My best friend and I had a call recently---she’s back with her family for a bit helping out with some hometown stuff. As part of the stuff, she’s been going through a (deceased) relative’s scrapbook, compiled in the American Midwest circa 1870-1900 and featuring mostly cut-out figures from the ads of the day.
She talked about how painstaking this relative’s work was. (Apparently the relative was careful to cut out every finger, every cowlick; this was by no means carelessly or hastily assembled.) But she also she talked about how---the baby on the baking soda ad is ugly, it is so ugly, why anyone would clip this heinously ugly illustrated baby and paste it into a scrapbook? Why would you save the (terribly told, boring) ghost story that came with your box of soap?
(Why include these things in the first place? we asked each other. ”There’s a kind of anti-capitalism to it,” she mused.)
And we discussed that for a bit---how most of the images, stories, artists, and ads were local, not national; they’re pulled from [Midwestern state] companies’ advertisements in [Midwestern state] papers, magazines, and products. As a consequence, you’re not looking at Leyendecker or Norman Rockwell illustrations, but Johann Spatz-Smith from down the road, who took a drawing class at college.
(College is the state college, and he came home on weekends and in the summer to help with the farm or earn some money at the plant.)
But it also inspired a really interesting conversation about how---we have access to so much more art, better and more professional art, than any time in history. As my bff said, all you have to do to find a great, technically proficient and lovely representational image of a baby, is to google the right keywords. But for a girl living in rural [Midwestern state] of the late 1800s, it was the baking soda ad, or literal actual babies. There was no in-between, no heading out to the nearby art museum to study oil paintings of mother and child, no studying photographs and film---such new technologies hadn’t diffused to local newspapers and circulars yet, and were far beyond the average person’s means. But cheap, semi-amateur artists? Those were definitely around, scattered between towns and nearby smallish cities.
It was a good conversation, and made me think about a couple things---the weird entitlement that “professional” and expensive art instills in viewers, how it artificially depresses the appetite for messy unprofessional art, including your own; the way that this makes your tastes narrower, less interesting, less open.
By that I mean---maybe the baby isn’t ugly! Maybe you’ve just seen too many photorealistic babies. Maybe you haven’t really stopped to contemplate that your drawing of a baby (however crude, ugly, or limited) is the best drawing of a baby you can make, and the act of drawing that lumpen, ugly baby is more sacred and profoundly human than even looking at a Mary Cassatt painting.
And even if that isn’t the case....there was this girl in [American Midwestern state] for whom it was very, very important that she capture every finger, curl, and bit of shading for that ugly soap ad baby. And some one hundred years later, her great-something-or-other took pains to preserve her work---because how terribly human it is, to seek out all the art we can find that resonates with us, preserve it, adore it.
It might be the most human impulse we have.
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I don't ship Phoenix and Maya and never have, but I think it's crazy for anyone to suggest they aren't each other's best friend in the world. Like there are so many different forms of love, none more important than the other, and the love that Phoenix and Maya have as each other's best friend and confidant is very, very real. They are not lovers, they are not siblings, but they ARE best friends and I think that should be appreciated for the gem it is.
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Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!
& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support
& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!
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give meee... headcanons about the Sangfielle friends in the most boring AU you can imagine like. idk. office Sangfielle. grocery store Sangfielle. they all work at a movie theater. whatever sounds mundane as hell and you have Thoughts about :3
okay tumblr ate my fucking answer the first time. let's try this again.
the thing about these guys is that no matter how mundane you make it, they can make anything into a situation. that's just the guys they are. so we put them in a Walmart.
Marn is an employee with a great customer service voice. She's keeping it together in the face of some truly wild statements and requests. One man keeps asking for frootie hooties, a brand of cereal that he insists is real and everyone is just refusing to sell to him, and she's spent twenty minutes trying to tell him that they just don't have it in stock
Lye and Es are having an animated conversation in the clothing area, where she is examining various colorful dresses and he is distractedly picking things off of nearby shelves and putting them back down. The conversation started at how they got kicked out of dayward yve's novelty store and is now about whether stealing should be more or less of a crime than manslaughter, because it's not as bad as killing but it is on purpose. People are trying not to pay attention to them. Eventually they are asked to leave, at which point it is revealed that lye has about two hundred dollars worth of items in his pockets and es has some candles she liked and a new pair of shoes in hers. They are both barred from Walmart.
Duvall hates it here. It's loud, he hates the lights, the aisles make no sense, he can't find anything he's looking for, and people keep coming up to him to ask him where things are. He doesn't even work here. Why do people assume he works here? He's not even wearing any Walmart merchandise. Is that what it's called when you're an employee? Merchandise? Well, it's what it would be called if he wears it, which he never will, because he doesn't work here and never wants to. Have a nice day ma'am.
Pickman is slowly marching her way through the aisles one at a time, peering at her shopping list and holding a tiny shopping basket in one hand. She has to be very careful not to knock the shelves over sometimes. Just trying to get groceries. People are nervously avoiding her. Says "Hey, you" to some poor employee to ask where the milk and cigarettes are. Just grunts at everything else. When she's at the checkout, the guy there asks "Did you find everything you're looking for?", and she just says "No." and leaves
Chine comes out of the bathroom with a live rat in his hand. People scream. The manager finally comes up to him like "Sir, you can't have rats in here." They say "Oh, she's not mine. She was just having trouble opening the door." Gets a big meat on the bone at the deli and nothing else. When he asks how much it costs, they just say it's on the house and try to get him to leave as soon as possible. They go like "Oh, really? Are you sure? I have some money." and sound surprised but pleased, like they're being done a personal favor. The employees insist. He's like "Alright, thanks!" and then asks the rat if she wants anything
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