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fluffypotatey · 3 months

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okay so:

the year is 2021. the month is june. the new season of hermitcraft, season 8, has just started, and everything is great! the hermits are all messing around, having fun, building insane things within the first week of the server being active, and generally having a good time. everyone's collected themselves into little factions, pranking each other, and it's all the fun, lighthearted, mostly-vanilla content hermitcraft is known for.

and then the split between minecraft versions 1.18 and 1.19 is announced. the delay of new terrain, and especially of new mobs like the warden, considerably disrupt several of the hermits' plans. but it's fine, they'll figure something out, they're professionals, and it mostly goes unnoticed.

about two weeks later, on november 9th, grian turns to mumbo jumbo in one of his episodes, and asks the famous question that would seal hermitcraft season 8's fate:

"mumbo, is the moon... big?"

suddenly, the fans panic. they search back through videos and streams, and realize that the moon had been abnormally large and stuck in a full-moon phase since october 30th. the Moon Big event has begun.

this is where the roleplay really starts. once the moon's size has been brought up, the hermits start a weird combination of scrambling to figure out why the moon's growing, and how to stop it- but also of ignoring it, hoping it won't be a problem, hoping someone else will deal with it. the moon keeps getting bigger, more hermits start realizing it's going on, and a creeping sense of dread starts to grow. but it's fine. it's fine, right? they do little plotlines like this all the time. they'll figure something out, the moon will go back to normal, and we'll laugh about it when this is all over. it's fine.

and then, blocks start flying away. just floating up out of the ground, and falling right back down! like for a moment, a square meter chunk of dirt has decided it's a ballerina and leaped out of the ground! but it's fine, right? the blocks are coming back. no lasting harm is done. they're going to fix it all... right?

the moon gets bigger. it's growing every day- local hermit weirdguy joe hills measures it every stream. the blocks start flying higher. gravity starts getting... weird, with players getting the slow falling effect at random, and being lifted off of the earth themselves. the players form cults and rituals and whatnot to try and appease the moon, convince it to leave them alone, making plans to escape. nothing works. things keep getting worse, and the moon keeps getting bigger. but it'll be fine. these storylines never leave lasting harm, or at least they never have before. they'll be fine.

and then the blocks stop coming back, just floating into the sky forever. the players have the slow falling effect more than they don't now. the moon is now so big it's visible even during the day, and fills the entire sky at night. they start planning their escapes in earnest, and say their goodbyes. some hermits jump into a void hole in the overworld (it was the centerpiece of their village). some flee to the End, some to the nether, some just fly with elytras and hope they can get far enough away in time. one brave hermit, tango, flies himself to the moon in a futile attempt to blow the whole thing up before it can crash.

but in the end, the moon crashes into the server, and everything they'd built was destroyed. and the whole time, there'd been nothing any of them could've done. season eight was over, a full six months before anyone had expected it to end, and season nine wouldn't start until about three months later. and im still not okay about it.

(here's a cool animatic of the moon's crash! honestly i dont think you need too much hermitcraft knowledge to get the gist)

(also the moon crash happened on the day before my birthday lmao.)

….

holy shit

#ok ok let me see if i have the timeline correctly:#1) s8 begins in June and so does the new update announcement #2) months go by with no issue (that they’re aware of)#3) it’s in November when they realize the moon has been growing #4) does the moon crash in January???#but gawddam #that is one apocalypse story if I’ve heard of one #also fitting bc i think it was 2021 where we were getting a LOT of asteroid/moon fall movies #idk what was in the air (possibly the pandemic that led to unforced isolation & ppl coped with apocalypse stories)#and somehow that bled through to a Minecraft server???? somehow?????#wild #this also reminds me of an apocalypse movie i watched with a friend called ‘3 Días’#very good movie btw #highly recommend (it is a Spanish only film which i don’t think will be an issue bc subtitles)#anyway #asks #smp 101 with gumy #hermitcraft edition!

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fakemichaelsheen · 7 months

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-the ball @ the bookshop-

mr. brown, intrigued: so, what's the deal with you and mr. fell?

crowley, scoffs: deal? there's no deal.

mr. brown, pleased: oh, good. so I can ask him out, then?

crowley, suddenly annoyed: uh, no, you can't actually.

mr. brown, frowns: why not?

crowley: ...

crowley, panics: he's straight!

mr. brown, laughs: what? no way

crowley, nods: oh, yeah. a real ladies man. I mean, it's obvious

aziraphale, appears, very excited: everything is working perfectly. the guests look fabulous, the bookshop is stunning *downs a glass of champagne* now, you, mister, owe me another dance *grabs him and starts pulling him away*

crowley, clears his throat as he's dragged away: he just really loves women...

mr. brown: ...

#mr brown: I thought you were a friend of dorothy / aziraphale: ... / aziraphale: well the wizard of oz was a very good movie #ineffable husbands #aziracrow #good omens #good omens 2 #is this the worst one I've ever done? 🫣 maybe but I kind of love it

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chalkrub · 20 days

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challenging myself by engaging in the ancient art known as "dynamic poses", but making it harder on myself by ignoring the noble practice of "using references"

featuring belvedere and florawell

#my art #oc #florawell #belvedere #goblin #dragon #i prefer the wips i posted to my sketch blog tbh they look better than the finished thing. but nevertheless.#i also accidentally gave belvedere furry hands this time instead of his usual bald goblin hands #i think it makes him look sleeker but i prefer his ratty hands. we live and learn #fun fact i have around 20 ongoing projects which i have been workin on simultaneously which has resulted in me not getting much done #but now they're all nearing completion at once so you'll see a bunch of art from me soon maybe #when i open comms (VERY SOON.....big things coming....) i'm considering tacking on an extra option for sketches like these #cause i can do them for relatively cheap without spending hours working for peanuts #anyway. i'm seeing a horror movie yet again tonight. immaculate was surprisingly good so let's see if this one is good

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mrprettywhenhecries · 2 months

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JOE KEERY in THE CHARNEL HOUSE (2016)

#joe keery #joekeeryedit #the charnel house #scott #joz.gifs #userstankovich #this movie was Not Good. okay?#i watched it a long time ago and remembered it was Bad #but then when i realized joe was in it i had to watch it again. you know. for him.#only to discover he was in one (1) scene at the very beginning

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carnivalcarriondiscarded · 10 months

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watched Grease the other night with my buddy and. well. obviously i Had To

#this was a good warm up i think. kinda low quality cause its Small and Not Much Effort Went Into It #but i think the fuzziness adds to the charm. or something like that #ive always loved greasers as a concept and general Thing #anyway now im Thinking about what everyone's 'roles' would be #i think the little greaser group would be wally / sally / barnaby #except theyre the most unconventional greasers ever #sally is all bark and no bite. barnaby is no bark and no bite. wally is just there to look pretty #i think theyd fold frank into the group eventually due to Witnessing His Knack For Violence #i can picture them mostly hanging around a diner #where they all share the single milkshake they can collectively afford #scribble garnish #welcome home #in middle school i absolutely adored the outsiders #we even did a thing for the class where we were assigned 'greaser' or 'soc' and i was So Fucking Delighted to get greaser #assigned greaser by 8th grade english class #got to dress up and everything. i had a blast. so gender.#during that time i would even sit there in class thinking 'i was born in the wrong generation'. delusional? yes #one of my ocs is even a fuckin. universe-hopping assassin greaser #their vibe.... 50s punk...#loved the movie btw. made next to no sense. very charming

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bookwyrminspiration · 9 months

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popped into a cookie store the other day and saw something I think some of you would love

#barbie movie #oppenheimer #barbenheimer #they also had Barbie and Oppenheimer tip jars #I voted Barbie #but i didn’t get a very good picture :/#I do have a picture #just a bad one

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spoilers-ahead · 10 months

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okay!! now that it’s not 2am for me, i’m going to post my selkie!jason todd hc’s straight up au apparently!

(uh. this was supposed to just be a list of hc’s but i got slightly,,,, carried away)

his selkie skin looks like an oversized red hoodie in his human form, and is just warm enough to help him survive new england winters.

when the summer heat becomes unbearable, he slings the hoodie around his waist

alternatively, he just coasts it out underwater. perks of living in a coastal city!

willis todd was a selkie. he used to tell jason stories of what it was like to swim through the big, wide ocean. of how freeing it felt. how different it is, from the smoggy, heavy air of gotham --- different, but both theirs, in their own right.

but to be honest, jason doesn’t remember much about the stories he was told, or really, anything about willis --- he had been in and out of blackgate for most of jason’s life, working for two-face to try and make ends meet, before dying.

what jason mostly remembers, are the warnings. don’t let anybody know you’re a selkie. don’t let anybody find your skin. they will find it, and they will use it to control you. even decades later, jason would still remember those warnings.

catherine is the one who teaches him how to swim, who helps him trial-and-error his way into putting his skin on, and learn how to make the transition seamless.

after she dies, jason spends three months as a seal, to just... exist. forget.

although jason technically lives on the streets, whenever he can;t find food, whenever he can’t find somewhere warm to sleep, whenever just being human becomes too unbearable, he spends the night as a seal. he ends up spending more time in the ocean, than on land.

that’s not to say he’s very good at being a seal --- he barely knows how to swim, has to learn how to fish the hard way.

when bruce finds jason stealing his car tires, he marvels over how nice jason’s hoodie is, soft and fluffy even after all of jason’s time on the streets, especially given the condition jason is in, ribs showing from malnutrition, and the worn and raggedy shape of the rest of his stuff.

jason is skittish when he goes to live in the manor, even after a few weeks. he always adopts an expression particularly similar to a cornered wild animal around alfred in particular, alfred, who keeps on trying to take his hoodie away, purportedly to wash it.

alfred eventually gives up on trying to force jason to wash it --- he figures that as jason becomes more comfortable living at the manor, he’ll wind up telling them why he’s so protective over that hoodie, and they can work something out then.

whenever wayne manor overwhelms jason with how big and how decadently expensive all the decor is, jason runs away, run to the ocean.

jason doesn’t actually end up telling alfred and bruce that he’s a selkie --- bruce just has a ridiculous amount of motion alarms, which are triggered every time jason ran off. he had followed jason the third night, and saw him transform.

bruce doesn’t tell jason that he knows, assuming that jason kept this a secret because he didn’t fully trust either of them. he would later learn that he was right in this assumption (a rare win for bruce in terms of emotional awareness)

except jason doesn’t fully trust either of them, even after a few months. bruce impulsively decides to do a few things --- a) tell jason about batman and robin and his crime-fighting secret identity, and b) tell jason he already knows about him being a selkie.

jason is absolutely bamboozled by the fact that bruce knows, and yet hasn’t tried to take his hoodie to control him, or to stop him from playing in the ocean for a few hours.

in fact, (under alfred’s encouragement) bruce offers to take him to the ocean during the day, so he can get “a proper night’s rest that a growing young boy such as himself would need”

jason remembers what his father told him, to never trust anyone, never let his guard down. but bruce has known about jason being a selkie for so long, and he didn’t take his hoodie or try anything. of course he can trust bruce.

and when he tries on the robin costume for the first time, it fits perfectly. just like his hoodie, his second skin. it fits just like magic.

oh, it’s a little loose in some places, the legacy of dick fucking grayson a little heavy sometimes, but he’ll grow into it. he’ll make himself, if he has to.

also, jason finds the fact that even though he’s a friggin’ selkie, his callsign is a bird (a robin, no less) incredibly ironic and funny

being a selkie is actually so useful for vigilantehood. the amount of people who talk freely, openly, and loudly about their drug smuggling plans near the ports is quite frankly, ridiculous.

honestly, towards the end of his robin years, jason remains genuinely surprised nobody catches on to him or his tactics yet. bruce is very proud.

even though jason is safe, has been safe for three years, and trusts bruce with his life, his skin, and everything, old habits are hard to break. so he has his hoodie on when he goes to find sheila.

and anyways, he wants to see if sheila is a selkie too. he’s taking biology right now, and they’re learning about punnett squares. jason’s never met another selkie before, other than willis who he barely remembers. there’s a possibility that sheila knows something, anything, so he has to try.

sheila gets a glint in her eyes when jason mentions that he’s a selkie, tells him that while she’s not one herself, she’s familiar with the myth. she has long suspected that willis was a selkie, she tells him, and she’s glad to have confirmation.

jason positively vibrates with excitement, can’t wait to ask, to pester his mother (mother!) with questions upon questions until.

until.

sheila doesn’t do anything after she gives him to the joker. she just smokes and smokes. and she doesn’t tell the joker about his hoodie, despite how it would have been much easier for the joker to destroy him that way. much more painful too.

small mercies, he supposes, in between hacking coughs that brings blood bubbling up his lips.

after he dies, his hoodie is ripped and in tatters from the crowbar, with burns along the edges from the bomb. bruce has to carefully peel it off his body.

when jason was alive, his magic kept the hoodie in perfect condition, always. even when the rest of him was covered head-to-toe in mud, or dripping sludge from the nasty gotham sewers.

bruce stares at the same hoodie, blood-soaked and mangled, so incredibly dissonant from how he remembered it on jason, when he was bright, whole, and alive.

he can’t stand it. the hoodie that was so precious to jason, that was jason, at the core of him, in this state. dirty and ripped and devoid of the magic jason had exuded.

in a moment of desperation, late at night, bruce asks alfred to teach him how to sew. he doesn’t dare to practice on jason’s beloved hoodie --- instead, he starts with the suits in his closet, grabbing the first one he sees, regardless of price. rips a hole and sews it back together over and over until he perfects his technique.

and then he washes the fabric gently, using baby fabric cleanser and scrubbing for hours upon hours until the last traces of the deep-set brown stain from jason’s blood washes down the drain.

he painstakingly sews the scraps of fabric back together with a red thread, carefully sourced to match the hoodie to try and make it flow seamlessly like it used to.

it doesn’t work, not exactly. despite his best efforts, the creases bruce had carefully sewn together are prominent and thick like scars, littering the soft fabric.

so he gives up. he hangs it over the grandfather clock entrance to the cave in his study. brings it with him every time he visits jason’s grave, because he doesn’t ever want to keep jason’s hoodie away from him, but he also can’t bear for it to get ruined.

dick visits him. a rare occurrence, these days.

dick yells at him, as he is wont to do.

these days, it feels like they spend more time angry at each other than not. dick says that this isn’t right. isn’t fair to anybody, not to alfred, not to himself, definitely not to jason. he rants, jason deserves to be remembered as he was in life, not frozen in death.

perhaps he is right. bruce is not unaware of the state of violent, cutting stasis he is in, this putrefaction of his life. and he is certainly not unaware of how it is affecting the people around him. dick. alfred. the neighbor’s kid, the one who wants to be robin.

bruce tries. not for himself, but for tim. for alfred, for dick. even for stephanie brown, who sometimes, when she smirks just right, or says something with just the right twang, he swears he can see jason in her.

he still can’t bear to put the hoodie away, because jason deserved better than to be forgotten, so he folds it gently and places it in his closet instead.

he also can’t bear to look at it for very long, so he forces himself to every single day.

it’s different from the glass case that houses robin’s tattered suit in the cave --- that, is a reminder of how he failed robin. this, this is salt in a constant, stabbing, festering would, reminding him of how he failed his son.

it was stephanie, that eventually helped him figure out what to do with the hoodie. when she was young, young enough to cry at ripped pants and skinned knees, young enough that her mother hadn’t touched the drugs yet, her mother would dry up her tears, give her a hug and a kiss on the forehead, before patching her pants up.

what not many people know, is that before crystal brown set her mind on becoming a nurse, she wanted to be an artist, first. and so she grabs her old set of embroidery needles, and stitched little designs. dogs and cats. stars and planets. tools and gadgets.

bruce doesn’t react, doesn’t even move, even as stephanie finishes her story. she hangs there awkwardly for a second, stares up at jason’s suit, waiting for him to respond, before shuffling towards the exit of the cave.

thank you, spoiler, bruce manages to croak out.

ah, yeah, she says, shrugging lightly while slouching in on herself, any time, boss. she walks out, and bruce watches her go from the reflection on the darkened computer.

that night, he takes out jason’s hoodie, smooths it out, grabs his threads, and stitches.

he stitches on constellations, argo navis, for jason’s namesake in the greek myths he had loved so much. a tiny seal, playing with beach balls. little books, with quotes on the sides. a robin, big and bold.

he tries to make it as true to jason as possible, not just in death and in bruce’s memories, but as he was in life.

jason wakes up abruptly.

he wakes up in a coffin, cold, alone, and with a gaping hole in his chest. getting dipped in the lazarus pit only made it worse, only made him all the more aware of what he was missing, all the more conscious of it.

he doesn’t bother trying to learn how to swim with two arms and two legs, instead of two fins and a tail. it doesn’t feel the same. it only reminds him of what he’s lost.

sometimes, on sleepless nights that happen more often than not, he wonders what would have happened if he still had a hoodie, still could swim.

if he still was robin.

and he doesn’t have access to the cave anymore, or to the titan’s tower, or the watchtower, and his memory of the past is still patchy and shitty in some places.

so in a burst of impulsivity fueled by the person he no longer is, he prints out photos of robin’s costume from the internet and recreates it on his own.

if his skin is gone, then fine. fine! he’s perfectly perfunctorily aware that nothing about this resurrection of his is natural. if he doesn’t think too much about it, he’ll be alright. his hoodie, his skin, that was something he was born with, a birthright that died with him.

but robin, robin was something that he helped shape. robin was something that he worked for, changed himself for.

and the makeshift robin suit --- it doesn’t fit him, not anymore. no, it feels wrong, like a child playing with their parent’s suit. or --- he realizes, perhaps more accurately, like an adult realizing they no longer fit in their favorite clothes.

and --- and --- what was the point of it all? what was the point, of trying to make bruce proud of him, of getting dick’s approval, of trying to futilely save people over and over again from the same gallery of supervillains who keep on escaping from prison?!

and what was the point of carving out a space for himself if the joker was just going to beat him out of it, and if tim drake was going to insert himself in the hole he left behind?

and then the next thing he knows he’s in titan’s tower hitting tim drake over and over again because who let him? who let him take jason’s role as a son, as a brother, as a hero? how dare he?

but when he’s slit tim’s throat and torn the ‘R’ off his chest, jason doesn’t feel any better. the robin suit still doesn’t fit. his hoodie’s still gone.

he’s starting to think it never will, not again.

sometimes, when he gets tired enough to let his mind wander, he wonders what happened to his suit.

he’s pretty sure he died with it, so either the hoodie is with the joker, batman, or... gone entirely. (it’s not like they found willis’ skin after he died. maybe selkie skins just disappear in a cloud of sea foam once they die, or some little mermaid shit like that)

it’s a cold comfort, that nobody can manipulate him now. nobody can control him --- not even batman.

(bruce had thought about it. when he first had his suspicious regarding who the red hood was, before he knew there was any trace of the son he once had left. he thought about using the hoodie, using jason’s selkie skin to coerce him, at least to stop murdering people, to stop hurting their family.)

(he would never go that far, in retrospect, or at least, he doesn’t think he could ever. to do that to jason, betray his trust so thoroughly and completely... but it would be a lie to say that he didn’t consider it.)

bruce reflects on this as jason reveals himself, the joker tied up at his feet with a gun pressed to his head, and venom spitting from his son’s mouth.

but when he lifts the batarang to hit jason’s gun, or wrist, or anything that’ll force him to drop the gun, he realizes that his hands are shaking.

and when he throws the batarang, he knows a millisecond after he’s let go, that he’s miscalculated the ricochet.

so when jason escapes that night, bruce knows he’s fucked up.

jason goes off the maps, completely. bruce doesn’t know where he is, if he’s safe, if he even made it out of the explosion that night.

it takes weeks. weeks for bruce to track jason down, from meticulously documenting the dropped threads of where the red hood was pulling strings in the gotham underworld behind the scenes, to tracking security cameras with facial recognition.

once bruce manages find where he’s staying, make sure he’s safe, he knows what he wants to do. and, he knows what he needs to do.

jason gets a package in the mail, five weeks after his disasterous meeting with batman and the joker. unmarked, unsigned, no return address.

when jason opens the box gingerly and carefully, he holds on to his skin for the first time in years. and then, and then, and then --- something right slots into place. his fingers brushed gently over the tiny spotted seal he knows he used to look like, the books he remembered ranting to bruce about for hours on end.

the robin, on the top left, over his heart, big enough to have changed him, yet small enough to not define him.

it’s not perfect. it doesn’t even fix anything, not entirely. he still fights with bruce most times he sees him, tries to punch dick in the face, steadfastly ignores tim and steph the entire time.

but it’s something. it’s something, and the next time nightwing, batman, spoiler, and robin fight a gang on the docks, the red hood gives them a helping hand before jumping back into the ocean and swimming away.

fin!

wow this got long

#jason todd #bruce wayne #alfred pennyworth #batfam #selkie!jason #dick grayson #stephanie brown #tim drake #catherine todd #willis todd #that one selkie!jason au #i swear i will turn this into an actual fic one day #anyways about the using embroidery to fix ripped clothes thing all i can say is WATCH HI MOM #it's SUCH a good movie and i guarantee it will DEVASTATE you in ALL your little mommy issues glory #like you think the batfamily comics/fanfics have an amazing nuanced complicated take on the parent-child dynamic?#this movie will BLOW your fucking SOCKS off. and best part of all: you can watch it WITH said parent #and it won't be as horrible of an experience as showing them encanto/turning red/eeaao!#in fact your parent will probably like the movie too and be reminded of THEIR own mommy issues :D #admittedly it's slightly different from the examples i listed above bc it's more abt what it's like to never reach ur parent's expectation #rather than an exploration of complicated parenting but it's still very relatable and very very good #the best part is you can find it all for free on youtube. also note that i mean the recent chinese movie not the old 70s movie #asteria's fics #i'm never writing a fucking flash fic on TUMBLR of all text editors again #shouldve written this out on a google doc first but i genuinely did not think this would get so long T.T #you can probably tell from the first three (3) bullet points that this was supposed to be a hc list before... it stopped being a hc list #guys i started writing this at 12 PM #IT'S NOW 9 AWOGEJAWOIG #my writing

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maid-of-the-golden-deer · 5 months

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shin godzilla and minus one are rlly interesting comparisons bc one is harkoning to back to the original in the sense that its reacting to a recent tragedy and how it affected it people, vs minus one which is a retrospective look on the horrific event that inspired the first one instead. yet both at their heart criticize the government that wont help its people after the fact, and remind us that is up to Us to help each other

#its nice to see a movie that mainstream from Any country actually criticize its gov. lol #considering im from the us and that. well. doesn't happen #(and hell the fact thay rhe us is the bad guynin the background looming is also good)#godzilla minus one #shin godzilla #very different with similar core themes

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pyroclastic727 · 5 months

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The Marvels is being scathed by critics, and that's a good thing.

I finally saw The Marvels today. I'm a bit late to the party, so all I saw about the movie was the teaser at the end of Ms Marvel, and way too many critical reviews of it.

Now, obviously on Tumblr you find the good reviews, like, the cats outnumbering the white men and how Kamala Khan is, like, basically all of us. But in person, I've had someone tell me that it's bad because Rotten Tomatoes rates it 43%, which-- besides wondering why anyone would listen to Rotten Tomatoes, I'd have to wonder why the website would give it such a low rating. The easy answer is that the Tomatoes review committee is populated by white men, who, upon having no one to relate to, react badly to the movie. But I think there's more to it.

The Marvels is a revolution. Through its character-driven writing and brazen exploration of morality, it rewrites the superhero formula completely, by questioning what exactly it means to be a superhero.

The Marvels was directed by Nia DaCosta, an award-winning Harlem native and creative visionary whose approach to this film was to define these characters as humans, not as superheroes. Her approach to heroism directly addresses that the idea that a hero is not always right. A hero, DaCosta claims, is "someone who's trying their best with the information and tools they have at the time. They'll always get it wrong." Carol Danvers's arc directly addresses this, as the resolution of her subplot involves her re-igniting the sun that she snuffed out. Her heroic act is to undo the damage that she wrought.

When compared to old Marvel, this message just doesn't come through. In WandaVision, Wanda's grief is for a family that was killed by the Avengers. Yet, she is painted as a villain, even as she searches for a happy home, even as she at one point joins the Avengers. The Avengers cannot undo what they did, and don't really try. They defeat the big bad, sacrifice their lives, but nothing brings back Wanda's family. Nothing undoes that war. No one searches for Wanda after the event, to try to help her with her grief, except for Monica, and she's working against orders. Their heroics are militant, but while they excel at destruction, they leave the people they hurt in the dust.

This antiheroic plot of old Marvel is precisely what appealed to so many American audiences. Their protagonists are: a rich corporation, a super-soldier, a privileged teenager, a scientist who makes weapons, an ex-convict, a man born into godlike power, and I'm sure there are others but I don't actually care that much... (these would be iron man, captain america, peter parker spiderman, hulk, antman, thor, and etc). All these archetypes appeal to American ideals that the wealthy would sympathize with. They claim that there are people who are inherently bad and seek the power that they have, in the way that a poor person might want a job that a wealthy person wants their child to secure. They claim that it is their business to save those which cannot save themselves, and use this to get involved in wars that are not theirs, and beat up badguys whose backstory they have no way of knowing-- and they punch before they stop and listen.

They are cops in every sense of the word. The responsibility of the vigilante is to defend against evil, but part of that responsibility is to figure out who exactly is evil and who is in need of help.

The Marvels creates a team that tries to distinguish evil from good, and delves into the grey area between them. The final battle between Carol Danvers and Dar-benn has the superhero pinning the grey-haired antagonist to the ground as she begs for, then demands, that Carol fix what she damaged. Monica urges her to listen. Through this, The Marvels argues that a hero does not always beat up the bad guy and fight against unrelenting evil, but that a hero can be wrong, and that a hero can reconsider. It's kindness in the way that is revolutionary, where it's much easier to choose cruelty.

The fact that the movie is getting torn apart by critics, then, is not just because it is a "girls movie" or it doesn't have a strong white man for the white male viewer to sympathize with. The Marvels cannot appeal to Marvel fans because it rewrites the genre itself. It takes a film series whose purpose was to depict the struggles of cops, of the wealthy, of people with too much power who are trying to learn how to responsibly wield it, but don't. And it gives that power to people who have watched superheroes try and fail, who are slowly learning to be better heroes than the ones before them.

The next generation is a critique of the last, a group trying not to make the mistakes of the chosen ones that came before them, and as such, the movie exists to critique the movies that came before it. Therefore, a viewer of Marvel who would positively review it, due to sympathizing with the previous heroes and enjoying the power fantasy, would dislike it out of its existence being critical and contradictory to the films they like themselves.

The Marvels is not for Marvel fans-- at least, not those who saw the Avengers as purely heroes. Instead, the film reaches out to people who would have been against the old Avengers, who want a story that dismantles the unquestioned idealism of superheroes and writes about people trying to protect their communities and the people they care about.

So, let the critics complain. The MCU is shedding its roots as a pro-cop and pro-colonialism power fantasy, and evolving into an exploration of what it means to be a true hero.

#the marvels #ms marvel #captain marvel #photon #kamala khan #monica rambeau #carol danvers #.pyro #pyro.txt #the marvels analysis #can you tell that i loved this movie #it's been so long since i've done an analysis but this one SPOKE to me #anyways i'm coming from the perspective of a marvel hater until i watched ms marvel #honestly i just put the images in there to break it up. they are not very relevant. i didn't pirate so i don't have good screenshots

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