So a bit of symbolism I have never seen anyone comment on is what fingers each of the 5 Godhand of Berserk represents.
From left to right, we first have Conrad.
Starting with the Pinky, there is Conrad. The littlefinger unlike the rest has little symbolism behind it.
He is the forgotten member, the one with a very mundane name, who never really does anything to stand out, and who's demonic form is that of a giant bedbug.
Next, the Ring Finger is Ubik.
The ring finger is the mystical finger, the one given higher signifigance than the rest of a mytholical scale, and fittingly, he is the most blantly open and frequent about making use of his magical powers to compensate for his less than impressive body.
The middle finger is Slan, the one who is the embodiment of everything evil and disguisting about sex in all it's forms.
The middle finger is, fittingly enough, the finger of vulgarity, with the raised finger along with a fist used, having become a go to insult due to it's visual similaity to an erect human dick.
The index finger is represented by Femto, the evil messiah of an artifical, false god.
As the index finger he points the way, showing the path for those around him to follow, wheter if be conquest, or helping him destroy his former, closest friends in the worst manner possible.
But despite appearances, he is not in charge.
Symbolizing the thumb, is Void, the real leader behind the Godhand, the leader who the rest intentionally or othervise follows.
They are all under his thumb so to speak.
He is also the most vocal about the groups misson to enforce the "Flow of casuality", or in other words, putting his thumb of the scales of destiny.
"Truth is as terrible as death but harder to find."
Philip Kindred Dick, often referred to by his initials PKD, was an American science fiction writer. He wrote 44 novels and about 121 short stories, most of which appeared in science fiction magazines during his lifetime.
Born: 16 December 1928, Chicago, Illinois, United States
Died: 2 March 1982, Santa Ana, California, United States
Influential Works: Philip K. Dick's impact on science fiction is profound, with several of his works adapted into popular films. "Do Androids Dream of Electric Sheep?" served as the basis for the iconic film "Blade Runner," directed by Ridley Scott. The movie's success helped cement Dick's reputation in mainstream culture.
Personal Struggles: Dick faced numerous personal challenges throughout his life, including financial difficulties and mental health issues. His struggles with mental health and experiences with hallucinations and visions heavily influenced his writing, contributing to the surreal and introspective nature of many of his works.
Prolific Output: Despite his personal challenges, Dick maintained a remarkably prolific writing career. He wrote 44 novels and over 100 short stories during his lifetime. His ability to produce imaginative and thought-provoking content at such a high volume is a testament to his dedication to the craft of writing.
Philosophical Themes: Dick's works often explore philosophical and metaphysical themes, challenging the boundaries of reality and identity. Questions about what is real, the nature of consciousness, and the impact of technology on humanity are recurring motifs in his stories, reflecting his deep interest in these subjects.
Posthumous Recognition: While he faced financial struggles during his lifetime, Philip K. Dick gained increased recognition after his death. His influence on science fiction literature and the exploration of complex philosophical ideas have earned him a lasting legacy. The Philip K. Dick Award, established in 1982, is given annually to outstanding science fiction works in paperback original format, honoring his contributions to the genre.
Even his chin failed to harmonize with the balance of his face; it had a deep chisel mark in it, a cleft obviously penetrating far up into the bone, Joe thought, as if at that point the manufacturer of this creature struck it a blow aimed at obliterating it. But the physical material, the base substance, had been too dense; the boy had not fractured and split apart. He existed in defiance of even the force that had constructed him; he jeered at everything else and it, too.