I don't even really get the impression that if you were domming someone there would be anything "motherly" about
Yeah no I'm much more likely to be projecting semi-detached professionalism. If I'm domming I'm not really there for roleplay, I'm there to supervise you while you're locked down and squirming. I talk like tech support when I'm in a scene. "Not too tight? Good. I'm gonna take the vibe up two settings, yeah? Okay, great, I'm gonna leave that there, snap your fingers when it's getting to be too much; we'll keep ramping it up until you have to tap out." I like being unaffected and in control while people are losing it and I am not particularly tactile or into being touched or getting off while I'm doing that.
Which is great if you like to be dehumanized and objectified and hand yourself to me like you're taking a car to a mechanic! Less great if you're looking for a lot of praise or comfort or physical contact in the moment.
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You know, I don't necessarily buy into the idea of "you die twice; once when your heart stops beating, and the second when you are forgotten" because I don't think we're truly forgotten.
Throughout history, we've found proof of people existing, well after their death, well after they've been forgotten by their community and time. Even if we do not have names for these people, we know they were alive. We touch their bones, and we internalize their lives. We learn how they lived through the stories we interpret from their bones, and then we tell others about them. They haven't been forgotten, and it's not unlikely that you won't be forgotten.
Why is it that we only "count" if we are immortalized in the history books, if we scar time to the point nothing would be the same if we were forgotten?
And, anyway, look at this cat, who died so long ago, but whose memory is still remembered:
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I am thinking about. Jamie and the Second Doctor.
Because out of all the incarnations of the Doctor, Two is arguably the one who uses manipulation and disguises the most. He thrives on using people's intelligence against them, on tricking people, on bluffing and his bluffs working. He has a different disguise every story pretty much and is constantly playing some kind of role.
And then you look at Jamie, and some of Jamie's most front and center traits are his loyalty and his honesty (and protectiveness, but less applicable). Jamie is loyal to a fault and extremely trusting of the Doctor. He's honest and straightforward and deeply caring.
And Jamie is the one who sticks by the Second Doctor for as long as he physically can--and you'd look at those two characters, one who is manipulative and cunning, and one who is loyal to a fault, and you'd think the Doctor would easily be able to take advantage of Jamie, that Jamie would just be a tool for him but he's not, they're on equal footing. Jamie pulls the Doctor down and reminds him what being human is all about.
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idk if this makes sense. but i kind of love that the last of us makes me cry and viscerally FEEL true emotions on a weekly basis. like i cant remember the last tv show i watched that had me consistently bawling my eyes out and so immersed in a show because of the characters, the story, the incredibly strong writing, etc. and it doesn't feel manipulative. it just feels profound and beautiful and poetic but also tragic and... human.
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‘andrew goes to the roof bc his fear of heights reminds him that he’s Human and Can Feel’ is the most wattpad angst kind of shit and it SHOULD be laughable in the same way ‘neil doesn’t smoke he just lights his cigarette bc the smell reminds him of his dead mother’ is laughable but in all honesty if i think about it for more than 2 seconds i WILL start sobbing violently
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WHO is saying prose in tlt is too melodramatic?? It is the perfect amount of melodramatic for what’s happening bffr
I have seen people mock the style of the prose as too homestuck adjacent and clearly written by someone who also writes fic. First of all I'm like...if you hate those things so much, I've got bad news for you about 75% of the queer sff getting written these days! I think it's actually fair not to enjoy that style but I do also notice the lines people usually point to are either silly gideon navisms which you either find endearing or you don't but they're clearly a character choice, not a feature of the basic narration of the series. OR they're melodramatic lines spoken by necromancers and cavaliers about each other which I think sometimes people mistake as the author trying to be straightforwardly romantic versus portraying the dramatic emotions of these young queer people who are genuinely not okay + the ways their society is set up to require this kind of over the top devotion from them. Tazmuir does have fun with the drama and I love that about her writing but it's a more thoughtful choice than it might appear at first glance, imo
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Holy fuck, man. What a trip Fearne has been on, huh?
You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.
You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.
You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—
you tell her, "YOU PROMISED."
Because if there's one thing you know, it's that the fey do not break a promise.
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The effort to turn every trans person into a political activist and place the burden of political leadership onto us is the same mindset as thinking trans lives are inherently political. Combating this means holding trans people to individual standards. If a trans person occupies political spaces, it should be because they have chosen to, not because people look at their transness and the "political implications" and it is all they can see
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