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truth-would · 1 hour
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college-parent-must · 23 hours
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writingwithcolor · 5 months
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A Careful Balance: Portraying a Black Character's Relationship with their Hair
@writingraccoon said:
My character is black in a dungeons and dragons-like fantasy world. His name is Kazuki Haile (pronounced hay-lee), and his mother is this world's equivalent of Japanese, which is where his first name is from, while his father is this world's equivalent of Ethiopian, which is where his last name is from. He looks much more like his father, and has hair type 4a. I plan to make his character very finnicky about his hair, both enjoying styling it, but also often being unsure how to style it (not in that he doesn't know how to, but has so many options for how to style it, he has trouble choosing). However, I know that there are some very harmful ways to write black hair, especially in regards to how the black character themselves feels about it. Kazuki does not hate his hair, in fact he takes joy in it, and I'm researching black hair and hair styles to be as accurate as possible. But I'm unsure if portraying a black character as occasionally overwhelmed by or vain about his hair is negative. How would you suggest either changing this or making it work? Does it need to be changed in the first place?
Black Character Overwhelmed by Curly Afro Hair
Your Black character wanting his hair to look its best and at times feeling overwhelmed seems reasonable and natural to me. It appears their challenge comes with how to style it. Not so much with struggling how it looks or how hard it is to manage. That is good, as this further helps avoid placing a strong negative focus on Black hair. 
Him caring a lot about how it is style should not be deemed vain or frivolous, either. In any case, hair care is self care. There’s nothing wrong with having pride with your hair, especially hair that mainstream society, historically and present, might say is not beautiful. This still matters, even in a fantasy world, since your readers still exist in this reality. It’s empowering and a welcome change to see someone who loves their afro hair, actually.
There are unique factors someone with coily afro hair would experience vs. straight, wavy, or looser curls, but people struggling with their hair (too frizzy, too flat, too limp, too thin, too thick!) is universal. 
There is a delicate balance to achieve.
Avoid Writing a Black Hair Journey Experience 
An overall negative Afro hair journey might be the reality for many, especially when society deems Afro hair as unacceptable and slaps so many uninvited opinions, laws and policies over its existence and on certain styles (again, historically and very much at present), but that’s the kind of story that is best handled by someone with the background. Someone willing to commit to the research might also be able to pull it off, although it’s truly not the kind of thing an escapism novel needs in my opinion. If the story is not meant to delve into “A Black /Black Hair Experience” then I'd avoid going that route. That is moving a bit towards a struggle narrative, depending on how much it defines your character’s story.
Add positive and neutral hair language and interactions
For your writing, I’d avoid using unchallenged negative language about his hair. Being overwhelmed at times and frustrated is one thing and expected. If his hair is constantly brought up, and is associated with uncontrollable, ugly, or too [insert struggle here], then rethink the direction you’re going. 
Add some positive or neutral terms, reactions, and interactions in the narrative towards afro hair, such as describing color and texture.
“His fine coils bounced in the wind.” 
“Hair black and shiny” 
“She wore her hair in two large, fluffy buns.”
“He admired his fresh, neat braids in the mirror, smiling at his reflection, before turning to leave.”
Another tip: It may have been for research purposes, but leave out any hair number categorizing in the story and rely on description. I’d say this goes for any story, as reading the number would feel off. 
“He had coily 4a hair.” Nahh! :P 
Also, I would suggest sending all passages that focus on his hair to a Black sensitivity reader for review.
More reading:
~Mod Colette
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writers-potion · 1 month
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Describing Food in Writing
I love food. And drinks.
When I think of the HP series, I recall the feasts. Treacle tarts and puddings. Butterbeer. Food trolley on the train and chocolate frogs in the Gryffindor common room.
Foods helps readers engage with the story, so it's good to know how to describe them.
Just one Adjective
There's really no need to go overboard with how a particular food tastes. If it's something that your readers are already familiar with, just add in a small detail.
Are the breakfast eggs yellow or white, clumpy or fluffy? Salty or bland? Grainy or silky?
Just one adjective/detail is enough.
Think of the Character
Take note of each character's palate while you describe. Especially if you're writing in 1st person POV.
Someone in your cast may be a culinary artist and another content with spray cheese.
Food descriptions can reveal a lot about character's personality and lifestyle.
Watch Food Shows
Master Chef. The Great British Baking Show. Aesthetic character baking channel on YouTube.
Food shows usually have a section where they assess/review the food made, which might be helpful.
Recently, I've noticed that 1-minute food reviewers on YT Shorts are pretty good at graphic yet succinct taste descriptions!
Ratatouille
I'm not kidding!
If you ever want to get into the mind of someone who is passionate about food, or need inspiration yourself - check this movie out.
Just watching Remy's passion and the magic of the culinary arts will boost your writer soul with inspiration (or something like it, anyway).
Experience Restaurants
The best research of all is probably experience, so the next time you eat a meal, challenge your palate.
Think about how it looks, tastes, and feels in you mouth.
If possible, try dishes your characters would eat and discern what they would detect. What elements of the disk would your character like?
Some Food Adjectives
Tangy Creamy Crispy Tender Juicy Exquisite Luscious Gourmet Wholesome Delectable Risk Zesty Succulent
Crunchy Greasy Gooey Tart Smoky Savory Marinated Meaty Moist Battered Dainty Homestyle Fudgy
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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catfindr · 2 months
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ID: a petfinder listing for a black and white cat named Aro. He is from Springfield, Missouri and is listed as a young, medium-sized domestic short hair mix. The picture of him is taken from above, and he is looking up at the camera. He is mostly black with a white chest and white paws. /end ID
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chic-a-gigot · 1 month
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Les Modes : revue mensuelle illustrée des arts décoratifs appliqués à la femme, no. 3, vol. 1, 1 mars 1901, Paris. Robe de dîner (Modèle Rouff). Cliché Reutlinger. Bibliothèque nationale de France
ROBE DE DINER (Modèle Rouff). — Robe de dîner en armure étincelle rose très pâle. Le corsage à pointe Louis XV, agrémenté de nœuds diamantés se fondant dans le fouillis des paniers de mousseline de soie. Le devant et le bas de la jupe incrustés de point d’Argentan.
DINNER DRESS (Rouff). — Very pale pink sparkle weave dinner dress. The Louis The front and bottom of the skirt inlaid with Argentan stitch.
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fiction-quotes · 1 year
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The wind howled. Lightning stabbed at the earth erratically, like an inefficient assassin. Thunder rolled back and forth across the dark, rain-lashed hills.
The night was as black as the inside of a cat. It was the kind of night, you could believe, on which gods moved men as though they were pawns on the chessboard of fate. In the middle of this elemental storm a fire gleamed among the dripping furze bushes like the madness in a weasel's eye. It illuminated three hunched figures. As the cauldron bubbled an eldritch voice shrieked: “When shall we three meet again?”
There was a pause.
Finally another voice said, in far more ordinary tones: “Well, I can do next Tuesday.”
  —  Wyrd Sisters (Terry Pratchett)
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james-kojirou · 9 months
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James from Team Rocket is a truly complex character and very difficult to understand. At first glance, he appears confident and arrogant, but that's a role he plays as the "Team Rocket villain" and on stage, as explained in episodes DP 139: "A Faux Oak Finish" and DP 146: "Dressed for Jess Success!"
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In private, outside his Team Rocket role, he is calm, rather shy, he is very anxious and follows his teammates' ideas even when he doesn't fully agree with their plans.
In the episode "A Hole Lotta Trouble," Brock and Ash tell James that he must learn to assert himself without his teammates.
James had a childhood in the high aristocracy, where he could have anything material he wanted, but his parents gave him no affection, demeaned him, and forced him to follow strict and severe discipline like in the Victorian era. They also forced him into an arranged engagement with Jessiebelle, allowing her to train him with whips. He kept a deep trauma from this period of his life.
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He joined Team Rocket to rebel against the rules and proper conduct imposed on him in his childhood.
In an interview, the Japanese voice actors of Team Rocket: Megumi Hayashibara, Inuko Inuyama, and Miki Shinichiro, revealed that Jessie's goal in Team Rocket is to become rich or an important woman (which is why she dislikes Matori), Meowth also wishes to be important by taking the place of the boss's favorite Pokémon, replacing Persian. However, James's objective is solely to support and help his two friends achieve their goals and dreams, making them happy.
When James gains a little confidence in himself or engages in an activity he's passionate about and sure he can succeed, he becomes overly enthusiastic. However, he quickly falls into depression if he fails. An episode that shows this aspect of his personality is 'The Fortune Hunters' when James imagines himself as a powerful Moltres due to the description in a Pokemon horoscope book, which turns out to be false.
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He is also willing to wholeheartedly encourage people he admires, like Jessie during her Kalos contests or 'The Royal Mask' (under the pseudonym Fire-Kojiro, reminiscent of when he felt strong and proud like a Moltres).
Yet, when he has to put himself in the spotlight outside of Team Rocket missions, he feels terribly uncomfortable and automatically convinces himself that he will lose or isn't capable (The Battlefield of Truth and Love!, Dressed for Jess Success, Party Dancecapades)."
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Unlike Jessie, who thinks she's the best at everything, James has very low self-esteem and undervalues himself: believing for example others can take better care of his own Pokemon like Gardenia with Cacnea or Mareanie with her ex-boyfriend. He also thinks Jessie will be happier with Dr. White than with him in Team Rocket.
As demonstrated in episode 19 of "Pokémon Journeys" - A Talent for Imitation! Jessie is an excellent self-confidence coach, pushing her teammates and Pokémon to go beyond their limits and overcome their fears and apprehensions.
Jessie and Meowth are both invaluable support for James. Through their friendship and the trust they give him, he finally feels loved and respected for who he truly is. They are more than just friends; they are his family!
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James may appear naive and childish, often being very emotional and crybaby. Despite this, he excels in a lot of various fields, such as being an excellent technician, a talented actor, a poet, and well-informed about Pokemon… He's also skilled in computer science and hacking. On rare occasions when he's involved in a Pokemon battle or contest, he performs remarkably well.
When he forgot his fear under the effect of adrenaline to protect his Mareanie, he even demonstrated incredible strength!
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Even though he is part of Team Rocket, James doesn't have a truly evil nature. In reality, he is a compassionate Pokemon trainer, loving his Pokemon so much that their affection hurts him physically, yet he always lets them show their love to him in this way. 💖
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writingwithcolor · 3 months
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Black woman’s skin turns blue from powers; is this whitewashing/erasure?
Anonymous asked:
I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?
Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).
This is more of an issue when: 
There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.
The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.
The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.
Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.
I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?
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People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.
More ideas that keep her skin brown
Hair
Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).
Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.
Eyes
Her eyes glowing brighter or colorfully during power-use.
Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.
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Storm by Marvel Entertainment//20th Century Studios.
Skin and body
Blue patterns appear on her skin.
Blue glow or sheen to her skin without fully changing the color.
Her skin projects color and light.
New growths or changes to body, such as ear shape, wings, etc.
No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!
More reading:
How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters
~Colette
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catfindr · 2 months
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ID: a petfinder listing for a wide-eyed young black cat named Baby Bear. He is a medium-sized domestic short hair mix from Bolivar, Missouri. His yellow eyes are wide and perfectly circular, making him look surprised as he turns to face the camera. /end ID
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chic-a-gigot · 12 days
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Le Petit écho de la mode, vol. 17, no. 14, 7 avril 1895, Paris. 11. Costume de bicycliste en velours côtelé gris cendre. Ville de Paris / Bibliothèque Forney
(11.) Costume de bicycliste en velours côtelé gris cendre. — Pantalon bouffant, jupe toute plissée, boutonnée au milieu. Blouse sans manche en flanelle blanche, rentrée dans la jupe sous une ceinture de cuir ou d’étoffe et surmontée d’un col droit. Petit figaro très court derrière, formant la pointe devant et garni de boutons, col revers doublés de flanelle blanche et orné de piqûres. Manche ample du haut, chapeau mou en feutre gris cendre orné ruban.
(11.) Ash gray corduroy bicyclist costume. — Baggy pants, fully pleated skirt, buttoned in the middle. Sleeveless white flannel blouse, tucked into the skirt under a leather or fabric belt and topped with a straight collar. Small figaro very short at the back, forming the point in front and garnished with buttons, lapel collar lined with white flannel and decorated with stitching. Loose top sleeve, soft ash gray felt hat decorated with ribbon.
Matériaux: 6m,50 velours en lainage, 1m,50 flanelle blanche.
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linestorm · 15 days
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