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#John W. Taylor
antiqueanimals · 1 month
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Virginia Wildlife; vol. 32, no. 10. October, 1971. Illustration by John W. Taylor.
Internet Archive
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holy-minseok · 6 months
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We need mean!reader, angry!reader, misunderstood!reader, creepy!reader, gross!reader, toxic!reader, nonforgiving!reader, selfish!reader, narcissistic!reader, dark!reader, FEDUP!reader. That bitch is way too nice, passive, and sensible. ✋🏾😂
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shoutlikethewolf · 9 months
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teenbeachmovie3 · 6 months
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john kramer // mastermind
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justlike-awoman · 6 months
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Queen & wearing merchandise, pt.1: See Factor
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(Photo credits: Brian May / Queen in 3D; QUEEN TIMES vol 4 Japan Fanzine Book, 1975; Koh Hasebe / Music Life magazine, 1975; Lee Black Childers / Rock Scene magazine, 1975.)
Queen members and crew were photographed wearing See Factor merchandise in Japan in 1975.
See Factor is a New York-based rental company, providing e.g. audio, lighting, staging & rigging services for production and touring.
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^This See Factor -sponsored shirt for Foghat's '76 tour has the exact same design as the shirts the Queen crew are wearing in '75. I couldn't find an example of the shirt Roger and John were photographed wearing, but the logo design is exactly the same, just with inverted colours.
I'd love to know if Queen made a sponsor deal with them, or if they just received merch from the company. They seem happy enough to wear the shirts, either way!
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ectonurites · 5 months
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SUPER DARK TIMES (2017) DIR KEVIN PHILLIPS
#tragically had to skip the 'are you afraid of me' exchange i love at the start bc. this scene is Long#super dark times#josh templeton#zach taylor#sam edits#btw i'm firmly in the 'Josh didn't kill John' camp. bc to me THIS scene is the point that... makes the most sense as Josh's breaking point/#'villain turn' if that's what you'd want to call it. because this is really when Josh... sort of 'officially' loses Zach. from early on in#the movie it becomes clear how much Zach is like... an anchor for him—the way Josh is just fucking *chanting* his name in distress during#the Daryl accident. The way Josh begs Zach to believe him that it was an accident. The way Josh turns to Zach for answers/clarity/direction#Like even if we want to take a cynical approach and think of it as Josh just latching onto Zach in the Daryl situation because he was There#rather than that being an established thing w/ them... in the aftermath of that same incident Josh is still looking to/depending on him!#Josh self isolates at first... but after they talk & Zach tells him they shouldn't act weird Josh goes back to school. (yes#he lashes out there because He's Dealing With The Crushing Guilt but *all* of 'em are acting off then—Charlie specifically calls attention#to the idea they all probably are) Josh goes to the party just like Zach said they should and is *visibly confused* when Zach seems mad to#see him there. He goes to Zach's house to talk and you can SEE how caught off guard he is by what Zach says. Even though the script version#of this scene is VERY different from the final version I do think this one bit of description from it is... insightful: 'Josh seems sincere#almost vulnerable. But Zach is too focused to see it.' LIKE in this scene Zach is already convinced Josh has lost it! He's trying to act#more neutral about it (claiming they could just 'draw a line') but we saw his phone call with Charlie. Because of his own guilt-fueled#paranoia—something shown pretty clearly through the assorted dream sequences and like tht scene of him walking in the hall hearing people#gossip about Daryl—it seems like everything lines up too well! that '*of course* it's Josh and what if it's *been* Josh all along and well#then the role *I* played in the situation really isn't *my* fault because it was all *Josh* and...' etc. even if that's more subconscious#But like... this scene is really when it hits Josh! from the moment he asks if Zach's afraid of him now like... there's a shift. although#Zach says he isn't... i mean he fucking stumbles on the word 'afraid' (like... he hangs on the 'f' sound a moment too long to sound natural#its very subtle but like Noticeable). But Josh sees right through him. Zach doesn't trust him anymore. Zach thinks he's the bad guy. the#monster. Josh feeling like he lost the last person he had in his corner feels like the most realistic thing to... push him over the#edge. like that's a compelling tragedy to me—the idea that these two poorly coping with the Daryl situation in these separated ways where#they *aren't* talking/communicating ends up CREATING the feedback loop that makes everything get worse and worse.#But for that to be the case... it wouldn't make sense for Josh to have just randomly killed John before this scene. I think it's a more#interesting story if certain things really ARE just coincidences but it's that Zach's paranoia won't let him see that 🤷
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angeloncewas · 8 months
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& I tell her, grief is not a feeling, but a neighborhood. this is where i come from. everyone I love still lives there.
[ textbook amy krouse rosenthal - amy krouse rosenthal // let it be - bertie gilbert // fun home - alison bechdel // what sarah said - death cab for cutie // blakeoftoday // marjorie - taylor swift // andrew garfield // the anthropocene reviewed - john green // a coworker asks me if I am sad, still - brenna twohy ]
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catts-world · 1 year
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John Taylor / DuranDuran in black & white 🗣
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Don’t Call It Spooky Season, it’s Fucking ROCKTOBER!
The Second Labor of Keith Richards
September, 2023
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antiqueanimals · 19 days
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Virginia Wildlife; vol. 19, no. 9. September, 1958. Illustration by John W. Taylor.
Internet Archive
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alliluyevas · 7 months
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far be it from me to attempt to draw serious conclusions from memes posted on mormon fundamentalist facebook meme pages but i did witness a meme and subsequent discourse implying that early 20th century apostle Orson F. Whitney was an Adam-God doctrine and stealth post-manifesto polygamy booster and it's totally unclear to me whether this is actually like. rooted in some historical intel that i am not privy to or just completely baseless conspiracy theory. i think probably the latter but for some reason a number of fundamentalists seem to really like him.
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shoutlikethewolf · 11 months
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Happy birthday John! 🤍🖤
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rainbowmuses · 1 year
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@nightwhispcrs​ | Jackie 
“Oh!” John gasped when he saw a shelf start to fall, his eyes growing wide as he rushed over to gently pull the other to safety. The crash that could be heard behind him made him cringe and shake his head. Looking over his shoulder, he saw jam all over the floor and he sighed. “Are you okay?” he gently asked once his attention fell on the younger woman he had just helped. 
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johnadamsnotquincy · 2 years
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So anyways I did this because I have the right to
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donospl · 5 days
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Co w jazzie piszczy [sezon 2 odcinek 15]
premierowa emisja 24 kwietnia 2024 – 18:00 Graliśmy: Vårterminen Trio “If I Should Lose You” z albumu “Vårterminen”    Big Fish “Seule mais pas trop” z albumu “Big Fish”    Prospectus” Navette Spaciale” z albumu “Météorie”    Ruth Goller  “Next timeI keep my hands down” z albumu “Skyllumina” – International Anthem Cassie Kinoshi’s Seed “I” z albumu “gratitude” – International Anthem Randi…
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mariocki · 7 months
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The Saint: Portrait of Brenda (6.19, ITC, 1969)
"The question of your departed friend; I hope I helped."
"Unfortunately, my friend died in a rather tragic and unnecessary way."
"A wasting disease?"
"No, it was much more sudden. A knife - in the back."
#the saint#portrait of brenda#leslie charteris#harry w. junkin#itc#1969#john gilling#roger moore#anna carteret#ivor dean#anne de vigier#trevor bannister#petra davies#marne maitland#hazel coppen#tina ruta#larry taylor#david prowse#harry littlewood#the penultimate Saint ep‚ and we're really digging into that late 60s groove; this one manages to mix in pop art‚ pop music‚ chelsea#fashions and gurus. given that heady mix‚ and a rather troublesome opening narration‚ i was braced for more flower children awfulness as in#5.17 or 5.25 but actually this is a pretty classic Saint ep; strip it of its rather gaudy visuals and costuming and set design and this#really wouldn't be out of place in the black and white era. Simon's after a murderer‚ and to get him he must enlist the help of that most#irascible of bloodhounds Insp Teal: it's a delight to see him again and on his final outing he even gets a rather nice final scene with#Simon which feels like the production team saying goodbye in a way. the pop music element of the plot includes scenes at a recording studio#as Anna Carteret lays down her new single; several 60s shows featured this kind of plot device (Adam Adamant and Mr Rose spring to mind)#but i have to say the (fictional) song being recorded here has the bones of a genuinely good single (with a slightly different arrangement#and perhaps a stronger vocal; sorry Anna...). it's written by lyricist Gary Osborne who'd have been just 19 or so at the time but went on#to write the words for Jeff Wayne's War of the Worlds as well as working with Elton John. also Dave Prowse gets used as a human shield by#Simon (fatally); swings and roundabouts i suppose
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