#Vol 203

[completeoveranalysis]

[6]

ABSOLUTELY RABID OVER THIS

Fai framing Kurogane’s awkward head tap as the full amount of punishment he should get for his choices - which means he’s all paid up! No need to hold himself accountable anymore. 

And then repeats his gesture of affection for Lava Lamp as his Official Reply To His Behaviour. Tenderly holding his face and smiling at him, making their connection open and clear as Lava Lamp immediately tears up in response. 

Because he’s been suffering alone in this for YEARS AND YEARS AND YEARS and here he is, finally opening up about his Giant Mistake and how it Ruined Everything and Killed Everyone and Should Make Them Hate Him - and they give him a little tap and a smile and hold him gently. 

And the way that he doesn’t have his parents anymore - he lost them a long time ago. But now he has Kurogane and Fai and they’ve forgiven him for everything and THAT’S FILLING A GAP THAT’S BEEN EMPTY IN HIS LIFE FOR A VERY LONG TIME. 

AND THEN ALSO MOKONA ADDS TO THIS GESTURE BY JUST ANNOUNCING HOW MUCH SHE LIKES HIM

MOKONA’S HEART IS SO PURE, SO WARM

TSUBASA FAMILY EMOTIONALLY RECONNECTED AND FULLY BONDED BEFORE THE FINAL BATTLE

#EVERYTHING IS LOVE AND FORGIVENESS #THE LOOK ON LAVA LAMP’S FACE #AS HE SLOWLY CLOSES HIS EYES AND ACCEPTS THEIR LOVE #THE SOFT SMILE ON FAI’S FACE #THE LINGERING LOOK FROM KUROGANE #AND THE TENDER HUG FROM MOKONA #IT’S EVERYTHING HE DENIED HIMSELF AND EVERYTHING HE DESERVES #Liveblogging the reservoir chronicle #Tsubasa #Vol 203 #Fai #Kurogane #Lava Lamp Guy #Mokona #AND FAMILY BONDING #This chapter is like THE chapter #THE core of the family bond #or at least the family bond between the ones we have left but shh

[jimintomystery]

MST3K's most wanted

I've been organizing my Mystery Science Theater 3000 collection, so I've become preoccupied with the handful of episodes that are not easily available, and the reasons why. In case in anyone else is interested, I thought I'd share what I've learned.

For our purposes we'll be focusing on the ten seasons that aired on cable, from 1989 to 1999. With the post-2017 episodes, it's trivial to purchase them on home video or streaming. And the pre-cable stuff, from KTMA, is widely available as bootleg footage, which is probably about as good as you're ever going to get. But the episodes from the cable era have been notoriously difficult to re-release, and require special attention.

Of the 176 MST3K episodes that aired on cable, 166 have been released on home video, and 145 are available for streaming/download on the Gizmoplex. As someone who's been trying to collect the whole series since the 1990s, I think that's pretty impressive. But there are 40 episodes that have been particularly tricky. Let's take a look, won't you?

Currently available on the Gizmoplex, but never on home video (1):

913 - Quest of the Delta Knights

As I understand it, nobody was sure who owned the rights to this movie, or how to contact them, for years. The situation has only recently been cleared up, perhaps too late for a DVD release.

Currently available on the Gizmoplex, but out of print on home video (8):

203 - Jungle Goddess

317 - Viking Women and the Sea Serpent

319 - War of the Colossal Beast

510 - The Painted Hills

619 - Red Zone Cuba

806 - The Undead

808 - The She-Creature

912 - The Screaming Skull

It looks like all of these went out of print due to being on a set where a different episode's rights expired. Theoretically Shout Factory could re-release any of them in a "Lost and Found" set, but that may not be cost-effective as people move away from collecting physical media.

Currently available on home video and MST3K's official YouTube, but not on the Gizmoplex (1):

615 - Kitten with a Whip (Vol. 25 DVD, 2012)

Kitten is one of the Universal movies that could only be licensed for physical media. And yet, it's the only one I can find on the official YouTube channel. Beats me why that is.

Currently available on home video, but not on the Gizmoplex (16):

401 - Space Travelers (Vol. 32 DVD, 2015)

522 - Teen-Age Crime Wave (Vol. 33 DVD, 2015)

524 - 12 to the Moon (Vol. 35 DVD, 2016)

601 - Girls Town (Vol. 39 DVD, 2017)

605 - Colossus and the Headhunters (Vol. 38 DVD, 2017)

614 - San Francisco International (Vol. 32 DVD, 2015)

704 - The Incredible Melting Man (Vol. 36 DVD, 2016)

801 - Revenge of the Creature (Vol. 25 DVD, 2012)

802 - The Leech Woman (25th Anniversary Edition DVD, 2013)

803 - The Mole People (Vol. 26 DVD, 2013)

804 - The Deadly Mantis (Vol. 27 DVD, 2013)

805 - The Thing That Couldn't Die (Vol. 29 DVD, 2013)

814 - Riding With Death (Vol. 36 DVD, 2016)

815 - Agent for H.A.R.M (Vol. 33 DVD, 2015)

901 - The Projected Man (Vol. 30 DVD, 2014)

1013 - Diabolik (Vol. 39 DVD, 2017)

I was able to find the DVD sets listed above on Shout Factory's website. As far as I know, they'll remain in print for the foreseeable future, but there's no way to know how long that will last.

The general pattern with these episodes is that the movies are owned by major studios that would only license them for physical media. Columbia owns Teen-Age Crime Wave and 12 to the Moon. MGM owns Girls Town and The Incredible Melting Man. Paramount owns Diabolik. But the big player here is Universal, which controls the rights to Space Travelers, San Francisco International, Revenge of the Creature, Leech Woman, Mole People, Deadly Mantis, Thing That Couldn't Die, Riding With Death, Agent for H.A.R.M., and Projected Man.

The odd man out here is Colossus and the Headhunters; I can't find any info on who owns the rights to this film, which may be part of the problem.

The real hard cases, the stickiest of wickets, are below...

Released on home video, but now out of print (5):

212 - Godzilla vs. Megalon (Vol. 10 DVD, 2006)

309 - The Amazing Colossal Man (VHS, 1996)

910 - The Final Sacrifice (Vol. 17 DVD, 2010)

1001 - Soultaker (Vol. 14 DVD, 2009)

1012 - Squirm (Turkey Day Collection DVD, 2014)

Megalon and Colossal Man were both recalled when rights issues came up after they were released. Oops. These were produced by Rhino, back before Shout Factory took over.

The Final Sacrifice is particularly tough to find, even unofficially, because director Tjardus Greidanus is very aggressive about tracking down download links. I always figured someone was similarly possessive of Soultaker, since it's clearly a passion project, but that's purely my speculation.

The Turkey Day DVD set is still available on Amazon at a reasonable price, so Squirm is still relatively accessible for now.

Never released on home video or streaming (9):

201 - Rocketship X-M

213 - Godzilla vs. the Sea Monster

311 - It Conquered the World

416 - Fire Maidens of Outer Space

418 - Attack of the the Eye Creatures

807 - Terror from the Year 5000

809 - I was a Teenage Werewolf

905 - The Deadly Bees

906 - The Space Children

In 2017, Shout released its final (?) MST3K DVD collection, which included Satellite Dishes, a compilation of host segments from episodes that "may never get a legitimate release." This included the nine listed above, as well as The Amazing Colossal Man and Quest for the Delta Knights. Of course, Delta Knights eventually got a digital-only release, which is cause for a glimmer of hope. But the others are probably tougher nuts to crack.

Wade Williams owned the rights to Rocketship X-M and had a particular sentimental attachment to the film. His death in 2023 may make it easier to negotiate with his estate, but I wouldn't count on that being a swift process.

Godzilla vs. Megalon and Godzilla vs. The Sea Monster are part of a prestigious franchise, and it's remarkable MST3K got away with riffing on Godzilla movies in the first place. I get the impression that Japanese culture doesn't particularly appreciate the sort of mockery MST3K is known for, so the rights to these two movies may be a long, long shot. Then again I used to think there was no hope of for the Gamera episodes too.

Fire Maidens, Deadly Bees, and Space Children are owned by Olive Films, and currently licensed to Paramount. It's possible a deal can be made later on, but not until the current arrangement expires.

The major bugbear for MST3K fandom is Susan Hart, the widow of American International Pictures co-founder James Nicholson. One way or another the AIP catalog was split up and Hart laid claim to several of their films, including Amazing Colossal Man, It Conquered the World, Eye Creatures, Terror from the Year 5000, and Teenage Werewolf. Hart's price for licensing her movies is very high, and it seems Shout has given up negotiating with her. I suppose the situation could change when she passes away, but I'd feel rather silly hoping for an old woman to die just so I can pay 8 bucks to watch robots laugh at a werewolf movie.

In conclusion, I've already purchased all the movies available on the Gizmoplex (I got most of them in a Kickstarter reward package), and the 31 that aren't available there can be obtained by, ahem, other means. So it's a great time to be an MST3K fan, and I'm still amazed how easy it is to watch the show nowadays.

#mst3k #mystery science theater 3000

[terastalungrad]

For about 10 minutes, a number of Pokémon were spelt incorrectly on Bulbapedia's full list. Then they were spelt correctly again.

Here's a full list of the incorrect spellings, along with Pokédex number and correct spelling.

19

Rat

Rattata

29

Nidoran

Nidoran♀

30

Burned

Nidorina

41

Toothed

Zubat

57

First

Primeape

62

Polyurethane

Poliwrath

77

Pony

Ponyta

82

Magneto

Magneton

84

Dodu

Doduo

85

Lactating

Dodrio

86

rope

Seel

89

In

Muk

95

Onyx

Onix

100

voltorb

Voltorb

118

Ploughing

Goldeen

127

think

Pinsir

128

Bulls

Tauros

141

Finally

Kabutops

161

The center

Sentret

162

oven

Furret

163

hoothoot

Hoothoot

169

He croaks

Crobat

178

shut up

Xatu

193

Do not burn

Yanma

203

giraffe

Girafarig

207

Giggles

Gligar

218

Slum

Slugma

219

Load up

Magcargo

226

keep

Mantine

234

stands

Stantler

239

Eleks

Elekid

251

celebrities

Celebi

259

marshtomp

Marshtomp

262

As Mighty

Mightyena

270

Lottery

Lotad

271

Shadow

Lombre

272

Ludiculous

Ludicolo

283

You bastards

Surskit

290

Ninada

Nincada

304

to

Aron

307

Meditate

Meditite

312

My

Minun

313

Vol beat

Volbeat

322

give name

Numel

324

Torcoal

Torkoal

326

Grumpy

Grumpig

329

Vibrata

Vibrava

334

Altars

Altaria

335

All of them

Zangoose

348

armaldo

Armaldo

361

They snore

Snorunt

363

Sphere

Spheal

371

Wagon

Bagon

375

Methane

Metang

378

Royal

Regice

380

Broads

Latias

400

Come on

Bibarel

406

Budow

Budew

407

Rosed

Roserade

408

Cranids

Cranidos

454

Toxic

Toxicroak

461

We heard

Weavile

464

Faster

Rhyperior

467

magmortar

Magmortar

484

Rewards

Palkia

486

Regulates

Regigigas

489

Phion

Phione

498

Bank

Tepig

504

Square

Patrat

509

I purred

Purrloin

511

Grooming

Pansage

512

We are sage

Simisage

314

Sorry

Simisear

525

Bolder

Boldore

529

Drill cage

Drilbur

531

Cloth

Audino

532

Timber

Timburr

537

Seismic rooms

Seismitoad

548

Petyl

Petilil

549

Lilling

Lilligant

551

We are still

Sandile

552

Crocs

Krokorok

553

To the crocodile

Krookodile

566

Arken

Archen

570

Floor

Zorua

588

Karrablas

Karrablast

594

He smiled

Alomamola

595

From Jolti

Joltik

604

Elektross

Eelektross

605

I'll go

Elgyem

606

Let's be

Beheeyem

629

vullaby

Vullaby

654

Braxen

Braixen

675

On the cart

Pangoro

680

Doubling

Doublade

683

He smelled it

Armoatisse

687

The teacher

Malamar

688

Binnacle

Binacle

690

Scrape

Skrelp

696

Tyrant

Tyrunt

697

A tyrant

Tyrantrum

698

Amura

Amaura

699

Aurora

Aurorus

702

Dead

Dedenne

720

Contact

Hoopa

725

Lit

Litten

738

He was quarrelsome

Vikavolt

754

Lurant

Lurantis

757

Salads

Salandit

760

Claim

Bewear

763

Remembrance

Tsareena

771

Bag

Pyukumuku

774

Miniature

Minior

780

Dramp

Drampa

781

Dhelmis

Dhelmise

784

Come on

Kommo-o

785

Sacred Heart

Tapu Koko

786

Holy Flying

Tapu Lele

788

Kill Finn

Tapu Fini

795

Pheromone

Pheromosa

798

Can

Kartana

800

Necrosma

Necrozma

803

Football

Poipole

807

Zero

Zeraora

821

Rook idea

Rookidee

845

They cry

Cramorant

852

Cobpopus

Clobbopus

854

to believe

Sinistea

857

Hat strap

Hattrem

858

The hatters

Hatterene

862

Obstagon

Obstagoon

872

A dream

Snom

880

He dracozoled

Dracozolt

881

He frowned

Arcozolt

886

Draklos

Drakloak

890

Eternal

Eternatus

891

Big

Kubfu

906

Sprigatite

Sprigatito

914

Anyhow

Quaquaval

916

Oncological

Oinkologne

921

Pawmy

Pawmi

923

Paw motor

Pawmot

929

Doll life

Dolliv

930

tree

Arboliva

933

nacl stack

Naclstack

942

Maship

Masschiff

945

Counts

Grafaiai

957

Tinting

Tinkatink

963

Fizen

Finizen

970

Glimmer

Glimmora

973

flaming

Flamigo

976

Come on

Veluza

977

Dose

Dondozo

983

Speaking

Kingambit

986

Brute Beanie

Brute Bonnet

993

Iron Throat

Iron Jugulis

1016

Let me go

Fezandipiti

#pokémon

[putschki1969]

「Kaji Fes」 Home-Video Release Announced!

Great news everyone! Today, after the television broadcast of Day 1 of last year's 「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」, it was announced that the special 2-Day event held at Nippon Budokan will be released on Blu-ray! The made-to-order BOX edition comes with benefits such as a limited T-shirt, a replica staff pass, and 48p live photo book! Side note: According to fan reports, it seems like the following five songs were cut from today's TV broadcast => fake garden, canta per me, she has to overcome her fear, I beg you and 砂塵の彼方へ….

■Product overview Title: “30th Anniversary Yuki Kajiura LIVE vol.#19 ~Kaji Fes.2023~” Release date: May 29, 2024 ▼Click here to purchase https://kajiurayuki.lnk.to/KajiFes.2023 ※So far, most links seem to be for Rakuten which does not accept overseas payment methods afaik and also does not ship overseas so foreign fans will have to use a proxy service like Buyee to make a purchase. It is worth noting though that Rakuten is offering a hefty discount! Update: The box is NOW AVAILABLE on CDJAPAN. ■Appearance Yuki Kajiura / FictionJunction <Day1: Guest artist> Aimer, Yuri Kasahara, Remi ※Revo (Sound Horizon/Linked Horizon) will not be featured. <Day2: Guest Artist> ASCA, Eri Ito, KOKIA, JUNNA, Hanae Tomaru, Hikaru, Aira Yuki (ASUKA) ■Release format

「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」 Limited Made-to-order Box Set　￥20,000＋tax [Contents] Blu-ray x 2 [Day1 & Day2] / replica staff pass / T-shirt [limited colour] / 48p live photo + interview book ※The Rakuten product page actually mentions a third undefined disc (most likely an audio CD) Buy here ▶ https://www.cdjapan.co.jp/product/VVXL-200 　 https://kajiurayuki.lnk.to/KajiFes.2023

「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」Day 1 Regular Edition ￥8,000＋tax （Blu-ray×1） Buy here ▶ https://www.cdjapan.co.jp/product/VVXL-203 https://kajiurayuki.lnk.to/KajiFes.2023

「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」Day 2 Regular Edition ￥8,000＋tax （Blu-ray×1） Buy here ▶ https://www.cdjapan.co.jp/product/VVXL-204 　https://kajiurayuki.lnk.to/KajiFes.2023

■「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」Day 1 Tracklist

fake garden

canta per me

the world

Liminality

in the land of twilight, under the moon

swordland

she has to overcome her fear

luminous sword

星屑

花守の丘

ｗe’re gonna groove

Obsession

千夜一夜

Point Zero

salva nos

花の唄

I beg you

櫂

朝が来る

My Story

Parallel Hearts

stone cold

the image theme of Xenosaga II

蒼穹のファンファーレ

■「30th Anniversary Yuki Kajiura LIVE vol.#19 ～Kaji Fes.2023～」Day 2 Tracklist

street corner

希望の光

prelude to Act 1

Numquam vincar

Magia [quattro]

storia

君の銀の庭

to the beginning

海と真珠

太陽の航路

time to sail!

The main theme of “L.O.R.D”

I talk to the rain

a song of storm and fire

ring your song

ことのほかやわらかい

夜光塗料

雲雀

君が見た夢の物語

everlasting song

世界の果て

優しい夜明け

君がいた物語

Rainbow~Main Theme~

風よ、吹け

lotus

inverse operation

目覚め

夕闇のうた

荒野流転

Silly-Go-Round

cazador del amor

nowhere

zodiacal sign

into the world

red rose

Parade

#kalafina #yuki kajiura #kajiura yuki #fictionjunction #news #Kaji Fes #Kaji Fes. #Kaji Fes. 2023 #keiko #hikaru #yuki's first home video release under Sony #maybe that's why there is no need to cut the Kalafina songs

[dinololita]

#lolita fashion #egl community #egl fashion #sweet lolita #btssb #egl #baby the stars shine bright #angelic pretty #kera #kera magazine

[sieclesetcieux]

Collaborative Masterpost on Saint-Just

Primary Sources

Oeuvres complètes available online: Volume 1 and Volume 2

A few speeches

L'esprit de la révolution et de la constitution de la France (1791)

Transcription of the Fragments sur les institutions républicaines (1800) kept at the BNF by Pierre Palpant

Alain Liénard's edition and transcription of his works in Théorie politique (1976)

Some letters kept in Papiers inédits trouvés chez Robespierre, Saint-Just, Payan, etc. (1828)

Fragment autographe des Institutions républicaines

Une lettre autographe signée de Saint-Just, L. B. Guyton et Gillet (not his writing but still interesting)

Two files at the BNF with his writing (and other strange random stuff):

Notes et fragments autographes - NAF 24136

Fragments de manuscrits autographes, avec pièces annexes provenant de Bertrand Barère, de V. Expert et d'H. Carnot - NAF 24158

Albert Soboul's transcription of the Institutions républicaines + explanation of what's in these files at the BNF

Anne Quenneday's philological note on the manuscript by Saint Just, wrongly entitled De la Nature (NAF 12947)

Masterpost (inventory, anecdotes, etc.) - by obscurehistoricalinterests

Chronology

Chronology from Bernard Vinot's biography

Testimonies

Élisabeth Duplay-Le Bas on Saint-Just, as reported by David d'Angers - by frevandrest and robespapier

Élisabeth Duplay-Le Bas corrects Alphonse de Lamartine’s Histoire des girondins (1847) - by anotherhumaninthisworld

Many testimonies by contemporaries (in French) on antoine-saint-just.fr

Representations

Everything Wrong with Saint-Just's Introductory Scene in La Révolution française (1989) - by frevandrest

On Saint-Just's strange representation of "throwing tantrums" - by saintjustitude and frevandrest

Saint-Just as "goth/emo boy"? - by needsmoreresearch, frevandrest and sieclesetcieux

Recommended Articles

Bernard Vinot:

"La révolution au village, avec Saint-Just, d'après le registre des délibérations communales de Blérancourt", Annales historiques de la Révolution française, No. 335, Janvier-Mars 2004, p. 97-110

Alexis Philonenko:

"Réflexions sur Saint-Just et l'existence légendaire", Revue de Métaphysique et de Morale, 77e Année, No. 3, Juillet-Septembre 1972, p. 339-355

Miguel Abensour:

"Saint-Just, Les paradoxes de l'héroïsme révolutionnaire", Esprit, No. 147 (2), Février 1989, p. 60-81

"Saint-Just and the Problem of Heroism in the French Revolution", Social Research, Vol. 56, No. 1, "The French Revolution and the Birth of Modernity", Spring 1989, p. 187-211

"La philosophie politique de Saint-Just: Problématique et cadres sociaux". Annales historiques de la Révolution française, 38e Année, No. 183, Janvier-Mars 1966, p. 1-32. (première partie)

"La philosophie politique de Saint-Just: Problématique et cadres sociaux", Annales historiques de la Révolution française, 38e Année, No. 185, Juillet-Septembre 1966, p. 341-358 (suite et fin)

Louise Ampilova-Tuil, Catherine Gosselin et Anne Quennedey:

"La bibliothèque de Saint-Just: catalogue et essai d'interprétation critique", Annales historiques de la Révolution française, No. 379, Janvier-mars 2015, p. 203-222

Jean-Pierre Gross:

"Saint-Just en mission. La naissance d'un mythe", Annales historiques de la Révolution française, Année 1968, no. 191 p. 27-59

Marie-Christine Bacquès:

"Le double mythe de Saint-Just à travers ses mises en scène", Siècles, no. 23, 2006, p. 9-30

Marisa Linton:

"The man of virtue: the role of antiquity in the political trajectory of L. A. Saint-Just", French History, Volume 24, Issue 3, September 2010, p. 393–419

Misc

Saint-Just in Five Sentences - by sieclesetcieux

On Saint-Just's Personality: An Introduction - by sieclesetcieux

Pictures of Saint-Just's former school, with the original gate - by obscurehistoricalinterests

Saint-Just vs Desmoulins (the letter to d'Aubigny and other details) - by frevandrest

Saint-Just's sisters - by frevandrest

On Thérèse Gellé and Henriette Le Bas - by frevandrest

Saint-Just and Gellé being godparents - by frevandrest and robespapier

On Saint-Just "stealing" and running away to Paris and the correction house - by frevandrest and sieclesetcieux

How was/is Saint-Just pronounced - Additional commentary in French by Anne Quenneday

#saint-just #antoine saint just #saint just #to be updated #masterpost #refs #sources #frev sources #testimonials and commentaries

[sparklecarehospital]

💕 Sparklecare Update 💕

VOL 3: Pages 203-205  🌈 Click here to read!

✨ Support us on Patreon!  

✨ Updates Mondays & Thursdays

#sparklecare #comic #v3

[vertigoartgore]

2007's X-Men Vol.2 #203 cover by Humberto Ramos, Carlos Cuevas & Edgar Delgado.

#x men #marauders #mr sinister #mystique #scalphunter #lady deathstrike #harpoon #blockbuster #scrambler #arclight #prism #riptide #vertigo #road to messiah complex #destiny diaries #mike carey #humberto ramos #villains #big bad #x men legacy #marvel comics #2007 #nathaniel essex #bad guys #marvel #cool comic art #cover #art #endangered species #children of the atom

[thecrowperson]

Kaidou manga panels I like: (pt 360)

Preparation: feat. Saiki, Kuboyasu, Teruhashi, and Hairo

From: vol 19 ch 203

Part 2: feat. Yumehara, Toritsuka, and Nendou

From: vol 19 ch 204

#saiki k #tdlosk #shun kaidou #kaidou shun #kusuo saiki #saiki kusuo #aren kuboyasu #kuboyasu aren #kokomi teruhashi #teruhashi kokomi #kineshi hairo #hairo kineshi #chiyo yumehara #yumehara chiyo #reita toritsuka #toritsuka reita #riki nendou #nendou riki

[dailyanarchistposts]

Footnotes, 201 - 250

[201] W. Gramich, Verfassungs- und Verwaltungsgeschichte der Stadt Würzburg im 13. bis zum 15. Jahrhundert, Würzburg, 1882, p. 34.

[202] When a boat brought a cargo of coal to Würzburg, coal could only be sold in retail during the first eight days, each family being entitled to no more than fifty basketfuls. The remaining cargo could be sold wholesale, but the retailer was allowed to raise a zittlicher profit only, the unzittlicher, or dishonest profit, being strictly forbidden (Gramich, l.c.). Same in London (Liber albus, quoted by Ochenkowski, p. 161), and, in fact, everywhere.

[203] See Fagniez, Études sur l’industrie et la classe industrielle à Paris au XIIIme et XIVme siècle, Paris, 1877, pp. 155 seq. It hardly need be added that the tax on bread, and on beer as well, was settled after careful experiments as to the quantity of bread and beer which could be obtained from a given amount of corn. The Amiens archives contain the minutes of such experiences (A. de Calonne, l.c. pp. 77, 93). Also those of London (Ochenkowski, England’s wirthschaftliche Entwickelung, etc., Jena, 1879, p. 165).

[204] Ch. Gross, The Guild Merchant, Oxford, 1890, i. 135. His documents prove that this practice existed in Liverpool (ii. 148–150), Waterford in Ireland, Neath in Wales, and Linlithgow and Thurso in Scotland. Mr. Gross’s texts also show that the purchases were made for distribution, not only among the merchant burgesses, but “upon all citsains and commynalte” (p. 136, note), or, as the Thurso ordinance of the seventeenth century runs, to “make offer to the merchants, craftsmen, and inhabitants of the said burgh, that they may have their proportion of the same, according to their necessitys and ability.”

[205] The Early History of the Guild of Merchant Taylors, by Charles M. Clode, London, 1888, i. 361, appendix 10; also the following appendix which shows that the same purchases were made in 1546.

[206] Cibrario, Les conditions économiques de l’Italie au temps de Dante, Paris, 1865, p. 44.

[207] A. de Calonne, La vie municipale au XVme siècle dans le Nord de la France, Paris, 1880, pp. 12–16. In 1485 the city permitted the export to Antwerp of a certain quantity of corn, “the inhabitants of Antwerp being always ready to be agreeable to the merchants and burgesses of Amiens” (ibid., pp. 75–77 and texts).

[208] A. Babeau, La ville sous l’ancien régime, Paris, 1880.

[209] Ennen, Geschichte der Stadt Köln, i. 491, 492, also texts.

[210] The literature of the subject is immense; but there is no work yet which treats of the mediæval city as of a whole. For the French Communes, Augustin Thierry’s Lettres and Considérations sur l’histoire de France still remain classical, and Luchaire’s Communes françaises is an excellent addition on the same lines. For the cities of Italy, the great work of Sismondi (Histoire des républiques italiennes du moyen âge, Paris, 1826, 16 vols.), Leo and Botta’s History of Italy, Ferrari’s Révolutions d’Italie, and Hegel’s Geschichte der Städteverfassung in Italien, are the chief sources of general information. For Germany we have Maurer’s Städteverfassung, Barthold’s Geschichte der deutschen Städte, and, of recent works, Hegel’s Städte und Gilden der germanischen Völker (2 vols. Leipzig, 1891), and Dr. Otto Kallsen’s Die deutschen Städte im Mittelalter (2 vols. Halle, 1891), as also Janssen’s Geschichte des deutschen Volkes (5 vols. 1886), which, let us hope, will soon be translated into English (French translation in 1892). For Belgium, A. Wauters, Les Libertés communales (Bruxelles, 1869–78, 3 vols.). For Russia, Byelaeff’s, Kostomaroff’s and Sergievich’s works. And finally, for England, we posses one of the best works on cities of a wider region in Mrs. J.R. Green’s Town Life in the Fifteenth Century (2 vols. London, 1894). We have, moreover, a wealth of well-known local histories, and several excellent works of general or economical history which I have so often mentioned in this and the preceding chapter. The richness of literature consists, however, chiefly in separate, sometimes admirable, researches into the history of separate cities, especially Italian and German; the guilds; the land question; the economical principles of the time; the economical importance of guilds and crafts; the leagues between, cities (the Hansa); and communal art. An incredible wealth of information is contained in works of this second category, of which only some of the more important are named in these pages.

[211] Kulischer, in an excellent essay on primitive trade (Zeitschrift für Völkerpsychologie, Bd. x. 380), also points out that, according to Herodotus, the Argippaeans were considered inviolable, because the trade between the Scythians and the northern tribes took place on their territory. A fugitive was sacred on their territory, and they were often asked to act as arbiters for their neighbors. See Appendix XI.

[212] Some discussion has lately taken place upon the Weichbild and the Weichbild-law, which still remain obscure (see Zöpfl, Alterthümer des deutschen Reichs und Rechts, iii. 29; Kallsen, i. 316). The above explanation seems to be the more probable, but, of course, it must be tested by further research. It is also evident that, to use a Scotch expression, the “mercet cross” could be considered as an emblem of Church jurisdiction, but we find it both in bishop cities and in those in which the folkmote was sovereign.

[213] For all concerning the merchant guild see Mr. Gross’s exhaustive work, The Guild Merchant (Oxford, 1890, 2 vols.); also Mrs. Green’s remarks in Town Life in the Fifteenth Century, vol. ii. chaps. v. viii. x; and A. Doren’s review of the subject in Schmoller’s Forschungen, vol. xii. If the considerations indicated in the previous chapter (according to which trade was communal at its beginnings) prove to be correct, it will be permissible to suggest as a probable hypothesis that the guild merchant was a body entrusted with commerce in the interest of the whole city, and only gradually became a guild of merchants trading for themselves; while the merchant adventurers of this country, the Novgorod povolniki (free colonizers and merchants) and the mercati personati, would be those to whom it was left to open new markets and new branches of commerce for themselves. Altogether, it must be remarked that the origin of the medieval city can be ascribed to no separate agency. It was a result of many agencies in different degrees.

[214] Janssen’s Geschichte des deutschen Volkes, i. 315; Gramich’s Würzburg; and, in fact, any collection of ordinances.

[215] Falke, Geschichtliche Statistik, i. 373–393, and ii. 66; quoted in Janssen’s Geschichte, i. 339; J.D. Blavignac, in Comptes et dépenses de la construction du clocher de Saint-Nicolas à Friborg en Suisse, comes to a similar conclusion. For Amiens, De Calonne’s Vie Municipale, p. 99 and Appendix. For a thorough appreciation and graphical representation of the mediæval wages in England and their value in bread and meat, see G. Steffen’s excellent article and curves in The Nineteenth Century for 1891, and Studier öfver lönsystemets historia i England, Stockholm, 1895.

[216] To quote but one example out of many which may be found in Schönberg’s and Falke’s works, the sixteen shoemaker workers (Schusterknechte) of the town Xanten, on the Rhine, gave, for erecting a screen and an altar in the church, 75 guldens of subscriptions, and 12 guldens out of their box, which money was worth, according to the best valuations, ten times its present value.

[217] Quoted by Janssen, l.c. i. 343.

[218] The Economical Interpretation of History, London, 1891, p. 303.

[219] Janssen, l.c. See also Dr. Alwin Schultz, Deutsches Leben im XIV und XV Jahrhundert, grosse Ausgabe, Wien, 1892, pp. 67 seq. At Paris, the day of labor varied from seven to eight hours in the winter to fourteen hours in summer in certain trades, while in others it was from eight to nine hours in winter, to from ten to twelve in Summer. All work was stopped on Saturdays and on about twenty-five other days (jors de commun de vile foire) at four o’clock, while on Sundays and thirty other holidays there was no work at all. The general conclusion is, that the mediæval worker worked less hours, all taken, than the present-day worker (Dr. E. Martin Saint-Léon, Histoire des corporations, p. 121).

[220] W. Stieda, “Hansische Vereinbarungen über städtisches Gewerbe im XIV und XV Jahrhundert,” in Hansische Geschichtsblätter, Jahrgang 1886, p. 121. Schönberg’s Wirthschaftliche Bedeutung der Zünfte; also, partly, Roscher.

[221] See Toulmin Smith’s deeply-felt remarks about the royal spoliation of the guilds, in Miss Smith’s Introduction to English Guilds. In France the same royal spoliation and abolition of the guilds’ jurisdiction was begun from 1306, and the final blow was struck in 1382 (Fagniez, l.c. pp. 52–54).

[222] Adam Smith and his contemporaries knew well what they were condemning when they wrote against the State interference in trade and the trade monopolies of State creation. Unhappily, their followers, with their hopeless superficiality, flung mediæval guilds and State interference into the same sack, making no distinction between a Versailles edict and a guild ordinance. It hardly need be said that the economists who have seriously studied the subject, like Schönberg (the editor of the well-known course of Political Economy), never fell into such an error. But, till lately, diffuse discussions of the above type went on for economical “science.”

[223] In Florence the seven minor arts made their revolution in 1270–82, and its results are fully described by Perrens (Histoire de Florence, Paris, 1877, 3 vols.), and especially by Gino Capponi (Storia della repubblica di Firenze, 2da edizione, 1876, i. 58–80; translated into German). In Lyons, on the contrary, where the movement of the minor crafts took place in 1402, the latter were defeated and lost the right of themselves nominating their own judges. The two parties came apparently to a compromise. In Rostock the same movement took place in 1313; in Zürich in 1336; in Bern in 1363; in Braunschweig in 1374, and next year in Hamburg; in Lübeck in 1376–84; and so on. See Schmoller’s Strassburg zur Zeit der Zunftkämpfe and Strassburg’s Blüthe; Brentano’s Arbeitergilden der Gegenwart, 2 vols., Leipzig, 1871–72; Eb. Bain’s Merchant and Craft Guilds, Aberdeen, 1887, pp. 26–47, 75, etc. As to Mr. Gross’s opinion relative to the same struggles in England, see Mrs. Green’s remarks in her Town Life in the Fifteenth Century, ii. 190–217; also the chapter on the Labor Question, and, in fact, the whole of this extremely interesting volume. Brentano’s views on the crafts’ struggles, expressed especially in iii. and iv. of his essay “On the History and Development of Guilds,” in Toulmin Smith’s English Guilds remain classical for the subject, and may be said to have been again and again confirmed by subsequent research.

[224] To give but one example — Cambrai made its first revolution in 907, and, after three or four more revolts, it obtained its charter in 1076. This charter was repealed twice (1107 and 1138), and twice obtained again (in 1127 and 1180). Total, 223 years of struggles before conquering the right to independence. Lyons — from 1195 to 1320.

[225] See Tuetey, “Étude sur Le droit municipal... en Franche-Comté,” in Mémoires de la Société d’émulation de Montbéliard, 2e série, ii. 129 seq.

[226] This seems to have been often the case in Italy. In Switzerland, Bern bought even the towns of Thun and Burgdorf.

[227] Such was, at least, the case in the cities of Tuscany (Florence, Lucca, Sienna, Bologna, etc.), for which the relations between city and peasants are best known. (Luchitzkiy, “Slavery and Russian Slaves in Florence,” in Kieff University Izvestia for 1885, who has perused Rumohr’s Ursprung der Besitzlosigkeit der Colonien in Toscana, 1830.) The whole matter concerning the relations between the cities and the peasants requires much more study than has hitherto been done.

[228] Ferrari’s generalizations are often too theoretical to bealways correct; but his views upon the part played by the nobles in the city wars are based upon a wide range of authenticated facts.

[229] Only such cities as stubbornly kept to the cause of the barons, like Pisa or Verona, lost through the wars. For many towns which fought on the barons’ side, the defeat was also the beginning of liberation and progress.

[230] Ferrari, ii. 18, 104 seq.; Leo and Botta, i. 432.

[231] Joh. Falke, Die Hansa als Deutsche See- und Handelsmacht, Berlin, 1863, pp. 31, 55.

[232] For Aachen and Cologne we have direct testimony that the bishops of these two cities — one of them bought by the enemy opened to him the gates.

[233] See the facts, though not always the conclusions, of Nitzsch, iii. 133 seq.; also Kallsen, i. 458, etc.

[234] On the Commune of the Laonnais, which, until Melleville’s researches (Histoire de la Commune du Laonnais, Paris, 1853), was confounded with the Commune of Laon, see Luchaire, pp. 75 seq. For the early peasants’ guilds and subsequent unions see R. Wilman’s “Die ländlichen Schutzgilden Westphaliens,” in Zeitschrift für Kulturgeschichte, neue Folge, Bd. iii., quoted in Henne-am-Rhyn’s Kulturgeschichte, iii. 249.

[235] Luchaire, p. 149.

[236] Two important cities, like Mainz and Worms, would settle a political contest by means of arbitration. After a civil war broken out in Abbeville, Amiens would act, in 1231, as arbiter (Luchaire, 149); and so on.

[237] See, for instance, W. Stieda, Hansische Vereinbarungen, l.c., p.114.

[238] Cosmo Innes’s Early Scottish History and Scotland in Middle Ages, quoted by Rev. Denton, l.c., pp. 68, 69; Lamprecht’s Deutsches wirthschaftliche Leben im Mittelalter, review by Schmoller in his Jahrbuch, Bd. xii.; Sismondi’s Tableau de l’agriculture toscane, pp. 226 seq. The dominions of Florence could be recognized at a glance through their prosperity.

[239] Mr. John J. Ennett (Six Essays, London, 1891) has excellent pages on this aspect of mediæval architecture. Mr. Willis, in his appendix to Whewell’s History of Inductive Sciences (i. 261–262), has pointed out the beauty of the mechanical relations in mediæval buildings. “A new decorative construction was matured,” he writes, “not thwarting and controlling, but assisting and harmonizing with the mechanical construction. Every member, every molding, becomes a sustainer of weight; and by the multiplicity of props assisting each other, and the consequent subdivision of weight, the eye was satisfied of the stability of the structure, notwithstanding curiously slender aspects of the separate parts.” An art which sprang out of the social life of the city could not be better characterized.

[240] Dr. L. Ennen, Der Dom zu Köln, seine Construction und Anstaltung, Köln, 1871.

[241] The three statues are among the outer decorations of Nôtre Dame de Paris.

[242] Mediæval art, like Greek art, did not know those curiosity shops which we call a National Gallery or a Museum. A picture was painted, a statue was carved, a bronze decoration was cast to stand in its proper place in a monument of communal art. It lived there, it was part of a whole, and it contributed to give unity to the impression produced by the whole.

[243] Cf. J. T. Ennett’s “Second Essay,” p. 36.

[244] Sismondi, iv. 172; xvi. 356. The great canal, Naviglio Grande, which brings the water from the Tessino, was begun in 1179, i.e. after the conquest of independence, and it was ended in the thirteenth century. On the subsequent decay, see xvi. 355.

[245] In 1336 it had 8,000 to 10,000 boys and girls in its primary schools, 1,000 to 1,200 boys in its seven middle schools, and from 550 to 600 students in its four universities. The thirty communal hospitals contained over 1,000 beds for a population of 90,000 inhabitants (Capponi, ii. 249 seq.). It has more than once been suggested by authoritative writers that education stood, as a rule, at a much higher level than is generally supposed. Certainly so in democratic Nuremberg.

[246] Cf. L. Ranke’s excellent considerations upon the essence of Roman Law in his Weltgeschichte, Bd. iv. Abth. 2, pp. 20–31. Also Sismondi’s remarks upon the part played by the légistes in the constitution of royal authority, Histoire des Français, Paris, 1826, viii. 85–99. The popular hatred against these “weize Doktoren und Beutelschneider des Volks” broke out with full force in the first years of the sixteenth century in the sermons of the early Reform movement.

[247] Brentano fully understood the fatal effects of the struggle between the “old burghers” and the new-comers. Miaskowski, in his work on the village communities of Switzerland, has indicated the same for village communities.

[248] The trade in slaves kidnapped in the East was never discontinued in the Italian republics till the fifteenth century. Feeble traces of it are found also in Germany and elsewhere. See Cibrario. Della schiavitù e del servaggio, 2 vols. Milan, 1868; Professor Luchitzkiy, “Slavery and Russian Slaves in Florence in the Fourteenth and Fifteenth Centuries,” in Izvestia of the Kieff University, 1885.

[249] J.R. Green’s History of the English People, London, 1878, i. 455.

[250] See the theories expressed by the Bologna lawyers, already at the Congress of Roncaglia in 1158.

#organization #revolution #mutual aid #anarchism #daily posts #communism #anti capitalist #anti capitalism #late stage capitalism #anarchy #anarchists #libraries #leftism #social issues #economy #economics #climate change #anarchy works #environmentalism #environment #solarpunk #anti colonialism #a factor of evolution #petr kropotkin

[chic-a-gigot]

Le Petit écho de la mode, no. 9, vol. 20, 27 février 1898, Paris. 1. Toque de tulle et toque de fleurs. Modèles de Mme Marchand, 96, avenue Victor-Hugo. Ville de Paris / Bibliothèque Forney

1. Toque drapée en tulle illusion, draperie et coques en velours, boucle en strass posée sur le côté, sous un chou.

2. Toque en fleurs et feuillage. Col en mousseline de soie blanche avec pans devant. (Modèle de la Maison Jeanne d’Arc, 203, rue Saint-Honoré.)

—

1. Toque draped in illusion tulle, velvet drapery and shells, rhinestone buckle placed on the side, under a cabbage.

2. Toque in flowers and foliage. White silk chiffon collar with panels in front.

#Le Petit écho de la mode #19th century #1890s #1898 #periodical #fashion #fashion plate #cover #color #description #Forney #dress #hat #toque #collar #flowers #Modèles de chez #Madame Marchand

[completeoveranalysis]

[5]

Caught up in the moment I forgot to comment on Fai’s open affection in holding Lava Lamp’s face before, so here it is again. HEALING. 

I'm obsessed actually that the response from both of them was PHYSICAL. Lava Lamp expected them to physically attack him, and he would have accepted that, and they DO respond physically but turn it around into an affectionate gesture instead.

Something about the fact that Lava Lamp, with his guilt and self blame, opens himself up to destruction, but Fai and Kurogane (the people he thinks deserves to kill him the most) use the language he's expecting to show him the opposite of his expectations. They don't hate him, they love him. They don't blame him, they're on his side.

Obsessed with this inversion.

Meanwhile Fai manages to reassure Lava Lamp, tease Kurogane, AND explain their thought processes all at once. 

Because ONE of them needs to be able to communicate clearly with words, and it's certainly not the other two!

OOH YES HERE WE GO. 

Fai summarised it much faster than I could ever.

Please add me to the list of people that Fai needs to save through his short and clear explanations.

Fai includes Lava Lamp’s guilt as something too much for him to be fairly assigning to himself. To assume that HE ALONE is responsible for every single bad thing that has ever happened IS far beyond the limits of logic, and to let yourself feel guilty for Everything Ever is an unfair price to put on himself as well. Fai’s kind smile goes miles towards showing that they personally know all the tragedy that has happened since the events Lava Lamp began, but if THEY don’t blame Lava Lamp, then he shouldn’t either.

AND THEN WE GET TO KUROGANE EVERYONE SIT DOWN

Kurogane admits that he would probably make the same choice. 

BECAUSE HE DID. 

Or at least he did a very nice parallel to it, if not quite on the same scale. 

In Acid Tokyo, Kurogane was faced with the choice of following Fai’s wishes and letting him die or breaking the rules to save his life. I'm not sure if this is officially labelled a taboo by the text, but removing someone's say in the matter and turning them into a vampire against their will certainly feels like a taboo at the very least.

Either way, Kurogane chose to break the rules to save Fai. (And his wording here specifies that he had already decided to "protect" Fai BEFORE that moment as well, which I love endlessly yes please. Even before the Acid Tokyo climax Kurogane had already included Fai in the circle of people he loves)

Kurogane paid the negative consequences of his actions too. But he still did it, doesn’t regret it, and would do it again. So his choices are analogous to Lava Lamp’s. 

Fai is the same. When Evil Wolverine offered him a deal that went against the laws of the universe (bringing someone back to life is certainly a taboo), Fai took the deal. He went along with Evil Wolverine’s evil plan in order to save his loved one - it just didn’t pan out all the way. 

So, all three of these characters WOULD and HAVE made the same call on this exact topic. Break a taboo, save your loved one. 

So if ANYONE was going to relate to Lava Lamp, it’s these two. 

And it helps that they also love him. 

#How interesting that they all have such similar choices #And all face such suffering as a result #And yet it ALL stemmed from One Stupid Man #Who did this all TO them #But without that they never would have found each other either #Liveblogging the reservoir chronicle #Tsubasa #Vol 203 #Kurogane #Fai #Lava Lamp Guy

[chernobog13]

A look at Mike Grell's first work on the Legion of Super-Heroes (and at DC) from Superboy (vol. 1) #202. Here he's inking a short story with Colossal Boy and Shrinking Violet. pencilled by Dave Cockrum. Ironically, this was Cockrum's last Legion story (and work at DC) before going over to Marvel to help create the new X-Men team.

And this is the first page of Grell's first issue as full artist of the Legion feature, Superboy (vol 1) #203. Editor Murray Boltinoff really threw Grell to the wolves: not only was Grell replacing Cockrum, who was beloved by the fans and responsible for the Legion's resurgent popularity, but he also had to depict the death of a fan-favorite Legionnaire in his first issue.

Of the two artists, Cockrum was my favorite. Not to say Grell wasn't good, but he tended to have a lot of bare or blank backgrounds, whereas Cockrum used to fill his panels with all sorts of neat stuff (and more than a few Easter Eggs). Also, Grell's anatomy was wonky at times. Just take a look at poor Mon-El above: his head's too small for his body.

#Legion of Super-Heroes #Colossal Boy #Shrinking Violet #Mon-El #Superboy #Phantom Girl #Invisible Kid #Validus #DC Comics #Dave Cockrum #Mike Grell

[trigun-manga-overhaul]

hi, i've been reading trimax and i'd like to ask you two little questions if that's okay!

1. in vol 13, chapter 8, knives says to legato "you're annoying me, you maggot". in the dark horse translation this line is translated as "would you please stop your bawling". these two sound very different, so i was just wondering what the original japanese line sounds like?

2. similarly, this one's in vol 11, chapter 3! in your translation vash says "don't just tell me something like this now!", and dark horse translated it as "please just let me be!" once again, the mood feels completely different, so i'm once again wondering what the original's like!

also, i just wanna thank you for all the hard work put into this project, as a new fan it's incredible to have a translation available that i feel like i can completely trust! my thanks and huge appreciation to every member of your team ❤️

Hey there and thank you for the questions!

Starting with Vol 11, chapter 3, page 88:

The original Japanese text is:

"そんな事... 今ツ いわないでくれよ...っ!!"

Roughly translated that can be:

"Bring that up Don't Don't do that now!"

It is clear from the Japanese text that it's about bringing something, or this thing, up and the timing of it. "今, ima" specifically specifies the "now."

Then with Vol 13, chapter 8, page 203:

The original Japanese text is:

"煩いぞ 貴様"

Which roughly translated is:

"You're annoying me. You!"

The first part is pretty cut and dry, "煩" indicating something to be bothersome or annoying.

The thing worth really pointing out is that second "You". Japanese has pronouns that are controlling both ranks between two characters, but also emotion. "貴様, Kisama" is a very negative "You", and to convey this in English you can use various name calling, like "son of a bitch", etc.

In this case we decided to use a derogatory term, "maggot", because Knives has a repeated pattern of calling humans for all forms of insects, so we believed it was appropriate.

We believe that Dark Horse brought "bawling" into that line because they confused it with the text that comes below, which does indeed include a negative line about crying for him. This is something we do see a lot in Dark Horse's translation, that they start mixing lines together from the same page, even two pages right beside each other. This is a result of having no context in form of pages and panels and just seeing the text in a document, where you don't know exactly when a line ends.

#answers

[toransuretaa]

Toransuretaa’s Translation Master List

Drama CD’s

203 Gou No Rinjin Ha Kagitaba Hitotsu Nokoshi Te Kie Ta /  203号の隣人は鍵束一つ残して消えた / The Neighbour in Room 203 Disappeared Leaving a Key Behind (r18): - Track 1: Mr. Kurama and I  - Track 2: Stalker - Track 3: No Help Will Come - Track 4: A Cruel Deed - Track 5: Gone Missing - Bonus Track 1: A Bathing Situation - Bonus Track 2: Not a Merchandise

Dekiai Kankin /  溺愛監禁 / Imprisoned by Infatuation (r18): - Track 1: Welcome Home - Track 2: The First Time Brushing Your Teeth - Track 3: Officially Lovers - Track 4: Let’s Go Home - Track 5: I’m Home - Track 6: Together Forever

Diabolik Lovers Zero Floor Vol. 1 (Sakamaki Ayato):

- Track 1 & 2: Chase Away by a Thunder Storm & Aggresive Fangs Pierce

Nemuri hime no yūutsu to katsute kodomodatta mamori-jin-tachi ~ majutsushinotō to yume no mahō ~ / 眠り姫の憂鬱とかつて子供だった護り人たち～魔術師の塔と夢の魔法～ / The Melancholy of Sleeping Beauty and Her Protectors ~Dream Magic and the Magician’s Tower~ (r18) - Track 1: A Small Magician - Track 2: A Certain Record - Track 3: A Strict Guy - Track 4: A Full Course of Confectionary - Track 5: The Desired Relationship - Track 6: A Fragment of the Truth - Track 7: Awakening of the Dream Magic - Track 8: New Magic - Track 9: A Happy Ending

Novels

Watashi wo Koroshita Wanko-kei Kishi-sama ga, Yandere ni Job Change shite Kyou mo Inochi wo Neratte Kuru /  私を殺したワンコ系騎士様が、ヤンデレにジョブチェンジして今日も命を狙ってくる /  The Loyal Knight Killed Me. After Changing to a Yandere, He Is Still Fixated On Me (r18?) - Chapter 1: Why is This Happening to Me? - Chapter 2: I Couldn’t Simply Refuse - Chapter 3: I Thought It Was a Dream-Like Moment (Part 1, Part 2)

Songs

Gurenge by LiSa (Kimetsu no Yaiba Opening Full)

#japanese #english #translation #english translation #drama cds #male yandere #songs

[dinololita]

#lolita fashion #egl community #egl fashion #classic lolita #innocent world #sweet lolita #kera #kera magazine