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#all of his children have good personality traits that balance their bad ones
fragileheartbeats · 18 days
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𝐊𝐢𝐧𝐠 𝐕𝐢𝐬𝐞𝐫𝐲𝐬 𝐈 𝐓𝐚𝐫𝐠𝐚𝐫𝐲𝐞𝐧 𝐂𝐡𝐢𝐥𝐝𝐫𝐞𝐧
𝗔𝗲𝗴𝗼𝗻: 𝘵𝘩𝘦 𝘣𝘳𝘢𝘷𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘥𝘦𝘵𝘦𝘳𝘮𝘪𝘯𝘦𝘥
𝗛𝗲𝗹𝗮𝗲𝗻𝗮: 𝘵𝘩𝘦 𝘨𝘦𝘯𝘵𝘭𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘣𝘦𝘭𝘰𝘷𝘦𝘥
𝗔𝗲𝗺𝗼𝗻𝗱: 𝘵𝘩𝘦 𝘴𝘵𝘳𝘰𝘯𝘨𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘷𝘪𝘰𝘭𝘦𝘯𝘵
𝗗𝗮𝗲𝗿𝗼𝗻: 𝘵𝘩𝘦 𝘴𝘮𝘢𝘳𝘵𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴
𝗥𝗵𝗮𝗲𝗻𝘆𝗿𝗮: 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘤𝘰𝘸𝘢𝘳𝘥𝘭𝘺, 𝘵𝘩𝘦 𝘤𝘳𝘶𝘦𝘭𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘸𝘦𝘢𝘬𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘴𝘵𝘶𝘱𝘪𝘥𝘦𝘴𝘵, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘩𝘢𝘵𝘦𝘥, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘴𝘱𝘰𝘪𝘭𝘦𝘥, 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘶𝘴𝘦𝘭𝘦𝘴𝘴
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phoenixkaptain · 1 month
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I love Stardew Valley and I love the community and I love how we all bond over pixelated chickens like we’re seventy-year-old women bonding over grandchildren- - -
But I get so annoyed with the character hate, like!!! All the characters are great!! All the romance-able characters are great!! I keep getting recommended videos about the bad parts of characters and I just want to scream!!
Penny: lovely. Charming. Kids are a big part of dating her because she teaches kids, of course she’s going to react a bit badly if you hate children. She is trying to teach kids so that they don’t have to have the same life she and her mother do, why do you hate this woman who is just anxious?
Shane: lovely. Charming. Perfect. “He still drinks after we get married, which ruins the whole story” NO. No. Shane is an alcoholic, and a severe one. If he quit cold-turkey, he would fucking die. “Harvey pumped his stomach” HE WOULD DIE. And I don’t care that my husband is messy, he has his own room and I don’t have to go over there!!
Maru: lovely. Charming. She hates working. She loves working on machines. She thinks about machines to build for you to make life easier. She’s adorable. She has a complicated relationship with her brother and I want to help them fix it goddangit because I love fictional siblings.
Elliott: lovely. Charming. An artist. He only leaves his home for like four hours a day. I can really relate to the desire to shave off all of one’s own hair. I feel that in my bones. Also, is friends with Willy and I fucking love Willy so A++
Leah: “she’s a lesbian” She’s fucking bi stop erasing bi rep in Bi Rep the Video Game
Sam: he’s a musician and a skater. This is what the perfect man looks like.
Emily: just the most charming. She has a complicated relationship with her sister because she takes care of her. She works at a saloon, how can someone not love a literal saloon worker? She’s crazy, she’s wild, she’s a flower child, I’m in love with her
Harvey: glasses. Doctor man. Occasionally puts on headphones to not so subtly hint that he doesn’t want to talk to you. This is what the perfect man looks lik-
Abigail: I don’t see a lot of people complain about Abigal, but I’ve seen a few and it just feels like- you guys love Sebastian so much but don’t like Abigail? What type of double standard is this?
Alex: everyone always says not to date him if your playing a female farmer, but honestly, his dialogue only cuts out parts if you play male. Like, he still says he felt different about you from day one even if you’re playing as a girl. The character affected the most by your gender choice in regards to dating Alex is George, and if you’ve already befriended George, he’ll apologize for being mean about your sexuality when he never even said anything mean about your sexuality, which is kind of funny
I never see people complain about Haley or Sebastian, which is fair, because Haley has a cute character arc and Sebastian loves frogs (this is what the perfect man lo-) My only problem is that people praise these two but rag on everyone else when I feel like all the characters are balanced pretty evenly in terms of good-bad traits.
Which trait is which is dependent on the person playing the game anyway, so when someone like me plays, I can’t help but find the characters perfect because I’m very forgiving when it comes to fictional characters’ undesirable traits. I mean, my favourite trait of all is stupidity, pure and unbridled, I’m talking facepalm-inducing, groan-worthy, the type of character people complain about the most; the type of stupid that makes people stop enjoying things. How can I dislike these characters who are cute and a bit awkward and so ready to bed the first hot farmer they come across even when that farmer sifts through their trash and passes out three steps away from their own house and drinks mayonnaise and would eat hay given half the chance. Like come on. They’re all moron-sexual. I can relate to that.
In conclusion: your favourite bachelor and/or bachelorette is as wonderful as you think they are and screw the people who try to tell you otherwise. The characters are great because they appeal to different people. Enjoy the game and enjoy the dating and I swear to God if I see another person say that certain farm layouts are bad because they don’t make enough money- the game doesn’t have a time limit! You can make as much money as you want! You could sell one sap everyday and nothing else and you would still be able to make it to however much money you desire to have. There’s not really a fast way to make ten billion gold, that doesn’t mean that the farm layouts you don’t like are bad and yes I’m ranting just because I love the slopes of the mining farm its layout is chamrjng and picturesque and provides a unique challenge to decorating and placing buildings and it’s actually the BEST farm layout because I just decided so and-!
Stardew Valley is a great game, 10/10 would recommend, and the new update is already great because I found carrot seeds and I like carrots :)
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night-raven-tattler · 4 months
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Say hi to daddy!
Summary: How would these characters behave as fathers? What does their ideal family look like?
Characters: Savanaclaw dorm (Leona, Jack, Ruggie)
Other parts of the series: Heartslabyul, Octavinelle, Scarabia, Pomefiore, Ignyhide, Diasomnia, Royal Sword Academy
Warnings: none
By opening the document, you agree to Mx Tattly's terms of source confidentiality.
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The chances of Leona agreeing to having kids is very low: he has a lot of baggage and personal beliefs that would make him not be fully on board
Plus, why would he need another screeching box when Cheka is already around?
But then a bit later in life... something happens and suddenly he has a child in his and his partner's care
Because why would anything ever go the way he wants?
Yet, he grows attached, with the help of his partner
He's the only one who can put the kiddo to sleep, and the only one whose hair the kiddo likes to play with
While his lazy predisposition doesn't allow Leona to go too much out his way for the kid, he's far from an absent father
He is not only present but trying his best to be an example
Because, even if the child ends up seeing him as a bad example, he will be satisfied with the lessons he managed to teach
He loves roughhousing with the kid or challenging their young mind
And when he's too overwhelmed, Cousin Cheka is available for babysitting duty
For Leona, fatherhood becomes a time of finally healing inner wounds while becoming more understanding without being dejected: it's the time when he finally finds an inner balance and find some peace
...he still won't ask Falena for fatherly advice though
Leona is, for sure, a girl dad; he also will pump the brakes at 1 child, 2 children would probably open old wounds he's not quite ready to deal with
『••✎••』
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Jack is, undeniably, a family man whose life goals follow a pretty traditional route: get married, have children, grow old and see his family thrive
His classmates sometimes teased him lightly about it, but they all were happy for him when they saw Jack's content smile at his wedding and later at the apparition of his first child
From the very beginning, Jack is a good husband and a doting father, and he loves spending one on one time with his kids the most
Jack loves having his little ones join him in his training regimens, even if all they do is watch and ask questions
That's what they do usually anyway, the kiddos have been waddling towards their dad since they were in diapers
Dominant beastmen traits or not, he still expects them to do their best physically, and he's the dad to sign up every kid for a sport
Not that he wouldn't be understanding if any of his kids happened to take a less physically challenging path in life: he'd be just as supportive, but he'd also reflect on his actions and ask his partner if they think he's done something wrong
Parenthood is a chance for Jack to learn how to be more of a team player, not only as part of a parental unit, but also as a dad who needs to meet his kids in the middle and understand that the "pack leader" can still be wrong if he doesn't listen to his pack
Jack would enjoy 3-4 kids, he loves the idea of a big family, and he'd totally be a boy dad
『••✎••』
Ruggie
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Ruggie never really thought about having kids, his main focus has always been financial stability and reducing that food anxiety
But it's very likely Ruggie would end up with an unplanned kid
He wasn't completely on board with the idea of parenthood... until his little one looked into his eyes and smiled
Did Ruggie accidentally pass down his pickpocketing skills to this kid? Because they just stole his heart
But that doesn't mean he really has a good grip on what parenting really means; yes, Ruggie is dependable and responsible, but he also is an orphan who has always fought against a lot of prejudice
So he often relies on his grandma for advice, she's the closes thing he has to a parent
He's the dad that really pushes his kid to learn as many things as they can, anything that can become a life skill will eventually come in handy
He helps his kid build up their independence, while they help him become more open and honest
Ruggie is very open with his child about his upbringing from the moment he feels like they are ready to hear it, and he makes them understand that his position in the Sunset Savannah is nowhere near the top as a hyena beastman
But he promises them that they are not any less worth being someone deserving of living comfortably just because of some societal garbage
Ruggie doesn't really have a gender preference, but would prefer 1 child, so the financial burden wouldn't be too heavy
『••✎••』
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raayllum · 5 months
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Now, don't get me wrong, by all accounts, Rayla isn't a particularly 'good' assassin. She fails to follow mission orders when she's actually given them (1x01, 1x02) and outright defies them (1x03). A lot of this is because of her own sense of morality and compassion, which is exactly what Runaan criticizes her for and what Ethari worried about.
R: Your heart isn't hard enough to do whatever it takes.
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E: I told Runaan you were too good hearted for the work of an assassin, so I know you did not betray them out of malice.
However...
There is still a reason that Runaan thought she would be a good assassin. Part of that is because he's a lot like Claudia, his love for his family obscuring a more objective reality. The other part is that, other than her 'too soft' heart, Rayla has what she needs to be an assassin in terms of the skill set (her blades were at Marcos' throat) and because she doesn't always listen to said 'soft heart'. In fact, she often tries very very hard not to (see a lot of early S1 in particular).
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“Of course. For…” she chewed her lip and counted on her fingers. “Hrm, maybe fifteen years now. Anyway, you can call me Redfeather.” [...] Rayla felt her heart turn soft in her chest in just the way she hated. She wanted to know more, had to know more. “What did you do?”
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Now, we see that in S4 Rayla is a lot better at well, not listening to that soft squishy part of herself, and that Soren was less good at appealing to her about it than Ezran. Some of this is probably because he pivoted away from the dragon and went after it from an identity standpoint — which, not only does Rayla have a pretty malleable sense of self in her own head, she does not believe that any part of whatever identity is there is particularly good / does not think she's a 'Good' person quote unquote — but this was absolutely doomed to fail post-return. Spending two years alone, trying to singularly hunt down a man and murder him, and knowing all the while that you hurt the people you love the most and have nothing to show for it... Yeah, no one's gonna be in the best head space for that, or be overly inclined to trust their own judgement or capacity to save people.
Like most characters in the show, Rayla struggles with always knowing what the right thing to do is, and what served her well in the past — trusting her gut, taking on things alone, laying herself down in the line of fire, removing her hesitation, and going to save Phyrrah in 2x07 — may not always serve her well in every scenario. She thought she was right to do all the same things when she went after Viren, didn't she? So she errs on the side of inaction, of not wanting to make another mistake by acting with her heart rather her head (again), and inadvertently waltzes into another mistake (Soren being captured and going missing).
Rayla will do the right thing, and hate herself for it, and will stubbornly ignore the signs screaming at her when she isn't doing the right thing (and she'll hate herself for that, too.)
[ Sidenote: bonus post about how Arc 2 increasingly treats more and more character traits and decisions as circumstantial rather than inherently good or bad ]
As she says to Ezran:
R: I let him go. I don't know why. E: Because you felt for him. R: But he was a human — my enemy! E: Yeah, but then you saw he was scared. And you knew he was a person, just like you. R: That shouldn't have mattered. I had a job to do.
I think we can read this in two ways. The first is that to be an assassin, you have to be able to dehumanize others on a fundamental level because you're 1) murdering strangers 2) on someone else's orders. Although Runaan preaches about balance in Bloodmoon Huntress (when you kill someone, you remove their capacity for love and change) we have all of Arc 1 talking about why that mindset is flawed and isn't good enough, especially because it culminates in Harrow's death when he still had plenty of things to love, like his children, and so much he wanted to change, and it would've led to Ezran's death as well. This is one of the reasons why assassination and dark magic, conceptually, often go hand in hand for the characters and their explorations of personhood and the right thing to do, etc etc.
The second way is that Rayla, by ignoring her own wants and personhood — her own heart — is also dehumanizing herself. It shouldn't matter that she's a person with wants and weaknesses; she had a job to do. We see this reflected in a lot of her behaviour ("Don't worry about my hand. The egg is all that matters now" —> "It's agonizing. But I know our mission comes first: the world is in danger, and you can trust me to stay focused") and in Runaan's / Moonshadow elves infamous "I am already dead" thing.
(There is also the factor that, because her and Callum mutually informed the construction of each other's new senses of identity to an absurd degree, if Callum doesn't want her then she doesn't know / doesn't have a firm footing on who she is anymore without him, but that's a codependent post for another day.)
All of this is a very long winded way of saying there, much like Viren and Claudia, are two consistently contradicting aspects to Rayla's personality that she is catapulting between, and the Assassin Rayla and Protector Rayla are, as of S5, still equal parts of her as she finds her way. Both have good and bad qualities of her, even if the Assassin Rayla side is — let's say more negative — and far more worrisome given what Callum has asked her to do if he is possessed again, and how it seems like S6 will be going full steam ahead in exploring that plotline.
In a lot of ways, Assassin Rayla and Protector Rayla have the exact same set of traits — selfless, protective, strong, willing to sever close bonds or divert from the mission to do the Right Thing — but instead describe the circumstances she's making those choices in. Protector Rayla is the one who stands against Runaan on the battlements; Assassin Rayla is the one who refuses to prioritize her parents even when she absolutely could (or at least, more than she is).
Assassin Rayla causes her to forget her own needs and put the world above everything else. Assassin Rayla causes her to ignore other people's needs, either not helping them (although iirc 4x05 is the only real example of it) or by leaving / keeping secrets.
The part of her we don't want her to listen to, the part she listens to when she's Scared — the one that walks away from the drake in 4x05, that tries to walk away in 1x09, and what led to her leaving, in a lot of ways, in TTM (both out of love, trauma, and a desperate need for control) — and how S4 reaffirms those qualities is precisely what may lead her to hurting Callum (again) in S6.
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Because Callum is asking her to become an Assassin, Aaravos marks her as a failed one, and Rayla still — deep down — wants to ultimately be a Protector. We'll just have to see what side she answers to (and why).
More thoughts on Rayla, identity, and murder to follow lmao
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chezzabellesworld · 22 days
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What do these three people have in common? Well their birth charts to start out a very similar and they have all had very similar kind of accusations truth and also being able to brush it off at the same time. I have start with Wendy Williams who notoriously worked in I guess the 80s and the nineties to become radio host and almost like a gossip blind item of the original of what people are doing now and people dislike her but they’re all doing the same thing, she worked really notoriously and her and was often at times. The only woman and probably had a lot of and did have a lot of discrimination and black. She was the middle child children when she was younger she was overweight and her parents were very nasty to her about it actually all of these people have this in common as well, that he said he was a fat little fucker when he was younger and Courtney was not fat but chubby people who were not cause I don’t agree with the whole thing of medium because that’s what caused my own differently to what I was anyway so they had similar child all born in 1964 I believe They had people. I’m not too sure about this. She says she’s had money taken away from her and embezzled and from the Kirk Cobain estate but she was very unwell in the early 2000 Tyson had it he had it with Robin given his mum who wanted to really see the relationship like a lot of Hollywood relationships as a agreement and a More kind of relationship if you know you know he was very real for not wanting that and then he had the charges of rape against him which he won’t prison for which a lot of people has persecuted the victim which I think is disgusting. I’ve seen an into the victim and I believer, but what am I getting to in this? This, what I’m getting to all these three people have very redeemable characters and they have redeemed themselves in many ways Courtney with drugs and sort of now emigrating to England if that’s alright living in London now and not being in the spotlight so much where is before she lived for it I think all three of them dead Wendy Williams that’s a whole Nother topic really because I think she Has had an MK2 kind of situation where they have wanted her to shut up she was the original of what did he was doing in fact one of her last interviews on her show was with him meant to be making up on it and seven so they have the modalities cardinal fixed and mutable all evenly distributed in the chart which is good because you don’t sometimes want too much of one and not of the others so that brings me to all three of them are cancers with the Sun in cancer they all have Leo Mercury so they always think they’re right when they’re not.
They always have to be a bad person to have to say and that can be the part of people putting the people not liking them so much because mercury does not like to be in Leo, it’s not a good time for Leo basically or plan to be in because it’s first attitude with words which is partly what makes them so excellent at what they do especially and in the fact of the business is there but you can also make you dislikeable because you won’t anyone else approach we have the fact that they all are Gemini Mars and Venus which is a trait I said in a chart I I’m really charming when Venus and Mars are in the same. You’re gonna get somebody who is very good at fitting in social they might have a problem with boys definitely have a problem with balancing out their masculine and feminine inside and it could be pleasure versus pain a lot and you can see that just by looking at these people
and what they have gone through in Life, the whole accusations Courtney had and still does to this day over Kurt death things are going on and supposedly stealing money off her and not being able to have access to it while looking really unwell as I said previously embezzling Tyson and him but these people matured as a man Tyson has able to redeem himself in a lot of ways they all have lived really many lives. They’ve all had drug problems too and they’ve all just done out their things because of the similar to their chart. I do not no Tyson rising sign to me he could be a cancer rising but he could also be a tourist rising even arising because of the boxing so it’s hard obviously with the data they put on birth choice so you don’t know even a chart with an AA rating Rod and rating he can’t always tell so I tried to carefully celebrities and tried to talk about their Mars and Venus signs, and maybe not even that moonshine because we don’t know because I still think Beyoncé could be a Leo. Everyone thinks she’s a libra rising I don’t believe. so Courtney with her labouring that’s all the looks and how she’s a bit obsessed with looks and mentions it a lot in herself and others that can be the shallowest but it can also be that Gemini side with the gift of the gab and the fact that she did this song about the dress with her and cat For this dress and it became a massive thing , when is an Aquarius rising of course makes so much sense to me alien like big big boobs over the top boobs kind of like Nicki Minaj it’s very funny because they’re in that sense of having that Aquarius first house as well. You do get a lot of Carians that are too, although I think this isn’t talked about much but yeah, this is why I think these personalities are very similar .
Final PSA to this is a fact that Courtney Love called out Harvey Weinstein in 2005 and got blackboard for her never to see the live date or many years later and that’s only the light of day so people with Gemini placements can be whistleblowers but you need to be careful because they do embellished the truth a little bit sometimes not all of them. It’s more common in the women and I believe that the man.
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nhthcth is so damn good i can't even handle it. What really got me this most rescent update is how well you write Elias. He's threatening, terrifying even, but in a way that feels unique to you and much closer to canon than a lot of other fic I've seen him in. Can you talk about how you approach writing Mr. Eyeball Bastard Man?
Eliassssss oh I hate the bastard. So do y’all, based on the sheer number of death threats he gets every single chapter.
If I’m doing fanfiction, I’m usually playing off of a canon character who already has an established personality that I’m trying to at least get in the ballpark range of. So what I usually do is pick a few dominant core traits and then adapt them for the events of the narrative. Here’s what I focused on for Elias in nhthcth:
1. Total lack of empathy.
This was one of the biggest ones for making Elias such a huge threat in nhthcth and just making him so terrible. It’s also the trait that I think ties him the most to canon elias.
I see a lot of fanfictions where Elias is a lot more caring or attentive or just pulls more of his punches in comparison to his canonical self, and for me, it’s the biggest separation between canon elias and some depictions of him in fanon. This happens a good deal with fics that do involve Jon as a child—which, you know, is a playground nhthcth is kicking around sand in.
And I want to be so clear that I am not knocking or criticising those fanfictions. I have so much fun with them and they do a lot of good work. A lot of the time, the authors aim probably isn’t even to have their elias be like canon elias—it’s fanfiction. It is defined by taking creative liberties, and the way they execute their eliases are all extremely fun and enjoyable and interesting in their own unique way. The only thing I would say is that I really would not see canon elias making those same decisions—which is probably a statement that can be made about some of the decisions nhthcth elias makes, because I am not jonny sims and I, too, am taking creative license and engaging in fanfiction. Which is a very longwinded aside, but it’s important for me to say that I am not at all trying to insult these works of other authors who I deeply respect.
I also think it’s important to note that I feel Elias’s cruelty and lack of empathy takes child Jon fics and nhthcth specifically into darker waters than most want to be in. Like, fundamentally, Jon’s a kid. Due to the nature of Becoming, he is having his soul slowly eaten while he’s still alive to experience it. It’s very dark, heavy subject matter all circulating around a very young protagonist.
The thing is that I really like dissecting the practical implications of a narrative decision and embracing the ugly reality of it. Like, if it’s just a potential consequence that doesn’t have any real narrative merit and I can go with a happier alternative, I will go with the happier alternative but it sort of bugs me if I sort of like, shy away from the inherent implications of something. At the same time, I really dont want to fetishize bad things happening, particularly to young characters. Like sometimes, it just gets gratuitous, and I don’t like that either. I mostly try to edge around some of the worst of it by implying what happened rather than showing the actual scenes, but it’s a hard balance to strike, particularly when you tend towards angst in general and when a lot of the characters you’re writing about are children.
Like, nhthcth was both spurred from my interest in mr spider and how it could have gone different, but also in the fact that by the time canon Jon enters the narrative, most of the major actors in this supernatural underground are already gone. Gerry is dead, so is Dekker and Gertrude and Agnes Montague, so you have this sort of mental image of a golden age already passed. Most of the people who defined the landscape are already taken out of commission by the time Jon even approaches the edges of what’s happening, and I really wanted to write a Jon that participated in that period of time, which meant he had to get involved much earlier than he did and it spiralled from there, which left me stuck grappling with the practical implications of such a metaphysically horrifying experience as Becoming being visited upon a very young boy.
in a similar way, toy rosaries deals in an adult Matt Murdock and was really sourced in a desire to have Jack Murdock alive and kicking at the time daredevil is around, but you have to figure out how Matt’s still daredevil if jacks not dead, the clearest narrative divergence point is jacks death, Matt being kidnapped then was the clearest way to put him in sticks path, human trafficking was the only thing I thought the mob would practically do as retaliation that wasn’t killing Matt as a lesson to Jack, which sort of leaves me figuring out how to handle the practical realities of something as horrible as human trafficking and what’s likely to happen as a result.
Which is another long winded way of saying that deciding how far is far enough with cruelty, particularly when your child is a protagonist, is a difficult balancing act to strike and most writers probably don’t want to go quite so far as nhthcth does.
all of that being said, i just think canon elias would not nearly go to the sheer effort that he does in a lot of fics that i've seen. once again i have SO MUCH FUN watching him do it still and this is not to insult those fics, i love them too and think they're fantastic, they're just playing in the sandbox a different way than i am.
usually his care or effort is sourced in canon traits. The most common one i've personally seen is Elias doing it out of service to the Eye, who is Obsessed with Jon.
And this makes sense! The Eye has always, even in canon, shown a sort of increased attention to jon. Jon got a lot of stuff from the Eye that Elias never did in canon, even pre apocalypse. Post apocalypse, he was its Special Little Boy and the Eye was basically pspspspspspspsp'ing for its beloved archivist to shank elias in his little fear cocaine rave discoball so Jon could be the Most Specialist Boy In The Universe, despite the fact that Jon did this purely against his will and Elias has been its dedicated acolyte for literal centuries. The man is still getting his shit rocked by someone who isn't even on the police force anymore in his shitty little jail cell without any supernatural healing that we know of. Jon's over there having the worst fucking time of his life, been here for fucking twelve and a half minutes, and he's already curb stomping Peter Lukas in the depths of his own Entity and supernaturally healing from injuries and this is all happening with his active disapproval. Jon has a permanent google doc open on his laptop titled "resignation letter if i ever fucking gain the ability to quit without having to gouge out my own eyes or if local gayboy agrees to do self mutilation with me and run off to smooch in cottagecore bliss in which case i care less about the eye thing" and the Eye still thinks he's the most favoritist boy around. Elias is trying his best to bring his master into reality to realize its terrible purpose and the Eye is still making him schlep down to his old body with a very confused mailroom twink to manually gouge out his eyes in what must be a painful and messy process that's embarrassing for everyone. Like, elias probably doesn't have that much upper body strength. is it. is it hard to overpower the local stoner with a flat ass and poor observational skills. does he ever slip on the blood. does it ruin his clothes. does he. does he ever mess up with the, the eye thing. the removal thing. it's probably so gross. like the entire process is just extremely inelegant and probably embarrassing. Jon just fucking got here and didn’t even want to be here and the Eye is lavishing him with gifts and attention like he’s its favorite babygirl, and elias is looking on with resentment after clocking hundreds of years of dedicated service like “I could be babygirl” but he can’t he can’t be babygirl he will NEVER be babygirl
It's also canonically suggested through agnes montague that child avatars tend to be a lot closer to their entities and more powerful than people who become avatars as an adult. i have my own theories as to why this may be, but if you combine that with Jon's own unusually strong connection to the Eye, then it's safe to say that the Eye in these fics is going to be very much transfixed with baby jon.
But my own personal theories about the Entitles means that this would, in no way, require Elias to show even the barest amount of mercy towards jon.
This is a another MASSIVE DIVERGENCE that i won't really break down for the sake of like, the poor souls pinponging along this explanation with me, but I have a bit of a background in Classical tradition, including greek and roman philosophy. And I find the entities intensely fascinating, because how they're discussed metaphysically is really similar to how the classical tradition approaches metaphisics as well.
The thing is that, at their core, the Entities only are what they are, which is a very classical approach to metaphysics. The Eye is the horrible fear of being exposed, seen, known, by something cruel and uncaring, among other things. So Jon can compel truths from you with great ease, because that draws directly from the Eye's wheelhouse. But he couldn't compel you to lie. Moreover, I'd go so far as to say the Eye is metaphysically estopped from lying to him. Everything he Knows has to be true, because the Eye's very being is formed of this fear of horrible truths.
And I'd say that the Eye would never care about whether or not Jon is happy or treated well because that simply is not in the realm of what it is. The Eye is a thing that is metaphysically incapable of love in the way that you or I understand it. It is a direct product of the negative emotion of Fear, and as a result, something like concern or care for its most beloved avatar's wellbeing is something entirely alien to its very existence. In fact, I'd go so far as to say that it enjoys jon's own pain and suffering, because that is the only thing that it is capable of.
And this is something that I try to imply pretty directly in the most recent chapter of nhthcth. Jon straight up says that the Eye loved him for the pain he felt.
The Eye's entire existence, it's sole natural law purpose, is entirely directed towards fear, pain, suffering, and its consumption. If the Eye loves something, then that must be a very terrible thing, because it is only truly capable of causing pain.
And that's fascinating in the context of Avatars, because avatars are repeatedly shown to enjoy what they are. They're not really trapped in pain and suffering--they delight in it, actually. But I think the answer to why that is is most clearly seen in the act of Becoming.
Jane Prentiss is an excellent case study, because we have a statement from her in the moments before she fully Became. Even in the moments of her most devoted fervor, there's a deep, existential pain in her words. She doesn't like it. She came to the magnus institute not to gloat, but at a desperate final bid at being saved from the thing that was consuming her metaphysically in a way that caused such terrible pain that she could not put it into words.
And the thing is that I don't think it ever stopped hurting. I think that the Corruption just ate the part that remembered it was supposed to hurt. Her final form has some corroboration for this as well. She became a home for that which loved her, and that was a home riddled with holes. It must have hurt, having so many worms inside of her, burrowing and squirming and writhing. But she delighted in the pain, and I don't know if we can say that means it wasn't actually painful or that there has simply become something deeply perverse about her understanding of pain.
We see this in other avatars as well. Mike Crew, for all of his delight in the Vast, didn't actually seem to want to join it. he doesn't remember his own Becoming, and is deeply confused at his own jumbled recollections of being afraid because it's so incongruous with what he Became. But the outside statement discussing his Becoming corroborates that Mike Crew before he fell was desperate and afraid, and may not have truly wanted what he actually chosen. Once again, I don't think that Mike liked it, in truth. I think he just lost the bit of him that understood that it hurt.
Jon himself is an excellent case study as well. Season 2 is his most clear descent into what he becomes. That's where he starts developing his abilities most clearly, and, more important, that's where he begins to feed his god in earnest. he reads the statements, and the Eye feeds from him, but I think a far more definitive act that sent him towards his own becoming as the fact that he was stalking his coworkers that season. He was inciting in them a fear of paranoia and being watched that the Eye must have delighted in--and we see that he actually did cause this pain particularly in Tim's own deep-seated resentment towards Jon that is never truly resolved.
And I think that we never seen in canon the true depths of how profoundly Jon must have hurt Tim in the scope of Season 2. Tim is not only Jon's closest friend in the Archive--he's extremely strongly implied to be his closest friend in the Institute and possibly his closest friend at all at this point in time. Now, it's also shown that Sasha and Tim were likely closer to one another than Jon and Tim ultimately were, but it's still undeniable that the bond that Tim and Jon had must have been a very, very deep one in Season 1.
Tim is the only person that Jon actually asks to come with him to the Archives. He is shown to care deeply about Sasha--most notably in the sheer grief he felt about her death but also in his concern for her with Michael's first appearances--but it's unclear how much of that, if any, predated the Archives, and how much of that is just Jon's general care for people around him. Tim is the one that he actively wants to be with him in a job promotion he's later shown to be deeply insecure and fearful about, and while that may be just a general appreciation for his work ability, when he's in the Archives, Tim is the one that he repeatedly goes to for help with the most sensitive topics he has, such as Oliver Bank's initial statements. Jon in Season 1 is explicitly stated to be held deeply in the grasp of a very old fear of his, and most of his most prickly actions--namely, his blind insistence on tearing apart statements--is a desperate attempt to protect himself from a primordial fear that is likely of similar nature to the worst thing that ever happened to him. The fact that Jon, in the depths of a very deep and old fear, trusted Tim not to hurt him, suggests a relationship that had a very solid foundation prior to season 2. The fact that it is after tim nearly dies a horrible, painful death helping save someone who was likely one of his closest friends is the point where that friend decides he's completely untrustworthy begets a horribly violation that Tim has every right to feel betrayal for.
And I think that the sheer terror of being stalked itself must have been horribly painful for Tim as well. In the intervention, he has this line with a lot of tense anger where he says "He was watching my house." And I can't help but wonder how long it took Tim to figure that out.
He has his own trauma around the supernatural a la Danny that's been exacerbated by a very recent life or death spooky scenario. He starts to realize he's being stalked. He feels himself being watched. He likely doesn't realize it's Jon right away. All he knows that there's someone in his bushes, following him home, and he can feel eyes on him that hold nothing but malice. It must have hurt like nothing else when he realized Jon was the one who caused such horrible fear in him. All of that likely made an amazing meal for the Eye, and Jon was probably unknowingly feeding off of him the entire time. Jon stalking his coworkers was also a choice, and it sent him hurdling along the path of becoming the same way the statements did.
But what's especially interesting in this is that the one who explicitly suffers from the most paranoia in Season 2 isn't Tim.
It's Jon.
He spends almost all of Season 2 in a state of total paranoia. Tim, or what we see in canon of him, doesn’t seem to ever get close to the sheer existential panic Jon casually lives in the entirety of season 2. It's a mania, and one that causes him almost constant suffering. He's in total, constant, crippling fear, and while it's posited that the Not Them was part of what caused this, I think it'd be a mistake to say that the Eye wasn't getting a meal of its own. Out of all the entities, the Eye is most closely tied to paranoia, and it's suggested that the Not Them only affected him to such a degree because of his relationship with the Eye. Jon's own Becoming is yet another example of how even the avatars of the Entities are not exempt from their gods, and in fact seem to suffer from them more directly than even some of the victims.
So at the end of the day, you have a child in Elias's sole control who has absolutely no one to advocate for him. The only interest of Elias's that he serves is the Eye, and if anything, the Eye itself is interested in his pain and suffering. The only person in this situation who could possibly show jon an ounce of mercy in this environment is Elias himself, and canon Elias has never once exhibited anything that suggests he ever would.
Repeatedly, Elias in canon is shown to elect for cruel detached watching even when mercy is an option that would cost him little to nothing. Barnabas Bennet came to him for help, and Elias plainly states that he liked Barnabas, collected his bones sadly, and could have saved him but chose not to. More interestingly, he says so in a Statement, where he cannot lie, because such a thing is anathema to what the Eye is. His sorrow at Barnabas's death must be to some degree genuine, but he still elected for cruelty. He states that he did it to see what would happen, which means its at least in part directed towards feeding the eye, but it is important to note that this decision can't be laid entirely at the Eye's feet. Elias was still in the very early stages of his becoming and had likely not yet even attempted the Watcher's Crown. Not only that, but to blame this decision entirely on the Eye's hunger would directly ignore the thematic importance of choice in tma.
Daisy is implied to be one of the strongest, if not the strongest, avatar of the hunt around. She's actively starving herself, and she still fairly easily scares off Trevor and Julia, despite the fact that Trevor is an experienced, fully realized hunter who had gone through the process of dying and choosing his god, and Julia is in her prime and at least a third generation hunter. Daisy at the start is also very cruel in how she feeds her god, and she's shown to revel in it, much like Elias.
But she still abandoned a hunt for Basira. Even as far gone as she was when she went after Jon in the forest, she gave up a hunt at least in part because Basira asked her to. At the time Barnabas Bennet got stuck in the lonely, Elias was probably a common bitch who could probably barely even get a spooky heads up about the lunch specials, and he still decided to watch a friend's horrible, slow demise for basically no reason. "I wanted to see what happened" the fuck do you think is going to happen, elias. if you really wanted to know, you could have traded mordechai someone you didn't have homoerotic tension with to watch in the lonely and still gotten to save your probable ex-boy toy. Elias picked to be cruel, and the things you pick hold some of the greatest weight in tma.
Elias also exhibits this tendency towards Jon pretty plainly in canon, with the most notable instance being jon's attack from prentiss. Jon almost died entirely because Elias was watching and waiting as the worms were eating him, despite being able to stop it at any time with the emergency extinguisher. He claims that this was to ensure the marks on him were deep, and while this may be true in part, i think there's an implicit drive of perverse enjoyment in that. Jon, after all, was already marked by the corruption at this point. He was marked earlier in the day, when the worms first ate into his leg. Elias could have hit the fire extinguisher before the worms even got close to him at the end, and Jon still would have bore the corruption's mark. There's nothing in canon to suggest that the marks even need to be particularly deep--in fact, it's pretty clearly suggested that they only necessitate a fear of his life without any real intensity qualifier past that, because the Desolation's mark came from one handshake, the vast was a bad tea date, and he just had to look at the science project of the fuckin' glue-eater entity that is the dark. He was suffering, and Elias was feeding the god of callous observation of suffering. I think he did it at least partially because he was cruel, and he enjoyed it, and he was not going to try and make getting what he wanted--jon marked--any less painful than he could. He may have needed Jon marked for what he wanted, but he chose to make it crueler than it had to be. He liked it.
Lastly, canon pretty directly states that elias wouldn't really give two shits about the fact that jon was a kid. He ended a world full of children and damned them to what he thought was an eternity of pain and suffering without so much as a blink of hesitation.
The fact that Elias consistently elects for the crueler option is something that i think that is pretty fundamental to his characterization in nhthcth, and I think it's what makes him as terrifying a villain as he is. Particularly in chapter 23, elias is just callous towards Jon and his emotional devastation.
Chapter 23 was meant to sort of be a bridging point between Jon as a child and Jon as an adult. As a child, he’s almost completely overwhelmed by the Eye, and he doesn't really have a reason to have hope for any other existence. He doesn't really remember a life before this, and he knows that what's happened to him is so absolute that he can't go back to what he was before. He has multiple scenes where he's shown to not want to be what he is right now or stay where he is, but they're pretty directionless. He goes to the park; he comes back; he doesn't run because he can't think of anywhere to run to. He can't run from something living in his head, so he stagnates in this state where he wants to live any other life but can't think of another one to live.
But Jon as an adult, if anything, is more stuck than he was as a child. unlike before he ran away, he knows that the contract precludes any real chance of leaving. He's fully the Archivist, has been the Eye's avatar for much longer, and he knows enough about this world to know that even if he tried to leave, someone would come after him. If anything, he's got less reason to fight than ever.
But adult jon is marked by constant resistance--including seemingly meaningless resistance. Like, Jon has done absolutely everything he can to make sure that his captivity is not convenient for everyone else. Shit like having a deeply inappropriate out of office email, replying to HR messages with "hey i'm metaphysically bound to a monument of terror and cannot leave so i'm going to continue being a deeply unsettling and unwell man"--that doesn't do anything for him. Elias isn't going to let him go just because Jon's dedicated his life to making Elias seem like the world's shittiest adoptive parent who raised the world's least adjusted man. He's still got fight to him, and there's this lingering question of why when so much of his fight just doesn't serve any real goal of his and Elias will retaliate if he pushes too far.
And I think the reason why is because Jon in chapter 23 experiences a loss he's never going to forget or recover from, and while he may not be able to change that, he won't let Elias forget it either.
Jon in chapter 23 is effectively mourning the loss of his own personhood and his family. His grief is tangible, and it's strong enough to drive him for the rest of his life. And I think one of the cruelest things Elias does in the fic is trivialize his pain.
It's insult to injury to insult. Jon becomes physically ill on more than one occasion with how much distress he's in, and Elias calls him dramatic for it. Jon's having a total breakdown, and Elias is calling him selfish because this may require him to have to move around his schedule.
And all of that isn't needed for Elias's purposes, at the end of the day. Jon is trapped by the contract. He's feeding on statements, and he's got every indication that the Eye will continue making Jon Become. Even if this was driven by a pure cold, calculated design to end the world, he could do it without the endless verbal digs that just demean Jon. His cruelty, that's a choice. He picked to do it, and he didn't have to. it's not just that what happened to Jon was a necessary evil to make someone capable of wearing the watcher's crown; he's got moments where he could show mercy and still get what he wants, and he picks to be crueler.
at the end of the day, he is the one in almost absolute control over jon from a very young age, and he will not stay his own hand. Jon is a hurt, frightened, desperate child, and he does not care. He has no real affection for him past his own smug self-satisfaction at having created a child who could wear the watcher's crown. He has some incentive for Jon to be hurt, but even when he doesn't have incentive for that, he will affirmatively elect for the more painful option. I think canon elias would be making a lot of the same decisions, and that's one of the most horrible bits about Elias having a child as young as jon under his control. Some of his worst, most villainous lines and actions was a direct result of the fact that he could ease up on what he’s doing and every time he chooses to hurt Jon more.
2. Avoidance of responsibility.
Elias in canon is fascinating because some of his most memorable monologues center on him preaching on personal choice and responsibility, and yet the character who most often dodges his own complicity in what happened. The only time he actively accepts responsibility in what he's done is when he's gloating about it, most plainly seen when Daisy's got a fucking gun on him and Jon literally just crawled out of his own grave and would happily put Elias there in his stead, and Elias is taking his sweet fucking time telling everyone in a room full of people that want to kill him that he did every last thing because he wanted to and enjoyed it, and no one made him do a damn thing.
Any other time, however, he's repeatedly trying to flip the script and make it all about everyone else's personal responsibility. He's over here telling Jon that he chose and picked every last thing he did to become, and while that may be true, he neglects the important little detail that it'd be batshit fucking insane from the get out to assume that this normal job promotion to be what Jon seems to think is a librarian with more dust would incontrovertibly bind him to evil god. He made the choices, but he made them in a culture of ignorance that elias purposefully cultivated and literally killed to maintain, and if you're looking to attribute responsibility for this, then the responsibility is most plainly laid at Elias's feet.
Casting other people's righteous pain and indignation at what he did to them as something that's their fault is a favorite manipulation tactic for elias, but I think it becomes especially egregious in nhthcth, because he's using it against someone who is a child. Jon as a kid cannot parse through Elias's blame-giving in the same way Jon as an adult potentially could have--his brain is literally not developed enough. And while Jon as an adult at the very least assumed a little risk by taking a job at spooky central (not to mention the blame he has to bear for some of his more egregious activities, like stalking his coworkers, even if it is mitigated by the fact that he was in a state of extreme mental distress), Jon in nhthcth was a scared little boy afraid of being eaten who begged him for help. In response, Elias just fed jon to something else. He's doing the exact same things as he does in canon and using the exact same manipulation strategies, but it makes for an almost more horrifying action, because he's doing it against a little boy who bears absolutely no blame or responsibility in what happened to him, who was hurt on a much deeper level, and who just cannot defend himself against elias or his claims.
3. Arrogance.
Lastly, one of the most important aspects of elias as a character that I really tried to underscore in nhthcth is that he just is not as smart as he thinks he is.
Elias in canon has cast himself as this grand player in a game of cosmic proportions, which is hilarious, because he's actually the biggest clown in a community that literally has an entirely separate evil circus. there are literal clowns and he's outstripping them with ease.
Fundamentally, elias is a fucking schmuck.
He's a pawn from the start, and canon I feel is pretty clear about that. Most of his grandest successes in this game are either fed to him by the Web or him playing right into the hands of the Web's plans, which, of course, conclude with him being shanked by his own employee who probably hadn't even been with the company for like, that long. He only finds out about the Entities because the web arranges for it.
Even his final victory was honestly pretty hollow. I mean, the apocalypse happened, he took his place in the panopticon, but he was just a glorified disco ball huffing fear like paint fumes. Granted, he was in much better straits than everyone else, but I think there’s something innately human in the idea that we want more form life than the bare sensation of pleasure, which is what Elias’s life devolves into. He’s just in this weird fugue state mindlessly consuming fear which is just… pathetic, honestly.
It’s especially ironic in light of why he even incites the apocalypse. He does it, effectively, so no one else can do it to him. He starts trying to stop it from ever happening, decides instead it’s better to fuck over anyone else than be the one who gets fucked over. It’s also probably influenced in no small part by his deep fear of death.
The irony comes, of course, in the fact that he trapped himself and everyone else in a doomed world where death was guaranteed. While time didn’t exist in the apocalypse, so we can’t say if it was longer or shorter than his worldly life, he arguably could have survived longer if he just kept body hopping through trust fund twinks in a world where he could have kept getting his daily Starbucks and slutting around with whoever the new dumbest person in the Lukas family lineage was.
The fact that Elias always was a sacrificial lamb to the Web’s ultimate plot really just puts the final nail in just how outclassed he was in canon. He spent his entire existence trying to crown himself king of a ruined world, and when he finally got there, all he did was snort fear coke in the world’s carcass and then immediately get sacrificed because he was only ever just a placeholder for the Web's actual victory.
like in canon, Elias in nhthcth seems to think he occupies the role of a chess master navigating this grand scheme. however, like in canon, he's a fucking dumbass eating glue.
It's important to note that Elias's biggest victories are all the direct product of him skating through cheap advantages rather than any actual intelligence or skill. The real leverage that Elias has over Jon and everyone else is the contract. He is able to control a lot because none of them can physically get away or kill him. But the thing is that it's very easy to call yourself a chess master when you're a grown ass adult who signs up for the kiddie league.
Jon is fucking eight and knows jack shit about what's going on when he's trapped by Elias, and he has been skating off that victory ever since. Like, congrats, man, you barely squeaked out a success against someone who is in the third grade. Way to go, you special little man.
Part of his real downfall is that he's just not the player he thinks he is. He goes to his end having played his part in a performance that was never particularly creative to begin with. He hit everyone of his pre-written lines without missing a beat, and he died on cue, just as pathetic as he always was. He goes to his death as a patsy that lived just as long as he needed to.
I wanted to preserve that for nhthcth. I wanted his downfall to be linked to his own overestimation of his worth and his fatal flaws.
Elias throughout the fic is pretty insistent on making this show of someone who eternally has the upper hand, and who's already won, that i think is consistent with him from canon. But if you look at what's happening substantively, Elias so seriously overplays his hand on multiple occasions that he really lays the groundwork for his own downfall.
Elias spends chapter 23 treating Jon like his resistance is already at its end. he's extremely confident about it too--he puts it at a couple months before it's all over. Of course, we see the timeline in 2013, and we know that for all of his confidence, he is miserably wrong. Jon never forgets Gerry. He never stops hating Elias. He never stops fighting elias or what's happening to him. And I think that the way Elias approaches these facts is really indicative of the fact that he profoundly misunderstands jon as a person--almost entirely because he repeatedly discounts jon as a person. He treats jon like he's tangential to his own being, just person that unfortunately hasn't yet been stripped away from the Eye's vessel. And it's that arrogant dismissal that I think really sets him up for his own failure.
Not to take another divergence into another character, but Elias's main interactions in nhthcth take place with Jon, and I think to understand one you really need to understand another.
Jon was one of the harder characters to design for nhthcth, simply because his circumstances were so at odds with canon. It wouldn't make sense to have him start at the same characterization he had at season 1, simply because he knows so much more and his life experiences have been entirely different. At the same time, his characterization in later seasons were intensely the product of the events of canon, and they weren't a perfect match either. I ended up whittling him down to the base core of himself and sort of patchworking his different characteristics throughout the seasons back in.
And the thing is that i think at the most base, fundamental core of jon sims is that he will fight to the absolute end. he's just not guaranteed to be particularly good at it. And it's fascinating to me, because Jon's sheer drive towards resistance is something that seems to be dismissed time and time again by characters in canon, despite the fact that it really defines so much of who he is.
There's that Web statement, right? The Creature Feature one, about the movie production by Dexter Banks. The Statement details a Web Leitner that had been found by the director of a movie, about a spider that terrorized a small island town. The narrative lacked any real protagonist or hero, with each interlude ending with the slow, calm march of the character into the jaws of the spider. the closest thing that they get to a protagonist is a man on the island by chance, who serves as a connecting thread, wandering between and observing the islanders who all inevitably march into the spider's jaws. The actor playing this connecting thread on the film set was noted to seem to know more than everyone else, and who was the only one not excited, instead approaching this with more weariness and gravity. He would just spend his off hours smoking and reading, and when the time came and the Web claimed its victims in the actors, he led them all into the room without any resistance.
That episode seems to be a pretty clear analogy to Jon, right? You have the victims of the spider, paralleling statement givers, with the lone connecting thread wandering amongst them and watching their demise and the aftermath. But what's most interesting to me is this implication of going without resistance, because that's the place that Jon notably diverges.
Jon resisted pretty much every step of the way--he was just always outgunned, outmatched, and outclassed by people who had a lot more power and knowledge than him. But I think the fact that he constantly resisted was still important.
From the first episode, Jon has on display this instinct towards keeping himself contrary to the entities--he just never has the know-how to inform his resistance. he goes to ridiculous lengths to maintain his impression of skepticism, despite the fact that all three of his assistants call him out for how ludicrous it's getting, and yet he insists on maintaining it, because he thinks pretending not to know may help protect him from whatever's watching him. he just happened to be wrong.
he immediately tried to go after the not-them, but he again lacked the knowledge and skill to go up against it, but even when he was on the run, he was trying to leave tapes so people would remember his voice. When Michael was going to kill him, jon was trying to demand a way that he could get michael to spare his life--there just happened to not be any. He reaches the apocalypse, and he doesn't take up his role as the most important eye boy around--he tries to find the way to fix it. Even towards the very end, Jon tries to fight the Web's plans for him and to put it all to an end--it's just the web took his resistance into account and planned around it.
That, fundamentally, is where you can see the difference between the web and elias, and in particular elias in nhthcth.
Elias does not understand the game he's playing, and he is someone who is cruel for the sake of cruelty. Elias thinks that Jon himself is a non-issue, that Gerard Keay could never be a true problem for him, and that he solved the entire issue already. He thinks that he's already won, because he does not recognize or understand what drives Jon. Elias is someone who would burn the entire world to keep himself warm. He stopped trying to save the world and caved incredibly quickly into ending it himself as his only option. He picks his own survival at the end of the day, every time, and he thinks that by narrowing Jon's options down where he makes self-preservation contingent on what he wants, then Jon will go with whatever elias wants. He does not understand that people will make other choices, that they'll sacrifice themselves for others, that they'll resist even when it hurts them. The Web has always shown an understanding of how to manipulate people and account for these kinds of contradictory instincts, but Elias is not nearly on the same level as the Web, no matter what he thinks about himself.
And I really wanted these moments of overplaying his hand to be tied to his own other core flaws and failings. He's not nearly as smart as he thinks he is, and it's his instinct towards cruelty that he indulges to the detriment of his own plan.
So we look at Jon in chapter 23, right? He's the one Elias seemingly has in checkmate with the contract. Elias certainly seems to think he's won--he says as much, very smugly, to Jon's face.
Jon spends the entire chapter in resistance, but it's a very aimless, futile resistance that Elias fully assumes will burn out. Like, jon's attempts in chapter 23 are honestly sad to me, because all of his resistance just seems to be for the sake of doing something. he doesn't have any plan around breaking into elias's office or the files. He starts to make trouble for elias, and it's the start of jon's eventual reputation as a spoiled, distrubed troublemaker who gives elias hell, but from jon's perspective it just seems so desperately sad to me.
Like, Jon takes a few shots at jonah magnus and tries to embarrass elias publicly, but he does it with full awareness taht it won't save him, and it will only make it worse for him. he's lashing out for the sake of lashing out, and elias knows that all of jon's resistance is ultimately going to fail, at least in the short term. but he falsely assumes that Jon's eventually going to give up.
The thing is that Elias did not have to handle Jon's becoming in this way.
Fuck, he could have said, "I've decided the absolute funniest thing I could possibly do here is rent an apartment and make Gertrude raise you and gerard in it, you have to keep reading statements but you don't have to be near me to be an eye avatar." He could have treated Jon with kindness, indoctrinated him or brainwashed him or whatever, and made jon believe in the exact same cause as him. It probably would have turned out better than it did.
If he gave Jon more leash, treated him with more kindness, let him have happiness and safety and security with Gerard Keay, Jon maybe wouldn't have fought elias as violently as he did. maybe he would have taken his victories where he could get it and at least work with elias on occasion to protect the life elias has left for him. At the very least, he wouldn't have his head archivist sending out newsletter reminders to their entire donor rolodex about how elias is still a prick, same as the last newsletter. But instead, Elias elected for the worse option. He assumed he had a victory he didn't have, and he decided that gave him license to be callous and cruel. What could jon do in retaliation? He had no way out, and he would give up sooner rather than later, so he could indulge his crueler side without any fear of repercussion.
But we know that Jon grew up to be an angry, resentful man who fights him tooth and nail every step of the way. He never gave up, he never stopped fighting, and he never made it easy on elias. Elias as a character has always thought himself smarter than he really is, and elias in nhthcth assumes a lot of victories he doesn't have. And that's his own undoing.
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gaienenkidou · 9 days
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HELLO 6 7 20 enkidu character opinions Please
wtffff i had to dig through my activity to find that you sent this because it got eaten by other notifs!!!! whoever coded this website needs to get fired i swears. ON IT BOSS o7
6. What's something you have in common with this character?
im more chatty online but even then the amount i talk depends on the day. but irl I understand why enkidu is the way he is in any social situation because quite frankly yeah me too. i dont even talk irl i just think to myself and observe everyone and just go "ahum yup ok" and nod at everything people say because literally what am i supposed to say. but once people talk about a topic im familiar with i might say a thing or two all of a sudden. maybe three. the only difference is that enkidu is The strongest man ever and i am just some random ass person that takes care of children sometimes
7. What's something the fandom does when it comes to this character that you like?
unib memes range from annoyingly overused as per usual for fgs (chesto/akatsuki thot slayer. mika XD half of the time. hilda is 19...do people even still make bathwater and jav jokes anymore oh god those were annoying day ONE) or either funny to Mehhhh depending on the context (just any memes involving merkava come to mind. wagner honest mids My toxic trait is thinking a good chunk of them are funny btw. nana jokes are hit or miss too) but enkidu memes have always been the ones i've consistently laughed at the most being removed from my inherent bias and i imagine that's the result of him being very under the radar. but like holy shit enkidu mains are funny as fuck? the enkidu tier jokes in unist. you had to be there for the "they added enkidu in uniclr" era. and then the memes after that when they took 66c away from us. and of course "I guess I won't say anything..." and the enkidu autism jokes. guy who just has the funniest meme material with just his balancing history and being the way he is ALONE
20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?
even though they have the whole "ending each other with honor" thing going on the fact that they kinda worked together in uni2 (wished we couldve actually seen how they were working together ahahahaha. ha) and also their mutual respect for each other i think wald and enkidu should settle down from their own debts and be old men besties. idk linne can have a weird uncle now or something i just want to see them talk in a slice of life context so bad ESPECIALLY FOR WALDSTEIN. like they can't just give us funny ass trivia like "he has to eat like 7 bowls of food and also needs to enter the back door" and not put him in SoL situations with other people.
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poorlittleyaoyao · 1 year
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See the thing is we're also being affected by styling. I've seen Cao Yuchen in other dramas and he is absolutely GORGEOUS but this particular get up for him was Not It. Wig styling unflattering, make up a lil off, and not a great color for him. I actually think the Jin color palette in general is pretty ehhhhh but JGY has the advantage of his outfits from his Nie and Wen, though this is balanced out by The Hat. Mustaches usually never do it for me but da-ge is my exception. I think Wang Haoxuan face wise is just absolutely next tier but I also think he's nerfed by his wig a little for me personally although I DEFINITELY wouldn't put him anywhere near the bottom, tf. In many ways this poll is a cross between a popularity contest and "who best survived the vaguely unflattering 30 inch wig" which for ME is WZC and his cheekbones.
These are VERY good points. The one who got nerfed the worst by their styling is Li Bowen, IMO. Many of the other dudes all look like Just Some Guy out of costume, and then there’s Li Bowen, who looks SO MUCH BETTER.
For me, what makes me ambivalent to CYC as Jin Zixuan is like… he’s not fun to watch? He’s simply not very expressive. I don’t know how much of that is misdirection and how much of that is him being new to acting, but it makes Zixuan unhandsome to me because his face doesn’t have anything interesting going on. He is symmetrical and has the traits of an Attractive Face(TM), but without the face journeys, he’s the Cdrama equivalent of a CW man. (On the flip side, even though Feng Cong as Su She is checking fewer Attractive Face(TM) boxes, I consider him more attractive because his expressions are doing the MOST, so he’s fun to watch even though his styling nerfed him as badly as poor Li Bowen.)
The Jin gold is so bad tho. The dark, rich gold that Jin Guangshan sometimes gets to wear is soooo much better and I feel like him getting to wear jewel tones while his children are all washed out in that awful creamy color is accidentally symbolic.
I LOVE how polarizing Nie Mingjue’s mustache is. Some people hate it SO MUCH! It definitely makes him look older, so suspect that mustache opinions vary based on the beholder’s proximity to 30. (Personally, I like that one photoshoot where they let him have a full-on beard and not just the mustache. LET DA-GE BE RUGGED.)
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lemonhemlock · 1 year
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Why Aemond, Alicent, Rhaenyra, Daemon and others have been all whitewashed to the point some of them even became new characters while Aegon has been made worse in the show than his book counterpart? The whole thing about watching children killing eachother when some of them might be his own children is something didn't happen in the book and it's actually ramsay-level sadism, the whole plot line of given his younger brother a sexual trauma was invented by the show, he is so incompetent and drunk all the times. BookAegon was drunken yes but it's no where in the same level of his show counterpart, also Book!Aegon shown cunning and bravery during the war , has a very strong bond with sunfyre, has a good relationship with his wife and children.and all of these traits/things are non existing in Show!Egg . BookEgg always give me the impression that he has a strong mentality and perhaps even internal strength since he went through the worst things any person can go through in a such young age but he never give up until he succeeded in killing rhaenyra . The only times we've seen him show any kind of vulnerability are when his son jaehaerys died and when sunfyre has died. The interpretation of the showrunners of his character is not only very bad but it's also strange , inconsistent and extremely unfair considering how literally everyone has been whitewashed. which makes me wonder, what they will change too? will They make him hiding in the red keep while Aemond fight for him? i feel they will really make him a clone of joffery by being man child , power hungry and coward.
I basically agree with everything you've said, anon. 😭 I've long been complaining about this in my Aegon tag.
Anonymous asked: I honestly doubt the writers were surprised about the low support the Greens have with the general audience and I also think they knew very well what they were doing when they made Aegon a rapist. They can say whatever they want in interviews as it's probably just gaslighting for the fans, to keep the discussion going and to keep us engaged for S2.
I was expecting things to be a lot more balanced between the greens and the blacks at the start of the series. I think perhaps someone in the writers' room really didn't like Aegon as a character or something and Miguel Sapochnik didn't care enough to change it? Or they thought that Aegon's awfulness would be counterbalanced by Daemon's awfulness and the audience would be split?
Sara Hess seemed taken aback that the audience ended up swooning for Daemon, in that she gave explicitly anti-Daemon interviews? But that's .. ?? That's Matt Smith in a wig, every Eleventh Doctor girlie (me included) is gonna swoon for him ?? It's a given that he's gonna have a ton of fans stanning for his character. How is it logical (from a marketing perspective) to pit him against poor Tom, who only gets a couple of minutes of screen time, and expect things to be even steven?
And it's not even the same thing, because Daemon is merely the consort, whereas Aegon and Rhaenyra are leaders of their respective factions, the two options for monarch. You can't whitewash one to the extreme, while giving the other the worst possible interpretation. In a story that is famous for the "both sides bad, all war terrible" angle.
I just don't get it. If they wanted to make the greens the bad guys from the get-go, Aemond was right there, it could have been very easy and convenient to make him some kind of child terrorist, yet they seem to like him a lot and gave him a humanizing plot (??) Whereas Aegon is the one they turn into the monster? Aemond/Daemon being the awful ones would have made more sense, since they're foils already.
This is why I tend to think there must have been some disagreements in the writers' room, because I've heard too many contradicting takes from the showrunners/actors that don't really vibe with what's being displayed on screen. So something must have happened between intention and execution and my guess would be too many chefs in the kitchen.
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dreaminginwaves · 10 months
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🐍 Draconis Family | Generation 1
I’m starting the #TS4AscendantLegacy challenge by @spacesuitsims. 💫 It’s an incredibly detailed astrology-based legacy which I am really excited to explore! Full rules can be found here.
*I will include rules & requirements for each generation at the bottom of the post.*
We begin with my Gen 1 Taurus Rising sim, Evangeline Draconis, as a teenager living at her family’s mansion in Willow Creek. The Draconis line comes from old money and is rich beyond all reason, which is where her love for luxury is born. 💸
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Draconis family mansion in Willow Creek
💞 Gonzalo and Selina Draconis are proud parents to one dog, Ryder, and six children: young adult Kellan, teen Evangeline & her twin Ciaran, twin children Sawyer and Arcturus, and infant Tate.
Those two certainly got their wish for a large family and are always extremely busy between raising the kids, working full time (Gonzalo is in business & Selina is in law), leading the Game Makers club for the wealthy and elite, and being there for each other. 👨‍👩‍👧‍👦 Luckily, a full-time butler has always lived onsite to help manage the household.
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Evangeline & Ciaran hanging at the house after 💨😉
🏙️ Kellan just moved into his first apartment in San Myshuno, where he’s focusing on his music and becoming fast friends with his neighbors, who are all of a similar age.
Evangeline and Ciaran both excel in school and are learning to balance their education alongside their new jobs — Evie works in retail and Ciaran is a lifeguard. 🛟 The twins are extremely close and love to cause mischief, both at school and sometimes at home due to their love of mary jane. 💨
Meanwhile, Evie’s relationship with close childhood friend Max Villareal has begun to blossom into something more…
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Evie on family vacation in Sulani
📜 Gen 1 Rules & Requirements
Taurus Rising ♉️
Taurus is a fixed earth sign, finding comfort in the home and in the material world. Often having a taste for luxury, this Venus ruled sign loves to pamper themselves and enjoy the good things in life. Taurus can be stubborn, grounded in their beliefs and values and uncompromised when in comes to change as they feel they must control all aspects of their lives to be fulfilled. Taurus must learn that accepting a genuine helping hand and guidance will help, not hurt them.
Traits: Lazy, Foodie // Aspiration: Master Mixologist
Career: Choose (Retail)
Modality: Fixed Earth // Planetary Ruler: Venus
Complete an aspiration in the creativity category (Child: Creative Genius)
Overindulge in an area of life (juice, parties, romantic partners, gossip)
Course correct after making two friends/romances into negative relationships (over -65 red) and rebuild the friendships back to good friends, swearing off the bad behavior and finding balance
Gen 1 - 1st House: House of Identity 🧘🏻‍♀️
The first house is the house of self, it represents the native (aka the person) - their personality and physical body, their interests and view on life, etc. The first house focuses on the individual, unlike many other areas of the birth chart. The Ascendant is always in the first house and their positioning sets up the rest of the chart - much like your founder sets up your legacy family. Explore, grow, and create a legacy of your own. The goal of this Gen is to find your sim’s identity.
Complete the Renaissance Sim aspiration
Play with 3 difficult lot challenges at all times (I’m applying this rule when Evie becomes a YA)
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justanothersimsblog · 8 months
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Continuing the OC Parenting Questions with Ulene
• How many children does your OC have?
7. He's the grand winner so far.
• Which child tends to receive the most attention? Why?
Well the ones that misbehaved got the most attention in an attempt to discipline. First this was Ari, then Ibis, and then Blaze. He personally probably got into more arguments with the girls though. Blaze in particular had the most fiery personality to match her name.
• What personal trait would your OC prefer their child/ children to develop? (kindness, sense of humor, independence, assertiveness, etc)
Oh he definitely wanted smart and kind kids and he got them...mostly. Some are smart*asses* though.
• What is your OC’s greatest area of weakness as a parent? Their greatest strength?
Oh his big weakness was definitely how unprepared he was combined with the amount. By the time he thought to pick up a book about it or something it was too much to handle.
Big strength though is definitely how much he loves them though. He always tried to do "the best" for them, even if he might’ve had the wrong idea of what this could be.
• What negative events from your OC’s childhood are important for your OC to shield their own child/children from? 
As a child the whole town turned against vampires thanks to his aunt getting out of control. In turn this made him an outcast with another reason to get soft-bullied (people were still afraid of him attacking them being a vampire and all so he mostly suffered loneliness). He definitely doesn't want that for his kids and worried when he'd see them getting picked on or alone.
• What is your OC’s parenting style? Strict? Permissive? Absent?
He'd start too chill then overcorrect in an effort to fix it. Then revert because his friendly trait would takeover. He was often good cop to his wife's bad cop.
• If your OC is raising children with a partner, how well do they work as a team in their parenting?
They balanced each other out. As I said above he often played good cop to her being bad cop. They were both out of their depths a lot but they figured out soon that they had to take turns freaking out because it's 2 of them vs 7 children. They weren't perfect but found their rhythm.
• Where does your OC want their child/children to grow? (City, suburbs, countryside, van life, etc?) Why?
They grew up in the suburbs, Classic family life in the same neighborhood he grew up.
• How often does your OC’s child/children get to see/meet their extended family? 
Oh they saw each other a lot. His parents, the grandparents, are very big on family and gatherings so they'd host often and it was encouraged for everybody to come. As for Katra's family they visited when they could but they lived far away so it wasn't often.
• What does your OC want their child/children to have that they never had?
So he did had friends but there was a time where he was lonely so he always wanted for his own kids to always had someone. He encouraged them to be friends with each other at the very least.
He also wanted them to have the freedom to choose, since he felt he was stuck being heir and dealing (not in the best way) with the clan and he was also technically stuck being a dad unplanned.
• What does your OC think about feeding their child/children junk food? (Rarely, on occasion, every day etc)
Once again this is a vampire family BUT he was always in charge of all cooking and actually enjoyed doing so, and as a result junk food was always a treat or a "only when we're out thing" though he never disallowed his kids to have it.
• What is your OC’s pocket money/ spending allowance philosophy?
He gave them all an allowance as long as they were doing well in school. If this was still true when they turned 16 this also included a car. He always made sure they were all financially set.
• Would your OC put a TV in their child/children’s room?
He allowed it after a certain age. He encouraged all his kids to make their rooms truly their own... even if he personally didn't like some of them hahaha.
• Does you OC believe children should take part in household chores?
Yes and they did. They learned cooking and all things vampire from him (yes, he included the vampire children in the cooking because "you don't know who you'll end up cooking for"). They'd also help their mom with gardening and all magic related activities. Manual chores were done as punishments. Magic/Bonehilda took care of all other chores otherwise. All kids were taught to use their supernatural abilities to do chores even if Bonehilda/magic was taking care of them. That way they'd be set on college.
• What is your OC’s brand name buying philosophy for their child/children? 
He'd buy brands and non brands. He has the money and wanted the best for his kids. However he did encourage them to be humble "despite having better" and would punish his kids if he found out they were making anyone else feel less than. Normally though brands weren't to blame.
• How far apart did your OC space their children? Why?
They were all unplanned. Twins right out of college. A few years to get their shit together and a wedding, then came Ash, and not that far after the quads. And that was it. ✂️
• How does your OC feel about drinking alcohol or smoking in front of their child/children?
Smoking is banned in the house because of Katra. Drinking is normal, after all grandma has a wine business and there wasn't a gathering that didn't include at least that. Just keep it in check and it's all cool.
•  Does your OC believe in eating together as a family every night?
Whenever he could, he'd do it. If it couldn't happen though he wouldn't be upset unless it was a special occasion.
• Does your OC have any special traditions they would want to pass along to their child/children?
He passed all* the family vampiric knowledge.
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shiroi---kumo · 9 months
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these are my favorite memes to submit omg. brace yourself this will be long. and probably a bit incoherent. i tried to keep the blocks spaced out i hope it works
1 cloud: he's handled very VERY well as a "muse of power". he's balanced and still flawed but he's trying his best. he really covers the full complexity of being alive. i literally love him so much. he is the truest blorbo by proxy that there ever was and i am rotating him in my brain near constantly
cid: insert lovegrip emoji. he's so great. he's sweet and weird and i love him. he brings me joy and happiness.
usva: i live and breathe for "what do you mean child of white? wtf. he's just my dumbass little brother. look at him. he'll be whining and crying that he can't sleep later. he isn't special. he's just pilv'"
aurinko: goddddd he is SO. god there's so much there where do i start. i love papa sun. i think that if "trying to do the right thing but it accidentally ends up being collossally fucked up by the end" were a genetic trait then kumo got it from him
kuu: if she were real i would ask her to adopt me. she's so sweet. she loves her kids. k bye
taivas: we don't see him much but the amount of "tired" he feels is just. palpable
punaista: idk much about her yet but we love a friend we can chat with over tea!!!
safiirin: takes no bullshit. also she looks so friendshaped but she could so totally kick someone's ass. do not fuck with safiirin. befriend her so you get 😊 instead of 😠
sinfonia: tragic irony. kills me every time. RIP sinfonia
vuorovesi: she was so close to understanding the point! alas. she did not understand The Point.
liekki: green misterican turned medical person? we love to see it. fight the stereotypes ✨
sumu: i fucking loathe him as a person but FUCK is he such a good villain. he's smart and that's a problem.
kultaa + kupari: perfect "evil henchmen" . part of me loathes them and part of me feels bad that they probably got manipulated into this somehow
ok now buckle up because now we get into
✨ them ✨
palo: she's so fucking funny. i adore her. she's not the comic relief but at the same time she's definitely comic relief you know? palo is the queen of part-time work
sydän: she's just vibing. she's soft and friendly and very nice. i would be her friend. we would be besties i think. (until she finds out what i have done to her brother and then she would End Me but ANYWAY)
aamunkoitto: listen. listen to me very carefully when i say this. i am telling you that aamun is one of my favorite characters in the entire history of the universe. and it's only partially because he is also a visually-impaired military kid just like me fr. he has so many layers underneath all the grump and 😠 . love is stored in the hopefulness brought by the dawn. and to think i didn't like him as much as valo initially... god. where was my brain. not in the vicinity i guess.
valo: magical history man who got caught in the trap of "it's just chronic pain, no one needs to be bothered by it, i'm fine" and then lying about his feelings. i want him to get some catharsis someday. he deserves it. holds him in my arms. love is also stored in the valo but the valo needs to be loved too.
revon: if i were gonna ask someone to adopt me i changed my mind. i'd ask revon. sparkle dad is so . he. i love him ok. he's such a good person but he doesn't see it and it KILLS me in like the best way ever. also i always have an affinity for muses who just go "oh. oh i have suddenly acquired four children." he deserves a blanket and some nice insoles. and maybe a trip to like a cat cafe or something. somewhere he can be surrounded by creatures full of no thoughts just love. let him experience inner peace and let him hug all his kids.
Favorite Detail || Accepting
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I'm not crying. You're crying.
Theo this is so sweet and quite frankly I needed this. I am so happy you see all of this in them. I am so happy they're alive for you and you see the differences in each and every one of them. I feel seen. They feel seen. I'm so glad the differences in all of them are shining through and I just have never really had OCs before this (not to this depth and extent) so to have someone tell me that one of them is their favorite character ever (Aamun my baby I adore you) is just so special to me.
Like I am over the moon that you love one cloud and that he has a spare room he can rent in your brain (for when he needs to hide from storms and cuddle his radio man)
but the fact you love my OCs just squishes my heart with a hug I cannot describe. I was so ready to have no one give a FUCK about them but me and be okay with that but here you are holding them all so close whenever you can. Sun Papa, Moon Momma, Sparkle Dad and all the rest.
God Theo. I love you and I appreciate this so much.
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m34gs · 1 year
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1 and 6 :)
Hey friend, thank you for the ask! (from this post) I had to think a bit on it, but I am excited to answer!
the character everyone gets wrong
Hmmm, I don't think I really have a character that comes to mind that I can confidently say "Yeah, everyone gets this one wrong". I think it's more that there are characters that fandom strips down to a singular trait and then a lot of iterations within fanworks then become an exaggeration of that one trait until the character is a hyperbole of themselves...which probably sounds like I am saying "yeah they all get this one wrong" but I'm really not. See, using that for comedic effect is great and all, and I sometimes really enjoy it, and a caricature is not necessarily wrong...it's just exaggerated. I tend to try to stay away from the word "wrong" when dealing with fandom interpretations because things are so subjective.
I do have a few characters that come to mind, though, for how often they are written as a caricature or one-dimensional or boiled down to one trait. This isn't accusatory or anything, just my observations: Deku (Izuku Midoriya) from BNHA - The amount of times I've seen him written as "uwu poor bean" or "innocent" or "too precious for this world".... like. Y'all. He canonically breaks his own bones to save other people again and again and again. But then it swings the other way with people writing him as a "badass who does no wrong". I promise you this boy messes up and when he does, he messes up Royally. Also, he is not suave At All in the source material, lol, he just has a few badass lines and faces danger even when he's terrified, but there are plenty of times he makes mistakes, can't talk to girls, embarrasses himself, and is even paralyzed with fear. Overall, he's a pretty well-rounded character. That being said, whatever you wanna write, go for it.
Grimmjow from Bleach: Yeah, I love the "Grimmjow is a Giant Cat" joke, and I've written it myself. But sometimes even for me it's too much. He's more than just 'a cat' (and really, all cats have a unique personality). He's an amalgamation of souls with murderous intent and a goal of being King. He wants to be the Strongest. He canonically tries to murder Rukia and Ichigo both. He gets loses an arm. He has this weird list of checks and balances where he doesn't harm Orihime because she restored his arm, even though harming Orihime would definitely get to Ichigo and draw him into a fight to the death. He does a 180 in TTYBW and is fighting on the same side as Ichigo, in a 'enemy of my enemy is my friend' sort of deal, because his home is threatened. He ATE his followers/friends to even become an arrancar in the first place. There is more to him than 'hehe, oversized cat', and I feel like sometimes even I need a reminder of that. (and I really love his character)
Endeavor from BNHA: Oh no, I get it. This man does horrible things. I just kinda get tired of fics where he's characterized as remorseless (he's not; that is shown very clearly, even if he still has a long way to go to even begin apologizing/making up for how he's been) or even considered Worse than All for One. You know, All for One, the Villain who is so terrifying even other villains are afraid of him. The dude who manipulated a child and raised him into someone who would attack other children, the dude who wants to squash the very symbol of hope for everyone. Endeavor is a shitty dad, and he does shitty things, but he is not so one-sided. Yeah, he's very self-centered and insecure, doesn't make him evil. He's aggressive and doesn't pay attention to collateral damage. Still doesn't make him evil. Dangerous? yes. Abusive? yup. I guess I just hate when people see him act one way and instantly decide there's no way to redeem him. He would have to do a lot of inner work, but he has the potential to, and I think a lot of fandom consistently strips him of that potential because they'd rather see in black and white and label people as 'good' or 'bad' with no going back or forth, than to think that maybe humans are more complex and so maybe the characters in the shows they love are more complex as well. Idk. I kind of rambled a bit on this one. If you want to see more of what I think could be done for Endeavor, you can look at the first work in my Adventure of the League of Dads series on AO3, I suppose. Or ask me about it. I don't mind talking about him. He's interesting to me, and I think he reflects some people I have known in my life, which is maybe why I have such an interest in him being able to change.
I have more, but I think I'm gonna leave this list here, or we could be here all night. Lol.
6. which ship fans are the most annoying?
So I don't actually think there's a particular ship out there with fans who are more annoying than other ships, but I think there is potential for fans of any ship to be annoying. Basically, the annoying stuff is not connected to the ship, but to fan behaviour. Really, I think the most annoying types of ship fans are the ones who will send death threats and anonymous hate to people who either dislike the ship they enjoy or who like a ship they don't enjoy. Imagine sending death threats and hate mail over people that don't even exist...Imagine sending hate mail or threats at all...like damn. Some people really need to grow up. But as I said, these fans can be (and are) present in any and all fandoms, for any and all ships. Maybe there's more for a lot of the mainstream stuff, but that's just because there's more people following that stuff in general.
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cryptixani · 1 year
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Hello! I saw you had matchups open and i was hoping i could get a romantic bnha matchup :)
>pronouns: She/her
>fandom(s): BNHA
>if you want a romantic or platonic match: Romantic please
>if you have a preference between heroes or villains (if applicable to the fandom):
I don't have a preference
>gender preference of your match:
Any gender is fine with me
>describe your personality:
I am introverted most of the time however i still don't mind chatting with people either. I also am empathetic and i will always stand up for what i believe in and i try to be someone people can go to for their problems. The weird thing is even though i try to be kind to everyone, there are times where i meet someone and i realize that person doesn't deserve kindness. Im also hot headed and even though i don't get into physical fights, if someone says something that hits close to home, i turn into a mean person and have made others cry. Not something im proud of i just snap back when someone disrespects me
>your likes and dislikes:
i enjoy cleaning, cooking, anything related to makeup and fashion related, taking care animals and children, Reading manga, playing video games and watching murder documentaries.
As far as dislikes go i don't like, close minded people, not having a sense of control of my life, being alone, being ignored, being compared to others and seeing others i care about in pain
>what type of relationship do you want? something intimate, independent? someone to take care of, someone to take care of you? get married, have kids? etc.:
I would like someone who is patient, doesn't mind me being clingy, and someone who will protect me.
>anything else you want me to know:
I have borderline personality disorder so its important to have someone who wont get annoyed with me and is reassuring
As far as kinks go, im a sub and my top there kinks are: praise, breeding and its not really a kink but aftercare is really important to me.
Thank you so much and have a good day/night !
hi hi thank you for submitting! sorry i got round to this so late but i hope you enjoy anyways <3
i match you with...
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Keigo Takami
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this one felt like somewhat of a no-brainer to me honestly, it just felt like you two would be a perfect fit for each other!
keigo appreciates your more introverted nature as a contrast to his extrovertedness, i think you both balance well for it.
is always on the lookout for when your social battery starts running dry in case he needs to whisk you away, especially because of how anywhere he goes people tend to flock.
he deeply respects your emphathetic nature and how you stand up for what you believe is right. it's all what makes a hero after all, and whether you yourself are a pro hero or not he believes its a very admirable trait to have.
your hot headedness doesn't put him off as much as it intrigues him. sure, it may sometimes be an overreaction and in those cases he might interject to ease the situation... but if you're simply defending yourself from a rude individual, and you're not actively getting physical, who's he to stop that?
i think he'd be good at reassuring you and making you feel safe/loved in terms of your BPD. he's good at easing tense situations, and always has a joke to lighten the mood, but if thats not what you need he'll also sit down and take care of you in any way you need.
you share an interest in fashion, so he likes browsing fashion magazines with you, and often takes you on little shopping sprees. his treat, of course.
hawks is very protective of you, rest assured that on his watch nothing bad would ever happen! he's also very observant and can usually even sus out potential danger before you register it.
hope you enjoyed!
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of-sand-and-leaf · 3 months
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“WHEN YOU KNOW WHO MATTERS MOST TO YOU, GIVING THINGS UP, EVEN YOURSELF, DOESN’T REALLY FEEL LIKE A SACRIFICE."
BASIC INFO
full name . ami firesword
kanji . 丹冊工 乍工尺ヨ己山回尺句
alias/nicknames . nee-chan, ami-nee-chan, kid, ice princess
species . human | jinchūriki
jinchuriki of . tatsuya - dragon
gender . female
pronouns . she/her
orientation . heterosexual | demi
birthday . 10 feb
age . 13/14 (Chuunin Exams) | depends on RP
zodiac sign . aquarius
CHARACTERISTICS
blood type . A
height . 5'2
eyes . main: silver / dojutsu in use: silvery blue / dragon/losing control: empty pitch black
hair . straight silver waist length hair / often tied back into either a braid or into a ponytail
injuries . scars going diagonal through her left eye & down the right side of waist – gained when her Genin Team were killed
PERSONAL TRAITS
good traits . dependable, loyal (if you gain her trust), kind to the children, is there if someone needs help, won't take sides
bad traits . cold, prefers being alone, self sacrificing (if there's no other way out), hesitant to trust
likes . - colours: Forest green - favourite animal: Wolf - what he/she likes to do in his/her free time: Working alongside Iruka with the Academy students, visiting the Nara forest, helping the Inuzuka clan, going to see her grandfather in Suna
dislikes . - foods and drinks: Miso based with extra chasu, or pork (Result of keeping an eye on Naruto), any alcohol - colours: Pink (Sakura's hair doesn't count) - less favourite animal: Snakes - this has more to do with Orochimaru then snakes themselves. She's friendly with Manda, the boss snake summon, much to his amusement - misc: being forced to take the Chuunin Exams at her father's 'request', going to Suna in a team, bandits
hobbies . assisting around the orphanage, keeping a eye on Naruto for the Hokage, can sometime be found helping the various Genin teams, poking fun at Kankuro
fears . losing those she cares about, her father (during Naruto Part 1)
ambition . To be a Kenjutsu specialist/medic
More under cut
RELATIONSHIPS
parents . father: firesword hiroshi / mother: tsuya jo
sibling . 1 younger brother called akio
unofficially adopted brother . uzumaki naruto (in most verses)
other relatives . maternal grandfather in sunagakure; civilian side of firesword clan in konoha.
friends/allies . shiranui genma, inuzuka tsume, uchiha itachi, nara shikaku, konoha 12, temari, kankuro, gaara?
penpals . tsunade, shizune
best friend . No-one Has never gotten close to anyone apart from Akio after her teammates died
significant other . single. ami's not planning on finding anyone either as she feels it's safer being unattached.
NINJA INFORMATION
affiliation . konohagakure/sunagakure
late genin team . hideki hari (sensei), nura rinji & satoshi rai
teachers . gekko hayate (kenjutsu) & senju tsunade (medical ninjutsu)
occupation . clan head, medic-nin
status . active
ninja-id . 07011231
kekkei genkai . Genso Kesshō dou-jutsu – Elemental Crystal eyes
chakra nature . wind & fire
nin-jutsu range . long-ranged is easier for her but can do short and mid ranged
defensive/offensive type . balanced
dominant hand . ambidextrous
weapons . Sword which she can channel any elements through, knives, shuriken and senbon. All but her sword are sealed in the seals on her shoulder
summons . name: ryū species: dragon abilities: fighting, healing, communication trivia: not all the dragons have fire as their element
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just to clear things up, i don't think people are understanding when i say that a.laric is extremely insensitive about hope's parentage, i don't mean klaus should be made out as some kind of woobified uwu meow meow.
first off, alaric is a hypocrite because his best friend is d.amon salvatore, a serial rapist, misogynist, confederate (although whether that was d.amon's choice or not is, i suppose, debatable, but he was a white man over the age of eighteen and thus complacent) murderer, and d.amon raped the woman who gave birth to ric's children, who also happened to be his ex history student, and nobody badmouths d.amon in the name of historical accuracy, especially not to d.elena's daughter. d.amon did little to earn ric's forgiveness regardless, but because he cared about damon he chose to anyways. alaric could at least be empathetic and realize that hope loved a man who did horrible things, same as ric himself, and those two relationships are very different. one is a best friend who is very much alive, at peace, and has a family. the other is a father who sacrificed himself so hope could have a good life of her own.
hope is old enough to be properly educated about klaus's actions, no one has to sugarcoat it. but he died and his death, for obvious reasons, still hurts her. she has every right to mourn her father while also understanding that he hurt other people, but the way alaric is trying to, supposedly, "educate" her is extremely unkind on his part. he chooses to throw hope's parentage in her face in a moment when she is vulnerable (aka in the process of facing the life altering decision to become a "tribrid") and needs external support from people who care about hope's safety and quality of life. alaric doesn't have to forgive klaus, but he could have at least had some tact and respect for hope during this time. even lizzie and josie were indignant when alaric chose to play the Klaus Is A Baddie And I Don't Want You To End Up Like Him card. he also said "this is your father and i won't allow it" during a time when hope was being emotional and felt betrayed and angry, and expressed this in ways that is perfectly normal for a teenage girl? like how was that supposed to help her at the time?
klaus did some fucked up things which negatively impacted ric's life and his loved ones, but hope was already aware of her dad's more violent nature long before he died, way back in TOs5. he doesn't have to constantly put her down for the fact that klaus was a Big Bad, and she's not the right person - a grieving daughter who lost her dad - to vent his and klaus's issues to. there should definitely be some kind of boundaries there that need to be enforced.
marcel and freya are clearly better candidates for addressing the issue, than alaric. they both were klaus's family which theoretically means they would be more biased, but marcel was able to put that aside for hope's sake and give her a watered down version of klaus's darker side that was acceptable for a seven year old (your dad doesn't trust many people, kid) and freya was levelheaded and supportive of hope's choice to become the tribrid, and the fact that it would be a very difficult decision for her. she addressed the fact that klaus was complicated and unethical, but also told hope about the qualities she loved about her brother (loyal to a fault and "would burn the world to protect the people he loved"). alaric says he doesn't want hope to turn out like her father, but disrespects the fact that she loved the qualities of his personality he showed her as a father and as a person. freya assured hope that she had many of her father's loveable traits, and her mother's as well (which legacies should do more often but i digress), and that she was not just a better person than her father, she was better than them all, for making a decision that would selflessly save the lives of others even at her personal cost. there is a way to maintain a realistic balance between klaus having done several bad things and klaus being a person whom she loved and who loved hope in return.
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