Eddie post a Tiktok of Steve mid-rant about how the party doesn’t use their shared calendar correctly. You can tell this has been going on for a while because Steve is just listing stupid stuff that’s on it now - “On the twentieth, Dustin wrote ‘Moon.’ ???? Is he going to the fucking moon?! Is he looking at it? Max wrote a threat for Thanksgiving, but like, not a descriptive one so I don’t know… I don’t know what it means. Is she threatening us to come over?” The entire time Steve is ranting, Eddie is nodding along while zooming in on his ass.
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Twitter sketch roundup
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The parallel between Sokka and Tenzin as their fathers' sons.
Sokka, left at 13 as his father and all the other men head off to war. Hakoda tells him "being a man is knowing where he's needed the most" and he needs to protect his sister, his home.
Tenzin is the second airbender. He is also half water tribe, he's a man. When Aang dies, he will be the last airbender. He understands what he needs to do.
Untold amount of pressure and responsibility have been thrust upon them by their fathers. Though, I believe it is not all intentional, but the unfortunate circumstance of being the fathers of sons who take responsibility incredibly seriously.
In Sokka's case, "protect your sister" is a vague instruction. It was meant to give him purpose, to help him feel okay about being left behind, He is too young for war, his father does not want to bring his child to slaughter. But Sokka will die with purpose. He will train the children of his tribe so they will be protected, he will face a fire nation ship until his last breath. He cannot go to war, but Hakoda did not see that war was all around them. In trying to give Sokka purpose, Hakoda put their world on his shoulders.
We do not get to see Aang be a father (in the TV shows), but we know he had hopes for the future. All his children were air nomads, and the air acolytes brought his culture back, but Tenzin could bend. This part of their culture is one ONLY they share. I do not think Aang would hide this, he is joyous that he gets to share his culture. When he feels respected, he always is, he taught the air acolytes after all. Off handedly, he could say, "I'm hopeful for a future where there are lots more air benders," and that, which feels mostly innocuous to him, is the nail in the coffin of Tenzin's fate. He is Avatar Aang's son, and the future of the air benders. It would not matter that Aang meant a future in generations. Tenzin sees the responsibility and it's his. He is his father's only air bending child, he knows what he needs to do.
Being a parent is not understanding the way the things you say harm your children. Even those things that feel innocuous in the moment can be life altering. Especially the more the child respects the parent. Purpose and Hope for those with a broader perspective, can be death sentences to a life that could have been when expressed to those who idolize the former.
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Shoelaces
I'm doing an art trade with the wonderful @tokyogruel and this is my piece for them!
They wanted "haruka and mikoto interacting Brothers style" and my mind immediately went to this... T2 art makes me want to sit them both down and sort their fucking shoes out!! but for now. at least One of them will no longer trip over 💜 nature is healing guys
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Eclipse
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one thing the asoiaf/got/hotd fandoms are going to do is completely miss the point of the story being told; the complexities of the characters; the imprisonment of the monarchy, classism, intergenerational trauma, bloodlines, and misogyny.
somehow millions of people love the shows and books and yet, cannot for the life of them be able to figure out why the characters maneuver the way they do. it’s being highlighted again just how much the mark is missed within the fandom based on how alicent and rhaenyra are talked about. sure, have your takes. dislike one, love the other. but the character analysis that follows with the reasoning as to why you feel the way you do about a character (especially the female characters) seems to sometimes lack the actual context that is given.
look at how women are treated. look at the ages of the characters. look at how everyone is just a pawn in someone’s game. look at the relationships amongst the families. look at how literally a fucking title and iron throne can control someone’s values because that’s what they’ve been taught is priority.
once again: nothing wrong with having different perspectives on the characters, but for the love of god, please look at the dynamics of the environment these characters are in and ask yourself: well, how could they respond to this in this way if they’ve never been taught anything different?? what other options do they have if they’ve never been given them?? if they are aware of other choices— how can they release themselves from the shackles they were born into when everyone else around them either supports it or is nonchalant because “it’s the way things are”. how can you expect a lone wolf to go into a room of armed hunters and beg to be spared?? ask yourselves these things, then maybe you’ll finally understand why alicent is who she is and why rhaenyra is who she is.
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
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there's something so comforting about artists you admire talking about their own struggles and insecurities
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I have the general rule that I just, don't let myself give a shit about other people's dumbass opinions but I have one pet peeve that I just. Can Not let go of. and it's posts that go
How to write [Minority Group]!
Step 1: Make sure all your characters are exactly like me the op, or are exactly what I like to see in media.
Aside: Anything else is impossible, unrealistic, bigoted and you'll go to hell forever.
Step 2: They also have to use the exact language I do to describe themselves btw, no matter the time period or setting. See the above aside for further explanation.
Step 3: you should never ever even think about the actual mechanics of what makes a trope problematic in its impact in the real world. J ust memorize this list of things that should be banned in all fiction (for being problematic because I don't like them/someone else I agree with said they should be banned)
Step 4: Nuances in identity don't exist <3
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hey. turns out i likely have idiopathic condylar resorption, a degenerative joint disease that causes progressive/rapid bone loss in the jaw. i've had it since i was a kid but went undiagnosed for over a decade; my severe functional issues, pain, and other symptoms were repeatedly dismissed by doctors for years. my mandibular condyles have deteriorated, my jaw is slowly shrinking to the point where i look unrecognizable, and none of my teeth touch anymore. the pain is increasing more and more by the day. it's extremely difficult to breathe, eat, talk, sleep, and exist.
this is a progressive condition, so nothing will stop it or slow it down until the joints have been completely eaten away. my only option is a total temporomandibular joint replacement, where the two diseased joints that literally hold my face together are removed and permanently replaced with metal prostheses. aka a major surgery with a 6-12 month recovery 😃
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ARCTIC MONKEYS 25/06/23
okay now that i've had some time to (slightly) emotionally and physically recover from yesterday, i need to flail about the highlights:
1) meeting one of my absolute favourite humans who i would never have got to know if it hadn't been for this little corner of tumblr - and then getting to share the excitement/nerves/elation/exhaustion rollercoaster of seeing am with them was just - there aren't even words for it. so special 💖
2) learning how to navigate rain ponchos
3) impulse buying too much merch (but also not regretting it. the glasgow tour poster is going to be the first thing going on my wall in my new flat)
4) the mirrorball starting to twirl just before they all came onstage and sending the colours of the afternoon sun everywhere
5) the sheer rush of the moment they all walked onstage together (also that was pretty much the only time i got to glimpse nick and matt at all 💔 from where i was standing i could mostly only see alex and jamie)
6) seeing alex a few metres away in real life after months of looking at his beautiful, dorky little expressions in photos/videos was surreal in the best possible way- there's just something so different about the way you get a sense of someone's energy when you're in the same space with them?? and as someone who's endlessly interested in people, i'm fascinated by how alex simultaneously gives off really reserved, self-contained vibes at the same time as being such a dynamic and captivating performer - like he’s so good at tapping into emotions without letting them be a door into how he’s actually feeling (if that makes any sense, my post-gig brain is not very articulate) i guess that all very much makes sense with all the stuff he's said about personas/performing, but it was still so interesting to get to really feel that sense of his presence in live time. he's definitely very much in control but in a very understated kind of way
7) a bunch of birds circling overhead on one side of the crowd, alex seeing them and dramatically declaring 'release the rest of the birds'
8) me and the lovely human i went with turning to each other with expressions of sheer joy when the opening bars of crying lightning were played (and don't sit down. and four stars. and arabella. and - you get the picture. getting to share the sheer delight of your favourite songs being played is just the loveliest feeling 💗)
9) alex doing a quirky little 'ha ha' laugh in the middle of body paint
10) mirrorball coinciding with the most beautiful pink dusk and half moon just above the stage, and getting to witness alex’s piano playing at the start of it
11) body paint. just. body paint. i think my soul left my body.
12) how much energy and enthusiasm alex seemed to have throughout the set - especially after the last week or so it was just the loveliest thing to see him messing about and having fun. and his voice sounded SO good. how anyone manages to sing like that (let alone sound like that less than a week after cancelling shows due to laryngitis) is an absolute mystery to me
13) alex's theatrical hand gestures for crying lightning (the one for gobstopper was a particular favourite)
14) hearing 505 when dusk has just fallen and you can see the smudged moon behind the deep indigo clouds is the only way anyone should ever hear 505
15) alex and matt having a giggle about something mid set
16) obviously i was aware of how stupidly talented they all are - but there's something about seeing it unfold in front of you in real time that makes it really hit you. the sound wasn't great where i was for some of the time so i don't feel like i got the best audio sense of everything, but i was just so struck in particular by matt on the drums and also alex with his guitar playing. i feel like when i'm just listening to their records i'm so busy listening to alex's voice that i forget how incredible a guitar player he is and - wow. just. yeah. it honestly took my breath away.
17) getting the distinct impression that it provides alex with a sense of amusement to deliberately do that thing where he sings the lyrics at slightly different speeds to trip the crowd up
18) even though i ended up being in significant pain for the second half of the set and had to go find somewhere a little further back where i could lean against the railings (chronic pain conditions and standing for 6+ hours apparently isn't the best mix), nothing could dull how magical it was hearing all the tracks from the car that they played closer to the end. standing there in the dusk and feeling so much about everything is something i'll never forget. it truly brought home to me so poignantly everything about why am's music means so much to me and how much love i have for them 💜
19) being in the exact line of direction alex blew kisses to at the end
20) the hazy post-gig walking in the dark under lit up green trees with the lovely human i went with and our conversations about am and creativity and the courage of sharing music 💖
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I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.
How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?
I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.
The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"
Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"
I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.
But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?
I COULDN’T STAY!!!!!!!
I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!
WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!
Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.
It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!
It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.
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At the bus stop one time there was a gaggle of preschoolers waiting to catch the bus for a field trip day, and someone walked past with a couple of friendly little dogs, to great general delight.
But after a little bit, the dogs were getting overwhelmed, and the preschoolers were gently coaxed to back off so the person with the dogs could continue on. Specifically, one of the preschool teachers said, "Sometimes, when you're small, being surrounded by big people can be a bit scary and overwhelming. Even if they are friendly."
This was recieved as great wisdom: after all, the preschoolers were also small, and understood how scary and overwhelming big people could be! And the dogs were indeed even smaller than the preschoolers, so it made sense.
What was funny and charming was that, upon absorbing and reflecting on this wisdom, they all felt the need to tell it to one another. In tones of great insight, they turned to one another and said, "Did you know? Sometimes when you are small, being surrounded by big people can be scary and overwhelming! Even if they are friendly!" Back and forth, without any particular concern that they were all saying the same thing. Have reached comprehension of an insight, it must be shared!
I must say that this behavior is less charming in tumblr users than in preschoolers. Not least because tumblr users, having gained a little analytical skill to misuse, insist on Summarizing and Generalizing and Unifying the insights they repeat, quickly turning any interesting new information into formulaic dogmatic mush.
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Podfic: "Captive Crown" by GerbilofTriumph
A shabby narration of GerbilofTriumph's excellent King's Quest fanfiction, "Captive Crown," complete with outrageous attempts at accents and enough bloopers to start a drinking game (with um, raisin juice. There are too many goofs for the real stuff.) This wonderful fiction, full of courage, nightmares, and healing, is gratefully recorded and shared with permission of the author, @gerbiloftriumph. Go check out her awesome creative blog.
All seven chapters are available at the link above, but if you just feel like listening to the first chapter while you scroll, voila:
Original text here:
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hands . . .
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