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#this might be the start of a longer meta about Aziraphale feeling rejected by Crowley repeatedly throughout this season
twilightcitysky · 10 months
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Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
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On Falling and Identity
One thing I’ve fallen out of the habit of doing is elaborate metas based on my fanfics every Wednesday. First I took a long hiatus to finish “What it Means to Be A Demon” and then I started posting it and it was angsty and that made me tired.
Plus, I’ve been posting chapters on Wednesdays, and busy enough that I couldn’t do a post and a meta.
But I have some time today, so I thought I’d share some of my thoughts on Falling and Identity. Because there’s more to “What it Means to Be A Demon” than physically and emotionally torturing Crowley (there’s that, too).
Names
One thing I think we can all agree on: the demons in Good Omens are not using the names they’d had as angels. We have plenty of examples: Cra(o)wley, Hastur, Ligur, Beelzebub, Dagon, even Satan (on the to-do list: re-watch while keeping track of various names used for the devil. I’m trying to remember where the name Lucifer is used outside Crowley’s drunken rant, and even that is a memory of their time in Heaven). 
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(Fun fact: when I searched the GIFs for “Good Omens Devil” one of the results I got was Gabriel, and...technically incorrect, but still accurate.)
Regardless, none of these really fit the pattern of angelic names (Gabriel, Uriel and Michael are all standard angel names; Aziraphale does fit this phonetically, but the spelling is different; Sandalphon less so, but still a traditionally angelic name). So, disregarding the possibility that angels somehow rebelled and Fell based on the names they already had, it seems clear that they chose new names after Falling.
Were they forced to change their names? Did they forget their original names? Did they voluntarily give them up? We don’t know this, but I’m sure going to speculate!
Crowley, however, is the only one we know who changes his name, from Crawly/Crawley (note it’s Crawly in the book but Crawley in the script book). It’s called attention to very early in both - the first post-Eden scene in book and show is our two maggot husbands lurking in the graveyard, and one of the first things they comment on is Crowley’s name change, “what’s he calling himself these days?”
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I find it rather interesting that the demon who changed his name - something notable enough for others to comment on - is also the one who winds up the most independent, the most free-thinking, the most human.
Identity
Names and identity are tied together in Good Omens.
Most notable version of this is Dog, a terrifying hellhound who very abruptly isn’t. And the moment he changes is the moment he receives his name: in the book, his shape changes as Adam describes his ideal dog, but his personality changes at the naming; on the show, everything changes at once. 
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From the book: “The hound waited. This was the moment. The Naming. This would give it its purpose, its function, its identity.” (page 82)
There’s also the “Form shapes nature” passage on page 132 - in short, now that he looks like a small, yappy dog, he is a small, yappy dog. It can’t just be that simple, though - the Horsepeople (well, 3 out of 4) all spend much of the series walking around in very human bodies, yet their nature doesn’t become more human. So it’s not just being in the form, it’s accepting the form, letting the form be more than just the mask you wear.
So bring this back to the demons. On the series, we see that they have different forms in Hell and on Earth - not radically different, but the Hell version is more extreme.
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Beelzebub in Hell 
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Beelzebub on Earth
Crowley even more so - he appears as a giant snake, as a human with snake eyes, and as...whatever that thing was at the paintball game. It was vaguely snake-y. So we know they have options for how demonic they appear. Whether by choice or some other means, Crowley’s habitual form is the most human. As a result, his actions seem to be the most human.
Importantly, while it might seem fatalistic to say “Names determine who you are, Form determines nature” - both of these are Crowley’s choice (and presumably other demons as well). He doesn’t want to look like a snake, so he doesn’t; he doesn’t think the name Crawly suits him, so he changes it. Changing his name, changing his form, creating his flash bastard persona - these are how he develops his identity. These are how he makes himself into something more than a demonic snake.
Headcanons
So now we get to the part where I explain how this ties into my story, “What it Means to Be A Demon.” I believe everything has at least been hinted at in the story so far, so I don’t feel as much like I’m spoiling my own plot.
Names were lost. I established this earlier in “Early Days,” but Crowley and the other demons can’t remember their original names, they were taken away as part of the act of Falling. For the purposes of “interpreting canon,” both options are plausible (names were taken or names were rejected), but this is the one I felt had more story potential, because it meant:
Identities were lost. This is a little tougher to explain, and I hope I’ve been able to make it clear in the story. The demons are no longer who they were as angels. They can remember their past lives...to an extent. Names and faces slide out of focus, scenes replay without context, they can’t connect things into a coherent story. And the sense of the being they were before the Fall is just...gone. They became No One.
Demons rebuilt new identities. They chose names for themselves, distinguished themselves, built up cults of personality if you will by attracting followers and supporters. Hastur and Ligur, for example, have clearly built their personalities around cruelty and intimidation, but each even has his slightly different brand, such as Hastur’s brutal honesty (a few metas have pointed out that he doesn’t lie, but his truths are extremely cruel). Appearance is also part of this - while the angels have a certain uniformity to their look, the demons each have a different take on the general theme of “humanoid but bestial.”
Demons, especially low-ranked demons, must fight to retain their identities. This is a major part of what’s going on in “What it Means to Be A Demon.” You sort of need other people to acknowledge your identity...this is something you’ve either experienced or not. Whether it’s a gender identity, a sexual orientation, a diagnosis, or just run-of-the-mill interests - when other people ignore, refuse to acknowledge or outright reject something about yourself you know to be true - it f***ing SUCKS. It makes you doubt yourself, it digs away at you, maybe it even makes you conform more to how other people think you should be, because you start to lack the strength to be who you know you should be, or makes you feel like a failure because you can’t be who they want you to be. In the story, Crowley (still Crawley, as it’s around 2400BC) is abused and tortured, but he’s also forced to take shapes based on what others ask of him; he’s told how to present, how to dress, where to go; the other demons even call him “Crawly” which sounds exactly the same but isn’t a name and trust me in these circumstances you can tell. And it wears away at him, makes him question who he is. Destroys the identity he’s built for himself
When they lose their identity, they become...something else. This is not really based on anything specific from the show, except the endless hordes of seemingly mindless demons in Hell. But if their identities are something they must fight to hold on to, what happens when they lose them? In my story, I’ve presented two options: the Nameless (basically mindless bodies who go where directed, do as told, don’t speak, don’t react, no signs that they even think), and Chaotic ones (imagine a Hellhound in human form - instead of mindless obedience, mindless violence). This is the fate that the demons - that Crowley - fight to avoid.
Crowley is not going to let this happen. I’m dead center in this story, so sorry if this is too much of a spoiler, but I did mark it Canon Compliant. The demon who makes an Arrangement with an angel, the demon swaggering around Shakespeare’s Globe, or performing daring Bastille and Nazi Church rescues, who asked for Holy Water because he was going to fight Hell if he needed to - that Crowley is not a demon under existential threat of oblivion. In “What it Means to Be A Demon,” his identity is under threat, because of the things he feels he needs to do to physically survive. But his story arc for this portion of the overall series is all about Crowley finding his identity, and forcing Hell to acknowledge it, one way or another. And over time - he changes to Crowley, he adopts Anthony and Anthony J as his names, his sense of style becomes more elaborate, more personalized, his possessions more solidly representative of his self. And, ultimately, he creates an identity that is strong enough to go against Hell.
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So, those are some of my thoughts on DEMONS and FALLING and IDENTITY. I have mentioned that I have a lot of them. ;) If my ideas intrigue you (and if you have a strong stomach for angst and abuse), I hope you will check out my story! Here’s the link one more time:
Read it on AO3! (Rated T for violence, language, and potentially triggering scenes)
Here’s the whole series! (All but two stories are rated G, so if you prefer something lighter...)
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