I have a feeling that Sanji and Zoro’s death pact will be properly resolved in Elbaf, as it certainly doesn’t feel like we’re done with it. And while Elbaf is gearing up to be very Usopp-centric (and I can not overstate how hyped I am to see him take the spotlight again, finally), let’s not forget that this all ties back to Little Garden, the arc that properly introduced Zoro and Sanji’s rivalry by paralleling them with two rival giants who fought each other every day for over a century, but who also lost themselves in their grief when one thought the other death. The parallel isn’t even subtle, Little Garden’s biggest landmarks are the remnants of Dorry and Brogy’s dinosaur hunting competition. You know. The very same competition Zoro and Sanji posed to each other at the start of the arc?
But here’s the thing. I’m a little worried about how it’s going to be resolved. Because. Despite how readily Zoro agreed to kill Sanji if need be, he must have known that the crew would never forgive him. Zoro is Luffy’s specialest guy but Luffy would not accept any excuse as to why Sanji had to die. Nor anyone else in the crew. But. Does Sanji realize that?
Does he know that killing him would literally be the hardest thing Zoro would ever do, because it would mean literally betraying his Captain and crew? Luffy said he can’t become Pirate King without Sanji, and Zoro and Luffy swore they’d commit fucking ritualistic suicide if they got in the way of each other’s dreams, so does Sanji know where that would leave the swordsman in this case? With no Captain, no crew, and yet another dead rival and best friend (who, mind you, began to live in fear of his own biology betraying him right before dying. but the parallels between Kuina and Sanji and how they relate to Zoro could be a long ass post for another day).
I think he doesn’t know. But he can’t find out how Zoro would mourn him unless the pact actually follows through. But still, I don’t think Oda would kill Sanji, cause that’s no way to resolve this issue. So here’s my speculation about how I think it could potentially play out, following that initial line of thinking of the death pact’s resolution being set in Elbaf, specifically because of Sanji and Zoro’s parallels to Dorry and Brogy.
Like Brogy, Zoro would have to believe that he killed Sanji. That he won their final duel. He’d have to believe that Sanji has fallen and, also like Brogy, have to face that grief and hurt all alone. But in the end, like Dorry, Sanji would survive, having never actually been hurt. Because their edges have dulled after fighting for so long, no longer as capable of landing killing blows as they thought. “Not even the blades of Elbaf could endure two giants fighting for 100 years”? Something of the sort. And maybe this line of speculation is simplistic or optimistic, but the chances of it playing out like this aren’t zero, so just in case, I would want to be able to say that I called it.
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saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that
Benny is more of a capable leader and person than people give him credit for.
Seeing as no one challenged his position as head Chairmen for 7 years and even then he only loses the position if he’s caught, killed or forced to leave. Yes, it’s also likely House wouldn’t have allowed him to be killed but he sure as hell would of found a way to remove him if he was causing too much unrest within The Tops power structure. Even Swank and Tommy don’t outright dislike him and more so are concerned with his recent secretive and shady behavior, emphasis on recent.
Taking all we know into consideration, Benny likely knew the future direction that he wanted to take Vegas but was so caught up in the plans to acquire Vegas that he didn’t think of how to make his dream a reality. Something he admits to in canon. I see this being used as the main argument that Benny doesn’t know what he’s doing at all but I see it more in the same vein as you can’t really plan something from nothing. The transformation of Vegas is a sensitive thing that he can’t really work on until he has it. The only reason he ran to the Fort prematurely is the Courier who was causing so much of a stir he would’ve likely been found out much faster, making all that planning for nothing if he didn’t take that chance.
Benny is careful (well a lot more careful than he is regularly depicted in fanon), the Courier being able to trace him was dumb luck on their part and his hair being noticed at the Fort is a realistically small oversight that even Caesar is disappointed in because he admits Benny got farther than he should’ve been allowed by his legionaries. The fact he can plan an ambush on the Courier or tries to quickly and concisely clean up lose ends that don’t lead back to him shows he’s not just acting on impulses or in the moment decisions. Or rather he’s quite good at thinking them out, whether they work depends on how you play really. This is all to say it’s 100% believable that Benny could lead an independent Vegas (house was basically setting him up to do that). If he had known explicitly that House was setting him up to replace him, he likely would’ve bought more time by getting in closer, learning more of the system to then flip House’s edge to his favor. Again something he was doing already but likely without the knowledge of House’s feelings on him personally.
No matter what, Vegas’ future was tied to Benny; House’s plans for him, having to get the chip and if he had somehow succeeded. It’s also interesting that of all the people vying for control of the dam/Vegas, Benny’s plans are the only ones actually oriented towards a new future, not a recreation of something long past.
Nikolai with a s/o who always has a hand on his chest? With consent ofc, and it’s always to feel his heartbeat. I think of this all the time and it’s always super cute in my head.
Hello! That is pretty cute!
Nikolai Always with Reader’s Hand on His Chest
Nikolai is a pretty laid back and chill sort of man, so he usually doesn’t mind you putting your hand over his heart. Maybe not while you’re walking, though, he doesn’t want you to trip. It’s very sweet to him: You wanna make sure that he’s alive? That he’s still with you? That his heart is still beating? Trust me, not even death could take him away from you. He’d dig his way out of his grave after killing the reaper with his bare hands himself. You can always put your hand over his chest while you’re at home together, though. It’s nice to feel you. After a while it would be reassuring to him as well, feeling that you’re there, that you’re with him. He thinks it’s sweet that you always want to be touching him, because if it was up to you he’d do the same thing with you. After some time, once he’s realized that you’re always touching him whenever you can, he tries to get into positions that facilitate you touching him a bit. Usually lies on his back when you’re cuddling so you have full access to him. Can and will fall asleep like that, but will also want to hold you back. Will also put his hand over your heart as well so he can “get back at you”. In reality, feeling your heartbeat is also just nice and reassuring to him. However, he sometimes might lie on your chest in order to hear it as well, something like it lulls him to sleep, after all. You can put your hand over his chest in public as well, though, he doesn’t particularly mind cuddling in public either. There’s a good chance you’ll be nicely clothed, though, so you won’t feel his heartbeat unless you slip your hand under his clothes. You can do that, he doesn’t care about strangers staring in public. However, once it’s time to continue walking around, release him. You can continue your antics once you’ve found another nice bench to sit on.
remade this again because im angry and mindless editing lessened it
So. That new announcement. And the fact its an adaptation of the animated trilogy, not a continuation or any innovation.
Yeah. Im just gonna watch the actual httyd1 and pretend that never happened.
Dont fall for the nostalgia bait bros, let that scheme shrivel up and die.
Incoming rant below about this
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People already know the reasons why its going to be shit so I wont say it again
Considering how Dean has completely misinterpreted the major themes of the first movie, I cant trust him at all with this one nor would I want to
Powell made a perfect masterpiece with the og, idk what else he would do or add on with this one but i can only hope ig, but even then-
Seriously, what else is there to add? The story is tight. Maybe a little more of Toothless' perspective, giving him more scenes of agency and character, but does Dean even still see him as more than a baby pet?? Does he even give a rat's ass about aLL THAT???? HAHHAHAHHAHA
Just. We all know its not gonna work. I have an inkling that all "show dont tell" sequences are just going to get marred or removed of all nuance. I do not want to see Downed Dragon, Forbidden Friendship, New Tail, Test Drive, or Romantic Flight or practically any of the scenes that made me love this movie get a poor imitation.
You really think live action can mimic the body language, gestures, tHE WAY THE DRAGONS FLY in the first movie or miraciously somehow make it even better? You really think the music of the first could even be topped? YOU THINK THE CINEMATOGRAPHY, THE SHOTS AND LIGHTING WOULD BE COPIED??
Either way, at the end of the day, they already know they cant beat the original movie. All they need to do is horrendously mimic some parts to keep your interest, whether its a beloved scene or music. You're not watching the new one because you love the new, you're gonna watch it because you loved the original.
I really hope it either gets dropped, sent to development hell, or ends so bad that they cant make more. Please please please i hope it gets the ATLA movie treatment
Just when I thought Puss in Boots and Bad Guys were gonna start a Dreamworks Renaissance, this shit happens.
Stop ruining the movies i adore and love, please and thank you
the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.