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twilightcitysky · 8 hours
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writing is cool because the whole time you do it, you're thinking "is this shit? is this a steaming pile of hot garbage? is this the worst thing ever written by anyone?" and then you literally never find out
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twilightcitysky · 8 hours
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What page/ scene of the gomens book did you procrastinate the most over?
We wrote the whole book in about 12 weeks. I don't remember ever having time to procrastinate.
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twilightcitysky · 9 hours
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"I want a proper apology."
The dramatic “apology dance”
In the entirety of Season 2, I think the “apology dance” scene is pretty close to my favorite.
The way Crowley walks in like he’s entering a stage in a packed theater.
The way Azi clearly sees him coming and fusses himself up to look extra focused on his work and not at all excited about Crowley’s return.
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Crowley, noticing that Azi has yet to look at him, ramps up the drama by:
Whipping off his glasses (taking off his armor)
Response from Azi? Clears his throat and focuses harder on his work.
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Time for Level 2 Drama, it seems.
Stalking over to the table (no sauntering here)
Tossing the glasses down (looks casual but absolutely isn’t)
Ringing that little bell (like a ceremonial gong signaling “this is fucking happening”)
Walking back into the rotunda where he has maximum visibility (also maximum vulnerability)
Azi now has no choice but to react, which he does by slowly looking up and over at Crowley, who looks like the human-shaped embodiment of dread.
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Finally announcing “I’m back” like the bitchy customer who just yesterday had declared they were never shopping here again
I mean, wow. Amazing. Glorious.
Not to be outcunted, Azi just casually turns back to his work and practically hums, “Yes. I can see that.”
Damn, Aziraphale, did you take lessons in passive aggression from my mother?
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Now Crowley groans in a way that I felt to my core and asks, “Do you want a big, ‘I think I said the wrong thing,’ sort of an apology, or can we take that as said?”
He averts his eyes until the last second because this probably feels more demeaning than begging Azi not to do his magic act at Warlock’s birthday part.
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Still turned away, Azi replies in a tone that is a mix of hurt and guilt that makes me think this has been coming for awhile. "I'd like the apology actually." I bet you would, Angel.
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Back to Crowley, he pauses to assess his options, takes a deep breath, and says the magic words: “You were right.” Also looks like he almost says something else but either doesn’t know what to say or doesn’t want to say it.
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Oh wow, so convincing. Bravo.
Finally, Azi puts down his glasses and his work and turns to address Crowley. He is not happy.
“Not good enough. I want a proper apology.” Also, side note, but Michael Sheen’s voice here is just…yum.
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Before Azi can finish, Crowley is so quick to reject this idea. “No.” with a shake of the head.
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You're not winning this battle, Crowley, and you know it.
“With the little dance.” Azi’s voice perks up and his eyes brighten at the hope this will happen. Seize that opportunity!
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Again, Crowley barely let’s the word “dance” come out before he tries to shut it down. “I don’t do the dance.” Nope, no sir, not this demon.
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Oh no, now Azi’s anger joins the hurt and guilt for a vicious trifecta. “I did the ‘I was wrong’ dance in 1650, 1793, 1941…” each date being spat out with increasing amounts of venom.
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Oh Crowley, you brought this on yourself, girl.
This non-apology combined with his “I'm sorry. I apologize. Whatever I said, I didn’t mean it. Work with me, I’m apologizing here. Yes? Good. Get in the car.” and I can see why Azi reacts to this the way he does.
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Crowley knows he’s beaten and concedes with a “Fine!” that feels the very opposite of the word.
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Okay so before the “proper apology” can begin, Azi gets up from his chair, straightens his waistcoat, and stands with his hands grasped in front of him like a proper gentleman. A properly petty gentleman.
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Then the main attraction! Crowley, looking completely stone-faced, does “the little dance.”
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It’s wonderful. He looks so silly and childish and graceful and mature. And god, that deep knee bend at the end? Amazing.
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Also amazing is Crowley’s face when he says "Kay?” while bobbing his head and eyebrows back like a sassy rooster? *chef’s kiss*
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For Azi’s part, god it is just a delicious mix of polite poker face and barely concealed thirst. I see your eyes scanning Crowley, drinking in that thin, dark Duke. That little dance will live in his head forever.
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And that’s the signal to go back to normal! Crowley regains control and Azi falls back into the supporting role.
Long-term relationships are hard, yo.
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twilightcitysky · 12 hours
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Lucid
Rated E
by TwilightCitySky
Part two of Transmission
Crowley tries his hand at lucid dreaming, and gets more than he bargained for.
For those of you following this fic, thank you for your patience (I had a baby!) and chapter 9 is now up!
Read on AO3
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twilightcitysky · 1 day
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I just think that it'd be funny if, after all this speculation about how horrible Crowley's Fall was and his drunken rambling of "a million-light-year freestyle dive into a pool of boiling sulfur", it turned out he just had the longest most boring elevator ride ever down to basement Hell and then stepped in a very small puddle of warm sludge of questionable origin when the doors opened.
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twilightcitysky · 1 day
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Lucid
Rated E
by TwilightCitySky
Part two of Transmission
Crowley tries his hand at lucid dreaming, and gets more than he bargained for.
For those of you following this fic, thank you for your patience (I had a baby!) and chapter 9 is now up!
Read on AO3
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twilightcitysky · 1 day
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Glass
            After it was all over, Aziraphale sat on the edge of a bluff and let his feet hang over the side. Rivers and farmland stretched before him. In the distance he spotted a church crouched behind a copse of trees. His heel knocked loose a pebble. He watched it tumble into empty space and wondered what it would feel like to follow.
            Behind him he heard the gentle rumble of an engine. The sound of a door slamming shut was muted, as was the crunch of boots on gravel as someone approached. He didn’t look around.
            A wine bottle was thrust before his eyes. Automatically, he noted the vintage. He must have gone to some effort for this.
            “Drink?”
            Aziraphale nodded.
            Crowley dropped beside him, sending another cascade of pebbles down the cliff. He produced two wine glasses and handed one to the angel.
            Once the wine had generously been decanted, Crowley knocked his glass against Aziraphale’s with a bright ring that vibrated through his fingers.
            “I believe congratulations are in order,” he said, taking a swig.
            “Hmm,” Aziraphale murmured. He peered into his glass. He could see his reflection along the outer rim.
            Crowley cleared his throat. “They underestimated you.” He hesitated, then made an aborted gesture with one hand. “I underestimated you.”
            Aziraphale took a long pull from his glass.
            Crowley planted his elbows on his knees and leaned forward, trying to catch Aziraphale’s eye. When the angel didn’t look up, he turned away, face etched with resignation. He kicked a heel against the cliff and watched dirt shower down.
            Aziraphale took this opportunity to eye the demon’s profile.
            “How does it work?” he asked.
            Crowley looked over his shoulder. “How does what work?”
            “No Heaven. No Hell.” The icy hand that had been stalking him the last few months seized his heart. “How do you know good from evil?” A dark void threatened to open up beneath his feet. If he put one foot wrong he would fall in and keep falling, forever. He struggled to breathe. “What if you can’t? What if there…isn’t? At all?”
            Suddenly there was a hand on his arm. He could hear his breath harsh in his ears as he looked at it. He looked up into Crowley’s yellow eyes.
            “It’s okay angel. Breathe.”
            Aziraphale could feel tears gathering in his eyes. “The sheer – arrogance,” he murmured, “to think that I – ”
            “Arrogant?” A strangled laugh struggled in the demon’s throat. “Aziraphale – you are the only person I met in all of Hell or Heaven who cared – at all – to even try to figure out what was right and wrong,” he said intently, every line of him leaning forward, eyes wide, trying to make him understand. “The arrogance to try? What about the arrogance of thinking you don’t have to?” His breath pulled rapidly in and out of his chest.
            The tears Aziraphale had been fighting spilled over.
            “I’m not sure this is going to be comforting but – I don’t think anyone knows for sure, certainly not me,” Crowley said. His grip on Aziraphale’s arm tightened. “I’m not sure that what the Almighty imparted in the garden was knowledge of good and evil so much that it was knowledge that everything is complicated and all of it matters so much. It deserves your conscience and your doubt. It deserves your best effort.”
            He tilted his head, tried to catch Aziraphale’s eyes. “I am not worried about you at all,” he said, lips quirking in an attempt at a smile. “You, who gave your sword away at the very Beginning. You’ve always had a heart for these things.”
            Aziraphale raised a hand to wipe his eyes and Crowley let go, turning to look out over the landscape below. Aziraphale immediately missed his grip; but he was still close, shoulders brushing together.
            “’Sides,” Crowley said, aiming for nonchalance and falling staggeringly short, “I’ll still be here. It’s easier together, I think.”
             Crowley looked out at the fields and Aziraphale looked at Crowley. He was swamped by the urge to put his head on Crowley’s shoulder and only just managed to resist it.
            Aziraphale looked into his glass. “About what you said – in the bookshop –” he began.
            Crowley flung up a hand to head him off. He drained the rest of his glass in one go. “We don’t need to talk about that,” he rasped.
            Aziraphale raised an eyebrow. “Don’t we?”
            Crowley shook his head emphatically. “It’s okay. I’m sorry I said anything. Or…” He hesitated, his eyes dropping to Aziraphale’s lips before careening away. “…did, anything. You don’t need to say…what you’re going to say. I promise I won’t do it again.” He sloppily crossed his heart and pushed himself to his feet.
            Aziraphale listened to his footsteps crunching back toward the Bentley. A kind of calm anger poured in and began filling up his chest. His face set like stone. “That’s a shame,” he said out loud.
            The footsteps paused. “What was that?”
            “I said – ” Aziraphale pushed himself to his feet and turned around. Crowley stood halfway to the car, bottle and glass in one hand, keys in the other.
            “I said,” he said, “it’s a shame that you will never again tell me that you love me; will never kiss me again.” He twisted his hands together, fingernails biting into skin. “I was rather hoping you would.”
            Crowley stared at him.
            Aziraphale moved forward until they were only inches apart. He held Crowley’s eyes.
            Crowley hesitated for a long moment, searching his face. Finally he swayed forward, almost helplessly, head tilted, and pressed his lips to Aziraphale’s.
            Aziraphale inhaled sharply and leaned into the kiss. He brought one hand around to grip Crowley’s shoulder, and used the other to cup Crowley’s face. A tremor ran down Crowley’s body. Aziraphale brushed his thumb along Crowley’s jawline and deepened the kiss. That icy hand retreated and Aziraphale dared to hope he would learn how to keep it at bay. He felt like he had stepped outside in winter and found a patch of sun.
            He pulled back and smiled to himself at the dazed expression on Crowley’s face. “Do you want to get rid of…” he indicated the bottle and glass still in Crowley’s hand.
            Crowley slowly dragged his eyes away and looked at the offending objects. “Hm? Oh, right.” Unceremoniously, he tossed them away, stuffing the keys back into his pocket as he did so. His arms encircled Aziraphale and pulled him back in for another heady kiss.
            The glass hit the ground, but instead of shattering into shards, it shattered into seeds, which germinated far too rapidly, extending tender green shoots and fragile white roots until a patch of wildflowers had rooted in the gravel beside the road, an eddy of pink, red, purple, and impossible blue.
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twilightcitysky · 1 day
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Sometimes, I'll be writing (or even reading) a fic, and a very cliche or way too romantic line will come out of me and I pause for a second, contemplating whether or not "they'd actually say that".
Then I remember that the beings I'm writing said fanfiction about are Anthony "No Nightingales" Crowley and Aziraphale "You go too fast for me" Fell and I'm like- yes, those bitches are extra af. They would say that. And more.
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twilightcitysky · 1 day
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If you type "wait", does your phone automatically predict "and see" next? 😂
Let me find out.
Wait and See.
Yup.
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twilightcitysky · 1 day
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Hullo mr. Gaiman!
Sure as hell you receive quite the number of asks, can only hope you’ll see this one. It may be my second ask of this kind and I’m not trying to spam but I happen to have… slightly miscalculated something. Trying to ask does no harm though.
Some time ago, like a bit more than a month, I sent you an ask saying that I’d mailed you a drawing, but there’d been a bit of a mess with the address and I couldn’t be sure wether you’d receive it, asking if I could send it here just in case. You did answer (thanks!) and I did send it some time after, cause well I kinda was on a stage in the meantime, so I guess you didn’t see that at all, and well. I underestimated my curiosity ‘bout what you’d think of it. A Hercules-Corona Borealis Great Wall-sized bit of curiosity. It’d just be really really really cool if I had the certainty you saw this drawing here. It has some meaning to me, at least. It’s only that like, I use art as my only way to express positive emotions since I was quite little, I seem to be learning only now at almost 21 (and thanks to your works I’d add) to do so other ways than that. My approach to life seems to have been a bit of a mess since… well, always. And a bit of an unusual life it’s been. So here it is:
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Some of it is charcoal, some is sewn, some is sand. I just kinda skipped the choosing-technique part.
Thank you again,
V.
It looks like real art and it looks like me as well.
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twilightcitysky · 4 days
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if the fandom sleep on this im going on a rampage
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twilightcitysky · 4 days
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Join the Silver Screen Bang!
Sign-ups for the Silver Screen Bang are now open!
Sign-up Deadlines:
Writers May 3rd, 2024
Artists May 20th, 2024
Pinch Hitters Always Open!
You may sign up for multiple roles, but must submit a different form for each. We also require that all participants join the server—silent lurking is totally allowed if you prefer, but you must at least join. Hop over and introduce yourself here! (If link doesn't work, send us an Ask on Tumblr.)
Submissions are also open for writers until May 17! Select a movie and outline your adaptation plans. Further instructions are available on the server once you’ve joined.
Visit our Silver Screen Bang Info doc for more information (including rules, schedule and FAQ)!
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twilightcitysky · 4 days
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"You said trust me" "And you did."
1941 Crowley burning the evidence.
What he is listening to: (We'll meet again by Vera Lynn) https://youtu.be/8Nzy1cfnKh4?si=xPz_ePenfulKu1zp
-
Available as a print: https://www.inprnt.com/gallery/beanart
More of my art: https://www.instagram.com/beatenossart
My coffee community and tip jar: https://ko-fi.com/beanart
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twilightcitysky · 4 days
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Where The Lightning Strikes -- rated G, ~1250 words
A brief encounter in the Oxford Museum Of Natural History, in which Science meets Story. “Anthony Crowley.” If the man was a rock star, he was using an alias. But of course he would. “So you’re keen on these?” He nodded at the display case, with its array of branching and contorted mineral formations. “I’d love to go hunting them,” said Jeremy. “But they’re very rare, and we’re not near any deserts or even beaches. Maybe next year, when I’m allowed to drive.” “Funnily enough, I have one,” said the man. “It came with a story. Would you like to hear it?”
Read On AO3
Tagging in the replies as per usual -- let me know if you want to be added to (or taken off) the tag list!
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twilightcitysky · 4 days
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Venting-
When I hear people give the advice that writing is never a waste of time if you’re having fun or you should never feel like a story was a waste of time, you should enjoy the process. This advice I believe is real and true and works for some writers. But at the same time, there are writers who are very stressed when writing and feel better about their work when it’s finished. Not the “I enjoy having written.” But the “I have crippling anxiety and can only tell if my time, effort, and semi-breakdowns were worth something if I complete what I set out to do.”
Not to diminish anyone who agrees or resonates with the first statement, I admire those people a lot and wish I was calm enough to feel the same.
in my years of teaching and coaching, i've noticed there are two kinds of writers: "process" writers and "product" writers. rather, there exists a spectrum from one to the other.
on the process side, you have writers who reach a flow state fairly easily, who can become immersed in a world or idea of their own invention, and they write in large part to seek that immersive state. the end of a project seems more like a tragedy than an achievement because it marks the loss of the immersive state, and it will take energy and discipline and happenstance to find the next. i've also noticed that it becomes harder rather than easier to find that state over time; the more projects you finish, the fewer ideas appeal to you in the same way.
conversely, product writers get to feel that sense of achievement upon completing a project that process writers may lack, and that pleasure is worth the pain and turmoil of the act of creating something. product writing takes a lot of strength, patience, and discipline i think, to do something hard for the reward of having done it. it's the difference between an athlete and a surgeon. a person becomes an athlete for love of the sport, the act of playing. winning is important, but they wouldn't be able to win without first finding joy in the game. a surgeon, on the other hand, probably doesn't get into the job for the fun of operating. the fulfillment is in the operation's success; it's hard work with high risk. but the reward of saving or improving lives is worth it.
admittedly as a process writer it's always been hard for me to wrap my head around product writers. not only do i not have the patience to seek a sense of achievement, i think i'm mostly incapable of relishing any reward at all unless the reward is in the pursuit itself. looking back, i can't think of any single moment i've ever felt a sense of success. but also i've always struggled with concepts like ambition and competition. i've never had any drive to win anything, but also i've never felt much when i lose or fail. sometimes i wish those things mattered more to me, because then i would be a more driven and decisive person, and i'd be more successful in my career.
i know i'm on the extreme end of the process-product divide, and that colors a lot of my perspective of teaching and mentoring. but i think writers can shift on the spectrum depending on where they're at in their writing life or even with whatever project they're working on. i've been trying to have a more product-based mentality recently to at least develop the skill of shifting to the other side when i need to, so that i can get the patience and focus to write a novel that is not just me plopping my heart onto the page and hoping somebody out there cares. product writers have an easier time convincing other people of the value of their story, because the value of the story is a big reason why they write it. a purely product writer, like the surgeon, writes something because they feel that thing needs to exist in the world. meanwhile the only way for a purely process writer to be professionally successful is to happen by sheer coincidence to find an immersive state that also crosses with the interests of the current market. like the athlete, success involves training, hard work, and being at the right place at the right time. sure, churning out 100k words in a couple months and having a blast while doing it is great, but it comes from this wild inner place that can't really be controlled; meanwhile product writers can take that wildness and intentionally shape it into something. when you're feeling jealous of the other side, though, it's important to remember that both the meadow and the garden are equally beautiful.
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twilightcitysky · 5 days
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Ew! I mean, AWWWWW! Some ships should sink, but this one refuses to.
Or: IMMA MAKE EVERYONE KISS LIKE CHILD ME DID WITH MY BARBIE DOLL AND ALL MY NEIGHBOR’S G.I.JOES
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twilightcitysky · 5 days
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laughing so hard at the idea of dt being like NEIL. WHERE ARE THE SCRIPTS.
anyway hope the season 3 scripts pass the peer review. the peers reviewing being two insane actors who probably feel varying degrees of closeness to the material but both of whom really want to do a homosexual love story between an angel and a demon
I hope those two are stretching and getting ready to carry another season of television on their backs. Michael Sheen blink twice if the scripts are ok enough that you can make them good.
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