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#Marble European Statue
solcattus · 8 months
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Nymph, late 19th century
By A. Batacchi
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statueart · 2 years
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Yogi Arts the best manufacture, exporter, supplier of Murti
We Yogi Arts are a manufacturer, exporter, and supplier of a variety of Murti, Statues, Idols of various Indian Gods like Swaminarayan Statue, ISKCON Statues, Swaminarayan Marble Statue, God Marble statues, Krishna and Radha murti, White Marble Radha Krishna Statue, Marble Laxmi and Lakshmi Statue, White Marble Jain Statue.
We deliver murti, statues, and idols to the USA, Canada, the UK, Europe, Australia, South Africa, and many more. We deal in the business of manufacturing and wholesale marble statues and handicrafts.
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We offer the best and the most wonderful range of Hindu God Statues. Our collection is made from white marble from Jaipur, Rajasthan. If you are looking to purchase Hindu God Statue, with a great figure you can disseminate the sculpture of harmony and comfort in your home.
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Most people buy these religious statues to feel close to God and Goddess Statue like Marble Ganesha Ganpati Statue, Radha Krishan Statue, Marble Shiv Parvati Statue, Laxmi Statue, and Lakshmi Narayan Statue.
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illustratus · 1 year
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Gian Lorenzo Bernini (Italian, 1598-1680) Apollon and Daphne, Marble, 1622-25 Galerie Borghese, Rome
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fancygirlplays · 2 years
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xfaego · 1 year
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Shipwrecked Mother and Child
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rayeshistoryhouse · 1 year
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^Marble statue of an Amazon, 1st or 2nd century, Roman 
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inky-duchess · 5 months
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Fantasy Guide to Interiors
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As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.
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Interior Design Terms
Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.
Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.
Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.
Gilding: the use of gold to highlight features.
Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.
Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.
Bay Window: The Bay Window is a window projecting outward from a building.
Frescos: A design element of painting images upon wet plaster.
Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.
Mouldings: ornate strips of carved wood along the top of a wall.
Wainscoting: paneling along the lower portion of a wall.
Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.
Clerestory: A series of eye-level windows.
Sconces: A light fixture supported on a wall.
Niche: A sunken area within a wall.
Monochromatic: Focusing on a single colour within a scheme.
Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.
Baluster: the vertical bars of a railing.
Façade: front portion of a building
Lintel: Top of a door or window.
Portico: a covered structure over a door supported by columns
Eaves: the part of the roof overhanging from the building
Skirting: border around lower length of a wall
Ancient Greece
Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.
Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.
Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.
Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.
Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.
Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.
Ancient Rome
Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.
Ancient Egypt
Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.
Ancient Africa
African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.
Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.
Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.
Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal
Japanese Interiors
Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.
Common features of Japanese Interior Design:
Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition
Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.
Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.
Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.
Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.
Islamic World Interior
The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.
Byzantine (330/395–1453 A. D)
The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.
Indian Interiors
India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.
The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.
Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.
Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.
Chinese Interiors
Common features of Chinese Interiors
Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.
Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.
Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).
Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.
Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.
Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.
Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.
Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.
Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.
Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.
Romanesque (6th -11th century/12th)
Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.
Gothic Architecture (12th Century - 16th Century)
The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.
Mediaeval (500 AD to 1500)
Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.
Renaissance (late 1300s-1600s)
The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.
Tudor Interior (1485-1603)
The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.
Baroque (1600 to 1750)
The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.
Victorian (1837-1901)
We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.
Edwardian/The Gilded Age/Belle Epoque (1880s-1914)
This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.
Art Deco (1920s-1930s)
The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.
Modernism (1930 - 1965)
Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.
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ssmoortiart11 · 2 years
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Marble European Figure Statue
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taexual · 9 months
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sleepwalking ● 1 | jjk
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summary: due to unfortunate circumstances, you ended up managing your ex-boyfriend’s band. you thought you’ve both made peace with it, but suddenly he’s very eager to prove to you that first love never dies.
pairing: jungkook x fem!reader
genre: rockstar!jungkook / exes to lovers / fluff / angst / smut (in later chapters)
warnings: explicit language, suggestive themes, SLOW BURN
words: 7.5k
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chapter 1 ► when i open my eyes to the future, i can hear you say my name
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There was virtually not a single person left on the entire fourth floor of the company building, despite it being a Monday afternoon. Normally, two other managers worked in offices adjacent to yours, so the noise in the hallways never settled below a pleasant hum: producers, promoters, and publicists – the three cursed Ps – shuffled in and out, heels clicking urgently against the marble floor.
This funeral silence was unusual, but you knew it was only a calm before the storm.
Rated Riot were going on their first-ever European tour in two days to promote their sophomore album – named aptly, “ready, set, RIOT” – and today was the final day of meetings. Evidently, the executives at Jett Records assumed that the band deserved to have a whole floor to themselves, so everyone else got a half-day, leaving you and the Floor Administrator, Rue, all by yourselves until the band got here.
This unsettling silence was exactly why you heard them arrive as soon as the door of the building opened four floors below. Rated Riot lived up to their name by making themselves heard before they were seen.
As soon as the sharp ding! of the elevator reached you in your office—your door was always open on meeting days, because the four members of one of the most promising rock bands in the world at the moment lacked any sense of direction—you could immediately feel the atmosphere lighten, the previous silence long gone.
“Rue! The apple of my eye!” Hoseok, the drummer and the de facto mood setter of Rated Riot, exclaimed as you listened to the familiar sounds of the band as they exited the elevator and, based on the repeated clicking of shoes in the lobby, momentarily got disoriented.
“Always looking good, Rue!” Jungkook, the vocalist, as well as the new Golden Boy of Jett Records followed after.
“Good to see you again,” Taehyung, the always well-mannered bassist, said. Silence followed and you assumed he shook Rue’s hand.
“Hello,” Yoongi, who was, technically, the guitarist of the band, but, really, played any instrument he could get his hands on, was the last to speak. He’d always been very well-spoken in songwriting, but quieter and more careful in most everyday conversations.
“Welcome, guys,” Rue greeted them. You couldn’t see any of them from where your office was located, but you’ve been in a similar situation countless times before and you could imagine what was happening without needing to witness it first-hand.
Rue would stand up from her seat and point her right hand down the hallway, reminding them—yet again—that they needed to walk down the hall and take a right turn. The members of Rated Riot, in turn, would walk down the hall. At least one of the four of them would turn left instead, causing a pause as the group gathered back together, exchanging confused glances. Then, they would turn back to Rue—who would still be standing there, her right hand extended like a helpful Statue of Liberty. They’d laugh at themselves, nod at Rue, and take the correct turn.
If things were going well, they’d find your office on first try—they’d just need to find the open door and peer inside; your desk was right in front. More often than not, however, they stumbled around, knocking and chuckling to themselves as they continuously interrupted the offices of everyone else, but you.
They were special. Not just because they looked like loose ducklings, separated from the Mother Duck, whenever they entered the company building, but also because, in spite of their own lack of coordination, they still managed to get things done.
And they brightened the day of everyone they came across. Which was almost ironic—as you realised by watching the four of them enter your office—considering the effortless rockstar aura that surrounded them.
Jungkook walked in first. That was typical because he usually did: sometimes because he was the only one who remembered where your office was, but usually because the other members offered him as a sacrificial lamb when they went knocking around every office on the floor in search of yours.
He was dressed in all-black—always—adorned with silver chains and necklaces that often gave you a start when you looked up, because he had a very specific way of entering the room: he seemed to make sure to position himself in just a way that the light, coming in from the window behind you, always reflected off his jewellery and momentarily blinded you.
Sure enough, you blinked, cringing into yourself as the brightness hit your eyes, and when you opened them again, he was already grinning.
“Hi,” he said and the rest of the members followed in after him—a brighter palette of colours.
Even Yoongi, who was the only one who could have given Jungkook a run for his money if you had to count which one had more black items of clothing in their closet, was wearing a beige, loosely buttoned shirt.
Despite that, however, you could tell they were rock artists as soon as you looked at them—all tattoos, piercings, intense eye make-up behind sunglasses, and old band tees—and you stood up, excited to let them know that, finally, every last loose thread had been found and tightened. They’d get to introduce their artistry on a different continent, and you’d make sure it’d go smoothly.
“We’re leaving for Prague tomorrow morning,” you told them once the five of you settled down at the round table in the back of your office. “So, if you were planning a going away party, I strongly advise against it.”
“We weren’t,” Yoongi said, lifting his glass of lemon water—there was a jug on the table—and giving you a reassuring look. “This is the strongest drink I’m having tonight.”
“Thanks,” you said paradoxically enough, but being grateful when the members of the band you managed didn’t get drunk before an important day was part of the job. “I’d also appreciate it if—”
“Hold on a second, though,” Jungkook interrupted—you’d been anticipating it. “I’m going to a gig tonight, Reconnaissance are in town again. And there’s obviously an after-party—”
Despite Reconnaissance being, arguably, one of the most popular rock bands in the world right now, you were definite when you cut him off, “No.”
“—so, I—wait. No?” he paused. “I never miss their shows, you know that. And I don’t get drunk easily. You know that, too.”
“That’s why you drink so much,” you rebutted. The rest of the band members got their phones out, knowing well enough at this point that this would take a while. “And then I have to come get you out of trouble.”
“You absolutely do not have to do that,” Jungkook insisted. “We’ve been through this.”
“Have we?” you argued. “Because I keep telling you it’s my job to keep you from passing out in a dirty bar bathroom, but you don’t care enough to hear me.”
“Well, you’re not very convincing. What’s the worst that can happen? I’ll wake up again.”
You were used to having this conversation with him—you’ve argued about this way before he became a singer and you ended up as his manager. And yet, the lax way he said this made you clench your fists.
Despite being mostly introverted, Jungkook did enjoy getting drinks with friends: even if said friends enjoyed his celebrity status more than they enjoyed the drinks.
“And if you don’t?” you threatened. “Rated Riot’s vocalist gets his stomach pumped. A catchy headline.”
“Yeah, man,” Hoseok interjected, putting his phone screen down on the table and crossing his arms. “Doesn’t go well with the vibe we’re going for. Don’t get your stomach pumped.”
“Fine, I—”
“What he meant was, don’t drink so much that you’d need your stomach pumped,” you clarified because Jungkook moonlighted as a Loophole Finder.
“I never have!” he insisted. “Seriously, you treat me like I’m still nineteen. Have some faith.”
Out of the corner of your eye, you could see the other members of the group look up from their phones. The band had only formed a few years ago, so you were the only person in this room who knew what Jungkook was like when he was nineteen. You never spoke about it – that was likely why everyone was so curious.
In any case, Jungkook was wrong. You did have faith—that’s why you spent so many of your off-duty nights driving down deserted streets to pick him up after his asshole friends convinced him it was a good idea to try the biker bar on the outskirts of town, and he’d gotten in an altercation with a burly redneck that was twice his size.
There was no time for that now, not when he was supposed to be on stage in Prague in three days.
“Well,” Taehyung spoke up. “I was thinking of going to the show as well. Not so much the after-party, I have better plans. But, uh, I could come, after all.”
You appreciated the offer, but you knew that these better plans involved him spending time with his girlfriend, Luna, who was going to join him for a few weeks of the European tour, but after that, the two of them were going to be apart for several months.
“You don’t have to go if you don’t want to,” you said, not trying very much to hide the hopeful undertones in your voice. Jungkook’s friends felt intimidated by all the members of Rated Riot; they’d be on their best behaviour if Taehyung was there.
“No, I think it might be fun,” Taehyung said. You exhaled quietly and he could sense your gratitude without words. He turned to his younger bandmate. “Should we go together?”
Jungkook groaned and mumbled under his breath, “not if I have to third-wheel again.”
“When have you ever third-wheeled anyone?” you asked rhetorically, but he was already opening his mouth to reply. Quickly, you added, “be careful, is what I’m saying, okay? I am complaining about having to pick you up from all kinds of holes, but if you need me to bring NDAs, I will bring them. So, ask.”
Jungkook rolled his eyes, but chose to stay quiet. He knew better now – the one time he did not make anyone sign a non-disclosure agreement after an impromptu, drunken busking session in New York, pictures of him, half-dressed and giving a lap dance to a random, equally as drunk, groupie, were on every rock page on Instagram. Accompanied with detailed retellings of how it came to happen, of course; all of them more ridiculous than the next. Your personal favourite story was that he was recruiting members for a sex cult.
“We’ll call you,” Taehyung gave you a nod, “if we have to.”
“Perfect,” you said, glancing at Jungkook again, even though expecting him to confirm that he, too, would call you if he had to, was wishful thinking.
Every time you reminded him how he needed to start going out with a less destructive crowd, he’d treat his phone like a poisonous snake – and he’d been doing that even before you became his manager. His friends seemed to get their pleasure fix from watching you arrive and rip him a new one, so they were the ones who called you most of the time, always laughing into their phones like true accomplices.
It was funny how Jungkook was the only one who passed out or got so wasted, he ended up on a ferry to Martha’s Vineyard. His friends always walked away unscathed and, usually, only called you by the time they were back in their bedrooms – “when we left, he was ordering mint and honey daiquiris, you should probably go over there and check up on him.”
It was like they loved pushing him into danger and purposefully bringing the two of you together again, and Jungkook either didn’t realise or didn’t care anymore. It’s been a while, after all.
You and Jungkook had been broken up for almost two years when you got the unbelievable offer to manage an up-and-coming rock band. This was over two years ago now and you were only twenty-four back then. Up until that point, you had worked as an assistant manager for various indie artists, so that offer was massive.
You figured the downside that your ex-boyfriend happened to be in this particular band was worth it, considering the huge leap in your career you’d make by accepting this job.
And, for the most part (excluding the first two months that were pure chaos of repressed feelings), you and Jungkook both made this work, drawing a strict line between your relationship before Rated Riot (back when he still had your phone number saved as “❌”) and after he met you again as Rated Riot’s new manager (ironically, now your name on his phone was “❌❌❌”).
You’ve managed Rated Riot for almost exactly two years now, and if you’d asked the band – which you wouldn’t, partially out of humbleness, but also because you were scared – you’d know that they loved working with you as much as you loved working with them. So, in the end, it all really had been worth it.
“Check your emails for the descriptive itineraries,” you continued smoothly enough. The guys at the table put their phones down and returned their attention to you. “Now, who else is coming with us?”
Technically, the band wasn’t supposed to bring anyone – the label was explicitly clear about that. They wanted the first European tour to go “without a hitch” (meaning, without distractions), but you held a more liberal view here.
You didn’t think loved ones coming on the road were a distraction; if anything, they were a firm support mechanism that made touring easier for the artists.
“I know Luna’s staying until the Barcelona show, yeah?” you asked, double-checking the notes on your laptop.
Taehyung nodded, a small smile on his lips at the mention of the girl. “She flies out the next day, yeah.”
“Okay. Who else?”
“Well, Sid and Jude are coming,” Jungkook spoke up and, after seeing your eyes roll back, added, quieter, “and Minjun isn’t sure.”
The three musketeer-wannabes – Sid, Jude, and Minjun – were on speed dial on your work and personal phones, because if Rated Riot had a performance and the vocalist wasn’t there, it was likely those three who were to blame. They were the only ones who knew Jungkook longer than you did, and they seemed to take pride in the fact that they had successfully been causing you headaches for seven years now.
“Sid and Jude,” you repeated, “aren’t worried they’ll lose their jobs if they travel to Europe abruptly?”
“No, they’re cool,” Jungkook shrugged, not catching the mockery in your voice—both Sid and Jude worked for their families, which really meant that they got paid to occasionally show up at the shareholders’ meetings on behalf of their parents. “I’ll text Minjun right now. Maybe he’ll come when we’re in Poland…”
“I needed confirmation by last week,” you reminded him. “At the latest.”
He glanced at you from his phone and then went back to texting. “So, why’d you ask now?”
“To double-check,” you said. “They’re going to have to book the hotels themselves. Or sleep on the street. Honestly, I don’t really—”
“So, uh,” Yoongi interrupted before another argument could begin, “how many hotels this time?”
“Prague, Amsterdam, and Paris. And some nights in London, depending on our flight time,” you said with an apologetic smile. “Bring your favourite blankets. We’re living on buses for the next three months.”
None of them minded – if anything, you could see a little glitter in their eyes as they listened to you. Being on the road and having to sleep on the tour bus every night was an experience they’d missed. They hadn’t gone on an actual tour in almost a year – as someone who thrived on live performances, they had obviously missed this.
Really, you’ve missed it, too. Rated Riot may have been a riot to look after as their manager – pun fully intended – especially on tour, but they were your riot to deal with.
You liked your job and the challenges that came with it, because, in the end, you overcame most of them: starting with your previous relationship with Jungkook (no one in the band had a problem with it, and the label miraculously seemed not to know about it) and ending with your relatively young age (Jungkook was the only one who had a problem with you being his age, but he had a problem with almost everything).
Hopefully, one day you’d manage to overcome the challenge that was getting Jungkook to open his eyes and realise that the people he surrounded himself with were more groupies than his friends. But all in due time.
“If you have questions,” you said as the meeting approached its’ conclusion, “go right ahead.”
“Wake-up calls,” Yoongi said. “Any possibility of arranging those?”
You smiled – this had been traditional practice ever since you started to work with them.
“I’ll call,” you said and then remembered a particularly frustrating way in which this had backfired. You added, “and keep you on the phone until you’re out of bed.”
Back when you were an assistant manager to a different band, this had been your main task. And, you supposed, if Rated Riot had assistant managers, they’d be the ones making wake-up calls, too – however, the band had only started to live up to their potential now. Before you booked the European tour for them, Jett Records thought they barely needed one manager to begin with.
You’ve made it this far. If the tour went well, maybe you’d get to expand your team as the band gained popularity.
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Jungkook felt giddy the whole night. The Reconnaissance show with Taehyung and Luna was a lot of fun, as expected—he’d seen the band five times before tonight, and they never failed to let him down.
When he arrived at the after-party, he was nearly vibrating with excitement—on top of everything, he was going on tour tomorrow and he knew he might lose his mind over it—and this was usually the time when he tended to get reckless.
He did drink a little too much to retain a completely sober mind, but he stayed true to his word and did not wander anywhere or caused any—serious—trouble. You would have said that���s because Sid and Jude weren’t with him, but Jungkook was convinced it was because he simply had great self-control when he put his mind to it.
The only place he went to after the party was his family’s house, so he could say goodbye to his grandma. She probably wouldn’t even hear him—and if she would, then she probably wouldn’t recognise him—but he couldn’t leave to Europe without saying goodbye to her.
He thought he’d take his Katana to the house, but then remembered immediately the last time he got on his motorcycle drunk – his grandma had, literally, smacked him on the back with a rolling pin, yelling about how careless he was. She didn’t say that she hit him out of concern for his safety—that was obvious—and, instead, she focused on how hard he’d worked on restoring the bike after he’d bought it; his first purchase with the money that he made off Rated Riot’s music.
“Don’t you want it to last?” she had said then. She’d been the only person who believed he could bring the bike to life, despite it not having a single properly functioning part, least of all the engine. “You worked so hard on it. Do you want to wreck it in one night?”
Tonight, however, everyone in the house was asleep when he arrived. It was quiet, so he tried to be silent as he went up the stairs to her room—and then knocked over a picture frame after his feet fumbled on the carpet in the hallway. But no one went out to check who was making the noise—which was dangerous, he realised for a brief, semi-sober second; but the house had security, so he figured they were safe from outsiders—and he gently lowered the handle on his grandma’s door, peering inside.
The room was painted in blue hues from the night light next to the bed where his grandma was sleeping. He approached—really trying to be quiet this time—and carefully pulled her comforter up, so she wouldn’t get cold, even though the room felt warm.
It was always warm here and Jungkook had to bite his lip when he realised how much he missed sitting here as a child while dozens of his cousins ran around the house and wreaked loud, childish havoc. How much he missed his grandma reading him books—never children’s stories, he always insisted she read him the thickest, most boring books he could find on her shelves, just so he could stay in her room longer, listening to her soothing voice and feeling her comforting warmth.
Sniffling quietly, he leaned closer to her and brushed a strand of white hair from her face, listening to her soft breathing as she slept, unaware of his presence.
“I’ll be back soon,” he promised in a whisper as he pressed a soft kiss to her forehead. She didn’t wake. “We will talk again then.”
He knew he’d keep this promise even if she didn’t hear it, even if she didn’t remember. But leaving her room felt painful and he was far less excited now. The alcohol had begun to wear off and heaviness settled in his chest instead. This happened sometimes when he was left alone with his thoughts, especially after he visited his grandma.
He'd come back, he knew he would. But as he glanced at his grandma’s sleeping frame one more time—remembering how she hadn’t called him by his name in months; not one glint of recognition in her eyes when she’d see him—he wondered if he’d have anyone to come back to.
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Surprising exactly no one, Jungkook was the only one who did not answer your wake-up call the next morning. Having foreseen this, you’d already called Hoseok, Yoongi and Taehyung – in that order, because the first two took the longest to wake up, and by that time, Taehyung was already awake on his own – and only then attempted to reach the one remaining member.
Fifteen minutes later, you were already dressed and ready to drive over to his house and personally wake him up with an icy bath in bed. And just then, your phone rang – his name as the caller’s ID.
“Look who—”
“Okay, okay,” Jungkook’s groggy voice cut you off before you could greet him with the appropriate sarcastic remark. “I’m awake. Halfway in the shower.”
“I don’t hear running water.”
He responded with a groan first, then shuffling. You waited patiently, balancing the phone on your shoulder as you unlocked the door of your apartment. Finally, you could hear the water start running on the other end of the call.
“Happy?” Jungkook asked, always the brightest of all rays of sunshine in the morning.
“Ecstatic,” you replied, equally as enthusiastically. “Sending a car to pick you up in half an hour. Don’t be late.”
“I can drive myself—”
“No driving when you’re hungover,” you said, not for the first time. “In fact, don’t even go near your Katana.”
He considered several ways to respond to you; first and foremost, defending his beloved, navy-coloured Suzuki Katana with a matte coating, custom-made leather seat covers, golden rims, purring engine, and—anyway. He ended up choosing to respond with a question, “how do you know I’m hungover?”
“I’ve known you for almost ten years,” you replied. “If you go out drinking the night before, you’ll wake up hungover.”
“Well, how do you know I drank that much last ni—?”
“Listen,” you cut him off, hoisting your suitcases over the threshold of your front door. You fixed your phone against your cheek and continued, “how about you take that shower, and we’ll resume this nice little Q&A at the airport?”
“No,” he replied and, in a purposefully exaggerated breathy voice said, “I simply can’t stop talking to you.”
“Hanging up now.”
Jungkook laughed as he listened to the beep, indicating the end of the call. Putting his phone on the side of the sink, he took his shirt off and was about to continue undressing when his phone vibrated and nearly fell off the sink.
Scrambling to catch it, he smacked it against the cupboard and exhaled in relief when he saw that the screen hadn’t cracked. He was expecting a text from you – a threat, in case he’d go back to bed – but it was actually Sid, asking for the time of his flight.
His friends were taking a separate flight out to Prague – they weren’t happy about it and neither was he, but at least they’d get to hang out in Europe eventually – and, obviously, they wanted to know what time they’d meet up and where.
He double-checked the itinerary you’d emailed him, got confused about the time zone difference and texted Sid back.
“Gonna be there the day before the show,” his text said, “jetlag. Sleep. Maybe beer? Catch u there.”
Sid was, of course, delighted to hear the mention of beer and Jungkook snickered to himself before he resumed undressing for his shower—knowing from experience that you wouldn’t be above shipping him to Prague in the cargo section on the plane if he was late to the airport.
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As it turned out, for the first time in his life, Jungkook was so terribly jet-lagged, that he did not feel like doing anything – not even drinking with friends – but sleeping.
He slept through the whole layover in Paris – and, consequently, through Taehyung and Luna’s stories about the 5 minutes they got to spend in front of the Eiffel Tower before rushing back to the airport (never mind that it was about 2 AM) – as well as the flight to Prague.
He only woke up on the bus ride to the hotel when he felt something nudging his lips and opened his eyes to find an open bottle of Coca-Cola in your hands as you held it by his face.
“Did you just—” he started to say, but his voice sounded brittle, more a croak than a voice, really. He cleared his throat and tried again, “did you just wake me up by making me sniff soda?”
“It worked,” you replied, nudging the bottle at him again. “Drink. You need sugar. You didn’t eat anything on the plane here.”
“I had that bagel on the flight to Paris,” he mumbled, but sat up properly and took the bottle from you.
“That was a croissant,” you clarified. It was almost cute to see him barely awake. “And I warned you about flying with a hangover. You did this to yourself.”
“I’m fine,” he replied after taking a big gulp of coke. “Not sure which day it is, but other than that, I’m perfect. Do you have anything for headaches?”
Snickering, you nodded. “Yeah, give me a second.”
You went to fetch your carry-on bag and returned with ibuprofen, which allowed him to go back to sleep until you arrived at the hotel. The other members were also in and out of slumber, but that was their own fault. You and the other girls on this tour, which, really, only meant Luna— Taehyung’s girlfriend—and Maggie—the tour photographer—had planned ahead and taken sleeping pills as soon as the plane took off. Meanwhile, every man on this trip thought too much of himself.
By the time you arrived to the hotel and checked in, it was already lunchtime. If this had been your first time travelling with Rated Riot, you would have been beyond surprised to see what effect food had on them: they looked like they'd just returned from the most refreshing vacation in the Caribbean. Lively conversation and cheerful laughter echoed around the table – no one would have guessed that they’d just spent over 13 hours on airplanes. Their recovery was nearly always miraculous.
And, naturally, since they were feeling better, they wanted to do something as soon as the first rehearsal was over. You had far too many things to do before the show tomorrow, so you couldn’t babysit them – again, an assistant manager would have been life-saving – but you knew you’d still have to keep an eye on them.
Taehyung and Luna went sightseeing, but they were the sort who kept you updated on their adventures through pictures, which you were endlessly grateful for. There was never a reason to worry here; if you were a teacher who had to pretend not to have a favourite student, Taehyung would be the student you were pretending about.
Yoongi and Hoseok, initially, went to a record store together, but then split up – one of them returned to the hotel for a nap, and the other one went café-hopping. Those two were also fine – they usually took some members of the crew with them anyway, so you knew that in the worst-case scenario, you’d still have several people you could call to reach them.
Now Jungkook was going to meet up with Sid and Jude, both of whom had, most unfortunately, successfully landed in Prague. The Diabolical Duo would take him out drinking, you had no doubt about it – and this was where you’d have to step in with another warning. You weren’t the angry mother, dragging her children by their ears, but you felt it necessary to remind Jungkook of what was at stake if he allowed his friends to be their usual, obnoxious selves tonight.
However, you didn’t want to ask, so you had to figure out where to find them yourself. You didn’t even have to use the seven years that you’ve known them to deduce two logical, universal-for-all-assholes things: one, Jungkook’s friends wouldn’t be nearly tired enough not to want to drink. Two, they’d be too jet-lagged to look for their usual hole-in-the-wall spot that sold drinks. Therefore, they’d have to settle for the bar of the hotel.
And when you exited the elevator on the ground floor later that night, your assumption was confirmed – you could hear their laughter from where you were standing in the lobby.
You’d texted Jungkook as you arrived, hoping he’d leave his friends and come see you at the back of the bar for a minute, but unfortunately, Sid and Jude noticed you and waved you over with loud cheers.
Embarrassed as the people in booths around you began to turn to look, you swallowed and walked towards the front where Jungkook and his friends were sitting by the bar.
“Wow, it’s been so long!” Jude exclaimed as you approached. In your opinion, it wasn’t nearly long enough, but you only lifted the corners of your lips and did not comment.
“Jungkook, a moment?” you said instead.
“Let’s get you a drink!” Sid suggested as though you hadn’t spoken and extended a hand, clicking his fingers to get the bartender’s attention. “Hey! Can we get some Margaritas here?”
You cringed watching this, but, again, restrained yourself. They could behave like pricks all they wanted; it wasn’t their reputation that you had to protect. Someone else would, hopefully, teach them a lesson.
“Sure,” Jungkook said to you, sliding off the stool. He seemed sober enough to walk without any sort of waddling or stand without swaying, but you could tell by the relaxation behind his eyes, that he was already tipsy.
His friends patted him on the back and whistled as he followed you to a quieter spot in the back of the bar. He shook his head at them—but had a grin on his face, and for that alone you wanted to punch him.
“Can I count on you to take it easy?” you asked, once the two of you were out of earshot. “Not because you’ll make my job much harder if you don’t, but because you have a rehearsal tomorrow at eight, and that’s hard with the jet lag alone, but add a hangover into the mix, and—”
“I’ll be fine,” he said, but you’ve heard this song many times before. It was one of his top hits. “I’m actually tired, so I might have a few and then go straight to bed.”
“Okay,” you said, choosing to believe him, because that was easier than making him sign a contract, swearing not to wake up in a dumpster. “Can you text me when you’re back in your room? So I know you’re not lost somewhere in Prague with Dumb and Dumber.”
His lip twitched in an almost-smile at the nickname, but he resisted – a loyal friend, even if they didn’t deserve it – and gave you a nod.
“Fine,” he said. “I’ll text you. And I won’t get lost.”
“Okay—” you started to say and then squinted your eyes at him, realizing. “I meant don’t go wandering the city streets while drunk.”
He snorted and placed a hand on your left shoulder. Gazing into your eyes, he enunciated very dramatically, “I will not get into trouble. Promise.”
You pursed your lips. “You’d better not.”
“I realise what that would mean, believe it or not,” he said, straightening. “Tomorrow is an important day. I’d never do anything to ruin it.”
“I know,” you said. “I trust you to make smart choices. I don’t trust them.”
You pointed at the twosome by the bar – both of them watching you like you were the entertainment of the night – and Jungkook turned to look. Sid and Jude both immediately waved at him. Jungkook waved back and, when he looked at you again, he was smiling softly.
Clearly, he genuinely enjoyed hanging out with those two. You’d never believe that there was anything about them that was bearable—let alone enjoyable—so Jungkook’s weird attachment to them had to come from some sort of weird destructive force inside of him.
“I’ll keep them in check,” he said and then, possibly prompted by the skeptical frown on your face, he felt the need to explain, “they help me relax. If it weren’t for them, I’d probably be shaking from anxiety all the time. Kind of like you are.”
He winked as he said that last part, grinning at his own wit, but you rolled your eyes in response.
“Goodnight,” you said then. “Don’t forget to text me.”
“Are you going to stay up late waiting for my text?” his tone was humorous and it stopped you from leaving.
“Hopefully not,” you said, ignoring the flirty comment that was obviously meant to rattle your composure. “But it’d do you well to remember that I can make life very difficult for you if you disobey me.”
He lifted his eyebrows at this, but did not lose the grin. “Oh? Will I get punished if I—”
“Goodnight, Jungkook,” you said again—louder—and turned away.
You glanced over your shoulder when you reached the archway leading to the lobby and caught him watching you leave—he was still beaming, but he composed himself and nodded when he caught your eye. You nodded back.
Maybe he really would be fine tonight.
And, truly, Jungkook had meant what he’d said – he couldn’t wait for tomorrow and there was nothing he’d do to ruin that. Not even if the smirking faces of his friends prompted him to laugh as soon as he returned to his seat by the bar.
“What do you want, assholes?” he asked, punching Jude on the shoulder as he walked past his friends. As soon as he sat down, leaving Sid in the middle, he took a big gulp of the beer he’d left waiting; only his third one tonight.
“We don’t want anything,” Jude said, still smirking. “What did she want? Another moral how you’re not being a good boy?”
Jungkook rolled his eyes. “No—”
“I was always curious,” Sid interrupted. “Was she like that when you dated, too? You know, always in charge?”
Even before you and Jungkook had settled into a steady enough rhythm of working with each other, neither of you spoke to others about your relationship. Not while you were dating, and not after you broke up. So, all your friends—real friends and whoever the hell Sid and Jude were—essentially knew nothing of your relationship.
And there was nothing he’d tell them now.
It’s been four years since you broke up—plenty of time to move on. Not to mention, you were both (trying to be) professionals. There was no point to bring back the past; there never had been.
“Wouldn’t you like to know?” Jungkook teased, managing to keep the banter going without revealing how the question irked something inside him.
“I would. That’s why I asked,” Sid replied, laughing haughtily. A few heads turned his way. Sid sounded very much like an entitled heir—or an elephant high on helium—when he laughed, especially when there was nothing funny going on. “I mean, you never talked about her to us. Was it getting rid of her that made you who you are today?”
Jude snorted, slapping Sid on the back in a half-supportive, half-warning manner. Jungkook knew that the level of your patience for his friends ranged from Sid (no patience) to Jude (case-by-case), to Minjun (bearable)—and he could see why.
“I didn’t get rid of her,” he said, an edge to his voice. “We broke up and moved on. Did you hear from Minjun?”
Sid laughed again—even louder than before; the glasses behind the bar seemed to clatter.
“Look at him, trying to change the topic!” he wheezed, looking at Jude over his shoulder.
“Leave him be, man,” Jude said and nodded at Jungkook. “So many girls around us and this dumbass is still hung up on your ex, huh?”
Jungkook finished his beer and held the liquid behind his cheeks for a second before swallowing. He caught the bartender’s eye and lifted his empty glass, indicating a refill.
“I don’t think I’m the one who’s hung up,” Sid said with a very knowing look in his eye.
Jungkook looked at him and raised his eyebrows—surprised and momentarily distracted from his drink. “What is that supposed to mean?”
“Well, you come to her as soon as she calls, like a puppy,” Sid replied. “So, you tell me.”
“I have to come when she calls,” Jungkook defended. “She’s my manager.”
“Yeah, dumbass,” Jude said, slapping Sid on the back of the head this time. “She’s his manager.”
Jungkook suddenly found himself smiling when he realised that you’d probably consider this the reason why Sid acted the way he did sometimes – permanent brain damage from Jude’s incessant slaps.
“Well, then someone,” Sid said, angrily accentuating the word—the anger was clearly directed at Jude, but the pronoun at Jungkook, “has a fucking crush on their manager.”
“I don’t have a crush—”
Sid spoke over him, “I bet you could never get her to go out with you again.”
Jungkook saw the bartender approach to pour him a drink and he heard Jude scoffing, but he could only blink, taken aback by what sounded like an accusation.  “Why—why would I even—why—”
“Oh, see, see?!” Sid screeched, turning to Jude with a triumphant expression. Jude gave him a pitiful look—and looked about ready to give him a black eye, too. “He knows I’m right, it’s why he’s stuttering!”
“Dude,” Jude said slowly. “You are yelling.”
Jungkook cleared his throat, nodding at the bartender as a thank-you and then bringing his refilled glass to his lips. “And I’m not stuttering.”
“You so are, my man,” Sid taunted, patting Jungkook on the shoulder with so much force, the beer nearly spilled from the glass and from his mouth. “Your ass is so whipped, you’re going to be singing at her wedding to some random producer.”
Suddenly hyper-aware that there were several producers on tour with them right now, Jungkook put his drink down and straightened in his seat.
“I’m not fucking singing at weddings,” he said.
“Not yet,” Sid pointed out, grinning. He knew he'd gotten under his skin.
“Okay, come on now,” Jude interjected, leaning back in his seat to be able to see Jungkook. “You promised you’d sing at my wedding.”
“As if anyone would ever marry you,” came Sid’s snide.
“You shut the fuck up,” Jude snarled, but there was no malice behind his bark. “I have more chances of marrying someone than he has of marrying his manager.”
“He—oh, fuck!” Sid was about to argue, but then burst into laughter—so loud and thunderous again, that the bartender was forced to glance over at the security guards by the entrance to the bar. “That’s good! You’re so right!”
“Both of you are fucking idiots,” Jungkook spoke. The edges of his vision were red. “I could get her to go out with me again if I wanted to.”
“Oh, sure, sure,” Sid nodded, wiping invisible tears from his eyes. “Big talk.”
“Jungkook, no offense, my dude,” Jude said, leaning forwards this time. “Let him have this one. Sid may be dumber than box of rocks, but he’s got a point here. Forget about her.”
Another insinuation that had Jungkook throwing his head back in frustration.
“There’s nothing to forget!” he groaned. “What the fuck are you even talking about? I just fucking told you I moved on.”
“So why are you getting all riled up, then?” Sid smirked, more and more satisfied with each curse that he provoked out of him.
Jungkook felt even angrier, because he was getting riled up, but he had a good reason for it. He enjoyed banter as much as the next person, but he did not enjoy mockery at his own expense—especially not the kind that involved you.
He snapped back, “because you don’t know what the fuck you’re talking about.”
His friends snickered at this – convinced that his irritation only proved the point they were both making – and Jungkook clenched his jaw, annoyed.
“If anything,” he added sharply as he picked his beer up—as if that could somehow distance him from this conversation, “it’s her who’s still hung up on me.”
That was a cheap, childish defence, and everyone by the bar knew it.
“Yeah, right!” Sid cried out, but resisted from laughing again. “We’ve heard her yell at you more times than we can count. You fucking wish she was still hung up on you.”
“Okay, to be fair, Sid can probably only count to five,” Jude added—Sid finally punched him on the shoulder—as he toyed with the paper umbrella on his fourth cocktail; the Margaritas they’d ordered were long gone. “But he’s right, you know? You’d never get her to go out with you again.”
There was pity in Jude’s voice—as if he felt sorry that Jungkook lived in denial, chasing after you and convincing himself that it was only a matter of time before you’d come back to him.
This made Jungkook’s temper vile, his face red, hot, and angry. He slammed his beer back on the table, forcing some of it to spill. “Yes, I fucking would!”
Sid was hiccupping as he laughed.
“Okay, okay, listen—let’s make a proper bet,” he managed. He picked up a napkin from the bar top, then looked around for something to write on it with—not finding anything, he stood up from his seat and leaned over the bar, grabbing a pen before the bartender could notice. “$1000 says you can’t get her to go on a date with you again.”
He glanced at Jude for approval—Jude shrugged.
“I’d suggest $500,” he said. “We don’t want to rob him blind.”
Jungkook’s face remained stoic, prideful.
“Fine with me. But you have no idea what you’re getting yourselves into,” he bit.
“Oh, that’s right, he’s been awfully cocky about the whole thing, hasn’t he?” Sid spoke, addressing his rhetorical question at the bar. He wrote something on the napkin and then lifted it to show the number “4000” to Jungkook. “How about this: Jude and I each pay you $2000 if you win. But if you lose, you give us your Katana.”
Jungkook lifted his eyebrows, the sudden mention of his bike catching him off-guard. Sid came from old money, he could afford fifteen brand-new motorcycles with the change he found in his suitcase, probably.
“How is that fair?” he asked. “Do you even know how much a Suzuki costs these days? It’s not $4000, I can tell you that much.”
“Why should you care?” Sid asked, his eyes glinting with mischief. “You were so confident about winning the bet just a second ago. Scared you’ll lose after all?”
In his defence, Jungkook did hesitate for half a moment. But there was a shit-eating grin on Sid’s mouth that he wanted to wipe off more than anything else, and he downed the rest of his beer in one big gulp—a showcase of his determination.
“Not at all,” he said then. He wasn’t sure if he was lying as he said this, but he had no time to figure that out. He extended his hand at Sid. “Get your money ready.”
Here, he was putting up a front – this wasn’t about the money at all. It was more a thing of pride; they were teasing him, purposefully making fun of him—and he wanted to prove them wrong, regardless if they were actually wrong.
Smirking, Sid shook his hand—cementing the bet between all three of them, as Jude was busy finishing off his cocktail—and was about to say something when Jungkook jumped off his stool.
“Have to go now,” he said, always a show-off with his overly creative comebacks when he was tipsy. “My horoscope predicts a date and a big fortune in my near future. Got to prepare.”
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chapter title credits: sleep token, “rain”
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special shout-out & thank you to @eleni-cherie who delivered the much-appreciated kicks in the ass, so that i would keep writing. the odds were really against me, so if it weren't for you & our in-depth fanfic discussions, i definitely wouldn't even be writing this note right now, let alone finally starting this story 💜
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gemsofgreece · 1 month
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The Parthenon marbles this, the Parthenon marbles that...
I don´t know how known the extent of Greek antiquity looting by West Europeans is to most people or most have a limited image painting the British Museum or Lord Elgin as the sole / main villain. 
Here we have the Piraeus Lion (Italian: Leone del Pireo) , one of the four lions decorating the Venetian arsenal in Italy. The prominence of the 3 meter tall lion statue in the port is such that it is also known as Porto Leone ("Lion Port"). 
We are eternally thankful for the massive courtesy of calling the statue the Piraeus Lion, indicating its origin from Piraeus, the port city of Athens. The statue was sculpted around 360 BC and remained a famous landmark of Piraeus, Athens until 1687. 
In 1687, it was looted by Venetian naval commander Francesco Morosini, the man also notoriously responsible for the bombardment of the Parthenon during the wars of the Venetians with the Ottoman Turks, therefore in fact the most irreversible destruction it suffered in its 2,500 year long history. Somehow they were fighting the Turks but it was the Greeks paying for it. 
Is it totally and universally acknowledged that Morosini illegally looted this sculpture among so many others? Yes. Does the Piraeus Lion still sit casually in the Venetian port in 2024 as if Venice has a shortage of artefacts to decorate itself with? Also yes. Meanwhile, the Greeks have to limit themselves to a replica in the Piraeus Archaeological Museum. 
The Horses of Saint Mark in Venice are also Greek artefacts, this time looted from Constantinople during the crusades, although their original display was in Chios island. Another thing little known is how many ancient and medieval Greek artefacts were looted from the Eastern Roman / Byzantine Empire because people tend to focus on classical antiquities looted in the 19th century. 
[Fun fact:  The Piraeus Lion has runic inscriptions carved by Swedes in the 11th century. These were either Viking explorers or Varangian mercenaries of the Byzantine Empire.]  
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blueiskewl · 26 days
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European Court Upholds Italy's Right to Seize Greek Bronze from Getty Museum
A European court on Thursday upheld Italy’s right to seize a prized Greek statue from the J. Paul Getty Museum in California, ruling that Italy was justified in trying to reclaim an important part of its cultural heritage and rejecting the museum’s appeal.
The European Court of Human Rights, or ECHR, determined that Italy’s decades-long efforts to recover the “Victorious Youth” statue from the Malibu-based Getty were not disproportionate.
“Victorious Youth,” a life-sized bronze dating from 300 B.C. to 100 B.C., is one of the highlights of the Getty’s collection. Though the artist is unknown, some scholars believe it was made by Lysippos, Alexander the Great’s personal sculptor.
The bronze, which was pulled from the sea in 1964 by Italian fishermen and then exported out of Italy illegally, was purchased by the Getty in 1977 for $4 million and has been on display there ever since.
The Getty had appealed to the European court after Italy’s high Court of Cassation in 2018 upheld a lower court’s confiscation order. The Getty had argued that its rights to the statue, under a European human rights protocol on protection of property, had been violated by Italy’s campaign to get it back.
The court ruled Thursday that no such violation had occurred.
“This is not just a victory for the Italian government. It’s a victory for culture,” said Maurizio Fiorilli, who as an Italian government attorney had spearheaded Italy’s efforts to recover its looted antiquities and, in particular, the Getty bronze.
The Getty has long defended its right to the statue, saying Italy had no legal claim to it.
Among other things, the Getty had argued that the statue is of Greek origin, was found in international waters and was never part of Italy’s cultural heritage. It cited a 1968 Court of Cassation ruling that found no evidence that the statue belonged to Italy.
Italy argued the statue was indeed part of its own cultural heritage, that it was brought to shore by Italians aboard an Italian-flagged ship and was exported illegally, without any customs declarations or payments.
After years of further legal wrangling, an Italian court in Pesaro in 2010 ordered the statue seized and returned, at the height of Italy’s campaign to recover antiquities looted from its territory and sold to museums and private collectors around the globe.
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Thursday’s ruling by the Strasbourg, France-based ECHR was a chamber judgment. Both sides now have three months to ask that the case be heard by the court’s Grand Chamber for a final decision. But Thursday’s ruling was unanimous, with no dissenting judges, and the Grand Chamber can refuse to hear the case.
There was no immediate comment from the Getty, and its lawyers referred comment to the museum.
Italian Culture Minister Gennaro Sangiuliano praised Thursday’s decision as an “unequivocal ruling” that recognized the rights of the Italian state and its ownership of the statue.
“Following today’s ruling … the Italian government will restart contacts with U.S. authorities for assistance in the implementation of the confiscation order,” he said.
In a statement, he doubled down on Italy’s campaign to bring its looted treasures home, and noted that recently Italy has ceased cooperation with foreign museums that don’t recognize Italian legal confiscation orders.
Recently, Italy banned any loans to the Minneapolis Institute of Art following a dispute over an ancient marble statue believed to have been looted from Italy almost a half-century ago.
The Getty had appealed to the ECHR by arguing, among other things, that Italy’s 2010 confiscation order constituted a violation of its right to enjoy its possessions and that it would be deprived of that right if U.S. authorities carried out the seizure.
The ECHR however strongly reaffirmed Italy’s right to pursue the protection of its cultural heritage, especially from unlawful exportation.
“The court further held that owing, in particular, to the Getty Trust’s negligence or bad faith in purchasing the statue despite being aware of the claims of the Italian state and their efforts to recover it, the confiscation order had been proportionate to the aim of ensuring the return of an object that was part of Italy’s cultural heritage,” said the summary of the ruling.
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It wasn’t immediately clear what would happen next, though Fiorilli said the Getty had exhausted legal remedies and it’s now for U.S. the courts to enforce the Italian confiscation order.
“It’s not about guaranteeing the right to property, it’s about guaranteeing the internationally recognized value of every nation’s right to protect its cultural patrimony,” Fiorilli told The Associated Press over the telephone.
The statue, nicknamed the “Getty Bronze,” is a signature piece for the museum. Standing about 5 feet (1.52 meters) tall, the statue of the young athlete raising his right hand to an olive wreath crown around his head is one of the few life-sized Greek bronzes to have survived.
The bronze is believed to have sunk with the ship that was carrying it to Italy after the Romans conquered Greece. After being found in the nets of Italian fishermen trawling in international waters in 1964, it was allegedly buried in an Italian cabbage patch and hidden in a priest’s bathtub before it was taken out of the country.
Italy has successfully won back thousands of artifacts from museums, collections and private owners around the world that it says were looted or stolen from the country illegally, and recently opened a museum to house them until they can be returned to the regions from where they were looted.
The most important work to date that Italy has successfully brought back is the Euphronios Krater, one of the finest ancient Greek vases in existence. The Metropolitan Museum of Art in New York, which purchased it for $1 million in 1972 from an art dealer later accused of acquiring looted artifacts, returned it to Italy in 2008.
In 2010, the same year that Italy ordered the “Victorious Youth” statue confiscated from the Getty, a criminal trial ended in Rome against the Getty’s former curator of antiquities, Marion True. After years of trial, the Rome court ruled that the statute of limitations had expired on charges that True received stolen artifacts. She has denied wrongdoing.
In 2007, the Getty, without admitting any wrongdoing, agreed to return 40 ancient treasures in exchange for the long-term loans of other artifacts. Similar deals have been reached with other museums.
Under the 2007 deal, the two sides agreed to postpone further discussion of “Victorious Youth” until the court case was decided.
By Nicole Winfield.
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illustratus · 1 year
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Farnese Hercules Marble statue by Glykon, from the 2nd century AD, in the Uffizi museum in Florence, Italy.
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Villa Valguarnera (Italian collection VIII)
Hi folks! 
I'm sharing Villa Valguarnera, one of the most interesting eighteenth-century villas in Bagheria, both for the architectural quality of the complex and for its position in the Bagheria landscape. 
Construction began in 1712 on a project by Tommaso Maria Napoli , architect, Dominican , designer in the same years of the nearby Villa Palagonia , in contact with the Roman environment, which introduced an architectural language of Bernini origin and a clarity of composition close to the most advanced examples of the Italian and European eighteenth century, in particular Austrian. 
When the architect died in 1725 , the villa was not yet finished and was then significantly modified. In particular, around 1780 , Giovan Battista Cascione Vaccarini was the author of the new elevations and the oval room on the main floor. 
Of great interest are the series of internal halls frescoed by Elia Interguglielmi and the marble statues crowning the attic by Ignazio Marabitti . The building was once surrounded by a vast park, enriched with coffee houses , statues and neoclassical architecture. (source: Wikipedia)
I only built the main building, as the project is placed in a 30x30 lot.
You will find a great room, 2 main bedrooms, 6 sitting rooms, a formal dinning salon, a billiard room and a ground floor to develop. 
As allways, you will need the usual CC I use: all of Felixandre, Tha Jim, SYB, Regal Sims, etc.
Please enjoy, comment if you like it and share pictures with me if you use my creations!
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