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#WHO HURT YOU MAGGIE

avelera · 1 year

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Things that can be simultaneously true:

1 ) Codependency that would be unhealthy in real life can be really sexy and appealing in fic, and in romance stories in general, because those aren’t real life. We want to see the excesses of that emotion so we can feel it vicariously as far removed as we are as readers by the barrier of the written word. Writing characters who are obsessively in love is an effective tool in that regard even if they shouldn’t serve as educational models of an ideal relationship (whatever that is).

2 ) Some of what y’all are labeling as “unhealthily codependent” (even if it’s praise of a story where y’all find the codependency appealing as part of the story!)… isn’t unhealthily codependent?? Sometimes people do just spend a lot of time together when they love each other and make one another their priority? Oftentimes, that’s the person that people choose to marry (or equivalent) and the whole point of that decision and arrangement is you become one another’s priority???

Like I’m just gonna throw this out there as a litmus test for fandom to try out but maybe (when it’s adult characters involved) just ask “is this unhealthily, clinically codependent, like these people can’t psychologically function without the other, OR would they just be really sad without the other because they’re effectively married and they’ve made one another a priority and they could, in fact, after they’ve grieved pull themselves together and continue to function, even if it’s not instantaneous??”

#this is somewhat hampered by the fact I’m not sure even fandom knows what they mean when saying codependent #heck maybe I’m actually codependent on my partner!#and that’s why I don’t see it as a problem but I do also have my own life #I’m just puzzled sometimes by what gets labeled as codependent #when it’s like that’s just people in love who are also friends??#idk I’m sure someone could get pedantic about this #but like having a crisis because someone you treasure is hurt or missing #ISN’T codependent that’s just loving someone??#I’m assuming some of these people haven’t had a serious relationship before??#Maggie rambles #codependency in fanfic

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simgerale · 17 days

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WIFE (One Shot for Regal)

The stars were out, and she could finally rest.

Magdalena let out a breath as she clicked the door shut, closing her eyes in relief. She did not foresee that the celebrations would last all day, but once her people found out about the marriage, many who were close by traveled to the castle. Not only did Volais gain an Emperor, but a peace without limits and the benefits that come with it. Trade will be bountiful, magic can finally find its way back into the lands, and war… War will slumber once more.

“Magdalena?” A gravely voice interrupts her thoughts, making her skin prickle at the sound of her name.

Right. These are not solely my chambers anymore.

Turning her body around to lean against the door, Magdalena spots the culprit sitting in soapy waters with a tired smile on his face.

“Who said that you could use my bath, your majesty?”

“My own conscious, once I realized that you had not escaped nearly as quickly as I did. You would not want your new husband to reek of politicians, would you?”

The empress quirks a brow, only for it to immediately lower in response to her eyes finding his bare… everything. With burning cheeks, she grasps her hands in front of her middle and makes a beeline for the vanity. She was exhausted when she entered the room, but now her heart cannot seem to stop hammering her ribcage.

It is just Luca. This is not your nightmares. He will be kind.

With shaky hands, Magdalena starts to take off her jewelry. She is almost regretful that she dismissed her handmaids, even if it is supposed to be her wedding night. This will take her an eternity.

The sounds of splashing water fill the room as her husband leaves his bath, causing her throat to tighten. He dresses painfully slow, the anticipation rising in Magdalena’s stomach until she cannot take it anymore and drops an earring.

Suddenly there is a hand to her left, offering her the pearl. When she looks back to the mirror, she finds Luca’s handsome face wearing a caring expression. “Need assistance?”

“…If you do not mind.”

“I will never mind,” he mutters, smiling as he starts to unclasp her necklace. “It gives me an excuse to be close to you, after all.”

Her whole body seems to retract into itself as his fingers brush the nape of her neck. Goosebumps form on her skin.

“We do not have to do anything tonight. In fact, I am fully prepared to not do anything for quite a long time,” Luca reassures his wife, placing a gentle kiss on her hair before moving away.

What? Magdalena asks herself. He… does not want to? She was surprisingly disappointed, regardless of her previous anxiety.

“Are you certain?”

Her husband chuckles, crossing his legs in the arm chair he found himself in. “Yes…? I thought you did not wish for us to advance so quickly.”

She purses her lips, turning away from the mirror so that she can look at her husband face-on. “I-It is not that I did not wish for us to advance… but it is expected of us. I am expected to bear a child now that I am married.”

Luca stares at Magdalena with his mouth slightly ajar, brows furrowing as if he is trying to decipher a code written on her face. “Surely you do not believe that we always have to do what is expected of us, Magdalena. Especially when it concerns our private affairs.” He stands slowly, his tunic shifting to reveal a chest his new wife is trying her hardest not to focus on. “Especially when we have already determined that this marriage was for us and not for them.”

“I understand, but—“

“No, you apparently do not,” Luca cuts her off, walking towards her with waves of concern radiating off of him. Taking both hands in his, he says, “We had our first kiss yesterday, Magdalena. And your nerves were unhinged the moment you saw me bathing. Did you think I would not notice?”

The empress gulps. She is unused to someone knowing her this well. Even her sister is not this good at picking her apart.

“I may be bold, but I am not that bold to assume you would want to lay with me after one day of being mine,” he jokes, a wet curl falling onto his forehead. “I will even sleep in my old room if you are not ready for my hairy legs in your bed.”

A laugh bubbles out of Magdalena, the tension releasing from her body as suddenly as it appeared. He is the only one that has gotten her to relax so easily in years, and she is sure that no one else will ever be able to achieve the same feat.

A few nights later, after days full of meeting with important people and drawing up official documents, after constant moments of catching the other staring across the room, after a vulnerable minute in the stairwell when they finally got alone and kissed like they had been deprived of air… Magdalena no longer had any fears left.

That is why Luca retired that night to find his new wife, clad in her nightgown, standing by their bed with a certain glint in her eye.

“Was my Empress waiting for me all this time?”

“No,” she said quietly. “Your wife was.”

#here's the one shot i promised!!!!!!!!#i think this should go under the story tag soooo #regal #ts4 story #one shot #TOTALLY sfw don't you worry #i'm not joking btw that may have sounded like sarcasm but i promise lol no spicy time here #i wrote this....................... years ago??? YEARS ago????????#kind of crazy #in light of the fact we just saw maggie and luca have their babies a few years after they married #i felt it was important to note how our empress got over her fears of having to do the deed and bear an heir #(for those who are new... she was well aware how painful and often fatal birth can be.#she was afraid she would die while giving birth to a child from an arranged and loveless marriage as most people saw her only as a means #to get an heir for Volais. but she got to marry for love and in this one shot she realizes that Luca would never use her much less hurt her

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amu-says-hav-says · 9 months

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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled.

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1. the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside.

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

#good omens #good omens spoilers #good omens season 2 #good omens 2 #GO2 #GO2 spoilers #ineffable husbands #not me going to my basically unused sideblog that isn't GO related because I NEED TO YELL THIS SOMEWHERE #I mean outside of the relationship thing there are so many ways #that Nina and Crowley line up and Zira and Maggie #but the girls story isn't about them as people #it's about this relationship the boys are tryna push on them and what that relationship reflects about the boys #anyway I'm on my first rewatch for all the clue I missed #so I imagine I'll only spot more clues to berate myself about as I go #HOW DID I FALL FOR ITTTTTT #I can't believe I was so blind #OFC the Disaster Puppy Lesbian was Crowley #and OFC the Emotionally Abused Tortoise was Aziraphale

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luxurychristmaspudding · 4 months

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Pickup Truck

summary: frankie hates your boyfriend. in fact, everybody does. but he’s willing to give him a chance. you’re his best friend, after all.

until frankie discovers something he can never forgive.

pairing: frankie morales x f!reader

ratings/warnings: 18+. MDNI. this fic contains allusions to, but no descriptions of, domestic abuse. please do not proceed if you know this will upset you.

frankie's pov. no lady and no baby for our boy. drinking, violence (against pos bf), angst, lots of hurt, allusions to dv. comfort, fluff. frankie to the rescue. unprotected p in v (wrap it irl!). oral, f receiving. creampie. bad spanish (again). kings of leon references. happy ending, of course.

wc: 9.8k

an: whew, this was an emotional one to write. but i hope a good love comes to all of you in time, no matter where you are at the moment. and if you already have it, may it always keep you safe. lovely divider from @saradika.

Frankie really doesn’t like your boyfriend.

Scratch that. Nobody does.

Nobody really knows where you found him, either. A sweet, smart girl like you, moved back to your small town from your big city life, and it looks like you picked up the very first guy who sidled up to you in a grimy bar.

Which, if you’re really honest, is exactly what happened. Because he was nice at first. Real nice. He was charming and sweet and interested - he bought you drinks all night and didn’t push to come in when he walked you home. You went for dinner a few times, and sure, he could be a little rude to the waitstaff, but it was only because he was so focused on you. He bought you flowers and took you for rides, and sure, sometimes he’d come home far too drunk after seeing his friends and get a little too close, a little too loud, but he always apologised.

And sure, he sometimes made you cry, but he always made it up to you. Sweet promises, small gifts. And he'd never laid a finger on you.

Not until last week, anyway.

You don’t know what to do. You don’t know who to turn to. The thought of it makes you so sick you have to lock yourself in the bathroom at work. How did this happen? How did it turn so sour?

And how do you get out?

Walk you home to see

Where you're livin' around

And I know this place

Frankie walks you home from the bonfire. He always does.

It’s his favourite moment of the night.

He gets to have you all to himself. Gets to watch your cheeks cool in the night air, watch as the blush from the heat of the fire subsides. Your giddy, wide eyes, your tipsy babbling about stories which had been swapped over the flames, picking out particularly scandalous details for you two to giggle about before doubling over into breathless laughter over something Benny had said.

He likes to hold your elbow, your hand, as you catch him in your amusement, gripping onto his bicep. He loves to lose himself in this little pocket of time with you.

He loves the sparkle of the stars, the glow of the streetlights as they light your features.

Frankie loves you.

And he’s so glad you’ve moved back from your life in the big city to come and be around your real friends again. So glad that you’ve all found your way back to each other. Tonight has left him with such a mellow tingle in his bones that he finds he can’t stop smiling at you, looking at you, on your walk home.

Bonfire nights have always been your monthly hangout, a time when you can be sure you’ll get the whole gang together. There used to be more of you through highschool, and still a fair few during college. It dipped when the boys joined the forces, when people moved further east and further north. But eventually Frankie, Benny, Santi, and Will had come back. Jessa, your other best friend, had returned too. A few others coming and going - Lily, Marcus, Maggie - also back and forth from their new homes to their old ones. And then eventually folk had just… settled.

Frankie felt like he was one of the last, like he was maybe the one finding it the hardest, retired to a life of civvy duties. Unable to hold down a girlfriend, struggling to stick at a job, sofa surfing around friends’ places. He was still flying whenever he could, but then this coke allegation happened, and it was like the world was finally swept from under him.

You were the first person he had called, the first person to talk him down from his panic, that debilitating squeeze around his heart when he thought about the future. The first person who made him feel like it would be okay.

So of course his joy when you had come back had been immeasurable. Maybe this time, he’d thought.

And then you’d met Tanner.

He’s pulled from his thoughts as you drag your hand out of his, skipping a little further up the dark street until you reach a corner. Frankie watches as you spin on the spot in the quiet neighbourhood, gesturing down the pathway before you.

‘This is me.’ You say.

But you don’t turn to keep walking. You watch him, a small, excited smile on your lips. Like you’re waiting for him to work it out.

Frankie drags his eyes from you, away from thoughts of your new boyfriend, to look up and down the street you’ve led him to, and for a second he is pulled beneath the ebbing flow of memory, towed with the riptide of things forgotten.

This is his grandmother’s street. Was his grandmother’s street.

The cracked concrete, the peeling paint of the porches. The weeds, the flowers, the smell.

He breathes your name like you’re the only thing tethering him to the now.

Breathes your name through the bright, sunny flashes of his childhood. His mama bringing him here with his brother, his papa swinging him by his legs in the flower-riddled front garden. Cartoons in the ripe heat of the afternoons, him and his cousins stuffing their faces with Guagitas and Frugele until they’d made themselves sick while the younger siblings napped in the sunbeams of the bedroom next door. Cycling over on his bike after school to sit at her kitchen table to do his homework, letting her fuss over him - his height, his friends, his grades, girls -

A skinnier, younger Frankie stopping by his abuela’s house with you to pick up her up for his nineteenth birthday party, along with her homemade tamales, her chiles rellenos, and specially made pumpkin sopaipillas for later on. The way you had chatted to her, natural, easy going, how you had made her laugh, her eyes sparkle. How, when you had taken some of the plates to the car, his abuela had pinched his cheek. I like her, she’d said, Será tuya algún día, mm, mijo? And Frankie had flushed bright red, batting her arms away as she chuckled at him. He had hidden in the back bedroom when you came in from outside, and listened a little longer to your conversation as he waited for the heat of his face to die down. When he reemerged, you had helped his grandmother into her shoes, her cardigan, and kept ahold of her arm until she got into Frankie’s beat up old car. At the end of the night, his abuela had kissed both your cheeks several times, rocked you back and forth in a hug, and clapped her hands as she said how she looked forward to seeing you again.

When you came home from college every summer, you’d have tea with her in her garden. She always asked Frankie about you, about how you are doing. When he told her you were coming home, she’d been so excited. Quizás este sea el momento? She’d said to him, squeezing his hand. He’d smiled, his heart quietly full of hope. Tal vez, abuela, he’d said.

When he called you two weeks later, his voice weak from crying, to tell you that she’d passed, you had been heartbroken. And it seemed like her wish, the red thread she’d seen between the two of you, had been snipped, too.

Pour yourself on me

And you know I'm the one

That you won't forget

Frankie likes to listen to you talk, because he’s never much been one for talking.

He supposes you just bring it out of him, though. Because here on this street, in the moonlight, he tells you more about his grandmother. You spend hours walking up and down the pavement as he recounts every story he can remember; him and his brother, his parents, aunts and uncles, cousins. Birthdays, weddings, funerals. The street comes alive with the ghosts of people, the spectres of feelings. You and Frankie talk of growing up. Of falling in love. Of each other.

Your small, well-loved house is half way down the street, four up from his abuela’s. It does something strange to his heart to have two of his favourite people, who loved each other in their own ways, so close but so far away.

Your fingers hold his wrist as he shows you a scar on his palm from eating shit on his bike when he was eight, and when he looks up, your eyes are shining under the streetlights. There is a glint of moon in your teeth, and a shocking want so clear on your face, but when he meets your eye there is suddenly hesitation, a realisation, a shuttering. Frankie stops his story. There is a moment, and then it slips away like sand.

You shiver, chilled all of a sudden, and wrap your arms around yourself. Frankie tries not to look too hard at the goose bumps blossoming on your bare skin, tries to fight off the urge to kiss the little raises until you’re warm again under his touch.

‘Cold?’ he asks, and you smile back up at him. God, his heart.

‘As a hole,’ you giggle, and he feels himself smile goofily back at you. ‘We gotta warm up.’ You say, and then freeze.

It takes Frankie a little while longer to hear the inadvertent invitation in your words.

Boyfriend. Boyfriend.

You both stand on the porch, frozen, like some great frost has swept over the land. If Frankie squints, he can imagine the glitter of your eyeshadow, now fallen, dusted on your cheeks, is a collective of tiny constellations of ice.

Your body is wracked with a shiver again, but when Frankie looks you in the eye, you’re burning up from the inside. He swallows.

If he could only make the steps towards you. If he could only will his heavy feet to move, if he could summon his nerves to do exactly what his brain says, he would already be in front of you. He would have your face in his hands, be able to look into your eyes to see that deep, hidden want again, and kiss you. Again and again and again, and he wouldn’t stop, because things like that shitty boyfriend of yours wouldn’t matter anymore.

No. The whole world would be glitter and stars and constellations of ice crystals.

And then you blink, smile softly, and wish him a goodnight.

When he can finally lift his foot to move, your door is already closed.

And in your denim eyes

I see that something's awry

And I see you’re weak

You don’t see Frankie for a while after that, always finding a way to brush off his attempts to hang out.

At first he doesn’t worry too much about it. You’ve just moved back - you have a new job, a new place, new friends to get to know. Tanner.

Frankie finds other things to do. He gets business cards made up for the flying school he’ll be setting up next month. He pilots people across the state, sometimes across the country. He sees the boys for drinks, even sees Jessa for a coffee. He starts to worry when they say their texts have gone mostly unanswered, and they haven’t seen you either.

It must be why he turns up on your front step one day, a six pack in hand.

You open the door on the second ring of the doorbell, and Frankie finds himself rendered speechless. You look… different.

Tired and wary, a little thinner. And when he gets you chatting, you say you haven’t really been anywhere, done anything. You’ve been settling in, getting used to it. You have two beers each, but you seem on edge, like you’re waiting for a knock on the door. And then Frankie asks about Tanner, and your eyes linger on the entryway a little longer.

‘Yeah,’ you say, ‘He’s okay.’

Frankie’s jaw twitches, his stomach clenching uncomfortably.

‘Just okay?’ He asks.

Because you should be excited. You should be gushing and giddy and falling in love. But you’re not.

‘Yeah,’ you shrug. ‘He’s good.’

There’s something in your eyes. Something which shrinks away, skitters back. Something drained, something sapped of life, of energy. Hurt, maybe. Fear, perhaps.

When Frankie thinks back now, he knows he should have pressed you harder. Maybe should have taken you to his, made you talk a little more for a little longer. Away from Tanner, the threat of his presence. But he didn’t. He didn’t.

And he hates himself for it.

When he comes around

I see you're fixin' to shine

And my face won't speak

When Frankie next sees you, you’ve had a hair cut, and there are deep, dark bags under your eyes. Both of these things worry him equally.

Your beautiful hair that you’d been growing out since you were young, hair that you swore you’d never cut shorter than it was in seventh grade, when your mum had to chop it into a bob after you got gum caught in it. And here it is now, much shorter.

Jessa says she likes it, and you give her a watery smile, a weak thank you. She asks where you had it done, when. She asks if you like it, and you shrug. You say you’re trying something new. You say Tanner likes it.

Over your shoulder, Frankie exchanges a look with Santi.

You’re quiet the whole time you're at the bar. Far too quiet, so far from the bubbly conversation you usually hold, your loud cackle, your bent-double amusement. Your affection for your friends - the hands on knees, arms around shoulders, kisses pressed to cheeks. It’s hardly there.

Frankie offers to walk you home, but you wave him off kindly. Tanner’s picking me up, you say, he’s probably outside. Jessa frowns at you.

‘Are you sure, babe?’ She says. ‘It’s not even late yet.’

You smile and nod at her, gather your stuff to go. Jessa catches your arm.

‘We’re still on to go shopping Saturday, though - right?’

You smile at her, the first warm one you’ve mustered all night.

‘Of course,’ you say, ‘I’m looking forward to it.’

When you stand to leave, you hug everybody goodbye. Tightly, for longer than usual. Frankie doesn’t give you an option when he walks you out to Tanner’s car. The smug prick is hanging out the driver’s seat window. He watches Frankie as you walk up, hostile, threatening, arrogant, and somehow still ridiculous. And, Frankie thinks cruelly - ugly.

Frankie pulls you into his arms a few steps away from your boyfriend. He kisses your hair, and you sigh.

‘Have a good time on Saturday,’ he says softly. You twitch a smile at him.

‘Thank you, Frankie.’ You say before stepping back and walking to open the passenger door. As you climb in, Tanner winks at him.

‘Gettin’ a new one tomorrow,’ he says, stupid fucking grin on his face. ‘New car. Exciting stuff. Anyway, better get this one back,’ he says, squeezing your knee a little too hard. You don’t look at Frankie, something like humiliation colouring your cheeks. ‘See you around, Frank.’ Tanner says.

Frankie steps back from the car as it glides forwards, and he watches it disappear up the street.

Deep anger burns in him. And a kind of fear. It crawls over his skin, cooling the sides of his neck. His heart churns uncomfortably in his chest.

He tells your friends about it when he returns to the table. And they form a plan. Jessa texts you a time she’ll pick you up on Saturday. You say you’re excited again, you need some new clothes.

But Frankie knows Jessa won’t take you shopping.

No, she brings you here, to the beach, to the bonfire. To him, to Santi and Benny and Will. Because they’re worried.

So worried, they tell you.

They sit you down in one of the chairs around the fire, and they explain why they’re worried. They tell you they love you - so much - and they just need to know if you’re okay. Because they can help. They want to help, want you out of this, because he’s not good for you. The silence, the hair, the clothes you were going to buy. They tell you they hate the way he doesn’t let you speak, how he speaks to you. And you are so quiet through all of it, Frankie begins to get more worried. He speaks to you gently over the fire, but you can’t meet his eye. He tells you his worries, their love for you again. He swallows down his own confession, anything to make you see. How they don’t want you pushed closer to him, want you to be pulled closer to them instead.

But your eyes are so vacant, so far away, that Jessa leaves her deckchair next to you to sit on the burned up log closer to you on your other side. She takes your hands, and you finally, finally look at her. You open your mouth, and you say so quietly -

‘You’re right. You’re right.’

It feels like the biggest gulp of oxygen Frankie has ever taken. He feels lightheaded from the relief, from the knowledge. They were right, they were right, which is a terrible, terrible thing.

Will clears his throat, and Frankie looks at him to see similar thoughts flicking over his face like film reel. He licks his lips, opens his mouth, and -

Hate to be so emotional

I didn't aim to get physical

But when he pulled in and revved it up

I said, ‘You call that a pickup truck?’

And in the moonlight I throwed him down

Kickin', screamin' and rollin' around

A little piece of a bloody tooth

Just so you know I was thinking of you

Whatever Will is about to say is cut short by the sweep of headlights over the brush near the dunes.

A beat up old pickup truck bumps up the track and pulls up alongside Will’s Ranger. The driver’s side window slides down, and Tanner’s face emerges from the gloom. He revs the engine loudly, making you and Jessa jump. A sick feeling curls in Frankie’s stomach as he watches him, this piece of shit who’s been so busy crushing you down.

Tanner leaps out of the truck, and slams the door. Frankie looks over at you, visibly panicked on the other side of the fire. How the fuck did he find you?

‘Hey baby,’ Tanner says, sickly sweet as he strolls towards you, ducking to press a kiss to your unresponsive mouth. He turns to the rest of the group, eyes skating over Will and Ben until they land on Frankie. Tanner steps towards him, offers his hand.

‘Good to see you again, Frank,’ he says, ‘Told you I’d be getting a new ride.’

Frankie stares at his hand. He takes a deep swig of his beer, breathing deeply before looking Tanner in the eye, refusing to shake it.

‘I’m surprised to see you.’ He says to the dirty-haired man.

Tanner tries his best to appear unfazed, but there’s a glimmer of something hot behind his eyes.

‘’Course man, wanted to show off the new pickup.’ He says, grinning broadly. He looks around again, eyes falling hungrily on Jessa. She shifts uncomfortably on the log, rearranging her body so there’s less for him to look at. A deep heat begins to rise in Frankie’s chest.

He glances again at the ancient car that Tanner’s driven up in. The front bumper almost hanging off, the red paint aged and scratched, bumps caved in all up the sides, the roof sagging.

‘You call that a pickup truck?’ Frankie says lightly. Tanner narrows his eyes at him, angry, before he catches the sound of Santi’s laugh.

He whirls around to the other man and spits -

‘Who the fuck are you?’

Frankie almost laughs, too. Almost.

Pope spreads his hands. He looks up at him through his brows, a glint in his eyes that Frankie is violently familiar with. You must notice it, too, because you clear your throat and say -

‘Santi’s one of my friends.’

Tanner doesn’t even look at you. Just keeps staring at Pope.

The moment seems to last an eternity. Frankie feels like he’s watching everything through sludge, like he’s in someone else’s dream. His whole body is on edge, vibrating, ready to lunge - he’s just not sure at who. He looks between the two men before he catches your eye through the flames. The adrenaline in Frankie’s heart gutters at the look of panic in your eyes.

Please don’t let them do this. Please help me stop it.

Frankie glances back to Pope, and says, so softly only he can hear it -

‘Pope.’

And Santi immediately looks away, taking a swig of his beer.

Tanner stands there still, clearly baffled at Santi’s sudden lack of interest. Then he turns to the rest of the group like a petulant child, a toddler who has been ostensibly robbed of its favourite toy.

‘It’s a good truck,’ he says, before turning to you. ‘Ain’t it, baby?’

You hum your agreement as Tanner scoops a beer from the pile by Will’s chair, shucking off the top with his teeth. Jessa looks away, disgusted. He settles himself in the deckchair at your side.

‘Y’aint allowed to touch it, of course, sugar,’ he says to you, before laughing into his bottle. ‘Ruin everything you come into, anyway. Root of all my problems, ain’t ya?’ Tanner takes a pull of his beer. The group is silent around him. Around you. Tanner notices.

‘Boy, fun bunch you are.’

You look at him through your eyelashes.

‘Baby, that’s enough.’ You say as softly as possible, and Frankie cringes at the pet name.

Tanner looks at you sharply. Dark, furious. It’s in the pinch of his jaw, the anger at what you’ve said so obviously rolling around in his skull.

Frankie hates him for it. And he hates that he hates him for it. There are already so many things he hates him for, but he’s so fucking stupid it’s almost funny. Not your equal in any way. In kindness, in conversation or in intellect. And not even willing to try. To learn. For you. Just trying to dumb you down instead, squash you into smaller, more digestible bites to chew on.

When it comes down to it, Tanner has nothing smart to say back. He just pushes a short breath from his nostrils and mutters out a little -

‘Well, well, well.’

Then he flexes his fingers against the chair, and you flinch.

You flinch hard, your brows coming together, chin scrunching, waiting for the blow to land. And when it doesn’t, your eyes flicker open slowly. Hollow, bereft, drained and dim.

Tanner hasn’t noticed, but everyone else has.

The awful unveiling of your last secret.

Frankie forces the bile down his throat. His head swings forward to the ground of its own accord, a faint, resonant ringing in his ears. When he looks at his hands, they aren’t his own. In fact, he recognises no part of his body as the ringing gets louder, as he gently places his beer bottle on the floor. When his eyes leave the dirt, the mix of faces around the fire are all mirror reflections of each other. Horror, disgust, grief. Grief that this is what you hid from them, this is what they have taken too long to pull you from. The burning building splintering around you, your shell of a body immovable in the middle.

You won’t meet his eye. You won’t meet anyone’s eye as your hand shakes around your bottle. Jessa notices. She stares at your trembling fingers for too long, but she can hardly say anything. None of them can. Her eyes shine like beacons from her seat, wet with tears. Frankie sees her bottom lip quiver, her chin dimple. And then she swallows, swallows again, and reaches for your hand.

You flinch again, softer this time, and Frankie is sure everyone around the fire - everyone in the town, the world, must hear his heart crack. Because he feels it so keenly, so deeply, that it takes the air from his lungs. His breath is caught in his throat, and no matter how hard he tries to draw it, it seems impossible to claw it down. He’s drowning. He’s drowning right here in front of everybody, and it makes it all the worse to know that this is how you must feel. Every damn day.

Come on, he hears Jessa say, Let’s go and get another drink. And through the dark swirling of his mind he watches the two of you stand slowly and disappear towards the back of Frankie’s truck. He waits until Jessa has you hidden from view, her arms around your hunched back as you bring your hands to your face - crying - and that’s when the thread snaps.

Frankie gets to his feet, slowly.

Pope and Will watch him. Benny is still staring at Tanner.

Tanner looks up at him, chin jutted out, smirking as Frankie approaches.

He’s challenging him. He’s waiting for a war of words, for the shouting to begin, for the insults, the observations to fly.

He expected the wrong war from a soldier.

The first punch sprawls him out of his seat. It makes a satisfying cracking sound, and the first trickle of blood starts to bleed from behind his lip.

Then Frankie kicks him. He kicks him hard in the ribs, making sure he doesn’t have enough time to recover from the punch to deflect Frankie’s boot.

Tanner clutches at his abdomen, wheezing, gazing up at Frankie with bewildered eyes. Fucking coward.

Frankie grabs him by the front of his shirt, pulls him upwards. He has nothing to say to him, but the fury he feels, this deep, endless, swirling pit of rage, he lets him see. He lets it fill him from the soles of his feet all the way up through his eyes, and he lets it bleed out. He lets the blackness flood the ground. He lets Tanner watch it, lets it petrify him, and then Frankie swings again. Tanner takes it on his chin this time, his jaw snapping closed, and when it goes lax, a couple jagged bits of tooth fall out. Frankie grunts in satisfaction and swings again, again, until blood spouts from Tanner’s eyebrow and his cheek begins to bruise and swell. Frankie breathes deeply, in rhythm, doesn’t even feel it when Tanner manages to land a lucky punch to his eye socket. He plants a knee into the other man’s crotch, lands him an elbow to the back of his head when he keels over, and then shoves him to the ground. Frankie gets on the floor with him, raining blows down on Tanner’s body, his face. He’s methodical about it, a punch to each eye, the crack of the cunt’s nose, one to either side of his mouth, then bloodying up his jaw. He’s aware, somewhere, that Tanner is screaming. Strangled, gargling sounds trying to claw up his throat. And then he’s aware of two pairs of hands around each armpit, dragging him away, pulling him up. Will is saying something in his ear, that’s enough, Frankie, alright now, and Benny is speaking, too, panicked - you’ll kill him, Fish, come on man.

Frankie blinks, really looks at Tanner where he lays bleeding on the dirt. His eyes already swelling, a couple more teeth scattered on the ground next to him. His face different shades of red and purple, a mess of a man, and Frankie is pleased. He could keep going. He wants to see him bleed much, much more. Will and Benny keep their grip on him.

‘Leave,’ Frankie growls, low, without a quiver in his voice. ‘And don’t you ever come back. You ever look at her again, I’ll gouge out your fuckin’ eyes. You ever touch her again, I’ll break every bone in your body. I’ll make sure they don’t find anything left of you.’

Tanner doesn’t say anything, which must be the only smart thing he’s ever done in his life. But he still doesn’t move.

The four men watch him for a moment, the silence heavy, broken only by the crackle of wood and Tanner’s heavy, wet breaths.

Then Benny lets Frankie go, steps forward and picks the man up by his collar, swinging him around to the direction of his truck. He throws him down on the dirt.

‘Move,’ he spits. ‘Get out of here. And if you have the courage on the way, wrap your fucking truck around a telephone pole.’

Tanner finally has the good sense to crawl over to the vehicle. He hauls himself up the scarred body work before creaking open the driver’s door and slipping inside. The truck sputters to life, yellow bulbs flooding the bonfire site again before it quickly backs away, turns, and drives off. Frankie watches its blinking red brake lights until he’s sure the cunt is gone, and then he turns around.

You’re stood with Santi’s arms wrapped around you, back from the fire where Tanner’s blood is drying. Pope strokes your hair, squeezes you tightly as your body shudders. And Frankie can only stare.

Minutes might have passed. Hours. And Frankie is terrified. Terrified that he’s scared you, broken you, pushed you away. And then you turn your face on Pope’s chest, moving your head from shoulder to shoulder, and you’re looking at him. Eyes red-rimmed and raw, face flushed and damp, and it’s like Frankie’s trance breaks.

Frightened, he takes a step forward. He breathes your name.

‘I’m sorry,’ he says, and you shake your head. Fuck. What has he done? What has he allowed himself to do? ‘I’m sorry, querida, please - I know, I know -’ but what does he know? He looks to Santi, pleading for help, and the man offers him a small smile as you step out of his arms.

Through a fog, you come towards him. Your chin wobbles. Your eyes swim. You’re a little wide-eyed, a little shocked. And something else, something beyond his reach.

You get to him, and your arms make their silken way around his middle as you begin to cry. Hot tears stain the front of his shirt, and he cradles you to him, holding your skull gently, enveloping your abdomen. A loud sob looses from your ribs.

‘I’m sorry,’ he whispers, ‘I didn’t mean to scare you.’ You wrap your arms around him tighter, press your nose into his sternum.

‘I’m not scared of you, Frankie,’ you sob into his chest. He clutches at the back of your head, holds you even closer, strokes your hair. When you speak again your voice is higher, strained with your tears. ‘I could never be scared of you.’

The sting in Frankie’s throat becomes hot, burning. He doesn’t know whether to pull you impossibly closer or to push you away, to run as far as he can from your broken, heaving body in his arms. Because what he’s done should scare you. It should. He’d lost all control. The only thing he’d been able to see, to feel was his all-consuming, depthless fury. And Tanner’s face as it splintered, bloodied, swelled. And he’d wanted to keep going, until there was just pulp. No nerve endings, no teeth, no eyes, no mouth, no body that he could ever hurt you with again. He doesn’t want you to hurt any more.

‘I’m sorry,’ he whispers into your hair.

Trembling misery

And as cold as a hole

I hug your bones and skin

Frankie holds your hand the whole way home, the drive passing in a dazed silence.

You still don’t talk when you get to his place, when he unlocks the door, lets you in, and locks it behind him. You take his hand in the quiet cool of the house, lead him upstairs. He follows, slowly, sore, exhausted. Trying to process it all.

When you reach the landing, you turn on the bathroom light, and he trails behind you. He stands propped against the sink as you dig around in his medicine cabinet, finding wipes and bandages and anything else you think might be useful. You take Frankie’s hand again, examine his bruised, bleeding and swollen knuckles with solemn eyes. You are so gentle, twisting his hand in the light, inspecting. You look over it for a while, and Frankie watches you. When you reach for an antiseptic wipe, your hand is shaking.

Frankie winces silently when you start to dab at the blood on his knuckles, cleaning it away with minute swipes. You chase the dried rivulets of blood down his fingers, over his palm. The scar there from when he ate shit riding his bike.

‘I’m sorry,’ he says. You ignore him, breathing shallowly as you inspect his hand, holding his wrist, cleaning blood which is no longer there.

‘Might be a hairline fracture or two,’ you say, distant. ‘I won’t bandage it, gonna let it dry out first. But you’ll need to rest it. And we’ll need to ice your eye.’

‘I’m sorry,’ he says again, into your hair. You shake your head, and the light catches the different colours in every strand. Frankie’s throat tightens.

‘Please stop apologising.’ You whisper.

A shaky breath pushes itself from between Frankie’s lips.

‘No, querida,’ he says softly, ‘It wasn’t right. Shouldn’t have done it. And I shouldn’t have let you see -’ he swallows thickly, throat bobbing. He looks over your head at the white tiles behind you as your grip on his wrist tightens. You still don't look up at him. ‘But it’s not how you treat someone you love. Not how it should be. Should be protecting them, treating them right, loving them the way you love -’ him. He cuts himself off, because he realises as he says it he’s wrong. So wrong.

Right to be like you in your gentleness. In your care, your touch, your tenderness, your loving. But Tanner deserved none of those things. He didn’t deserve your faith, didn’t deserve your protection or your silence either. None of it.

He closes his eyes.

An image of you flickers through Frankie’s mind. Your fingers on his wrist as they are now, your eyes shining under the streetlights. The glint of your teeth, and the want so clear on your face, then the hesitation, the fear, the shuttering -

And if only he had kissed you then. If only you had taken him inside. He could have shown you what it was supposed to feel like. He could have saved you from the hurt, the fear which lay ahead.

There’s a splash of warmth on the pale skin of the underside of his forearm, and he opens his eyes again. You’re still hunched over his hand, but your movements have stilled. Frankie waits, confused, before another warm drop lands on his arm and you hiccup a sob out. He whispers out your name, and you turn your face up to him, devastated.

Frankie’s face crumples, and your grip on his wrist loosens enough for him to lift his hands to your face and cup your cheeks.

‘I’m sorry,’ he says, ‘I’m so sorry. I shouldn’t have said it. I wasn’t thinking -’

‘You think I love him?’ You croak.

Frankie’s jaw works around his next sentence, his next thoughts. He tries to process what this means. That look in your eyes, your tears, your implication. His lips move, but no sound comes out.

‘I don’t love him, Frankie,’ you choke, ‘I don’t. Christ - I don’t think I ever did, I never could -’ you suck in a deep, stuttered breath. ‘I’ve never - never hated anyone more. I couldn’t stand him, couldn’t have him near me, couldn’t have him touch me -’ Frankie flinches at your words. ‘But I was so scared. And embarrassed. I didn’t know how to leave - I didn’t know how to tell anybody about what was going on. I was terrified of what he’d do. To me, to you guys, if he found out I’d spoken about it. And he made it so hard for me to see you, so hard for me to get away.’ You sob now, panic and relief forcing out your words. ‘I thought - wherever I go, he’ll find me. He’ll track me down, and he’ll bring me back - and somehow - somehow that was worse than if he tracked me down and - and - I don’t know, killed me or something -’

Frankie’s eyes shutter. He can’t even follow your thought, so awful is the image, the gaping emptiness. He pulls you close, he lets you cry. Curled into his chest, your body wracking with tears, shaking, tense and uncontrollable, the sounds you make rooting in his brain. They file themselves away in a box where very few things go. Deployment. Tom. The darkness after his investigation. You break and break in his arms, and it’s all he can do to hold the pieces of you together. To press kisses to your head, breathe in the smell of your hair, rub his hands over your back, cradle you like a child.

He doesn’t know how long the two of you stand there for. He waits until you stop sobbing, stop crying softly, stop hiccuping, stop sniffing. He waits for a few more minutes in the silence, too. And when he pulls away, he presses a long, sweet kiss to your forehead.

You blink up at him through red, swollen eyes.

‘You’re safe here.’ He says, and you nod.

‘I know. Thank you. For - everything.’ You say thickly. Frankie swallows, nods. You know it all anyway. Any time, for however long you need.

He pads downstairs to get you a glass of water, and while he’s pouring it, he can hear you blow your nose, wash your face. Somehow, they are the most perfect sounds in the world.

Crackling wood’s gone white

And my eye swole up now

I can see the light

Frankie gives you one of his sleep-stretched t-shirts and an old pair of shorts for you to wear to bed.

The clothes dwarf you a little, and he can’t wipe the small, thrilled smile from his face, even when he looks away. You look fucking adorable.

You giggle at him every time you see it, your little what? only making him smile harder. It stretches his mouth until it hurts and his cheeks start to cramp up, squishing his swollen eye. Stop he tries to say, but it comes out as an equally breathless huff of laughter - and that only makes you giggle more. So much so that he sweeps you up into his arms to stash you under the covers, and you laugh even harder as he tucks the sheets in tight around you, just like his mama used to do when she wanted him to stay put.

He looks down at you from the side of the bed, hands on his hips, and you laugh back at him - eyes shining, mouth open in wide hoots of delight, your hands coming up in a desperate attempt to contain yourself. He points a finger at you.

‘You need to calm down,’ he says, voice tight with bridled amusement. ‘It’s bedtime.’

But you cackle back at him, this glorious puddle of sunshine in his bed, only howls of laughter for a response. Unable to help himself, he returns your joy, turning off the bedside lamps to slip in beside you.

In the darkness, your snorts subside into ragged breaths, and you turn on your side to look at him. You study him as though you never want to forget a single line on his face; such warmth, such affection in your eyes that Frankie’s whole body swells and lifts.

You take his hand beneath the sheets and hold it between your faces, smiling softly at him.

The first and only girl he’s really ever loved. This brilliant, fierce, bright, intelligent woman damped down by the waste of fucking space who had bled by the fire. At the thought of it, Frankie feels his heart fall out of his chest, down through the floorboards, and plummet towards the middle of the earth.

And finally, he begins to cry.

He tries to stop it, he really does. It’s selfish, he thinks, so awful and selfish to cry in front of you when it’s you who should be wrapped in his arms, swept away by emotion again if you needed to be, safe and warm and unworried, never having to fret about anything again.

But he can’t stop it. It comes out in great shuddering breaths - pained, wracked sounds slipping past his lips, and he can’t help it. He tries to gather them in his hands to shove them back in his mouth, tries to scoop them in his arms and press them back into the caving ache of his chest, but he can’t.

When Frankie was a child, he saw his dad cry once. Only once, and exactly like this, after his father’s brother was killed in a car accident. He had seen it through a crack in his parents’ bedroom door, and it had hurt him. It had wounded him, as a child, to see his father break with such grief, such pain, such emptiness, and to know there was nothing he could do about it. And now, he is split into those two people - younger self, older self - as he thinks of you lying next to him on the bed. This person who he loves so much, who is now so full of the knowledge of the worst parts of living, wound up so tight within you that you let it settle, let it unfurl around your bones. He sees your hurt, your grief, your pain refracted around him tenfold, and he hurts with you. He sees you as the boy he once was, this poor creature looking in at a heart breaking, as he has unknowingly watched yours break for months.

And he’s so sorry, he doesn’t think he’ll ever be able to stop saying it.

But here you are, still, performing the ultimate act of kindness. Comfort.

He feels the mattress move as you slide closer to him, and then your hand is on his back, swooping in gentle movements. He feels the scrabble of your fingers under the ribs he has pressed into the bed, the pressure of your arm moving under him so you can hold him properly. Frankie sobs harder, but he opens his body to you. You press closer to him, burying your face in his neck, and he breathes you in as he cries. Your scent is here, you are here. And like you heard him, you whisper -

‘It’s okay, Frankie. It’s okay. ’M here. I’m safe.’ And this realisation allows a little more air, but it doesn’t make Frankie’s guilt, his shame any better. But you’re right, he knows it. And somewhere in his crying, this turns his gasps to tears of relief. Softly, you retract your arms from around him.

You take his hands away from his face, and kiss the palms. You kiss each fingertip, each bruised and cracked knuckle. You lean forward and press a kiss to each tear, each trail of saltwater on his face. And you are so beautiful in the moonlight. Soft and wide eyed. Safe. Kind, always kind, and full of understanding. Frankie sees now that you have been crying against him, too, your eyelashes cloyed with tears. Sees his thoughts in your eyes as though you have had each of them zip to you through the air. When you were a child, you saw your dad cry once. Only once, and exactly like this, after…

A smile breaks through your eyes, chasing away the remnants of tears, glazing down, softening your lips.

And Frankie doesn’t think this time. His feet don’t fail him. He doesn’t think of stars or glitter or constellations of ice crystals. He just kisses you. And kisses you and kisses you and kisses you. And he doesn’t stop, because nothing else matters anymore.

You’re safe. You’re warm. You’re in his bed.

You’re here.

You tip your head back, deepening the kiss, licking into Frankie’s mouth. He gives in so easily to you he’s almost ashamed. But then your fingers clutch at him, ball at the bottom of his shirt, tangle in the thick of his hair, and all his thoughts are forgotten. He feels you slip a soft, strong leg over his, pulling him forward. You groan against him, and Frankie’s cock twitches. You feel it, you must do, as you pull your body closer to him, tight against him. Frankie is so lightheaded he doesn’t know where his hands are, what they’re doing - and when he concentrates, he finds them skating over your back, squeezing the tension out of the back of your neck, gripping your hip.

He moans against you as you rock your hips over his thigh, as he feels the heat of your sex against his skin. He feels like he’s on fire.

You slip a hand under his sleep shorts and palm him, brushing his silken length with two fingers, feeling him grow harder, thicker against you. You take him in your hand, pump him once, twice with the perfect grip, the perfect speed, like you were made for him. He’s gasping against you, panting as you suck his lower lip into your mouth.

‘Baby,’ he groans, breathless, ‘We don’t have to. We really don’t -’

You look up at him through gorgeous, glazed eyes.

‘I want to,’ you say, ‘Do you?’

Dangerous, dangerous question.

Frankie tries to shake his head, look away, think of anything but the tight fist of your fingers around his cock.

‘I do,’ he says, ‘I do. But I don’t think - this is the right thing -’

You loosen your grip, draw away from him. His body aches with a shudder.

His eyes flick back to yours again - confused, hurt - fuck, he can’t do that to you, ever -

‘I - I don’t want to take advantage of it - of you,’ he says. Your eyelashes flutter against your cheeks as you look down the sheets towards your toes. His jaw tightens. ‘And - and I don’t want this to mean - different things for us. I don’t want it to ruin what we have.’ Frankie breathes out heavily through his nose. He has to tell you now. He has to. ‘I don’t want it to mean different things, because I love you. I always have. And if we do this, if I have you even just for a night, I - I’ll never recover from it.’ Tears spike in his eyes again. He tries to smile. ‘You’d ruin me. And I don’t think I’d ever forgive you for it.’

Your breath hitches in your throat, and Frankie watches as your eyes flit back up to his. They search his face, the dribble of his barely-shed tears, the slope of his sad smile. You bring a hand up to cup his cheek, running your thumb over his scraps of beard. He closes his eyes.

‘What you said earlier,’ you begin. Frankie swallows. He waits for the blow of rejection. ‘About me - about me loving him.’ He opens his eyes slowly to find yours, bright and clear. Something begs to bubble over in them. Something golden and warm. ‘You were wrong - obviously. And I couldn’t tell you truly why, because I was afraid. So afraid of pushing you away, even though I think that’s all I’ve ever done. I’ve never thought I was worth it, Frankie. I don’t deserve you. And I am terrified of how much I love you.’ You beam at him, eyes bubbling over with that thing - love - ‘I love you,’ you say simply, like it’s not the most beautiful thing he’s ever heard.

A stunned little laugh ripples up his throat, and you copy it. He grips your face in his hands, and kisses you again, again, again.

‘I love you,’ he says.

‘I love you, too,’ you giggle.

‘And you are,’ he presses to your lips, ‘You are absolutely worth it.’

He rolls over on top of you, and begins to kiss your jaw, nipping at the skin there, before moving down your throat. He kisses you with a hot, open mouth, sucking marks into the sensitive skin at your pulse point. Mine, he groans, and you whimper against him, rubbing your thighs together.

Frankie pushes your shirt up - his shirt - so he can bite at your chest, press kisses to every bit of exposed skin. Every single part of you that deserves to be loved, every single place which has so far been unknown to him. He sucks each nipple into his mouth, delighted when you keen beneath him, panting, please, please Frankie, before he sinks lower down, peeling his shorts away from you to expose your glistening cunt.

He groans, unable to take his eyes away from it as he leans forward, pressing his body into the mattress to lick a stripe from your asshole to your clit.

‘Frankie -’ you groan down at him as he begins to work at you, sucking and licking, nipping at your thigh before slipping his tongue into your hole, swiping and tasting everything you’re giving to him. He grinds himself into the mattress, hissing at the relief, the uncomfortable weight of his cock dragging below him.

‘Taste so good, baby,’ he tells you, and he doesn’t think he ever wants to taste, wants to smell anything else ever again. All he can do is eat at you, breathe you in, until you’re begging him -

‘Frankie, your fingers - please -’ And he flexes his hand at your hip before brushing a fingertip against your entrance and gasping at the pain.

You try to bear down towards him, but he rips his hand away, lifting his head towards you.

‘Can’t,’ he gasps, and you mewl, bucking your hips up to his face, desperate. ‘Hand’s fucked,’ he says, and you still your movements before beginning to laugh again. It’s loud and from your belly, and it's bizarre. But Frankie gets it. He gets it, and he giggles too. He doesn’t try to fuck his broken knuckles into you, but he does try to continue lathing you with his tongue. You’re making it pretty fucking difficult, though.

‘Stop laughing,’ he huffs against your clit, ‘I’m trying to make you come.’

‘Okay,’ you say, gasping for air, ‘Okay. I’m sorry. I’m very sorry. You’re doing really well, by the way.’ But this only makes him laugh. He groans, leaning his forehead against your inner thigh. ‘This is impossible.’ He pouts.

‘Nooo,’ you cry, leaning up on your elbows to pout down at him. ‘Please, baby. I’ll be good. I’ll be so good. I won’t laugh anymore.’

‘Promise?’ He says. You hold out your pinky to him.

‘Pinky promise.’ You say.

Frankie stretches his hand out to you and tries to extend his pinky. He winces at the sharp pain which shoots from the movement, and grunts at you, your eyes sparkling with mischief.

‘You bastard,’ he says, trying and failing to hold his smile, ‘You knew I wouldn’t be able to do that.’

‘Just keeping you on your toes,’ you grin, and then before you can make any more smart remarks, Frankie resumes his ministrations, lapping and tonguing at your clit, your hole, mouthing hot, wet kisses to your pussy. He shakes his head from side to side, running your bud in tight, hard little circles until you’re a moaning, whimpering mess beneath him. Your hips buck unconsciously, and Frankie hooks both his arms around your thighs to hold you down, flattening his hands against your belly to keep you firmly in place. He reaches up to twist at your nipples and you gasp.

‘God, Frankie, tongue feels so fucking good -’

He can feel you begin to pulse against his chin as your whines get higher in pitch, and he groans as you twist handfuls of his hair.

‘Come on, baby,’ he says, ‘Give it to me. Wanna see you come, querida. Wanna taste it. Come on my face.’

And you do, the sensation of it arching your back tight like a bow, a strangled moan cutting off into the ceiling.

‘Fuck, Frankie, fuck -’ as he drives you through it, nodding and murmuring against you as you try to wriggle free, squealing in protest until you manage to twist a leg and set a foot against his chest, pushing him off.

‘Fucking - hell -’ You pant, and Frankie grins down at you, smug.

‘Good?’ He asks, quirking an eyebrow.

‘Oh, fuck you, Morales.’ You laugh, pulling him in for a sloppy kiss, moaning when you taste yourself on him. Your tongue explores every part of his mouth, every crevice behind every tooth, like you can’t get enough of him. Like there'll never be enough of him. ‘Now fuck me.’ You whisper.

And Frankie does not need to be told twice.

He rips his shirt up and off his back, shucks his shorts down his legs, and squeezes himself tight as he can in his left hand. He ruts into his palm, thumb swiping to slick his heavy beads of precum down his length.

‘Ready?’ he asks, looking down to find you staring wide-eyed at his cock. It twitches under your gaze.

‘What?’ He says, and you shake your head in quiet disbelief and amusement. You lift your eyes back to his face, and they are so dark with arousal he almost melts into the mattress.

‘Nothing,’ you shrug. ‘I just somehow never believed Pope and the boys when they said it was like two coke cans put together.’

‘Jesus Christ.’ Frankie laughs, his face pulling tight with a grin as he lines himself up at your entrance, swilling the head in your arousal.

‘I mean, what if it doesn’t fit?’ You babble, and he shakes his head.

‘It’ll fit, baby,’ he says. ‘We’ll make it fit.’ Then he sinks the first inch in, and just waits. He waits and watches you, watches as your mouth falls slack, all the smart things coming out your mouth grinding to a halt. He throbs at how tight you are around him, at how you clench already, trying to suck him in further. And fuck, you are so wet.

‘You okay, querida?’ He asks through gritted teeth.

You manage a nod, a broken whine escaping you.

‘Move Frankie, please baby -’ you beg, and he groans as he pushes further inside you, watching the obscene stretch of your pussy around him, the way it pulses, the way it gets wetter and warmer and tighter around him. When he bottoms out, he feels the hot rush of his orgasm leap towards him a little too quickly.

‘Fuck, baby,’ he breathes, closing his eyes just to make sure he doesn’t come right away. You squirm beneath him, canting your hips up, trying to fuck yourself. Frankie grips you, gritting his teeth. ‘Stay still,’ he hisses, flushing a little. ‘God, fuck, please - just for a minute.’ He opens his eyes to find you watching him, your bottom lip caught in your teeth. His eyes glaze down your body - his t-shirt bunched up around your chest, perfect tits, perfect belly, and your sweet, sopping cunt split open on his cock.

He groans again, slipping out, watching as he retreats, soaked by you, before pushing back in. A high pitched whine leaves your lips, and you twitch your hands up to play with your tits. Frankie doesn’t think he’s ever seen something more sexy in his life.

‘That’s right,’ he says, ‘Keep playing with yourself like that, gorgeous. Look at you.’

So you do, looking up at him with doe-eyes as he fucks into you, soft at first, letting you adjust before quickening his pace, readjusting his angle, feeling you leak around him. His balls slap against your ass loudly, and you keen up at him, eyes wide, begging for something as you tighten like a coil around him, something you can’t quite voice. But Frankie knows.

He swipes his thumb against your clit, and your eyes roll into the back of your head, your back arching again. He groans at the sight, and works the bundle of nerve endings in tight circles, faster and harder, harder and faster, until you’re gripping him so tight he thinks you might push him out.

‘Come baby, come,’ he pants, ‘Please, querida, need to feel you - need to feel you soak me. Need you to come for me, come on this cock, baby, please -’

And he groans, long and loud as you clench and pulse around him, milking him, pulling him impossible deeper - fuck, Frankie, oh my god, feels so fucking good - the delicious pressure at the base of his spine at breaking point as he fucks you through it, as he pants and gasps -

‘Come, Frankie,’ you plead, ‘Please - want you, need you -’ and he spills himself deep inside you, hips stuttering, eyes clamping shut, overwhelmed and short circuited. He’s never known it could feel like this - good to the end of every synapse - and he’s fucking it in with three long thrusts, pulling out slowly just to watch it dribble out of you as he twitches against his thigh. He thumbs your clit just to watch you seize and sigh against him, then sits back on his knees to look at you.

‘You are something else,’ he says in disbelief.

You smile lazily at him.

‘Ain’t so bad yourself, Morales,’ and he laughs, throwing himself down next to you, kissing anywhere he can. I love you, I love you, I love you. Safe.

You lay there for a while afterwards, just feeling each other, calming your ragged breathing. Eventually, Frankie rises from the bed to grab a washcloth, coming back and swiping between your legs tenderly, gently, before collapsing back into bed and pulling you into his chest.

He feels like he’s in space, and he tells you as much. He spills secrets like a child at a sleepover. He tells you about the glitter and the stars and the constellations of ice crystals. You match him with a galaxy of feeling spanning the time he’s known you. And he feels that this is a dream, this love which floats like a nebula within the bed. He tries to keep his eyes open for as long as possible, even as you sleep. And even when he does drift off, he dreams of you. He dreams of you sparkling with stardust, waiting for him with your arms open.

When he wakes the next morning, you’re still there. Safe, soft and warm against him, furled into his ribcage, heart beating against the hand that’s pressed against your chest.

Everything’s okay. That red thread still intact, after all.

When the sun rises, bloody and mild, it’s never been so sweet.

A little piece of a bloody tooth

Just so you know I was thinking of you

#pedro pascal fanfiction #frankie morales #frankie morales x reader #triple frontier #pickup truck #kings of leon #Spotify #pedro pascal x reader

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leehoney0 · 5 months

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OK?

Female reader . suggestive . Bimbo in the apocalypse!

Bimbo reader! Having to be dragged away from a store as she stares down a mannequin for a skirt you’ve been eyeing since before the end of the world,rick having to talk you out of it.There was no way you could take down all those walkers that invaded the store.

Bimbo reader! Going on runs with rick to help him out since everyone was so busy,rick knows you only come with him so you can look through peoples abandoned closets and you get some alone time with your favorite dilf!

Bimbo reader! Who is only allowed to wear her bright pink clothes when there at base!,rick would never risk you getting hurt so he makes sure he gives you a yes on your outfit before heading out.

Bimbo reader! Crying as you ruined one of your shirts with walker guts,Rick holding you as you cry into his chest.him having to explain to you that you should of left your good clothes at home.

Bimbo reader! always listening to ricks commands if he feels it’s too dangerous,he send you off to hide until he calls your name to come out from your hiding spot,running into his arms to make sure he’s alright.

Bimbo reader! and Rick having a code word,it being the name of your favorite brand,him and you using it since you came across the wrong guy once and he never wants that to happen again!

Bimbo reader! meeting the new recruits,not noticing how they all seem to be staring at your chest,whispering among themself if you had a boyfriend and who would get a chance with the dumb klutz who’s clothes didn’t wear appropriate clothes for an apocalypse!

Bimbo reader! who makes her cell all pink,choosing one in the corner to have more privacy,lucky you didn’t have to share.ricks rooms was next to yours,although he likes yours better.you always found nice pillows on your runs.

Bimbo reader! giving kisses to everyone she likes,thanking them by a peck on their cheek,Daryl who brings you back something knowing your gonna give him one of your peck.. Rick glaring at the interactions.

Bimbo reader! Glaring at anyone who stares at Rick,not Knowing he wouldn’t give them the light of day as he overheard them gossiping,how it wasn’t right the way you dressed,Rick keeping you close to him that night showing you off proudly!

Bimbo reader! Who Wouldn’t stop crying when they all got separated after the prison getting stuck with Maggie,your cheeks always stained with tears not knowing where Rick was or if he was even alive.

Bimbo reader! Not being able to function without Rick,he was always there to protect you.everyone wondered how you were able to survive this long,reuniting with Rick was the happiest you had ever been.

Bimbo reader! when entering Alexandria had a lot of the guys asking for your time,you had been so busy looking for Rick that you had brushed them off without even knowing what they were asking.staring at your behind of you ran off to find Rick

Bimbo reader! Not really having a job around Alexandria,they tried to find you something to do but you just couldn’t grasp much,so they just made you water the plants and crops since that was the easiest thing around.

Bimbo reader! Not liking any of the clothes they offered when you first arrived begging Rick or Daryl to take you to the nearest abandoned homes or shops go find something more appealing.more PINK

Why can’t I just be a girl without someone telling me it goes back to the patriarchy… IKNOW let me live jeez I know!!!! Anyways enjoy inst the best but havent been writing good these past few times

#bimbo!reader #bimbo reader #rick grimes x female reader #rick grimes x y/n #rick grimes x you #rick grimes fluff #rick x reader #rick x you #rick grimes fic #rick grimes fanfiction #rick grimes x reader #rick grimes #twd rick #twd fanfiction #twd fic

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twilightcitysky · 9 months

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Hypothesis: Aziraphale HATES that Crowley is living in his car.

Supporting evidence:

The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.

He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.

Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.

It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.

Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?

He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).

He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.

That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.

(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)

Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.

And it hurts him.

#this might be the start of a longer meta about Aziraphale feeling rejected by Crowley repeatedly throughout this season #being made to feel like he’s doing the wrong thing or not good enough #they’re fracturing apart before the season even starts #all because they both fear rejection so much that Crowley preemptively rejects Aziraphale and Aziraphale is afraid to push #look at the projection and displacement and you’ll see what’s really going on #ineffable husbands #good omens #good omens meta #the awkward homeless Crowley situation #it’s absolutely manufactured and unnecessary #Crowley’s literally circling Aziraphale #and Aziraphale just wants him to come inside #good omens season two #good omens season 2 #renew good omens #just so they can finally have a talk about how Crowley is such a drama queen he lived in his car for three years

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lenaellsi · 1 month

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if you take "I can make a difference" at face value you simply must also consider "you're the bad guys.” like they are both vital aspects of aziraphale's decision. the problem is not just aziraphale's attempt to lead a corrupt system, it is also his continued belief in the superiority of heaven and angels over hell and demons. that's why crowley was so hurt. it's not just a miscommunication, or a disagreement on the practicalities of changing hearts and minds in heaven--it is a fundamental misunderstanding of morality and of crowley as a person. if crowley had asked aziraphale to come to hell to help fix it and protect the earth, he would not have gone. he says so. it’s not just about safety, or reform. it is about being Good.

and all of this happens because aziraphale is not just motivated by fear and love: he is also motivated by shame. he is insecure in his identity as an angel and a Good Guy, and both his alienation from heaven and his relationship with crowley have always aggravated this insecurity. it’s why shax’s mockery hit him so hard, and why he’s so susceptible to manipulation from the metatron. he desperately wants to be taken seriously and treated with respect and to have power and be an uncomplicated Good Guy, and that is just as much of a motivating factor in his decision as his desire to protect humanity and crowley.

and re: “appoint you to be an angel”: I know people want to insist that aziraphale has never wanted to change anything about crowley, but I’m sorry, I just don’t think that’s true. over and over in season 2 aziraphale demonstrates a desire to sand the rough edges off people and things for the sake of the Greater Good, without consideration for the free will or complex emotions of others. obviously this tendency culminates in the ball, where he exerts control over all of the humans to make everything perfect for maggie and nina, and in doing so, infringes on their autonomy and nina’s (crowley’s narrative mirror!) capacity to feel her own anger and sadness. and he has never liked that crowley is a demon. in his mind, the problem has always been that crowley was put in the wrong category, not that the entire system of dividing people and angels into Good and Bad is ridiculous. that’s the exact lesson he needs to learn.

and yes, his intentions are good, absolutely. I don’t think aziraphale ever acts out of malice, and I do think he genuinely wants the best for the people around him, particularly crowley. after all, if crowley is accepted as an angel again, as aziraphale has always secretly considered him to be, their relationship can (in his mind) finally stop being so fraught with danger and conflict. (the other side of that, of course, is that aziraphale can also stop being so ashamed for loving someone who is supposed to be Bad, and everything in his life will make sense again, the way it hasn’t since he met that star maker who got so upset about god’s plan.)

but that’s not who crowley is, and it never has been. even before he fell, crowley’s recklessness and relentless questions made aziraphale uncomfortable. their relationship has never been safe or easy, and in wanting to make it so, aziraphale is demonstrating a desire to change the parts of crowley that led to his fall, whether he intends to or not.

I’m rambling, but the point is: the insistence on reframing this moment as a purely selfless, calculated, self-sacrificing decision by aziraphale to protect crowley and the world ignores the uglier parts of the things he said in order to make their eventual reconciliation less complicated, and it’s really frustrating to me. crowley is in fact right to be upset by what he said, and it’s not just a misunderstanding that can be fixed with aziraphale saying “I was only trying to protect you!” and another kiss. it’s a culmination of all of the double think aziraphale has been doing in order to preserve his vision of heaven as The Source Of Truth And Light And Good since before the beginning of time, and it’s time for him to finally unpack it.

(and because every post on the final fifteen needs a disclaimer: aziraphale is trying his best and has an incredible amount of love in his heart and wants so badly to do good and ALSO the things he says, does, and believes can be incredibly hurtful and destructive. all of these things can be true.)

#good omens #aziraphale #crowley #final fifteen #good omens meta #good omens 2 #long post

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beauspot · 9 months

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Thoughts on my second watch of Good Omens 2

i heard the fly buzzing in my first watch but didn’t know why and now i know

Maggie my sweet darling angel baby i love you

Aziraphale turning their car yellow

crowleys “no more dying” in extreme scottish.

Disposable Demon i’ll save you from these awful people i promise 😭

Aziraphale’s little smile when he says “smitten” to Crowley

i wonder if crowley was especially hurt because aziraphale seemed to be able to forgive gabriel who tried to kill him but can’t seem to forgive him being a demon.(still seeing all of this as a metaphor for internalized homophobia, like aziraphale knows he’s not the perfect angel he wants to be and he’s projecting his feelings about that onto crowley)

I can’t believe we got an actual ball. like pride and prejudice, bridgerton ball.

the beautiful score that started playing when aziraphale brought the chandelier down

i didn’t even realize that when they walked in the outfits changed. mrs sandwich made me realize(also i love her)

Nina being the only one to question the weird magical shit Aziraphale and Crowley do sends me so bad.

Season 2 took everything i liked about the first season (aziracrow, queer subtext, gay people, archangels, and beelzebub) and expanded on it

The adorable smile on Aziraphales face when he asked Crowley to dance 😭 he’s so pure(i should have known something was up, everything was going too well)

Crowley saying i won’t leave you on your own and Aziraphale saying i know 🤒

why isn’t aziraphale able to miracle nina and maggie??

crowley and mrs sandwich flirting. too cute

crowley saying he’s neither nice nor a lad.

crowleys little run in heaven when he’s following muriel

maggie giving the middle finger to the demons and laughing in their face when they tried to belittle her. queen

defensive aziraphale is so badass. just because he’s soft doesn’t mean he can’t stand up for himself or the people he loves

the random guitar solo in the final episode theme is so bizarre to me. why is it there?

ahh the raining hearts symbolizing crowleys vavoom plan!

crowley’s heavenly outfit not being white but “light grey”

the relief in aziraphale’s voice when crowley came back 😀

also him mumbling about the halo like he did with the sword 😭 but he sure loves to boast about the things he’s done right to crowley

aziraphale and crowley doing magic together has the power to set off alarm bells in heaven and they barely tried, they’re just in sync

saraqael was such a good addition to the cast.

crowley smiling at aziraphale going off on the angels and demons

“where beelzebub is, is my Heaven.” 🥹

the little knowing look after crowley mentions alpha centauri

the way they just interrupted michael’s speech by leaving 😭

i think that aziraphale was about to ask crowley to move in but that’s my opinion

the look the metatron gave crowley is so strange. i don’t like that

“JUST US. NOT YOU.”

“You’re not helping, angel.”

the softness in aziraphale’s voice when he talked about making crowley an angel again? how can you hate him! he thought he was doing the right thing!

also the miscommunication these two have is completely out of hand because crowley asked aziraphale if he said no and aziraphale hadn’t given an answer AT ALL to the metatron. the metatron told him to take his time. he went back to tell crowley the news first.

crowleys confession makes my stomach hurt. the way his voice broke when he said “we’ve spent our existence pretending that we aren’t.”. the way he had to force himself past his anxiety to tell aziraphale he wanted to spend eternity with him? fuck.

the way aziraphale tells crowley to come with him. like and through all of this they are losing each other, oh my god.

“i need you!” god aziraphale punch me in the face next time why don’t you?

i feel like in all this anger towards aziraphale a lot of people are ignoring that he put himself out there too. he was telling crowley he needed him just like crowley was

“no nightingales.” FUCK YOU GAIMAN

the way aziraphale touched his lips after. dear GOD. someone get michael sheen an emmy

seeing aziraphale struggle against his wanting to kiss crowley back and his fear and wanting him to come back to heaven further supports my internalized homophobia analogy

also even knowing the kiss was going to happen because of the spoiler it still didn’t quell my shock. nor did it ruin the scene, i think it actually surprised me more because it did not happen how i thought it would.

side note i saw some people saying they thought the kiss was going to be a cop out in some way. like a body swap or as a joke and i don’t really know why?

it just occurred to me that both aziraphale and crowley thought the other one was just doing that thing they do where they say they won’t help, or they’re on their own but they eventually come back not knowing that the other was completely set on these plans they had. this wasn’t like armageddon or saving gabriel.

the second coming…of jesus…

crowley cutting off “a nightingale sang in berkeley square”...i’m gonna jump

this being the ending for the next 3-4 years. oh.

#good omens #good omens 2 #good omens season 2 #good omens spoilers #good omens 2 spoilers #muriel good omens #nina good omens #maggie good omens #good omens beelzebub #aziraphale #a z fell #crowley #anthony j crowley #aziracrow #ineffable husbands #ineffable bureaucracy #archangel fucking gabriel #archangel gabriel

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dumbseee · 11 months

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i’ll protect you.

f1 au/fic: in which y/n is a driver for ferrari, her and lando have been friends since childhood and started together in formula one. their closeness sometimes confused their friends. ask them if they were more than friends, they will laugh and say that they were just friends. but one day during a race, y/n got involved in a major crash. which made lando realise how scared he was to loose her.

lando norris x driver!reader

(fc: maggie lindemann)

warnings: mention of crash, carlos is still a mclaren driver with lando, mention of injuries.

note: english isn’t my first language so this may contains some mistakes xx (idk what to think about this one tbh)

liked by charles_leclerc, landonorris, lewishamilton and 3 799 087 others.

y/n: ready for tonight’s race! your girl is going to get that damn podium, mark my words xx

landonorris: in your dreams kiddo

y/n: @.landonorris you’re three months older than me.

lewishamilton: good luck y/n!

liked by y/n.

fan1: WE ALL BELIEVE IN YOU Y/N

fan2: GO Y/N

fan3: with that car i’ll be praying for your safety first bestie

fan4: praying for your first podium!

lilymhe: i’m rooting for you!

alex_albon: @.lilymhe i’m literally right HERE

liked by y/n.

"dude, you should sit down." carlos’s voice echoed in lando’s head which almost made him jump. he didn’t even realise that he was walking around the hospital’s hallways like a maniac. the driver sighed and sat down next to his teammate, carlos squeezed lando’s shoulder to show him that he was there too.

a few drivers were at the hospital, waiting to know if you were okay. daniel, carlos, charles, alex and of course lando were there. to be fair, all the drivers wanted to come but crowding the hospital wasn’t the right thing to do so only your closest friends came while the others went back home but waited for news too.

"are you y/n l/n’s friends ?" finally a doctor came, lando immediately stood up and almost ran to the older man. "she’s out of surgery, she’s very lucky that the firefighters were quick to get her out of the car because she has some burns on her arms and legs but nothing major." the doctor felt kinda uncomfortable to have that many men surrounding him, but he added, "she has a broken arm and a sprained ankle. it could’ve been worse so whoever prayed for her tonight, it worked. she’s awake, so you can see her, but be gentle."

"you should go first." charles told lando, who still looked out of it. "i think she’d prefer to see you first than daniel or alex." he adds with a smile. "uh, first of all this is rude." daniel answer while pointing his finger at charles, which lighten up the mood. "we ALL know i’m her favorite."

lando smiled and thanked his friends before slowly entering your room. he almost choked on his own saliva when he saw you laying on your bed, looking lifeless. this wasn’t you, you were far from being lifeless, you were literally the life of the party. always smiling, cracking jokes, making fun of alex or george will the others would laugh. but there you are, breathing through tubes and covered in bandages. your eyes were closed, lando took a look at your face and swallowed back tears.

he hated it, he hated seeing you being hurt, he couldn’t close his eyes because he’d see the crash again and again. the sound of your car smashing against the barriers, the smell of burnt, gasoline, the sound of the ambulance, the audience’s screams and cries, the commentators struggling to find their words. for a second everyone thought you were dead, everyone including lando. for a second, he thought about a world where you weren’t there anymore, and the only thing he could see was the dark. a world without you meant a world where the sun wouldn’t go up anymore, where happiness was gone forever.

lando let himself fall on the chair behind him and completely broke down. the tears wouldn’t stop from running down his cheeks, he didn’t know that he was capable of crying that much tears. he couldn’t stop sobbing either.

"l-lando?" the driver jumped and immediately stood up when he saw that you were waking up. "y/n? fuck, y/n can you hear me?" he didn’t know if he could touch you, too afraid to hurt you even more. "yes i can so please lower your voice." you furrowed your eyebrows and opened your eyes. the sight before you broke your heart, a sobbing lando, with a worried expression.

"what happened?" you asked, while trying to get up but a sharp pain stopped you. lando gently pushed you back against the bed. "i almost lost you, that’s what happened." he softly pushed a strand of black hair away from your face and sat down, taking your hand in his. "fuck… everything is coming back to me now." you mumbles and bite your lip. you take a look at your body and notice a huge cast on your left leg and a second one on your right arm. you also had a few bruises on your face and left arm caused by the fire.

"how are you feeling?" he asked you, while caressing your hand softly. "could’ve been better, so not only did i not make it to the podium, but i also almost died, what a performance." you laughed and expected lando to laugh with you but he just dropped your hand and looked at you with a hurt expression. "wha-…"

"how can you say it like that? how can you joke about death when you almost lost your life for real? y/n i don’t think you understand how worried sick i was to fucking lose you! i saw everything! the whole crash happened in front of me! i saw the firefighters pull you out of your car, i saw you being literally lit on fire! i couldn’t even move from my car, i felt helpless and useless. i even wondered if the crash happened because of me." he snapped, he wasn’t yelling but his tone was loud enough for you to understand that he was really pissed at your joke.

you felt bad, you didn’t know that lando witnessed everything and now you felt terrible. how traumatic that must’ve been for him. you didn’t know how you would’ve reacted if lando had crashed in from of you. "lando, i didn’t know i’m-…" he cut you off again, he ran a hand though his hair. "let me finish, please." you bite your bottom lip and nodded.

"the thought of loosing you made me fucking sick. i threw up when i got out of the car, i wanted to see you so bad but the way your team stopped me from seeing you made me think it was over. and do you know what a world without you looks like to me? nothing, that shit cannot exist, because a world without you means a world without me. if you fucking die, y/n, best believe that i’m going with you." his words made you cry, silent tears kept streaming down your face. when he saw it, he closed his eyes and kissed your forehead.

"i didn’t want to make you cry, i’m so sorry." he continues to kiss your forehead and then kissed your cheek. "no, i’m sorry for making you so worried about me." you answer while grabbing his hand. he smiles at you and start to kiss every little bruise on your arm. his gentle gesture made you cry even more. "i swear to take care of you now." he adds while connecting his forehead to yours. you both close your eyes and enjoy the peaceful moment until you both heard noises coming from behind the door of your room.

"ouch! you fucking stepped on my foot, càbron!" carlos’s voice could be heard which made you smile. "move your ass leclerc, i can’t hear shit." now it was daniel’s. "all of you shut up they’re going to hear us!" alex added. "aie! carlos what the fuck! that was my foot!" charles almost yelled to his friend. "see how it hurts?" added the spaniard, with a devilish laugh.

lando and you both started laughing at your friends shenanigans, knowing damn well they were behind the door trying to listen to your conversation.