help but form on your own lips as you embrace him in a tight hug. not feeling the love enough, toji wraps his arms underneath you, fully lifting you from the ground. with your legs now around his waist, you were finally face to face with the man of your life.

toji leans into you and pecks your lip ever so lightly. with the sun in his view, he still got the best look of just how perfect you really were. “i missed ya,” he says so low, you barely catch it. “missed ya so much. went crazy dozens of times from you not being with me.”

it was strange for toji to be so vulnerable. but his time under made him realize just how ungrateful he really was for all the great things in his life. how ungrateful he really was for you. he vowed that when he did get out—if ever—he wouldn’t waste a minute without reminding you how he felt about his little girl.

with a proud smile on your face, you run your manicured thumb over the callous of his aging skin. you kiss the small scars there and then his lips. snuggling your head in his neck, you whisper, “let’s go home daddy.”

and that was how you ended up here, face down and ass up into your own mattress.

“you gonna tell daddy you missed him yet?” toji grunted while thrusting in and out of you. the ripples of your fat ass had him in a trance. “been almost seven years since i been in this pretty pussy’a yours. think i deserve at least that, baby.”

you whine into your pillow, drool pooling from the sides of your mouth. you wanted to play stubborn; let toji know that if he ever went to jail for something so stupid again, he wasn’t gonna see you or your pussy he loved so much.

your silence results in a hard slap to your ass. “ahh!” you yelp out, leaning forward into your white duvet. with another harsh smack and then the smooth rubbing of his large hand, toji smirked at the reddening imprint forming on the terrain of your pretty brown ass. “this ain’t about you!” you can’t help but seethe out to his previous statement. your voice is muffled by the fluff of your pillow, “i suffered these last seven years. not you.”

toji slows in his movements. you were so right. he knew how much you longed for him. your big hunky man that walked the streets with you 24/7 was no longer by your side to protect you like he usually did. he left you open. he left you vulnerable. though he’s had his people, geto and gojo watching over you, it wasn’t enough, you constantly slept in fear. you walked in fear. you lived in fear.

you didn’t know why, but suddenly all the emotion you felt in the past seven years came flooding to you. tears flowed from your eyes and you were crying. but from the pulsing grip your pussy had around his dick, toji knew you wanted more.

“look at me,” toji’s voice is muffled. when you made no effort to move, too ashamed to rven be crying at a time like this, toji pulls out of you and softly grabs you by the hips, turning you over so that your back was no against the mattress and you were facing him.

swiftly, the older man slides back into you, but this time moves inside you with more care. toji’s body is so close to yours, your hard nipples are brushing against his own with every thrust he makes.

“‘m sorry,” toji whispers with every rut into you. “daddy’s so sorry baby. didn’t mean to abandon you the way i did.” you could hear the genuineness in his tone as he stops fucking you, but begins to make love to you. “can’t imagine how scared you must’a been these past few years. haven’t been taking care of you the way i promised all those years ago.”

more tears flow from your eyes as toji brings you to your building orgasm slowly. “know you can’t forgive me for being so stupid ‘n careless now. ‘s gonna take some time. i know that. but jus’ lemme in again mama. let daddy back into your heart ‘n i promise i’ll take acre of you again.”

“daddy,” you sob. “‘m close,” is the only words that could leave your mouth. “don’t leave me, please. ‘m so close.” you were begging to cum, but deep down toji knew you were also begging him to stay.

toji brings his hand down to your pretty pussy and rubs at your clit as his lips engulf in yours. with just a few touches, you were creaming over his fingers and crying into his mouth.

“never gonna leave you again, mama. daddy’s home now.”

#lora’s fics! ೄྀ࿐ #dilf toji #toji x black reader #toji fushiguro x black reader #toji fushiguro x chubby reader #toji x chubby reader #toji smut #toji fushiguro #toji fushiguro smut #jjk smut #jjk x black reader #jjk x chubby reader #jjk toji #fushiguro toji x reader #toji x reader #jjk x reader

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

#Snow White #Snow White and the seven dwarfs #snow #snow white 1937 #snow white and the seven dwarfs 1937 #Snow White 2024 #Rachel zegler #west side story #poc #Disney #live action Disney hate #animation history #Do not go see this movie. Do not stream this movie. #Anime #anime history