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prolix-yuy · 11 months

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For the bangathon…

Can I get 69 with Dieter?

This is such a fun idea! I’m excited!

Kat, of COURSE you can 69 with Dieter! I adore how polite everyone is asking for these drabbles, it makes me feel like a smut barista.

Pairing: Dieter Bravo x F!Reader

Position: 69

Word Count: 917

Warnings: Explicit, 18+ MINORS DNI, oral sex (m and f receiving), titty fucking, rimming, a glimmer of self-conscious combated by a bit of body positivity for both.

Notes: Hi hello this is my least favorite position for reasons and I just want all of the boys to change my mind so here we gooooooo

Dieter’s endearing smile almost makes up for the dread in the pit of your stomach.

“I dunno, I always feel weird on top like that,” you say, hoping he doesn’t regret letting you into his bed. You were normally up for everything (and then some), but this twinges a little insecurity in your chest that you can’t shake.

“Oh,” is all Dieter says, looking up at you from where you’re leaning over him. “That’s okay, I’ll be on top if you like that better.”

Your eyebrows shoot clean off your face (you imagine).

“Oh,” you parrot back, shock slowly receding. Dieter’s smile turns from carefree to incredibly devilish.

“Lay down, baby,” he purrs, slipping his hands along your skin until you’re flat on the bed, dipping in for a sweet kiss that turns filthy. He shuffles to press his mouth down between your breasts, along the line of your stomach and one final slick purse of hips lips on your clit. Your body is humming by then, hands weaving their own sensual path along Dieter’s thighs, the little pooch of stomach that forms when he’s on all fours, and the delicate curve of his lower back.

“Knees up,” he commands, tapping your calves. Your brow furrows but you comply, folding them up to your chest, your bare pussy spread out for him. A low groan rumbles in his chest as he leans over you, planting his hands on either side of your hips with your knees tucked into his armpits. His broad shoulders pin and press you down, heart hammering at this vulnerability. It's new and intoxicating, and when Dieter presses your knees wide and further down to the bed your hips curl onto his waiting tongue.

“Oh fuck,” you rasp, completely at Dieter’s mercy as he licks a slow, snaking stripe from your clit down to your entrance, teasing the tip inside. Pinned as you are you can’t move closer or further away, only taking what Dieter gives you no matter how intense. Your nails dig into the back of his thighs, hips still off to the side.

“That’s it, baby, see how good I can make you feel?” he preens into your cunt, finally lifting his knee to settle over your face. Before he can get another lick in, you lap at the underside of his cock, scratching your nails along the back of his thighs before taking one of his balls into your mouth.

“Oh shit, baby, ohhhhh you’re gonna make me bust on those beautiful tits if you keep doing that,” Dieter moans, confident facade slipping before he messily circles your clit, spit and your arousal dripping down. Angling his cock, you suck him in and urge his hips to shallowly fuck into your waiting mouth, tongue curling while playfully squeezing his cheeks. He begins flicking your clit in time with his thrusts, rocking harder against your cunt so the thick bridge of his nose can tease your folds. You’re both humming and whining at the other’s efforts, Dieter finally pulling away from your hot mouth.

“Can I fuck your tits? Want to cum on them so fucking badly,” he begs, request shredded with desire as he suckles your clit like a promise. Guiding his cock between your breasts, the slick spit lets him slide easily through the plush channel. He practically wails, a debauched wretched noise that makes your cunt throb.

You have Dieter in a mess over you, and you caused it.

The tiny cleft of his butt is right by your face, tensing with his thrusts growing rapidly forceful. He redoubles his effort to rip an orgasm through you, sucking and spitting and lapping anything that makes you moan. He feels close, your own not so far behind, when a wicked thought tickles your brain. You’d never done it before, but looking at his sweet little ass so close to your lips, the pretty pink of his asshole, makes you bold. Leaning up, you swirl the tip of your tongue over his tight hole and press.

Dieter shouts, hips stuttering as he spills suddenly between your tits and over your stomach. His thighs shake, your tongue still pulsing against that fluttering ring of muscle as his breaths slow and fade into weak gasps. Once you’re sure you’ve soothed him through his aftershocks you lean back down, admiring the sheen of your spit and his cum sliding along your belly. You also admire Dieter’s strong thighs around your head, the way his tummy dips, the dimples of flesh around his hips. Maybe you shouldn’t feel so self-conscious on top anymore. There’s a beauty in the vulnerability and trust that this allows.

“Oh baby, you just rocked my fucking world, holy shit,” Dieter gasps, shifting off to flop on his back beside you. You tangle your fingers with his, pulling his palm to kiss.

“That was fun. I’d be up for doing it again,” you say coyly to get the face-cracking smile you covet.

“All right, enough talk, get up here and sit on my face,” he urges, tugging you closer. You wrinkle your nose.

“Let me wipe your cum off first,” you placate, but he’s already pulling you up his body.

“I want it to drip in my mouth while I’m tongue-fucking you to another dimension,” he husks, licking your stomach as if to prove it to you.

“Filthy,” you chide, but you’re already straddling his head and gripping the headboard.

“You love it,” he quips back.

And oh, you do.

END

LJ’s Bangathon 2023

#dieter bravo x f!reader #dieter bravo fanfiction #dieter bravo x female reader #dieter bravo x you #dieter bravo x reader #dieter bravo x fem!reader #the bubble fic #the bubble fanfic #the bubble fanfiction #prolix fics

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t0rschlusspan1k · 2 months

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The Telegraph | 'God told us to exorcise my daughter's demons. I don't regret her death'

By Elizabeth Day

27 November 2005 • 12:01am

[...] From the very beginning, Anneliese's life was governed by fear. Her family was deeply religious. Her father had considered training as a priest and three of her aunts were nuns. But the Michels had a secret. In 1948, Anneliese's mother gave birth to an illegitimate daughter, Martha, bringing such disgrace on her family that she was forced to wear a black veil on her wedding day. When Anneliese was born in 1952, her mother encouraged her to atone for the sins of illegitimacy through fervent devotion. But when Martha was eight, she died from complications arising from an operation to remove a kidney tumour. Anneliese, a kind-hearted and deeply sensitive girl, must have felt ever more strongly the pressure to do penance for her mother.

She found herself increasingly surrounded by evidence of sinfulness and increasingly anxious to be rid of it. While other children in the 1960s were rebelling testing the limits of their freedom, Anneliese slept on a bare stone floor to atone for the sins of the drug addicts who slept rough at the local train station. In 1968, aged 17, she began to suffer convulsions. Although initially diagnosed with grand mal epilepsy, she started experiencing devilish hallucinations while praying. By 1973, she was suffering severe depression and considering suicide. Voices in her head told her she was damned. She asked the local priest for exorcism and was twice refused. But gradually, Anneliese slipped further into the abyss. She would perform 600 genuflections a day, eventually rupturing her knee ligaments. [...] In 1975, her third request for exorcism was granted by the Bishop of Wurzburg. "I don't regret it," says Anna Michel firmly. "There was no other way." We shall never know if there was. By this stage, Anneliese had refused further medical intervention from the Psychiatric Clinic Wurzburg. Her symptoms have subsequently been compared to schizophrenia and should have responded to treatment. There has also been speculation that Anneliese might have been influenced by the release of William Friedkin's The Exorcist, in 1973. But whatever lay behind her disturbance, the exorcism could have caused Anneliese to believe her own hallucinations. [...] Her parents buried her next to Martha at the outer edges of the cemetery - ground normally reserved for illegitimate children and suicides. Even in death, Anneliese was not free of the sinfulness she fought so hard to repent of.

Today, the 2000 inhabitants of Klingenberg are unwilling to speak of Anneliese Michel. A gentle enquiry to passers-by is greeted with hostile glares and a shake of the head. "The town is ashamed," says Christiana Metzler, 42, who works in the tourist office. "I was at school when it happened and there were a lot of things covered up. People don't want to talk about it. There is a feeling that it was the parents' fault because they were so religious they didn't see what was happening. Sometimes Catholic pilgrims come to her grave because they think she can save lost souls. But there are not many of them. Now there is this film coming out, we are worried it will all be stirred up again." It is a past that the Church is ashamed of, too. In 1984, German bishops petitioned Rome to review the exorcism rite in the light of the Michel case. Although their recommendations were not adopted, the Vatican published a revised exorcism rite in 1999 - the first update since the 17th century - and has introduced a qualification in exorcism that maks priests undergo medical training. "I wouldn't have carried out the exorcism [on Anneliese Michel]," admits Fr Dieter Feineis, the current priest at St Pankratius Church in Klingenberg. "But both Anna Michel and her husband remained absolutely convinced that what they had done was right. The view of the Church is that it is possible to be possessed, but in Germany there are no more exorcisms." In Italy, however, it is a different matter. According to the Italian Association of Psychiatrists and Psychologists, half a million Italians seek exorcisms each year. There are about 350 practising exorcists worldwide. Earlier this year, a priest and several nuns in a Romanian Orthodox convent in Tanacu believed that Maricia Irina Cornici, a 23-year-old nun, was possessed. They carried out an exorcism ritual and tied her to a cross, pushing a towel in her mouth and denying her food or water, She was dead three days later. [...]

#articles #The Telegraph #Anneliese Michel #exorcisms #religion #bigotry #true crime #murder #filicide #The Exorcism of Emily Rose #The Exorcist #1960s #1970s #women in history #Elizabeth Day #2005 #2000s #religious trauma #childhood trauma

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personal-reporter · 1 year

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Dieter Rams. Uno sguardo al passato e al futuro

Fino al 4 giugno 2023 l’ ADI Design Museum di Milano propone una mostra dedicata al designer industriale tedesco Dieter Rams, che ha progettato più di 350 oggetti per l’azienda di elettrodomestici Braun e per il produttore di mobili Vitsoe, che esercitano tuttora una notevole influenza sui giovani designer. Rams rappresenta un approccio progettuale che lui stesso ha descritto come “meno, ma meglio”, inoltre ha sempre sostenuto la produzione di una tipologia di oggetti tali da avere un uso più lungo possibile. Pioniere del design sistemico e padre delle teorie del good design, Dieter Rams è nato a Wiesbaden nel 1932, fin da piccolo fu molto legato al padrino, che era un carpentiere specializzato nella rifinitura manuale di superfici. Da sempre affascinato dal funzionamento di oggetti e meccanismi semplici, Rams si iscrisse a 17 anni alla Werkkunstschule di Wiesbaden, scelta per il suo approccio hands-on e lo studio di tecniche quali i giunti di legno. Appassionato di architettura Rams, dopo una pratica a Francoforte presso Otto Apel, ottenne una prima commessa dall'azienda di elettrodomestici dei fratelli Braun per l'ampliamento della loro sede cittadina. Nei difficili anni della Germania post bellica la Braun collaborava per lo sviluppo dei suoi nuovi prodotti con la Hochschule für Gestaltung di Ulm, erede dei principi e delle pratiche del Bauhaus, che puntava a condurre la Germania verso una nuova modernità. In questo contesto, Rams nel 1954 apprese del lavoro che Hans Gugelot stava conducendo per un nuovo tipo di radiofonografo. Le fasi di sperimentazione di un oggetto ripensato nella disposizione delle sue componenti e nel suo ruolo all'interno dello spazio domestico si compiranno nella produzione del radiofonografo Braun, co-progettato da Gugelot e Rams nel 1956, destinato a diventare icona di un'epoca e di una filosofia di design. Rams divenne il capo della sezione design alla Braun nel 1961, facendola crescere dalla collaborazione con la HfG Ulm, continuata creando altre icone del design come la radio portatile a transistor Braun T3 nel 1958 e il sistema TP1 del 1959, che integrava una radio a transistor e un giradischi portatile con lettura dal basso. Lungo gli anni ’60 e ‘70 il catalogo Braun si consolidò con i rasoi elettrici della linea Sixtant, i primi sistemi home stereo, gli accendini da tavolo, orologi come il phase 1 del 1971 e la radiosveglia Signal ABR21 sviluppata in 1978 con Dietrich Lubs, rendendo il marchio un riferimento per il design. Rams occupò la sua posizione fino al 1995, lasciando la Braun nel 1997, ma la sua attività abbraccio globalmente l'ambito della casa, attraverso una collaborazione che Rams cominciò nel 1959 col produttore danese di arredi Vitsœ, portandola avanti in parallelo nei decenni, e tuttora in corso, con le sedie 601 del 1961 e 620 del 1962, cuore di una volontà di liberare spazio all’interno delle abitazioni moderne, rendendo il vivere in questi ambienti un'esperienza piacevole. Negli anni Rams ha esercitato attivamente questo suo ruolo di ispiratore di filosofie del design, attraverso la sua attività didattica all’Università di Amburgo, e l’incarico di presidente del German Design Council. I pezzi creati alla Braun nei suoi anni di direzione sono parte della collezione del MoMA di New York, e al suo lavoro sono state dedicate mostre, come la retrospettiva del Museum für Angewandte Kunst (MAK) di Francoforte (2002), e le esposizioni del SFMOMA di San Francisco (2011) e del Vitra Design Museum di Weil am Rhein (2016) oltre a documentari, tra cui Rams di Gary Hustwit (2018). La mostra è stata realizzata in collaborazione con la Scuola Del Design del Politecnico di Milano. Read the full article

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fran-aka-mak · 3 years

Photo

artwork prize to the third winner of my tumblr 1k+ followers GA !

@chanceoutof20 requested for her SE OC Dieter patting Patty's head ^^

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pls do NOT repost or remove watermark/description!

#soul eater #patty thompson #dieter #soul eater oc #digital art #fan art #chibi #1110_2021 #mak tumblr GA 1k

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puppys-rhythm-heaven · 3 years

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it is time.

uh i mean- i'm bored so. only seems logical to name every rhythm heaven character. i have no idea how to word some of these but whatever- it is time.

samurai drummer

karate joe

hair vegetables

squadmates

sarge

air batter

space umpire

the clappy trio

the barista

sneaky spirits

the wandering samurai

yokai

rats

miss whiskers

doctor cutlery

viruses

donpans

yagura-chan

the wizard

uhhh. girl

monkey

gwen (gray penguin)

glacier (big penguin)

gonzales (small/white penguin)

rabbit

tram

pauline

space dancers

space gramps

host

contestant

play-yan

mini chounin

uh. do the akai mono count- cuz uh. them

the rapmen (pretend that's in caps. it ruins my typing style otherwise and i am lazy)

akata to. something or other. i don't know the names that're gay-up (yes i did just say that) japanese-

ninja

lord (such great names here)

the toss boys (aka-chan, ao-kun, kii-yan)

g i r l

monkeys

(do i wait to list tanata orrrrr,,, ?)

cosmo dancers

cosmic girl

the rap women (wow can't believe they don't get capitalization rights)

salu (/mak-k. i never know what's something silver made up and what isn't)

tanata

uh. the ninja reincarnate girl. her

electric fish

i'm not a hundred percent sure on some of tengoku's character names but everything else should be good so onwards.

g i r l (i think she's a different girl-)

note

bandleader

widgets

the conductor

the chorus kids

robo-m

robo-l

pop singer

monkeys

paddlers

blastronaut

shoot-'em-up radio lady

the blue birds

captain blue bird

moai kids (they have separate names but i do not remember them)

moai birds

the love lizards/güiro lizards

stomp farmer

t.j. snapper

the dazzles

munchy monk

dj yellow

student

(they're the best ones- i mean uh-)

taiko rally squad

rally girls

research scientists of love lab

the three synchrettes

the tiny ghosts (spooky, ecto and boo-boo)

dog ninja (is the exclamation point required-)

the frogettes

space kicker

stepswitchers

j.j. rocker

student rocker

(god what is it with students and not getting name rights-)

airboarders

heehee i'm a master at ds' lore but anyways.

marshall

cam

miss ribbon

monkey

mandrill

golfer

robots

see

saw

a boy

his crush

weasel couple

f o r k

monkey

executives

assistant

small monkeys

dough dudes

baxter

forthington

muscle doll

reporter

wrestler

employee (insert the numbers here, if you read it as text its eee-a-spider)

treat spider (almost forgot-)

microbes

demons

ann gler

quicknibble

pausegill

threefish

captain tuck

flippers

pitcher

slugger

huebirds of happiness

rhythm rockets (don't remember the individual names apart from the family model)

uh... these guys? (clearly the best rhythm heaven characters)

bossa

nova

the love posse ft. mc adore (why's she just tacked on at the end-)

tall tappers

the shrimp scamperers

the library school pep squad

thank god we're almost done-

(i'm doing story characters too)

tibby

boondog

plalin

alalin

dieter

courtney

saffron

saltwater

paprika

shep

translator tom

martian

donna

chameleon

(do the tongue lashing guys have names-)

hairold

woodcutter bear

lumbercats

eglantine

trey

the sumo brothers (idk their separate names but they have them)

inu-sensei

monkey/josé (french rhythm paradise megamix)

tangotronic

bertram

mako

monkeys

betty

beary

bearbara

philip

kitties

colin

tibby's mom

monkey/emma (french rhythm paradise megamix)

karate joe's father

hooooo boy i'm never doing this again- this took like. half an hour-

#puppy rambles #rhythm hell #every game. all of them #i have been holding this knowledge in my brain for months at this point #at long last. i have released it #also you can tell i'm biased towards dj school. unsurprisingly-#also also if anyone's wondering why i didn't list the barista until after all the other set 1 characters:#in tengoku the medal corner + cafe's not unlocked until after remix 1 #... also i just realized i didn't even bother listing the goat sfljsfkl #i mean i fucking hate the goat so-#the goat's clearly the worst rhythm heaven character

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design-is-fine · 7 years

Photo

Dieter Rams, Interior Design for Braun, 1955. Drawing. Exhibition “A Style Room”. MAK Frankfurt

#dieter rams #braun #german design #design drawing

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collectorsclubberlinnews · 6 years

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]MAK: Dieter Rams. Stilraum. Kuratorenführung

Am Mittwoch, den 11. April, lädt ab 18:30Uhr Kurator Prof. Dr. Klaus Klemp ein zur Führung im Museum für angewandte Kunst, die Werkschau zu Dieter Rams zu begehen. Anmeldungen unter: [email protected].

„Weniger, aber besser“ – Dieter Rams prägte mit seiner funktionsorientierten und unprätentiösen, visuell langlebigen und dabei höchst ästhetischen Gestaltung das Image…

View On WordPress

#collection #Dieter Rams #Dieter und Ingeborg Rams Stiftung #Frankfurt #MAK #Museum für angewandte Kunst #Research #talk #www.kgv-frankfurt.de

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estudiodedecoracion · 7 years

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Formafantasma

Formafantasma. Investigación conceptual, diseño de productos e iluminación.

Studio Formafantasma está formado por un dúo de diseñadores italianos, Andrea Trimarchi (1983, Sicilia) y Simone Farresin (1980, Vincenza), con sede en Amsterdam (Países Bajos).

Simone Farresin se empezó a interesar por el diseño a una edad temprana, cuando estaba en la escuela secundaria.

Andrea Trimarchi cuando empezó en Florencia el primer año de arquitectura y que después decidió profundizar en el campo del diseño porque lo consideraba más interesante. “En Sicilia creo que todavía la gente no sabe qué diseño“.

La colaboración de ambos en el diseño de productos se empezó a desarrollar en el Master de la Design Academy de Eindhoven, donde se graduaron en julio de 2009.

“Creo que es importante que estemos en Holanda porque para nosotros es como un cubo blanco… donde tenemos tiempo para pensar, mientras que en Italia el diseño está en todas partes“, reconoce el dúo de diseñadores.

“No hablamos holandés, así que no entendemos lo que la gente dice a nuestro alrededor. Nuestro estudio de diseño es una pequeña burbuja y nos gusta mantenerlo así“.

Desde entonces, Formafantasma ha desarrollado con éxito un enfoque atrevidamente conceptual y un bagaje coherente de trabajo caracterizado por la investigación de materiales experimentales y explorando temas como la relación entre tradición y cultura, tratando enfoques críticos sobre la sostenibilidad y sobre la importancia de los objetos como conductos culturales.

Su trabajo, a pesar de ser los dos italianos, no refleja lo que está pasando hoy en día en el diseño italiano. “Así que eso es seguro que es una ventaja para nosotros“.

Su obra investiga el rol actual del diseño artesanal y tradicional, con énfasis en la relación entre cultura local/tradicional y globalización, sobre todo teniendo en cuenta que los límites de la cultura están en constante re-definición y actualización.

Uno de los objetivos más importantes de su trabajo es el de aportar un fundamento crítico al concepto de diseño, creando un diálogo entre usuarios y objetos, industria y artesanía, arte y comercio.

Una parte íntima de la forma de trabajar de Studio Formafantasma es que a pesar del elemento crítico y la valentía en exponer temas “políticos” como la inmigración, el colonialismo, o el fin de la “era del plástico“, lo primero que se percibe de su trabajo -de los objetos que producen- son las formas extrañamente hermosas y seductoras.

Más tarde, cuando se hace una mirada más detallada, es cuando se perciben éstas otras capas que hay debajo, lo que hay detrás de esas formas atractivas.

“Creo que es también donde nuestro trabajo es diferente de la generación radical más antigua, donde fueron mucho más brutales en su enfoque“, reconoce Simone.

Studio Formafantasma percibe su papel como un puente entre el arte, la industria, el objeto y el usuario, por lo que están interesados en forjar vínculos entre su trabajo, basado en la investigación y una posición crítica, y la producción industrial.

Para Andrea “Italia tiene realmente grandes educadores, pero nunca te dicen que investigues quién eres tú como diseñador. Todo está a punto para que te conviertas en una herramienta para la industria. No para cambiar el sistema, sino para convertirte en parte de él… pero es extraño, porque la historia del diseño italiano no es esa. Sus tutores en la universidad eran Archizoom, que eran radicales, locos, proponiendo ciudades imposibles“.

“Esperamos que diferentes personas empiecen a trabajar cada vez más de maneras diferentes. No sólo pensando en la producción industrial, y preguntándose más quiénes realmente quieren ser como diseñadores“, dice Simone.

Aun así no están en contra de la idea de que sus “procesos de pensamiento” puedan terminar en un objeto de producción en masa.

Para ellos el trabajo con una empresa se trata “en realidad de una colaboración. Nuestro trabajo está a menudo basado en el contexto, por lo que lo que nos interesa es realmente colaborar… Estamos realmente interesados en no aplicar un sistema sino en colaborar con las empresas“.

Como dice Simone “Nos gusta mucho más cuando hay un desafío y cuando incluso te dan restricciones. Porque entonces se puede comenzar una discusión“.

El proceso de diseño de Studio Formafantasma es un proceso realmente intenso que pasa por imágenes (mapas de imágenes de cosas existentes), textos (“lo primero que hacemos es escribir un texto… con largas discusiones”) y de investigación material.

Después de esto el dúo de diseñadores lo que hace es casi un proceso de condensación de elementos, “es casi más un proceso de moderación. No se trata de creatividad, o de hacer bocetos, o de un impulso salvaje… es más un proceso de refinar ideas y preguntarse cuál es la decisión correcta, qué elemento mantener y qué elemento no aplicar. Así que es una especie de proceso lento”.

Ya sea diseñando para un cliente o investigando aplicaciones alternativas de materiales, Formafantasma emplea, en cada uno de los proyectos que emprende, la misma atención rigurosa al contexto, el proceso y al detalle. El matiz añadido que utilizan Andrea y Simone es que lo hacen enlazando con las fuerzas históricas, políticas y sociales que les han dado forma.

“Lo que estamos tratando de construir es una actitud y no un estilo o una obsesión por ciertas cosas específicas. Cuando se trabaja con las compañías, especialmente al principio, hay un contexto específico que también es necesario respetar. Las empresas italianas tienen una enorme herencia que es necesario conocer para enfrentarla de nuevo y entender cómo encajar“.

“Es importante empezar primero con un producto… Entonces, a partir de ese momento es cuando se puede comenzar a confiar en los demás, porque la relación que se puede construir con las empresas italianas es realmente un tipo de relación personal…es un proceso de conocerse primero personalmente“.

Las obras y los planteamientos de Studio Formafantasma han sido encargados por una gran variedad de marcas como Fendi; Max Mara – Sportmax; Hermès; Droog; J & L Lobmeyr; Giustini / Stagetti Galleria O. Roma; Lexus, y Flos.

Su trabajo ha sido presentado y publicado internacionalmente y muchos museos han adquirido los diseños de Formafantasma para sus colecciones permanentes como el Victoria & Albert de Londres; el MoMA y el Museo Metropolitano de Nueva York; el Art Institute de Chicago; el Textiel Museum de Tilburg y el museo Stedelijk de ‘s-Hertogenbosch en Holanda; el MUDAC de Lausanne, y el MAK Museum de Viena.

En marzo de 2011, Paola Antonelli, conservadora y curadora principal del Departamento de Arquitectura y Diseño del Museo de Arte Moderno de Nueva York, y la prestigiosa crítica de diseño Alice Rawsthorn, incluyeron a Studio Formafantasma entre los que darán forma al futuro del diseño.

Andrea y Simone dan conferencias y presentan talleres en varias universidades e instituciones. Actualmente están enseñando en los Departamentos de “Bienestar” y “Diseño Contextual” de la Academia de Diseño de Eindhoven.

Desde octubre de 2016, están a la cabeza de la Licenciatura de Diseño en el Programa MADE en Siracusa (Italia).

Con motivo de la celebración de Euroluce 2017, Studio Formafantasma presentó “WireRing” y “Blush lamp“, diseñadas para la empresa de iluminación Flos, y que además son los primeros objetos producidos industrialmente del Studio.

Studio Formafantasma está muy interesado en la tecnología “ahora es nuestro momento perfecto para trabajar con la industria. Creo que la industria de la iluminación, por ejemplo, está cambiando con los sistemas OLED y LED… hay nuevos materiales y tenemos que encontrar alternativas para el plástico. Es un momento emocionante“, reconoce Andrea.

La relación que los seres humanos tienen con la luz trasciende una dimensión funcional y se convierte en emocional. “Las lámparas están diseñadas para iluminar el mundo con brillo, pero también con la intimidad de la sombra… la calidad de la luz no puede medirse únicamente a través de su intensidad“.

La “lámpara de color rubor” hace uso de una tira Led y un trozo de vidrio dicroico para colorear reflejos brillantes en las paredes que responde a la falta de saturación de color durante los meses de invierno. Con su diseño sobrio, y el uso meticuloso de la luz y el color, ésta lámpara recrea el recuerdo de un largo día de verano.

“WireRing” se compone exclusivamente de dos elementos separados, un cable eléctrico tipo cinturón hecho a medida y un anillo que contiene una tira Led. El cable, que a menudo se considera algo para ocultar, es lo que permite la transmisión de la energía al anillo a través de conectores eléctricos.

Ésta lámpara, que revela rasgos esculturales, es un ejercicio de reduccionismo. Sintetizándose a sus componentes más esenciales ofrece más por menos.

Formafantasma (pág. web).

Fuente : Dezeen

Studio Formafantasma, formado por Andrea Trimarchi y Simone Farresin, y lámpara “Wire Ring” (2016) para Flos, presentada en Euroluce 2017.

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lou09v089666251-blog · 7 years

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How you can Reconstruct Count on A Marriage.

There is nothing at all additional pleasurable in comparison to taking a seat to a great tasting prime rib supper. Dan persoalan yang paling utama adalah. APA AKU NAK PAKAI ... Mengikut kata board supper ni kata. apa2 karektor yang ada dalam sesuatu sekolah tu. contohnya dari karektor Expert Besar, cikgu, murid, mak cik kantin dan juga tukang kebun,, Setelah puas aku meng' google'. Within a group she provides the couples in order coming from 1 to 3 along with their get in touch with info with explanation that the initial lukeblog-excercises4gym.Info few holds the very first supper as well as prepares the main dish, the second married couple provided brings tossed salad and also bread, and also the 3rd pair delivers dessert and also beverage. This choice is actually for you if you really want to experience a whole time being pampered at a gorgeous health club along with the one you love. Create all of them seem like component of the egg selection, and then when you activate the lights at the table, you will definitely surprise your visitors! These dinners are actually a fantastic opportunity for those who appreciate attempting to understand hints and also identify which the killer really is in a homicide investigation. His group could play some holes, possess supper and also award a trophy to the gaining group. Most individuals will decide to begin the food with a good mixed greens and also could feature one of the following: Caesar mixed greens, spinach mixed greens or even maybe a property showcased special green mixed greens that includes a bistro specialty suiting up that is advised. Writer Fox Just what a remarkable compilation of good things and also prayers in the nick of time for the holiday. To a brand new dieter, the hook from managing to consume bacon and eggs for breakfast, hamburgers for lunch time, as well as steak for supper is particularly attractive. I obtained a bag of these french fries for $2.50 this previous weekend and also readied them, using our toaster oven, as a side dish to choose the bratwurst and frankfurters I was barbecuing for lunch as well as supper. Advantageous degree from results, select a charming time motif, including a fancy supper, an enchanting movie, or even an evening at a good lodging. For instance, if a marque is truly what you prefer - as well as for many it is, and once and for all main reason given that they could be beautiful and also efficient - at that point learn exactly what the true hire and also creation of one would certainly be actually off a third party just before blindly accepting whatever a lodging suggests the price must be actually.

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themekeeper-blog1 · 7 years

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Dieter - An Authentic Theme for Artists, Designers, and Creative Agencies

New item has been added on ThemeKeeper.com https://themekeeper.com/item/wordpress/dieter-an-authentic-theme-for-artists-designers-and-creative-agencies

Dieter - An Authentic Theme for Artists, Designers, and Creative Agencies Artwork Credits Thanks to all the awesome designers who contributed their artwork to our theme. Check out their work at the following links: Fede Maks – you can check out Fede’s Behance profile here Slavimir Futro –

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junker-town · 7 years

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2017 NFL mock draft database: Which player is each team projected to pick?

Rounding up and compiling mock drafts to predict the 2017 NFL Draft.

Now that the 2016 NFL season is over, all eyes turn to the 2017 offseason. The big event is the NFL draft, scheduled for April 27-29 in Philadelphia.

The Cleveland Browns are at the top of the draft order following their 1-15 season, but they also have the No. 12 selection thanks to a trade with the Philadelphia Eagles in 2016. While there’s still time for players to climb up or slide down boards, Texas A&M defensive end Myles Garrett is the near consensus choice to be Cleveland’s No. 1 pick.

By surveying as many mock drafts as possible, we can get a good idea of the directions experts expect most teams to go.

A few notes:

This will be updated consistently until draft day.

Players selected less than five percent of the time fall in the "others" category.

Mock drafts that include trades are not included.

With a lot of similar colors, I know some of the slices can be hard to tell apart (sorry, Raiders fans). Hover over or click on the chart and it'll show the numbers and name for each individual slice. It also can be read like a clock with the names on the right representing the slices clockwise around the chart.

All the mock drafts used are listed at the bottom.

No. 1 Cleveland Browns

Most popular selection: Texas A&M DE Myles Garrett

No. 2 San Francisco 49ers

Most popular selection: Stanford DE Solomon Thomas

No. 3 Chicago Bears

Most popular selection: LSU S Jamal Adams

No. 4 Jacksonville Jaguars

Most popular selection: LSU RB Leonard Fournette

No. 5 Tennessee Titans (via Rams)

Most popular selection: Ohio State CB Marshon Lattimore

No. 6 New York Jets

Most popular selection: North Carolina QB Mitchell Trubisky

No. 7 Los Angeles Chargers

Most popular selection: Ohio State S Malik Hooker

No. 8 Carolina Panthers

Most popular selection: LSU RB Leonard Fournette

No. 9 Cincinnati Bengals

Most popular selection: Alabama LB Reuben Foster

No. 10 Buffalo Bills

Most popular selection: Clemson WR Mike Williams

No. 11 New Orleans Saints

Most popular selection: Tennessee DE Derek Barnett

No. 12 Cleveland Browns (via Eagles)

Most popular selection: North Carolina QB Mitchell Trubisky

No. 13 Arizona Cardinals

Most popular selection: Texas Tech QB Patrick Mahomes II

No. 14 Philadelphia Eagles (via Vikings)

Most popular selection: Stanford RB Christian McCaffrey

No. 15 Indianapolis Colts

Most popular selection: Temple LB Haason Reddick

No. 16 Baltimore Ravens

Most popular selection: Western Michigan WR Corey Davis

No. 17 Washington

Most popular selection: Temple LB Haason Reddick

No. 18 Tennessee Titans

Most popular selection: Washington WR John Ross

No. 19 Tampa Bay Buccaneers

Most popular selection: FSU RB Dalvin Cook

No. 20 Denver Broncos

Most popular selection: Wisconsin OT Ryan Ramczyk

No. 21 Detroit Lions

Most popular selection: Missouri DE Charles Harris

No. 22 Miami Dolphins

Most popular selection: Western Kentucky OL Forrest Lamp

No. 23 New York Giants

Most popular selection: Alabama OT Cam Robinson

No. 24 Oakland Raiders

Most popular selection: Florida LB Jarrad Davis

No. 25 Houston Texans

Most popular selection: Clemson QB Deshaun Watson

No. 26 Seattle Seahawks

Most popular selection: Washington CB Kevin King

No. 27 Kansas City Chiefs

Most popular selection: Texas Tech QB Patrick Mahomes

No. 28 Dallas Cowboys

Most popular selection: Missouri DE Charles Harris

No. 29 Green Bay Packers

Most popular selection: Wisconsin OLB T.J. Watt

No. 30 Pittsburgh Steelers

Most popular selection: Michigan S Jabrill Peppers

No. 31 Atlanta Falcons

Most popular selection: Missouri DE Charles Harris

No. 32 New Orleans Saints (via Patriots)

Most popular selection: LSU CB Tre’Davious White

Mock drafts (83)

Dan Kadar — SB Nation — April 24

Jim Thomas — St. Louis Post-Dispatch — April 24

Brennan Smith — Salt Lake Tribune — April 24

Tony Grossi — ESPN Cleveland — April 24

Rob Rang — CBS Sports — April 24

Dave Zangaro — CSN Philly — April 24

Nick Klopsis — Newsday — April 24

Walter Cherepinksy — Walter Football — April 24

Charlie Campbell — Walter Football — April 24

Sal Capaccio — WGR 550 — April 23

Nate Geary — WGR 550 — April 23

Derek Kramer — WGR 550 — April 23

Dave Birkett — Detroit Free Press — April 22

Gregg Bell — Tacoma News Tribune — April 22

Aaron Wilson — Houston Chronicle — April 22

John McClain — Houston Chronicle — April 22

Chad Reuter — NFL.com — April 21

Maurice Jones-Drew — NFL.com — April 21

Evan Silva — Rotoworld — April 21

Brad Biggs — Chicago Tribune — April 21

Terez Paylor — Kansas City Star — April 21

Omar Kelly — Orlando Sun-Sentinel — April 21

Joe Schad — Palm Beach Post — April 21

Matt Lombardo — NJ Advance Media — April 21

Adam Stites — SB Nation — April 20

Chris Burke — Sports Illustrated — April 20

Dieter Kurtenbach — Fox Sports — April 20

Steve Serby — New York Post — April 20

Jourdan Rodrigue — Charlotte Observer — April 20

Gentry Estes — Courier-Journal (Louisville) — April 20

Mark Eckel — NJ Advance Media — April 20

Jason Lieser — Palm Beach Post — April 20

Vinnie Iyer — Sporting News — April 20

Lou Pickney — Draft King — April 20

Draft Tek — April 20

Mel Kiper Jr. — ESPN — April 19

D. Orlando Ledbetter — Atlanta Journal-Constitution — April 19

Ryan Wilson — CBS Sports — April 19

Hub Arkush — Pro Football Weekly — April 19

Eddie Brown — San Diego Union-Tribune — April 19

Ralph Vacchiano — SportsNet New York — April 19

Lance Zierlein — NFL.com — April 18

Ben Burrows — The Independent — April 18

John Oehser — Jaguars.com — April 18

Ron Clements — Sporting News — April 17

Eliot Shorr-Parks — NJ Advance Media — April 17

Dane Brugler — CBS Sports — April 17

Jared Dubin — CBS Sports — April 17

Pete Prisco — CBS Sports — April 17

Will Brinson — CBS Sports — April 17

Luke Easterling — The Draft Wire — April 17

Arthur Arkush — Pro Football Weekly — April 17

Jon Machota — The Dallas Morning News — April 16

Scott Petrak — Elyria Chronicle-Telegram — April 16

Charean Williams — Fort Worth Star-Telegram — April 14

Matt Miller — Bleacher Report — April 14

Greg Gabriel — Pro Football Weekly — April 14

Chris Fedor — Cleveland Plain-Dealer — April 13

Dan Duggan — NJ Advance Media — April 13

Dale Lolley — Washington (Pa.) Observer-Reporter — April 13

Todd McShay — ESPN — April 12

Bob McManaman — Arizona Republic — April 12

Sports Illustrated (Staff) — April 12

Steven Ruiz — FTW (USA Today) — April 12

Bucky Brooks — NFL.com — April 11

Ed Malyon — The Independent — April 11

Danny Kelly — The Ringer — April 11

Paul Hudrick — CSN Philly — April 11

Darryl Slater — NJ Advance Media — April 10

Cory Bonini — The Huddle — April 10

Brian Mazique — Forbes — April 9

Jeff Schudel — Lake County (Ohio) News-Herald — April 7

Jonah Tuls — Draft Breakdown — April 7

Nate Davis — USA Today — April 6

Connor Hughes — NJ Advance Media — April 6

Adam Gorney — Rivals — April 6

Mike Farrell — Rivals — April 6

Dan Bilicki — Toronto Sun — April 4

Daniel Jeremiah — NFL.com — April 4

Andrew Gribble — ClevelandBrowns.com — April 4

Patrick Maks — ClevelandBrowns.com — April 4

Josh Norris — Rotoworld — April 3

J.C. Talon — Pro Football Weekly — April 3

How the NFL Draft became such a big deal

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austrianillustration · 7 years

Link

This publication presents the wide-ranging holdings of the MAK Library and Works on Paper Collection in the field of graphic design—or ephemera—from the 18th century to the present day. This includes works of graphic design such as letter paper and decorated paper, dust jackets, invitations, admission tickets and labels, ex libris and bookmarks, greeting cards and menu cards, poster stamps, playing cards, dance cards and place cards, as well as visiting cards and promotional materials. Despite its ephemerality, this printed matter often exhibits exquisite designs and high technical quality; it reflects artistic developments as well as social rites, personal and commercial forms of representation, and advertising strategies.

On the Publication Christoph Thun-Hohenstein, General Director, MAK Kathrin Pokorny-Nagel, Head, MAK Library and Works on Paper Collection/Archive

Reading Teresa Präauer, Writer and Fine Artist

(The event is held in German.)

EPHEMERA: The Graphic Design of the MAK Library and Works on Paper Collection MAK Studies 24

Edited by Christoph Thun-Hohenstein and Kathrin Pokorny-Nagel

With contributions by Thorsten Baensch, Heinz Decker, Bernhard Denscher, Yasmin Doosry, Brigitte Felderer, Ingrid Haslinger, Claudia Karolyi, Annette Köger, Anita Kühnel, Kathrin Pokorny-Nagel, Teresa Präauer, Raphael Rosenberg, Anne-Katrin Rossberg, Stefan Sagmeister, Thomas Schäfer-Elmayer, Frieder Schmidt, Raja Schwahn-Reichmann, Elfie Semotan, Dieter Strehl, and Christoph Thun-Hohenstein

Editing: Kathrin Pokorny-Nagel, Anne-Katrin Rossberg

Graphic Design: Eva Dranaz, Jochen Fill, 3007, Vienna, www. 3007wien.at German/English, 464 pages, 600 color illustrations MAK, Vienna/Verlag für moderne Kunst 2017 Available at the MAK Design Shop for € 58.

Thanks to Designstudio 3007, Vienna; Europapier Austria GmbH, Vienna; Buchbinderei Papyrus, Vienna; Pixelstorm, Vienna; REMA Print Litteradruck, Vienna

Special thanks to Gustav Belousek and Andrew Demmer / Legat Joseph and Carla Binder

#book presentation mak vienna #3007 graphic design

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hittveu · 7 years

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Nennschluss für permanenten Startplatz ist der 10. Februar 2017

Derzeit schon mehr als 350 Fahrer aus rund 25 Nationen angemeldet

Preisgeld von rund einer Viertelmillion Euro für die besten Sportler

Neue Zwei-Takt-Regelung im ADAC MX Youngster Cup zur Nachwuchsförderung

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München. Die Vorbereitung auf die 13. Saison des ADAC MX Masters ist in vollem Gange, der diesjährige Nennschluss endet in zehn Tagen. Bis zum 10. Februar müssen sich alle Fahrer, die einen permanenten Startplatz haben möchten, online unter www.adac.de/mx-masters für die sieben Rennwochenenden des ADAC MX Masters angemeldet und ihre Unterlagen im Original beim ADAC eingereicht haben. Seit Beginn der Registrierung am 1. Dezember 2016 sind bislang schon mehr als 350 Fahrer-Einschreibungen aus rund 25 Nationen eingegangen. Ein Ergebnis, dass auch 2017 auf eine vielversprechende und spannende Saison hoffen lässt, gilt die Motocross-Rennserie aufgrund ihres starken Fahrerfeldes als optimales Karrieresprungbrett, um sich international in der Europa- und Weltmeisterschaft behaupten zu können.

Für Gastpiloten, die nicht an allen Events teilnehmen oder vom ausrichtenden Ortsclub des jeweiligen Events die Chance auf einen einmaligen Startplatz bekommen, gibt es Sonderregelungen bei der Anmeldung. Gastfahrer haben ab dem 13. Februar bis zwei Wochen vor dem Rennwochenende die Option, ihre Unterlagen einzureichen.

Das Preisgeld des ADAC MX Masters liegt bei rund einer Viertelmillion Euro, dieses wird unter den besten Sportlern der Rennserie aufgeteilt. 2016 waren es ADAC MX Masters-Fahrer Dennis Ullrich (23, KTM Sarholz Racing Team), ADAC MX Youngster Cup-Pilot Bas Vaessen (18, Team Suzuki World MX2) sowie ADAC MX Junior Cup-Athlet Rene Hofer (15/AUT, MSC Imbach/Kini KTM Junior Pro Team by Mefo Sport), die sich bei der Jahresausschüttung nach dem Finale in Holzgerlingen besonders freuten. Alle drei hatten als Gewinner ihrer jeweiligen Klasse brilliert und sich am Ende der Saison ganz oben auf dem Siegerpodest feiern lassen.

In der 13. Saison des ADAC MX Masters liegt der Fokus noch einmal mehr auf der Nachwuchsförderung der Internationalen Motocross-Rennserie. Im ADAC MX Youngster Cup können sich ab diesem Jahr nicht mehr wie bisher die sechs besten Fahrer über das Last Chance Race für die Hauptrennen am Sonntag nachqualifizieren. Stattdessen bekommen die fünf besten Zwei-Takt- und die fünf besten Vier-Takt-Piloten die Möglichkeit, sich in den Hauptläufen zu beweisen. “Wir haben im ADAC MX Youngster Cup sehr viele Aufsteiger aus dem ADAC MX Junior Cup, denen wir bereits im Rahmen des Qualifyings eine reelle Chance geben wollen, sich auf ihren 125ccm-Zwei-Takt-Bikes gegen die deutlich stärkeren 250ccm-Bikes zu behaupten. Damit möchten wir den Nachwuchs bestärken und motivieren”, erklärte Dieter Junge, ADAC Referent für Motorräder.

Zu den prominentesten Aufsteigern vom ADAC MX Junior Cup in den ADAC MX Youngster Cup gehören 2017 der ADAC MX Junior Cup-Champion Rene Hofer sowie zwei seiner härtesten Konkurrenten aus dem vergangenen Jahr, der Slowene Maks Mausser (13, Yamaha) und der Russe Maksim Kraev (14/RUS, Garim MX Team, KTM). Aus deutscher Sicht will Maximilian Spies (12, Husqvarna) voll durchstarten. Nachdem er sich im ADAC MX Junior Cup den achten Platz erkämpft und anschließend als Deutscher Meister von sich reden gemacht hatte, geht der Teenager in diesem Jahr ebenfalls im ADAC MX Youngster Cup an den Start.

Quelle: ADAC Motorsport

Helfen Sie bitte mit, dass es Hit-TV.eu auch morgen noch gibt. Mit 12 € pro Jahr (1 € pro Monat) sichern Sie die Existenz von unabhängigem Journalismus. (weitere Infos unterm Menüpunkt Spenden) Spenden bitte per Paypal: [email protected] oder per Bank an: Hit-TV.eu IBAN: DE36 8707 0024 0047 7901 00 BIC: DEUTDEDBCHE (Deutsche Bank) Buchungstext “Spende”

ADAC MX Masters 2017: Anmeldung nur noch wenige Tage möglich Nennschluss für permanenten Startplatz ist der 10. Februar 2017 Derzeit schon mehr als 350 Fahrer aus rund 25 Nationen angemeldet…

#ADAC #autosport #Bike #Deutschland #DMSB #Germany #Motocross #Motor #Motorsport #MX Masters #Race #Racing #Sport

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