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#That feels Rude.
twig-gy · 18 days
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wh
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bitchfitch · 1 year
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I Need To Stop Writing my fics out of order. Like, I can post oc bullshit whenever bc nobody is actually trying to read that crap like a full story, but the fanfics? I'd be drawn and quartered if I published a fic on AO3 bits at a time and out of order.
Like I write for Me, but I make myself feel too many emotions and need to inflict my shit on other people too or I will die.
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taffywabbit · 5 months
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they should invent a new type of "staying in bed for 2-3 hours after you wake up repeatedly opening and closing apps on your phone" where it makes you feel awesome and energized and emotionally fulfilled
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comfytaire · 8 months
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severely unwell. thanks mr hozier
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braisedhoney · 4 months
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fighting back? against who? they're so happy—they've been waiting for you.
you are wonderful. don't you know that?
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bonus: they play sims together :)
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buggachat · 10 months
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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ovegakart · 11 months
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what if tho
next>>
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asurrogateblog · 1 month
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I'm sure he'd prefer to be alive but there’s also no way that john lennon wouldn’t be a at least a little self-satisfied with the idea of his death permanently making him the center of paul’s universe. he doesn't seem like the "you need to let me go" type. he seems more like the "if you don't cry over me at least once a week I'm going to start flickering the lights on and off until you have a seizure" type
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samijey · 1 month
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Monday Night RAW(mance) 25/03/2024
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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mcytblrsexymen · 1 year
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thanks for playing!
(an image ID is under the cut, as well as in the image description. the artists credits and their social media links are also listed under the cut - go check them out!)
hey y'all. we've been quiet a bit. that being said, we have one last thing before we get this event behind us.
this was a really special thing to be a part of. what started as a silly joke we didn't think would get very far ended up being a cultural event within the fandom. thousands of votes, participation from everyone, a thing we'll never forget. we can't express enough how exciting it was to be a part of everything. we, the mods, had a fantastic time with everything. a once-in-a-lifetime kind of experience, you know?
but it wasn't us that made this what it was. it was you all.
we just want to say, from the bottoms of our hearts: thank you. thank you for all the campaigning - for a while, it was practically all we could see. thank you for all the fic - we have a canonized ao3 tag, that's wild. thank you for all the art - several fandoms were practically revitalized by this and it was beautiful to watch. thank you to the ccs who went along with the bit - it was a delight to have you playing in here with us. thank you for the stories you told with this. for the narratives you created. for alliances we would have never seen coming, for betrayals, and most of all for being here, together, doing this. thank you all so much for making this what it was.
anyway, so this art is my thanks to everyone. i commissioned a number of artists from as many different fandoms involved as i could find in hopes of capturing some of the chaotic energy of what might be some of the single most insane two weeks of my life. (and click on the piece so tumblr compression doesn't ruin it - there are SO MANY FANTASTIC DETAILS to look at!)
cheers, everyone. thanks for playing. you've made something special that i don't think we could ever create again, and it was a moment to remember.
<3, second and the sexyman mod team.
ART CREDITS:
confetti @bdoubleowo: goodtimeswithscar, technoblade, ldshadowlady, scott smajor
genesis frog @aroaceacacia: joe hills, saintstarling, itssubz, rtgame, composition, lighting/shading adjustments
siren @chronophobica: zombiecleo, grian, ranboo, tubbo
fluffy @fluffy-papaya: pixlriffs, vikingpilot, zloyxp, rythian
colten @malewifeph1lza: slimecicle, captainsparklez, jschlatt, dream, illumina
kish @kishdoodles and brynn @brynnticus: docm77, aimsey, mythicalsausage, orionsound, clownpierce, eddie the rabbit, owenjuicetv, seapeekay, ashswag, lighting/shading adjustments
td @paradoxalriven: quackity, ethoslab, stage
thank you <3
image ID: a portrayal of the mcytblr sexyman competition, as done by seven different artists, each with their own artstyle. it portrays many mcyters crowded around a stage, onto which a spotlight shines on the finalists. scar and joe are posing at each other in competition. to the right, quackity is climbing onto the stage, boosted by etho. around the stage there are a number of additional mcyters; technoblade, ldshadowlady, scott smajor, saintstarling, itssubz, rtgame, zombiecleo, grian, ranboo, tubbo, pixlriffs, vikingpilot, zloyxp, rythian, slimecicle, captainsparklez, jschlatt, dream, illumina, docm77, aimsey, mythicalsausage, orionsound, clownpierce, eddie the rabbit, owenjuicetv, seapeekay, and ashswag can all be seen cheering on contestants, talking to each other, and watching the competition. there are additional nondescript shadows around the stage in the background, implying an even larger crowd. the image also has the logo for the competition on it.
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theswedishpajas · 9 months
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Inspo from this random short I stumbled into on youtube today
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arttsuka · 19 days
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TAG GAME
get to know you better game! answer the questions and tag 9 people you want to know better.
last song I listened to: at the time I was tagged I think 'love crime' (that one song from the ending of the hannibal tv series) but at the time I'm actually posting this it was 'personal jesus' by Depeche Mode.
currently watching: the Saw movies (I only have 'Saw X' left and I'll be done with that), the spiderman movies (all of them, in no particular order). Also I'm trying to find the time to properly watch the star trek movies again.
currently reading: Nothing. I'm searching for a 'complete Sherlock Holmes' edition to read all the stories thought.
currently obsessed with: umm, nothing actually. I'm still really into star trek, lupin iii, sherlock holmes and a lot of other things (batman?) but I not hyperfixated in any of them in particular at the moment :/
favorite color: deep red, dark blue (with black/gray undertones), forest greens, yellow...
tagged by: @hope-of-enterprise thank you for tagging me, I have no idea if I did this correctly though (also I'm pretty sure this 'tag game' started as a chain of reblogs or something but got 'broken' along the way and I'm too lazy to track the original post)
tagging: I don't think I even know 9 people but here, let me try by tagging some people that I have actually interacted with. @yirima-chai , @sawbones4117 , @starrycrowz , @kaklord , @kabbage-potato , @purpleenma , @scummybee , @bakersttardis , @current-events-mc
If you've already been tagged in this uhh, ignore it I guess.
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pankiepoo · 3 months
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mephone4 and that annoying bitch
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adhd-languages · 4 months
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When someone speaks a foreign language in public and I’m desperately trying not to stare like I’m sorry I’m not racist I just desperately want to hear the different vowel sounds you’re making. sorry.
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dykefaggotry · 2 months
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the way ppl see the star of david now is actually so gross and blatantly antisemitic it makes me sad. my gf's mom, who is jewish, got me a star of david pin w the trans flag like a year ago and I have it on a beanie I wear to work at a coffee shop sometimes. and today a group of Young White Gays came in & were staring me & the damn hat down like I'd spit in their coffee and they start whispering amongst themselves going "first starbucks and now this?" like abt the starbucks boycott lmfao I'm like
begging yall to understand that the star of david =/= israel and you assuming everyone you see wearing it is some violent islamphobe is actually incredibly shit. you should probably work on that. I've heard WAY too many stories of jews lately actually literally getting attacked for wearing one, which is much worse than annoying comments at a coffee shop to someone who's only jew(ish). if you Don't see an issue w that I really don't know what to say
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