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#alien costume era
kitausuret · 1 year
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the world does not need another silly one shot from me about the Venom Symbiote's time in captivity with the Fantastic Four but if I'm going to fixate on one page in one comic by god I'm going to do something with that
I just think it would be sweet if in Reed Richards' desperate attempts to communicate with the Symbiote he tried to like, teach it Morse code, and he asks it, "do you have a name? is there something you were called, some designation you were given? something unique to you?"
And the symbiote taps back after a long moment the closest thing to a human translation of the only thing it can think might fit what Reed is referring to: "DEATH"
And Reed is all at once filled with a kind of overwhelming sadness, because what kind of life has this alien lived that it was called only "Death" by those it encountered? What kind of symbiosis had it experienced, if any at all?
But then he manages to collect himself, and he tells his guest that well, we'll just have to come up with a better designation than that, won't we? He probably tells it about how Sue, his own partner, is the one who gave him the name the world knows him by, "Mister Fantastic", and that he hopes the symbiote, too, can find a name it can be proud of.
Everyone needs a name, after all.
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sadbeautifutragic · 8 months
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ask night! i finally have a break let's talk about anything!
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nipuni · 2 months
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Doctor Who report!! We are all caught up with NuWho and in time to watch the new season when it comes out!! mission accomplished, It took us around 6 months total and we loved every minute of it 🥰
Now that we have watched all eras I can share our tastes and opinions nobody asked for under the cut 😌
We can confidently say RTD's era is our favourite and for Doctors 10 (and 14) followed by 12, but honestly there isn't a single Doctor (or Master!) that we didn't love.
We've also started rewatching the first four seasons now with more context and there is just something so special about them. They almost feel like a different show from all the later ones. The silliness and the way the story doesn't take itself seriously at all until all of a sudden it does and then the pain hits you twice as hard because of it. How with just with a line or deed and it's implications the Doctor can be so unbelievably inspiring. The way the narrative seems to place you in the role of a companion trying to catch up with the Doctor and figure him out yet never quite managing to do so creates this distance but also admiration and reverence in you too and you can't help but adore him flaws and all. It has just the right amount of room for every side character and relationship to develop and feel human and the right amount of exposition to keep the pace quick and don't hold your hand. The glimpses behind the doctor's cheerful childish façade into an unsettling calculating alienness and immeasurable trauma but also a weary wisdom. The complete selflessness to the point of martyrdom. The reckless irresponsible acts of devotion from both the companions and the Doctor. The near apotheosis of the companions the closer they get to him. The contagious feeling of awe and wonder and hope for life. The way it's so unabashedly centered around love of every kind ���� ARGHH I don't know man there is nothing like it!! Ultimate comfort show for us, just.. healing really. There is so much more I can say and gush about but I'd be here typing all day so I'll draw more about it instead!! We would also like to get started on classic Who soon! and try to get our hands on the audio episodes and comic books and all the extra stuff as well 😊
We also watched more David Tennant works since the last report!
Blackpool was hilarious, infuriating and horny, the singing was a choice but overall so fun!! The Escape Artist was great, very sad and tense, would have loved for it to be longer, these miniseries are always so good but so short!! Mad to be Normal is so underrated? we enjoyed it a lot!! RD Laing's portrayal was so compelling, it's beautifully shot and the 60's setting is really immersive and well done. Einstein and Eddington was also really good, incredibly accurate historical setting!! the costuming was fantastic, one of the best I've seen!! These last two films are biographical and sort of no plot just vibes so maybe this is why they are not everyone's cup of tea but we enjoyed them very much. David just never misses, I'm sure we can watch anything with him in it and we will love it no matter what lmao what a guy 😭
Anyway that's all for now! I hope you are all doing well, spring/autumn is almost here! best bits of the year 😊
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crocuta1 · 15 days
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ITS C4LL13 DAY!!!!!
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I chose 12 Splatfest themes from each game that I liked the most and drew callie in them! I chose 6 fests from Splatoon 1 (because that was callie's debut game), 4 fests from Splatoon 2, and 2 fests from Splatoon 3.
Order + Explanation:
Cats vs. Dogs: I drew Callie as Izutsumi from Dungeon Meshi because I like the show, and I didn't really know what to draw other than Judd, and I thought that was boring.
Burger vs. Pizza: I based the drawing off of that one image of the guy telepathically lifting the pizza in Photoshop. I THOUGHT IT'D BE FUNNY IM SORRY!!!
Past vs. Future: This drawing was entirely self-indulgent because I just projected my childhood love of the Mesozoic Era onto the funny squid girl from that one nintendo game.
Pokémon Red vs. Pokémon Blue: Self-explanatory. I just really like Pokémon.
Perfect body vs. perfect mind: I was obviously going to make a Jojo ref, I love Jojo. JJBA refs aside, I'm shocked callie doesn't canonically have at least a little noticeable muscling?? She mains rollers???
Love vs. Money: Truly the question of all time. Anyways, I like Calf1sh.
Sci-Fi vs. Fantasy: This is me paying homage to my favorite movie ever, Alien. The funny little guy looking at Callie is a Xenomorph, and ain't it just the cutest little guy ever?
Squid vs. Octopus: She was definitely on team Octopus, don't lie.
Super Mushroom vs. Super Star: I chose this theme in particular because I like Super Mario bros an UNHEALTHY degree
Chaos vs. Order: This one is based on the Splatocalypse fest art. She was already shown to be on team Chaos, so I just had to figure out how to draw pearls dumbass Princess Cannon. I HATE IT!!!
Zombie vs. Skeleton vs. Ghost: Okay, im going to be really honest. I didn't really know what to do for this one. So, I just drew Callie in her Splatoween costume.
Friends vs. Family vs. Solo: I felt it would have made the most sense for her to be on team family, just because we know she speaks highly of them throughout the games.
Anyway, now that this is over, I'm never picking up a pencil again!! My wrist burns with the intensity of a trillion stars.
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deusvervewrites · 3 months
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Inko is a Saiyan (and the number two hero, poor Enji), making Izuku half Saiyan.
Good news about the Era of Chaos! There was no one to notice the Saiyan pod that touched down on earth. After all, this was around the time Yagi acquired One For All (give or take a few years). With how absolutely fucked everything still was, no one from the small community of survivors batted an eye at the woman with a tail showing up with her infant daughter sharing the same 'mutation'
All Might's work to restore peace meant that the small community was able to survive, and not too long after Inko and her mother, Coli, were taken in, society was reestablished, which was great for their food intake. Coli realized pretty quick that if people reacted to Quirks the way they did, aliens were in even more danger so she took the pod and hid it.
Inko's drive to seek out fights plus her family's efforts at reigning in her worse impulses led her to becoming a Hero. Inko is canonically about 5 years younger than Endeavor, and while I could fiddle with that and make them classmates, it's way funnier to me if she becomes a rising star at UA like immediately after he graduates. Sorry, Todoroki Family, this will have repercussions. As a sidenote, Inko's Hero Costume is based on Shallot's Sadala Saiyan armor, because it represents pre-Freeza Saiyans and looks dope as hell.
Inko skyrocketed up the rankings due to her incredible power and proactive attitude (read: she really wanted to find a good fight), while also being more personable with civilians. Endeavor never hit Number 2 Hero, stalling him at Number 3. The HPSC considers her basically a second All Might, for better or for worse (for them). Because of her higher rank, and her ability to associate more with top Heroes, she does eventually confide the truth of her origins to a select few. Namely, All Might and Star and Stripe: the only two Heroes who can match her when she gets in one of her fighting moods.
Hey so the fun thing about aliens is that they don't have Quirks. All Might thus tells Inko about All For One, since she's also uniquely suited to kicking his ass, and indeed, she is a huge help in mopping up AFO's operations that All Might hadn't yet by this point. Naturally, she's a part of the proper showdown when Izuku is 9, and the two of them together are way more than AFO can handle. The look on his face when he couldn't steal Inko's Quirk was priceless. It was also one of the last expressions he ever had.
+1. As the son of the Number 2 Hero and a Number 1 Hero (Yes it's CathInko. You people know what I'm about), Izuku actually lives the high life. The Midoriya/Bate Family has pretty substantial funding, and Izuku gets the benefits of that. This also means he and Bakugou don't know each other. Inko and Coli train Izuku in using his Ki and his Ozaru Form safely. Additionally, as a half-Saiyan, Izuku can't have a Quirk.
+2. Inko's signature technique is called Emerald Lance
+3. Ashido has a tail and a sweet tooth.
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bulkyphrase · 11 days
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2012 Avengers Tower: a fic rec list
I think we all sometimes yearn for the days when we thought Marvel would let the Avengers be friends who all lived together and fought supervillains in between movie nights.
Though these stories weren't all written or set in 2012 post-Avengers 1 era, but they all feature that team hanging out, having fun, and supporting each other through difficulties.
The list is in chronological order, with fic published from 2012 to 2024.
Amateur Theatrics by galaxysoup (@galaxystew-zombie) (Gen | Teen And Up Audiences | 26,586 words | Published April 01, 2012)
Summary: In which Thor’s primary problem-solving method (a mighty blow from Mjolnir) fails to have the desired effect on a magical artifact, and his secondary method (a mightier blow from Mjolnir) proves to be actively disastrous.
Big in Japan by gunboots (@gunboots) (Loki/Thor, Stucky | Teen And Up Audiences | 6,203 words | Published May 01, 2012)
Summary: Steve hesitantly reaches out and takes the object in Tony’s arms to survey it. 'It' being a pillow upon which was an almost frighteningly accurate illustration of Loki, their on-and-off again nemesis. "I don't--how did you even get this? Who would MAKE this?" Clearly Steve doesn't find the attention-to-detail on Loki's costume as hilarious as Tony does, which whatever. Like he said. Killjoy. A.K.A The one time Tony buys Thor the world's worst souvenir and it somehow worked out in the end anyway.
The rest are below the cut!
Soft Skills by Lady_Ganesh (Gen | Teen And Up Audiences | 4,154 words | Published May 31, 2012)
Summary: "So," Bruce said carefully. "You're saying that your tower became a big target for an alien army, so you're going to rebuild it as an even bigger target?" "Well, when you put it like that, it sounds stupid," Tony said. The team tries to bring Steve Rogers into the 21st Century. It mostly works. As my beta CaptainBlue said: Also I love how you did a fic about Avengers team building and still managed to make it 100% about Cap. You have a gift. This is why I love her. Any remaining mistakes are mine.
Without the Usual Cost of Labor by vain_glorious (Gen | Teen And Up Audiences | 6,387 words | Published June 15, 2012)
Summary: "Someone just reported to SHIELD that whatever was stolen produced “viable offspring,” and we’re hoping that doesn’t mean what we think it does,” Bruce says, evidently deciding to take over for Tony after only one masturbation joke. Also available as a podfic read by blackglass
The Great Avengers Body Swap by vain_glorious (Gen | Teen And Up Audiences | 3,712 words | Published July 23, 2012)
Summary: Loki and the Avengers spend a month in SHIELD's detention cells, because Loki cast a bodyswapping spell against them and got himself with it, too. Also available as a podfic read by blackglass
The Ice in Windless Cold by Isagel (@isagelc) (OT6 | Explicit | 11,883 words | Published August 19, 2012)
Summary: "I dream about the ice," Steve says. "About being in the ice." Also available as a podfic read by susan_voight
Private Bookmark? by storiesfortravellers (Gen | Mature | 2,638 words | Published August 24, 2012)
Summary: The Avengers discover that there are fans who write explicit RPF fic about them. Some of them are very confused. Some are proud. Some don't understand why everyone writes the pairings who aren't together but hardly anyone writes the couple who actually is together. Much silliness ensues. Also available as a podfic read by analise010, AshesandGhost, dapatty, fire_juggler, lorcalon (uniquepov), Opalsong, Weebs813
The Goat's Back by arsenicarcher (Arsenic) (Gen | Mature | 10,155 words | Published November 30, 2012)
Summary: An AU where Steve's essentially a failed experiment, corporal punishment is the predominant form of discipline and team leaders take the punishments for those under them.
Dear Clint Barton (circa age 7) by pollyrepeat (@pollyrepeat) (Gen | Teen And Up Audiences | 4,221 words | Published March 31, 2013)
Summary: The most annoying parts of being de-aged (and then re-aged) are your friends. Also available as a podfic read by RsCreighton (@rosecreighton)
What We Pretend To Be by ifitwasribald (Gen, Bruce Banner/Tony Stark | Explicit | 100,697 words | Published July 14, 2013)
Summary: Good becomes great, bad becomes worse. But people are a hell of a lot more complicated than good and bad. When half of the team is dosed with the super soldier serum, they all have to grapple with their own pasts and futures. But for better or for worse, they’re all in it together.
Speak So We Can Hear Your Heart Beat by Jaune_Chat (@jaune-chat) (Gen, Clint Barton/Natasha Romanov, Pepper Potts/Tony Stark, Jane Foster/Thor | Mature | 15,402 words | Published November 10, 2014)
Summary: The Avengers are rendered mute by Amora the Enchantress. As a search for a cure grows more and more dim every day, the Avengers have to deal with the reality of learning to communicate with each other in a whole different way. Uncertain if they'll be able to fight again, they enlist the help of their friends, and learn some surprising things about each other as they struggle to hold onto their identities as the World's Greatest Heroes.
The Health Benefits of Knitting by Niobium (@niobiumao3) (Gen | General Audiences | 1,179 words | Published January 15, 2015)
Summary: Clint isn't sure what's really relieving Natasha's stress—the knitting, or the part where she foists the horrible results off on other people. Also available as a podfic read by reena_jenkins (@reena-jenkins)
Clint Barton's Guide to Friends and Ceiling Vents by NoliteTimereEos (Gen | Teen And Up Audiences | 6,488 words | Published July 11, 2015)
Summary: In which Clint Barton meets a missing assassin in the vents and somehow becomes friends with him. Things don't go as bad as they could have. Also available as a podfic read by babbling_bedlamite
How to Train Your Superheroes by StuckySituation (Gen | Teen And Up Audiences | 3,150 words | Published March 05, 2019)
Summary: “But of course, no matter how much we practice on schedule, we will need to learn constant vigilance and manage to get our reaction times down to the minimum,” Steve continues and takes the last burger beef from the grill and puts it onto the table next to him. Natasha has a brief millisecond to frown and think “Constant vigilance?”, before Steve kicks the grill so hard that the coals rain on top of the flammable carpet feet away. “What the hell-!?” “STEVE!?” Steve is already sprinting towards the ledge. “First training session started! Wanda, Sam, Tony - someone CATCH ME!” Then he jumps off the Tower. Also available as a podfic read by vassalady (@vassalady)
Do You Remember Being Happy? ('Cause I Sure Don't) by GalaxyThreads (@galaxythreads) (Gen | Teen And Up Audiences | 11,022 words | Published April 25, 2020)
Summary: "Dragr," Thor called them. "Demons" Clint had said. "Thieves" is what Steve labels them as. AKA, the one where Steve is captured by creatures that feed off of happy memories, and the team is left to pick up the pieces. Post-Avengers.
5 Times Steve Dealt with His Team's Sleeping Habits... by The67ImpalaDragonChild (@dragonimpal67) (Gen | Teen And Up Audiences | 29,606 words | Published November 08, 2020)
Summary: ...and one time they dealt with his. Steve didn't think anything of it when he moved into the Avengers tower. He didn't think about how much the people he's living with would affect him. He's thinking about it NOW! Who knew a bunch of super heroes could be so weird about something as basic as the need to sleep?
on the mend by meidui (@meidui) (Gen | General Audiences | 1,438 words | Published February 03, 2024)
Summary: Steve rarely feels this awful after a fight, but then again, he hasn’t been on a solo mission in months.
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eightstarr · 6 months
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zoe hi omg sorry for disappearing. i have a question again! what are ellie and abby's fav movie genres? also, unrelated but isn't abby and shiv soooo alike? (cunty&blonde)
anyways i missed you & i love you
-penis cat anon
omg i literally was gonna post something saying i miss penis cat anon the other day but i didn't wanna be a weirdo <3 glad you're back and i hope you're having a good week!
i mean… for ellie, i obviously have to say that it's sci-fi!! like i have to, it literally can't be anything else. i think she can quote every line from the original alien movie! it's her default movie whenever she doesn't know what to watch. could also talk about interstellar for 2 hours straight. no breaks, no pausing to think, just uninterrupted talking!! i think no matter what genre, she will find a deep significant theme in everything she watches (and i agree because i'm the same and actually everything DOES have a deep significant theme 🙄) but sometimes it's a little funny because she'll turn to you randomly, looking dead serious, and just be like "the thing about sharknado 5 that no one understands is that—"
abby, on the other hand, is very serious about her period dramas. knows more about the fashion trends of the regency era than most costume designers in the industry and she'll tell you all about it!! but truly deep down it's not about the aesthetic, she's just a romance girl <3 you know she's overdue for a pride and prejudice rewatch when she starts writing you letters and unironically calling you "mrs. anderson" (you are not married). she can get into romcoms and more modern romances sometimes, but they're simply not the same!! she does love moonstruck, mamma mia and 13 going on 30 though. but who doesn't?
and yes you are absolutely correct about the shiv and abby parallels. cunty and blonde!!! and abby would absolutely rock a bob in the same way that shiv would rock a long braid. and abby could pull off corporate hot just like shiv could pull off apocalypse hot. and they would both be fixed by a little lesbian sex :)
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misswonderfrojustice · 2 months
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So since my last post of making writing prompts on certain video games, characters, etc. and I haven't gotten any asks, I'll just go ahead and make one of my own.
This is an idea I had regarding the Miguel O'Hara character from Marvel's Across the Spiderverse [Spicyverse] movie franchise.
{I have never seen any Spider-Man movie at ALL in my life, so I know little to nothing about the whole premise of the world's plotline besides an Uncle Benjamin dying, being bitten by a radioactive spider [shouldn't you be horrifically deformed or dead after being exposed to ANY sort of chemical radioactive agents???] and so on so forth. I am an avid researcher on anything out of the ordinary or historical events/eras, so of course I read into the biographies of the series. So, now knowing about the protagonists and villans (and me being the sympathetically strong and sweet alien 👽 I am inside) I propose this scheme.]
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Gabriella the Chocodoodle Lab Puppy
Apparently, sweet little Gabby is killed in the movie due to Miguel's interference of the Multi-Verse as a punishment for his transgressions, and he is now in charge of becoming the self-proclaimed only Guardian of the Spiderverse.
Well...
I'm giving him some grace here. Instead of him buckled down in over his work in his cave he calls an office, constantly hovering over each and every universe and it's inhabitants, he comes across a lone box sitting in one world [I guess I'll call it Earth 1231] and it was right across from his apartment complex where he is staying at. In this universe, the Miguel variant does not exist, and neither does the mother of Gabriella.
However, Gabriella is still alive but not visible to his observation and not noticed anywhere else but in this part of the city of Nueva York. Suddenly, the box starts eagerly shifting and moving, bumping into the doorway of said apartment complex like it wanted to enter the building. Curiosity gets the better of him, causing Miguel to open up a warp portal to Earth 1231 just to see what was inside the item.
He arrives at the building and walks closer to the box, which seems to be in a colorful pattern of cobalt blue and vintage infra red polka-dots, matching the typical Spider-Man costume theme. There are many holes perforated around the walls. Air holes, mind you. Miguel bends down slowly to the box's level, quickly jumping back when he hears what sounds like a young girl's voice echo inside his head.
"Papí?! It's me Papí?! Gabi!!"
Immediately, he ponders on where this instant pop-up of memories' past is located from, thinking his sanity is starting to decay quicker than he believes it to be, until the voice of Gabi repeats itself again, but gets even louder the closer he gets to the box. Throwing caution to the wind, he removes the lid, only to discover a gorgeous little chocolate Labradoodle puppy that wasn't even six weeks old staring back at him wagging her tail happily.
"Hòla Papí!!! It's me, Gabriella! Can you take me home please??? I'm hungry and it's really cold outside."
Gabriella's loving barks translate into his language inside his head. Now, Miggy Iggy has never been one for pets, especially after his baby girl's passing (it would serve as a painful reminder of his failure on not protecting his loved ones), but for some reason, he felt an intensive surge of parental desire to take Little Gabby home into his universe. Consequences be damned.
My version of the Multi-Verse would be him getting re-gifted a second chance at having his family again, without any future foreboding consequences or negative effects on the Multi-Verse's entirety. Gabriella was reincarnated as a puppy and aged at the same year she had died the first time of his Earth, where his variant was murdered by a mugging gone wrong, and Gabriella was alive. She only ages as accorded to Miguel's age, but never growing any larger than what she is now.
Starseed Baby rules, I'm sorry.
I'm thinking of making a short story about this later on, but hey, it's my idea.
Here's an image of what I believe Little Gabby should look like located below:
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Let me know what y'all think!
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bowling-with-skulls · 7 months
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i made this spiderman back when the atsv had just come out. german expressionism design infodump under the cut :^) also the name isn’t solid i don’t speak german
so glad i held off my knee jerk instinct which was to just slap spiderman’s face on cesare the somnambulist and looked at other influences.
my rules were these:
exaggerated but alien silhouette, distorting the shapes of the body to create something that is not necessarily attractive, chic, or to modern tastes, but rather is effective. (i think i still didn’t get close enough to an unusual, unappealing silhouette and my modern design sensibilities still snuck in, but i tried to convey the two differently sized body segments of a spider)
realism/practicality is like tenth on the list of priorities. if his universe is a silent film, there will not be long, fast, acrobatic fights like other spidermen have, so you can get weirder and more ornate than a simple bodysuit
top priority is returning to the base concept of A Man with the Qualities of a Spider, prowling the city with unknown intentions, and the emotions that would prompt in a paranoid Weimar-era public. this spiderman is Trying to evoke creeping terror
art style should take influence from Weimar-era film and theater posters as well as other interwar German art
he should fit into a universe which is all stark black and white, with vertigo-inducing angles and bizarre shapes. he and his world should be uncomfortable and disquieting for outsiders.
should seem potentially inhuman - you can’t tell if he’s man, monster, or machine
i’m really pleased with how the design came out! GE has such a fun and bizarre costume design language to tap into. it was hard to render a costume that’s just different materials of black :~) in my head, the lighter grey parts on the torso and limbs are semitransparent black chiffon/stocking material; the black spider on the chest and the stripes on the limbs and the mask and the collar (which is supposed to resemble mandibles) are black velvet; the eyepieces and 6 additional “eyes” are metal and glass; the spiderweb headpiece is plastic; and the poofy shorts are a more rigid material, maybe velvet or taffeta lined with some thick felt. when i was drawing it i was picturing them in vinyl but i think the era i’m targeting would make vinyl slightly anachronistic, even for a theater-type costume. obviously the toe curlies are just velvet over wire.
i’m calling it earth-90125 which is fritz lang’s bday in yy/mm/dd format. it says something else on the drawing i think, cant remember what that number means
also i realize “conrad veidt + peter lorre” is a fairly wild thing to ask someone to picture given that their faces are opposites in most meaningful ways. here’s faceapp’s attempt at combining their faces which i will grant is slightly more skillful than mine and pretty close to how i was picturing peter. just imagine him more quiet and reticent and sweaty and nice than he looks here
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all2angels · 5 months
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𝐀𝐋𝐋𝟐𝐀𝐍𝐆𝐄𝐋𝐒's MASTERLIST
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★ 𝐅𝐔𝐋𝐋 𝐅𝐈𝐂𝐒
♡ buried myself alive | basement!gee x reader | gerard invites you to his place to watch a movie, but he can't find his dvds, so you suck him off instead. | hc's based on this
♡ white christmas | santa!gerard x reader | gerard wakes you up in the middle of the night in a santa costume on christmas.
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★ 𝐃𝐑𝐀𝐁𝐁𝐋𝐄𝐒
• 2019 (m/dilf) gerard
♡ dom!reader x daddy!gerard
♡ mean dom gerard way
♡ non/con w dad gee
• basement gerard
♡ basement!gerard's piss
♡ bullying gross basement gerard way
♡ vomit kink w/ gerard
• others
♡ emo boy | warped tour era gerard way
♡ gerard way meet and greet | 2013 era
♡ lemon gerard way | hesitant alien era
♡ overstimulation/medical kink | nurse gerard way
♡ blood/biting kink w gerard
• MCR
♡ puppy play w/ frank
♡ stalker mikey
♡ ray tiddies
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kitausuret · 1 year
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Title: Talk to Me Words: 1832 Rating: General Audiences Relationships: Reed Richards & Venom Symbiote, mentioned Reed Richards/Susan Storm Fandom: Fantastic Four (comics), Venom (comics), Marvel 616
Summary: While still in captivity with the Fantastic Four, Reed Richards has tried different ways of opening up communication with the alien symbiote retrieved from their ally, Spider-Man. But after other methods fail, up to and including a thought transmitter, Reed realizes that maybe one of the simplest forms of communication may be what they need: Morse code.
But mostly, Reed just wants to know if the symbiote has a name.
(based on this headcanon!)
I had a lot of fun with this one. I love them.
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leikeliscomet · 23 days
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No, Ncuti Gatwa's Casting Isn't Regressive
**Contents** Intro Chapter 1 - For Black Boys? Chapter 2 - Strong (White) Female Character Chapter 3 - Dancing Queen/Conclusion
Intro
Ncuti Gatwa is making history. I don't say this as an exaggeration or flex. He literally is. In Doctor Who’s 61-year history, he is the first Black queer man to play the role. To reactionary sides of fandom, this is meaningless virtue signalling and from the colourblind, we’re erasing Gatwa’s skill by ‘focusing on race instead of the content of his character’ (or whatever MLK quote they’ve decided to misuse that day). But their ignorance doesn’t matter. When Gatwa’s casting was announced, there was joy all over the internet from Black diasporas across the globe. Black Brits were excited. Black Scots were excited. Black Americans were excited. Black Africans were excited. Black fans were excited. For Black and mixed-race fans of this show, we see this light no matter how hard right-wing British circles want it dimmed. 
In the words of the man himself, the Doctor is fucking Black.
So when did the word ‘regressive’ become attached to Gatwa’s name? How could this be a sad moment when there was so much joy? This announcement came at the end of the Chibnall era which for many had been a major moment of representation already. Jodie Whittaker was the first woman to play the Doctor and her casting was felt by many women and girls who were fans of the Chibnall era. Not only them, but many other marginalised genders felt seen by Thirteen because Whittaker saw the gender fluidity of the character, specifically noting Thirteen wasn't just wearing a ‘woman's costume’, but that it could be worn by anyone. But as one door closes another opens. Whilst Thirteen’s exit was painful for many, Gatwa’s casting is not a step back or a lesser form of representation. This creates a binary of Black v woman which alienates Black women in the fandom like myself and further perpetrates misogynoir that makes us have to ‘choose’ which parts of our identity matter more. On top of that it not only erases the significance of a Black doctor but also erases the potential of showing the Doctor from a queer Black male (presenting) POV in a show that has historically been underwhelming in representing the experiences of Black men and boys.
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Chapter 1 ->
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cantsayidont · 4 months
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January to April 2004. Fans of MY ADVENTURES WITH SUPERMAN would likely enjoy this poignant 2004 miniseries by Kurt Busiek and Stuart Immonen, about a young man named Clark Kent in a world very much like ours, where Superman is a familiar — and fictional — pop culture icon. Clark grows up the butt of many jokes, but when he's in high school, he discovers that he really does have powers like Superman's, something that has no precedent in his world outside of comic books.
If this premise sounds familiar, it's because it's a lot like the origin of the Earth-Prime Superboy, before he became a way for Geoff Johns to mock comics fans (and for DC to play out its institutional hostility toward Siegel and Shuster). In the pre-Crisis era, Earth-Prime, one of editor Julius Schwartz's little jokes, was supposed to be our world, where comics artists, writers, and editors transcribed the adventures of the real heroes of the other Earths. In the afterword to the trade paperback compilation of SECRET IDENTITY, Busiek admits that the similarities were wholly intentional, and that while he didn't mention it in his proposal (and DC didn't advertise it as such), this was essentially his extrapolation of that 1985 concept by Elliot S! Maggin, Curt Swan, and Al Williamson.
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After moving to New York City in his '20s, this Clark becomes a reporter — though not for the Daily Planet — and meets a young woman named Lois Chaudhari. To my knowledge, this was the first time a counterpart of Lois Lane was presented as an Asian woman (although of course she's not precisely Lois Lane).
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Throughout most of the story, Clark uses his powers only in secret, but he does make himself a Superman costume. Eventually, he feels compelled to come clean with Lois:
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Like Busiek's ASTRO CITY, SECRET IDENTITY is a very introspective story, less interested in action (of which there's relatively little) than in emotion and small observations of life with superhuman abilities. If you're expecting bigger dramatic stakes, you may find the series underwhelming — there are no supervillains or alien invasions, just Clark's reflections on his life and family, from childhood to old age — and the fact that the story never reveals why Clark has powers may frustrate. However, its autumnal wistfulness is appealing if you're in the right frame of mind for it. Immonen's art is gorgeous, and I can't think of a better artist for this story, which straddles the line between a real-world environment and the "heroic realism" of the modern superhero genre.
Fourteen years later, Busiek tried to do a similar story with Batman, BATMAN: CREATURE OF THE NIGHT, with John Paul Leon, which doesn't work nearly as well, wallowing in some uncomfortable attitudes about mental illness and an inappropriate though deliberately ambiguous supernatural element. Leon's art is interesting, but the story leaves a sour taste, and it does not succeed (at all) in doing for Batman what SECRET IDENTITY does for Superman, which is disappointing.
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fantastic-nonsense · 2 years
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cataloguing the various times Cass has shown an interest in and/or love of the visual and performing arts since her introduction as references for my Cass fic and it's actually kind of maddening that nothing has really ever been done with this considering how many times it's been referenced.
for those interested (and this is a non-inclusive list):
Dance is the most textually supported art form Cass has shown interest in. Pre-reboot, Cass does an acrobatic-style dance for Jean-Paul as a gift and thank you for working together in Azrael: Agent of the Bat #61 and has a TON of fun "mosh-pit dancing" while attending a rave in Batgirl Vol. 1 #63:
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Meanwhile post-Flashpoint, Tynion had an entire mini arc about Cass discovering ballet (starting in Batman & Robin Eternal #7) and dance as an art form she has a major fascination with (Detective Comics #950-957 and scattered references throughout the rest of his Tec run):
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She actually lives in an abandoned room at the Gotham Metropolitan Ballet in the out-of-continuity Harley Quinn and the Birds of Prey mini:
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Cass does a lot of experiments with clothing, makeup, and fashion throughout her Batgirl run (particularly during the Horrocks and Gabyrch eras)...some of which has occasionally carried over to post-reboot!Cass's fashion choices, like her unicorn robe in Batgirls:
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She also designed and created her own Batgirl costume using pilfered arts and crafts supplies in the Shadow of the Batgirl graphic novel:
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Cass was seen acting out scenes from Shakespeare's The Tempest with Clayface in Detective Comics #958 as a form of speech therapy:
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Steph mentioned that Infantino Carmini’s The Three Graces was Cass's "favorite painting in Gotham" in Catwoman (2018) #45, implying that she knows enough about painting and visual art to have a favorite:
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Post-Crisis!Cass got a lot of her vocabulary from watching visual media (especially television). Many of her later pre-reboot appearances are littered with various pop culture references that she absorbs through watching tv and film (Alien and Star Wars, for example):
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there was also a semi-recurring gag of Cass picking up off-color/outdated/weird expressions from tv shows she watched in order to learn about criminology and how to "talk like normal people":
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Also Cass watching those awful daytime reality tv shows? unfortunately canon:
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Her fighting style has also always been depicted as very fluid and acrobatic, other characters watching Cass fight have sometimes referred to her fighting "dance-like" or "poetry in motion," and artists often incorporated dance-esque choreography into her training sessions with Bruce and the Bats' VR fighting simulator:
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The one art form she continually has no interest in is literature (largely because for a long time she couldn't read and had no real interest in learning how), much to ex-Head Librarian!Barbara's frustration, though I've been told she's apparently reading Edgar Allen Poe in Batgirls right now.
Looking at all of this together makes it kind of frustrating that no writer has really done the connect-the-dots between Cass's notable, recurring interest in the visual/performing arts and her longing to express herself in a way that can be easily understood by other people. Tynion got the closest with the ballet/dance obsession, but he was constrained by having to balance a fairly large ensemble cast and so didn't have the space to really give that kind of attention to her character growth.
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uniiiquehecrt · 7 months
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Why is it a cosmic problem that the Asgardian bloodline will end with Thor? Asgard is no more - what we have is a nonmagical place on Earth where Asgardians live. When Asgard doesn't exist, who cares that there will be no heirs. The current ruler is someone to whom King Thor just gave the rulership. That's how every ruler will be made now - anyone the current ruler gives it to. Or maybe they start holding elections. Make it democratic.
They don't need heirs now. And Thor will die alone in a ditch. It doesn't matter anymore. Taika has made it so that everything in Thor's world is insignificant now. But this is a happy ending.
I... genuinely can't entirely tell if you're being sarcastic, nonny, or if this is a genuine question that perhaps I may be misreading... (and if I have, do feel free to send a follow up and correct me)
but there's quite a many problem with the royal bloodline ending with Thor from an in-universe standpoint, just as well as the trajectory of Asgard's fate from Ragnarok and Endgame onward is an insult to the worldbuilding of Earth-199999's Asgard and the Nine Realms.
There's a couple of different ways you could slice my statement and I would still argue that what I've said can be seen as true. But I'll go through the wide range of elements in your ask to best illustrate the broader strokes of my point.
but TL;DR:
Ultimately you answered your own question, and that's the best way to boil down the travesty of it all:
Q: Why is it a cosmic problem that the Asgardian bloodline will end with Thor? A: Taika has made it so that everything in Thor's world is insignificant now.
Not only this, but Thor is the lastoline of the royal family. Before which, there only existed himself, and his father, Odin. He is the last of a subspecies of alien on par with other massively powerful aliens like Titans and I would wager, potentially even more mortal Celestials like Ego. He's a being who can generate storms just because he's miffed. Once Thor is dead and gone, there will NEVER be an Asgardian who is more than just your usual 'super-strength, super-speed, super-endurance' humanoid looking alien. There will NEVER be an Asgardian with the ability to summons storms and have lightning flow through his veins.
Hela had dominion over life and death, Thor is effectively a living, breathing, walking, talking tempest, Odin can be inferred to have some kind of 'order' seeking affinity. Who knows about MCU Bor and Buri. They are INCREDIBLY ancient, and powerful beings. If MCU Asgardians are to MCU humans what D&D elves are to D&D humans, then Thor is to Asgardians what an eladrin elf is to normal elves.
And we are watching – have already watched, even, — that incredibly powerful, incredible RARE sub-species of asgardian effectively be driven to extinction.
Just think about that for a second.
(the rest has been put under a cut because this answer got long, and for that I apologize ... mostly.)
Asgard is no more - what we have is a nonmagical place on Earth where Asgardians live.
Yes. This. This is quite actually the crux of the problem of this choice. The most beautiful and compelling aspect of the MCU in Phase 1 in particular is the prospect of an alternative universe out there where, to quote Jane Foster, "magic is just science that hasn't been explained yet". A world where superheroes truly can exist and aren't cartoonishly corny as superhoes used to be depicted... I'll say pre!Raimi Spider-Man era. (Though.. the Goblin's costume is still pretty goofy.)
What made Thor stand out as an individual hero within the Avengers (both the team, and the 2012 feature), and what made him so compelling to quite a many fans new, old, or casual, was that Thor is magical. He comes from a place where magic and science are the same thing. His whole world is ethereal and timeless, it's vast and expansive, and because it's inspired by real world norse mythology — of which is itself a rich and fascinating study in and of itself — there are a thousand different directions he could be taken.
I may be speaking partly for myself, but he also further ropes in a fantasy-centric audience such as myself who largely enjoy high-fantasy, medieval inspirations, tales of chivalry, hope, love, adventure, magic, timeless knights and princes — Dark World in particular has him acting quite a bit like your typical idea of a chivalrious, regal, stately prince or honorable knight who is virtuous and kind, and who protects those who can't protect themselves.
And that's just a single aspect of what made him so unique. What made him so unbelievably lovely. Thor is lovely, and Thor is magical. His family, friends, world, and people are magical.
But as of RAGNAROK, the realm he hails from was destroyed before our eyes before we got to truly know anything about it.
As of ENDGAME and LOVE AND THUNDER, the people and culture of asgard that remain has been so watered down that they dared to make New Asgard a tourist attraction in some rinky-dink nowhere backwater coastal town no different than Puente Antiguo, New Mexico where Thor first crash-landed in the first film.
Asgard used to be on par with, if not even more intriguing and full of mystery, than Wakanda, the earthen monarchy. Now it's a tourist trap that ... for some reason has "infinity gauntlet" ice cream in the heart of the town of a people devastated by Thanos twice.
The current ruler is someone to whom King Thor just gave the rulership. That's how every ruler will be made now [...] They don't need heirs now.
Potentially unpopular opinion (?) but I have so many issues with the decision to give Lady Valkyrie Thor's birthright that it could take an entire 10 paragraph essay for me to fully delve into all of the issues.
In short:
To say Valkyrie had a character beyond "traumatized alcoholic with a chip on her shoulder" is ... generous at best. That's not a diss, that is entirely factual. I could not tell you what her Want vs. Need is, or her character goal, or her motivations, or why she bothered to suddenly help Thor (re: lack of motivations) because she never took any action with any real agency in RAGNAROK that wasn't spurred on by Loki. ....Off screen.
I also don't think that the woman who had spent over 1,500 years MINIMUM running away from her home and her people, festering bitterness, spite and hatred towards the royal line, and who never actually respected Thor in the first place because of who his father is should have been honored the title of King. She did not deserve that. Both in general, and as a character who frankly just did not get enough screentime to really be SHOWN caring for her people, atoning for her absence and otherwise supporting, caring for, and working alongside Thor. Had she actually been shown doing any of the above in a substantial amount of screentime, perhaps then I might have felt differently, as if she earned the position more than Thor who has spent 2 solo movies (not counting RAGNAROK) earning his place as a future leader. This is likewise not entirely counting his O.S. actions of maintaining peace under his authority between Avengers and Dark World, and his personal search for the Infinity Stones post!Age of Ultron.
Valkyrie is powerful, yes, but she is ultimately still NOT an Asgardian Royal. And to your point about "this is how every ruler will be made now" — Heimdal aside, NO OTHER ASGARDIANS have special powers. It is EXCLUSIVE to Odin's bloodline. (Frigga is a practicing witch and these are two incredibly different things, since Loki was taught his magic, not born with it.) This is a GLARING worldbuilding issue further highlighted down below, but the tl;dr of it is: the only reason why Earth has been largely untouched and the Nine Realms kept safe in isolation despite the constant going-ons of the other galaxies in the universe is BECAUSE of the royal line. Odin isn't kidding around when he says he (and his bloodline) are protectors of the Nine Realms. Valkyrie is most certainly able to try, but at the end of the day she's NEVER going to be able to get through very many galactic battles without ultimately calling on Thor for assistance at the end of the day. And when her time is up? Or when Thor is finally dead and gone? There goes your ace in the hole.
But more than that, thinking about it semi-realistically from a worldbuilding perspective:
It's quite literally a cosmic problem in that there is now a galactic power imbalance. MCU!Thor comes from a version of Marvel's world where the there aren't literal gods, but there are aliens. Tons of aliens. All with varying powers and proportions and what-have-you-not. More specifically: power humanoid aliens from a realm called Asgard, that in Earth-199999 inspired the entirety of the Norse mythos of the viking age.
These aliens, governed by the ruling monarch of the realm eternal, also govern over 8 additional realms— which for all we know could range from a territory that is a singular planet (vanaheim, asgard), to potentially an entire solar system (earth and its solar system). BOTH options nine times over marks an absolutely incredible empire for a singular species of alien to claim complete control and territory over.
But they were not only able to obtain this territory but continue to safeguard it under Asgardian protection because the royal family is gifted incredible power (Thor, for instance, can change the atmosphere out of sheer mindless emotion not to mention conscious thought), and have secured and/or subdued multiple infinity stones throughout the millenia (the aether/reality stone, the tesseract/mind stone, thor has also personally endured a power stone directly to the temple, for instance), and have maintained peace for a MINIMUM of a thousand years beneath Odin's reign as All-Father, Protector of the Nine Realms.
So, if the royal family governs its own pocket dimension planet, AND maintains peace and prosperity by personally safeguarding the territories itself and of eight additional realms, all with a variety of other alien species, ecosystems, solar systems, galactic quadrants, etc. ...Who are also KNOWN to be fierce and proud warriors who have likewise safeguarded ancient and powerful alien relics the likes of the tesseract/mind stone for hundreds if not thousands of years — and you take this long-lived warrior race out of their own equation...?
We're talking potential outbreaks of a new age of war the likes of those talked about in Thor (2011), in-fighting amongst the Nine Realms, invasions from outside realms of conquesting species, so on and so forth. Without Asgard and specifically a Royal Asgardian at the seat of power to maintain the balance of what has been built, (and i specify a ROYAL asgardian, aka Thor's line, because his bloodline is the only asgardian bloodline with the raw power to maintain and preserve everything long-term), well, you've effectively started a cosmic power vacuum — even if the MCU likely will never bother to explore the consequences of it.
Slight sidebar (albeit still mostly related), but:
Quite frankly one of the funniest aspects of Thor's relationships with Nick Fury and the humans that are equally as worked up about aliens existing, pointing their fingers at Thor as an example of their right to be wary (and eventually Loki and the Chutari, though those are more earned) is that they are effectively minimum-wage fast-food employees bad-mouthing he who is essentially the up-and-coming Chairman of the metaphorical "Yggdrasil's Nine Realms Fast Food Chain" without realizing who he actually is.
(Which, viewing through that lens makes the Avengers Nick Fury scene and the Tony Stark Age of Ultron scene even more hilarious despite the eventual coming of Thanos, because Thor, bless him, doesn't take ...much... offense to it until the bad-blood becomes over-bloated and geared towards the violent. RE: "My people want nothing but peace with your planet." / "Your work with the tesseract is what drew Loki to it, and his allies. It is a signal to all the realms that the earth is ready for a higher form of war.")
For all of the drama of MCU Phases 1-3, realistically speaking, Midgard is low enough on the hierarchy of Asgard's protected territories that not only would it not be targeted first by Asgard's enemies (or other conquesting alien species), but even if it WAS to be targeted, or if Asgard was in its own fit of warfare ... Earth wouldn't even know it in the first place because THAT is how good at their jobs the Asgardians are. Earth, despite being SURROUNDED by alien activity and having even been in possession of multiple infinity stones at a time throughout history, not ONCE realized that (other) aliens existed out there... during the entirety of the 1,000-some years of peace that Odin so often talked about.
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Because I'm Bored: Doctors 1-13 Ordered from "Most Human" to "Most Alien"
So, some incarnations of the Doctor seem more "human" than others. Factoring vibes, aesthetic, social skills, emotional connection to companions, and then just shrugging and picking an order that makes sense, here goes:
Short Version, from most human to most alien: 1, 3, 5, 10, 9, 12, 6, 8, 2, 13, 7, 11, 4
(Very) Long Version:
Here There Be Spoilers for multiple Doctor Who Stories, the most recent of them being from Series 12 (and I'm not sure if the bit I'm talking about counts as a spoiler since it's just a thing that happens in the episode). Also this really got away from me and there are quite a few tangents in there. And because it's so long and it's very late I didn't really edit it, so I hope it's at least mostly coherent.
Most "Human"
Okay, this could be defined in a lot of ways, but based on my own definitions:
One:
The Doctor wasn't originally intended to be an alien, just an eccentric human from the future. So One isn't very "wacky". His cloths are a sort of vaguely Victorian/Edwardian normal. Because of Hartnell's age and health, he usually isn't very high energy. He's curious and mysterious, but if you didn't know from future reveals, you might not think he's a literal space alien.
Three:
This one was almost a tie. Three was the first incarnation to be established as an alien from his first story, and because he was written as an alien, he's more alien than an incarnation mainly written as a human. But, he usually comes across more like an eccentric professor with little regard for rules and regulations.
The UNIT Era setting might be a part of this. You take time travel from a Time Lord and what you've got left his a lord. He's an aristocrat who's fallen on hard times and had to get a job and is grumpy about it.
Five:
Five is one of the more cautious Doctors. He's aware of how his curiosity can get the better of him and sometimes tries to reign it in. He can also pass as human very easily. In Black Orchid, he fits perfectly into the setting, a costume party/cricket match in the 1920s. He is very traditionally British, and the British are almost definitely humans.
Five has more alien companions than most incarnations, which means that the ways in which he's alien don't stand out as much. He's been traveling the universe for centuries and he loves Earth, so he's picked up on a lot of human stuff. Adric and Nyssa are much younger and much more sheltered, so they're the alien fish out of water. Turlough has a bit more experience with humanity, but he hated it and is quite proud of being an alien to these people, actually. So, the Doctor blends into Earth surroundings while his companions either have no idea what's going on or are actively protesting it.
But, Fivey's still a space alien. He's still eccentric, and somewhat socially awkward. He misses social cues and tends to deal with emotions by avoiding them. Adric just died? Sadness is happening? Well, he doesn't know how to process and express that emotion while also comforting two people who are also feeling that emotion. So, he basically tells them to stop grieving and get back to the plot. He still feels emotions, of course, but he tries to ditch them whenever possible.
Ten:
He's often thought of as the most human Doctor. He's got quite an emotional range and can connect with humans very well. But, a thing with Ten isn't that he's the most human, but more that he most wants to be human. The Time Lords are dead because he killed them and humans are his adoptive species. But he can never truly be one of them. That's one of the many tragedies of the Tenth Doctor.
Ten is more overtly quirky than the Doctors listed before him. He talks a mile a minute, he's easily distracted, and he can say some very silly things. He's the guy who gave as "wibbly wobbly timey wimey". He's the first Doctor on this little list to regularly seem too weird to pass for human, though he still can when he's really committed to it.
Nine:
I honestly wasn't sure where to put him. He has a less quirky appearance than most Doctors, with his leather jacket not being out of place in a modern setting.
But, he's still very quirky with an added element of being unstable and more emotionally distant than Ten. He's a bit more cynical about the universe, having just come out of a war.
Honestly, 9 and 10 sort of tie. They're both human and alien to around the same degree in different ways.
Twelve:
Twelve changes a lot throughout his run, so it was hard putting him in one spot. He has the darker edges of Nine, but those soften over time and he becomes your silly professor who was in a band in the 70s.
So, in Series 8, he's a grumpy space grandpa. The first to point out that he's an alien. By Series 10, he's hung out on Earth for a while and lightened about. Strangely, he feels more human when he's being silly than when he's being serious.
There's also the added element of Moffatisms, which aren't exclusive to Moffat, but they are elements of the show that became more prominent around 2010. The Moffat Era had the Doctor as more genuinely socially awkward than before and more likely to view that as a problem. It feels like the bit where the Doctor's an alien but he's spent centuries around humans so he knows the basics at least was sorta lost.
Even though I called this a Moffatism, this trend only became more noticeable after Moffat left. We'll get there when we get there.
Six:
The only reason Six isn't higher on the alien scale is his darker, more violent edge. It doesn't feel very alien. But, Six is probably the most alien-looking Doctor.
Six is great at pissing people off, sometimes on purpose and sometimes not. But, even in the TV episodes that usually had weak scripts, you could still see how much he cared.
When I think of the Doctor being socially awkward, I often think of The Mysterious Planet, of all stories. Basically, Peri has a bit of an existential crisis over realizing that she's on a far future Earth and that Earth won't last forever. Six has a little speech about how everything ends at some point. It's not very comforting, but you can tell from his tone that he intended it to be. As a centuries-old time traveller, the fact that everything ends isn't quite that big a deal. You can just go back in time to before the world ended. But Peri, though she's been traveling with the Doctor for a while, is still a regular human from 1984, of a single time and place where time travel doesn't exist. So when something ends, that's it. The Doctor understands that Peri is upset and he wants to comfort her, but he doesn't understand her feelings enough to succeed at it. It's a great little moment from one of the more "meh" stories of the era.
So, there's the Doctor being an alien depicted in a slightly more subtle way, underneath the loud technicolor dream coat.
Eight:
A while ago, I made a post that sorted the Doctors into three loose categories. One of them was called something like Wacky, Zany, Silly, Fun-Time War Criminal. All the Doctors I'll talk about as the most alien are in that category. Eight is the most alien incarnation to not be in that category. Eight is a romantic, heroic type, who also happens to basically be a puppy with the zoomies for whatever parts of the TV Movie he doesn't have amnesia in.
I haven't seen a lot of Eight, so I don't have much else to say. He gets more seriously later on, because of the Time War and several companions dying. There's also a difference between the Eight Doctor Adventure novels and the Big Finish audios. Big Finish is where a lot of the "Eight gets more serious" arc happens. Both series have the overall plot of "the puppy is kicked repeatedly by absolutely everything". The EDA Doctor is traumatized by it and that's another thing that triggers an amnesia arc, but he remains upbeat when he isn't suffering The Horrors. BF Eight grows more cynical over time.
Two:
The Most Human of the Most Alien. He's very silly and very energetic. He plays the recorder and behaves in a way that often feels half-child/half-grandma. He's the template that all the other Wack, Zany, Fun-Time alien Doctors are built from.
So why's he the most human of that category?
Two actually has a unique skill. Though many incarnations of the Doctor can be manipulative, or use their understanding of people to accomplish their goals, Two is the most socially intelligent Doctor. He acts silly because he likes being silly, for the most part. People underestimate him, which can be useful. But, his more serious moments show a side to him that, though he doesn't act like a normal human, he understands humans, as individuals and as a species, very well.
Compare that scene from The Mysterious Planet I mentioned earlier to The Tomb of the Cybermen. Victoria is a knew companion who only became a companion because she'd otherwise have been stranded on Skaro. She's also just become an orphan. The Daleks killed her father. So, though she's trying her best, she's obviously not doing very well. The story stops for a moment and the Doctor talks to Victoria and what he says actually comforts her. While Six couldn't understand Peri's existential crisis, Two can understand grief, losing family, and being forced to leave home. So, he's able to emotionally connect with Victoria in a way Six couldn't with Peri, even though he wanted to.
Two's emotional intelligence gives him a strong human side, or at least a side that can relate to humanity.
Thirteen:
She's quirky. Very, very quirky. She has no attention span and often just does things. Chibnall takes the Moffat Era social awkwardness even further. Thirteen is self-aware and obviously insecure about not relating to her companions socially. She's also one of the more secretive incarnations, so she sometimes just refuses to connect with her companions, but even when she wants to connect with them, it often feels like there's a barrier between them.
Some of this is, at least as I perceive it, the result of consistent writing problems. Basically every writer of this era had difficulty distributing lines between the three companions and making sure everyone had something to do. Unless the plot had stopped for the characters to talk about their feelings, the companions tended to all fall into the stock "what's happening, Doctor?" role. I get the feeling that people who like these characters, and there are people who love these characters, love them for the fleeting moments when they get to be characters, when there's nothing else going on. Yaz stands out when she's talking to the Doctor on the beach, trying to sort out romantic feelings, but not when she's one of three companions in the middle of some Alien Bullshit.
But, you often don't get the "what's happening, Doctor?" Many scenes of exposition involve the Thirteenth Doctor thinking aloud, asking herself questions and answering her own questions, while three other people just stand there and wait to be addressed. Of course the Doctor is going to seem distant from her companions when she's talking to herself most of the time they're around.
Thirteen's social awkwardness actually led to a somewhat infamous moment in Can You Here Me, where Graham talks about having cancer and his fear that it might come back someday...and the Doctor straight up admits to being too socially awkward to know what to say in this situation and there's a complete tonal whiplash from Graham's serious talk about cancer to a "Doctor is socially awkward" joke, as if the seen was getting to heavy and the writer was desperate to change the subject.
A lot of people complained about this and the defense basically amounted to "It's not that the Doctor doesn't care about Graham. She just doesn't always know what to say.". My problem with it isn't that she didn't know what to say, but that she didn't try. Again with The Mysterious Planet. Six was also socially awkward and didn't know what to say to comfort his companion, but he tried. It didn't work, but he tried. And there wasn't a tonal whiplash, since Six not understanding why Peri's upset wasn't being playing as a joke. Thirteen can be socially awkward. She can admit to being socially awkward. But, what you had in that scene with Graham was a poorly timed joke that, because the show tried to lighten the mood, made it feel like Thirteen wasn't taking things seriously. That clearly wasn't the intent, but that's what felt so wrong to so many people.
So, she's about as far from Two as you can get in terms of social skills.
But, the fact that she is so self-aware, insecure in a way that previous incarnations weren't, feels like a very human trait. So despite everything I've had to say, she's still just shy of the top three.
Eleven
Quirky Moffatisms at full force. He is silly, acts like a child, comes with several wacky catchphrases, and sales of bowties in the real world increased about he said they were cool. That was supposed to be weird but the world changed for him.
Eleven is better at connecting to his companions than Thirteen, so I wasn't quite sure which to put first, but Eleven has more in common with the two I haven't gotten to yet. Thirteen didn't really have the confidence to pull of the "angry god" thing that some incarnations, especially in the the new series, sometimes do. She had her lapses in sanity and could be downright cruel during those lapses but it felt more like "the Doctor is having a bad day" than "Do Not Piss Off This Eldritch Horror". When Eleven snapped, it felt like the Wrath of God. No human could really do that.
There's a reason I call this one category of Doctor the Wacky, Zany, Fun-Time War Criminal. They're the silliest Doctors, but also the ones that are the scariest when angry.
Eleven is heavily inspired by Two, but I also tend to see him as combining traits of Seven and Ten. He's high energy and high intensity like Ten.
As for Seven, who was also based on Two, well, there are Eleventh Doctor moments that are basically their own versions of Second and Seventh Doctor moments. Victory of the Daleks has the "Daleks pretend to serve humanity to win their trust so they can take over" lifted from The Power of the Daleks, but while Two was scared of the Daleks, Eleven was enraged. In Two's case, it was because this was his first story. One rarely expressed fear quite this openly, which made it clear that 1. Two is different from One and 2. Daleks are serious business. For Eleven, it was something of a rehash of Nine torturing a Dalek in Dalek. Victory of the Daleks is made up of little moments stolen from better stories.
However, a deliberately similar moment isn't necessarily stolen. Sometimes, it creates another opportunity to compare and contrast. So, let's talk about Seven.
Seven
He's got all the clownish behavior of Two and Eleven, but he comes across as more alien from his tendency to act like a supervillain from time to time. It's all part of the plan and sometimes he screws his friends over along the way. Of course he still cares. Ace is still his Space Daughter. But, sometimes sacrifices have to be made to save the universe...
So, we did a Two vs. Six. vs. Thirteen on the subject of Comforting Companions. Now it's Two vs. Seven. Eleven in Betraying Companions.
Okay, not really. But the companions are made to feel betrayed, whatever the intentions behind it were.
The obvious two to compare are The Curse of Fenric and The God Complex. This is one of the more obvious "new who just does a classic scene" moments. Both stories have a reoccurring theme of faith, which has an effect on the Monster of the Week. The Curse of Fenric has one of the many varieties of Doctor Who Vampire that are repelled by faith. It turns out that the sign of the cross only worked on vampires because it was used by devout Christians. Any sort of faith works. A Soviet soldier repels vampires with a hammer and sickle badge because of his faith in Communism. The Doctor starts listing the names of past companions to repel them because he has faith in his friends.
Jumping over to The God Complex, we have a sort of Minotaur thing that eats faith. There's this weird prison hotel thing where people are shown their worst fears. Everyone has a room with a fear in it. Except for Rory. He's experienced all the Horrors and came back from the dead so many times that he doesn't care anymore. People who have some sort of faith tend to think of that faith when scared for their lives. So, the fear leads to faith, the Minotaur converts that faith into worship of the Minotaur and then it kills people.
The Doctor, Amy, and Rory end up in the prison hotel with a group of other random people. There's a gambler who believes in luck, a conspiracy theorist, a Tivolian, who are a culture of strategic cowardice, and his faith in his oppressors oppressing him, and a sane woman who is a devout Muslim. They all get picked off one by one.
Then we have the companions. Eleven has two with him, but Rory just kind of hangs back for this one. You have Ace and Amy. A names are apparently unlucky.
As companions who jumped at the chance to be companions, Ace and Amy have faith in the Doctor. In The Curse of Fenric, you'd think this would be a good thing, since it keeps the vampires away, but because of Reasons it becomes necessary to turn the faith off to save the universe. In Amy's case, her faith is putting her at risk of getting eaten by a minotaur.
So, the Doctor has to break his companion's faith in him.
But I also mentioned Two, so let's derail things even further to talk about The Evil of the Daleks. It's not as direct of a comparison, but I want to bring it up because the Doctor betrays a companion's trust and challenges his faith in him. In this case, it's Jamie. The Doctor tricks him into taking part in a Dalek experiment to discover the Human Factor, all the things that make humans special, so they can understand the people who keep beating them.
The Evil of the Daleks softens the blow. We see the build-up to the Dalek experiment from the Doctor's perspective. The Daleks demand that Jamie be used in the experiment. The Doctor asks why it has to be him and not some other human. The Daleks say that traveling in time makes Jamie unique. The Doctor asks why they can't just to the experiment on him, and since a later plot point in this serial is dependent on the Doctor NOT being human, I'm going to just say he was lying here. The Doctor's traveled in time too much, apparently.
So, the Doctor did everything he could to keep Jamie out of it, including lying to put his own life on the line. This was an absolute last resort and the Doctor tries to make the most of.
But, Jamie wasn't present for any of this, so all he knows is that the Doctor put his life on the line working with the bad guys.
So, it's not quite the same as the later Faith Breaking stories. The Evil of the Daleks feels more like a misunderstanding.
So we go back to Seven and Eleven. Seven breaks Ace's faith by claiming not to care about her, that he was just using her this whole time, and that he doesn't care if she dies. It's absolutely brutal. With Eleven, it's more about recklessness and incompetence. He failed to protect Amy. He let her down. He put her in danger knowingly, because he likes having companions and he cares more about having their company than about their safety. He keeps talking people into running off with him to see the universe, only for terrible things to happen because it wasn't safe. The Doctor knows it isn't safe, but he just can't stop endangering people's lives. It's more complicated, a deconstruction of the Doctor/Companion dynamic, but it seems like a last minute confession, like the Doctor is breaking down in the face of losing another companion. In the end, he did deliberately say what he needed to to break Amy's faith, but it doesn't seem quite so cold.
Eleven doesn't usually have master plans. He's just willing to get very dark in certain situations. Seven plans ahead, so you can't know just how long he was planning to emotionally destroy the teenager he sort of adopted. That also adds to the brutality. Ace's faith in the Doctor is more like a child's faith in a parent. Eleven was Amy's imaginary friend who turned out to be real, so it's a more abstract faith.
Okay, I've gone on an on and on about so many things. Let's wrap this up.
Four
Four is big and loud. His hair, his eyes, his teeth, his impressively long scarf...You can't not pay attention to him. He looks a bit silly, but he can also be a little intimidating. You have all the quirkiness of the Doctors we already mentioned, but with an added sense of authority. Everywhere he shows up, he just sort of takes over. Two and Seven will just blend into places at times, put Four doesn't need to. He walks in, offers people jelly babies, and starts asking about what's going on. People tell him. It's refuge in audacity. People are too confused to even ask questions and they just start following along.
If you take the idea of a renegade Time Lord: There's a powerful species of aliens and this one went rogue to travel the universe and help people, Four perfectly fits. He's authoritative, like you'd expect a powerful person to be, weird and distant from humans, as you'd expect an alien to be, and chaotic, like you'd expect someone acting in defiance of the ultimate Lawful Neutral Bordering on Evil.
Four is alien in a very specific way that might be the entire show, so yeah, he's the Most Alien Doctor.
This thing's really fucking long I'm sorry...
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