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#Their differences yet so many similarities
girlgenius1111 · 2 days
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hallmarks of sisterhood
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putellas!reader. r mediates a fight between her sisters. they don't realize they're tearing her apart in the process. at least, not until they ruin an important night for her. can they make it up to her? fluff & angst.
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Being significantly younger than your sisters, you were the true baby of the family, and were treated as such. You were already a pretty sensitive person, and the overprotective tendencies of the entire family only increased this. You were quite different from both your sisters. Alba was an extrovert, always talking, always laughing, never thinking too hard about anything. Alexia was quieter in public, but always loud at home in an attempt to match Alba’s energy. The competitive gene only seemed to skip you, and you hated conflict. Any type of it. You didn’t like yelling, you didn’t like arguments, and you couldn’t stand when people were mad at you. 
It made sense then, that you’d always been the mitigator between your sisters. They were always fighting growing up, and it took a very small you to break up the fights that the teenage versions of them would get into, often shoving your small body in between theirs and singing a song so loudly they had no choice but to stop arguing. If the singing didn’t work, then you’d cry, and that always worked. 
As you got older, your role changed slightly. You were still the mitigator, but more because you were logical and smart and both of them could normally trust you to be objective. You didn’t really enjoy it, but you hated it more when they weren’t speaking to each other, so you did what you could to resolve their fights easily. 
All of this considered, you were not surprised to catch yourself in an argument between them yet again. This one wasn’t super similar to the others, though, in that it was much more emotionally charged. Both Alexia and Alba seemed angrier at each other than normal, and you didn’t know why. Still, you tried to fix it, as best you could. 
-------
“I cannot believe you, Alba.” Alexia sighed, shaking her head at her other sister. 
“Don’t try to guilt trip me, Ale, this isn’t my fault. I told you before there was a chance I’d have to go to this conference.” Alba shot back.
“You don’t have to go, you are choosing to go. So you can hook up with that coworker you're seeing.” 
Alba flushed red with anger. 
“Let’s calm down, guys,” you began, shifting uncomfortably in your seat in the corner of the sectional. Neither girl paid you any mind. 
“I am going for work, Alexia, I wouldn’t sleep with anyone at a work conference.”
“Oh, yes of course, you’re so above that. You are notorious for not hooking up with people in inappropriate situations Alba, how could I forget. It was only 4 of my teammates you slept with? And how many of my other friends?” 
“You are such a-”
“Stop.” You cut in. “Alexia, that was mean. Alba, she’s just disappointed because she was looking forward to spending time with everyone.” You cut in, trying to cool the rising temperature of the room. 
“No, I am disappointed because we made a commitment to do this for Mami and now she’s backing out. Like always.”
“What is that supposed to mean?” Alba scoffed. 
“The last trip to Ibiza. Mother’s day last year. My 25th birthday,” Alexia began to list, counting the events off on her fingers rather condescending. 
“Guys, please calm down.” You attempted. 
“Will you ever get over me missing your 25th birthday? Or are you going to have it engraved on your tombstone? ‘My sister missed my birthday once and I never shut up about it.’” Alba yelled, getting to her feet and walking closer to where Alexia was sitting at the kitchen counter. 
When Alexia rose to meet her, you stood nervously, too, moving a bit closer. “Why don’t we all stay seated?” You tried. 
Both of them continued to ignore you, as if you weren’t even there. “That is not the point, Alba.” 
“No, Ale, the point is that only your career is important. Everyone has to drop everything for football, but what I do doesn’t matter, and I have to bend over backwards to make things work with your insane schedule. The world doesn’t revolve around you, Alexia.”
“Oh my god, Alba. You are such a bitch.” Alexia sighed, rolling her eyes in a way she knew would make the younger girl furious.  
“You are the bitch, Alexia. A selfish, bossy, mean bitch,” Alba yelled, crossing her arms and taking a step closer to the older girl. 
“Alba, I swear to god,” Alexia threw back, the volume of her voice making you flinch. You stepped in between them, forcing them to both back up a bit. 
“Please stop shouting.” You pleaded, looking between them. Both of them turned to you, annoyed.
“Go somewhere else if it’s bothering you, pequeña! Adults argue. Grow up.” Alexia yelled, sending a glare your way. You stopped back, blinking away tears, looking incredibly hurt. Alexia sighed. “Sorry, nena, I didn’t mean-” 
It was too late, though, you were pushing past her towards the door of her house. “No, whatever. I’ll go. Solve your argument by yourselves for once.” You snapped. 
“Nice job, Ale, you made the el bebe cry.” Alba said mockingly. 
“Shut your mouth, Alba. Pequeña, come back,” Alexia called, but the door was already slamming shut behind you. 
You wiped at your eyes furiously, getting into your car. You’d always hated how sensitive you were, how anyone raising their voice at you made you cry. You couldn’t argue, couldn’t disagree without dissolving into tears. Normally, angry tears. You’d always been like this, and your sisters often made fun of it, but were aware of the fact that you hated yelling, and tried to avoid doing so. Even when they were fighting with each other. Today got too out of control, though, both of them taking this specific issue very seriously. 
They’d have to figure it out themselves, this time. You were done with this. They knew how you felt about conflict, and yet they always put you in the middle. It was exhausting and hurtful being caught in between them. They were adults, they could solve this argument. 
You and Eli didn’t live far from Alexia, and you reached home before you were really ready to. You needed to erase all evidence of your tears from your face before heading inside, because Eli could not know about this. You and your sisters did not tell on each other, for one thing. For another, there was a possibility the trip in question could be rescheduled and you didn’t want to ruin the surprise. 
You checked your face in the mirror, took a deep breath, denied Alexia’s phone call, and headed inside, prepared to pretend that nothing was wrong. 
------
You got past your mother with very few questions asked, as she was distracted reading over Alexia’s new Nike contracts. Your sister still had Eli read all her contracts, a habit you and Alba teased her about often. 
Eli did come knocking, though, only a few hours later, while you were in your room getting some homework done. “Nena?” She called from the hallway, not hearing a response to her knock. 
Still, you didn’t say anything, so she pushed the door open, only to find you asleep at your desk, your head resting on a pile of photographs, your computer opened up to photoshop. A black and white photo of your sister at training was pulled up, and Eli quickly averted her eyes, knowing very well she wasn’t supposed to see this particular assignment until you were done.
“Mija,” Eli said, covering her eyes as she heard you stir. “Go to bed, it’s late, and you are exhausted.” 
“Do not look, Mami!” You cried, sitting up completely and quickly flipping everything over and shutting your computer. 
“I’m not!” Eli replied, laughing at how secretive you were about these photos. 
“Okay, everything is away.” You said, standing to give your mother a hug before getting into bed. She squeezed you tight, as she always did, kissing your cheek before letting go. 
“Goodnight,” she said, giving you a kind smile. 
“Goodnight mami,” you replied, knowing she was smiling because she knew you were about to get back on your computer as soon as she left the room. 
“Oh, do you know why your sister’s are fighting? I texted the groupchat with them, and they both replied to me separately.” Eli asked with an eye roll, quite used to your sisters’ antics. 
“Something dumb, probably.” You said with an unconvincing laugh. Your mother gave you a weird look, like she didn't believe you, but didn’t push it. 
As soon as she was out of the room, you were, in fact, back on your computer, finishing up the final touches on a photo of Alexia. You were really too excited to be preoccupied with your sisters at the moment. You were in school studying photography, and after a recent exhibition at your school, a gallery in Barcelona had reached out and asked you to shoot a series for them to display. They’d given you full creative control, which was an insane amount of trust to put into a 20 year old, and you were determined not to mess it up. 
If that meant staying up late making sure every photo was perfect in the next couple days, so be it. You were proud of this work, and that wasn’t really a common feeling for you. You’d grown up in the shadow of your two sisters. Alexia was the best female footballer in the world, and Alba was… Alba. Everyone loved her. Nothing you ever did seemed to really make anyone pay attention, except for your Mami. Eli had always been careful to celebrate your and Alba’s accomplishments, like she celebrated Alexia’s, even if they weren’t of the same magnitude. Your sisters were a bit better than the rest of your family and friends, paying attention to what you did, but it always felt a bit like your mother was making them do so. 
This was your chance to do something impressive of your own. Something that everyone could understand, everyone could be impressed by. It was an opportunity you were not about to waste. You didn’t realize the potential that other people had, though, to ruin it for you. 
------
The next few days were busy. When you weren’t working on your photos, making sure they were perfectly edited and printed properly, you were worrying about what people would think about them. Or you were trying to pick the perfect outfit for Saturday evening, the opening of the gallery. There wasn’t a ton of time for you to respond to Alexia’s repetitive apologies, or to Alba’s pleading for you to be on her side. It was annoying, really, that during such an important and stressful week, they couldn’t leave you out of their argument. 
You finally had enough on Friday, pulling up the groupchat with both of them in it, and sending a rather harsh message. It wasn’t like you to be harsh and snap at them, and you were hoping they would get the message that they’d upset you, and you wanted to be left out of this. 
If one of you texts me one more time about this idiotic fight, I am going to tell Mami that it was you two who dented her car, not the neighbor backing into it. I am so tired of being pulled into the middle of this. Both of you apologize to each other for being mean, and get over it. 
You hoped that would be the end of it. When your phone buzzed a few minutes later, though, you knew that had been a naive hope. 
Alexia had responded first. 
It should not be hard to pick a side when I am right, nena.
Alba responded after that. 
You always let Alexia get away with things you’d yell at me about. You can both apologize to me when you are ready.
You weren’t really sure how Alba had decided that you’d sided with Alexia, but you certainly were not going to be apologizing to her anytime soon. You left them both on read, figuring they’d make up before the gallery opening tomorrow night.
-------
You were up pretty much the entire night before the gallery. This time, not because anything needed to get done, but because you were nervous. You were thinking about everything that could possibly go wrong. By the time morning rolled around, you slept for maybe a couple hours, and created a decisive list of every bad thing that could happen today. 
You actually hadn’t thought of everything, but you wouldn’t know that until later. 
You’d passed out just as the sun had started to rise, and Eli came in to wake you up only a few hours later. 
“Nena, despierta,” she said softly, setting down a mug of coffee on your nightstand and shaking your shoulder. 
You bolted upright in bed, and looked around frantically, startling your mother. “Am I late?!” You gasped, moving to get out of your bed as fast as possible. 
“No, no, you aren’t late. It is only 11. Relax, mija, everything is okay.” Eli soothed, gently pushing you back down onto the bed. 
You let out a relieved sigh, rubbing at your face with your hands. “Sorry.” 
“Did you sleep at all?” Eli asked with a disapproving look. 
“Not much. I tried, I swear, I just couldn’t turn my brain off.” 
Your mother patted your cheek reassuringly. “You’re almost done, nena. It’s all going to go perfectly.” 
You nodded, trying to believe her words. You just had this weird, nagging feeling that something was going to go wrong. There wasn’t time to focus  on this feeling, though, no matter how much you wanted to. There was simply too much to be done. Accepting the hug your mother offered, you got up, ready to prepare yourself for the long day ahead.
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You didn’t really think anything of it when you didn’t see either of your sisters right away. You were busy greeting other people, family and friends. Some of Alexia’s teammates had made it, and you spent some time taking in the awestruck expression on Mapi’s face when she saw the singular photo of her included. 
That was the best part of the whole thing, you decided. Getting to see everyone’s reactions to seeing themselves up on the wall. 
The theme was people you loved, in their happy place. The project was joyful and fun, radiating happiness. Looking at the photos made you smile, and you were glad to see that everyone seemed to have the same reaction as they took their time looking at each image. 
You had Mapi giggling at something Ingrid had said, a candid taken after a Barça game. Ingrid was smiling back at her, like making her girlfriend laugh was the only thing she wanted to do for the rest of her life. 
You had your Mami, sitting in the stands of one of Alexia’s games, looking on with pride all over her face. You had her pinching Alba’s cheek, a fond smile on her face as your sister said something that was, no doubt, ridiculous. 
You had your aunts and your uncles around the dinner table, all laughing hysterically. 
You had your friends at the beach, all lounging and staring out into the ocean, looking peaceful. 
You had your best friend sitting in the driver's seat of her car, singing along passionately to her favorite song. 
More than anyone else, though, you had your sisters. 
Alexia preparing to take a penalty, determined. Celebrating with her teammates after a goal. Cheekily blowing a kiss to Olga in the stands. Smiling proudly at Vicki after an impressive goal. Proudly wearing the captain’s armband in front of a completely sold out stadium. Leaned against Olga on the couch after a movie night, out cold. She was completely peaceful, with Olga looking down at her adoringly. 
You had Alba at the school where she taught. Candids of her face, when one of her students got the answer right, or made her laugh. With her dog, holding him up at the aquarium, eye level with one of the dolphins. You had her watching Alexia play, too, a grin on her face that you were sure she was unaware of. Your favorite of Alba was a photo you’d taken in your Mami’s kitchen, while she’d been baking. Alba was sneaking a taste of the cake batter, and you’d captured her mid-wink, giving the camera a smile while Eli’s back was turned to her. 
They hadn’t seen any of these photos; you’d almost gone crazy not showing them, and not giving in to them when they begged to see.
 You’d finally managed to break away from a crowd of your friends, having a moment to yourself, when you realized that you still hadn’t seen your sisters yet. Ale’s teammates were here. Some of Alba’s friends were here. The whole family was here. You checked your watch, a frown on your face, seeing that they were both already over a half hour late, which was unlike both of them. It was only when you saw Olga looking up at one of the photos she was pictured in, all by herself, that you really got a sinking feeling in your stomach. She was talking to Irene when you walked over and interrupted, gently pulling Olga away from the conversation. 
“Where is Ale? Is she coming late?” You asked, confused by the sad look on Olga’s face. 
“No, nena, I’m sorry. She didn’t want to see Alba, so she decided not to come. I tried to convince her to, but she didn’t listen.” Olga said delicately. You looked like you’d been hit across the face, honestly, and Olga wanted nothing more than to march home and drag Alexia over here, but she knew better to try to convince the blonde to do something she had decided she wouldn’t. “She said she texted you?” 
You pulled your phone out, taking a deep breath when you saw almost identical texts from both of your sisters. 
Can’t make it tonight. I’ll come see it another time. Good luck! 
Sorry, hermanita, I can’t come tonight. Love you.
You had been so excited for them to see their pictures. There was a little note up on the wall, too, a statement thanking everyone for coming. In it, you mentioned being excited to allow your sisters to finally see the photos, as they’d been begging to for a while now. And they hadn’t come. 
A wave of embarrassment washed over you, your cheeks flushing red. You were angry, too, but you blinked your tears back, looking up at Olga and trying to look more put together than you felt. 
“No Alba either.” You said, your voice cracking slightly. 
“Oh, nena, I am so sorry.” Olga whispered, pulling you into a tight hug. It was too soft, and too comforting. You pulled away rapidly, shaking your head. 
“It’s fine. I don’t care.” You said, cutting the brunette off before she could say anything else. “I have to go talk to someone, thank you for coming, Olga.” 
You rushed away from your sister’s girlfriend, focusing on taking deep breaths. You couldn’t be sad, not right now. So many people had come here to celebrate you and your work, and you weren’t going to ruin it. You could be upset later. It was almost excruciating, pretending that you weren’t upset that your sisters hadn't come, but you managed it. You kept up a pretty good façade for the rest of the evening, even when you saw Olga speaking in hushed voices to Irene and Mapi, even when everyone kept asking where Ale and Alba were. You held it together. Because you, unlike them, could pretend that nothing was wrong for the sake of others. 
-------
Your mother knew you better than anyone. You should have been thrilled, ecstatic. Everything had gone so well. Your photos had been a hit, the owners of the gallery had been thrilled. She realized neither of her other daughters had shown up, but she assumed they had talked that through with you. She wasn’t sure what was wrong with you, but when you declined going out with some of your friends as the night came to an end, Eli knew something wasn’t right. 
She had every intention of letting you come to her, but you weren’t talking. As everyone began to file out of the gallery, saying their final goodbyes, Eli overheard you tell your friends you were going to go home because you were tired. You didn't say a single word to her aside from telling her that you’d see her at home, before you practically fled the building, heading for your car. She didn’t couldn’t imagine what was wrong, never expecting her daughters to have done what they did. Eli didn’t even think of them being a possible reason as to why you were upset. Mapi pulled her aside, though, before she could go after you, an infuriated look on her face. 
“Do you know what your daughters have done?” She asked quietly. 
Eli frowned. “No. What have they done?” 
Mapi shook her head. “They both bailed on tonight over text to pequeña. They are in some stupid fight that they’ve put her in the middle of, and they didn’t want to see each other, so they didn’t come.” 
Suddenly, Eli was quite furious at her eldest daughters. There would be hell to pay, she’d make sure of it. How could they be so selfish, and ruin your night like this? You’d been almost beside yourself for weeks about this night, and she knew the people you wanted to impress most were your sisters. And they hadn’t come. Before she yelled at them, though, she needed to go home to you, because she was very sure that you weren’t okay. Your odd behavior made sense, now, and Eli’s heart ached at the thought of you driving all by yourself while you were so upset. 
“I will deal with them.” Eli said quietly. “Thank you for telling me, María, and for coming. It meant a lot to her.” 
Mapi smiled sympathetically. “Of course. Let me know if you need help kicking some Putellas ass.” 
Eli chuckled. “I will.” 
She set off to her car after that, ignoring Alexia’s numerous phone calls. Likely, Olga had arrived home and laid into her for not coming, and Alexia was looking to be let off the hook from her Mami that she hadn’t messed up that badly. Eli wouldn’t be doing that. 
-------
You didn’t make it far into the house. In your new dress, one that was reminiscent of the dress Alexia had worn to win her first balon d’or, you’d collapsed onto the couch, harsh sobs ripping their way out of your chest. You cried until your makeup ran and your chest hurt. Until your Mami arrived home, rushing through the door, her heart breaking when she saw the state you were in. Eli was by your side instantly, pulling you into her arms. It was rare that a hug from your mother didn’t make you feel better, but this was the case today. You weren’t really sure that anything would help, but you still buried yourself into your Mami’s arms, wishing more than anything that she could fix this for you. 
“They didn’t come, Mami,” you sobbed. 
“I know, mija, I am so sorry.” 
“Am I not more important than their stupid fight?” You asked, looking up at your mother with a devastated expression on your face. “I was so excited for them to see, I just wanted them to be proud of me.” 
Eli felt anger fill her at a level she’d never quite felt before. “I am proud of you, cariño, so proud of you. It’s all going to be okay, I promise. Everything is going to be fine.” She soothed, running her hand through your hair, shushing you softly. Her fury would have to wait, until you stopped crying. Eli would always put you first when you needed it, even if your sisters didn’t. 
-------
It was late by the time you’d stopped crying and headed up to bed. With a soft goodnight to your Mami, you’d slumped upstairs, barely changing into your pajamas before you collapsed into your bed, absolutely exhausted. Being disappointed was tiring, apparently. And you were more disappointed than you’d ever been in your life. 
Downstairs, Eli waited until she heard your door shut before she pulled her phone out, returning one of the 15 missed calls from her eldest daughter. Alexia picked up quickly, her voice dripping with guilt.
“Mami, I-”
“No. Do not try to explain yourself. You and Alba have done a terrible thing, Alexia. I am not sure how you will make it up to your sister, but you will. You will figure out how to fix it, you will apologize, you will mean it.” 
“Sí, Mami.” Alexia said, her voice small like when she used to get scolded for kicking the football in the house or holding the tv remote high out of her sisters’ reach. 
“I am so disappointed, Alexia. In you and Alba both.”
“I know, Mami.” Alexia replied, blinking hard to fight off her tears. “I’ll fix it, Al and I will fix it.” 
“You will. Goodnight, Alexia. I love you.” Eli was furious, but she’d always say it, always make sure her daughters knew how loved they were. 
“I love you too Mami,” the blonde choked out, feeling worse about this than she’d ever felt about anything in her entire life. 
Eli called Alba next, who was significantly more clueless about the situation. Neither had known the other wasn’t going, but it was beyond your mother how either of her daughters could have underestimated how important to you this night was. Alba was in tears, like Alexia, by the end of the call, also promising her mother she’d fix it. 
Eli knew the level of guilt Alexia and Alba must have been feeling at the moment, considering how protective they were of you. They never wanted you to be hurt, but you were. And they were the reason why. As she checked on you, ensuring you were asleep, she knew that her older daughters would go to the ends of the earth to make this up to you. 
--------
Alba was sitting on her couch, willing herself to be the bigger person and pick up the phone to call Alexia, when she heard a knock at the door. The brunette knew who was there before she pulled it open, not flinching when her older sister was standing on her front porch. 
Alexia had a drink carrier in one hand, and two bags in the other, giving Alba an unreadable look. “Can I come in?” 
Alba nodded, stepping aside to let her sister in. The blonde headed for the living room, setting the coffees down, and grabbing hers out of the holder. Alba grabbed the other, noting that it was her favorite coffee, and her favorite breakfast pastry, from her favorite bakery. A bakery Alexia didn’t particularly like, but had clearly stopped at just for Alba. 
It was a peace offering. One that Alba took, grabbing the coffee and the pastry, sitting on the couch next to her sister in a much less tense silence. They made up in the way only sister’s could, with no words necessary for either of them to know that the other was sorry for what had been said. 
“We fucked up.” Alexia said after a minute, glancing at her sister. 
“We really did.” Alba replied. 
“We have to fix it.” Alexia declared. 
“We really do.” Alba agreed. 
“Are you going to keep agreeing with me, or are you going to come up with a solution here?” 
“As the one who started the fight that led to us letting our sister down, I think it should be you who solves the problem, Alexia.” Alba retorted, a smirk on her face. 
Her sister shook her head, shoving the brunette’s shoulder lightly. “You are supposed to be the smart one, hermana. Get thinking.” 
“New car?” 
“New house?”
“Can we buy her a country?”
They broke into laughter, the tension completely gone from the room, before they really got brainstorming. They were a good team when they weren’t fighting, and it wasn’t long before they’d come up with something that they hoped would make up for their horrible behavior. 
-------
The minute you saw Alexia’s car pull into the driveway from your spot on the couch, you were standing up, prepared to flee the room. You’d known this would happen at some point today, but you weren’t ready to see them. You felt so humiliated and so neglected, you were sure that seeing them would have you in tears, and you didn’t really want to show that emotion in front of them. Not now, not when they were the reason you were so upset. 
You knew how important family was to your mother, though, and you knew that if she told you to stay and talk to them, you would. Looking at her cautiously, you took in the wary expression on her face. 
“Do you want to hear them out, mija?” Eli asked gently. 
“No. I don’t want to see them right now. Please don’t make me.” You begged. 
“I won’t make you do anything. Go upstairs, I’ll tell you when they’re gone.” Eli sighed, and with her permission, you practically sprinted up the stairs to your room, closing and locking the door behind you. 
Your older sisters walked through the doors to the house like they were afraid of what awaited them inside, and it seems that they should have been. Eli stood from her chair, walking over to them, looking unimpressed at the large present in Alexia’s hands. 
“Hola Mami,” Alba greeted softly. They both wanted to make this up to you, of course, but they also hated when their mother was mad at them. 
“I do not think that buying her a present is going to fix this.” Eli said pointedly. Alexia and Alba exchanged nervous glances, relaxing slightly when Eli allowed them further into the house. “What is it?” 
“It’s the new camera. The brand new canon model that she wanted, with all the extra lenses and storage and stuff.” Alexia said, feeling less and less confident about how she and Alba had chosen to go about this. 
“And you think that is enough?” Eli asked bluntly. 
“It’s a start.” Alba said, a bit defensively. “We know we messed up, Mami, and we missed the opening night but we can go see it today. Are you not being a little dramatic about this?” 
Alexia shot her younger sister a look, knowing exactly how hurt you were, because Olga had returned home from the gallery and told her. 
“You did not see her last night. When she realized you weren’t coming? She completely shut down. She talked to everyone she needed to, but I did not see her smile the rest of the night. She rushed out of the building just as the evening ended, and by the time I got home, she was sitting on the couch, sobbing. It was supposed to be her night, and you ruined it.” Eli snapped. 
Alexia and Alba both looked appropriately ashamed, their heads dropping, gazes pointed at the floor in an almost identical fashion. They felt guilty, obviously, but Eli wasn’t quite sure they understood that it wasn’t just about them missing your event. It was so much more than that. 
“She asked me why she is not more important to both of you than an argument. I do not want to spoil the gallery, but I do not think you understand how embarrassing it was for her to have countless photos of you two up on the wall, when you did not even come.” 
Both her daughters’ heads snapped up at this. “Of us?” Alba asked. “The project was of us?” 
“It was about her loved ones. You two were featured more than anyone else. She was so excited to see your reactions to the photos.” Eli continued, only making them feel worse. 
“Please, Mami, I cannot hear anymore.” Alexia said softly, her heart aching at the thought of how upset you must be at the moment. Every detail that her mother added made it worse. She wasn’t sure she’d ever done anything like this to you before, and the thought that you might not forgive her was filling her with anxiety. 
“No, you will hear all of it.” Eli said, shaking her head. “She said to me, ‘I was so excited for them to see, I just wanted them to be proud of me.’” 
“We are proud of her, she has to know that.” Alba cut in desperately. Her mother just shook her head. 
“She does not. Nothing she ever does feels very important to either of you, because it is always something you have done before. This was something that was her own, and she just wanted to share it with you. Everything your sister does is so that you two will be proud of her, and pay attention to her.” 
At this, Alexia stood up from the couch, walking over to the window and putting her face in her hands. Her shoulders shook with silent cries, and neither her mother or her sister were very surprised at the emotional outburst. Alexia was always emotional when it came to you; she remembered the day you’d been born, every milestone in your life. You were your very tough sister’s soft spot. 
“Do you think we can fix it?” Alba asked quietly, terrified of her mother’s answer. 
With a deep sigh, Eli nodded her head. Alexia turned around hopefully, hanging on to Eli’s every word. “Your baby sister has always been more forgiving than both of you. She is hurt, but she will forgive you. She loves you both too much not to.” 
Every word Eli said felt like a bullet to the chest to both of your sisters, something your mother was well aware of. She wasn’t going to sugar coat this. It was silent in the room for several minutes, every member of the family lost in thought. Alexia looked furious with herself, Alba looked like she was close to tears, and Eli just looked disappointed. She’d always trusted your sisters to take care of you when she couldn’t, but she wasn’t so sure she had that confidence in them anymore. 
“I have an idea.” Alexia said finally, looking between her mother and her sister hesitantly. They both agreed to what she proposed, though, and it wasn’t long before Eli had pulled out some paper and pens for her daughters. They both sat on the floor around the coffee table and got writing. It was reminiscent of when they’d do their homework in the same spot years ago, sitting on the floor so they could play with you while they finished their assignments. 
Now, though, you were painfully absent from the scene in front of your mother, and Eli could only hope that this would work. 
-------
Alexia and Alba agreed that only one of them would go upstairs, give you the two pieces of paper, and let you be for the evening. Alexia was desperate to see you, while Alba wasn’t sure she could do so without crying, and she didn’t particularly want to put that on you at the moment. You hated seeing your sisters upset, and she didn’t want to inadvertently guilt you into forgiving her before you were ready. So, Alexia made her way upstairs, agreeing to Eli’s warnings to leave you alone if you wouldn’t let her in. 
Her knock on your door was uncharacteristically gentle, and her voice was almost shaky as she announced herself. 
“Nena? Can I come in for a minute?” 
Taking a deep breath, you opened the door, feeling rather satisfied to see the guilt all over her face. 
Alexia stepped into the room, looking so nervous and so unlike herself. She was fidgeting with two pieces of paper in her hands, barely able to bring herself to look you in the eye. “I am so sorry, hermanita. More sorry than I can put into words.” She didn't seem to know what else to say, and you rolled your eyes. 
“Do you think that is enough?” You asked. 
Alexia shook her head rapidly. “No, I know it isn’t. Alba and I are going to fix this, nena, I promise. Whatever we have to do, whatever it takes. We will make this up to you. There is nothing more important to us than you.” 
Your eldest sister could tell you didn’t believe her, the way you looked away from her was a dead giveaway. 
“I know you are upset, and that is okay. I just… can I give you a hug, nena? You can still be mad at me and everything. I’d just really like an hermanita hug.” Alexia said vulnerably, tears clouding her vision. She had underestimated how painful it would be to see you so upset with her, but her chest truly ached as she took in the betrayal and disappointment on your face. A few tears fell from her eyes, and it was this bit of emotion that had you nodding your head, stepping forward as Alexia wrapped her arms around you almost painfully tight. 
It made you feel better, even though it probably shouldn’t have. Your sister’s hugs always felt warm and safe, and today was no exception. Even though she’d hurt you. It was still Alexia, and she was a hard person to stay mad at. Still, you pulled away before you wanted to, and the blonde cleared her throat, holding out the pieces of paper for you. 
“From me and Alba. We will be downstairs, if you want to talk.” Your sister opened and closed her mouth a few times, before shaking her head, mustering a weak smile, and leaving the room. She shut the door behind her, something she never did, always insisting on leaving it open just to bother you. 
You opened your sisters’ letters, not quite sure what you would be reading. You weren’t quite angry anymore, just sad. You were never one to hold a grudge, but you weren’t sure how they were going to be able to make this stop hurting. 
You underestimate, however, how well your sisters knew you, and combined with the information they had from Eli, they knew just what to say. You read both the letters a few times, tears streaming down your face for what felt like the 12th time that day. This time, though, they were good tears. 
Both letters were similar, but very… specific to each of your sisters. 
Alexia’s was practically a bullet pointed list, in her messy, big handwriting. There was a mark on the page that looked suspiciously like a teardrop, and Alexia talked about her emotions in the letter the way she always did in real life; saying as little as possible, while still somehow saying a whole lot. 
Alba’s was a real letter, paragraph after paragraph of neat writing, beautifully articulating what she wanted to say to you. It was always a bit surprising to remember how perceptive Alba was. She was a forgetful person, but not when it came to the things that mattered. This was clear in the letter, as she listed small details out that you hadn’t thought she’d noticed. 
Both of the letters were an apology. An apology, and a deep dive into how proud of you Alexia and Alba were. They apologized for not making it clear, before going back to when you were a baby, and they watched you walk for the first time. Through the years, they had overlapping and different memories of things you’d done that made them swell with pride. There were things you remembered, and things you didn’t, but they made you feel special all the same. Alexia and Alba did pay attention, that much was clear. Even if they weren’t always the best at showing it, they paid attention to you. 
It did more than a verbal apology could have ever done. It was something tangible, kind, warm and loving. It made you feel loved, and seen. It made you feel like you mattered. You weren’t Alexia, and you weren’t Alba, but you were you, and they felt that to be something much more special. 
You tried to hold out a bit longer, you really did, but you were putting the letters down and rushing downstairs before you could really stop yourself. 
You passed the kitchen on the way to the living room, where your Mami was preparing dinner, a small, relieved smile on her face. Wishing you had something funny and unbothered to say, you walked into the room, seeing your sisters sitting on the couch, looking pathetically distraught. 
“Hola.” You said softly, feeling indescribably happy when both of their faces lit up at the sight of you, and you quickly crossed the room, wedging yourself in between them. They made room for you, as they always did, allowing you to fit easily into your spot squished with Alexia on one side, and Alba on the other. 
They each wrapped an arm around you, and both tried to pull you in opposite directions. It was ironic, the way they used you to play a silly game of tug of war. This time, however, they stopped pulling when they realized neither of them would win. Instead, they both wrapped you into a very awkward and suffocating hug, arms wrapped around you from seemingly every direction. 
“I love you, nena.” Alexia whispered, pressing a kiss to the side of your head. 
Alba did the same to your cheek. “I am so sorry, hermanita, and I love you so much,” she whispered. 
“I know.” You said softly. “I forgive you.”  
And if it had been either of them in your position, it would have taken a lot more. You were the forgiving sister, though, and you’d really just needed proof that your sisters thought that you were as important as you felt them to be. 
When Eli came in the room a few minutes later, it was to see the three of you in a rather familiar position; you in the middle, each of your sisters holding on to as much of you as they could, completely content. They’d always like to hold you like that, starting when you were a baby. Alexia would carefully put you on the couch in between them, and put a movie on. They would take turns telling you all the important details your brain was far too small to comprehend, but you didn’t squirm, and you didn’t fuss. You would stay plopped right in between them, one of each of their fingers gripped tight in your hands. 
It was a lot different now, because you were all bigger. It looked like an uncomfortable pile of limbs on the couch, but Eli knew you were all as comfortable as you’d ever get. 
-------
Neither of your sisters seemed very willing to let you out of their sight anytime soon, which you were sure would grow annoying very fast. For now, though, you enjoyed the attention, especially when Alexia pushed the wrapped box that had been sitting on the table into your hands. 
And, you’d already forgiven them before you’d seen the camera they’d bought you, one that you’d been desperately wanting for a while. If you hadn’t forgiven them, though, you would have now. You could be bought, and your sisters were well aware of it. As was your Mami. She rolled her eyes as you stared in awe at the camera, as Alexia and Alba looked on proudly, sharing a discreet fist bump. Personally, Eli thought you’d let them off kind of easy, but she shouldn’t have underestimated you. You were a youngest child, and you knew how to get what you wanted. 
“Can we go see your photos after dinner?” Alba asked, not even getting a glance from you, your attention completely zeroed in on the camera in your hands. 
“Nope.” You replied. Alexia and Alba looked uneasily at each other, and then at their Mami for guidance, before you spoke again. “Alexia, you are going to clean my room. And Alba, you are going to make me those cookies I like. We can go see the gallery tomorrow.” 
Your face was smug, and your mother stifled a laugh as your sisters looked disgruntled at each other. Begrudgingly, though, they both nodded. 
“Anything for the princess.” Alexia mumbled, and Alba snickered quietly. 
“What was that?” You asked, turning your attention to your sisters. They looked at you in defiance, smirks on both of their faces, not willing to let you completely walk all over them, even if they deserved it. 
“You heard me.” Alexia teased. “The baby princess always gets her way.” 
“Really, Ale?” You asked calmly, before turning to Eli, your new camera briefly forgotten on the table in front of you. “Mami, do you have any plans in two weekends? I was thinking we could take a trip just the two of-” 
Alexia cut you off by rather aggressively throwing herself at you, covering your mouth with her hand. “NO HERMANITA!” The blonde shouted. “Oh, gross, nena, really?” She groaned, pulling her hand away when you licked it. You smiled triumphantly, managing to push away from her a bit. 
“You are not a princess, nena. Just a little baby.” Alba chimed in, reaching over from her chair to pinch your cheek in one hand. “Now keep quiet before you ruin the surprise and give Ale a stroke.” 
Your mother shook her head, taking pity on her eldest daughter, who looked prepared to explode at the thought of the surprise being ruined. “Do you think I do not know you were planning a trip for the four of us, Alexia? Honey, you asked me several times if I was free that weekend, and reminded me not to make any plans then either. You also asked me for hotel recommendations, and pretended it was for you and Olga. You are a bad liar, mija. I have known for weeks.” Eli laughed. 
Alexia frowned, shoving you and Alba both away from her as you both collapsed into giggles, despite the fact that this was entirely her fault, and you and Alba were blameless. She knew there was teasing coming her way, but the smile on your face was well worth it. Order had been restored, and both of your sisters had made promises to themselves, and to each other, to not let their arguments hurt you anymore. You were just happy to have them both there, at home. All four of you together, how it was supposed to be. 
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it will really always be funny to me that my sister and i do not say the words "i'm sorry" to each other. like we'd both rather die than apologize. she could hit me with her car and i wouldn't want her to apologize because... ew. anyway sometimes having a sister is cool and sometimes its not but i love mine.
everyone applaud me for not splitting this into two parts. seriously i am astounded at myself right now.
hope you all like it :) give me all your thoughts.
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sugar-grigri · 2 days
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How about an analysis of Dunmeshi's latest episode?
What I find really interesting, and episode 17 made me realize it, is the extent to which Laios and Shuro are the opposite of what they portray, even worse: the image they might portray is actually that of the other.
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Let me explain :
How does Shuro see Laios ? As someone stubborn and thoughtless, disconnected from reality to the point of using black magic to resurrect his little sister.
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We know that Shuro would have made the same choice, which shows that even if he tries to deny it, there is a point of connection between them.
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The key to these similarities and differences is Falin.
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What Shuro loves about Falin is the tenderness in her every gesture, her compassion and understanding of every creature, and her smile.
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When he sees this monster kill in cold blood, he realizes the extent to which he has lost his loved one, which is why he chooses to kill her to free his soul, thinking he has lost her.
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But what Shuro doesn't realize is that he's exactly what he's blaming Laios for: he's stubborn and reckless, not realizing the danger and sacrifices his teammates are making for the sake of this mission.
He's also disconnected from reality, not caring about himself, his hunger or his fatigue.
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Above all, and this is very interesting, Laios had said that he hadn't perceived that Shuro couldn't stand him because he was so happy to have him as a friend, that he hadn't detected any of these signals.
Shuro shares this blindness
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Shuro repeats that this monster is not Falin, yet he sees her as such, to the point of embarrassment when the monster removes her blouse.
And that's the opposite of Laios, who sees his sister as the monster she is
Like the chimera Falin has become, he sees his little sister calling him and this super-cool monster.
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He's the one with his feet firmly on the ground, he's the one who really cares about his team, taking care of himself and those around him through balanced meals.
The one who understands that Falin has many vital points, rather than allowing himself to be overwhelmed by despair, is Laios.
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So when Shuro hits Laios, in reality he's not hitting a man who differs from him, he's hitting his own flaws, and his own failure in the situation.
This failure he projects onto Laios, a man brimming with flaws.
Not only does Laios reason with him, but if Shuro ends up taking the wiser path, it's also because he's literally fought against himself.
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But it all goes even further!
Shuro realized his feelings, or rather how unique Falin was in her tenderness and altruism, towards every being, even the smallest.
But what set this whole cycle in motion was Falin's self-sacrifice, her own death.
Laios and Marcille are responsible for what follows, but they are not responsible for everything, as Shuro tries to believe.
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Shuro refuses the truth
So he doesn't see Falin
He couldn't accept that her tenderness had led to his death
Nor that her tenderness gave way to extreme coldness and indifference
He won't accept his own blindness
So he hits Laios and his extreme sincerity that irritates him so much
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Shuro can't see anything in the darkness of this dungeon, he's the one who's lost his footing so he has to get back up again
Laios has accepted to see everything, even the unavowable, the forbidden, the pain.
What Shuro sees in Falin is love
In Laios, what he sees is the truth
In reality, Laios has only told part of the truth; he is the other half.
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But if he goes back up, it's not to abandon Falin, Shuro has to face reality, the truth, that Laios was the only one who could save his beloved. It was by fighting that he finally put his trust in Laios. And finally became a friend
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godsfatassspheal · 1 day
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It's so fucking funny that Shuro hates Laios for a lot of the same things he admires so much about Falin, Marcielle too but she at least likes Laios and shows it in earnest. It's like he doesn't even really know them or want to, he just has this idea of what they both are without really looking at them for what they actually are. There are so many similarities between the Touden siblings, the only major differences being that Falin had the societal pressure that women face and tits to match. I understand why laios was so confused about Shuro not liking him with the dudes infatuation with his sister, they're two sides to the same weird yet lovable autistic coin. Shuro has got some serious double standards and repression, and I don't think he's going to be alright unless he works through that. I love him.
EDIT: I AM WRONG
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zarvasace · 21 hours
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The last, and probably my current favorites of the bunch: Prince and Mirage, dark Warriors and dark Legend! I keep trying to put the images side-by-side so they don't take up as much room but Tumblr HATES that. Sorry.
My document with all these boys' descriptions on it is over 7k words. Holy heck. Hope you like them. XD Masterpost
More information and art beneath the cut yayyy
Prince
Prince is dark Warriors. 
Cia gave Warriors a lot of unwanted attention, which he spurned. Prince, on the other hand, wouldn't just accept the attention, but would have welcomed it. He wasn't entirely autonomous when he was summoned, but he remembers everything. He knows that he never wants to not be in control of himself ever again.
Instead of championing freedom, however, Prince makes a point of controlling others. If he controls them, they can't control him. Shackle is similar, but they have different methods. While Shackle prefers physical subjugation to be sure they're in his power, Prince uses manipulation. He pretends to be your friend, all the while gaining your trust. His job is made all the easier by his own special talent: Charm. 
Prince’s Charm is a supernatural ability to influence people. Where Madness takes over bodies, Prince sways the mind. His Charm is something he can turn on and off at will, at different intensities. It doesn't work well on any being with too much light, but it does work on criminals or people with guilt and secrets. The other Darks are susceptible to it, though after… an incident… Prince doesn't do it to them. Usually. 
It works like this: Prince identifies his target, which can be an individual or an entire crowd. He turns his Charm on intentionally, and depending on how hard he pushes, his target’s attention is drawn to his face. Because he does not look human, he then has to quickly begin talking, to pour even more Charm on. If he does it right (it does require skill and charisma), the target forgets his appearance is anything out of the ordinary. He needs a minute or two of conversation and rakish smiles to dig his claws deep enough that they don't remember anything unusual once they stop looking right at him. Prince uses his Charm to get information, favors, and generally spread his anti-Link agenda. The riskier or weirder his request is, the more Charm he has to layer on, and some people just straight up won't do some things. The Charm wears off after a while, depending on the target and how long they were exposed to it, which takes anywhere from a few minutes to a few weeks, averaging out at a day or two. 
Prince has to choose his targets wisely, which can be difficult to do because he does not look human and does not have any kind of magical disguise. That last point is a sore spot. He doesn't want a disguise, he just wants people to stop looking at him like he's going to burn their house down, thank you very much. He only has their best interests at heart. Prince is bitter and extremely envious about Warriors winning hearts so easily thanks to his good looks and natural charisma, so Prince does his best to do the same without them. His Charm is better anyway. 
…It's a good thing he hasn't actually been let loose on a population yet. 
(Warriors is a bit of a flirt, but not too badly. Prince makes a game out of trying to make people fall in romantic love with him as fast as he can. (Author’s note: I'm not touching sex. That is not the sort of story I want to tell here.))
Prince doesn't need food, and he doesn't need to breathe, but he does need to use his Charm. Because he magically learns a bit of information about his targets when he's focused on them, his theory is that he leeches from their emotions, or their identities, or something of that sort. He hasn't shared the theory with anyone, but the Dark Chain does know that Prince needs to use his Charm or he starts to get very, very hangry. It's a physical need for him. Of course, pushing too hard or trying to Charm too many people at once gives him migraines. 
Prince considers himself a leader, and it rankles him a bit that Depth is the one in charge. He contents himself with sitting back and letting Depth do all the hard things, though he has Charmed Depth several times into going along with what Prince wants to do. Prince sees Shackle as a sort of protege in the ways of manipulation, and occasionally provides pointers about how to subtly get under people’s skin. Prince and Madness end up working together a lot, since Prince can Charm Madness’s thralls into forgetting they ever lost time, or he can make up memories for them. Sometimes the two of them get migraines at the same time, which spells out lots of “fun” for everyone else. He fights a lot with Mirage and is always trying to catch Agony off-guard to give him a good scrubbing. He's the only reason that Nothing or Dire get baths, too. 
Prince is arrogant and ambitious, yes. He's proud of his appearance and does his best to stay clean and orderly—he doesn't mind the memories of military training that he gets from Warriors, since those routines help him to be efficient. He wears a copy of Warriors’s outfit, but fancier, with a fluffy shirt and a corset on top, and his tunic is purple because (1) it's opposite green on some color wheels and (2) it's the color of royalty. His silvery hair is a little longer than Warriors’s is, and he wears a luxurious red cape.
Sometimes he puts a little too much flair into his moves, but he's proficient with as many weapons as Warriors is, if less practiced. He talks a lot, boasts a lot, and casually jabs where it hurts. He holds a lot of jealousy and hate in his heart, and if he gets a little drunk, he'll go on and on about how much he dislikes Warriors, specifically. 
Prince’s ultimate ambition is to rule his Hyrule as undisputed, beloved emperor. He wants to do that by winning the hearts of every soldier, every servant, every noble. He wants to steal Warriors’s relationships right out from under him without him noticing. Prince knows that he can't rely on his temporary Charm to do that, though, so his plan is to ally with the organizations of traitors throughout Hyrule and add his persuasive charm and Charm to their efforts, eventually rising to become their leader. 
Prince’s best dreams involve him standing over a defeated Warriors on the balcony of the castle, a crown on his head and a queen on his arm (or king. He just thinks stealing Artemis or Impa would make it all the sweeter), with crowds below cheering for him. He has plans to keep the aging Warriors as an honored “guest” in the castle for as long as he lives, doomed to watch his beloved, darkened kingdom flourish under Prince’s ruby eyes. Someday, Prince will change his name to Link, stealing that from Warriors, too. 
Prince Link. Wait, no. King Link. No, even better… Emperor Link. 
Actually, he doesn't like the sound of Emperor. He’ll workshop that title.  
Mirage
Mirage is dark Legend, patterned after the Nightmares that Legend fought on Koholint. He knows Legend will know that immediately. 
Mirage is truly shape-fluid. His form is extremely malleable, though he can't keep up looking perfectly like a human for more than half an hour or so—he starts to melt and revert back to his most comfortable state, which is a close copy of Legend, his matter constantly shifting and dripping and melting. (Most comfortable state, not his true form. Does he have a true form? He doesn't know what it is if he does.) He is best at mimicking nonspecific human forms and small reptiles. He pretended to be a bush once, but wasn't very convincing. 
Mirage’s gooey flesh doesn't have many pain or touch receptors, and he doesn't need any kind of structure beneath the goo to stand up. He's very good at energy dispersion, so punching him means that you're either punching a brick wall or that your fist is getting absorbed. His goo is as warm as flesh and very slightly acidic, so touching him for too long can burn. He doesn't need to breathe, but he does digest organic material or minerals to build on his mass. He's weak against energy-type attacks, like acid or fire or ice, but it doesn't hurt him in the traditional sense and he can always build himself back up. He can drop entirely flat and easily squeezes through small gaps. 
Most traditional dungeon traps do absolutely nothing to Mirage: spike traps don't hurt him, as holes in his form mean nothing; he doesn't really take fall damage, just splatters a bit until he can pull himself together; giant axes that cleave him in two don't actually hurt him, either. There is one small part of Mirage’s matter that is his core. If he gets cut into pieces, the rest of him will shrivel up and evaporate in an hour or two, but his core stays alive and can regrow in a matter of days. If he gets to any cut-off piece before it evaporates, he can reassimilate it. He often messes with his form to take on any physical challenge: looking around corners with an eye on a hand; growing taller to see over a wall; spreading out his feet and legs to float on water; squeezing into cracks in an ice block and expanding in the right spot to make it all shatter. 
Mirage doesn't speak often, preferring to keep quiet. His voice is soft and slithering, with hissing Ss and a pitch that ranges from whispery to shrill. It's the worst voice in the group after Depth’s. He isn't the smartest of the Darks, but he is quite observant and if he does speak up, there's something important to pay attention to. Mirage often just goes with the group decisions, performing whatever role they require, though privately he absolutely resents having to work with anyone else, because Mirage works alone. He doesn't need companions, friends, shopkeepers, or family; he doesn't need vehicles, mounts, money, magic items, or even weapons. When he means alone, he means Very Alone. 
The thing about Legend—despite the masks and attitude he puts on—is that he cares, so so much. He cares about people being happy and safe, he bonds with everyone nice he meets whether he knows it or not, he is self-sacrificing and always working for a better world, even when people don't ask for it. Mirage does not care about much of anything except himself. He would be most content wandering around a mountain, causing a bit of chaos in a nearby town, and using his abilities to traverse impossible paths, especially through caves, just because he can. He doesn't care about the other Darks (that's a bit more of a lie than he thinks it is), he doesn't care about Legend, he doesn't care about covering the world in darkness. He’s just dragged around and knows that they have to finish this stupid mission thing before he can be left in peace. 
Mirage is somewhat fascinated with the way humans work. He's closer to an octopus or other eldritch sea creature himself, and mimics reptilian forms, but the more he learns about humans, the better he can mimic them. He might not care much about many things, but he's curious. He likes to investigate corpses (especially if he can eat them—the Dark Chain’s favorite way of “disappearing” people) and find out new things about their anatomy and chemical compositions, things he knows about and can memorize to reproduce in his own gooey flesh later. As such, he sometimes annoys the other Darks by poking at them or “testing” their senses or limits. 
He gets along best with Lost, who doesn't care much, either, and doesn't get mad at his questions or testing. Mirage responds by taking Lost babysitting duty more than his fair share. (His apathy means he's really patient with Lost and Nothing and Madness.) He makes a good team with Agony, who he sees as very similar to himself, except Agony is clearly more driven. Agony is the quick and sharp counterpart to Mirage’s slow and inevitable destruction. (And it doesn't hurt that Agony is the electricity wielder among them, so if Agony sort of likes Mirage, then all the better.) 
In a normal fight, Mirage is all but indestructible, walking through battle without problems. He doesn't bother attacking until someone hurts him, usually with fire or something similar. Then Mirage will focus to get rid of the threat—and he’s aware that the others expect him to target and take out Legend, so he does that if he has to. He's all but impossible to fight without elemental aid, and while he isn't too quick, he hits HARD and has a lot of tricks up his metaphorical sleeves. 
Still, the fact remains that if you manage to hurt him, you hurt him a lot. Mirage isn't complicated, but he's very flexible and can do things nobody is prepared for. 
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(sorry for the low contrast. But hey, my goo-drawing skills are finally relevant! Look at that hat! And the foot!)
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Really interesting to consider “Collective” in the same continuum of “Survival Instinct”, and how these episodes pan out very differently for two characters (Seven and First) who find themselves suddenly disconnected from the Borg collective and lash out with a similar mixture of fear and anxiety about their lack of control, especially when their fellow drones start to assert an individuality that neither Seven nor First are equipped to deal with. Seven survives, by dooming the rest of her unimatrix; First does not, and with his demise the rest of the Borg kids can board Voyager and be reclaimed from the Collective.
I don't know if the similarity between Seven and First was drawn intentionally by the writing but in my opinion it's pretty evident. As drones in an unfamiliar situation they are unprepared to deal with the discomfort of re-emerging thoughts of a life pre-assimilation, and their reaction is to seek a return to the Collective by whatever means necessary. In addition to that, they can't cope with alone-ness at all, so they ensure the drones who are with them will help them to return to the Collective as well by restoring ‘order’—in the case of First, by establishing a pecking order where he is the indisputable leader, and in Seven's case by assimilating the rest of her unimatrix in a mini-collective. I think Seven only succeeds where First failed because Seven by that point was an adult drone who was entirely capable of assimilation, while First, having emerged from a maturation chamber too early, did not have the ability yet (in “Collective” Icheb mentions that they've all been trying to learn to assimilate but have failed so far). This is a powerful metaphor too—adults have powers of coercion that kids might not have yet developed fully, and it points to latter's better chances of successful reclamation.
Except First pays for his stubborn inexperience dearly, while Seven does not, despite her being much more culpable. I've been wondering how she might feel about the whole encounter, since “Collective” doesn't offer much in this respect. I wonder if, despite First's relentless hostility towards her, Seven was able to recognize her former self in him. I think she might have, given this exchange right at the end:
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I also wonder if First's fate was yet another reminder for Seven of the many ways in which she failed both as a drone and as an individual, and especially of the exceptional circumstances of her continuing survival. Other former drones die while facing the same difficulties and obstacles Seven has encountered, but she survives against all odds, often because the people around her have chosen to go above and beyond for her, but also just out of luck. It's a constant in her life, both on Star Trek: Voyager and Star Trek: Picard. I have to imagine it's a weight that keeps becoming heavier as the years pass.
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whenmemorydies · 21 hours
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Violence and Love in Monkey Man
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Dev Patel's Monkey Man has played at my mind for two weeks now. This is for reasons that I'm able to articulate and for many that I probably have not yet been able to find the words for. This post is, in part, my attempt at sorting through some of my thoughts. My tumblr is all spoilers all the time. If you don’t want that, then please don’t read on.
Violence
Like most places in the world, systemic violence is a scourge in India. Monkey Man does not shy away from this reality and depicts Hindu nationalist state violence and violence against women and gendered minorities in the country to chilling effect.
We come to see this in the brutal rape and murder of Kid's activist mother at the hands of the police, while she tries to shield her child and her land from police and state terror. We see it in the treatment of (largely femme-presenting) sex workers in the two brothels featured in the film, including one frequented by the police and political elite. We see it in the violence and ostracisation meted out against the hijra, or third gender community by individual actors and the state more broadly. We see it in the state-orchestrated razing of an entire community after the land on which it sits is declared a "holy site". We see it in the movement of people from the regions to the city after their land has been stolen and the grinding poverty they face as a result.
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Unlike so many action films, none of the violence in Monkey Man occurs in a vacuum. Even Kid's original means of making money in an underground fighting ring is done against the backdrop of his forced displacement from regional India to the city - a migration pathway that many in the country have been forced to take and which is a direct result of land theft and resource extraction in the regions by local and multinational corporations as well as federal and state governments.
The truth is that so much in relation to state and societal control is enacted in painful and violent ways on the bodies of the marginalised and oppressed. And I often think about how the horror and action genres are some of the best suited to speak about systemic injustice because of their capacity to make that violence uncompromisingly visible (one recent example is Mike Flanagan’s Midnight Mass which depicted the bloody fallout of the Christian missionary/colonial project in vivid crimson, splashed all over a non-descript maritime town in present-day America). The violence in Monkey Man is no different.
While Kid's realisation of the interconnectedness and heavy hand of the state not just in the violence experienced by his mother, but also by the hijra, and by sex workers like Sita comes later in the movie, we as the audience are given this insight earlier. Recall Kid pointing out to Sita that her tattoo is of a koel, not a sparrow as originally misidentified by the Australian client sexually assaulting her minutes earlier in the film.
Kid goes on to say that he grew up in the forest and woke up to koels singing everyday. Its the longest conversation that the two have but in those brief words, we understand that Sita too has likely been displaced to the city from the regions, probably under very similar circumstances to Kid. The way this displacement maps itself onto her body is distinctive to how it does so for Kid, with gender playing a large role in this.
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Other factors like caste, class and religion also impact on how the characters in this film experience or perpetrate violence. I would write more on these intersections but then this post is going to get more unwieldy than it already is.
I will say though, that in India, where fascist Hindu nationalism is being used by government to harm minority communities, steal land and secure populist votes, Patel makes a distinction between revelatory and weaponised faith. Kid is raised in peace by his mother with the former, but as an adult he lives in a world where the latter has taken hold and is being used by those in power to shore up more of that power for themselves.
For me - as the descendant of parents, grandparents and great grandparents who lived through anti-Tamil pogroms led by Sinhalese chauvinists weaponising Buddhism as part of their fascism in Sri Lanka, who like the rest of us, is living in an election year for Hindu nationalist Prime Minister Narendra Modi in India, and who is also frustratingly, helplessly bearing witness as the state of Israel and it’s allies conflate Zionism with Judaism in defence of the genocide being waged against Palestinians - watching this action film make the distinction between revelatory and weaponised faith was profound.
Love
Patel makes it a point in this film to show how Kid's most nourishing relationships, the ones that sustain him - indeed the ones that literally save his life - are those that he has with women and with people who don’t conform to the gender binary. In doing this, we see what Kid is fighting tooth (quite literally) and nail for throughout the film. We see what is at stake - what we stand to lose - if perpetrators get to rule without accountability.
Its also no mistake that these relationships are all tied visually to the natural world in the film: Kid's mother's deep ties to the earth, rivers, trees and roots that she leads him through as a child. Alpha and the hijra's sanctuary, the Ardhanareeshvara temple with its most sacred space being the roots of a holy tree. Sita and her koel tattoo: the memory of the forest carried on her skin while she traverses the brutal reality of the city. Patel is making a point here too. About nourishment of another kind, through our connection with the earth instead of extraction from it. The visuals in the film drive this point home, particularly when contrasted with the industrialisation and poverty of the city.
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Two particular loving relationships that stood out for me were the love shared between Kid and the hijra community as well as between him and his mother.
Alpha, hijra Elder and the hijra community
Keeper of the Ardhanareeshvara Temple and hijra Elder, Alpha becomes a mother-figure to Kid after he is rescued with near-fatal injuries. It is Alpha who keeps watch over him as he recovers, helps Kid to confront the totality of his past memories which his trauma has kept fragmented, and who ultimately leads a veritable hijra army to join forces with him to assassinate some fascists.
Alpha's gentleness with Kid was so moving to see, in particular during the conversation they have about his attempt as a child to save his mother from the fire set by her rapist and murderer. That exchange moved me to tears.
Kid: I failed her.
Alpha: No. You tried to save her. You see scars. I see the courage of a child fighting to save his mother.
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The wider hijra community at the temple also take Kid in and care for him during his recovery. Truly, the scenes at the temple were some of my favourite in Monkey Man. Outside of his memories of his mother, they are the only scenes where we see love, peace and joy on the faces of any of the characters in this film.
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Also witness this moment of delight below as the hijra at the temple appreciate a fine ass man channelling his righteous anger and fucking up a punching bag full of rice. I note that the music during this training montage is simply stunning. Ustad Zakir Hussain's rapid fire tablas punctuated by each of Patel's landed punches and kicks and then followed by Jed Kurzel's achingly soaring instrumentals (listen to "The Kid" from the movie's score) were just *chef’s kiss*.
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Another favourite moment for me was when Kid decides to go back to the underground fight ring one last time and not throw his matches (as he had been doing prior). He bets on himself and when he inevitably wins his fights, he takes the money and gives it to the hijra, ensuring that they can continue to live at the temple without fear of being evicted. We love to see a man who literally pays his rent.
Neela, his mother
Kid’s first teacher and the center of his life as a child. In almost every memory we are shown of her, Kid remembers his mother walking through a forest, sharing her ecological and religious knowledge with him and in doing so, positioning him within the wider world.
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GIF by dailyflicks
We watch as he takes this understanding with him forward through the remainder of the film. His conversation as an adult with Alphonso as they drive through the city in the latter's tuk tuk is emblematic of this. "They don't even see us", Kid says of the elite who frequent the club where he has just gained employment, "they're all up there living and we are stuck in this."
His mother showed him what it was to live: to be still and in concert with the world and the Divine around you, to be loved fiercely, and to thrive as a result. This is in stark contrast to what Kid has had to learn to do in the city: to survive, to merely exist. He is never depicted resting or at home as an adult. He's always working, hustling and planning for the next thing, his next step. When he loses his village, his land and his mother as a child, Kid also inevitably loses his sense of home. It’s no coincidence that the tracks “Home” and “Mother” on the movie’s score sound almost identical.
Later at the end of the film, we see Kid close his eyes, having done what he set out to do. The last thing he sees is his mother, smiling at him in the forest. Her face is the face of God he gazes at before he succumbs to his injuries. This devotion to his mother is not just that of a child to a parent. Its also deeply tied to his Hindu faith which calls on its followers to honour the Divine Mother, the supreme feminine energy, Aathi Parashakthi, in all her manifestations including in those who mother us.
The movie ends with Kid’s deep, revelatory faith - instilled in him by his mother - and with the death of the man who weaponised that faith for power and wealth. It left all of us in the cinema seated in stunned silence even as the credits began to roll.
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To describe Monkey Man as simply a revenge film does it an absolute disservice. This is not revenge. It is defence borne out of deep love for community and righteous opposition to injustice. Seeing hijra warriors dressed as Kali, the goddess of destruction, dealing death blows against fascists while spinning in the most beautiful lenghas was exhilarating (I literally screamed “YESSSSSSS!” at the screen when they arrived). Seeing Sita take out pimp Queenie got me cackling and yelling “whoooop!”. Seeing Kid, a masculine character act to defend women and people outside of the gender binary, from further systemic harm without any ulterior motive was absolutely unreal to witness on the big screen. Seeing a person of faith act in deep connection to that faith without judgment against anyone but those who perpetrate harm made me feel hopeful in a way that took me by surprise. Kid acted out of love and respect. I would argue that Sita, the hijra and Kid all acted out of recognition of a shared humanity.
And at a time when folks from marginalised communities are being subjected to horrendous violence worldwide, both interpersonal and systemic, watching the oppressed take their perpetrators out…and I mean out (see: a rapist and murderer getting bludgeoned to death with a glittery high heel and a fascist, self-proclaimed “holy man” being stabbed in his third eye by the blade he hid in his own “sacred” pathankal/paduka), well, it was cathartic to see.
Am I saying violence is the answer to systemic violence? I think the answer to that question is context-specific. Non-violent resistance has a place, but it’s by necessity a performance and requires an audience. What do you do when no one’s watching? What do you do when the people who are watching are doing nothing to stop your suffering? What then? These questions are what many liberals refuse to grapple with because the answers are too uncomfortable for their polite sensibilities. But if you keep your foot on someone's neck long enough, you should expect them to fight back, by any means necessary. In Monkey Man, we have an action film where we get to witness that resistance in all its visceral glory.
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spooky-pop · 1 day
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Hey found your blog and your punk rock broppy au. Got to say love what I see so far and what to know more about it like. What movie does this au take place?
When rock branch and poppy meet again after all these years apart what was their impression on each other?
Was it love at first sight ? If not who fell for who first?
Is creek in this au and did poppy have a crush on him like in the canon? What’s branch thoughts about his siblings? Is branch fully loyal to the rock tribe including twt barb plan?
Does branch get jelly of creek or hickory when their around poppy like he did in canon? That’s all I got for now.
Thank you so much!! I also really appreciate the questions and am so excited to answer them since I've been working more on this AU behind the scenes. There are a lot of details and plot points I just have not figured out yet, so there's a chance some things could still be changed, cut out or just tweaked a tad. I don't mind sharing more about this AU since the comics are already in progress haha
Excuse the text wall, haha!
-This takes place around the Trolls 1 timeline, then maybe a little into Trolls 2. The Bergens are still a danger and Branch still accompanies Poppy to save the Snack Pack. Instead of him finding the will to sing again in Trolls 1, he works on facing his past and traumas with Poppy to finally find his happiness.
-When Branch left pop village he was probably around the age of 9 or 10, he and Poppy definitely had some kind of a bond as children but as years passed, they both tried to focus on their own lives by trying to move on and forget about what they lost/left behind. They re-unite in their 20s, and since this AU follows RomCom tropes, they have a similar vibe to Trolls 1 Broppy. She wants to know more about him, and he is very secretive about it all and keeps his distance. There's a lot of banter between them. Very much begins like they dislike eachother but time will fix that :)
-It was not love at first sight for them, but Branch was the one who fell first, and the hardest. He tried to keep that hidden behind his tough exterior though, because he CERTAINLY didn't want to show that he had fallen for the princess of pop, exactly what he swore he wouldn't do since he was done with pop village. Loving her meant he would definitely have to revisit his past he tried running from, which scared him. But he finds comfort in Poppy that he was not provided in many years.
-Creek is in this AU (not much), and he and Poppy are good friends who do flirt a little, she does have a crush on him. Branch absolutely hates him, and of course, becomes a jealous that someone else is fond of the Princess.
-In this AU, Brozone was still a thing and they still broke up and went different ways. They just never contacted Branch again. Branch is very fueled by his anger and resentment, because essentially, they did abandon him and still never returned when he needed his family. (His brothers COULD return in the future, but at this point in my AU, their whereabouts are unknown)
-When Branch left Pop Village, he sort of became a wanderer until he happened upon the Rock tribe. Nobody really took him in, he just made himself at home and they accepted him. He purposely kept his distance from some trolls and focused on himself. Sort of living his life on autopilot. He is still a pop troll at heart, he wouldn't have felt that Barb's plan was right either. The Rock tribe does have heavy influence on him in his personality and his appearance, but inside he is still the Branch that came from Pop.
-And again, yeah! He absolutely gets jealous still, it's a big part of his character haha.
There is so much lore and other stuff I've planned and thought out, also a lot of points I excluded because I don't want to reveal them yet. But I can't wait to make some mini comics sowing som of these scenes :)
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Het were achilles and patroclus cousins? It's never been said in the illad yet people say that patroclus's grandma is achilles's great grandma , even though the illad never says this??
Maybe.
Here's Achilles' family tree per my Caroline Alexander translation:
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I don't have a digital copy of Emily Wilson's translation, but it is relatively similar.
As you can see, Patroclus is not in the family tree.
Homer does mention Patroclus' father, Menoetius, a few times. He also mentions that Menoetius is the son of Aktor (or Actor). No mention of a mother.
Pindar suggest's Menoetius' mother being Aegina. Sound familiar? It should because Aegina had Aeacus who had Peleus.
Weird, right? Wouldn't that make Patroclus a peer of Peleus. Of course Aegina is a nymph and and nymphs are immortal, so a generation could have passed between her having her two sons.
I remain skeptical. I think if Patroclus had such a famous mother she would probably be mentioned by Homer as Thetis was mentioned. BUT THEN AGAIN these people were SUPER sexist so 🤷‍♀️
Here's the infamous Google family tree to explain the possible relation:
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Here's a better one.
What is that like first cousins once removed?
So given it's not explicit in Homer and the connection and understanding of other sources is dodgy at best, it's really a matter of how /you/ want to define what is canon.
Is your canon The Iliad? Is it the entire Epic Cycle which we only have parts of? Or is your canon all works of Ancient Greece?
I mentioned this in another post, Greek mythology is fucking frustrating for this very reason. We know of a bunch of ancient authors who wrote about mythology and they each had their own headcanons. And of course no two headcanons are the same, just to fuck with us some more I swear.
For emphasis, here's a summary of the different hcs for Patroclus' mother:
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But back to the cousin thing...
At least in various civilizations in Europe, marrying your first cousin was a thing up through the mid-20th century. Just Google search any European royal family. We mainly only now find it "weird" or "creepy" bcs of our modern understanding of genetics.
Google is telling me it was common in some periods and some areas of Ancient Greece. So if they were cousins, it most likely would not have been considered "icky" by their contemporaries through Homer. I mean those ppl in Athens created ritualized pedophilia so I think cousin incest is pretty tame in comparison
Many of the headcanons floating out there by all these dead famous white men are contradictory. For example: there are multiple versions of how Achilles gained his powers, there are multiple versions of Achilles' death. It can't all be true! So pick what you like and move on. Or better yet, make up your own canon for yourself! Don't stress about it.
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tapakah0 · 6 months
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#I've read it.#**** you just read fluff chaos and little amount of angst and here BUM#It took me almost 2 hours to read just one chapter I don't know why but no regrets at all#With all these emotional ups and downs#I have one novel that I hold on the very top of the angst stories (I haven't read that many books#stories and fics and can judge only withing that little I have)#but if mnmc keep going like this this I need to widen my place on top...#I've cried over Mojo again#The same scene and here we go again. how.#And then this one SORRY I CAN'T PUT IT INTO WORDS#The way they triet each other#they both go through hell#All little details about their emotions#Their differences yet so many similarities#I don't like the angst is placed out of nowhere but this fic was BORN IN ANGST#I WANNA BITE BIG MAMA'S HEAD OFF#FOR THE GOD'S SAKE LEON KILL HER FRIEND#YOU WANTED LEO JUST TO BE SAFE BUT WHAT'S THE MEANING IF HE'S NOT#AND IT'S SO DARK IN THEIR CEILING THAT LEON COULDN'T EVEN SEE WHAT'S GOING ON WITH LEO#SO MANY THINGS HAPPENED AT ONE TIME#I DID COUNT WITHOUT JOKES HOW MANY TIMES I DID CRY DON'T JUDGE (I AM HARD TO CRY ON SOMETHING THAT DOESN'T CATCH MY ATTENTION I GUESS MY AT#ENTION IS CAUGHT WELL ENOUGH) 4 TIMES. 4 F***ING TIMES#FOR THE GOD'S SAKE I WANNA SEE CLICHE WHEN THEIR BROTHERS JUST BOOOM CRUSH EVERYTHING AROUND ON THIS AIRPLANE AND SAVE THEIR BROTHERS I WAN#A A CLICHE#I DON'T WANT IT TO BE THE END OF THE STORY WHEN LEON DIES HOW HE WANTED FROM THE VERY BEGINNING#I AM NOT OKAY OVER THE WAY HE TREATS THESE KIDS#OR LEO SUDDENLY A BOOST OF POWERS AND TELEPORTS THEM#ANYTHING#JUST NOT DEATH#AT LEAST NOT LIKE THIS
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starry-bi-sky · 4 months
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idle clone^2 food for thought (cw gun tw murder) and. thinking about how danny in canon is very protective of his people. and as a collective fanon we like to make him go Batshit when his people are severely injured.
and im just mmmmm,,,,, danny would kill if damian (or anyone in his family) got extremely hurt. but only under very specific circumstances. like they've been backed up into a corner and can't get out and it's either kill or be killed. like his go-to is non-lethal force but then someone takes out his little brother, whose breathing but not getting up and hurt badly, and there's nowhere for them to escape and these guys are gonna do much worse soon.
but there's a gun nearby and within danny's reach, and the guys who have them trapped are gloating and only half-paying attention because what are they going to do now? they have him trapped.
and they hurt his little brother.
and danny doesn't see red. everything just goes into cold, static focus instead. and he puts a bullet through the stomach of the first guy he sees.
And i'm just picturing Danny with this stone cold fury on his face, his hands shaking, as he looks the main guy (who know he's a clone) in the eye and says "your first mistake was thinking i'm batman"
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thebad-lydrawn-sanses · 3 months
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Cross's assumption is correct, that's exactly what I'm implying. So be a good boy and lay down pls :3
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Cross: you-
Killer: implying what?
Cross: that they're gonna break my leg
Killer: .
↓ Damage Count ↓
999999999
999999999
999999999
999999999
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phoenix-onfire · 1 year
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These are the instances I noticed (so far) in book 3 where Nate casually thinks about MC becoming a vampire. And I really love this conflict he has within him, the duality of his feelings: on the one hand, he wants to spend his eternity with MC but on the other, he isn't sure if becoming a vampire should be an option. His desperation of not wanting to lose MC is clear as day but at the same time, whichever option he'd go for, he'd risk exactly that.
1.) MC remains human? Guaranteed death sooner or later, either by old age, or as a result of some fight. Which is basically Nate's biggest fear, not being able to defend and save MC.
2.) Turning MC into a vampire? Would they survive the procedure at all? And if they do...what would that mean in regards to their blood, their effect on the supernatural and would they be safe at all when their life is full of constant danger? Would it really make things any better?
Either way, Nate is just consumed by the fear of losing MC. Coupled with his own guilt and fear of hurting them... I can't wait to see how this conflict will unfold in the next books!
And I love that we could finally scratch the surface of Nate's and MC's feelings about Nate being a vampire while MC is not and have a meaningful, albeit short, discussion about it! So much so, that I had to try every dialogue option here, so if you haven't seen them yet, here you go:
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illithiddatingsim · 3 months
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…a little close there bud
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time-slink · 11 months
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u ever look at pictures of everyday people hanging out and smiling and laughing and think wow i love us i love people i love love love. man.
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ninjigma · 2 years
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A quick Codywan wedding? On my blog? More likely then you think.
It is now 5am but my only regret is not having the energy to draw Cody as well (for now).
Not pictured: Rex with a hand on Cody’s back to make sure Cody doesn’t faint in front of everyone. But Padme knew exactly what she was doing when Obi-wan showed up with basically nothing but the colour scheme as inspiration, and the look on Cody’s face is the exact outcome she planned for.
Also, Obi-wan 100% uncoupled and dropped that pretty cloak to the ground the second he was at the alter. Anakin insisted during the outfit brainstorming that it HAD to happen. Bonus: it worked wonders to break any nervous tension left as most everyone laughed at the familiar antic.
And I accept that I’m always so wordy, but small announcement so it doesn’t seem like I disappeared. I had an amazing and hilarious comic idea in the middle of this that I want to create. But it will take me a while so I will be a bit absent while I work. I am sure y’all will enjoy it though. If you like Codywan anyway. RIP my other WIPs.
Enjoy!
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oblako · 5 months
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she is just a girl who is so so scared </3
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