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#Magical Musical Instruments
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Bell of Peace/Gong of shattering
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Duet with the Wind by jabotacaba1
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Hey so I'm curious, if y'all have ever thought about this reblog/tags/notes with your favorite spell casting sound (the little music notes/sounds that play as you cast a spell)
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mintydotdoodle · 18 days
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Hello and welcome to me projecting my music taste onto fictional characters once more.
Gillion Tidestrider, Champion of the Undersea, Hero of the Deep would find great enjoyment in ABBA.
Thank you for attending my TED Talk.
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magicalgirloftheday · 11 months
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✧・゚:*Today’s magical girl of the morning is: Song from Mahou Shoujo Magical Destroyers KAI!✧・゚:*
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snowyavis · 5 months
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『 Diplar 』
Double whistle player from the Dalmatian Hinterland
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bloomics · 18 days
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sweetie belle for anon
1, 2, 3, 4, 5, 6, 7, 8, 9
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erinsintra · 4 months
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"when building a world, you don't need to think of everything! just give some small bits of information and let that give the illusion of detail!"
but here's the thing: i want to think of evertyhing. i love spending pages upon pages describing the history and culture of a specific location. i love blazing through wikipedia articles about architectural styles, fashion trends and poetry forms in order to create a fictional version of them. i am currently thinking about the music genres of a semi-irrelevant country that will only show up halfway through a book i'm yet to start writing. it's so much fun
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technofinch · 11 days
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Al's great-grandfather was a wagon-builder by trade. If he hadn't spent so much time making violins and playing with his children, he might have made a living at it.
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ghostowlattic · 1 year
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ethereatar 
secret power mittens
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ekingston · 8 months
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Every Teardrop Is a Waterfall performed by 2CELLOS (2013)
(played on one cello, which is totally cheating completely AMAZING)
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sapphireraeburn · 5 months
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Found an awesome wind instrument cover of Magic Knight Rayearth - Yuzurenai Negai (OP 1)
Thought I’d share 💖
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toacody · 1 year
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Lhuma e Matataki - Spellsinger
Music so loud it can raise the dead... literally!
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Creator: Gilahu
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ditzydisaster13 · 28 days
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New Voltron Idea Prompt.
This is a Musical Langst idea.
This prompt belongs to me. Any usage of it must be gained with permission and then proper credits to me.
Lance finds a space radio station. And becomes a part of it. Hes a minor dj that searches for new artists through a version of space youtube, space music apps, space entertainment channels, and even space news articles regarding all of that. Hes even made his own page on one of them for making songs, and sharing them. Without a face reveal. But he has a character thing with a special design. He even has some cery minor merch when he gets more popular. Which is fairly so. Because he Djs and makes music. But hes most well loved because he makes people wanna listen to music more and also make music more now than ever during the war. Hes somehow created more allies than much of team Voltron has. And has also captured the hearts of many who are already allies, who believe they recognize his voice. He had a private server thing. where he talks about his songs, artists he likes, interviews, a merch and podcast station, and stuff like this. -> the planet they visit is actually made up of very many people that Lance had helped through his contributions to the radio station.
My very specific version of this story has Lance as Bisexual/Demi-Sexual. Panromantic. Freckles with curly hair that he straightens and covers with makeup. He has Narcolepsy, ADHD, generalized Anxiety disorder (like hunk) might be autistic. And other things. He was captured by the Galra at one point: leaving him with an Altean tech prosthetic leg, above the knee, and a blind eye. But he has amnesia from the whole event. And not a single memory, even still. Lance is also Multilingual, an empath, sorta. Like it’s not specified as a super power. But it might as well be. He’s actually super intelligent. But likes that he can be a different version of himself that doesn’t take away from the talents that the others also have like tech, fighting, and cooking. Lance still has doubts. But he’s better. Him and Allura are best friends, he’s closer with Pidge and even Hunk than ever before. This contains Shiro X Allura. (I know that he’s gay, but we can make him Bi- shh) eventual Klance, Pining Keith, Happy-with-any-sort-of-relationship with-Keith Lance, and so much more I have to say.
I’m super excited for when I’ll be able to post this. I don’t know how long it will be yet. But it’s definitely gonna be a book. Title ideas would be much appreciated. And once again, let me know either here or private message me if you wanna use a version of this prompt. I’ll be sharing soon how it should look and be set up if you do use it.
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gretchensinister · 4 months
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A pipe organ is a living thing to me, but not like an ordinary living thing. It’s an entity, a being, not simply a creature. When you’re in a building that has a really big pipe organ in it, the pipe organ is inextricably part of the structure of the building, like it made a nest there or the building had to be built around it, for it. It’s in the walls, its presence affected how the rest of the room was built, because the gleaming pipes all need to be shown, they need to be able to speak and sing. All the little humans interacting with it want to make sure it can be heard in all its glory. And how to make it speak and sing? The keyboard, no, keyboards, and then all the stops above and around, all the foot pedals beneath. It will let itself be touched by humans, even intimately so, but it retains its otherworldliness, as if the touch it expected was from someone with more than ten fingers, more than two arms, and much more nimble feet. But still it will sing, and in singing I can feel it trying to tune me to the vibration of wherever it really came from, through music and beauty that is colossal, titanic, awesome, awe-full. I feel it hum in the air of my body and maybe it is dangerous to be enveloped by such harmonies for so long but let me have it just a little longer, a little more, a little further! And what does the organist think, playing as they do with such an entity? What arcane thrill, what intricate ritual, what thrill and what joy, for no matter the study and the skill, these individuals are not tame, never will be tame, no matter how incomprehensibly and ecstatically they yield to tiny mortal hands
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th3-0bjectivist · 1 year
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The Salvation Day Interviews (2 of 2) with musician Anthony Tadlock
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     Dear listener, this is part 2 of 2 of my Salvation Day Interviews with Anthony Tadlock, A.K.A. t-underneaththeradardancing on Tumblr. For reference, Part 1 is here. Without further ado let’s start picking T’s oddly poetic and musical brain once again...
    Mr Tadlock, SD’s style of music seems quite distinct and doesn’t sound exactly like any other band I’ve heard of. When you two record music, what is the specific style you’re aiming for? Do you and Ms Vita Rhie Quintanilla align on any favorite influences that heavily sway your sound? Do you two enjoy the same type of music outside of SD? How much does classical or modern music affect your own expression as musicians?
     whether we are recording - playing live - just fucking around (what passes for "practice/rehearsal ") we dont actually aim for a style - early on we talked in general about "goals" we agreed that what we aim for is transcendent magic healing - and we will settle for being in tune and not sucking - influences many and varied but both agree if on a desert island - and could only have one album it would b miles davis "kind of blue" - we both enjoy a wide range of music...
     everything we hear - have heard - from classical to punk rock influences us - we also play a fair amount of "covers" live - a typical example would be "i know places" which is a kind of dirge by lykke li - vita had never heard it before - it was a staple in my live performances at the time - vita listened to what i had done w it and it became a staple of early performances having morphed into almost a stax type r&b - like many songs we play - we worked out the arrangement during performances with little or no discussion about arrangement
     I find that some of the most effective musical groups out there are duos. There’s just something that seems more concentrated and concise about a duo’s ability to wrap an album in a tight bow. Compared to other musical projects you’ve worked on in the past, do you prefer dealing with one single other creative mind… or many others… and what are the disadvantages of both from your point of view? When you’re playing guitar and she’s singing, for example, how do you deal with the inevitable issue of adding percussion to ‘enhance’ a track or live performance?
    at this time there are actually 3 members of SD - the 3rd is london - he plays guitar and bass - is engineering / producing our next project - at various times we have had a 3rd musician join us for a song or 2 - and there is maggie umber the artist, who created our web site - a video and some behind the scenes stuff - which is not precisely answering the question - i understand about duos though - with 2 minds/ souls it is easier to keep the connection - the unspoken - and be as 1 - with the whole being more than the sum of - it was only in making the album and making hard choices / dealing with forced choices and realities that i realized my true role / gift as a guitarist/musician is being a catalyst for magic to happen - to digress - often at open mics - peeps play along from their seats - impromptu collabs occur - sometimes the whole place becomes the stage - today im gonna prob play 1 song w the host/emcee - we have played 2x together - 1st time was cuz someone who had someone die that they were close to requested she play hendrix purple haze and she asked me if i could - tho i have heard the song countless times - the last time i played parts of it - i was maybe 15 - but it’s a simple structure - i said give me a minnit - went outside tried out chords as i remembered and something resembling the guitar parts - spent maybe 5 minutes total - came back in and said yah sure but u have to sing - no rehearsal - loose and nothing like note for note - ffs i dont play anything note for note or exactly the same way twice –
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    anyway - it’s like that w vita - she often asks - can we play xxx - i say sure - look up chords if i dont know and ...w vita it has been consistent magic from the start and while not effortless by any stretch - we both put everything we have into the music as we play - whether we are loosely playing in my dining room / her living room - out in the street - onstage - sometimes we think there is no audience and a neighbor will later say they liked it - or look up on the street and realize we have attracted a small audience - in terms of the limitations - especially when vita isnt playing guitar - partially i am accustomed to playing solo just me and guitar - have developed different strategies for compensating / filling holes in the sound - that said we have wanted a percussionist from day 1 - on the album and ep we used synthesized drums / percussion which can be hard cuz we are a bit quirky - so in some ways salvation day will always be vita and t at the core - tho our 1 performance w london was ez and in some ways our best - and playing w him is ez and natural - unfortunately no recording
    I have but one final query and it’s a general one, so buckle your fuckles. I’m curious Mr Tadlock, what do you think of the state of modern music? When I listen to Salvation Day, I hear a group that is 100% genuine. You’ve got an interesting story and your entire act and delivery is sincere… when I turn on modern radio I just hear utter nonsense. Nonsense that is often dumbed down by multimillion dollar corporations that are trying to turn the talents of others into a saleable product. Do you think the vast majority of modern music is even healthy for people, and is there a conscientious effort on your behalf to keep the presentation pure with Salvation Day?
     the state of modern music ? idk tbh - it’s a scattered and confusing landscape - like always - much of wat is out there is crap - but then again - i lissen to 60s station on sirius when on road trips w the unpoet and much of what i hear is pretty crappy and i love the 60s lol - same same modern music which i get sporadic exposure to via tumblr instagram and youtube - hearing while in cafes or in ride shares - SNL ... and every once in a while an absolute gem is heard so is "mainstream " pop /commercial music "healthy" - fuck if i know - i remember 1st listening to top 40 am radio in 1st grade - loved the chipmonks (Alviiiiiiin!) singing witch doctor - a one off "flying purple people eater " lots of "novelty records " when previously listened to moms opera and frank sinatra - beatles werent on the radar yet but beach boys - mostly vacuous but fun - have gone thru phases - only listened to jazz and opera for almost a decade - have compulsively listened to 1 album or artist for periods - was any of it "healthy" maybe - it fomented trance and being outside myself - sometimes music is entertainment - sometimes just background for a lot of people - but also a way of coming together - a way to express confusing/conflicting emotions - i could critique modern music as being cookie cutter and meaningless - but no more than say doo wop dang a langa ding dong indeed or has there ever been anyone more transgressive than little richard then again chuck berry stooping to my dingaling ffs
     so did we do we trynna keep it "pure" w salvation day - fuck yah - i mean how fucking audacious (pretentious) to call it Path of Sacred Art - i thot our producer understood and they did sorta but - and i love our album but at one point i almost walked away from it - the process slowly grinds - yah rough edges r smoothed but - a case in point - the epitome of early salvation day - the sacred art side was/is "reincarnation" something went terribly wrong in the studio - after spending waaaay too much time recording vita's guitar - and too much autotune on her vocal - her guitar track had a "glitch" making it unusable - by the time that was discovered vita was in davis again - covid was just about to go into the lock down phase ...it was expedient to hire a classic trained studio musician that the producer knew and could record studio quality on his laptop
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     and tbh i still am not sure how much of the electric on it is actually me or if some was replaced w same studio guitarist - little dramas like this went on for months during the mixing process and much of the email text exchanges w producer were late night sleep ruining drama - in the interest of ever getting the album finished - vita - whom i gave ultimate decision making since they are her songs - deeply personal - she has literally shed blood (read her book) during the writing of performing recording , allowed almost all of her guitar to b scrapped - replaced by same studio musician - tho to said musicians credit - she did a good job of re creating vita - and if some of my guitar - we only talking about a few notes - was also replaced - she faithfully re created - tho i did go in studio one day a couple weeks after recording was "finished" and laid down a lot of riffs / repeating lines / solos and i was sooooo stoned i truthfully dont remember - in those daze because of intense constant pain - i used what in retrospect were enormous amounts of thc and cbd - no other drugs or alcohol but i was high 24-7 and rarely got as much as 3 hours sleep a night - anyway - so yah we did our best to keep it pure - and there is nothing cookie cutter about the album
     T !!! JFC !!! Thanks so much for your time and your FANTASTIC riffing here on Tumblr. Listen to Salvation Day here on YouTube or here on Spotify. Their website is here. If you liked this post, please spread the word about SD and consider reblogging this set of interviews. And if you haven’t done it yet, scroll to the top and middle-bottom of this post and smash play!
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