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creaman · 1 month

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—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?

To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.

Starting with the things I liked, before briefing my primary points of criticism:

Po's Character Regression

Po and Zhen's Dynamic

The Chameleon

I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.

SPOILERS for the entirety KFP4 for the 2 people who care.

KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.

Things I Liked About Kung Fu Panda 4

The Chameleon's character design

Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)

When Mr. Ping did this:

so cute! the little heart!

Po — Character Writing

Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”

It’s childish, and sort of Hotel Transylvania-esque.

Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:

Master Shifu says something philosophical

Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)

Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.

Po and Zhen — Character Dynamics

[No more graphics sorry I'm too angry]

As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.

Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.

By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.

The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.

Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.

The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.

The Chameleon

Where do I even start…

This is where it becomes apparent that the movie relies heavily on telling rather than showing —

She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.

The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).

The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.

'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.

I just realised they didn't even give her a NAME what the FUCK is going on

She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.

She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”

Let’s see what vile reprehensible things she’s done, shall we?

Gently push someone down some stairs

Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)

That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR

There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!

Closing Statements

To put it simply, Kung Fu Panda 4 was my Megamind 2.

The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.

It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.

It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.

Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.

As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.

#creaman talks to drywall #kung fu panda 4 #spoilers #I'm actually tweaking #sorry I stopped drawing the graphics because the film crushed my soul #you drive me to drink kung fu panda 4 #when the rantsona crosses their arms #hating on main #kfp #discussion #criticism #kfp4 #technically a vent post #i've lost it #the chameleon #zhen #po

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transmutationisms · 9 months

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Hi Caden don’t know if you listen to Ethel Cain but was wondering what u think abt her subverting the Americana aesthetic since I think she’s often compared to Lana, at least online. I do think she’s doing something different & to me more compelling than Lana, but I don’t really know how to articulate it.

yep i like ethel cain. i agree she and lana are doing very different things. like, i said before that lana uses american nationalism because she's playing off the fact that it makes/has an erotic appeal, and she places herself as the object of desire in that paradigm—tell me i'm your national anthem, etc. my read on ethel is that she's interested in the rural americana 'trad' aesthetic from a very different angle, where she's trying to connect the homestead and american rural social structures to the perpetuation of violence. there's some overlap here in the sense that lana is definitely also interested in sexual violence and sexuality-as-violence, but in her work the violent or abusive man is generally a specific figure who's aberrant from the norm, and a lot of the artistic interest for lana comes (i think) from her interrogating what it is about this man that's appealing to her and how she sees herself through his eyes. with ethel, on the other hand, she portrays violence as coming through the infrastructure of normal and normative social structures, like the family and the church, with abuse understood to be a feature of these and not a bug. family, church, etc are in turn understood to be part of the infrastructure of american rural communities, casting the critique she's making through the ethel character onto this entire social apparatus (& there is some implication here of how this is all a part of westward colonial settlement—which is a potentially fruitful direction to go in, the idea of expansion into the 'frontier' as a narrative of, or narrative prerequisite to, violence).

so for example this is partly why, for ethel, incest specifically is a mode of sexuality & violence that she continually uses and interrogates: she's invoking it as an intensification of the 'normal functioning' of the family, which means the whole family structure gets pretty ruthlessly questioned through the character of ethel and the violence she faces. she invokes the trad aesthetic and the idyllic family homestead, then shows you the brutality that creates and is created by them. for lana, the family is not a concern in this way and is not something she's questioning or challenging the way ethel does (the daddy/girl thing in lana's work is p far removed from even a pseudo-incestuous reading most of the time, even in her lolita references). there's a similar distinction with how ethel examines protestant theology and practice with the explicit goal of pointing out inherently violent aspects of it, whereas for lana, invoking god or christian imagery is generally more on the level of playing off the way that american nationalism resembles and uses rituals of religious worship. lana takes political phenomena like the appeal of nationalism, and expresses them through the erotic configuration of these relationships with older, dominant men. with ethel it's more that she looks at social structures and practices signified by the rural americana aesthetic, and pokes and prods at these structures until the violence inherent to them is glaringly obvious to listeners through the ethel character's story. it's a way of problematising these institutions and practices, not letting them hide in plain sight by presenting themselves as benevolent.

so yeah i can understand why people might want to compare these two artists, but i think they're actually doing very different things. i would probably not say either of them 'subverts' americana or signifiers of nationalism, which is not a criticism, i just think that concept is often poorly defined and less frequently applicable to art than people sometimes think lol. ethel uses her character's story to deconstruct and question the american aesthetics and institutions her work invokes; lana translates these aesthetics and institutions into explicitly erotic discourses and dissects them through the allegorical figures of the people and relationships in her songs. (this is not to discount the importance of erotics in ethel's work as well obvi but this post is already long :P)

#ethel cain #lana

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maxmagic · 10 months

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LONG post featuring my opinions on this design and her concept and also Vivs character design decisions in general

This design singlehandedly made my account rise from the fucking dead because of how much opinions I have on it

TO NOTE : I LIKE Helluva Boss as a show. Is it perfect? No. Do I think it has issues from both writing and design aspects? Yes. Do I like it regardless? Also yes. You can like a show and still have criticisms of it. Also Viv has answered some criticisms about Beelzebubs design and I will talk about them too

Final warning cuz this is LONG and rambled at points

By this point we are all aware that once a new character gets revealed in Helluva or Hazbin , there's always opinions on it.

But Beelzebub truly takes the cake on how divided people are on her design. People either adore it or hate it with a blinding passion (and some just don't like it cuz they have a Viv hate boner).

I have to say I actually really like it as a stand alone design. Remove her from the story and context it's genuinely an appealing design with fun and bright colors. I personally don't mind the early 2010's sparkle dog look. It has a nostalgic charm to it and if you followed Viv for long enough you know she really likes that aesthetic. She has good colors and color placement and my main real dislike is the weird hair.

And she's animated BEAUTIFULLY !!! Real props to the animators for being able to make this design look nice in motion because god lord is it complicated. This will be a criticism later, but again, its really amazing on how they made this design look good even though we all know this must have been a real bitch to animate.

The real issue that come to me with her design is when you put her in the show and have to think about who she is, what she is, what her lore is ect.

Firstly: Her not being 'lore accurate' kinda falls flat given that none of the designs thus far have been accurate to what they're based on. Like Asmodeus has elements that tie him to his demon name counterpart (with the rooster tail and 3 faces) but they're more allusions then design inspirations. Lucifer is literally just a top hat twink and Mammon (even tho we haven't seen his full design yet) is clown/jester themed. Viv has made it clear that this version of hell isn't supported to be an accurate depiction of biblical hell. So she can really do whatever she wants with her interpretation. Her not being an insect, although disappointing since we don't really have that in the show, is only just a matter of personal taste.

HOWEVER there's still a lot of discrepancies with her design.

So she's supposed to be a Bee-Fox hybrid... Where's the bee??? Like take away the hexagon background, where is the bee part of her design? She has antenna and wings but... They don't really do much. The antenna are fine and its smart they placed at the tip of her ears, but the wings are straight up not bee wings!!! They look more like pixie wings and they're so small half the time I forgot they were there. Couldn't you have added.. idk some stripes?? she has stripes on her ears but they don't look like bee stripers more so general Viv design details. It's weird given she uses stripes so heavily in other designs yet the BEE character doesnt. Maybe add some fuzz like how bumblebees have?? Maybe trade that stupid lava lamp tail/hair if its too complex. I really don't like how she has normal hair and also a weird liquid part and liquid tail. It adds too much visual noise and just doesn't gel well wit the rest of her design. Her lava lamp stomach too just feels like needless addition of animation work for something that just doesn't add anything. Her colors ( despite being nice) kinda clash against all the other hellhounds who have a muted black/grey/red color pallate. It makes her look like an 13 year olds OC thats been edited in

Literally the only things that changed are her colors, size and eyes. In my opinion this should have been her base design because the colors and bug eyes lean into more of the bee aspect. Plus with these colors she fits more with other hellhounds.

Like right now the normal design feels 97% fox with just the most subtle bee elements slapped on. If it wasn't for the background, look me in the eye and tell me this design is a fox bee hybrid.

She also doesn't feel like a prince? She's dressed very casually and doesn't have nearly have enough of an imposing vibe. I didn't know she was a prince until it was said in show. I thought she was just some high rank demon performer. Its kinda disappointing given how grand, larger then life look and energy Asmodeus had. They were introduced in the same way via big song number, but Asmodeus felt like a Prince of Lust, Beelzebub felt more like a performer of Gluttony rather then a ruler.

Also why if she a hellhound in the first place? i saw somewhere on twitter that its cuz her people are hellhounds but that doesnt make sense. Lucifer isn't a human and Asmodeus isn't a succubus, so why does Bee have to be a hellhound? We know that hellhounds are the lowest ranked amongst hell natives, so how do people outside of gluttony feel about her? She is treated like royalty but is also a hellhound, the lowest demon. It causes a needless paradox that makes you question the worldbuilding of the show.

Also why are hellhounds the lowest rank in hell ? and why are they associated with gluttony of all things? I am going to be honest when I say I completely forgot they were native to gluttony because gluttony has a beehive aesthetic and like wtf do dogs have anything to do with it . Like other demons shown have themes that tie them into their respective prince or sin, but we aren't shown why hellhounds in particular are gluttony. Like it feels like a minor thing but when you present information about worldbuilding and show stuff that contradicts it, people will question it.

And why is she dating a hellhound? Or more so why is she so open about it. Like its been shown in the show that Stolas and Admodeus dating imps is a taboo thing so her being so open about her relationship with someone whose even lower then an imp. Again its going back on lore and worldbuilding being contradicted. If you're going to make rules for a show, stick to them.

I'm putting these two side by side cuz I have the same complaint about them.

How are we suppose to know this?? First the gluttony ring severally lacks any circus motifs (it has more of a bee theme then a circus one), but Bee ESPECIALLY doesn't have ANY hints at being circus themed, let alone animal trainer.

I knew that all the princes had a circus theme but from I (and from what ive seen in other comments) though she was an acrobat or like dancer of the sort. Literary nothing in her design says she is an animal trainer. And also the hippie 60s spirit is also not anywhere in the design. Just because a design choice is clear to you doesn't mean its clear to everyone else. A good design makes its points across loud and clear so everyone can understand it. This really feels like she's making it all up as people ask. She probably isn't but it really comes across that way. You cant just say something about a design that just isn't in the design or its not shown properly. This is an issue a lot of Helluva and Hazbin Hotels characters have (look up any of their trivia and you'll see how bad some designs are communicated), but with Bee its emphasized tenfold because she's suppose to represent all these different things (fox, bee, prince, party girl, animal trainer, DA sparkle dog, 60s hippie free spirit) at it just isn't conveyed or is put in such a way where you cant clearly tell what it is. It honestly feels like Viv had in mind to have a Kesha pop party girl character and just made her a prince. Shes trying to justify all these things and saying them like they're obvious when they're clearly not!

This design suffers from having too many ideas slapped on it that just don't work and actively work against each other.It makes me less excited for the future prince designs

If youve come this far good for you for sticking around to this way too long of a ramble about a probably one off character in a popular indie cartoon :D

#hazbin hotel #helluva boss #helluva critical #helluva boss critique #design #rant #god this felt freeing to release #seriously it was boiling in my brain for days

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mariacallous · 11 days

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Republicans are thrashing around trying to get themselves out of the abortion ban they have tried to win for so many decades. Senator Lindsey Graham (R-SC) was the first. In the fall of 2022, just months after the Supreme Court struck down Roe v. Wade, he proposed legislation calling for a national abortion ban after 15 weeks. So far, this bill has gone nowhere. Then, in 2023, gubernatorial candidate Glenn Youngkin of Virginia put the 15-week abortion ban at the center of his campaign to help the GOP take full control of the Virginia legislature. Rather than holding one house and picking up the other, he lost both. Recently, former President Donald Trump—who often brags about appointing the three Supreme Court justices who made possible the repeal of Roe v. Wade—offered his own way out of the thicket by applauding the fact that states now can decide the issue for themselves. And in Arizona, the Republican Senate candidate, Kari Lake, is trying to rally the party around the notion of a 15-week ban instead of the 1864 near total ban their court just affirmed, even though she’s facing criticism for this on the far right. Meanwhile, the Wall Street Journal came out with a poll showing that abortion was the number one issue—by far—for suburban women voters in swing states.

In each instance (and there will be more) we find Republicans desperately trying to find a position on the issue that makes their base and the other parts of their coalition happy.

It doesn’t exist, and here’s why—abortion is an integral part of health care for women.

Since 2022, when the Supreme Court eviscerated Roe in the Dobbs case, we have been undergoing a reluctant national seminar in obstetrics and gynecology. All over the country, legislators—mostly male—are discovering that pregnancy is not simple. Pregnancies go wrong for many reasons, and when they do, the fetus needs to be removed. One of the first to discover this reality was Republican State Representative Neal Collins of South Carolina. He was brought to tears by the story of a South Carolina woman whose water broke just after 15 weeks of pregnancy. Obstetrics lesson #1—a fetus can’t live after the water breaks. But “lawyers advised doctors that they could not remove the fetus, despite that being the recommended medical course of action.” And so, the woman was sent home to miscarry on her own, putting her at risk of losing her uterus and/or getting blood poisoning.

A woman from Austin, Texas had a similar story—one that eventually made its way into a heart-wrenching ad by the Biden campaign. Amanda Zurawski was 18 weeks pregnant when her water broke. Rather than remove the fetus, doctors in Texas sent her home where she miscarried—and developed blood poisoning (sepsis) so severe that she may never get pregnant again. Note that in both cases the medical emergency happened after 15 weeks—late miscarriages are more likely to have serious medical effects than early ones. The 15-week idea, popular among Republicans seeking a way out of their quagmire, doesn’t conform to medical reality.

Over in Arkansas, a Republican state representative learned that his niece was carrying a fetus who lacked a vital organ, meaning that it would never develop normally and either die in utero or right after birth. Obstetrics lesson #2—severe fetal abnormalities happen. He changed his position on the Arkansas law saying, “Who are we to sit in judgment of these women making a decision between them and their physician and their God above?”

In a case that gained national attention, Kate Cox, a Texas mother of two, was pregnant with her third child when the fetus was diagnosed with a rare condition called Trisomy 18, which usually ends in miscarriage or in the immediate death of the baby. Continuing this doomed pregnancy put Cox at risk of uterine rupture and would make it difficult to carry another child. Obstetrics lesson #3—continuing to carry a doomed pregnancy can jeopardize future pregnancies. And yet the Texas Attorney General blocked an abortion for Cox and threatened to prosecute anyone who took care of her, and the Texas Supreme Court ruled that her condition did not meet the statutory exception for “life-threatening physical condition.”

So, she and her husband eventually went to New Mexico for the abortion.

Obstetrics lesson #4—miscarriages are very common, affecting approximately 30% of pregnancies. While many pass without much drama and women heal on their own—others cause complications that require what’s known as a D&C for dilation and curettage. This involves scraping bits of pregnancy tissue out of the uterus to avoid infection. When Christina Zielke of Maryland was told that her fetus had no heartbeat, she opted to wait to miscarry naturally.

While waiting, she and her husband traveled to Ohio for a wedding where she began to bleed so heavily that they had to go to an emergency room. A D&C would have stopped the bleeding, but in Ohio, doctors worried that they would be criminally charged under the new abortion laws and sent her home in spite of the fact that she was still bleeding heavily and in spite of the fact that doctors in Maryland had confirmed that her fetus had no heartbeat. Eventually her blood pressure dropped, and she passed out from loss of blood and returned to the hospital where a D&C finally stopped the bleeding.

These are but a few of the horror stories that will continue to mount in states with partial or total bans on abortion. As these stories accumulate, the issue will continue to have political punch. We have already seen the victory of pro-choice referenda in deep red conservative states like Kansas, Kentucky, Montana, and Ohio; and in swing states like Michigan and in deep blue states like California and Vermont. In an era where almost everything is viewed through a partisan lens, abortion rights transcend partisanship.

And more referenda are coming in November. The expectation is that at least some, if not most, of the pro-choice voters likely to be mobilized by the abortion issue will help Democrats up and down the ballot. As a result, Democratic campaigns are working hard to make sure the public knows that Republicans are responsible.

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the-silly-urge · 6 months

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Hag-Eyed and Volo's Ersatz Eye cosmetics

Okay making this post because I haven't seen anyone do it and I've wanted it to be a thing so many times I might as well do it myself! This will include images of the cosmetics on all viable companions as well as player races with unique eyes.

Volo's Ersatz Eye:

Player races (Dragonborn, Githyanki, Tiefling) Volo cares not for the color of your sclera.

Origin Characters Karlach's has the slit pupil! As does Lae'zel's!

Hag-Eyed:

Player races (Dragonborn, Githyanki, Tiefling) The eye didn't show up in Magic Mirror for my Tiefling so this is a dialog screenshot- sorry

Origin Characters

Wyll isn't included due to not having a good eye to spare and as such being barred from both eye replacements. Minthara, Halsin, and Jaheira will refuse to obtain Volo's eye, and I'm not sure it's possible to get any of them to the Hag. Minthara maybe... But I don't have a file in which I could test it.

Additional context below + how to obtain both eyes if you need it. -(Will contain a GIF)

Volo's Ersatz Eye: You will first find Volo in the Emerald Grove, and if you talk to him, he will explain that he's going to visit the Goblin Camp. When you find him there, interact with him, and then rescue him. He'll eventually be at your camp, and you can talk to him about your affliction and he'll say he can fix it. Once you've had a Long Rest, talk to him again and he'll propose to do surgery on you. From what I understand, the scene is very graphic both visually and in narration, and is also pretty long. If you have issues with eye trauma like I do, I recommend covering your screen with a sheet or enlisting a more confident friend to tell you when it's done... (You do need to pick dialog options though) Anyways, once you've had that impromptu surgery, Volo will offer to replace your eye with a relic as payback. This eye gives you a permanent See Invisibility condition, as well as the cosmetic change, which makes it a net positive. Though I believe companions do disapprove of the surgery.

Little bit of a closer look at the Ersatz eye on a Dragonborn... It doesn't glow and it's not animated, but doesn't have a visible sclera. You can get this effect normally by selecting "human" eye colors. It doesn't really match with classic DB eyes though. EDIT - The Ersatz Eye seems to always have a slightly green-tinted sclera when the sclera is visible. You can only really tell up close, but it's worth noting I guess.

Hag's Eye: The Hag's Eye can be obtained in the Sunlit Wetlands after talking to Auntie Ethel in the Emerald Grove. Just go to the quest marker there. Going through with this will give you the Hag-Eyed tag and the "Paid the Price" condition. Unlike with Volo's Ersatz Eye, you get to pick which of your eyes is replaced. The condition will give you a +1 to Intimidation, Disadvantage on perception checks, and Disadvantage on attacks against Hags. In Early Access, it made it impossible to land Critical Hits, but as far as I can tell this is no longer a thing! (Also fun fact- After giving the Hag their eye, all the companions have custom overworld dialog. I'll leave you to look at that yourself though!)

For Dragonborns, the eye has a very visible black sclera, and is unanimated, as you can see here. It's up to you whether you think that matches well with classic DB eyes or not.

If you want the effects but not the cosmetics, there are mods on Nexus which remove the visual component in both cases. I may add links to those mods down here later, but Nexus is down right now so it'll have to wait.

#bg3 #baldur's gate #baldur's gate 3 #astarion #shadowheart #karlach #lae'zel #gale #gale of waterdeep #screenshots #rambles #bg3 screenshots #volo's ersatz eye #hag-eyed #no companions were harmed in the making of this post #thank you to lochor qa'leith and fish for being my testing dummies LOL #resources #long post

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evenmoreofadisaster · 4 months

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the last chapter was my favorite in the whole fic so far! I'm very invested and very pleased to see how fleshed out this has become- I absolutely love the dynamics. I'm so intrigued to see how this story plays out, thank you for the wonderful writing!

Apologies if this has been asked before, but regarding Two not getting enough praise and feeling lesser than in comparison to One, is there a particular vulnerability that hurts more than the others? I'm assuming the list is fairly long but the ones I can think of are their names, his softshell, his tech malfunctioning, and his lost arm.

(I think this was in reference to Smart Lair, I just took a while to respond, sorry about that)

Thank you! I don't think this has been asked before actually

I think those are the main things so I'll just dig into them a bit more ehe

yeah, the names are a big one, mostly because of the ranks associated with them.

Two's tech is another important one since he thinks it's the only thing that makes him truly valuable (as an extension of his intellect). So, when One insults his tech or it malfunctions he gets defensive and takes criticism personally.

I would say the lost arm and softshell are insecurities to a lesser extent. Two's more sensitive about the experiment he conducted than the lost arm itself. That's mostly because Draxum uses it as a reason not to trust Two to work unsupervised, which justifies Two's lower rank, while One uses it to take Two's credibility away when he needs to (I feel like that's mostly for the events in the fic, though, since he's actively trying to deceive Draxum AND Two). Two personally sees the actual amputation as proof that he can not only come back from anything but come back even better than before, in this case with the enhanced prosthetic. So, it's a bit of a complicated subject for him since Draxum only sees it as a reason to distrust him. I don't really think Two would be insecure about losing an arm, since we figured Draxum would be able and willing to train him to fight without it (I can't remember if we mentioned Two more directly removing himself from training than Draxum, who just avoided him for a bit.) So it's more the accident itself and the way it changed his reputation that he's insecure about. The arm is a sensitive subject as a reminder of his personal and professional failure. I tried to sort of hint at that in this comic.

I haven't actually thought of Two's softshell being an insecurity in depth before but now that I am I'd say it's a sort of similar situation. Two, like canon Donnie, is aware that his softshell is a weak spot that his brother does not have to worry about, which is why it's a comparative disadvantage. As far as I understand, softshell carapaces aren't SUPER fragile on their own, they're just more fragile than other turtles. So Two would have the same kind of durability as a normal yokai or human child. Perhaps when he was younger he was more insecure about it because Draxum would probably warn Two and One to be careful which would just be an early example of One stepping up as the 'oldest' which Two isn't super happy about (I've talked about Two struggling with feeling respected in the household). But when he's older, probably after he lost his arm and after One's accident he ends up just erasing the weak point by giving it defensive capabilities. I wouldn't be surprised if he installed them after giving himself the arm as if to overcompensate for losing the arm in the first place. Like, in stead of just fixing his mistake so he's as he was before, he's showing he'll make himself even better, both by adding enhanced systems and tools to his prosthetic and by giving himself the spines. But i'm not 100% sure so that may change lol. But anyway, the shell is a vulnerability by being something people can use to prove that One is better than Two, and by being a literal weak spot as a turtle. Two installs the spines in his shell so that his enemies can't take advantage of his soft shell, and so that he has a way to make himself equal to and even surpass the tactile advantage that One gets from his shell. "Take that, mother nature" --Two, probably.

Aside from those, another vulnerability would be Two's temperament. He's got a lot of anger and aggression that he doesn't have much control over, which can make him a liability for One and Draxum, and thus makes him anxious because the more emotional he gets the more of a problem he is. It's just another reason Draxum can't fully trust Two, and he knows it. Two's unpredictable, temperamental, and pretty uncontrollable when he wants to be. I love these qualities because it really shows how passionate Two is, and is a good tell for when Two is really hurting or adamant about something, but One and Draxum will shut Two up by telling him he's forgetting himself or being overemotional, and it's one of the things that Two is not proud of so it usually works. Two tries to remain unaffected and composed and usually succeeds except when it comes to his anger, which is usually born from anxiety or hurt.

That one ties into the vulnerability that hurts the most, which is the notion that Two is a "loose cannon," as One puts it in Smart Lair. It's what ties back to most of the stuff that is on this list and is a big topic in Mind Meld and Smart Lair. In Mind Meld, Two snaps at Splinter when he calls his experiments crazy ("'I am not crazy!'"). He gets worked up when One messes with his technology because, of course, it's his job and he takes it very seriously, but it's also because every haywire experiment is just another docked point against his credibility, and the same goes for his emotional outbursts. He got the label when he did the experiments that got himself and One hurt, and being a high profile criminal in the Hidden City just proves the point and further threatens Draxum's mission. Draxum doesn't trust Two because he is afraid of what he's capable of, but instead of respecting Two's commitment he calls his unpredictable behavior a flaw that keeps him in the second rank. Two's furious because his ambition and passion are labelled as unpredictable and erratic, and that leaves Two constantly trying to fight against behavior that he believes makes him an invaluable asset to Draxum. So that's why Two fluctuates between following orders without question and working on really dangerous projects on his own

Great ask! thank you! I hope this all makes sense :)

#emd asks

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atamascolily · 6 months

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@sailormiuccia asked for my thoughts on the possibility of new characters in Walpurgis no Kaiten, so let's go!

One notable thing about the original PMMM series is how tightly focused it is on the core cast--while there are still plenty of named side characters who play an important role in the plot, they get only a fraction of the screen time that the Holy Quintet does. I remember reading an early review of the series by a professional critic lamenting how "empty" Mitakihara is, but it fits nicely with the show's theme of magical girls existing in a liminal space separated from the normal, ordinary everyday world.

Ironically, PMMM has a much larger cast than many of the magical girl shows influenced by it, who took that same trend and dialed it up to eleven. PMMM gives us scenes of Madoka interacting with her family, or interactions with teachers and classmates, but the first season of Yuki Yuna is a Hero (2014) doesn't bother to give us any named characters outside the main cast at all; many of the adults wear masks on their faces to make them appear anonymous and interchangeable and most of the girls' actions with the shadowy organization responsible for the Hero System occurs via text messages. The first episode of Granbelm (2019), a magical girl mecha battle royale, doesn't show any adults at all--only adolescent girls--in its first episode at all. And so on.

Because PMMM is so tightly focused on its main cast, introducing new characters is a challenge. Rebellion has only one new character, the magical girl Nagisa Momoe--although I would argue she is not a completely new character, but a recontextualization of a character we already know, Charlotte the Dessert Witch. This allows her to slide nicely into the action with minimal exposition (especially important in a movie, which has a limited run time compared to a multi-episode series) and explains why she's hanging out with the main cast in the first place via Charlotte's established connection with Mami.

In spite of this, Nagisa has a pretty limited amount of screen time--even if we count her scenes as Bebe, she gets only a fraction of the focus of the Holy Quintet. It's not that her presence isn't meaningful or important, just that she's in the background for most of the movie, placing her somewhere in between the main cast and the other side characters.

This is also why I'm perpetually bemused by the fans who want Hitomi to become a magical girl--not only do we already have plenty of magical girls on the team already, Hitomi's narrative role is to be the Ordinary Friend, aka monster bait. The characters have emotional connections with her beyond what they would for a random background character, and her well-being means something to them--making Hitomi a magical girl would remove that element from the mix completely without necessarily adding anything in return. As anyone who has ever watched the later seasons of Sailor Moon can attest, the more characters you add to the team, the more most of them get shafted or sidelined by the narrative because there's only so much you can cram into a twenty-four minute episode or a two-hour movie.

Right now, Magia Record is wrestling with a similar problem in the current Scene 0 arc, having introduced a brand new character, Mabayu Aki, and positing her as a full-fledged member of the main cast whom nobody remembers ever existed due to as-yet-unrevealed shenanigans. After watching a good chunk of the arc that's been translated into English, it's not clear to me if the writers will be able to live up to this premise--but either way, it demonstrates just how hard it is to bring new characters into a long-running franchise in a way that makes their presence feel both natural and inevitable.

Based on what we've seen so far, I would expect Walpurgis no Kaiten to continue this trend of focusing primarily on the previously introduced core cast (especially Homura), with any "new" characters being alternate versions or recontextualizations of characters we already know. This is not to say that SHAFT can't pull a fast one and introduce someone we've never heard of and with no prior connections, just that it would surprise me if they did--especially given the narrative constraints of a feature film, where every second counts.

#puella magi madoka magica #pmmm analysis #walpurgisnacht rising #walpurgis no kaiten

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turtleations · 8 months

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Interview with Sugizo (Luna Sea / G) (summarized)

Published in the hide BIBLE (by Akemi Oshima) 2008

Note: Still not good at Japanese, but I like to delude myself that I am gettling slightly better. Feel free to correct me if I am wrong about something anyway.

I have changed the format of these "summaries". This is as close to an actual translation as I can currently make it, and in many places it is an actual translation, just moved from first to third person. You can often tell where from the awkward English.

I also included the prompts of the interviewer to make it flow more naturally, though I often paraphrased them.

Sugizo's thoughts on hide as a guitarist after X JAPAN’s reunion live

There isn’t a lot of talk about hide as a guitarist, with there being more attention on him being an expressive support or a unique performer. Sugizo thinks he was actually a quite technical player. X’s songs are rather difficult – especially the ones made by Yoshiki deviate from so-called normal rock, and it’s not easy to find players suitable for that. Remove even one nuance from it and the whole construct becomes unstable. This goes especially for the precise guitar harmonies and arrangements, as Yoshiki’s approach to writing music is close to classical compositions. Sugizo once again realized that with the reunion. In classical composition, every last note is planned and to tamper with even one of them is a sacrilege against the composer. Every note is intentional, a part of the composer’s soul, and the player had to protect that intention before anything else, like expressing their own individuality. Sugizo now came to understand how close X was to that way of composing. His own intention was to play hide’s parts without tampering with them. How could he put his own nuances in there, when by staying faithful to the original, he believed he could show his respect for hide and also for X JAPAN? He wrestled with those feelings and couldn’t relax while playing, finally understanding that during X JAPAN’s lives, and especially Yoshiki’s songs, you couldn’t move much because you had to concentrate so hard. It wasn’t just about looking cool – you don’t move because you can’t move.

Is that so?

Of course you also have free parts, and parts where you interact with the audience, but most of the time it’s so tight and you have to focus so hard you can’t move.

Nobody moved during “Art of Live”.

The same goes for “Blue Blood” and “Silent Jealousy”. Sugizo played with them himself now, but X JAPAN is at the top of the Japanese heavy metal bands that came up in the 80s. They set the precedence for how far a performance could go, how high you could sing, how offensive you could be, how difficult you could make it, how flashy you could look. X has pushed forward all the elements of the metal scene and was the first band acknowledged by the general public. Therefore, the peak of the metal scene was the start of the new visual scene as seeds sown by X. That said, Luna Sea’s methods and musical structures are completely different from X. He thinks that X’s way of expressing themselves was the final form of all the metal bands. Maybe there isn’t as of yet any other band in Japan going that far, that high, that flashy. One needs a clear stance to realize a clear standard. If you don’t diligently research them, you can’t play X’s songs. On the contrary, you have to bring this degree of understanding. And now Sugizo has become an X-music-critic (laughs).

With Sugizo chasing after X, being used to a different system, how has he decided to support them?

A long time ago, Yoshiki brought it up with Sugizo. But back then he said, “Impossible. No one can fill the hole left by hide-san.” There is no person whose existence is that big. At first, Sugizo was quite negative towards the idea, because the fans would kill him. He knew he would be drowned in criticism, and that was a difficult thing to take on. And he didn’t quite know how he felt about it himself. But when the reunion became a more concrete concept, Yoshiki asked him again and he started thinking about it objectively. He had been active at the same time as hide, but could he do this for three hours on stage? Of course, they could have done without someone on stage, but there are limits to what you can express without a live human player, and out of everyone in the current Japanese scene, Sugizo felt he was the only one who had the necessary meaningful and existential connection to hide to take over this part. No other reason. He did it out of respect, and because it wouldn’t happen if he didn’t help out. Even if he feared criticism, he needed to do it for his irreplaceable friend and for his respected seniors. He meant to support them and express hide’s existence through his own play as closely as possible. He wasn’t really at the forefront, rather, he became a medium. If he could channel hide’s dying wish into sound through himself, he would consider it a success.

About I.V.

I.V. had a completely different feeling. Here, Sugizo could do his own thing – in fact, Yoshiki, the creator, told him to. Not just that, but the intention of hide was transmitted through Sugizo’s fingertips. So even with criticism and attacks, in the end he was grateful and there were a lot of positive aspects to it.

On the impression he had on being on a really big stage with X

Such a giant band in every sense: The scope, the size of the stage, the amount of time by which the performance was delayed (laughs). The scale was too big; this isn’t a normal rock band anymore. The size of their existence and the showmanship with which they entertain everyone. Luna Sea is a normal band in comparison, just a small fish. Sugizo felt lucky that he got to experience that – that he got to exist in the whirlpool of those two bands is a precious experience. And one more thing: The affection of the staff was amazing, and he understood well hide’s part in it. He understood well that without hide, there can be no X JAPAN. And thus, this X without hide was stuggling. Not just from the outside, but from the inside as well. Sugizo came to realize just how important hide’s role within the band had been. They started out started wobbly, but ascended on the third day – this band is truly divine. It felt like he was diligently playing guitar with hide, and competing with him musically, for the first time ever. Although they have been close like brothers and often went drinking together, Sugizo had never experienced hide on guitar like this before. Nearly twenty years after meeting him, this was the first time he really felt like they were together. It was an amazing experience. Sugizo’s close friends Wes (Borland, ex-Limp Biskit) and Richard (Fortis, Guns & Roses) were also stuck by admiration for X JAPAN’s greatness and hide’s awesomeness. In any case, for Sugizo it was a very valuable experience.

The impression hide left on Sugizo

Thinking about it now, he was a person like Mozart. Someone who was like a force of nature until the first half of his thirties, went all out, caught everyone around him in his inescapable nexus, and then died. The people who survive, like them, grow tattered as they reach old age, while experiencing the sorrows and the joys of aging people.

About their first meeting

Sugizo doesn’t remember it well because it was a messy time. But drinking places come to mind. At that time, Luna Sea had only just formed, and X was already at the top, but they drank at the same Issakayas. At first, that was scary, but while drinking with hide, Sugizo soon found out that they were very kindred spirits and they unexpectedly became friends. So, he can’t remember where and how they met for the first time. But it was certainly in Meguro, close to Rokumeikan, at a normal Izakaya like Tsubuhachi or Shoya.

His impression of hide back then

Like someone out of a magazine. It felt like, “Oh, there’s a person from a magazine right in front of my eyes.”

Wearing a hat and sunglasses?

This was hide in a private setting. At that time, when going out in front of people in private, he wore a big black hat and cats eye sunglasses. He must have worn something like that, which is just what Sugizo imagined people from magazines would look like. While they drank, their talk suddenly turned to music: “I like JAPAN” [British punk and pop band active from 1974-82 , and in 1991], and they found a connection. “Fast, that’s good!” – “Fast music is the best!” – “But, I hate the later period.” – “No way! I love the later period just as much.” – “Looks like we have different tastes,” and such (laughs). “Who’s your favourite guitarist?” – “I like Frank Zappa the best.” – “Zappa, huh? I don’t like him at all.” He remembers well how they went back and forth like this.

This was before Luna Sea signed up with Extasy?

Before. But they were active at Rokumeikan, so inevitably, someone knew someone who had a connection. At that time, there weren’t many other bands with their kind of sound, so they were pretty isolated. Hide must have thought that they were “weird and interesting”. Hide and Sugizo’s aesthetics matched, they took a similar stance on expressing themselves, and so they became good friends. Around them, there were a lot of artists in the style of previous generation metal or hardcore bands like VIRUS or AION, but Luna Sea was different from those and something new. Sugizo thinks they were in a similar vein as D’erlanger or ZI:Kill, but you could also see it differently.

Their motivation for joining Extasy

On top of being friends with hide, Yoshiki came to see their live at Rokumeikan. They came and went at Extasy drinking parties, and in the autumn of 1990 it was decided that Extasy would bring out their album.

Did hide recommend them?

Probably. Sugizo thinks that hide said to Yoshiki, “There’s an interesting band,” even though he never directly told them that he was the one making that introduction.

The impression was that hide was advertising Luna Sea to a lot of people.

In that regard, hide didn’t change until the end. He was always looking for new sounds and new images. No matter what their career level was compared to his, hide always had his antennas out for new, exciting, interesting artists. And then he would continue to socialize with them. A very hide-like thing.

That’s how LEMONed came to be.

Right. Luna Sea was probably the first band where hide said, “That’s interesting, let’s do it!”, and mobilized for them. But that time was a muddy mess.

Meaning?

The drinking parties were messy. At the establishments, artists, fans, people from the media were all jumbled together. It was great fun, but Sugizo has quite enough of it (laughs).

Lack of stamina?

Since Sugizo had been in his early twenties, that had not been a problem. He drank to the point of collapse, had violent fights with anyone and anything, and work up the next day with wounds all over his body.

His memories of hide from that time

He has countless of those, since they hung out together so much. Over the course of maybe two years, they were drinking together every two to three days. They drank until morning, went to the onsen, did radio gymnastics with everyone else, were in a fight in Asagaya. When they were drinking in Asagaya together with Ken and Kyo from Zi:Kill, they got into a big fight with some guys who looked like college students. At some point in the middle of the fight, Sugizo became aware that hide was nowhere to be seen. A few minutes later, hide came back wielding a dustpan and yelling, “You assholes!” He was the kind of person who would go and calmly search for an effective weapon while they were all hitting each other with fists. In the end, they all got banned (laughs).

But that effective weapon was a dustpan (laughs).

Ken was hitting his opponent with the shoes he took off, but suddenly realized that those were the slippers provided by the place they were drinking at and didn’t do any damage whatsoever (laughs). He wanted to hit his opponent with his boots or whatever, with all his strength, but he didn’t hurt him at all. It was terrible when everyone had to laugh in the middle of the fight. They rarely suffered serious injuries, in any case.

Small injuries?

Scratches and stuff. Sugizo doesn’t really remember, but when he got really mad, he got stopped by his friend George from Ladiesroom in the beginning (laughs).

That happened?

Hide also stopped him. When Sugizo went off and had a hard time, hide would come and have a drink with him. He was always looking out for him. Even though they raged a lot, there was never an intention to really hurt the opponent. It was violent, but it was fun.

Everyone says that.

Even after violent fights, everyone joked about it the next day. Also, hide loved messing with people. When they went to an onsen in Hakone, hide hid all of their clothes in a crack (laughs). Since it was dawn and there was no one around, it wasn’t a problem and it was never worse than silly mischief. Sugizo looked around, but there was nothing to wear except the noren [cloth sign at the entrance], so he spontaneously made the executive decision that that would serve as his clothes. He likes onsens, but to exchange the yutaka [light kimono, usually provided by the onsen] with a noren… (laughs). Further, hide ate a lot in the morning. Since they fooled around all night, the others didn’t want to eat anything, but hide enthusiastically gulped down everything on his own. They would ask him how he could eat like that, but he would explain that he’d get in trouble if he didn’t eat in the morning and devour like 3 bowls of rice. Then they’d got to an amusement part and slide down a grassy slope in a cardboard box, playing like children.

Adults don’t usually play like that.

Hide had a driver’s license but never drove. When asked why, he explained that he had once been in a collision accident. He couldn’t forget the feeling of the car hitting a person and so, he didn’t want to drive. Sugizo understood, but he thinks that hide’s power of imagination was too strong. When talking about going to the shooting range in America, hide asked, “Sugizo, did you ever shoot a gun?”

“Not yet, but I would like to try it.”

“You’s better not.” At the shooting range, hide would suddenly think, “What if I turned now and shot the person next to me and their blood splattered everywhere,” and just be horrified. Once he started thinking like that, one thought would lead to another and he would become terrified. So he didn’t shoot, and he didn’t drive. Sugizo understood that, because he, too, had an overactive imagination since he was a child. He doesn’t eat a lot of meat anyway, but when he thinks about the time when those creatures were alive, he feels bad. When he thinks about how they are roasting the dead body of an animal, he has to imagine their dying wails of agony. Both he and hide are people with an extreme power of imagination.

They can make their music come alive through that.

It’s great when it comes to music and expressing yourself, but when it comes to your normal life, it’s very inconvenient. When it comes to creating, one thing Sugizo often remembered later was one time he and hide went drinking before hide had a contract for his solo activities. He talked about wanting to do solo work but having doubts about it. Sugizo told him he should definitely do it, because solo-artist-hide would be interesting. A few weeks later, hide said, “I mostly decided on a solo contract, but Sugizo, I was surprised.” – “Why?” – “Can’t tell you yet.” And then he didn’t. Turns out, he ended up with the same record label as Luna Sea. Sugizo remembers well how often they talked when hide first started his solo activities.

Did they talk about what they wanted to do?

Sugizo doesn’t remember the contents of those conversations well, but hide talked about wanting to do pop. Since his starting point was KISS, he probably originally liked rock with big shows. That was 15 years ago. It makes Sugizo feel nostalgic.

What did hide say about Luna Sea?

Sugizo doesn’t really remember him talking about musical things, only drinking and having fun. But he liked their early pop songs like “Déjà Vu” and “Wish” and told them they should do more like that. “Believe” was their first single. When hide saw the PV, he said, “You should have related a pop single like this sooner.” They had the same hair and make- up artist, Okayama Tetsuya, and they often went to his place to drink.

Hide often came to Luna Sea’s lives.

Hide said that Luna Sea’s sadness was unbearable. “It came with a bang,” and “Deeply moving like Dinosaur Jr.”. Sugizo doesn’t understand that at all (laughs). Sugizo likes Dinosaur too, and got a melancholic feeling from them, but he thinks this was an impression specific to hide. “That feeling tightening your chest is nice, but there are no such elements for me.” Maybe he saw such tones in bands like Luna Sea or Zi:Kill.

He also often went to see Zi:Kill.

Hide liked Tusk. He also had a close relationship with Ken, but if pressed, Sugizo would say that Ken was being messed with (laughs).

He was often made fun of. (laughs)

But maybe hide and Sugizo were opposites when it came to their personality. Hide was blood type AB, and there are aspects of AB-types that Sugizo can’t understand. There are things that are normal for AB-types, but mysterious and incomprehensible for O-Types like Sugizo. Hide was no exception. “What is that guy saying so quickly?” Sugizo often thought. It was not a problem, because hide was in a position of seniority to Sugizo, but if they had been of equal standing, they would probably have fought if spending a lot of time together. Actually, their way of thinking and their interests were so different in hide’s last years that, while it never got to the point of fighting, they had a lot of disputes.

Conversely, that was the extent of the relationship they could have.

Sugizo wonders about that. At that time, X JAPAN set up base in L.A. and only had activities about once a year, so hide was rarely in Japan anymore. When he was home, they occasionally met for drinks, or they ran into each other at the “Music Station Special” and went out drinking afterwards, but that was the extent of it. Sugizo worked from London at the time but was never in L.A., so their points of activity were just different.

Sugizo also did his solo recording in London.

Nowadays, Sugizo often goes to L.A. and hangs out with Yoshiki, but the last one or two years before hide died, there was some distance. Nevertheless, whenever they were both in Japan, they met without fail. In the 90s, Sugizo was in L.A. not even once.

Is that so?

The first time he went to L.A. was in 2000. Since then, he’s been there almost 30 times. At first, it didn’t fit the image of hide’s L.A. The feeling was a little darker. But it matched, thinking about hide’s roots.

In the beginning, hide said he didn’t like L.A. very much.

KISS is an American band, though. And hide made Zilch in L.A. Zilch was great. But now [Paul] Raven has also passed away… Sugizo was close to the members of Zilch, somehow, they were all connected.

Did he hear stories about Zilch?

Yes, he did. “I’m not going to produce, I want to focus on performing,” hide said. “It’s going to be mainly in English, so I’ll focus on singing and playing the guitar. We’ve got a good producer.” The producer in question was Ray [McVeigh]. Sugizo thinks hide and Ray met because Ray was producing Oblivion Dust. Sugizo heard about it about one year before Zilch really started.

In his solo works, hide did everything on his own.

He probably wanted to relax and take a different approach to music. Sugizo remembers, there is a song called “Drink or Die”, that hide came up with when they were drinking together. “I want to make a song about ‘drinking or dying’.”

“About drinking until you die…?”

“Yeah, that’s it, that’s the song I’m going to make.” (laughs)

He swiftly wrote down the lyric on some paper right there in that place.

He did. The group they always hung out and drank with was called the “Legion of Hell”, and he said he wanted to make a theme song for them. “Legion of Hell” was of course a KISS reference. (or was it?) When he drank, that guy often went wild.

Him, too?

When the others went into s drunken frenzy, hide would, too (laughs).

Sugizo didn’t?

Sugizo doesn’t frenzy (laughs). Sugizo doesn’t change when drunk, but hide could change completely, as if a switch was flipped. It would go into a fun direction, or he could play too hard and get injured. He’d mess up and break his bones. One time, he ran off with joy and didn’t notice a wall in front of him until he ran into it face first. After that, he was down for a day (laughs).

Referring to their shared photo session?

They were photographed together in connection with a magazine interview, but hide managed to run into a white wall so hard his make-up left the imprint of half his face on it (laughs) He was in high spirits, got injured, and went down. He was an entertaining guy. He could change completely from one moment to the next, get silly or start fighting. Then, suddenly, he’d give a lecture.

Lecture, in what sense?

He was a guy who would suddenly lecture you if he was drinking. Sugizo got those lectures, their other buddies got them, too. For example, both Sugizo and Yoshiki liked the word “art” and probably used it a lot. Hide, on the other hand, hated that word and would tell him, “Sugizo, don’t call every single thing you make art.” And, “What I do is also often called art, but that’s not what it is. It’s simply me doing things I enjoy. Those on their high horse speaking of “art” can go fuck themselves! Listen, Sugizo! Don’t say shit like that.” (sour smile)

He certainly wanted to emphasize that.

Hide had a lot of particular views, and if you went against those, it rubbed him the wrong way, Sugizo thinks. Anyway, the talk is all over the place. They spend so much time together, but hide has been gone for ten years, and the chronological order is all messed up. In those ten years, Sugizo changed a lot. In any case, in that time, he wanted to talk, to drink, to mingle with a lot of people. In that, he and hide matched perfectly. Nowadays, Sugizo wouldn’t be able to spend his time like that anymore. That said, he also doesn’t spend a lot of time peacefully at home.

He often got summoned.

Very often (laughs). He’d suddenly get told, “Come over now.” He did it, too, which is strange. They should have been very busy back then. How did they have time for that?

No cell phones back then

None whatsoever. How did hide manage to contact him? Sugizo didn’t have a cell phone until 1995. The time when they were constantly hanging out was around 1992, 1993, so there shouldn’t have been any cell phones available in the beginning. If Sugizo was in the studio for something, hide would find out about that, too, and contact him there. His talent for research was astonishing (laughs). Since he got along well with everyone in the office, he always got info on who was where and did what. Sugizo still can’t believe he was that informed in a time when cell phones weren’t a thing yet. Speaking on which, after drinking in Roppongi one time, they all went to eat ramen. While eating, hide asked if those ramen were tasty or not. “I honestly can’t tell the taste.” (laughs) He asked them, “Because I don’t know if they are good or not, tell me.” They then told him, “They’re good,” and he said “Yay!” and ate happily. It was one of those times where Sugizo thought he was weird. (laughs)

Hide’s lacking sense of taste is a topic within his circle of friends.

Between Yoshiki and hide, they also fought, each accusing the other of being taste-blind. It was pretty ridiculous. Also, when Luna Sea were still indies, when they were visiting hide’s place to drink, it happened that when morning came, hide would suddenly prepare a meal for them. He could cook, that guy. Suddenly, at six AM or so, he would go and make fried kimchi or something. He was a strange guy, but he was also a bundle of affection. Sugizo thinks he just loved taking care of people. “Come to my place and I’ll feed you!” He gave them lectures, chased them everywhere (laughs). Sugizo always responded to that affection, because it made him really happy. Above that, he always rushed to respond, because he wanted to be seen as someone who always came quickly, no matter what was going on (laughs).

Even if the other members couldn’t come, Sugizo always did.

Thinking about it now, Sugizo really went for it. And there was the “salt incident” that was really fun. Whenever Sugizo used the phrase “Did that have the right amount of salt?” [Meaning something like, “Did that match your expectations?] on some grandpa or someone in some town, and hide laughed his ass off. “Young people don’t talk like that these days. Can you also ask the audience at Luna Sea’s live if you gave them the right amount of salty flavour?” So Sugizo said, “If the opportunity come up.” (laughs) Thus promised, several days later, Sugizo addressed the audience at an outdoor concert in Hibiya with, “Did that have the right amount of salt, you fuckers?” and hide lost it again (laughs).

Before that performance, hide excitedly wondered if Sugizo would really do it.

The strange thing is, hide was bad at dirty talk. One day, he askes Sugizo, and seemed to struggle with it, “The boy’s bit, ca… can you say that?” Sugizo thought he asked weird questions. And when he in return asked, “Do you mean ‘penis*’?”, hide was excited. “Amazing! You can say it! So manly! I admire you!” It was a great commotion. “None of the X-members can say it.” So Sugizo said, “Ours is a band that makes a lot of dirty jokes. So, it’s okay for you to give it a try.” And hide tried, “Pe… pe… No! I can’t say it!” and hung his head (laughs). Sugizo thought he was weird, but Yoshiki can’t say it even now (laughs). But, after starting his solo activities, hide managed to yell the word “Penis!” on stage. Sugizo thinks it was their influence, pulling him down to their level (laughs). In the beginning, he was above such things.

[*) Ironically, the word is censored throughout the text.]

His mental state changed (laughs).

For the sake of showmanship, he knew no shame. After the performance, they told him, “hide-san, you changed. Now you can say the word “penis” on stage with all your might!” and hide was super happy because he, too, had become a grown-up (laughs).

He grew up, right. (laughs)

Sugizo thinks that hide was such a great person thanks to his amazing family. Both his father and his mother were very warm people and thus able to raise a person like that. Sugizo was quite jealous of the good relationship hide had with his parents. It’s well known that Luna Sea is a band where everyone came from a broken home environment, so the warmth of a household, the affection of father and mother is something they barely experienced. That’s why hide was such an incredibly warm guy himself. The Luna Sea guys were all rebellious, messed up people. Even though they are now in their late thirties and have mostly left their childhood traumas behind, in their twenties it was still very present. The still dragged their childhood environment and traumas with them, had trouble with their personal relationships, didn’t express themselves well – there were all sorts of issues. To Sugizo at that time, hide’s family was something he envied him for. Even now hide’s parents are wonderful to him. Whenever he meets them, they invite him to their home. “Pata-chan comes often, so, come with him.” They are so full of affection, it’s amazing.

Has he ever done a session together with hide?

Yes, at the power station, when Sugizo was still indies. Hide sang, Sugizo played the guitar, Shinya was on drums, and on bass was Sexy Rose Harry. They played songs by Damned and Ziggy Stardust. Nostalgic. That was in 1991, a long time before hide started his solo activities, but Sugizo wonders if he wasn’t developing a vision for that back then. The way he sang changed a lot. He got serious about it. If he had to sing, he abstained from alcohol, went to bed early to stay healthy. He said to Ryuichi, “Singers are really respectable. I’m not there yet.” And then he worked hard to get there.

Did he see Sugizo’s solo activities?

He probably did, but since that started just before he died, they didn’t discuss it much. Luna Sea started their solo activities when X was in the process of breaking up, so hide was dealing with his own problems. He talked a lot to J, who was based in L.A., but didn’t have a lot of opportunities to talk to Sugizo or the others. But Sugizo hung out with the members of Spread Beaver, since he’s friends with all of them. In the year before hide died, they only met a few times and didn’t get to talk about their solo music much. If they had, Sugizo imagines it something like this: hide would have asked him if he was still playing with “art”, Sugizo would have insisted on going with that, and then hide would have told him not to, and they would have gotten into an argument (laughs).

Is there anything he would like to say to hide?

The things hide did have now blossomed to their full meaning. Hide and the things he wanted to express are now loved throughout the world. Sugizo wants to say, “Congratulations!” The distance between the countries is disappearing and hide’s music is now going out into the world. Some people had problems because CDs are not selling anymore, but there are now other ways for music to be distributed. Sugizo often wonders what hide would be doing if he were still alive in this time. He would probably be at the forefront of some brand new thing. When he thinks about such things, Sugizo wants to say, “It was too early, hide-san!” If you live a long life, various people are going to die before you. Those who die young are eternally beautiful, those left behind are, struggling and shining, growing older day by day. Sugizo, for his part, plans to keep doing music with all his strength until he goes to the place where hide is. He wants to keep doing music to the point where he gets as far as hide has gone.

#hide #hide bible #x japan #Sugizo #Luna Sea #interview #summary #this took forever #it was very interesting #but for now I'll be happy to not touch another interview for a while #funny thing: there was one part I didn't understand at all #and then while editing this I happened to come across a fan comic about the very incident Sugizo was talking about #and suddenly it all made sense

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themessengervevo · 5 months

Text

Hello everyone! Before I begin, I have to say I very much thank everyone who shared my story around. It may not be much, but it could lead to something more. Thank you for doing that.

Since my goal with my original post was to not only address my sudden unfair banning from the platform but to also give attention to other problems with this platform, I decided to give this operation a catchy name of sorts. You can call it

Operation Take That!

or anything else really. Hopefully that will give this movement more of an identity.

In other news though, I may have discovered some very peculiar bugs that affect the Youtube experience for me, and I'll show these in this post to give bugfix suggestions. For the sake of clarity, and also because I like old stuff, I will be showing these screenshots with CustomTube enabled. It's an extension for Chrome and Firefox that changes the look of the Youtube layout to older ones, specifically mid 2014 in this case.

First on my examination will be the home page. For this and other instances, I will be comparing how a banned user sees a page with the same tab but in a container so as to show how a normal user sees the same page. So how does the home page should usually look like? It should look as shown here:

Notice the sidebar on the left. Now lets compare it with the non-container homepage, and see what we get:

You can immediately see how the sidebar is gone. Why? If you can't login into a youtube account, why remove the sidebar? It still wouldnt let you sign in anyway because you are terminated. It is simply unnessesary!

Now lets move onto the watch page, and see how that is different, here is a screengrab of a random video I took from the home page in the container:

Again, notice the sidebar, but also the Like and Dislike buttons and the row of buttons from "About" to "More". Lets also compare the comments section, here is how it looks in container:

Great, right? Now lets see how those two look without container:

Notice how wrong everything looks? The lack of sidebar again, the misshapen Like button, the Save button here is the default one, the Share button has been replaced with a number, and the More button has three dots underneath it. Odd right? Lets see the comment section now:

Oh wait, there is no comment section here, because it's stuck in a loading loop! Again, why does this need to happen when you get banned? This is just unnessesary again!

Here's some other issues that I know of or found that I feel like need to be fixed:

The Like and Dislike buttons in comment sections lead to the sign in, unlike the ones under the video itself.

There's been performance issues for users of Firefox, including an intentional 5-second slowdown and big lag. The lag one in particular seems to be happening to everyone, not just me with an almost decade-old laptop at this point. Some speculate these changes were made by Google as part of a tactic to get non-Chrome users to, well, use Chrome, and see it as just plain being greedy. I think so too.

Occasionally, when I enter the home page from a watch page, the tab assumes I am logged in and shows my pfp and notification bell and all. I can click the pfp to open what would be the menu there, but is stuck in an endless loop. As well, the page im on shows a "Something went wrong" error. Very weird. That needs to be fixed too I think.

Again, please reblog and share this post around to not only hear my story but to hear my criticisms and suggestions too. I might make more of these posts to show how bad Youtube's getting as a platform. Also I am still considering whether to get a Boosty or not. Maybe even a Ko-fi if they allow that. Again, thank you for your support so far, I couldn't be more happy to hear your thoughts on this, and if any of you had or have the same experience I'm having, please reach out!

- Thank you, The Messenger.

#operation Take That!#text post #the caretaker #everywhere at the end of time #russia #peace #peace and love #youtube #fuck youtube #please reblog #pls reblog #please share #it would be very much appreciated #drama #firefox #bugs #fix your shit #2023

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itsana004 · 4 months

Note

10, 12, and 14 for Droite for the meme!

Ahhh thank you so much for the ask 💞💞💞

10. Could you be best friends with this character?

Oh gosh definitely not, it's like asking if celebrities could be best friends with their fans and I would be that fan worshiping her and having fan pages dedicated to her so definitely not

12. What's a headcanon you have for this character?

Oh my gosh I actually have a lot hehe

1-One headcanon I have is I think she has a really cute sneeze no matter in what situation, she can't control it and the worst part is it's not expected of her since she's serious most of the time, so she tries not to sneeze in front of people whom she doesn't want to look at her differently, especially enemies, but terribly fails in front of long-term friends and people she sees and visits often like Gauche, Haruto and Kaito.

2-I personally do not believe she's from Spartan City and the idea Mr. Heartland travelled that far from Heartland City to Italy to pick up orphaned children, and Gauche himself says the city they were born in was “terrible” and did not mention Spartan City by name. Even looking at the flashback, just looking at the surroundings it feels the buildings are a bit modernised, more like the outskirts of Heartland City. Gauche and Droite probably travelled to Spartan City due to the Championships being held there and they just travel around living in hotels and don't have a permanent home yet except Heartland City, but I really like the idea of her and Gauche sharing some Italian ancestry and connections to that place I just like the idea of them being Italian since I grew up in Italy. I like to imagine Droite's innate Italian spirit being stereotypically Italian that hates food crimes such as pineapple and fruits on pizza or ruining pasta, she's very defensive of that and even more so after staying in Spartan City in those couple of months. Never show her a Hawaiian pizza ever or she’ll get crazier than how Chris is when he teaches dueling. Haruto found out the hard way and he will never ruin pasta in front of an Italian ever again.

3-Droite is good at many things, but drawing is not one of them. As an orphan who was living in the streets she never really got the practice as a child, and once she was picked up by Mr. Heartland, art wasn't really a big focus in her studies, especially during training. She's insecure about that especially in front of people like Kaito where he needs to make detailed geometry and references in order to build something, she's bad at anything that requires art, whether it is a flower or an architecture. She tries to hide that though.

4-Just as drawing, she's really bad at whistling, she can't whistle for her life, just imagine Haruto trying to teach Droite how to whistle the same he learned from his brother so adorableee 😭💞

5-Droite is incredibly good at board games like chess or Go, she's good at any game that requires and tests one’s ability to think critically and defeat the opponent completely unnoticed, it's just one of those fields where she's almost unbeatable. She's so good that it rivals Chris. She has incredible muscle memory compared to the average and can play chess while blindfolded.

14. Assign a fashion aesthetic to this character.

I think she's a Chic Modernist

with the colour scheme of Barbiecore with the pink, grey, purple and white combination

I would absolutely love her to wear darker colours since her normal outing dress is too much pink for my taste, she would kill it in black the ones with nets, and outfits with corset!!!

She already wears a huge belt in canon which kind of acts as a corset

I can also imagine her having a light textile dress like this one

in an open field filled with flowers and butterflies near a seashore - this is not too far of as the first one is the same as her regular outing fit if you remove this

And the second photo is similar to her nightgown

I think for Droite the animators wanted to fit her dress to match the colour scheme of her hair but I think she would rock so many other colours than pink, grey, white and purple/violet combination.

#zexal #ygo zexal #yugioh zexal #droite zexal #sorry for making this post longer than shoul have been 😭😭😭

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crissiebaby · 8 months

Text

The Padded Palace Act III: Chapter 20

DISCLAIMER: This story contains diaper usage, crossdressing, inappropriate language, humiliation, masturbation/diaper sex, and other ABDL themes. Be sure to check out the link in the description if you need to start all the way back from the first chapter in Act I! I hope you enjoy!

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“Wowza! I swear, you’re more squirmy than my GareBare is!”

“MMMMMMM!” shouted a muffled Latasha, her words blocked by the paci-gag that was locked firmly in her mouth. With her arms pinned over her head and her feet tied down to the foot of the changing table, she was at the mercy of whichever Big was standing over her, which at the moment happened to be Jesi.

Sprinkling the bottle of baby powder all over Latasha, Jesi was determined to give the seasoned caregiver as perfect of a diaper change as possible. Unfortunately, her blindfolded state left a lot to be desired in the diapering department, leading to more powder winding up on Latasha’s tummy and thighs than her well-padded crotch. Pressing on the fourth tape, she backed away and removed her blindfold, only to hang her head in shame as she gazed upon the final product. “Shoot! I put one of the leg tapes where the waist one goes!” she cried, always first in line to be her own worst critic.

“There, there. At least you got it on her fully. Can’t say the same for everyone in attendance,” said Elma, placing a tender hand on Jesi’s shoulder, “Now, clear out. It’s time for Mother’s turn.”

Snatching the blindfold out of Jesi’s hands, she approached the changing table with an eager smile. After all, it wasn’t every day that she got to pamper a former protege, especially one who abandoned the trade she had put so much effort into training her for.

However, as she looked back at the crowd around her, Elma’s eyes locked onto Skye’s satisfied smile. It seemed she wasn’t the only one with the belief that Latasha was right where she belonged. She hesitated momentarily as a cruel, bitter idea emerged as the prominent thought in her head. “Hey Skye,” she said, grabbing a fresh, folded diaper off the stack next to the changing table and holding it out for Skye to take, “If anyone deserves a turn, I think it should be you.” While she may have wanted her own catharsis, she knew Skye needed it far more for all the anxiety that Latasha had put her through.

Staring blankly at Elma’s hand for what felt like an eternity, a realization hit Skye like a large Tonka truck. Despite living within the confines of the ABDL community for nearly a decade, never had she been allowed to diaper someone else. Sure, she’d diapered herself on numerous occasions back before she lived as a full-time Little but those days felt so foreign to her at this point. To be offered the chance now, especially considering who she would be diapering, was almost too surreal to believe. Filled with uncertainty in her chest, she gritted her teeth and nodded, earning wild applause from the audience that had amassed in Latasha’s hotel room.

“Latasha’s getting diapered by her own Little?! Oh, this is too good!”

“You’ve got this, Skye!”

“Go show her booty who’s boss!”

The voices from the crowd only fueled Skye’s devious nature. Encouraged by those around her, she confidently hopped to her feet and approached Elma, standing a bit taller than she normally did to accept the soft, plastic rectangle from Elma. “I’m weady ta-...I’m ready to play,” she said, dropping her lisp as it no longer felt natural to use.

“Do you need me to explain everything or are you good to go?” asked Elma as stepped in behind Skye and placed the silky blindfold over her eyes.

Shaking her head no, Skye responded, “I’ve played before. Never from this side, though.” She exhaled a shaky laugh as her anxiety spiked the raw feeling in her chest again. Only this time, it didn’t cause her any pain. Rather, it served to fuel and exhilarate her. That exhilaration soon led to a warm, moist pit growing in her own diaper. This must’ve been why Bigs got off on dominating Littles so much, her horniness rising due to her newfound power.

“You’re gonna be great,” said Elma, tightening the blindfold around Skye’s head and spinning her a few times before stepping aside and leaving Skye to take her turn, “I’ll be right here if you have any questions.”

Opening the diaper like a bag of microwave popcorn, Skye’s delicate hands traced the edges of the unfolded nappy, making sure that the diaper was fully flattened out beforehand. She then stepped up to the table, quickly locating the wealth of bulk around Latasha’s waist.

“Shkye…don…do dis,” stuttered Latasha as she struggled to muscle out four short words from behind the humongous paci bulb. Her pleas clearly fell on deaf ears as Skye’s hands continued to explore her body. She eeped as her legs were yanked into the air before being lowered back down onto yet another layer of padding. As much as she hated to admit it, her arousal only seemed to grow alongside her diaper count, made worse by having Skye of all people adding to the fire. She bit down on the binky in her mouth, failing to suppress a dull moan from escaping her lips.

Losing her composure momentarily, Elma allowed her jaw to drop at how submissive Latasha was acting. Even when she was being punished under her tutelage, Latasha's biggest strength had always been the crazy amount of self-control she had, as if she could shut off her arousal through sheer determination alone. Clearly, this was not the same Latasha. “For Goddess's sake, you’re nothing more than a diapered, little loser now, aren’t you? Don’t you feel any shame as a caregiver?” she said, piling on the humiliation as she leaned in close to Latasha’s ear to ensure Skye couldn’t hear her, “No, you don’t, do you? Because you’re not a proper caregiver, and you never will be.”

Whimpering in a mix of anger, embarrassment, and unending pleasure, Latasha’s head was spinning far too much for her to argue back in any meaningful way. Not that she’d have much of an argument if she could. Neglectful, self-centered, and prideful; traits unbecoming of a caregiver. And yet, she couldn’t deny that they were apt descriptions for her behavior since arriving at CrissCon. This is where she belonged. She deserved this. She deserved this. She deserved this.

Skye, meanwhile, paid little attention to the kind of head space Latasha was in with her focus locked firmly on the task at hand. Squirting a wealth of lotion into her hand, she began to smear the creamy substance all over Jesi’s previous handiwork, unaware of how haphazardly she was applying it while blindfolded. Once she felt the diaper had a decent layer of lotion, she felt around the table for the bottle of powder, using the crowd to her advantage as their voices seemed to pick up whenever her hand neared the bottle. A small poof of white powder escaped the bottle as her fingers latched onto it, sending her adoring audience into yet another frenzy of cheers. She was really doing this!

“Alright, Skye. The easy part’s over. Now you’ve gotta tape her shut!” encouraged Elma, who was more than happy to cheap a little bit on Skye’s behalf via shoutouts, “Don’t forget to fluff out the wings or else they’ll get bunched up!”

Raising a thumbs up over her shoulder, Skye didn’t need the help but wasn’t about to push her luck with Elma in any regard. She was, by far, the most dominant person she’d ever met in her life, and nothing over the course of this night had come anywhere close to changing her mind. In a way, it was kind of ironic. The way she looked at Elma now was the way she used to view Latasha. And now here she was, powdering Latasha’s fluffy backside as if the two years of their Little-Big relationship held no water.

Believing to have dusted Latasha with a proper layer of talcum, Skye set the bottle down and moved in for the big finish. Based on the amount of trouble Jesi had, it was safe to say taping the diaper around so much bulk wasn’t an easy feat. Grabbing one wing, she pressed it against Latasha’s body with her knee to hold it in place while leveraging her body on top of her caregiver to gain access to the second set of tapes.

This caused a jolt of pleasure to shoot through Latasha as Skye’s diaper mooshed up against hers in a very erotic fashion, at least from Latasha’s perspective anyhow. For Skye, she was too focused on the task at hand to notice that she and Latasha were bumping diapers with each other. After what felt like an eternity of trying to line up the first tape, she slapped it down, allowing for the second tape to be applied much easier. She then repeated the process on the other side, hopping down from the table and raising her hands in victory as the final tape was pressed on. “I’m done! Did I win?” she asked, unable to suppress her own Little tendencies as she bounced up and down on her feet in anticipation.

“Well, why don’t you see for yourself,” said Elma, untying the blindfold from Skye’s head and revealing the utterly atrocious job that the inexperienced Little had done.

While it all looked right in her head, Skye had ultimately failed to properly diaper Latasha. Her head sunk as she looked upon her work and despaired. The tapes were all over the place, with the right side nearly overlapping while the left side bunched up near the leg hole. It was a disgraceful display, at least in Skye’s eyes.

“Oh, sweetheart. You didn’t do so bad. Your powdering and lotion skills were spot on,” said Elma, petting Skye’s head in an attempt to cheer her up, “Here, lemme get it fixed for you.” Wrapping the blindfold around her head, she approached Latasha’s cowering body and proceeded to make quick work of repairing Skye’s misshapen diapering much to the awe of everyone in attendance. If it wasn’t obvious before that Mother Elma’s skills were far above everyone else’s, it certainly was now. It wasn’t even 30 seconds before she was pulling off the blindfold to admire her own handiwork. “Okay, Lil’ Tish, I’ll let you be the judge. Feeling all snug in there?” She smiled devilishly at Latasha, patting the front of her diaper condescendingly.

Scowling at Elma with burning intensity, there were many things Latasha would happily do if her body weren’t restrained to a diaper table. And while she wasn’t in the position to do much, she knew she could still take a big bite out of Elma’s ego. “I fink chus did a shiddy job, Ewma,” she said, causing a chorus of oohs to circle the hotel room. To prove her point, she wiggled her hips for a few seconds only for one of the tapes to pop loose, “Too fas an nod enuff time secuwin da tapes. Amatuew ad bes.”

Returning Latasha’s death glare, Elma’s cheeks flared up for only a split second. She could’ve sworn the tapes were secure. Pressing the tape back into place, she looked down at the satisfied grin Latasha was wearing in spite of her current position. Thinking on her feet, she knew she couldn’t let Latasha get the better of her. “A “shiddy” job, huh? Sounds like someone needs to learn a lesson about using naughty words,” she said, removing the velcro straps from Latasha’s arms and hoisting her off the table.

Before Latasha could attempt to wrestle her way out of Elma’s arms, she found herself being thrown down on the side of the bed with her legs and diapered bum hanging off the side. It didn’t take her long to realize what Elma was planning to do. “NUH! Ged off me!” she screamed, wiggling up a storm in hopes of breaking free, only for several more hands to clamp down on her.

“Not this time, Tish. I let you go once before and clearly that was a mistake,” said Elma, taking hold of the paddle once more and brushing it delicately against Latasha’s backside as if warming up her booty, “You remember the drill, right? 20 hits for an infraction. Lose count and I start over.”

*SMACK!*

“AHHHHGH!” shouted Latasha, unable to suppress her cries as the wooden paddle mashed down on her well-diapered bottom. A deep, searing pain soon surfaced on her right ass cheek, with her padding doing little to stop the damage that Elma’s dangerous swing had the power to inflict.

Placing a hand to her ear for a brief moment, Elma raised the paddle yet again. “I didn’t hear a one!” she yelled, punctuating her sentence with another *SMACK!*

“AHHH-ONE!” said Latasha, recalling how neverending this pain could be if she failed to keep up with Elma. As much as she didn’t want to degrade herself this way, she had little choice considering her circumstances. She couldn’t even get a full breath in before the next *SMACK!* graced her buttocks, “GAAAAH! TWO!”

The process continued seemingly for ages, at least from Latasha’s perspective. With each spank, the crowd around them only seemed to get louder, shoving the caregiver further down the Little Space rabbit hole. How could she let this happen? She was a Big, for Goddess’s sake. This was supposed to be her party. Mercifully, the word “twenty” did finally manage to escape her lips, with Latasha managing to escape with only one additional spanking. She allowed herself to relax, believing the punishment to be over.

“Okay, party peeps. I think it's time we got a new dork on the table. This one’s looking a bit broken,” teased Aanya, placing a foot against Latasha’s butt and nudging it slightly to aggravate the stinging, “Hand over the paddle, Elms.”

However, as Aanya reached for the paddle, Elma instead arched back with the paddle in hand, causing everyone within radius to duck out of the way.

*SMACK!*

Latasha’s eyes practically bugged out of her skull as the surprise hit left her utterly speechless. The spanking was supposed to be over. What the fuck was Elma doing?

“Oh, I’m nowhere near done,” said Elma, her voice turning cold as she arched back again and placed another hardy *SMACK!* on Latasha’s raw rear, “Do you have any idea how hard you were to replace?!”

*SMACK!*

“You were my first student!”

*SMAAACK!*

“I was so proud of you!”

*SMAAAAAACK!*

“And now look at you!”

*SMAAAAAAAAAACK!*

“A failure of a Diaper Dom and a caregiver!”

*SMAAAAAAAAAAAAACK!!!*

“Disappointing! That’s what you are…in all my years of domming, you’re my greatest disappointment.”

Raising the paddle for another hit, Elma’s emotions finally got to her. The paddle slipped from her hands and clunked against the floor, its sound causing Elma to snap to reality. She looked around briefly, glancing at the various, horrified expressions of everyone in attendance. Even Skye seemed to back away from her. She gazed back down at Latasha’s whimpering and pathetic state, realizing too late that she’d gone too far. “L-Latasha…I’m-”

“Elma, I think it's best you take Missy back to your room,” said Jesi, placing a hand on each of Elma’s arms and ushering the petrified dominatrix toward the door.

Stepping onto the bed to ensure everyone could see her, Aanya knew when it was time to call it. “Attention everyone! Party’s over!” she yelled, causing everyone to start filing out. Before long, the only ones left in the hotel room were Jesi, Aanya, Latasha, and their Littles.

Watching from the sidelines as Jesi and Aanya removed Latasha’s many diaper layers and prepped her for bed, a pinging pain filled Skye’s chest. This wasn’t supposed to be how it went. She wanted to embarrass her Mommy a little. Not allow Elma to brutalize her to the point of going non-verbal. Her heart swelled with guilt and regret, wishing she could rewind the night to stop herself before it was too late. Sadly, it WAS too late. And worst of all, there was really no one else to blame but herself.

As Jesi removed the extra diapers from Latasha’s waist and lifted the covers over her weary body, Skye rushed over and crawled in with her Mommy, tears streaming down her face. “I sowwy, M-Mommy,” she stuttered as she nuzzled up to Latasha’s limp, passed-out body, wishing that the two of them could be snuggling back at home.

TO BE CONTINUED…

« PREVIOUS l FIRST l NEXT »

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Heyyo! Can't wait until next week for more Padded Palace!? Subscribe to my Patreon, where you can get early access to main series chapters like this one, as well as exclusive content you won't find anywhere else! Join my dollhouse at patreon.com/crissiebaby!

Edited by AllySmolShork

#diaper art #diaper stories #crissiebaby #little space #ab/dl #ab/dl stories #ab/dl art #ab/dl sissy #diaper sissy #sissybaby #diaper humiliation #md/lg #dirty diaper #diaper messy #wetting diaper #crissbabydiaperco #the padded palace #thepaddedpalace

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kitkatopinions · 1 year

Text

Watched the second ep. I don't have pics this time but I'm gonna do my best to make a good post anyway. RWBY volume 9 spoilers and criticism below the keep reading. Also this is a long one!

Praise

The use of 'business person.' About ten years of gender-specific stuff like 'Huntsman Academies' instead of 'Hunter Academies' aside, it's nice to hear some gender neutral terms.

On its own, removed from the comedy and bad tone of the volume and the moment two seconds before it, I really enjoyed Weiss reflecting on the weight of what happened, the loss of her home, the fact that their plan could've been (and kind of was) a disaster that put people at risk, the possibility of losing the Relics, acting like they made mistakes... I also really like Ruby's response to it, her "you did the best you could to save Atlas" was said in this weak kind of stiff way like Ruby knows that's a meaningless comfort that doesn't help. And then when Weiss talks about Penny, Ruby just turns away and keeps walking? That's good. This on its own felt like a really good moment.

Also, I like the choice of framing in the conversation, specifically Weiss gripping her sword. Yesss those trauma responses motherfucker, yeeeeah! That's what we wanna see!

I really love the concept of the weather in wonderland clearly connecting to emotions (and so far, more Ruby's emotions than anything else.) I kind of even like how it changes on a dime.

The soldier waving to the little kid? Kind of cute!

Ruby's "Look, we may not know exactly what's going on. But for whatever reason, this place is putting us on a similar path as a book we all read as kids. I say we follow it... And stop pretending we know what we're doing." First off, this is what I mean when I say the voice acting for Ruby has much improved. The delivery is great, the emotions are great, the twinge of bitterness despite her seeming to be trying at the start to give one of her usual speechesTM leading to her ending with her dark statement of them not knowing what they're doing, it's great. Second off, she's her uncle's niece, that's for sure, I love this new angle for her actually. Third off, please please please don't have this written off by the end of the season with an "actually there's nothing we could've done differently, nothing that needs to change, Ruby is back to normal." I have a lot of complaints about this episode already typed up (because I'm writing both criticism and praise as I watch) but this is a good direction for Ruby and I'm liking this growth for her actually surprisingly a lot. Everything else, I do not like, but Ruby is so far my absolute favorite part of this season, which is as it should be. And I want these changes to mean something in the long run even if she - as she should - regains some confidence and optimism near the end. I want her to come out of this more cautious, more mature, a bit more cynical, a bit open to council and other solutions and working on her own shortcomings and accepting some nuance. This is good groundwork, I'm really hoping the writers can take this thing the whole way through.

Guys, I feel kind of bad, I really expected to have more praise... But by and large... I didn't like this episode. Let's talk about why.

Criticism

First off, gonna say right away. Yang being like "are we just gonna sit here thinking about that in silence, or...?" What a weird way to start an episode. That's a 'back from a commercial break' line you'd find in Phineas and Ferb.

The way that the 'anime-animation' has gone up by a hundred in this volume is bad, the show has been written so that it's mostly normal with maybe two or three anime-animation gags a season for ages, and they always feel out of place because of how little they're used, and now they kicked it up to eleven jam-packing as many into their show as possible, and it's annoying! The "reason" may be because the writers wanted this volume to feel different than RWBY. If that's the case then congrats the show RWBY doesn't feel like RWBY at all even in vibes right now.

Weiss: "And Yang got her arm stolen by a- by a- what was it, that you said?" Boy howdy. Let's just gloss over Yang actually telling them what happened, so we can by pass their reactions and act like it's all just old hat and stupid and tiring. It's not like the audience needs to be engaged. It's not like this is meant to be the first time the audience is hearing about this.

Weiss (paraphrased): "Just because this place is weird doesn't mean we're actually inside a fairy tale." Me: "Good, someone is going to point out that the sentencing is really weird considering that it doesn't make sense for them to think they just blue-skadoo'd into the pages of a fairy tale and they're going to take this moment - the most logical moment - to talk about how it's more likely that this world must've been traversed by someone who returned to Remnant and based a fairy tale they've read off of it (which is VERY Journey to the Center of the Earth starring Josh Hutcherson and Brendan Fraser by the way) and therefore whether this is an after-life or another dimension or something else that they logically ought to consider, they can get back." Yang: "Also this thing that may be reflective of something that might have happened in a fairy tale happened to me." Weiss: "Actually yes we're probably 'in a fairy tale.'"

Ruby, the girl who explicitly loved FAIRY TALES SPECIFICALLY: "Some of this is sort of familiar." Blake, the girl who may like fairy tales alongside the other books she reads (once joked at majority being trashy romance novels in the show, and repeatedly in Chibi): "I recognize this at once!" Weiss, the girl who grew up in a strict home where she's never once mentioned ever liking even any form of entertainment as far as I can remember: "That's just something we all read as kids." Gee whiz, I wish this was actually... Something better. XD

"Alyx" fought a "Jabberwalker" and beat the "Red King" and met the "Curious Cat." Listen, this is all... Very boring. I know I haven't actually encountered some of these things yet, but despite feeling like them doing things like making Pinnochio become a real person was lazy, RWBY has never been this lazy before. At least when they literally uncreatively named a character Sun Wukong, he wasn't just an immortal godlike character you meet in a rushed journey to the west pocket of an adventure where everything is Journey to the West themed and the characters in RWBY were like "this is the world of Travel to the Western Location, it's a book that exists that we're going to have to go through." Not only am I bored, I'm very annoyed.

Little: "I'll lead the way! Right to-" *Cuts to Little sleeping* Immediately, I'm done as hecking heck with the pointlessness of this mouse so far. "They might have a point later" Well until then, they're annoying, and they could have a point right the frick now by acting as a guide, but instead all they're doing and seemingly their only purpose as of yet is as bad comedy in a season so far filled with more than enough bad comedy.

Blake: "Alyx didn't know the customs and ended up starting a war." Yang: "Well, she was kind of a bad person, right? She lied and cheated her way through most of the book." Weiss: "She was trying to survive. The morals of those old stories are so simplistic." Weiss...... Do you remember how you all fucking hated Ozpin for three seasons because he lied and were fine with him getting punched over it? Do you remember how you guys decided that 'saving what we can in a trolley problem' made someone evil? Do you remember when you pointed what was essentially a loaded gun at your underage civilian brother because he was in the way? Do you remember how you acted like Yang had slapped Ruby because she suggested that Ruby might have been wrong about something? Do you remember when Blake accused May of acting like Ironwood when she told you guys that you had to choose to do something to help people instead of sitting around and doing nothing and you were just like "yuh-huh." And that's not even getting into how this show has treated so much as cut-and-dry either you're good or you're evil for the past three seasons in the narrative, leaving no room for nuance in the conversation. Hopefully this season will address some of that, but it still leaves Weiss looking like a massive hypocrite for this line.

When Yang says what happened with the racoon, the animation used to tell that story is not it for me champs. Idk who decided that. Why couldn't they just mimic the art style of Yang's story about looking for Raven when she was a kid and Qrow helping her? What, is the 'tone' of that style of art too serious for their comedic stuff they've got going on?

Yang and Blake: *Almost touch hands.* Weiss: "About time." ABOUT TIME FOR WHAT, WEISS? THEY HAVEN'T DONE ANYTHING! They've literally held hands at least twice now

And that Blake has also done with Ruby and Weiss

Yes, this time Yang and Blake are doing it with Energy that was non-existent for Blake and Ruby and Blake and Weiss, but they've been doing everything with ENERGY since volume six. This is nothing new, this is just another way of the show writers and Rooster Teeth going "see? See? They're actually something (probably) so just wait teehee" but first off, I don't like it and I wish they'd just progress Blake and Yang's relationship because they haven't done anything now that's different from the cake picture or the practicing their dancing. But second off, boy does Weiss look an oblivious chump. "About time." Where have you been???

And also, at the writers, just because you act like it's new and significant doesn't mean it is. What is this hesitation for?

Also! Weiss and Ruby: *Stop walking, start having a serious conversation.* Yang and Blake:

Bro, when I'm walking with my sister and she stops, I??? Stop walking??? So we can walk together??? When my sister stops walking to have a sad serious conversation about being sad and serious, I just??? Stop to talk to her?? It kind of makes Blake and Yang feel like they're so caught up in each other that they're just ignoring not only the dire situation they're in and the dire situation Remnant is in, but also the feelings and suffering of Ruby and Weiss. And it's just... Not what I want to see tbh? Like I want to see them acting like they care enough to at least notice what the other two are going through.

The amount of screentime that's already been spent on Little being just so silly and quirky is really wrecking my enjoyment. I wish they had left Little behind when they left the mice army. Actually, I wish Little (and also the mice army) had never existed at all.

"So which one is Yang's arm?" I feel like this is from a little kids show for five year olds. "Okay kids, the mean racoon has disguised what he stole as something else. Is it the green doll, the pink rabbit, or the yellow-and-black staff that looks kind of like Yang's arm that's made of metal? Do you guys remember what color Yang's arm is?" *Kids voice* "Yellow!" Hand of the Creator making Team RWBY look like idiots here tbh. Cringe. At least Yang went on to assume it's her arm - because that's what her heart told her - but yikes was that dumb.

Also though the racoon is massively bad and bigoted. Everything about this racoon is a negative stereotype associated with the Romani people and it's coming out in 2023, this is a really bad look especially from Bigoted "NO WE SWEAR WE'VE CHANGED" Bad Business Practices Inc.

The sword thing doesn't make sense to me tbh. Other people who say things better than me have talked about the lack of logic regarding the sword being here in the first place, but what I'm gonna talk about is the lack of emotions tied up in this item. By talking about Doctor Who. So, the writers of Doctor Who wanted the Eleventh Doctor to have something to remember his companion Amy Pond by after she left after a whopping two and a half seasons (more than achieved by even Rose Tyler in modern Who) for his remaining half a season left on the show, as an emotional gut-punch for the many fans who loved Amy and the other companion Rory who left at the same time. So they had the Eleventh Doctor wear Amy's glasses.

The problem with this is... Amy only ever wore glasses in her very last episode, so... There was no real emotional significance in them. They weren't iconic to Amy, they weren't something the viewer knew well, they were something transparently invented for an emotional moment that was completely unearned. This is a bit more than what happened with Penny's sword which I think probably were just invented to give Penny something to fight with now that she was no longer a robot. But it's still the case that I feel zero emotional connection to this thing I've seen in the last like two episodes of volume eight that only appeared right before Penny's death. It isn't like this moment

Especially now that Penny's been in five seasons with her regular weapons tied to her robotic body. That's what we're used to. This is one (of many) reasons why they should have left Penny as a robot. This is already a do-over - Penny died in a terrible fall of a kingdom more or less at the hands of Cinder and Ruby is left with her sword. It's almost like they realized that Penny's death mattered to the viewers and yet nothing significant was ever really done with Penny's death, Penny's sword, or Ruby's reactions and so they copy-pasted the events, tweaked 'em for the story they were in the middle of already, and then were like "OKAY TAKE TWO." But because of them changing Penny's robotic body out for a flesh one and therefore tossing aside the iconic design of her weapon we all know and love, I'm sitting here going "Oh look, green glass that the writers want me to associate with Penny."

Although I do think that the voice actress for Ruby has improved this season, someone please tell them that their whimpering doesn't sound good or convincing.

Also that whole 'get our stuff' section lasted about five minutes. "We're gonna have to get our stuff back." "Oh no we don't know what our stuff is?" "Let's use our feelings to figure out what our stuff is." "Omg, we can't pay the cost of that." "The stuff is revealed as our stuff." "We're gonna have to fight for it!" "I'm so sad about Penny!" "Okay we got our stuff, let's get out of here!" I've said before that RWBY struggles to let people sit with the weight of any emotions which makes things seem really shallow, but this is ridiculous. I feel nothing about Yang not being willing to give up what it feels like to be loved as the price of her arm, because... If I had been grabbing my Red Bull for the two seconds that had happened, I would've missed that, nobody reacted to it, and it was just gone. All of that legit could've been a whole upset with emotional beats where the girls grapple with concepts of having to give up things or not having enough hope to fill up a jar, but instead it's five minutes of rushed comedy-centric nothing that started and then just kind of stopped while I'm just like feeling nothing.

Blake's "I've read so many stories, I... Never thought I'd be the moral of one" Is clearly played straight? As in, it's clearly played as serious and not just for laughs, as 'emotional' music starts playing. But what part of the last scene outside of Ruby's whimper and holding the sword was I meant to take seriously? The whole thing was played up for comedy and Blake didn't seem to be taking it that seriously either - and five minutes prior had been joking and teasing and laughing with Yang in the most carefree manner. I'm sorry if I can't take her crisis seriously now, but I really can't. I actually got confused because I was like 'ah somebody messed up and started playing serious music? Oh wait no, it's gonna cut out for a joke. No? They're being serious?" Bleh

Weiss: "We are not IN A BOOK." Me: "Good, someone is going to point out that it doesn't make sense for them to think they just blue-skadoo'd into the pages of a fairy tale and they're going to take this moment - the most logical moment - to talk about how the author or Alyx or whoever probably just wrote about someone having an adventure in this place that could be an afterlife or another dimension or something else that they logically ought to consider, and their own adventure shouldn't be the same as there's because this is a different time and it's not the foregone conclusion to think the exact same things that happened to her would happen to them (some of this is reminiscent of Tim Buton's Alice in Wonderland btw) but that they can try to get out the same way she did." Weiss: "And even if we were, we know how it ends!" I guess at least they're doing the last part??

Weiss: *Hits herself with a rock so hard that she falls to the ground and doesn't get up for at least two seconds.* The other members of Team RWBY:

Can this show try to convince me these characters care about each other outside of Big MomentsTM, at least a little? Nobody tries to help calm Weiss down? Nobody asks her if she's okay? Nobody tries to help her up? Nobody even reacts? Ruby doesn't even look up? "It's a comedic moment!" Well, first off, not three seconds before it happened or two seconds after it happened, it isn't. And second off, so? Even in a comedic moment, it'd make sense to have someone say "are you okay?"

Also the toy looking guards remind me of Orbot and Cubot from Sonic the Hedgehog... That's not a compliment, they're super annoying.

Okay... Ruby's speech about Penny is not nearly as emotional as everyone made it out to be. I've seen so many people be like "This episode had me crying so hard over Ruby's eulogy to Penny" And then I get to the ep, and she says kind of really impersonal stuff? I mean, maybe it would've seemed shallow if after Ruby's lack of happiness at Penny's actual resurrection she acted like she and Penny had been best friends, but still. "The most powerful warrior to ever live." Okay, I'll believe that Ruby believes that. "She was touched by magic." And so are at least five other characters Ruby knows including herself. "She gave her life for thousands." Sure, okay, but that's still not personal. "She took a message of hope to the stars." Well, that message may have caused mass hysteria that could theoretically bring down every civilization in Remnant, but yep, Ruby sure thought that was an important act that should be done. "And she saw the world through better eyes." See, this is the only one that seems kind of emotional or something specifically connected to Penny, but it still sounds like something people would say about a long dead astronaut they never knew at some kind of gala. Look, I'm ribbing on this, but I actually think this makes sense - Ruby is pushing down her emotions, and she didn't have the connection with Penny she used to after her first death based on her reactions to Penny being alive (it's more like she really wanted to have the connection she used to,) and she's suffering with the concept that all she (and tbh Penny) had done in the most recent fall could've meant a lot of bad despite her (and Penny's) best intentions. It makes sense that her speech given while in the middle of squashing down her feelings is stiff and not very personal, but it's just really not what I imagined. And with RWBY's history, I'm not sure this is meant to be played as Ruby being stiff and impersonal, it might very well be meant to be a deeply emotional tribute to a beloved character that's meant to trigger waterworks in fans everywhere. And if so, it's just wildly disappointing tbh.

Also, the tone between comedy and serious was horribly done yet again, and also still not combat.

All in all, this episode...

#rwde #anti rwby #rwby criticism #rwby critical #rwby volume 9 spoilers

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