A collection of my favourite film posters of the 1987 classic Mali拧a directed by Boro Dra拧kovi膰. From top left to bottom right:
1. Original Yugoslavian release, 1987
2. Soviet Belarus release, 1988
3. Soviet Russian release, 1988
4. French release, 1987
5. East German release, 1987
6. Serbian-British limited re-release, 2017
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饾暞饾枈饾枎饾枓饾枖饾枠
by Dragan Bibin
Dragan is the quiet painter of the absence and the dread. He achieves this by involving the spectator into the calm and isolated regions of the characters or places he depicts. With his work, Dragan is able to present ordinary reality in a suggestive, yet questionning manner, giving a sense of something unsettling happening behind the scenes. Animals are often present in his works. Through them he is exploring our struggles, fears and anxieties. His eerie interiors, doors open on black nothingness and expectant animals are all playing with our fears and our nightmares.
bio and pic source: https://www.draganbibin.com/
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馃嚫馃嚢 strava a 煤啪as 馃ぉ
馃嚪馃嚫 strava i u啪as 馃槺
(馃嚫馃嚢 food and awe)
(馃嚪馃嚫 dread and horror)
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Pirot Kilim ornaments
效褍褉谢懈褮邪泻 (膷urlinjak) - The most basic motif, representing a cross section of the lower part of the whisk for mixing ingredients (called 膷urlinjak).
袙褉邪褕泻芯 泻芯谢械薪芯 (Devil's knee) - The motif comes from the pre-Christian Slavic religion. It symbolises movement in circles (kolo dance) and the flow of life, and provides strength, bravery and defense against evil.
袣芯褉褮邪褔邪/卸械褭泻邪 (turtle) - The most popular pattern of the Pirot Kilim. It symbolises durability and longevity and brings fertility, healthy life and protection from danger.
效械薪褣械谢懈 (膷en膽eli) - Represents a grappling hook mounted on a wooden pole, used for hanging things.
袘芯屑斜械 (bombs) - It beard this name due to its semblance to handgranades, but the motif has existed since before handgrandes were invented. It provides strength and energy, especially to men, so the kilims with this motif were usually gifted to boys for their life milestones.
袚褍褕褌械褉 (lizard) - This pattern probably originates from modified depictions of dragons. It represents laziness and indifference, but also change, flexibility and adaptation to the world.
袀褍谢芯胁懈 (roses) - It represents a stylised cross section of a rose, showing both the exterior as well as the pistils, anthers and seeds inside. It is symbolises a young woman and her beauty. Kilims with this motif are often gifted to daughters by their mothers. Different variations of this motif exist, some of which (the roses on shackles) were, according to legends, made as rebellion of kilim weavers against the Ottoman repression.
袀邪胁芯谢褔懈褯懈 (Little Devils) - The devil is represented as a human figure turned upside down, with the devil's head turned towards the underworld, and a bird on the other side representing the heaven.
袚褍谐褍褌泻邪 (dove) - Birds protect from evil spirits and diseases and connect the earth and sky. It represents family harmony, love, peace and joy, and as such kilims with this motif are often gifted to new homeowners. This motif can often be seen arranged around a pole, representing a tree full of birds.
袗褌邪锌芯褌 (atapot) - It represents an octopus, and the name probably came from a distorted pronunciation of the word oktopod (octopus).
肖褉邪薪褑褍褋泻械 斜芯屑斜芯薪械 (French candies) - This motif was probably inspired by silk candy wrapped in decorative paper and brought to Serbia from distant lands. According to a folk story, when the French soldiers liberated Pirot in the First World War in 1918, the kilim weavers designed this pattern as a sign of gratitude.
小褌芯谢懈褑邪 (chair) - It represents an antique chair and the inspiration for this pattern came from the everyday life of the kilim weavers.
孝懈褔械 (ti膷e) - It represents a small bird.
Source: "Ornaments of Serbia: the Pirot Kilim" by Milica 沤ivadinovi膰. Art by me.
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Sonja Sajzor
Gender: Transgender woman
Sexuality: N/A
DOB:聽26 January 1993
Ethnicity: White - Serbian
Occupation: DJ, singer, songwriter, activist, artist, Youtuber
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You can shape me from my ashes.
[鈥
Kiss my echo.
鈥斅燰asko Popa,聽Selected Poems, transl by聽Anne Pennington, (1969)
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