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#So he is going to go about this in the entirely legal way
chaifootsteps · 22 hours
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Full Moon anon, ask 2/2
OK, let's go back to these so called defences of Stolas
Blitzo isn't entitled to the book
Blitzo could negotiate his way out of the deal
Blitzo could do another job
it's not coercive because Stolas will give him a month or two off if he's sick/not feeling up to it
Blitzo enjoys sex and is fine making transactional deals/treating sex like a trade to get what he wants
Blitzo should know Stolas cares about him for more than sex because of the list of things he describes Stolas doing in Oops
First one - Blitzo isn't entitled to the book. That's true; it's not Stolas' responsibility or his fault that Blitzo founded a business around having access to the grimoire after he stole it. But I also have seen absolutely no one suggest Blitzo is entitled to the grimoire.
What I have seen them suggest is that Stolas could have proposed literally any other arrangement for the book, or none at all. He could have just taken it back. He could have told Blitzo about the Asmodean Crystals way, way sooner or helped him get one. He could even have punished Blitzo for stealing. Bottom line is, no one forced him to handle the situation by extorting Blitzo for sex despite having no reason to believe Blitzo would have been happy sleeping with him once a month - they had a one night stand then Blitzo started ducking his calls. Stolas assuming Blitzo would be happy trading sex for the book is his own delusion.
Also like - it bothers me no one acknowledges the sketchiness of Stolas mentioning explicitly 'you know how I've been permitting you to access the mortal realm less than legally for some time now?' In Stolas' own words, he let Blitzo have the book with no strings attached for some time, despite knowing it was illegal, and then when Blitzo was starting to get the business off the ground with a client he called up to change up the deal (and again, he waited until Blitzo had no time to think and didn't make it a proper transaction/business discussion).
That's way crueller than if he had just refused Blitzo the book before he'd started the business. Stolas knowingly broke the rules and was irresponsible with the grimoire, presumably because lending out the book gave him an excuse to keep calling Blitzo to do dirty talk over the phone (and then get hung up on, at least back when the pilot was canon). He was already seeing his book as a transactional way to have a one sided thing with Blitzo. Whatever it is he even does with the book as part of his duties he doesn't even care to have it in his possession apart from once every month and he doesn't care enough for the grimoire to protect it. He consistently sees it as a way to get what he wants out of his 'affair' with Blitzo.
Second one - Blitzo could negotiate his way out. This argument is annoying to me, to be honest, bcause it rests entirely on framing the argument through how the writers treat Stolas now and not how they wrote him back in Murder Family. Murder Family Stolas cares so little for Blitzo's well being that he shows zero concern when a gunshot goes off right next to Blitzo's head - given where Blitzo was holding the phone, it should've been pretty darn loud in Stolas' ear but all he has to say is 'then let me keep it simple: give me sex once a month or no book'. Stolas so far has not developed into understanding this was wrong (anyone's guess whether full moon will see him take 100% responsibility for the way he pitched the deal or not), they've just magically retconned him into the kind of person who wouldn't have done that in the first place (or so they tell us, a lot of what we're shown Stolas is like suggests he still has the same classist neglectful habits as s1 - only now we're supposed to think that's funny or Via should shut up whining)
anyway, It's kind of weird to suggest Blitzo should negotiate his way out when Blitzo circa season 1 was dealing with a way crueller, colder Stolas. He had no reason to assume that Stolas would hesitate to punish him for trying to wrangle his way out of the deal, not when he spends the entire Loo Loo Land trip ignoring Blitzo's boundaries and even as late as Truth Seekers (one episode before Stolas goes from just interested in sex to suddenly in love with Blitzo) he hammers home the message to Blitzo that even his help comes with transactional strings when he asks for a thank you for saving Blitzo's life and doesn't balk at Blitzo's assumption that he wants sex. Why would Blitzo, knowing what Stolas is like in s1, even bother trying to reason with him? In Stolas' own words, he's the owl's 'plaything'. You don't negotiate fairly with playthings, you pinch their cheek and put cigarettes out on them.
Third one - Blitzo could do another job. He could, sure. But I find this a weird line of argument since it assumes that it's fine to question Blitzo trying to rise above his station by starting a business that requires access to the human realm, but it's never fine to question why it's OK for Stolas to just be handed the power to get to the human realm. Also, like - going off Blitzo's dialogue about the business not killing people in Hell anymore, it implies maybe the business was based around Hell hits originally but that didn't work out for some reason, so they pivoted to a new USP. And given the economic precarity most imps are in, it's pretty unempathetic to say Blitzo should just give up on his business and get another job when he has a daughter to support and 'another job' in imp terms from everything we've seen in the show likely means low paid menial labor. It's fine for Stolas to have all the money and power that gives him, but Blitzo should be non stop judged for being poor wrong, for daring to want access to resources that were just handed to royalty for no other reason than birthright and succeed past expectations. If he didn't want Stolas extorting him for sex he should have been happy being a farmer providing food for everyone else, or being a butler to someone like Stolas who likes to use them as stress balls when he's mad at his wife!
Fourth one - it's not coercive because Stolas will give him a month or two off. I don't even think this kind of argument deserves dignifying with a response tbh. If Stolas treats Blitzo kindly or cruelly in this arrangement, the arrangement itself is still coercive. If Blitzo cannot easily end it as and when he wants to due to his economic circumstances, it's coercive. The circumstances Stolas used to make the deal were coercive. Period, end of.
Fifth one - Blitzo enjoys sex and is fine making transactional deals/treating sex like a trade to get what he wants. Two things here. We see him seduce Stolas to get the book the first time, but he wasn't actually interested in sleeping with him - he wanted to leave. He went back out of pity; it wasn't his original intention to trade sex for the book. Second, Blitzo enjoying sex doesn't make the circumstances Stolas used to pitch the deal any less coercive. Also, Blitzo enjoying sex with Stolas is very much something written in to season 2. Where is it hinted he actually enjoyed sex with Stolas in s1?? He spends the Loo Loo Land episode rebuffing/being annoyed by Stolas' advances and he's outright indifferent post sex in Harvest Moon (and it visibly gets to him when Striker says he shouldn't have to demean himself to be able to run his business - why is that the case if he enjoys being exploited?). Even in the ending of Truth Seekers it plays more like he's clawing what little power he can back by being the dominant one in the relationship. We see very few instances of Blitzo actually being enthused about sexual advances from Stolas in s1, even in some of the instas covering the deal; I don't think it's good enough to just claim this is tsundere behavior. Also there's a difference in a one time quid pro quo one night stand sort of thing and having a sustained affair whether you want to or not to keep your job going. Blitzo freely and enthusiastically jumped into bed with Chaz, partly to get info from M&M. But he did want to sleep with Chaz. He didn't wince in revulsion when Chaz made a move on him, even if the sex they actually had wasn't great due to Chaz being a loser.
Last one: Blitzo should know Stolas cares about him for more than sex because of the list of things he describes Stolas doing in Oops. So this argument goes that regardless if the audience isn't shown anything suggesting Stolas cares about more than sex from Blitzo, Blitzo should definitely know because of all the stuff he listed when he was ranting to Fizz.
I'm gonna be blunt - this line of argument is just rewarding the writers for lousy writing.
They couldn't be bothered to give the audience the sense Stolas has ever given Blitzo the impression he wants more than sex because he refused to end the deal until s2, so they just have the characters polyfill all that in and expect us to judge Blitzo as cynical or unreasonable based on a new relationship dynamic they retconned in just that second. It's even worse when they have long scrolls of blink and you miss it text messages - not only is it lazy but stans act like they have greater media literacy because they paused to read each message, even though important information like that should be in the actual show and not treated like some kind of bonus easter egg.
And just to drive the point home - even if we want to count all these lazy retcons around what the dynamic between Stolas and Blitzo is, it wouldn't matter all that much because their entire relationship is founded on the full moon deal. Until Stolas does something to end it, it's entirely valid for Blitzo to feel Stolas ultimately just wants sex. If someone takes advantage of the fact you can't freely consent to get you to hastily agree to monthly sex then tries to act sweet after the fact, personally I'd be more inclined to feel annoyed that they want to have it both ways and feel like they're a good person treating me like a romantic partner instead of being honest with themselves about how they've treated me until now. And wouldn't you know it, that's exactly what Blitzo tells him at the end of Ozzie's. And if we're counting blink and you miss is text messages as being valid ways to understand their relationship, there's also a text message from Stolas where he says he's sorry 'if anything he said or did offended Blitzo'. He's not sorry for the actual thing he did wrong; he obviously doesn't understand the problem. So if we're counting the lazy text messages and offscreen phonecalls as 'fixing' their dynamic to being cute and sweet on Stolas' end we also have to count the fact that he currently can't bring himself to understand why what he's doing is wrong.
It'd be like if Fifty Shades of Grey followed up that scene of Christian getting Ana drunk on purpose while they're supposed to be hammering out the dom/sub contract with scenes of him being an asshole who doesn't care about her freely consenting to anything just so long as he gets sex, then they tried to 'fix' all that by showing Ana's text history is full of Christian trying to be lovey dovey (while ignoring what the problem is with him getting her drunk). It doesn't fix the fact that she can't properly consent to the dom/sub lifestyle he wants if he gets her drunk while they're talking about it. If anything the audience would probably feel he was more creepy, not less, because he's engaging in lovebombing behaviors while all we're being shown on screen is him not respecting her consent or her as a person. And then being supposed to judge Anastasia for it and not Christian!
sorry for the long rant, it's just - Stolas defending arguments are like hydra. every time one is dismantled a bunch more worse and disturbingly victim-blamey ones pop up in their place. I'm honestly glad I'm giving up on the show for good after the next ep - mostly I'm just rubbernecking to see how bad they're gonna mess the 'breakup' episode up
You don't know how cathartic every last word of this precious sanity was to read. Gonna keep it on hand, when I need reminding that the world isn't completely hopeless.
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restwellsoon · 12 hours
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Afterhours
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Pairing: Jason Todd x F!Reader
Summary: The Red Hood decides to confront you after work regarding a curious rumor you started as an informant. 
/ “You know what I do to bad guys, but what I do to bad girls is even worse.”
Warnings: dubcon, crime lord!Jason Todd/ Red Hood, degradation and humiliation, toys, daddy kink, being called princess, mention of drugs (for the plot)
Scrubbing at your arms to get some kind of warmth, you huffed impatiently. The informant was late. Sure, it was understandable why the Bat would want all contact to be verbal; both of you–well, mainly you–would go down if you were caught. Everyone knew what Cobblepot was capable of. The shorter list of convictions compared to other Gotham criminals didn’t mean that he was less capable, and working for the corporate and legal end of his business meant that you were privy to the real reasons behind the sudden company reorgs.
You shivered before deciding to pace around your office. It wasn’t like the informant to be late. Were they caught? Were you busted? Maybe you should just go home. You spent too many hours working overtime anyway.
The goosebumps weren’t going away. The office A/C that you cherished in the sticky and humid summers of Jersey was now a frigid hell. You weren’t sure of who was punishing you–the Batman or the Penguin.
With the creak of your door, you snapped, “About fuckin’–”
The last word fell into the nylon carpet as you stared into the glowing eyes of the Red Hood. The door slammed shut, and he left it unlocked. It didn’t matter. You knew you wouldn’t be able to get past him anyway. Instead, you froze in front of your desk.
“Yeah, let’s talk about getting fucked.” The robotic drawl of your full name in perfect pronunciation made you grimace as he stepped towards you. Any thoughts of him walking into the wrong office and getting the wrong person were gone. “That was pretty ballsy of you to drop my name in your conversations with the Bat.”
You couldn’t even deny his accusation. You thought you were being clever, that maybe you could do some of that double-crossing shit that the vigilantes and villains played so easily. It seemed easy because you were an amateur; maybe you were fucking up this entire time. All you remembered were the extra zeros in your bank account as you played Batman and your boss.
“Mr. Cobblepot has an image to maintain,” you told the informant–Spanky? Or was it Matches? Either way the name was ridiculous–“so he wouldn’t intentionally let this new drug hit his clubs.”
The latest street drug in Gotham had a similar chemical compound to drugs like buprenorphine and chlordiazepoxide. They eased the symptoms of withdrawal, making a more tolerable and safer transition into sobriety.
“So you’re saying that sobering up his clients isn’t in his best interest?” His mustache twitched, and you wondered if it was glued on or real.
“Exactly. His regular clients would seek out other dealers to get the high they’re used to. They don’t go to the Iceberg Lounge for the atmosphere. They go because it’s one of the safer options to get snowed. Who knows what sort of diabolical shit is mixed into the Black Mask’s supply?”
His mustache wiggled as he hummed. “Well, if it isn’t the Penguin, who else would put this on the streets?”
The informant paid close attention to your words as you paused to give him a new lead. 
“Well, if you're looking for the name of a cartel or gang, I wouldn’t be able to tell you. I don’t know much about its manufacturing or distribution. I work in communications, so…” 
Crossing your arms, you blew some air as you tried to think of a name to distract the Bat and keep your wallet fat. “The only crime lord that would benefit from this is the Red Hood, don’t you think?”
Ever since he first showed up on the scene, he’d been adamant about cleaning up the underbelly of Gotham. His strict rules against selling to kids made the areas he controlled safer. Commissioning this drug and letting it hit the Gotham market was a way to help addiction-addled neighborhoods rebuild. 
His expression was unreadable behind his dark glasses. The only way you knew that he was satisfied with your answer was when you heard your bank app ding with the agreement that you’d meet again in two weeks.
At the time, you thought that mentioning the Red Hood was ingenious. Compared to other criminals, the Red Hood seemed to be less vicious towards women. Since his rise to power, there hadn’t been any reports or news about him or his henchmen attacking them. If the informant wanted you to name drop someone, you were going to choose someone who would maybe spare your life. Yet seeing him up close gave you some doubt.
You swallowed your nervousness as you edged to the desk. Your hands blindly reached for something that could do some damage, but alas, your laptop was packed away and your pens were in their drawer.
“Look,” he sighed, “if you’re gonna play dirty, you gotta make sure your opponent can’t find dirt on you.” It was a roundabout way of calling you a dumbass.
You half turned to watch him circle round your desk, kneeling to dial in the combo to your locked drawer. Stupidly, you got closer when you heard the click that told you he opened it successfully. Using your birthday backwards as the combo was enough to deter nosy co-workers but clearly wasn’t not secure enough to deter a crime lord with a vendetta. If you made it out alive, you promised yourself that you’d change all of your passwords to something with stronger security–you’d even make sure that you didn’t repeat them on several accounts.
“Jesus,” the Red Hood laughed through his modulator, “you got the rechargeable one too? I’m not sure if Cobblefield ain’t paying you shit, batteries are expensive, you’re environmentally-conscious,, or it’s some combination of the above.” 
The sight of a cross-armed Red Hood with your rabbit vibe in his hands was something you’d never imagine in your wildest dreams.
“Your little toy isn’t the only thing I found out about you.” 
Oh god, what else did he find? Your face felt hot from embarrassment.
“Did you know that the sites you go on and the things you search can still be tracked by an establishment’s WiFi network log?” 
He was grinning beneath the mask, you just knew it. Bastard. 
“Yeah, even if you use your phone on private browsing… Crazy, right?”
All you could muster was a choked ‘yeah’ as you tried to recall everything you looked up in the past week. It was highly likely that the Red Hood looked back at least a month. Now what did you search for that wasn’t related to work?
You didn’t have to recall. He listed it out for you in a painfully slow and enunciated manner.
“Red Hood shirtless, Red Hood legs spread, Red Hood dick size, mask or helmet kink, intro to BDSM, what is a service top… And this was just within the past two weeks, goddamn.” He shook his head in judgment. “Should I continue?”
Fuck.
You couldn’t show fear to these types of people, you learned early on in your career. That’s what they got off on.
“What’s wrong with a woman having a healthy sexual appetite?” You asked defensively. “You some kind of prude or what?” That seemed to get a genuine laugh out of him.
“See, here’s the thing,” he told you, helping himself to your luxury office chair, leaning back as his boots settled on the desk. “Everyone thinks that I’m a bad guy, that I just blindly use violence to punish even badder guys. ‘There aren’t any brains under that hood! He’s just some beefy bastard with a fat cock! An idiot! A dunce!’” If he was speaking in some high-pitched mocking tone, his modulator didn’t catch it. It stayed in that robotic monotone.
Jason paused for a second to see if you’d agree, forgetting that a normal reaction was to be scared shitless and mute. When you didn’t make an indication of anything, those combat boots of his hit the carpet with a thud, chair screeching and lurching forward to see your face. Your toy laid forgotten on the desk.
Audibly you swallowed as you looked at him–well, not really him but the mask that he wore, the bright white of his eyes a stark contrast to the cherry red of his helmet. It was the mystery of what he looked like beneath it that drove your imagination wild. What color were his eyes? His hair? How full were his lips? Did he have scars?
As if knowing that you wanted a better angle, he tilted your chin to comply with your unspoken wish. It wasn’t as if it changed anything; you still knew nothing of his looks, but the cool leather of his glove made you more aware of how starved you were of any kind of touch. That healthy sexual appetite you claimed to have suddenly turned into hunger pangs.
“There was a lot of thought put into this plan, sweetheart,” the Red Hood chided.
His glove left your face to press on some hidden panel close to his jaw. There was a soft click that loosened his helmet.
Then you heard him–somewhat muffled and low and incredibly human. 
“See, I’m giving you a pretty sick deal. You get to live out one of your fantasies in exchange for recanting your statement to the Bat. Even if I have nothing to hide, I hate whenever the old man comes sniffing around. Don’t worry. I’ll even promise my protection too in the event of retaliation–from him or Cobblepot. Do we have a deal or not?”
Your voice came out breathier than you realized. “And if I say no?”
He made a show of taking off his helmet, and to your surprise, a red domino mask covered his eyes. Tousling his dark curls, he pursed those perfect lips, “Well, shit. When I was searching through those logs, I figured that you’d be so horny for me that refusing wouldn’t even cross your mind.”
It was starting to make sense why Cobblepot was always irritated after dealing with the Red Hood. You laughed. “Look Hood, the quips were cute at first, but they’re getting old fast. You’re so full of yourself. Now tell me what happens if I refuse.”
“One, if you say yes, you could be full of me too.” You imagined that if he took the domino off that he’d punctuate that sentence with a wink. “And two…”
You could hear the smile in his voice along with something devious. When did he get so close? He was slotted between your legs as you sat on the edge of your desk. The cool feel of his gloves pulled your arms back and held your wrists there, leaving you captive to whatever he had to say.
“You know what I do to bad guys, but what I do to bad girls is even worse.”
“Oh yeah?” you breathed out. Fine, you’d admit it. That was fucking hot. “Then show me.”
“Show you what?”
His thigh nudged your center, pushing your dress skirt up with the motion.
“What you do to bad girls,” you said through gritted teeth. His hold on your wrists kept your upper body in place.
“Say it for me first.”
But that didn’t mean that you couldn’t use your leg to drag him closer. You hooked one leg behind him. Now you could feel his length against you though he wouldn’t budge otherwise.
“Please.” 
Nothing.
“Daddy, please.”
“You can be obedient when you want to be, huh? Fuckin’ brat.” Jason found amusement in your frustration. “Sorry, but those aren’t the right words. Do we have a deal?”
“Yes.”
“Yes what?”
“Yes, we have a fuckin’ deal.”
Finally that thick thigh was back to putting sweet pressure on your clit, the Red Hood’s slight movements providing teasing friction that kept you slick.
“Atta girl, princess. ‘Fraid I gotta shut you up for a few though. I know your performance reviews say that you’re well-spoken, but they made no mention of you being so damn chatty.”
Before you could talk about the irony of his comment, Jason let your wrists go and stepped back, using his free hands to unzip his pants and pull out his cock and balls. Your mouth hung open at the sight.
Giving it a stroke upwards, his balls followed the movement. Jason smeared his precum over the shaft, giving it a nice shine before ordering you to lay flat on your desk with your head hanging from the edge. His sack looked heavy and full.
“So this is what you meant–”
“Less talking, more sucking,” he grunted, taking the opportunity to shove the tip into your mouth.
The girth was unexpected as your jaw stretched to accommodate his size. You gave it a suck before relaxing your throat to take more of him. Jason eased into you slowly, watching as you swallowed as many inches as you could before pulling out and smearing his spit-laden cock across your mouth. You jerked him while gently sucking on his nuts, thinking about the reward you’d get if you could edge him long enough. The thought of him filling you up with a big, hot load made your center ache.
So focused on your thoughts, you hardly noticed that Jason replaced himself with your toy, watching as your drool frothed and dribbled down your chin while you gagged.
“Be patient with me, princess,” he murmured as he leaned across your body, vibe in hand, to push your panties aside, cock pressing against your cheek. You tried to move your head to take his length but the Red Hood’s weight made it difficult to do so.
Jason wasted no time shoving the entirety of the toy inside you, making you gasp. If you wanted him as desperately as he thought, then he had to prep you well so you could take him.
“Patience,” he lightly scolded you. “Damn, if I knew you were this needy for Daddy’s cock, I would have come earlier so the fun could last longer.” He placed himself back in your throat.
Slow deep breaths through your nose, you reminded yourself. It was difficult though when he was facefucking you in sync with your toy. There was little room for your moans and sighs to escape.
He most definitely understood your muffled ‘FUCK’ when he turned on the toy though, both shaft and rabbit ears vibrating. Your knuckles were white from desperately clutching at whatever you could; you needed something to keep you grounded from the assault on your clit, toy shaped perfectly to hit your G-spot.
The vibe kept making you moan, making your throat squeeze in ways that would make Jason cum early. “That’s it for now,” he said to deaf ears, pulling out to focus on playing with your pussy. He repositioned himself so one hand controlled the toy and the other held you down.
“Is this all you got?” You taunted, sweat catching the neon lights from the window. Your hair was disheveled and stuck to your forehead. Your legs quivered. You looked pathetic. 
The Red Hood laughed, and you weren’t sure of what you wanted more of–that mocking robotic modulator or the rich tones of his real voice.
“The way your lips are wrapped around that toy tells me that’s more than enough. If you want this,” his cock was still perfectly hard and this angle highlighted the thick veins that lined his shaft, “then we need to take our time. Luckily for you, I have the patience of a saint.”
“Well, I don’t. Sit down, so I can fuck you.”
He was used to more demure requests to ride him, so your brazen words lit something inside Jason. Fuck it, he thought. He was still annoyed at you mentioning his name to Bruce. It wouldn’t be the end of the world if he watched you struggle to take him.
The toy came out with a yank, your pussy aching. The emptiness was only temporary though. There was something more filling, waiting for it.
Seeing that slight look of surprise on his mouth was worth it as you pushed him onto the chair, spitting on his cock before straddling him. Your panties were lost in some dark corner along with your bra. Your disheveled office wear struggled to maintain your modesty with loose buttons and crumpled fabric.
“Mmfph–fuck!” 
Your nails dug into the Red Hood’s shoulders as you tried to find your pace. You had about halfway more to go.
“Told ya,” he said smugly, reaching beneath your dress to squeeze your ass. He buried his face in your tits, sucking on whatever flesh he could. You gasped when he finally reached your nipple, his tender suction making you shiver.
“Big motherfucker,” you grumbled, bouncing up and down on what you could with his help.
“Damn, you feel good,” Jason sighed. 
Lately he’d been so focused on the complicated aspects of his line of work; it seemed like he could never just chill and do something for himself. Isn’t that what all the experts say? That self-care was important?
So when one of his informants told him that Bruce and his band of bat brats were poking around his turf, Jason’s first thought was to dispose of whoever Bruce paid off. When the informant said that the rat was the Iceberg Lounge’s hot publicist, he considered his first reaction too harsh, that perhaps it’d be best if he investigated this personally. Oh, he was so fucking glad that he did.
With each bounce, he pushed you lower on his length, and he’d go by half-inches if it meant reaching heaven. Fucking you with the toy first was a brilliant idea. Even though you didn’t say it, he knew you came. That’s why you were struggling on his cock. That cute little cunt of yours was still spasming from your first orgasm. How could anyone be so tight and wet, he thought, and for him.
He sat back and watched as you kept riding him with frustration. Your sweet pussy nectar was pooling at the base, and the lewd sounds it made was music to his ears. But the sound of his balls slapping your cheeks would be even nicer.
“Good effort, princess, but you’re starting to look pathetic and needy and desperate. What?” He laughed, swiping his thumb along your pout. “It’s cute. Daddy’ll take care of you.”
He hoisted you off him with ease, giving you another reason to make your pussy throb. A part of you wanted to ask him to fuck you while standing or maybe against the wall. No! A small rational voice told you. Let’s see what he does first.
Laying you on the ground, he pushed your legs back with your ankles on his shoulders, exposing your cunt to cool air. It was slick and puffy from all the work you put in. Taking two fingers, Jason spread your lips so he could tease your clit. Each little movement made you twitch. 
Perfect, he thought. He knew how to get you where he wanted. The feeling of his thick, heavy tip rubbing your most sensitive spot made your toes curl as you huffed and moaned at his touch. Your hips pressed up in a weak attempt to slip it in. Your heels were nearly dangling off your feet from the movement.
“Since you want this cock so badly, I’ll give it to you, princess, but we’re doing it my way.”
Eagerly, you nodded. Your way, his way. It didn’t matter as long as he was in you.
Yet quickly you found out that you shouldn’t have agreed so readily. He moved impossibly slow.
“It’s a shame,” he tried to make small talk, one gloved hand carefully keeping the distance between you and his cock while the other balanced his weight above you, “that you chose to work for Cobblepot. How bout you work for me instead? Name your salary–I’ll double it. As a bonus, we can even fuck whenever you want.”
“You act as if I need your cock.” 
Ignoring your tone, Jason stated the obvious. You did. Your body practically melted in the carpet when he went completely in.
“Look how full you are. You think you can go back to your toys or another man’s cock after this? I ruined you, princess.” Instead of sounding remorseful, he was proud. “I bet in the days after, you’ll be thinkin’ ‘bout how empty you feel without me.”
You didn’t want him to have the satisfaction of being right–his cock felt so good once you got through that first bit of discomfort–but there was no point in being stubborn. The Red Hood didn’t intend on having you hear him out. He was going to show you.
He fucked you as roughly as you imagined, using long strokes that left both of you breathless. There was something erotic about the sudden silence. There was only heavy breathing and moans, slick sounds and pounding.
And when you came, it was like the lights cut out, eyes squeezed shut for total darkness. The only electricity existed in his touch, sparking waves of pleasure throughout your body.
Uncertain if you actually dozed off or not, you woke up to a familiar mechanic hum. He had his helmet back on, his clothes back to their baseline level of grunge. Perhaps it was because of the intimacy you shared, but the Red Hood seemed far less threatening now compared to the start of the night.
“Don’t forget about the deal we made,” he told you, standing near your feet.
Like him, going back to how you normally were was easy now that lust no longer clouded your actions.
“And what if I don’t?” you asked, standing slowly from sore muscles. “Like you said earlier, I am a bad girl.”
“I’ve already planned for that.”
You tried to fix your dress to the best of your abilities. It was no use though. It was a poor victim of your decisions.
“Well, if that’s the case, expect another visit.” 
You stalled, letting the fabric fall as you tried to decipher his meaning behind the modulator. Was that a threat or a promise?
“And next time, I’m coming during office hours.”
You let the warm sensation of his cum sliding down your thighs decide for you.
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chaosclimber · 2 days
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teacher
“Sir.” The word was clipped and formal. “Your son is doing just fine in his classes. We called Robyn’s father in, not you.”
Dream took a deep breath in, silently, fighting the urge to pinch the bridge of his nose. So, this was how the math teacher was going to play it. Well, there was a reason he was here and Hob was not, and it was purely because he was much better at the kind of political posturing that would actually get this sort of teacher to back down. 
Robyn’s accommodations were not being respected in his math class. And that…well. Dream, certainly considered that a problem. 
“Odd. I know for a fact we updated both Orpheus’s gender markers and my marital status with the school–the secretary was grumbling about it, but accommodating. My child is not a boy, ergo, not my son. But Robyn, by marriage, very much is.”
Mrs. Smith blinked a bit at that, but carried on. “Very well. If Mr. Gadling could not be bothered to attend this meeting, this will have to do.”
Dream interrupted once more. “You did not ask for a time to schedule this meeting. If you had, you would have known that there was no possible way for Mr. Aeturnus-Gadling to make this meeting, as he had already committed himself to his undergraduate students. But you never reached out to us, you merely sent Robyn home with a note saying we were to meet you at this time.” He maintained a level tone, staring just below her eye line. This promised to be a long meeting, and a frustrating one, and he was certain he would have to make true eye contact with her later. Best approximate it for now. “But no matter. This, as you say, will do. I expect you are going to explain why Robyn was not allowed extra time on his test. Or extended due dates on his homework.”
“Those sorts of things just don’t happen in my classroom, Mr. Aeturnus.” She pronounced his name Atturnis, as though he hadn’t corrected her during the parent-teacher conferences at the beginning of the year. And she ignored the second half of his name entirely. “See, I don’t think Robyn actually needs any of it. He’s a very smart boy, and if you give him excuses to be lazy and disorganized, he’s never going to learn.”
“He has a documented learning disability. Intelligence has nothing to do with it. We have provided all the information needed, it is now your legal responsibility to honor his accommodations. If you continue to refuse, I will be taking this matter over your head.”
“Principal Latimer supports his teachers against bully parents.” 
He was the bully? For ensuring Robyn got what he needed? Oh, that was rich, indeed. He shifted his glance so he was making eye contact with her, maintaining it in silence. As the moment stretched on, she clearly began to feel the weight of his unflinching gaze, because she started shifting in her seat. He kept staring for another few moments, then broke the silence. “Principal Latimer will be part of my complaint to the school board, as well, then. If anyone is being the bully in this situation, it is you.” 
Well. Maybe this wasn’t going to be that long of a meeting after all. Mention of the school board seemed to shut her up rather quickly. “Robyn will not be serving that ridiculous detention for homework that he was able to turn in the very next class. If any action is taken against him, or if his accommodations are not honored going forward, you will be hearing from me.” 
She paled and nodded, a clear dismissal. 
Dream glided out of the room, hiding his smirk until he was out of Mrs. Smith’s line of vision. Hob would love hearing this. @domaystic
crossposted to AO3
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bigtreefest · 1 day
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Chapter 2: Cooks in the Kitchen
From: The Rainmaker Series
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Pairing: Mob! Steve x Forensic Scientist! Reader
Summary: Everyone hates a backseat driver. And a surprise guest when you’re not at your best.
Word count: 3,234
Content/warnings: TW: dead body and all you would expect in forensic science, I tried to make this not graphic, mentions of bruising, mentions of torture and abuse, sassy and borderline mean reader, awkward Steve who overthinks, reluctant? flirting, allusions to and mentions of murder
Author’s Note: For my dearly beloved @krirebr please know that you’re loved and appreciated by us all. I hope this helps, just a little bit. (Extra angsty, hopefully to your tastes)😘
What I’m gonna say is Decks seems very on edge compared to how she was before. Her guard came up out of ‘nowhere?’ Hm, that’s weird… or is it?
Anyway, these are Loupe glasses, if you’re wondering. They let you see tiny things up close and at a better angle.
Comments, reblogs, asks, and any feedback is so welcome and appreciated. Thank you for reading!
Dividers by @firefly-graphics
< Prev | Series Masterlist | Next >
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After your weekend at the farm, Steve drove you home to return to your normal life. As much as you loved being out in the country, city life was definitely more your speed. You immediately went back to work and were happy to keep your busy routine going. Sure, a weekend away from screens and solvents was a breath of fresh air, but this was where you thrived.
Despite the way there were new, more outlandish cases to deal with, the days were surprisingly routine. Come in, visit a crime scene, run some tests, go home, do it again. You lived for that sort of zen. The detachment of simply putting your head down and getting to work was what you were used to, and then once you were home, it was like a sanctuary. You could lounge, pick up another hobby out of the thousand you’d already started, and crawl into your fresh sheets.
It’s not like you were entirely a hermit, though. You got along with your coworkers and would commonly joke around with them, but first and foremost, you were a proper worker, doing your job. When something really needed done, you’d lock down in the lab, music blasting, and crank out results.
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Steve was the same way. He tried to keep his days as routine as possible, despite the way work brought something new everyday. Rival gangs needed monitored and law people needed bribed. Shipments and production needed to be kept on a tight schedule and up to pace with increasing demand.
There wasn’t much time for it, but he’d found certain images and memories start to take hold in his mind. They were different from the grade school ones of Bucky, or his times learning the ropes of his trade, or the first suit he’d ever worn. They were new, they were…warm? Lacked that same rigidity? They were of you. Driving his car effortlessly, petting a baby goat as it bleated happily, teaching him to dance…small, little moments that he couldn’t let go of, but he didn’t have time to replay enough.
He did his best to stay proper in his business dealings. Steve was known for his gentlemanly demeanor, truly a golden boy of the underground, or…at least as much of one as an individual could be given the legality loopholes he was constantly trying to jump through.
On the outside, he was smooth as a beach. Fluid with the crashes of waves this industry threw at him. He’d gotten good at rolling with the punches without a single blond hair out of place. But inside? It was a hurricane. The wind raged and echoed in his ears, putting him on edge. It was sensory overload.
Everyday, he found his attention wanting to wander more and more to that simpler time, not romanticizing it for the lack of pressing responsibility, but for the fact he spent genuine moments with someone who was unlike those in his world. Unlike the men so obsessed with maintaining their place on top or squashing others to get there. They were all about the money, but you were working for the people, and for the betterment of the city. To solve cases and give peace to families. And Steve knew he was all too often on the other side of that, even if he prided himself on only taking out the worst of the worst. The ones who deserved it. They were the ones endangering women and children, who to him, were the distastefully vulnerable and undeserving of wrath, despite the fates they were met with from the awful men Steve rid the world of. He wasn’t breaking his set of morals and rules, he was just breaking the law sometimes. Steve was a good man, he just happened to make his living doing bad things.
He didn’t have time to reflect on that right now, though. Things had seriously picked up in recent weeks. Bucky was soon to return, but it didn’t help that Steve felt like Lloyd was unrelentingly on their asses. Leading the organization when it came to the normal stuff was fine, but the extra protections Bucky was making him run, along with the extensive research and monitoring was already taking its toll. Steve was used to a lack of sleep, he basically lived on adrenaline and black coffee, but another night where he was fielding calls and sending out directives without a wink was causing his emotional guard to fall.
It was early morning as Steve sat at his desk. He’d ordered Sam to head out hours ago, but as the sun was cresting over the horizon, not even that searing glow could keep Steve’s tired mind at bay. The levees against the flood were weakened beyond belief. The hurricane was about to make landfall.
Just then, the phone rang. It was one of his contacts down at the police station. That wasn’t new, but the specific news was and Steve wanted to be there in person to get every bit of information he could... and perhaps catch a glimpse at the one person who could scratch that new itch in his brain. Maybe, finally, at least he could catch a nap in the car, as Steve called Gio to drive him over.
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Over the couple weeks you’ve been back, you couldn’t help the way your mind wandered constantly, either. Even your favorite playlist couldn’t keep you on track, so you opted for silence, the scenes replaying of your time on the farm doing plenty to help you block out your surroundings.
You were working on a particularly difficult case currently. There was no time for distractions. The overcast sky just added to the ambiance of the feeling that something unusual was looming over you. You pulled yourself out of your thoughts, along with the keys from the ignition, and took a deep breath, letting it out sharply to get yourself ready. When you’d gotten out of the SUV and to the crime scene, Detective Lang greeted you.
“So I’ve got good news and bad news. Which do you want first?”
He guided you along the River walk and down the rocky shore where a victim laid, waves still lapping over her feet as photographers and cops gathered around the scene, surveying it for evidence. A small crowd had gathered along the pathway, held back by barricades and uniformed officers. At least you were here before the news crews.
“Bad news first, always. You know that.” You spoke with a purpose, slipping on your gloves after pushing up the sleeves of your department-issued windbreaker and cuffing your pants so they wouldn’t get wet.
“So far, looks like it was blunt force trauma with a side of torture. Very little evidence to go off of, especially considering there are no open wounds and the tools used for this kinda thing could be in any household.”
You crouched down by the body and immediately took note of the bruising. You hummed in acknowledgement and looked back up at the detective, his head framed by the cloudy, gray sky, the rising sun now hidden. Fitting for a tragedy like this. A woman your age subjected to that sort of an ending…
“And the good news?”
He sighed, looking up at the sky, hands on his hips, before he dropped his head back down towards you.
He winced. “Body’s fresh? Disposal doesn’t appear very well thought-out.”
You nodded and looked around for any piece of evidence that hadn’t washed away. He was right, it was gonna be difficult to pull many testable elements.
“Well, I’ll do the usual work-up, then, and let you know when you’re good to get everything over to the medical examiner.”
He curtly nodded and turned on his heel to speak with the witnesses before you began to pull out your kit, swabbing for anything of note.
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After you finished collecting everything you could, you carefully slipped back through the background and away from the slew of reporters now blanketing the scene. Ugh, you hated those block heads. Especially Lucas Bell, the weird little ray of sunshine you went to school with growing up. For some reason, he thought the two of you were actually friends, despite never having even given him the signal you appreciated his presence. The worst part: you could tell he wasn’t hitting on you. He would genuinely seek you out at crime scenes, that gross happy smile on his face, calling you by the birth name almost no one used anymore in favor of your college nickname. Every time, it was, “hey, remember me, old pal? Great to see you! Any information you’re willing to share?” Who the hell was so chipper when their job was literally to report tragedies?
You bobbled your head as you mocked him to yourself and got back into your work SUV. Ugh, you hated that guy. And all the other reporters. You didn’t wanna be on camera. What if you wanted to work for the FBI one day? Huh? What then? Can’t have your face out there all willy nilly and then expect to be doing covert ops. Nope. You prepared to race back to the precinct, ready to drown yourself in an afternoon of attempting to suck evidence out of a cotton swab caked in river grime and essentially, air, if you could count that as evidence.
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You drove back through the pouring rain. Another thing to be annoyed by. First, the longing for your simple weekend once again, then the intrusive thoughts about annoying little reporters, and now, the near-flooding on the roads. You could hear her in your head now, Bee saying “rain makes corn. It’s a good thing.” You rolled your eyes, to be honest, you liked the rainy atmosphere, but you know what rain also makes? Bad drivers. At this point, it was just best to get back to the lab, buckle down, and stay there, where no one could possibly bother you.
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You were hours in to your intensive testing. Your spectrometry readings gave the smallest peaks, hard to say if the readings actually were something or just background noise. You were happy to put in the time, but something just felt…off. It was infuriating and not helping your mood, but you tried your best to keep it separated from work. It wasn’t perfect, but it was your best. Another small thing going wrong could push you over the edge, though.
You opted to just look at a small fabric sample, deciphering if there truly was some thread of note caught in the weave. You just needed to concentrate and you knew you could find something. You were purely focused and zoomed in, using your Loupe glasses, paired with several lamps overhead, with the highest hopes of even a shred of confirma-
“Decks? More like Specks.”
The sudden voice that echoed through the lab startled you, causing your head to shoot up and bump against one of the metal lamps.
“Ow!” At that same time, the forceps and piece of fabric flew out of your hands and onto the floor. It didn’t help that you knocked into your instrument tray on the way, sending all those onto the floor, as well.
Great, now you had to go to the stock room to find a new package of sterile ones. This was the last set left in the lab. You looked up from where you watched the evidence fall, rubbing your forehead with the back of your gloved hand, eyes narrow at the business man in a suit who was previously leaned against your doorway, now tentatively walking towards you to crouch on the ground.
“Steve, what the hell?” You trailed off for a second. “You and Bee really do have the same sense of humor. I thought she just told me that as a selling point.” It came out as an irritated growl. You rolled your eyes as you squatted down to start cleaning your mess.
Steve laughed. Selling point? Bee talked to you about him? And tried to make him appealing? He wasn’t sure why, but he felt a certain warmth in his stomach at that. He pushed it down as much as he could. Either way, he truly did get along well with her.
“Well you know what they say, birds of a feather and all.” He joined you near the floor after having grabbed a glove, picking up some stray instruments and placing them back in the metal holding tray.
You muttered lowly as you finally stood up and turned away from him, after grabbing the fabric off the floor gingerly and placing it in a plastic protective case. “More like wasps of a stinger.”
Steve disposed of his gloves and looked over the results on your computer. You quickly hit the keys to lock the screen, sure to cast him a nasty glare. The last thing you needed was to get accused of leaking evidence.
What was he doing here, anyway? With those broad shoulders and that skinny waist. What did he even need shoulders that big for? How did he even shop for clothes? You swear his waist was literally the same circumference as your thigh. They don’t carry stuff like that in department stores.
Steve looked at you with a confused glance as you removed your gloves and washed your hands. There was a hint of humor in his voice, but it was mostly filled with caution at your attitude.
“Um, I don’t really shop for clothes? I’ve got a tailor. He’s pretty good.”
After your hands were dry, you facepalmed harder than ever before. You couldn’t believe you said that out loud. Maybe you did need to interact with more people outside of work. You were too comfortable talking to yourself. You took a deep breath before turning around and looking at Steve again. His face now mostly held tentative kindness, and that was a nice change to the anger that was sitting in your belly all day today. You still couldn’t help what you spat back, though.
“You have a tailor? In this economy? Of course you do…rich prick.” The last part was grumbled under your breath, but Steve still caught it. Where was this hostility coming from? He thought the two of you had gotten along great before. What changed?
Steve’s hurt caused him to fire back, albeit much nicer than you had. “You’re calling me rich? Decks, I’ve seen your apartment, it’s nice. Especially for this city. Way nicer than my first place.”
First off, what was that supposed to mean? You were still suspicious about exactly what Steve and Bucky did for a living. You knew they made a lot of money. Steve wore designer suits, if he could help it, and you assumed Bucky did, as well, but what business did they have being this built?
You let go of that, though, wanting to just get back to work after the disturbance, but why had you been disturbed in the first place?
“Steven, what are you doing in my lab?”
He was taken aback. Woah, full names. He knew your full name, but didn’t dare to find out what would become of him if he used it. It didn’t seem like many did. He wanted to go about this the right way. He didn’t want abuse his delicate position as a friend of a friend when you were so close to the law…yet.
He stood upright and pressed his shoulders back. Right, he was here on business. He had to remember that. It wasn’t a personal call and he had to stay professional.
“I was actually meeting with Scott, er, Detective Lang. He called me about the new case that came in this morning.”
You nodded slowly. “You knew her?”
Why did that make you nervous? Of course Steve knew women, like, duh, but something burning rose in your chest in anticipation of his response. Why did you care? You didn’t even want him here. Right?
He shook his head lightly. “No…well, sort of? She was an employee of one of my businesses. A salon.”
One of his businesses, of course. A salon was…interesting… but you guessed not out of the question with how perfect his stupid perfect hair always was. Whatever, just because he was here for some questioning, doesn’t mean he had to pay you a visit.
“Okay…so why did you come in here?”
You looked up at him from the odds and ends you were shuffling around your work bench out of nervousness.
“I actually wanted to see you, maybe help out a little?”
You eyed him skeptically, ignoring the way your chest sent a tingle down towards your fingertips. “You know when someone offers to keep close to a case like that, it usually means they had something to do with it, right?”
Steve put his hands up in surrender. “I swear this wasn’t me. I just genuinely care for my employees. Did you check under the fingernails? Maybe there was some DNA there or something?”
Your gaze became even more burning towards him. “Yes, Steven. I checked under the nails. That’s like, the first thing you do in cases like this. But why would you know that, anyway? And how can you say you care so much about your employees if you didn’t even know the girl?”
He rubbed the back of his neck. He was usually much smoother than this. How did you intimidate him so much so suddenly. Oh no…Is that where the name ‘Decks’ came from? Were you gonna hit him? Deck him? Did you have a pension for beating guys up? If he made a wrong move, would you literally punch him? Give him a black eye? Sure, much worse had happened to him before, but he wasn’t sure if he’d be able to emotionally recover if the damage came from you.
Either way, Steve didn’t want to find out, so he continued quite cautiously and uncomfortable within your domain, lacking the confidence that came so easily to him in all his usual business dealings and the quasi-leadership role he found himself in.
“I um…I watch a lot of CSI shows?” He hoped that was believable, but he knew it came out like a squeak, almost. He may as well be a little kid losing fights in a back alley again. He cleared his throat in an attempt to get his voice back to normal. “I do care for my employees, though. And my reputation, and the ability to make sure nothing like this happens again to anyone involved with me.”
You sighed at that. You can understand the want to prevent future disasters, especially when it came to someone working so low at the bottom of the food chain for such a major company. As you slipped your Loupe glasses back on and readjusted your lamps, you gestured for Steve to take a seat in your computer chair while you moved to a stool by the lab bench.
“Okay, fine. I’ll let you hang around, but don’t tell me how to do my job.”
You couldn’t help the way the corner of your lip turned up, just out of Steve’s sight, as he strutted over and plopped down into the rolly chair, watching you with a smile and his fingers laced behind his head.
Next >
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Bonus A/N: I’m very excited for what’s going to grow between Steve and Decks. She’s a lil independent thing and he’s just so “idk what to do bc I’m supposed to be in control but I’m doing everything on her terms” and I love it. Lmk what you think!!!
Series Taglist:
@evie-119
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bet-on-me-13 · 4 months
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Two-Face is a Liminal
So! Harvey Dent was splashed in the face with pure Acid, strong enough to instantly melt and burn off half of his Face.
He definitely nearly died from that, if not from the Blood Loss then from the Infections and Chemical Poisoning that you would expect. Now, since he didn't actually die he didn't become a Ghost, but multiple factors led to Harvey becoming a Liminal.
He was born in Gotham, a city with a very high Ecto Level, his attack was one filled with many extremely powerful emotions, and near death experiences tend to draw Ectoplasm to the location.
It makes sense doesn't it?
The sudden Split Personality, that's his Traumatized Ghost Side and his Barely hanging oon Human Side conflicting. It got so bad he developed DID.
His Obsession with the Coin is his Literal Ghostly Obsession. In Life he was always preaching about how "Crime always pays, its fate" so now he relies on Fate to make decisions.
Harvey Dent is a Liminal Human, parading around as a Villain in Gotham.
Imagine his surprise when Danny shows up at his Base, asking for a Lawyer? Apparently he needs help with a Legal Case of some sort.
What are these, Anti Ecto Acts?
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caffeiiine · 5 months
Note
i would like to see either nikolai or sigma's sentences please :3 /nf
THANK YOU!!! YOU ARE FUELING MY TWO FAVORITE THINGS!!!
under the cut bc length. [it got REALLY long]
anyways, nikolai and sigmas prison sentences as they would be in michigan.
note: i’m not using the wiki for this. i doubt it covers everything, so im going back through the manga and analyzing everything from there. aside from finding out manga appearances, everything else is research and pre-memorized info.
note 2: i may have made a few mistakes with the sentencing but it should be accurate enough give or take 10 years.
note 3: there’s no minimum sentence since majority of research i’m doing leads to me picking the minimum years since it usually states “punishable by life imprisonment or any number of years” which is unspecific and sucks so i just dropped the category
nikolai!!! - crimes - sentence - reference state - references/citations
Crimes :
first degree murder [7 accounts]
second degree murder [1 account]
domestic terrorism [16]
mutilation of a corpse [1 account]
shoplifting [implied, counted as 1 general account/misdemeanor]
assault with/using a deadly weapon [1 account]
impersonation [2 accounts]
[1]
disturbing the peace
theft of public property [2][3] [1 account]
verbal assault/threat [4] [1 account]
aiding and abetting
aiding in prison break
drugging [1 account]
attempted poisoning [5] [2 accounts]
fleeing arrest [1 account]
[6]
robbery/general larceny [4 accounts]
unlawful possession of explosives
attempted first degree murder [implied] [7]
kidnapping [4 accounts]
aiding a convict
breaking and entering [1 account]
sentence :
at maximum = 14 life sentences + 61 years + 186 days and/or up to 7,063,000$ in fines; no parole
reference state : michigan
references via michigan legislature : [first degree murder] Section 750.316 Act 328 of 1931 + [second degree murder] Section 750.317 Act 328 of 1931 + [domestic terrorism not counted, i can’t find definitive punishments and it'd probably be with the supreme court] + [mutilation of a corpse] Section 750.160 Act 328 of 1931 + [shoplifting] Section 750.356 Act 328 of 1931 + [impersonation] Section 750.217 Act 328 of 1931 + [felony assault] Section 750.82 Act 328 of 1931 + [disturbing the peace] Section 750.170(?) + [theft of public property] section 750.356 act 328 of 1931 + [terrorizing/verbal assault/harrassment] section 750.411h act 328 of 1931 + [aidinh and abetting] section 750.450 act 328 of 1931 + [aiding in a prisoners escape/aiding a convict] section 750.183 act 328 of 1931 + [attempted poisoning] section 750.91 act 328 of 1931 + [fleeing arrest] section 760.479a act 328 of 1931 + [robbery] section 750.529 act 328 of 1931 + [unlawful possession of explosives] section 750.200 act 328 of 1931 + [attempted first degree murder] section 750.91 act 328 of 1931 + [kidnapping] section 750.349 act 328 of 1931 + [breaking and entering (with explosives)] section 750.112 act 328 of 1931.
Sigma!!! - crimes - sentence - reference state - references/citations
[8]
threatening an officer [2 accounts]
domestic terrorism [16]
unlawful possession of explosives
attempted first degree murder [1 account]
criminal negligence [9]
aiding and abetting
negligent attempted mass murder [10]
attempted first degree murder by proxy [several accounts] [11]
felony assault by proxy [12] [3 accounts]
[13]
attempted manslaughter [14] [2 accounts]
attempted second degree murder [15] [1 account]
aiding in a prison break
aiding a convict [1 account]
breaking and entering [1 account]
felony assault [3 accounts]
sentence :
at maximum: 5 life sentences + 45 years 93 days and/or up to 8,000$ in fines; possibility of parole
reference state : michigan
references via michigan legislature: [aiding and abetting] section 750.450 act 328 of 1931 + [felony assault] section 750.82 act 328 of 1932 + [aiding in prisoner escape/aiding a convict] section 750.183 act 328 of 1932 + [unlawful possession of an explosive] section 750.200 act 328 of 1932 + [attempted (any type of) murder/manslaughter] section 750.91 act 328 of 1932 + [breaking and entering (with explosives)] section 750.112 act 328 of 1932 + [threatening an officer] section 750.478a act 328 of 1932 + [criminal/gross negligence] section 8.9 michigan legislature
#[1] i wouldve included something about his gun but the laws vary so much state by state itd be difficult to find a proper middle ground and-#-gun control laws are really iffy and varied in general with a lot of uncertain elements like concealed carry etc#[2] referring to the poles he used to fight atsushi chapter 58#[3] not entirely sure since nobody stole support infrastructure before so theres no law for it#[4] verbal assault is an umbrella term so its a little difficult to pin down; when he asks one of the government people if theyre ready to-#-“say bye-bye to their lower halves” going based off the context; it fits the legal definition of verbal assault#[5] taking the syringes at face value and assuming theyre actually poisoned despite inconsistencies with approximate death times#[6] not entirely sure how nikolai got the floor plans to the prison; and as far as i looked; the act of possessing them doesnt seem illegal#[7] its implied that he tries to kill fyodor very often; i cant find examples but 111 fyodor states nikolai has tried to kill him on -#-several occations#[8] at about chapter 72 sigma states the casino is run under international law; i’m not running nikolai’s sentence in japan so i’m ignoring#-that piece and giving him the same reference state as nikolai#[9] the coin explosives being held in a customer room#[10]the coin bombs that were to be distributed via the casino and explode once distributed enough#[11] via the customers in the casino and security; sigma really likes his crimes by proxy doesn’t he.#[13] the gun in the comms room is definitely illegal but to keep things in line with Nikolai i’m not counting gun law violations unless its#-obvious like murder or manslaughter#[14] attempted manslaughter in of itself is a contradictory term; the way it’s defined and the way i’m using it is in reference to sigmas-#-state of mind right then. where he was engaging in a desperate attempt to save his casino via stopping teruko by any means necessary-#-and was not in a proper state of mind to be accurately tried for attempted second degree murder as he normally would’ve been.-#-the legal term for this is “in the heat of passion” i believe.#[15] trying to take teruko with him in death#[16] i can’t find punishments for terrorism so it’s not counted in the final tally#i spent actual hours on this [not regretted one bit]#oh my hod i don’t want to look at the michigan legislature for another month after this#it was so much fun though ty xan#soda incarcerates your faves#bsd#bsd nikolai#bsd sigma
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delku · 1 year
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i think the worst rody interpretation ive seen the one that made him racist. its impressively wrong
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fullhalalalchemist · 1 year
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URGENT: 🚨🚨EARN IT ACT IS BACK IN THE SENATE 🚨🚨 TUMBLR’S NSFW BAN HITTING THE ENTIRE INTERNET THIS SUMMER 2023
April 28, 2023
I’m so sorry for the long post but please please please pay attention and spread this
What is the EARN IT Act?
The EARN IT Act (s. 1207) has been roundly condemned by nearly every major LGBTQ+ advocacy and human rights organization in the country.
This is the third time the Senate has been trying to force this through, and I talked about it last year. It is a bill that claims "protects children and victims against CSAM" by creating an unelected and politically appointed national commission of law enforcement specialists to dictate "best practices" that websites all across the nation will be forced to follow. (Keep in mind, most websites in the world are created in the US, so this has global ramifications). These "best practices" would include killing encryption so that any law enforcement can scan and see every single message, dm, photo, cloud storage, data, and any website you have every so much as glanced at. Contrary to popular belief, no they actually can't already do that. These "best practices" also create new laws for "removing CSAM" online, leading to mass censorship of non-CSAM content like what happened to tumblr. Keep in mind that groups like NCOSE, an anti-LGBT hate group, will be allowed on this commission. If websites don't follow these best practices, they lose their Section 230 protections, leading to mass censorship either way.
Section 230 is foundational to modern online communications. It's the entire reason social media exists. It grants legal protection to users and websites, and says that websites aren't responsible for what users upload online unless it's criminal. Without Section 230, websites are at the mercy of whatever bullshit regulatory laws any and every US state passes. Imagine if Texas and Florida were allowed to say what you can and can't publish and access online. That is what will happen if EARN IT passes. (For context, Trump wanted to get rid of Section 230 because he knew it would lead to mass govt surveillance and censorship of minorities online.)
This is really not a drill. Anyone who makes or consume anything “adult” and LGBT online has to be prepared to fight Sen. Blumenthal’s EARN IT Act, brought back from the grave by a bipartisan consensus to destroy Section 230. If this bill passes, we’re going to see most, if not all, adult content and accounts removed from mainstream platforms. This will include anything related to LGBT content, including SFW fanfiction, for example. Youtube, Twitter, Reddit, Tiktok, Tumblr, all of them will be completely gutted of anything related to LGBT content, abortion healthcare, resources for victims of any type of abuse, etc. It is a right-wing fascists wet dream, which is why NCOSE is behind this bill and why another name for this bill is named in reference to NCOSE.
NCOSE used to be named Morality in Media, and has rebranded into an "anti-trafficking" organization. They are a hate group that has made millions off of being "against trafficking" while helping almost no victims and pushing for homophobic laws globally. They have successfully pushing the idea that any form of sexual expression, including talking about HEALTH, leads to sex trafficking. That's how SESTA passed. Their goal is to eliminate all sex, anything gay, and everything that goes against their idea of ‘God’ from the internet and hyper disney-fy and sanitize it. This is a highly coordinated attack on multiple fronts.
The EARN IT Act will lead to mass online censorship and surveillance. Platforms will be forced to scan their users’ communications and censor all sex-related content, including sex education, literally anything lgbt, transgender or non-binary education and support systems, aything related to abortion, and sex worker communication according to the ACLU. All this in the name of “protecting kids” and “fighting CSAM”, both of which the bill does nothing of the sort. In fact it makes fighting CSEM even harder.
EARN IT will open the way for politicians to define the category of “pornography" as they — or the lobbies that fund them — please. The same way that right-wing groups have successfully banned books about race and LGBT, are banning trans people from existing, all under the guise of protecting children from "grooming and exploitation", is how they will successfully censor the internet.
As long as state legislatures can tie in "fighting CSAM" to their bullshit laws, they can use EARN IT to censor and surveill whatever they want.
This is already a nightmare enough. But the bill also DESTROYS ENCRYPTION, you know, the thing protecting literally anyone or any govt entity from going into your private messages and emails and anything on your devices and spying on you.
This bill is going to finish what FOSTA/SESTA started. And that should terrify you.
Senator Blumenthal (Same guy who said ‘Facebook should ban finsta’) pushed this bill all of 2020, literally every activist (There were more than half a million signatures on this site opposing this act!) pushed hard to stop this bill. Now he brings it back, doesn’t show the text of the bill until hours later, and it’s WORSE. Instead of fixing literally anything in the bill that might actually protect kids online, Bluemnthal is hoping to fast track this and shove it through, hoping to get little media attention other than propaganda of “protecting kids” to support this shitty legislation that will harm kids. Blumental doesn't care about protecting anyone, and only wants his name in headlines.
It will make CSAM much much worse.
One of the many reasons this bill is so dangerous: It totally misunderstands how Section 230 works, and in doing so (as with FOSTA) it is likely to make the very real problem of CSAM worse, not better. Section 230 gives companies the flexibility to try different approaches to dealing with various content moderation challenges. It allows for greater and greater experimentation and adjustments as they learn what works – without fear of liability for any “failure.” Removing Section 230 protections does the opposite. It says if you do anything, you may face crippling legal liability. This actually makes companies less willing to do anything that involves trying to seek out, take down, and report CSAM because of the greatly increased liability that comes with admitting that there is CSAM on your platform to search for and deal with. This liability would allow anyone for any reason to sue any platform they want, suing smaller ones out of existence. Look at what is happening right now with book bans across the nation with far right groups. This is going to happen to the internet if this bill passes.
(Remember, the state department released a report in December 2021 recommending that the government crack down on “obscenity” as hard the Reagan Administration did. If this bill passes, it could easily go way beyond shit red states are currently trying. It is a goldmine for the fascist right that is currently in the middle of banning every book that talks about race and sexuality across the US.)
The reason these bills keep showing up is because there is this false lie spread by organizations like NCOSE that platforms do nothing about CSEM online. However, platforms are already liable for child sexual exploitation under federal law. Tech companies sent more than 45 million+ instances of CSAM to the DOJ in 2019 alone, most of which they declined to investigate. This shows that platforms are actually doing everything in their power already to stop CSEM by following already existing laws. The Earn It Act includes zero resources for proven investigation or prevention programs. If Senator Bluementhal actually cared about protecting youth, why wouldn’t he include anything to actually protect them in his shitty horrible bill? EARN IT is actually likely to make prosecuting child molesters more difficult since evidence collected this way likely violates the Fourth Amendment and would be inadmissible in court.
I don’t know why so many Senators are eager to cosponsor the “make child pornography worse” bill, but here we are.
HOW TO FIGHT BACK
EARN IT Act was introduced just two weeks ago and is already being fast-tracked. It will be marked up the week of May 1st and head to the Senate floor immediately after. If there is no loud and consistent opposition, it will be law by JUNE! Most bills never go to markup, so this means they are putting pressure to move this through. There are already 20 co-sponsors, a fifth of the entire Senate. This is an uphill battle and it is very much all hands on deck.
CALL YOUR REPRESENTATIVES.
This website takes you to your Senator / House members contact info. EMAIL, MESSAGE, SEND LETTERS, CALL CALL CALL CALL CALL. Calling is the BEST way to get a message through. Get your family and friends to send calls too. This is literally the end of free speech online.
(202) 224-3121 connects you to the congressional hotline. Here is a call script if you don't know what to say. Call them every day. Even on the weekends, leaving voicemails are fine.
2. Sign these petitions!
Link to Petition 1
Link to Petition 2
3. SPREAD THE WORD ONLINE
If you have any social media, spread this online. One of the best ways we fought back against this last year was MASSIVE spread online. Tiktok, reddit, twitter, discord, whatever means you have at least mention it. We could see most social media die out by this fall if we don't fight back.
Here is a linktree with more information on this bill including a masterpost of articles, the links to petitions, and the call script.
DISCORD LINK IF YOU WANT TO HELP FIGHT IT
TLDR: The EARN IT Act will lead to online censorship of any and all adult & lgbt content across the entire internet, open the floodgates to mass surveillance the likes which we haven’t seen before, lead to much more CSEM being distributed online, and destroy encryption. Call 202-224-3121 to connect to your house and senate representative and tell them to VOTE NO on this bill that does not protect anyone and harms everyone.
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gaysindistress · 2 months
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Things that I feel like would happen when you’re in a relationship with Simon Riley.
Simon Riley masterlist
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1. First off he hates the word ‘boyfriend’.
Maybe it’s because he’s in his mid thirties or something but he can’t stand being called your boyfriend. He’s more than that but also not at the same time. You live together, have access to each other’s bank accounts (which is only because he hates it when you try to fight him about him giving you money), and you’re each others emergency contact. He thinks of himself as your husband. The man wears a silicone ring when he’s home and a necklace with the ring that’s totally not a wedding band when he’s working. Price has seen the chain once or twice and smirks, shooting him a knowing look but never says a word.
Simon cannot stand it when people get nosy and want to know what your relationship status is. You’re together and that’s all that matters. No one needs to know that you’re the beneficiary of his will and life insurance policy or that he’s put you on all of his accounts. No one needs to know that he buys you anything you want but has only ever bought you two rings; a thin gold band with a flower engraved on it and its twin a matching emerald ring. No one needs to know that when he gifted them to you, there were tears and promises of safety, love, and happiness whispered against feverish skin. No one needs to know that he has your name woven into his chest tattoo.
No one needs to know any of that because your relationship is between him and you only.
2. You are not some submissive little house wife. You are a strong independent woman and he prefers it that way.
I know this one goes against what most people say but hear me out on this. Simon has been independent since birth practically. He’s only had himself to count on for years. Even in the military, he’s only been able to rely himself. Sure the others watch out for him but if it came down to it, he’s the only one who’s going to get himself out alive.
The thought of someone else relying on him in that way is terrifying. He can’t even fathom what it would be like to look at another person and fully trust them in that way. Half the time he feels like he can’t even be trusted to take care of himself let alone another human. In theory a sweet docile housewife is great with the meals and clean house but not for him. He needs to know that you can hold your own. He needs to know that you can be independent and carry on without him if something happened while he was working. He needs to know that you will be okay if he doesn’t come back.
You have to be okay without him no matter how much it pains him to think about it.
Like I said before, he’s made you the beneficiary of everything so he knows you’ll be set financially but that’s not enough. He’s made Price promise to keep an eye out for you. He’s made you promise to let Price do that and you agreed because it’s Simon who’s asking but you’d tell anyone else to fuck off.
In addition to all of that, he’s installed the best security system the government has to offer in your house. You have a very expensive and large safe in your shared closet that he’s instructed you to only open if you feel unsafe. While you might not like it, you agree to go shooting with him so he can sleep at night knowing that you could protect yourself if he’s not home. He’s gone as far as to make sure you have all of the licenses and certificates that are needed to legally own firearms in the UK.
He’s not leaving any opportunity for you to be vulnerable or have your ‘safety checks’, as he calls them, taken away.
3. Simon Riley is a godless man…until he meets you.
Now this is entirely my own headcannon with no evidence to support it so bear with me.
Simon had a shitty childhood where his mom would pray to a god who never listened and his dad would shout verses at him when he was drunk. God was a mythical figure that he was told stories off with nothing to show for it. He did believe at one point but then his dad never got better, his mom wore bruises of every shade, and his brother found comfort in drugs.
He found himself praying when he was being tortured by the Mexican cartel. Between the flashbacks of his abusive past, he prayed to a god who had failed him so many times before to help him. He prayed again as he dug himself out of that Texas grave with the major’s jaw bone. He wailed his prayers when he found his family executed after Sparks tried to kill him.
After that he deemed himself a Godless man. Years of praying had passed with nothing. This god had decided that Simon was not worthy of a miracle so why would he continue to worship him?
That was until he met you. He finds himself praying before every mission, every time he has to leave you, every time he’s on his way home, and just about any other time he thinks of you. He doesn’t know what exactly he’s praying for other than for you to be there when he gets back.
He whispers his prayers to an absent god against your skin as he worships your body, soul, and heart. He promises to be devoted to you until his last breath and vows to find you again in whatever afterlife awaits you. He pledges to find solace in you and only you when his haunting nightmares return. He makes an oath to your heart that it will never weather another storm alone again for his will take whatever beating that comes your way. He shows you that he will love you in the same manner as a Hozier song; putting you above all else because you have become his religion, his faith, his beliefs, his life.
You have become all that he is and he thanks the god he once believed in for you. He prays again but to you, his heart, his love, and his beacon through the enteral storm of life.
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w0nderland · 6 months
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I asked my advisor for a bunch of time off and he approved it but he is NOT happy with me
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Do it for the Plot
~
I like the idea of Tim and Danny meeting and just clocking each other as little shits TM.
Just causing chaos to everyone in a way that can't really be traced back to them like 'Who? Me? I was busy doing all of these other things I have no idea how I would do that?'
Danny helps Tim get revenge on the bats for all the shit he's had to put up with and being absolute trolls about the whole thing *chefs kiss*
~
Tim&Danny dragging Ra's body
Damian: "Wha-?"
T&D: "No one will ever believe you"
Danny makes them go invisible
~
Bats: "Where ya going Tim?"
Tim holding back a cackle:" Oh, it's my anniversary so it's date night!"
Bats: "Anniversary?! We didn't know you were getting serious with someone?"
Tim: "Serious? He's my husband of course I'm serious about him"
Bats: "Wait hold on-!"
Tim: "Gotta go! Can't be late I have to make sure the babysitter has everything they'll need."
Bats: "BABYSITTER!?"
Tim: "Bye bye~!"
(They planned all of it including their 'fake marriage', Danny went back in time with the help of CW who is a troll at heart, and made the legal changes including Dan and Dani as their kids (their de-aged) otherwise someone (Oracle) would have eventually realized that the license is fake. So they went back in time and made it legitimately real)
~
Danny being Ghost King means that Tim is now also royalty
Tim walking up to John Constantine:" I have your entire soul"
and then just turning around and leaving
John very much felt the very strong Death Energy claiming Tim: "I don't want to be sober right now"
~
Earth about to be taken over for the 5th time that year by higher beings
Tim walking up late with coffee in his hand: "Leave or I'll call my husband"
Higher Beings very much not wanting to mess with the High King of the Infinite Realms: ᕕ( ᐕ )ᕗ
~
The Phantom family relaxing with cucumbers on their eyes and face masks: "Did you hear something?"
The Bats & Everyone else:
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~
Just an Idea
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deadsetobsessions · 2 months
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Sea Cryptic! Danny AU- Pt.3
[Pt.1] [Pt.2] [Pt.4][Pt.5][Pt.6][Pt.7]
“Aquaman.” Batman swept into the room, beelining straight for the suddenly apprehensive Atlantean king.
“Batman. What can I do for you?”
“Phantom. Does he pay taxes?”
“Pardon?”
Batman makes a low noise that had Aquaman’s danger senses buzzing.
“Does Phantom have to pay taxes. Towards Atlantis.”
“No…? Why?”
“He wanted money, in exchange for… information, of a delicate sort,” Batman said, diplomatically avoiding the topic of Phantom bargaining for the identities of corpses in exchange for a measly $100 dollars per identity. Like a flea market dealer, that one was.
“You encountered Phantom again?” Aquaman perked up.
“Yes. Gotham’s bay is… polluted.” Batman paused. “With victims. Of murder.”
The entire area quieted as heads turned towards the Dark Knight.
“Yes, I am… distantly aware of Gotham’s waters.” By that, Aquaman gets green around the gills whenever he turns his awareness in that direction. There’s a reason he doesn’t enter Gotham, and the Dark Knight’s ban is only half of that reason. “Ah, but you’re correct. For what purpose would Phantom need mortal currency?”
“Hn.”
“Maybe he needs some stuff?” Flash zipped to a stop next to Batman, feet tapping as he dug into the pile of snacks cradled in his arms. “Us mortals are always coming up with new things, maybe he wants to try some games or something?”
Batman tilted his head down, seriously considering Flash’s suggestion. “It’s plausible.”
“Barry, Barry, Barry. He’s old as hell, right? He probably wants to try the new booze!”
“Hal, my man!” Flash fist bumped Green Lantern, who came up. “You’re back! What happened to John?”
“Dunno. He got called somewhere that way,” Green Lantern waved a vague hand towards the left. “Had to deal with a politician or something from that area.” He shrugged, swinging an arm over Barry’s shoulders to put him in a headlock and stealing a chip.
“Huh. Anyways, would our mortal alcohol even work on a demi-god or something?”
“We should ask!” Hal turned towards Batman. “You should ask if he wants to go for a drink, spooky!”
“He’s a child.”
“He’s been around for more than a millennia, Bats.”
“Informational gathering, right, Hal?” Flashgot out of the headlock, quickly munching on his snacks to stop Green Lantern from stealing them.
“Totally. Yup.”
“…Fine.”
“Wait, are we just gonna ignore that Gotham’s waters are full of bodies?”
“Yes.”
——
“What?” Danny asked, mind half on the bags he’s dragging out of the water and the other half on the essay he has to submit in about four hours.
“Green Lantern wanted to invite you out for a drink.”
Danny turned to the stoic Gotham knight, who had his wrist computer out to log the bodies’ info the moment Danny gave him the information. Some of them even told Danny who murdered them, so Batman could start building cases with solid leads.
Danny’s only twenty. He’s not legal yet but he doesn’t want to give any clues to who he is. How is he supposed to…
Ah!
“Can’t.” Danny shrugged. “I’m not legal. I died when I was fourteen so…” Danny trailed off, speechless at the drowned puppy face Batman was giving him. What the fuck.
“Anyways, fork over my payment.”
Batman wordlessly hands him a wad of hundreds.
“What do you need cash for?” Batman suddenly asked.
“Huh? Isn’t it obvious?” Danny tucked it in. “Material things, obviously. I need a blanket,” because holy shit, Gotham is damn cold this time of year. “Anyways, see you same time next week, litterer.”
“I don’t litter.”
“Tell that to the batarangs I found under the water,” Danny grumbled. “But I’ll stop calling you that if you get a signature from Poison Ivy. I have a friend who loves her.”
“An alive friend?”
“Wouldn’t you like to know, weatherboy?”
Danny snickered and disappeared. He’s gotta cram that essay.
——
“There’s a possibility Phantom might be homeless.”
“Batman, I mean this in the nicest way, but for the love of Atlantis, please stop giving me headaches. It’s time like these I wish I stayed a lighthouse keeper.”
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gallusrostromegalus · 2 years
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Today's Adventure is that I, after an unintentional 13-hour power nap,
Got woken up at 6AM by a phone call from a friend stranded in Montana because of the heat wave and almost no cell service because of their crap provider.
OhSoThat'sHowIt'sGonnaBe.jpg
Ok.
I somehow summon a week's worth of spoons and in less than 30 minutes and 5 phone calls, get them
A hotel
An appointment with a mechanic from 2 states away
A perscription refilled from 2 states away
and A Pizza
Go me.
But then it's 8AM and there are unscheduled live humans at the door and while EVERGENCY MODE is still on, I have already blown through a ton of spoons, and also probably shouldn't meet whoever it is wearing just a pair of bootyshorts that say "CRYPTID" in Gothic Font on my ass.
So I greet them in those shorts and a T-shirt that I manage to put on both inside out and backwards
#nailedit
It is, Fortunately, not the mormons.
it is, Unfortunately, two UPS guys trying to deliver my other in-house friend's new phone except the new guy doesn't know how to operate the "sign for package" device, and the old guy that's supposed to be mentoring him is like, 92, deaf as a post, and doesn't actually know how to operate the device either.
by the way
it is already
over 100 out
it takes almost 30 minutes to sign for the phone
when i get back inside, i discover that apparently the Corgi has learned how to open his kennel from the inside because he is now out of the kennel and waiting for me to come in.
he also has cat litter all over his face because while he was waiting for me he also learned how to open the baby gate to the cat's room and help himself to a cat shit breakfast.
He'll be fine
He's a cattle dog, they're legally required to have at least 1 really disgusting snack they love.
but
more to the point
i have no idea at what point he learned to open his kennel from the inside
has he been staying there out of politeness this whole time??
And
I got other shit to do today.
namely.
I'm seeing a realator
The Devils most pathetic yet effective demons
I get a reminder text that I have an appointment with her
at least
I think that's what it is because what she sends me is: "🏡⏰12:00 ❔"
With the time typed in the middle like that.
She is, according to her profile, at least 80.
so I reply "😎👍"
and then she sends me a string of GODDAMN POST-MODERN EMOJI HEIROGLYPHICS THAT TAKE UP MY ENTIRE SCREEN.
She's on an iPhone so half of them don't even translate across platforms
It takes me half an hour and three different software programs and goddamn wingdings to translate, but she has sent me the address and rules about masking and not wearing shoes inside.
in emoji
instead of like
literally any other format
I am
FASCINATED
and simply must meet the woman so if I don't come back to update I got stolen by the fairies but I'm taking the Corgi with me as protection so I'll see y'all later.
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he���s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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nsomniacsdream · 2 years
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I have a hard time talking about American law enforcement, because I have ptsd (like a therapist told me this and everything) from my own experiences with cops and because it's so balls quaking insane.
Like, a cop in the United States can pull you over for any reason. Which is a nice way of saying no reason, because literally anything can be used after the fact as justification. A cop can say its cuz you looked at him, or didnt look at him, or it looked like you were holding something, or looked like you were driving too perfectly for it to be natural. It's insane.
There are apparently no circumstances where a cop can't just kill you. The line the courts have applied is "reasonably believed" you were a threat, but that's such a nebulous nothing limit that people get shot for reaching for their license, having their phone in their hand, you're running away with no weapon, not being able to follow conflicting commands, like anything. And cops are almost never charged, because every court is going to believe he could "reasonably believe" he was threatened. Fuck, if you give me enough time, I can make any situation seem juuuuust plausibly threatening enough to pass that bar. It's insane.
A cop can just rob you. Like tell you to give him your wallet, take all the cash out, and just walk away with it. Exactly like you would imagine getting robbed in an alley would go, except no one can help. And he doesn't even have to hide it, he just drops it in a box at the station and they put it in their bank account. It's legal. You can't prove it wasn't drug money. I can't prove any money wasn't at some point drug money. It's insane.
If a cop just walks in your front door and says "I'm here to kill you and your entire family" YOU ARE GOING TO PRISON IF YOU STOP HIM. There is no positive defense for assaulting a police officer in the United States, and doubly so if you kill him. You have effectively no defense against a homicidal cop, which happens same as any other job. Unless for some reason you have cameras all thru your house and clearly caught the audio of him saying that he's there just to kill you, you have zero chance of not going to prison, probably for life. And that's assuming you aren't killed "resisting arrest" while being taken into custody. It is a crime, in this country, for you to defend yourself under any circumstances if the person you're defending yourself from is a cop. That's insane.
You don't have civil rights if a cop says so. You have the right to have a gun, right? A lot of states have open carry. A cop can shoot you if he sees you have a gun. Doesn't matter if you have a license and everything. So you effectively don't have the right to bear arms if a cop can shoot you for exercising it. You have the right to protest. Unless a cop tells you to stop. He doesn't need a real reason to tell you to stop. And if you don't stop, you can be arrested or shot. So you don't really have the right to protest, do you? A cop cant just search your car or house, right? Unless he claims he heard something, or smelled something, neither of which can be proven. So a cop can search whatever he wants, as long as he pretends there was a "reason". So you dont have protection from unreasonable search and seizure, do you? These are no longer rights- they're things the cops allow.. for now. But legally, those rights have already been found to not actually be rights, because any random cop can decide to take that right from you, for any reason. It's insane.
These aren't like crazy things that I'm just making up, these aren't some weird twisted way I'm looking at something, these are all very real things that we all just.. ignore? Police abolitionists and the media bring these things up all the time, and the overwhelming response to it is: so what? Don't break the law and it won't matter. Blue lives matter. More police funding. Cops should have tanks. It's insane. And I always feel like im just rambling and sound insane when I say this kind of stuff because if you wrote a book and had the dystopian government doing the stuff that the police in this country do every single day, those same people who "back the blue" would line up to say stuff like "*Books government* wouldnt have a chance before us real americans stopped them" on twitter and not even get a hint of the irony.
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unicornlamps · 2 months
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James Somerton measured response summarized
the video is MONITIZED and he opens up with this fact -he has reuploaded all his old videos with monetization as well -says that any money from these videos will be donated either to Hbomerguy's team OR wikipedia and trans lifeline
-he's been reaching out and making apologies to people -says he has made an apology to Jessie gender -admits to calling the police on a local person who he claims had threatened him. James says that this local person is local to him and has a violent record but he filed a police report.
-says that he didn't initially intend to plagerize people - says that he and nick would put in blocks of text into their scripts and then continue writing -due to memory issues James would forget which parts of the script were written by him and which were not -says he has memory issues due to a childhood head injury that also caused him to develop epilepsy
-says that when his mother died, he took over the legal proceedings because his father cannot read or write - the life insurance payment did not go through -James didn't get the insurance payout that he claims his mother wanted him to have in order to make a movie (????) -once the insurance payout didn't come through he decided to start Telos
-openly admits that the reason he would have been able to make a short film with such little money was because he was planning on hiring his former classmates and not paying them union wages
-says that a lot of delays with Telos happened because of him and Nick moving around. -says he's working with a producer now so there should be A Movie Out This Year (Jesus christ) -Claims that he will not be making any money off of this short film he will be releasing
-calls his apology video from December "horrendous" -says that there was a small but dedicated group of people that showed up to his house while he was hospitalized
-says he will post edited videos of his old work that do not feature any plagerized content - is also releasing some videos that he never got the chance to release before everything went to shit -is Also releasing a BRAND NEW VIDEO written "entirely by me" and says it's more of a documentary -wants to make documentaries about gay history -says that misinformation "made its way into past videos" but that it was "never malicious"
-starting a NEW patreon
-says this could have all been avoided if he had stepped away from the channel when his mother died
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