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#and by that last paragraph what I mean is
bolognamayhem117 · 2 days
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Hot Take: Astarion does NOT hate flowers. You just missed a few subtle hints through Act 1 and early Act 3.
Astarion's negativity is directed toward just about anything remotely pleasant as you move through early act three, starting the moment you leave Wyrm's Rock. First thing after Gortash's coronation he marvels near tears at the colors of the city in daylight. If you ask if he's alright, it pisses him off.
There's other instances I can't quite remember but he's a straight crank throughout early Act 3 and it took me several hours of gameplay to have a lightbulb moment about his newly crappier attitude.
He just spent the last two hundred years seeing everything in the overwhelmingly warm dim tones of indoor lighting via sconces, rushlights, and braziers, or the dingy blue gray of moonlight outside. Daylight colors are something he had more than a lifetime to forget and now that he has a chance to remember that vibrancy in his own home town, he knows he's going to have to forget it all over again either by death or by remaining a vampire spawn forever. The worm isn't going to live rent free in his head forever, and killing Cazador to ascend in his place likely feels like an insurmountable and impossible fight against a literal titan who could stomp him flat without a corm of effort.
He doesn't hate flowers, he hates EVERYTHING right now because it's all going away very soon and if he convinces himself he hates everything then he won't miss it when it's all gone again. He was denied this for two hundred years and he's PISSED at what was stolen from him and PISSED it's all going away again.
He behaved similarly in Act 1 about anyone besides him enjoying physical intimacy. Some of this content was cut, to my best knowledge, but the overwhelming majority of his dialog addressing the PC romancing anyone but him are negative or backhanded. This is for two reasons, I think. A: his Simple Plan just dissolved right before his eyes when you chose someone else which in his mind means he has zero safety net, and EVERYONE gets to enjoy sex (key wording being ENJOY, not simply having) except him... And it pisses him off.
He also gleefully interrupts the bug bear and the ogress, I think for the same reason as the above paragraph, being: If he doesn't get to enjoy intimacy neither do they.
He reacts with anger and disgust at anything he's being unfairly denied. Which... That's fair. His feelings are valid, but his reaction to it is pretty shitty and meanspirited.
The other companions I tend to keep in my party, (that is Lae'zel, Halsin, Karlach, and Wyll) however, are actually appearing to behave pretty patiently with him in Act 3 which I find interesting.
In the instance with the flowers Karlach doesn't bother trying to convince him otherwise of his opinion, she just tells him how they make her feel instead and rather than getting snippy or doubling down he more or less agrees to disagree. I also don't recall anyone disagreeing with Astarion during Gale's last quest tasks when he mentioned that he quit praying to gods who wouldn't hear him a long time ago but to be fair, I think the gods did everybody in this crew dirty and they all know it. It seems like they're consciously giving him the space to be mad about things, is what I'm saying.
Everyone I know including myself who crawled out of a long-term hot garbage situation kinda went wild for a bit with freedom, spoke poorly, behaved strangely, had extreme emotional reactions to things, and made some particularly terrible choices. I think that's just a part of recalibrating yourself, healing and learning how to be okay again.
Point is, I wouldn't conflate too many of the turbo-negative things he says with how he actually feels about anything. We certainly know what he says and what he feels are two very different things.
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marquezian · 1 day
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u guys dovis biography is just an ode to his friends and what it means to experience life together in a community 😔
"the joys of returning home again and again" "i would feel more comfortable wearing a suit if there was mud on the starched shirt" "i wish motogp was about connection" "my friends, partner and daughter are a triangle of serenity" "friends are the mirror i look into to feel normal again" "i find even my relationship with my mom is affected by my fame, which is embarrassing" "life is for the time we spend together and going grocery shopping for the meals we cook" (<- this one got me so bad bc ive noticed he Loves doing that but i thought i was reading into itttt) "what would I have become if I surrounded myself with a court of jesters who are always telling me how good and handsome i am". says that the social atmosphere of the paddock is a "mine field". "starting from universes apart, we found ourselves here [note: being motogp riders together], different but similar: shall we talk about it? listen to each other? exchange experiences?"
mentions he doesn't consider any of the other riders his friends (which he regrets! hed like that connection) but then specifically talks about marc and how what they have is also special (profound is the adjective he uses) because its a relationship you can only have with another athlete. even compares marc to his dad (huge compliment)
SAYS SOMETHING SOOOO INSANE ABOUT HIM HERE first of all this paragraph starts with "A me Marc piace. E i nostri famosi duelli del 2017 li ho interpretati anche come un modo per conoscerci meglio." ("I like Marc. And I interpreted our famous duels in 2017 as a way of getting to know each other better.") and then THIS:
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the following may contain inaccuracies: "Deep down, however, he isn't crazy either, although he tries two maneuvers [on their last lap battle in Austria 2017!] that are neither in heaven nor on earth. Theoretically, and even practically, they have no logic. Yet I don't get pissed off, [unsure what this says]. I'm rather surprised to see what he tried to do to win, a kind of "I don't believe it," an astonished curiosity at how he tried to go into unfamiliar terrain where, as a consequence, I followed. It's amazing. As if together we had dug the new seam of a mine: the gold we won't share, of course, because I will take it, however, we dig the earth together as if we were pioneers. And that can't help but create a bond, whatever it may be."
(source is his autobio "Asfalto" for all of this!)
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mimisempai · 6 hours
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It's invisible but it's there
Summary
A funny accident between him and Aziraphale, leads Crowley to a moving discovery and causes them to discuss their relationship.
Notes
50 Types of Kisses - Writing Prompts
Kiss #48: One person has to bend down in order to kiss their partner, who is standing on their tip-toes to reach their partner’s.
Completely inspired by one of Neil's recent answer on tumblr
On Ao3
Rating G -  1098 words
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"Muriel, would you be so kind as to hand me the book I left on the sideboard by the door?"
Aziraphale, perched on a stepladder, stretched his arm back without turning around.
"I'm not Muriel, but I'm happy to bring you the book."
The angel shook his head and turned to see Crowley approaching, book in hand. When the demon was close, Aziraphale reached out to grab the book, but Crowley, a mischievous smile on his lips, shook his head and said, "No, no, Mr. Fell, if you want this book, you'll have to pay first."
Crowley tucked the book behind his back and, standing on tiptoe, held his face toward Aziraphale, leaving no doubt as to the currency required.
The angel rolled his eyes at his lover's antics, but leaned over to the demon and dropped a fleeting kiss on his lips. Then, just as he was about to pull away, the demon held him back with one hand and said playfully, "Angel, I'm sure this is a valuable book, so you'll have to put the money in."
"Idiot..." the angel grumbled before pressing his lips to the demon's again, making the kiss last a little longer this time.
They soon had to stop, however, as Aziraphale leaned a little too far and the stepladder tipped dangerously, causing the angel to fall.
Crowley dropped the book and caught the angel, but not fast enough to keep his own balance, so they both ended up on the ground.
Trying to right himself, Aziraphale panicked, "Crowley, are you okay, are you in pain?"
He knelt down beside Crowley, who was holding his face in his hands, and now, the angel, genuinely concerned, grabbed the demon's hands to see that he was laughing.
Aziraphale nudged him gently and said, "Idiot, I really thought you were hurt."
Between laughs, the demon replied, "Sorry, Angel, but I'm fine, I swear."
He reached behind him and brought his hand back in front of him, holding the book, and continued, "But I'm not sure your book is undamaged."
The demon looked at it more closely and frowned, "Oh, I think a page is torn."
He opened the book and added, "Ah no, it's a note."
Aziraphale panicked and reached for the book, saying, "Oh, it's nothing. Give it to me-"
But Crowley had put the book out of reach and, looking serious, asked Aziraphale, "This is your handwriting. This note is about me. What does it mean?"
The angel shook his head and replied, "I told you, it's nothing, it was a long time ago and I..."
"Does Crowley feel that connection too? If we stay away too long, will that bond break?"
Crowley held the note out to Aziraphale and asked softly,"What did you mean when you wrote that, Angel?"
Aziraphale grabbed the book and replied, his throat slightly tight with emotion, "It's Jane Eyre."
"Yes, I've seen it."
The angel opened the book, searched for a page, and turning the book to Crowley, showed him a paragraph, "Read this."
Crowley read aloud, “I have a strange feeling with regard to you. As if I had a string somewhere under my left ribs, tightly knotted to a similar string in you. And if you were to leave I’m afraid that cord of communion would snap. And I have a notion that I’d take to bleeding inwardly. As for you, you’d forget me.”
Crowley murmured, "I see..."
Then he read the note again before placing it in the book, closing it and setting it down beside him. Still sitting on the floor, he leaned against one of the bookshelves and motioned for the angel to come and sit between his spread legs.
Aziraphale slid down and once his back was pressed against the demon's chest, Crowley wrapped his arms around him and, resting his chin on the angel's head, asked softly, "When did you write this, Angel?"
Aziraphale placed his hands on the demon's intertwined hands on his stomach and replied, "In 1941, I had just realized my feelings for you, and we had never been as close as we were that day, so when you left, I began to wonder if I was the only one who had imagined this bond between us. If I was the only one who thought about you all the time when we were apart."
He felt the demon shake his head before he said with an emotional tone, "You weren't the only one."
Aziraphale took one of Crowley's hands and brought it to his lips as Crowley continued, "And lately, you seemed to be thriving, and I felt like I was treading water, and I was afraid that one day that bond would be gone."
He felt the angel about to protest, but pressed a light kiss to the fluffy hair to calm him and continued, "Let me finish, Angel. That's how I felt, but not anymore. Now, this invisible bond, I'm firmly convinced that nothing can break it. I mean, even Metatron tried, and he couldn't. In fact, looking back, I'm even sure that if you had followed him, it wouldn't have broken."
He couldn't help but smile as he felt the angel nod repeatedly to show that he shared the same conviction.
Crowley leaned forward and said in his lover's ear, "Then you can throw away this little note."
Aziraphale replied, "Yes, I now have the answer to both questions. This bond is real and here and unbreakable."
He turned his head and their lips met in a tender kiss that lasted until a slight cough caused them to part and look up.
Muriel, hands on hips, one eyebrow raised, asked them, "What are you doing?"
Crowley grabbed Jane Eyre and held it up, saying, "We're just arranging books."
Muriel shook their head and replied, "And to think I'm the one who's supposed to be learning from you."
Crowley and Aziraphale looked at each other before breaking into a chorus of laughter, then the demon stood and reached out to help the angel to his feet.
Then he put his arm around Muriel's shoulders and said, "Come on, my little bee, I'll buy you a hot chocolate at Nina's to celebrate."
The angel asked, confused, "To celebrate what?"
Crowley took Aziraphale's hand with his other hand and as their fingers intertwined, he said in a softer tone, "To celebrate an unbreakable bond."
"A bond? But I don't see anything."
Aziraphale replied to Muriel with a smile, "It's invisible, but it's there."
Muriel thought to themself that they did indeed have a lot to learn.
_________
Still not beta'd
Still not my native language
Still hoping you'll enjoy this story  🥰
Still thanking you for bearing with me 😝
Ineffable kisses series : here
Ineffable Husbands masterlist : here
Ineffable Growing Love - Series post S2
Part 1 Story 1-99
Part 2 Story 100-?
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Splashtail sucks so bad as a villain. The way the Erins make their first villains who haven’t been evil outsiders into godless heathens who force their clanmates to fight and cackle when lying about getting starclan’s nine lives removes any excitement I might have had about him and Curlfeather.
I personally love Splashtail sorry! I think he’s great. And Curlfeather too. (Edit: this kind of turned into a little bit me gushing about them so if you don’t want to see that skip to the last paragraph)
I love how Curlfeather tried to manipulate an apprentice into being her follower but instead she ended up making a monster. I think Curlfeather only killed as she saw absolutely necessary for her plan and probably would have stopped with just Reedwhisker and maybe anyone who found out the truth later down the line.
And then Splashtail is young, inexperienced, naive, but also has been radicalised by Curlfeather and become more extreme than she ever was. He’s running mostly on luck and that soon will run out for him I think now he’s acting more arrogant and more extreme in front of his clanmates. I saw a post a week or two ago saying about how Splashtail is trying to emulate being Curlfeather and her plan but lacking her experience, her bonds etc and so now he’s flailing, just doing what he thinks she would do but with little understanding of, well everything that she had going for her.
He’s a really young warrior. I’m pretty sure he and Swiftpaw (at time of death) are about the same age. He’s in way over his head but doesn’t realise it, and is giddy with arrogance and ambition as a result. He cackles in the face of StarClan because he thinks he’s won and he’s on top of the world and he has fooled everyone that matters, he makes his clanmates fight because now he has the means to take revenge on a wrong without fully thinking out the consequences of logistics of such a move.
That’s just my opinion, I love him, but I do also get why you don’t, I can definitely see how this approach doesn’t work for other people, particularly with the motivations of the two making it look like this arc is going to give us the message of “StarClan is perfect”, and with just how young Splashtail is as well as how he acts, I feel that kind of thing either works for you or doesn’t.
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rohirric-hunter · 1 year
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Returning to an old conversation about magic in LotR, something occurred to me the other day: Sting was a far more effective weapon against Shelob than Sam's sword, slicing through multiple of her webs with a single sweep and cutting into her belly without much apparent effort from Sam. The text is a bit unclear for the brief portion of the fight when Sam is using two swords, but it seems to me that the only wound Sam's own sword scores against her is against one of her eyes: "The shining sword bit upon her foot and shore away the claw. Sam sprang in, inside the arches of her legs, and with a quick upthrust of his other hand stabbed at the clustered eyes upon her lowered head." While both swords could potentially be shining, Sting is established to be glowing at this point due to the proximity of the orcs in the tower, so I'm inclined to believe that the shining sword here is Sting, the one that chops off the end of one of her legs no problem, while the other one strikes against her eye, established two paragraphs later to be her softest spot.
Now Frodo attributes this potency against Shelob to the sword's origins. "There were webs of horror in the dark ravines of Beleriand where it was forged." And basically this pans out, Gondolin, where Sting was made, was not too far from Ered Gorgoroth, where Ungoliant and her spawn (including, most likely, Shelob herself) lived until Beleriand fell. The logic here, is, perhaps, similar to the reasoning for why Frodo and Merry's barrow-blades were so potent against the Witch-king, having adopted a portion of their makers' loathing for a particular enemy. And there is indeed evidence enough for this: the first spider Bilbo encounters in Mirkwood "evidently was not used to things that carried such stings at their sides, or it would have hurried away quicker." This spider lived not too far from the Elvenking's halls, surely it had been attacked with weapons before, which does call up an idea of there being something especially terrible to it about this particular sword. (Though this spider is also inarguably quite inept and possibly stupid; no shade to Bilbo but losing a fight to a mostly-tied-up enemy that can't see in the dark and has never before fought anything more dangerous than a particularly stubborn door-to-door salesman doesn't exactly reflect well on its capabilities.)
But I think Sting had another enchantment on it, and one a great deal more recent, and possibly even more direct: the enchantment of its name.
Bilbo takes a sword from a troll-hoard, puts it on his belt and under his jacket, and then proceeds to carry it around for months without thinking about it at all -- until, that is, he finds himself face to face with a giant spider, a giant spider who, as is made clear in the text, was one of Shelob's own descendants: "Far and wide her lesser broods, bastards of the miserable mates, her own offspring, that she slew, spread from glen to glen, from the Ephel Duath to the eastern hills, to Dol Guldur and the fastnesses of Mirkwood (emphasis mine)."
So Bilbo takes his sword and makes his first kill, and what we witness next is a Moment by any definition: "Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the dwarves of of anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach, as he wiped his sword on the grass and put it back into its sheath."
Then Bilbo names the sword, and he names it Sting, calling to mind the thought of a fly that can fight off a spider, a tiny creature coming out on top in a fight with a fierce predator. And then he sets off and uses his newly minted sword to rescue his friends from giant spiders. And though he uses the sword again in his adventure, it is never such a great moment, and indeed he ends up missing a great deal of the battle where it would have been most useful, leaving this incident with the spiders as not only his first use of the weapon, but his most significant -- as The Hobbit is meant to be adapted from his memoirs, certainly the only one he felt important enough to write about.
And for sixty years Sting laid quiet in the Shire, hanging over Bilbo's mantle, where he told stories about it to his nieces and nephews and cousins and anyone else who would listen, and doubtless the story he kept circling back to was the one about the great spiders and the christening of his sword, and even if nobody believed it, a bit of a legend grew about it, and whatever deeds, if any, it was involved in before it found its way to the troll's hoard were forgotten, and it became the Sting, the sword that was used to defend friends from Shelob's brood.
I hardly need to point out the power inherent in names and the naming of things and people in Tolkien's work.
And then, seventy-eight years after its christening, Sting finds itself in another spider's lair, the grandmother or great-grandmother of that first spider that earned it its name -- and this is what it is, now. This is its entire identity, insomuch as a sword can have one of those. I think that over seventy-eight years Bilbo quite inadvertently but also quite effectively wove an enchantment against Shelob and her ilk on that sword, never knowing how much it would matter in the end. Indeed, I would put forth that there was no other weapon in contemporary Middle-earth that would have been such a bitter sting to Shelob; similar enchantments, perhaps, could be found in Thranduil's halls from his people's long struggle against the spiders there, but on a blade from Gondolin, which shared a mountain range with the land where Ungoliant herself lived for a time? And Glamdring and Orcrist would have inherited those properties alongside Sting, but they had a legacy of goblin slaying, not spider slaying.
So, quite by accident, Frodo and Sam walked into Shelob's lair with the best possible chance of escaping her.
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uncanny-tranny · 6 months
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It's just... odd to me, I suppose, going from "what is in my pants is completely irrelevant to most anybody else's life" to the expectation that you must be completely open, essentially, about what is in your pants.
I think a lot of people understand the general idea of why it's bad decorum to demand people offer explanations for private information like this, but they don't analyze exactly why it's bad besides, "asking directly is just rude" and not "asking in any way still enforces the often violent nature of gender and sex, and putting people in the 'right box' is a part of that violence."
It's especially odd when seeing other trans people enforcing the idea that "what's in your pants?" is a genuine, good-faith basis for interacting with others.
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vonlipvig · 1 month
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time to unwind by reading a nice relaxing book! (pulls up morse code cypher)
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fictionadventurer · 7 months
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Can I just talk about how much I love Miss Bates? I love that she exists. Austen's intro of her is so great. She's got nothing that would usually attract people to her--no money, no beauty, no wit--but she's just so sweet and cheerful and goodhearted that people can't help liking her. Yes, she's silly, but she holds up so well under rough circumstances, and I love her for it. Another example of one of Austen's vulgar-but-kind matron characters, but even more impressive because she doesn't have the money/social position that usually makes these characters useful to/respected by the heroine.
She's got none of the advantanges that Emma's said to have right in the first sentence--she's neither handsome, clever, nor rich. But she has plenty of friends because of her humility and selflessness--things Emma struggles with.
Miss Bates and Mr. Knightley are known for their kindness to their neighbors, so it makes sense that they're both characters who wind up challenging Emma's sense of superiority.
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stevebabey · 11 months
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i have bested my semester 🤺 and have come away TEAR FREE !!! everybody clap immediately
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freakshowcowboy · 20 days
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quaranmine · 8 months
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Hey it’s been a while since I’ve been around to read/message cause life’s been a lot at the start of this semester but I saw your tags and I must say that I Definitely picked up that Grian’s boss thought mumbo was his bf
NICE now i know at least three of y'all caught that. What can I say...it's the 80s and Grian's pretty inconsolably devastated about his close friend whom he not only lives with but moved accros the world with. and they're not even college students or something, they're in their mid-late 20s when many people (especially decades ago) were settling down. it's raising some eyebrows for that guy-
there's like a secret shipping version of this fic but the content of the fic is just completely identical and all i do is change the tagging LOL
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^^^ discord message i sent right after i wrote the line in chapter 8 about how grian recognizes the sound of scar's breathing 😭
to that point though, i realized really early into this fanfic that the reason my writing kept straddling this romantic-platonic line in my head (because i was getting shipping vibes from my own work) was mainly because of the depth and intensity of grian's grief. i sort of subconsciously associated this kind of reaction to the loss of romantic partner, not a friend. thereby suggesting it's somehow less traumatic to lose a friend? i realized that my initial vibes automatically weighted romantic relationships as being more important than platonic relationships. and i don't really like that assumption. i don't like that my first reaction was that intense grief had to equal romance, and that platonic should be placed on a lower rung with less intense emotion. they're different relationship dynamics, but they can be equally important in someone's life. there's love in both places.
ANYWAY so after i worked that all out, i doubled down on keeping it a genfic. so, in general as a writer--not just for this au but for my other works--i always want to go all in. i've struggled with holding myself back before and i want to break that mental barrier. i don't want to flinch away from showing any kind of emotion between characters in my work. if that means grian saying mumbo meant everything to him or him saying he wouldn't have survived without scar, well...
anyway y'all do have my permission to read this fic as a grumbo or scarian (or mumscarian if you're optimistic) fanfic if you want to. i don't care! it'd make a great shipping fic. it will stay as a genfic ultimately, though, so if you want to go in with shipping goggles you're not going to get any specific resolution for that kind of relationship
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visual-calc · 4 months
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Say, does quantum physics correlate with time traveling journey? Time traveling machine quite tempting to be made..
VISUAL CALCULUS [Heroic: Success] — Quantum physics actually has very little to do with our understanding of time, or the possibility of time travel. Most of the relevant theory falls under the theory of relativity, with a little bit of thermodynamics sprinkled in.
At its most basic level, relativity states that our reality exists in four dimensions: the three spatial dimensions we usually think of, and time, which is why we sometimes refer to it as "spacetime". Time is connected to the other three dimensions in a special way: the faster you move through space, the slower you move through time. Similarly, the closer you are to very massive object, such as a black hole or Elysium's core, the slower time passes for you.
This means that it is almost trivially easy to travel forward in time— just steal an aerostatic and fly very, very fast, or take a vacation at the bottom of the ocean. Either of these will cause you to experience less time than a friend who stays stationary or at sea level, so upon your return you will have effectively traveled to the future— by a few billionths of a second. A difference in elevation of a few thousand feet is not enough to create a significant difference in time, nor are there any means of transportation able to reach the necessary speeds to make this a practical means of time travel. But traveling forward is at least theoretically possible.
However, based on your prior interaction with Savoir Faire and Interfacing, I suspect that you are interested in traveling backwards, and I am afraid I need to be the bearer of bad news: it is simply impossible. The arrow of time only points forward. This is a law higher than you, or me, or Authority, or any of us. There is nothing we can do to reverse it, in any normal reality.
Physically, this is intrinsically linked to the idea of entropy, a measure of disorder. Entropy can never decrease— any process that is possible can only increase disorder, never decrease it. Reversing the flow of time and traveling backwards through it would allow you to increase order. For example, if you broke a glass, then traveled back to a time where the glass was whole again, you would be returning it to its ordered state, making backwards time travel impossible just from a physics standpoint. That doesn't even scratch the surface of the possible paradoxes of causality such travel would cause.
However. Not all of Elysium is part of our normal sense of reality. Entropy and entroponetic share the same root, after all— the Pale is entropy incarnate, disorder made manifest. Deep enough in the Pale, this disorder is great enough that our usual notions of time and space have no meaning. Reality ceases to have dimensions at all and the laws of physics break down.
The only way we can travel through the Pale at all is using Pale latitude compressors— devices that allow us to force the Pale into having dimensions again, taking on the shape of our familiar four-dimensional spacetime. No one has ever tried forcing the pale into being anything else. It's easy to see why— for transport of human beings, you want to make sure that they stay cocooned in a reality they can safely exist in. But, I do confess to having wondered whether it might be possible to use a Pale latitude compressor to impose a different type of reality on the Pale. If we're imposing dimensions anyway, perhaps it's possible to pick how they relate to each other such that traveling backwards in time is possible?
Please do note that I do not recommend that you try this, Turtle. Harry's brief encounter with the latitude compressor in Martinaise has more than convinced me that they are not to be trifled with. Additionally, there's no telling whether a set of dimensions that would allow time travel would also allow you to exist, or whether such a set would even exist at all. Most of us have come to like you quite a lot— I would hate to see you perish as a result of an entroponetic accident because you tried to time travel.
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scholarhect · 2 months
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frustrated because i want to get educated on feminist theory but idk where to start, especially since there’s so much flawed feminism out there (god, you’re saying i have to read it all and form my own opinion? but that’s so much work! just tell me what One feminist work i should read to know everything) but it’s so important because i’m becoming increasingly convinced that our deemphasis on theory is killing feminism.
we’re losing her. we’re doing vibes-based feminism we’re doing “whatever personal opinions i bring to the table without thinking about them are my political views” feminism we’re doing “it’s easy! if you don’t hate women and want them to die you’re a feminist!” feminism we’re doing VANITY feminism we’re doing “common sense” feminism (just a rephrase of “whatever personal opinions…” feminism) and we’re shocked that we’re losing. a political movement & ideology* that has NO thought behind it, JUST vibes. no pillars, no standards. what even is a feminist? when do you ever hear that articulated? unless, again, you’re hearing “a feminist is somebody who believes women are people :)” that’s exactly the problem i’m talking about.
this is why we’re losing ground to “criticizing beauty standards is antifeminist because it feels good to be pretty” feminism we’re losing ground to “you know what group has had it too good for too long? the transgender woman” feminism we’re losing ground to “feminism is for women AND men and the more we include men the more feminist it is” feminism.
frankly the way the transphobic feminism gains followers is it’s the only fucking side that actually gives somebody ARGUMENTS to latch on to. people are alienated by toothless no thoughts feminism and they’re going to people who are offering them some thoughts, and a bad argument beats the shit out of no argument at all. it’s like if you showed up to court with no lawyer? and you were like “everybody knows i’m right, morally. it’s common sense. the strength of that will protect me :)” you are going to prison. we could be doing transfeminist theory we could be explaining the role of gender in society and how it’s constructed and how women both cis & trans are constructed as women but instead we’re saying “i don’t hate trans women because i’m normal :)” that’s nothing!!! am i making myself clear do you see what i’m talking about!
and then the other two things i complained about, the “feminism is anything that makes me feel good, as a woman” and “feminism is for men, actually” are just because when we have zero standards for feminism it can mean anything at all. we could be talking about these things but we aren’t.
i don’t know how to fix this (i could learn more, but what then? well i guess id post about it for my followers. good enough, i guess. so it’s just that i don’t know how to learn more) but i am getting so frustrated with the way things are now. i know there’s people out there doing real things in the feminist space but i don’t know where to look… lot of trans women on my twitter tl talking about feminism (and yes that’s something, but i am hungry for more than twitter threads <3) and they’re fighting an uphill battle over there. like. god
* i feel like it’d be the good feminist thing to do to come down hard with “feminism is a MOVEMENT” but we do kind of need internal ideology before we can have external movement, probably. seems like people who already have feminist ideas are more likely to engage in feminist actions when the time comes. but idk i’m no political movements expert. this post is just me giving you my two cents on a specific concept
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uncanny-tranny · 11 months
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Some trans men might have a knee-jerk reaction and say that nonbinary people and trans women (as an identity) have privilege and societal leverage over them.
Some trans women might have a knee-jerk reaction and say that nonbinary people and trans men (as an identity) have privilege and societal leverage over them.
Some nonbinary people might have a knee-jerk reaction and say that binary trans men and trans women (as an identity) have privilege and societal leverage over them.
While additional privileges will impact how you might be treated as a trans person, what all this tends to miss is that if you are trans, society doesn't want you in the public eye. Your options are (to please transphobic society specifically) to either slink into the deepest, darkest recesses of society or die. There are no trans people who benefit from this framework. There is no trans identity you could have that will please transphobic society.
This doesn't mean that there aren't other privileges you can have as a trans person because there certainly are - this means that transness will not save you when it comes to transphobia. This means that we absolutely cannot give into the impulse to feel like our experience with transness is the only one that matters, or worse, that other trans people have privilege because they're trans in ways we are not.
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catastrxblues · 8 months
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hi so i just finished bridge to terabithia and now i’m unwell and my eyes are red because i’ve been crying before i’d even reached 20 minutes of it for i actually knew what was going to happen and by the time i reached an hour something something i just straight up sobbing screaming into my pillow. and now it’s 12 am and i’m still thinking about them. because god, look at them, how they were, the little world they lived in, wouldn’t you just love that, to run away, to escape, to grasp that childhood naivety and innocence that you lost a long time ago, to feel the sun in your skin and the air in your lungs and to paint fantasies and laugh and play and run hidden away from the world and find an old run down tree house and decided to make it your own little shelter and pin up canvases on the worn wood and paint and let your creativity goes wild and have someone understand you and gets you and do it with you, and wouldn’t you just love to have something so constant, so sincere, so genuine, so pure, so real, that there wasn’t anything else. if i knew i was going to cry this much, if i knew how much space this movie would make in my life, i wouldn’t have started this movie tonight. i would have been in peace on the floor of my room, not realizing how badly i actually want something like this even though i would never unironically admit this to anyone in my life or even myself when i’m outside of the familiar place of my mind, for that matters
#bridge to terabithia#how am i supposed to recover#i wasn’t planning to write a paragraph about it but yeah i kinda love this movie i guess#i needed a good cry and the universe didn’t stop me from choosing this movie i don’t know if that’s nice or simply mean#i was going to watch la la land after this but that’s not gonna happen now#i’m not reading back what i wrote otherwise i would just delete it because i’d think this movie deserves better more coherent thoughts#and i’d say that i’d just rewrite it tomorrow but then i wouldn’t#because nothing would ever beat the “everything i create has to be great or nothing” in me#and i never am proud of what i made unless it’s supposedly only for my viewing#so i actually don’t know if what i just wrote make sense but yeah#my eyes feel so weird right now#also the ending was definitely up to interpretations!! (spoiler alert* just in case)#i myself personally like to believe he dreamed up the last 30 minutes of it and didn’t even go to the museum#and so he’ll just wake up definitely shocked but then still find leslie in her house who was just about to meet him so they could go!!#and because the rope was cut off by the lightning from last night they decide to build the bridge so everyone could cross safe and sound!!#i like my ending better they really should change it#but no all and all the end was really beautiful#even though it took me maybe even an hour to get through it because i keep sobbing and have to repeat over and over to hear what they said#yeah okay anyways sorry for the rant<3#i’m not sure what this is#but glad i could get it off my chest#let’s see how to tag how to tag#movies#just#childhood#whatever <3#nadirants
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