I have this weird headcanon about Borsalino, that he only really registers people that are looking directly at him (something about photons hitting the eyes etc) and that his walk is usually almost soundless (get it, cuz... light steps) and I've always thought that it would lead to funny scenarios with Issho. Just thought you'd like to read it.
Now THATS a super interesting theory! Yea that WOULD cause some fun situations with Issho 😂
See I always headcannoned that Lino’s devil fruit is actually a NIGHTMARE to have. Like imagine being made of light. Something about the idea of almost being a hologram; things go through you; there’s no weight to your being (it’s like borderline existential); you have to constantly keep yourself in control because you process everything at light speed and also the slightest wrong movement could destroy everything around you. Maybe that’s why he talks and moves so slow; cause he has to or else!
But then you can have more wholesome thoughts like, he’s probably the only human that can go to space and survive and just like watch the stars. That’s a nice thought ✨
31 notes
·
View notes
Look Stan? He's a tea man. Fancy hot teas he brews up and he knows the uses for them too. Like which to drink for a cold, what to drink to calm down, what teas are energizing ect ect- and yeah he pretty much drinks tea and that's bc he can not have soda.
I love the hc that Stan, prim and proper Stan, gets the biggest sugar rush that puts him on Richie levels of hyper. Like if he finished a coke he would literally be vibrating. He'll stick with tea or water for him thank you very much.
79 notes
·
View notes
trying to determine if want to run around still in the normal trickster look for him or the one with all the jewelry
10 notes
·
View notes
I sometimes wonder if Miguel ever tried recreating that sense of family he had with Gabriella with Miles and Gwen...except Miles and Gwen only received that toxic parental side from him and not the healthier, wholesome part he had with Gabi because he's mentally unwell and grieving and punishing himself daily as penance.
This is a really good thought cause Gwen alludes to this in her rant at Miguel during the Go Home Machine sequence, “Maybe you weren’t hard enough on him!”. Miguel views his actions based on being Spider-Man not as being Miguel. Either way, he is acclimated to loss in grief in such a unique way that it just seems difficult for him to understand that others aren’t or don’t become susceptible to his alternative to grief/guilt.
It would be plausible that Miguel is sort of worried about gaining a connection with members of the society (especially the younger ones) as he’s lost a lot in his life (if his backstory is any similar to his comic + gabi) and the healthier side would undoubtedly led to a less formal work relationship and something that bleeds into what little life he has outside of Spider-Man as Miguel.
For all intents and purposes Miguel genuinely believes that he is being reasonably protective of Miles and Gwen by over-protecting the canon as he doesn’t want them to experience the pain of over-stepping cosmic and normal boundaries like he did along with dampening his emotional investments in them by being harsh. I mean, recently people have been pointing out he tears up when Miles tells him he can’t not save his dad.
His intentions and sentiments towards these kids are pure and based in altruism but his actions and executions of them are destructive if outright hostile.
45 notes
·
View notes
Musical Touken Ranbu: Tokyo Kokoro Oboe english sub
I know this isn’t the TsuruKara Souki you were expecting, but on the plus side, neither was I expecting this! Since I’m watching this with a friend soon, I figured, why not? It is very high up in my faves list, after all 🥺
Following my predecessors, the start of the subtitles has a little intro blurb on each of the historical figures, and I’m also planning on making a little research file in which I’ll try to explain a few things about Masakado and horses, Masakado and Kikyou, Ota Dokan and the yamabuki (Japanese kerria) girl, and some details about Tenkai as person and his planning of Edo as city.
I’m also planning to include some translation notes (specifically on ほころび・る hokorobi/ru because that deserves to be mentioned) in the file, some interpretations on the girl with the Noh mask, and a few fun facts about how each of the historical figures relates to Inari or foxes. Because in the context of the roles Suishinshi and the Gous get given throughout TKO, as well as the themes present in it, it may be interesting to keep a certain little fox in the back of your mind while watching!
Keep in mind that this is only the subtitle file, timed and tled to the DMM archive distribution.
You can download the subs for the DMM archive distribution here,
and with lots of thanks to a friend, the subs for the BD/DVD version can be found here!
The research file will be able to be found here too, at a later date.
48 notes
·
View notes