#I've been writing this review for like two weeks.

[alexanderwales]

Book Review: Metropolitan Man

[content warning: sexual violence]

It's been 10 years since I wrote Metropolitan Man, and last night I read it for the first time in almost that long. Since writing it, I've written over 4 million words, and hopefully, grown as a writer. I've also forgotten parts of the story, so was looking at it with as fresh of eyes as possible. These are my overall thoughts.

I should say, before I start, that I've read tons of comments and discussion on this story over the years. I don't know how many of these thoughts are my own, or how much I've internalized things that people have said.

Writing Style

There were lots of changes I thought about making while reading, but people hate change, and this story is about ten years past when I wanted to be making editing passes on it. In many places I kept thinking of little extras I would add, things that would make the dialogue pop a little more, or provide characterization. I had this idea for a line where I describe Lois typing out two letters like she was letting loose with both barrels of a shotgun. There's dialogue to clean just a bit more, a few places where words are repeated or something is just a bit awkward, and where it could have been tighter or more clear.

The biggest thing that stood out to me was how little time got spent on scene setting and how short some of the snippets were, just five paragraphs to get a scene across before we're onto the next thing. I might have webserial brainrot, but those are definitely places where today I would give a little more breathing room and maybe use the same amount of words to describe something in a more oblique and stronger way. One that stood out as a clear example was a private investigator going home with Jimmy Olsen even though she was done pumping him for information, which could have been twice as long and benefitted from it. Another was a brief little thing about a Superman spotter on the roof, where I'd now describe everything he was doing, and only get to the conclusion of "he was a Superman spotter" at the end of the section to let the reader have this mini mystery of what they're being shown and why.

I would describe things more if I was writing this today, trying to get those nicely tight and evocative descriptions and ditch the stuff like "she wore a white blouse", but I often feel that way about stuff that I'm revising from last week, so it's not surprising.

The plot is very tight, which is good. I tend to prefer my plots tight, but it takes work, and webserials aren't conducive to it because it's difficult to know when you're writing a scene whether it's really pulling its weight as far as moving things forward. The initial idea for MM was to move as cleanly as possible through a series of events: Superman -> Superman is invincible -> Superman is Clark Kent -> Clark Kent grew up in Smallville -> the ship is in Smallville -> the ship has a Kryptonite power source -> Kryptonite can kill Superman -> Superman is dead. The only thing that would make it any faster would be if we dropped the Lois Lane subplot, but that's like half the novel.

Superman is OOC

I've gotten tons and tons of comments on this story over the years. If I hated myself, I would go back through my email and count them up, but there are some death threats and "kill yourself"s in there, and I prefer not to reread them. The major thing that people hate is the ending, which I don't care to talk about, but the other major thing is that Superman isn't Superman.

In this, I largely agree, but then, I'm pretty sure I've always agreed. That said, Superman has had a ton of interpretations over the years, and there's a wide range of acceptable behavior from "a Superman", even if we're not counting the really out there variations like Red Son or some of the alternate timelines.

... but I still would probably make him more like a canon Superman if I had to do it all over.

There are a few things that raise red flags at the beginning, which is where I think they're inexpertly placed. Superman takes Lois off the roof and flies her around, making her very afraid, and this is fine, I think, a misunderstanding that might be stronger if we got his insight into what was happening before we got hers to help bridge some of the disconnect there and characterize them both better. But there's a little note after that, where Clark makes a joke about "Superman's girlfriend Lois Lane" that I think is a HUGE red flag, and which probably comes too early in the story. It would be better as a joke someone else made that Clark laughs along with, which raises the red flag to half mast.

The other major moment I would change is when the bombs start going off. Superman pulls back, unsure whether he's actually immune to mustard gas, and I think this is one of the moments that most goes against the character of Superman. Canon Superman would just say "welp, guess I gotta find out whether I'm immune to mustard gas in a hurry". Superman making the argument that he doesn't know the bounds of his powers and so should exercise caution reads as either cowardice or as him being way too bitten by the rationality bug.

This would then obviously have to change the plot of that section a bit, because in the novel as it stands right now, Superman is convinced by Lois Lane that he can't just sit on the sidelines for game theory reasons. Better to either scrap that section or have Lois convince Superman that for game theory reasons he should offer to have testing carried out against him in a way that doesn't harm civilians, which canon Superman might submit to if it saved lives. Then the rest of the plot can proceed as normal, because Superman is immune to everything and that's the whole plot beat anyway.

I'd definitely clean up some of Superman/Clark's dialogue to nail the character voice better, but I don't think it's that bad, and it's mostly a few places where the wording is off. I think in particular the points where he's feeling anger go too far, and are not how someone internally conflicted about the anger might talk.

And then, oh yeah, Superman punches a guy's head clean off, which I think is the biggest sticking point for most people.

I've thought about that scene a lot. I personally like it. But if I were ever trying to sell this story to DC, it's one of the things I would almost certainly change. Superman doesn't kill, except in that one movie that came out just before this story was published where Superman snapped a guy's neck.

The change I am most happy/comfortable with is that Whitman, the governor whose children were [REDACTED], is the one to kill Calhoun. This happens just outside the courthouse with Superman watching and not intervening in the slightest, or maybe catching the bullets as they go through Calhoun so no bypassers get hit.

I don't know, as I type it out, it doesn't have the same weight to it. It's not cool. It's not a watershed moment. Maybe there's a plot thread to pull there, where Superman has tacitly endorsed other vigilantes, and it would be a great time to pull in other mundane street-level heroes ... but that's an entirely different story at that point.

Another option is for Superman to simply fly off with Calhoun and put him away, but that lacks punch too, and gets talky, and ... it's about the rage, right? The feeling of injustice, not just at Calhoun, but at the entire world, and it's not just an unhappy side effect that there's blood everywhere, all over the clamoring press, that's part of the point.

Social Justice

I really enjoy how wide-ranging the novel is, and how many things it touches on. Good job me. There was a line I had completely forgotten about where Lois asks "Why doesn't Superman stop abortions?" that I had completely forgotten I had ever written, and which brought a big smile to my face (but no wonder some Superman fans hate this story).

There are a few other things that I raise my eyebrow at a little bit, at least sitting here in 2024. There's a particular line that Superman gives when talking about this whitewashed mural of the past they're walking by, and he says "It's easy to forget that slavery ever happened, you know?" Now, I will grant you that this is a part of a conversation where he's saying that maybe he should have been a better student of history, and is saying this as a white guy in 1934, but I wanted him or someone else to tear that statement apart. It never really happens.

"It's easy to forget that slavery ever happened [if you and your people have not been affected by slavery]". The novel takes place ~70 years after the end of the Civil War, which means that when Clark was growing up there would have been freed slaves who were in their fifties, probably many of them in Kansas, though Smallville is (notably) small. I don't know, it wouldn't have been historically accurate for them to have a discussion of privilege, but there's way more meat on that bone, and it's all left as subtext.

Also probably the case that if I were writing it now, I would pay more attention to race in general, but that I'm less sure on, because it would mean some major structural changes to be done well. There's a single black guy in the whole thing, who is barely a character and has no speaking lines: the farmhand Ma Kent has before he gets lured away with the promise of being an actor. I have never felt that any novel needs racial balance to it, but if you're going to be talking about slavery and whether Superman would have done anything about it, you start to make black people look like props, which is not a good look.

I mean look, I think it's fine for a given story to not actually take a stance on political issues or have a diverse cast, but this story goes from abortion to the Equal Rights Amendment to Prohibition to Nazis to the death penalty, and then despite being set in 1934 sort of talks around the subject of how shitty race relations were. As a white guy, I never feel comfortable talking about race, but I think it would have been appropriate to have here in more than the cursory way it was handled. But the cast is just not that large, and the way that modern Superman stories handle that is usually making Jimmy Olsen black and then not actually talking about the fact that he's black so it's just a palette swap, which I don't think would work here, especially since Jimmy is such a bit character, and also it's 1934.

Sexual Violence

Alright, I will say it: there's too much sexual violence.

Chapter 7 is when the two Whitman kids get kidnapped. Their driver gets his throat slit, the boy gets dismembered, and the girl gets raped. I knew it was coming and I was still horrified by it.

I would not remove this part. I would foreshadow it better with a few scenes with Calhoun, the brutes, etc., and I might change some of the details to be a bit less awful and gruesome, but I don't think I would remove it. There are a few core ideas here that I think all work:

The better class of criminal has left the city now, and all that are left are the worst of the worst, the people who will not respond to incentives or symbols or rational thought.

If you cannot strike at Superman's physical self, you strike at his mind instead, and one of the ways to do that is psychic damage. In Calhoun's case, this is irrational, a pure desire to hurt Superman in any way possible while his empire collapses.

The amount of evil in the world is enormous. The pain and suffering cannot be comprehended. I love what Superman says, that this isn't really unique, that these things happen to children all the time. He's upset about not being able to save them, but they're a drop in the bucket.

I think you have to be careful with sexual violence, whether it's depicted or hinted at or just briefly mentioned. There are tons of people who are not on board with that in their media, and even of those who are on board, it has to be handled carefully and can feel very cheap, as though you're just going to the worst and most transgressive thing you can think of for the shock value. People will see it as lazy and trivializing and making entertainment out of this horrible thing.

I think the world is shit. I think terrible things happen. I have always felt both oppressed by the weight of evil in the world and powerless to stop it. I think that's the thing that I'm gesturing at here, and it feels weird to me that sexual violence would get put on a pedestal as the one thing too horrible to mention, even though we're mentioning all the most horrible things.

How do Superman comics and shows and movies deal with this? My impression is that they don't. Surely Superman must be stopping rapes from happening, but I cannot think of a single time I've seen it happen. I'm actually having trouble thinking of a time it was implied to happen. I think this is probably a good idea on the part of the people who make these bits of media, but it's absolutely not realistic if you're thinking about how Superman would operate in the "real world". Sexual violence happens, child abuse happens, and I guess we just sort of assume that these things are dealt with by Superman off-screen.

Though ... I mean it impacts the characters, right? Does Superman not have a trauma response? Does he have a superpower where he can bottle it all up? He's definitely too late to stop certain crimes, and he definitely can't make things better for some of the victims, and I guess in the comics when he shows up to a burning building he generally has a 100% success rate and people come out with only minor injuries, but ... alright, this is definitely the sort of thing that led me to write this fic in the first place.

It's a question that the fic doesn't have an answer for: how do you go on living when you know that there's so much evil in the world?

I think dialing that particular scene back is, maybe, fine. But it's the sort of thing that would feel like I was being less authentic in a way, as though I wanted to grapple with the big questions but not that one, wanted to consider ethics and morality but silo myself away from things that actually are on my mind. I see the point of blunting that scene, and I rebel against it because I don't want to be blunted, I want to be sharp.

I would, however, remove a lot of the earlier references, or blunt those, because they didn't need to be sharp. There are, before the Whitman stuff, about five references to sexual violence, and maybe even just using "sexual violence" would be enough, rather than "rape". One of these references is to what crimes Superman is statistically most likely to stop, another is to a plot to besmirch his name, both can be massaged or they can go.

I don't know if I think about these things differently because time has passed or I've had a bunch of discussions about these issues, or whether it's just having the outside view. It's weird to think about what a conversation with myself would look like, if we were working on the story together.

Retrospective

I understand why Superman fans sometimes hate this story. There's the Superman OOC stuff, sure, but there are also a lot of questions about Superman that apply to canon equally well, and people hate that. Superman is a fantasy, maybe the ultimate comic book fantasy. He stops crimes and bullets bounce off him! You're not supposed to think about his stance on abortion rights. You're not supposed to look at the Clark Kent mask and say 'huh, that's strange'. I mean it's media, you can do whatever the hell you want, but if Superman is a fantasy, then there are a lot of questions that are fantasy-ruining.

I stand by the story as written about 80%, which is higher than I thought it would be, though there are certain things that I stand by more than others. There are certain structural changes and many line-by-line changes, and I'm glad that I didn't have the story open in edit mode, because it would have taken me three times as long to read and when I hit "save changes" people would grumble about archives or bad changes or whatever, because you can't please people.

About five years ago, I started writing A Common Sense Guide to Doing the Most Good, which was meant as a companion piece to MM. It ended up being all mechanics, no plot, and the plot that I wanted it to have was divorced from the center questions it wanted to answer. It didn't feel as grand, I guess, and the cats were out of their bags a little too quickly.

One of the Answers that MM gives is that the thing you should do in the face of overwhelming evil is to grind relentlessly, grind until your bones are scraping the grindstone and there's nothing left of yourself. The story does not believe this answer, but it's one of the places I ended up ten years ago, and am still sort of at now. The other answer is to live as best you can, be aware of the evil and do what you can against it without letting the idea of it (or the battle against it) consume your soul.

When I was finished reading, I kind of wanted to write an uncritical Superman comic. Something where Superman can be as his most loyal fans see him, someone who is Good and doesn't often have to grapple with what Good means, where the thorny edges of moral quandaries never come to light and the hero is always there in the nick of time. Where Clark Kent is a bold and noble expression of humanity rather than a deception and a mask. Maybe I will go do that.

#fanfic #metropolitan man #book review

[liesonthefloordramatically]

What planet are you on? What constellation? You're floating like a ghost Out into the unknown

#今日の気分は #starting to put together syllabi for next semester (because I don't have the brain for this book review I'm supposed to be writing today) #just straight up don't have an example of how this course was taught in the past for one of the courses #so we're just gonna make it allllllllll up (fortunately it's the one that's closest to my specialty) #I have two examples of how the other one has been taught before and. I don't like either. so we're gonna make that one up too #anyway prepare for me weeping over finding primary sources for the next few weeks #music #Barns Courtney #none of this is related to the song slkajfdaufafoisua #the song is just on a playlist I've had on loop while building syllabi

[verystressedcollegestudent]

if there's one thing i hate more than slackers in group projects its goddamn hypocrites

#this guy did jack shit for two full weeks when we're building the damn prototype #but STILL brought up the fact that most of our team blew off a report till the last minute in the beginning of march #*prototypes don't work* “sEe tHis iS wHy wE nEedEd tO hAvE a cOnvErsaTioN aBouT MS3” #like hon you lost the rights to the “y'all need to contribute more” argument the moment you left me hanging for 2-3 FUCKING WEEKS #like excuuuuuse me you been prioritizing extra curriculars all week get off your high horse stop lecturing everyone else about contribution #he made maybe 3 contributions? maybe? #first he 3D modeled an adapter and sent it to someone else to print (couldn't even do THAT himself smh) #then he sent the gc a sketch of an idea i roughly proposed literally the NIGHT BEFORE as his own contribution (that I ENDED UP BUILDING #then he...screwed on a few pipe fittings and called it a project :) #would be a LOT less pissed if he didn't show up to One Thing outside weekly team meetings/class #then apologize for slacking off BUT then launch into a FUCKING SPEECH ABOUT HOW HIM BEING HERE PROVES HIS COMMITTMENT #all because he DOESN'T LIKE GETTING UP EARLY. like sir. sir i am rIGHT FUCKING HERE. i was up till 4-5am working on this stfu #we've been building for three weeks and he's come into work on stuff wo me there ONCE for an HOUR #for context id spent about fifteen hours in the shop alone working on the fucking thing that WEEK #like im trying to be understanding ik tech week is hell #but i took “stepping back” as “i only have a few hours here and there to be in the shop and will do the writeups” #NOT “won't show up outside meetings AND we're splitting slides and writeups 80/20” #like id been in the lab all fuckin day and notice we have an assignment due (missed a SINGLE meeting due to exam) #and i ask him if theres anything i can do (and im thinking like look it over maybe add a spec or two) #and this fucker has the AUDACITY to ask me to write the full four paragraph summary cause he #*checks notes* copy-pasted some specs from milestone 3 so of COURSE its only fair that despite the fact I've been in the lab ALL DAY #that i write the four fuckin paragraphs too #course we're troubleshooting and he's like “did you clean the pump? did you disassemble it and rinse it?” like yes??? #i did EVERYTHING i could think of before i even bothered texting you cause i know you're fucking useless #and then he raises fifteen different concerns which while valid would have been NICE TO HEAR WHEN I SENT YOU MY INITIAL DESIGNS #y'know BEFORE i spent over fifteen hours of my free time building this damn thing #with slackers i just pick up the work and move on with my life this idiot is trying to gaslight me into thinking that he contributed fairly #when i heard “i need to step back due to play stuff” i thought we'd be splitting it like 65:35 NOT FUCKING 95:5 #and now hes probably going to give ME a poor peer review because I've been passive aggressive with him in the few meetings he showed up to #like i got shit going on too? how the fuck does he expect me to respond to being abandoned to do this shit myself

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

#jenny nicholson #star wars #galactic starcruiser #disney #screen rant #star wars hotel #disney world #you can't defend with adcopy #you just sound super fake

[lisafication]

For those who might happen across this, I'm an administrator for the forum 'Sufficient Velocity', a large old-school forum oriented around Creative Writing. I originally posted this on there (and any reference to 'here' will mean the forum), but I felt I might as well throw it up here, as well, even if I don't actually have any followers.

This week, I've been reading fanfiction on Archive of Our Own (AO3), a site run by the Organisation for Transformative Works (OTW), a non-profit. This isn't particularly exceptional, in and of itself — like many others on the site, I read a lot of fanfiction, both on Sufficient Velocity (SV) and elsewhere — however what was bizarre to me was encountering a new prefix on certain works, that of 'End OTW Racism'. While I'm sure a number of people were already familiar with this, I was not, so I looked into it.

What I found... wasn't great. And I don't think anyone involved realises that.

To summarise the details, the #EndOTWRacism campaign, of which you may find their manifesto here, is a campaign oriented towards seeing hateful or discriminatory works removed from AO3 — and believe me, there is a lot of it. To whit, they want the OTW to moderate them. A laudable goal, on the face of it — certainly, we do something similar on Sufficient Velocity with Rule 2 and, to be clear, nothing I say here is a critique of Rule 2 (or, indeed, Rule 6) on SV.

But it's not that simple, not when you're the size of Archive of Our Own. So, let's talk about the vagaries and little-known pitfalls of content moderation, particularly as it applies to digital fiction and at scale. Let's dig into some of the details — as far as credentials go, I have, unfortunately, been in moderation and/or administration on SV for about six years and this is something we have to grapple with regularly, so I would like to say I can speak with some degree of expertise on the subject.

So, what are the problems with moderating bad works from a site? Let's start with discovery— that is to say, how you find rule-breaching works in the first place. There are more-or-less two different ways to approach manual content moderation of open submissions on a digital platform: review-based and report-based (you could also call them curation-based and flag-based), with various combinations of the two. Automated content moderation isn't something I'm going to cover here — I feel I can safely assume I'm preaching to the choir when I say it's a bad idea, and if I'm not, I'll just note that the least absurd outcome we had when simulating AI moderation (mostly for the sake of an academic exercise) on SV was banning all the staff.

In a review-based system, you check someone's work and approve it to the site upon verifying that it doesn't breach your content rules. Generally pretty simple, we used to do something like it on request. Unfortunately, if you do that, it can void your safe harbour protections in the US per Myeress vs. Buzzfeed Inc. This case, if you weren't aware, is why we stopped offering content review on SV. Suffice to say, it's not really a realistic option for anyone large enough for the courts to notice, and extremely clunky and unpleasant for the users, to boot.

Report-based systems, on the other hand, are something we use today — users find works they think are in breach and alert the moderation team to their presence with a report. On SV, this works pretty well — a user or users flag a work as potentially troublesome, moderation investigate it and either action it or reject the report. Unfortunately, AO3 is not SV. I'll get into the details of that dreadful beast known as scaling later, but thankfully we do have a much better comparison point — fanfiction.net (FFN).

FFN has had two great purges over the years, with a... mixed amount of content moderation applied in between: one in 2002 when the NC-17 rating was removed, and one in 2012. Both, ostensibly, were targeted at adult content. In practice, many fics that wouldn't raise an eye on Spacebattles today or Sufficient Velocity prior to 2018 were also removed; a number of reports suggest that something as simple as having a swearword in your title or summary was enough to get you hit, even if you were a 'T' rated work. Most disturbingly of all, there are a number of — impossible to substantiate — accounts of groups such as the infamous Critics United 'mass reporting' works to trigger a strike to get them removed. I would suggest reading further on places like Fanlore if you are unfamiliar and want to know more.

Despite its flaws however, report-based moderation is more-or-less the only option, and this segues neatly into the next piece of the puzzle that is content moderation, that is to say, the rubric. How do you decide what is, and what isn't against the rules of your site?

Anyone who's complained to the staff about how vague the rules are on SV may have had this explained to them, but as that is likely not many of you, I'll summarise: the more precise and clear-cut your chosen rubric is, the more it will inevitably need to resemble a legal document — and the less readable it is to the layman. We'll return to SV for an example here: many newer users will not be aware of this, but SV used to have a much more 'line by line, clearly delineated' set of rules and... people kind of hated it! An infraction would reference 'Community Compact III.15.5' rather than Rule 3, because it was more or less written in the same manner as the Terms of Service (sans the legal terms of art). While it was a more legible rubric from a certain perspective, from the perspective of communicating expectations to the users it was inferior to our current set of rules  — even less of them read it,  and we don't have great uptake right now.

And it still wasn't really an improvement over our current set-up when it comes to 'moderation consistency'. Even without getting into the nuts and bolts of "how do you define a racist work in a way that does not, at any point, say words to the effect of 'I know it when I see it'" — which is itself very, very difficult don't get me wrong I'm not dismissing this — you are stuck with finding an appropriate footing between a spectrum of 'the US penal code' and 'don't be a dick' as your rubric. Going for the penal code side doesn't help nearly as much as you might expect with moderation consistency, either — no matter what, you will never have a 100% correct call rate. You have the impossible task of writing a rubric that is easy for users to comprehend, extremely clear for moderation and capable of cleanly defining what is and what isn't racist without relying on moderator judgement, something which you cannot trust when operating at scale.

Speaking of scale, it's time to move on to the third prong — and the last covered in this ramble, which is more of a brief overview than anything truly in-depth — which is resources. Moderation is not a magic wand, you can't conjure it out of nowhere: you need to spend an enormous amount of time, effort and money on building, training and equipping a moderation staff, even a volunteer one, and it is far, far from an instant process. Our most recent tranche of moderators spent several months in training and it will likely be some months more before they're fully comfortable in the role — and that's with a relatively robust bureaucracy and a number of highly experienced mentors supporting them, something that is not going to be available to a new moderation branch with little to no experience. Beyond that, there's the matter of sheer numbers.

Combining both moderation and arbitration — because for volunteer staff, pure moderation is in actuality less efficient in my eyes, for a variety of reasons beyond the scope of this post, but we'll treat it as if they're both just 'moderators' — SV presently has 34 dedicated moderation volunteers. SV hosts ~785 million words of creative writing.

AO3 hosts ~32 billion.

These are some very rough and simplified figures, but if you completely ignore all the usual problems of scaling manpower in a business (or pseudo-business), such as (but not limited to) geometrically increasing bureaucratic complexity and administrative burden, along with all the particular issues of volunteer moderation... AO3 would still need well over one thousand volunteer moderators to be able to match SV's moderator-to-creative-wordcount ratio.

Paid moderation, of course, you can get away with less — my estimate is that you could fully moderate SV with, at best, ~8 full-time moderators, still ignoring administrative burden above the level of team leader. This leaves AO3 only needing a much more modest ~350 moderators. At the US minimum wage of ~$15k p.a. — which is, in my eyes, deeply unethical to pay moderators as full-time moderation is an intensely gruelling role with extremely high rates of PTSD and other stress-related conditions — that is approximately ~$5.25m p.a. costs on moderator wages. Their average annual budget is a bit over $500k.

So, that's obviously not on the table, and we return to volunteer staffing. Which... let's examine that scenario and the questions it leaves us with, as our conclusion.

Let's say, through some miracle, AO3 succeeds in finding those hundreds and hundreds and hundreds of volunteer moderators. We'll even say none of them are malicious actors or sufficiently incompetent as to be indistinguishable, and that they manage to replicate something on the level of or superior to our moderation tooling near-instantly at no cost. We still have several questions to be answered:

How are you maintaining consistency? Have you managed to define racism to the point that moderator judgment no longer enters the equation? And to be clear, you cannot allow moderator judgment to be a significant decision maker at this scale, or you will end with absurd results.

How are you handling staff mental health? Some reading on the matter, to save me a lengthy and unrelated explanation of some of the steps involved in ensuring mental health for commercial-scale content moderators.

How are you handling your failures? No moderation in the world has ever succeeded in a 100% accuracy rate, what are you doing about that?

Using report-based discovery, how are you preventing 'report brigading', such as the theories surrounding Critics United mentioned above? It is a natural human response to take into account the amount and severity of feedback. While SV moderators are well trained on the matter, the rare times something is receiving enough reports to potentially be classified as a 'brigade' on that scale will nearly always be escalated to administration, something completely infeasible at (you're learning to hate this word, I'm sure) scale.

How are you communicating expectations to your user base? If you're relying on a flag-based system, your users' understanding of the rules is a critical facet of your moderation system — how have you managed to make them legible to a layman while still managing to somehow 'truly' define racism?

How are you managing over one thousand moderators? Like even beyond all the concerns with consistency, how are you keeping track of that many moving parts as a volunteer organisation without dozens or even hundreds of professional managers? I've ignored the scaling administrative burden up until now, but it has to be addressed in reality.

What are you doing to sweep through your archives? SV is more-or-less on-top of 'old' works as far as rule-breaking goes, with the occasional forgotten tidbit popping up every 18 months or so — and that's what we're extrapolating from. These thousand-plus moderators are mostly going to be addressing current or near-current content, are you going to spin up that many again to comb through the 32 billion words already posted?

I could go on for a fair bit here, but this has already stretched out to over two thousand words.

I think the people behind this movement have their hearts in the right place and the sentiment is laudable, but in practice it is simply 'won't someone think of the children' in a funny hat. It cannot be done.

Even if you could somehow meet the bare minimum thresholds, you are simply not going to manage a ruleset of sufficient clarity so as to prevent a much-worse repeat of the 2012 FF.net massacre, you are not going to be able to manage a moderation staff of that size and you are not going to be able to ensure a coherent understanding among all your users (we haven't managed that after nearly ten years and a much smaller and more engaged userbase). There's a serious number of other issues I haven't covered here as well, as this really is just an attempt at giving some insight into the sheer number of moving parts behind content moderation:  the movement wants off-site content to be policed which isn't so much its own barrel of fish as it is its own barrel of Cthulhu; AO3 is far from English-only and would in actuality need moderators for almost every language it supports — and most damning of all,  if Section 230 is wiped out by the Supreme Court  it is not unlikely that engaging in content moderation at all could simply see AO3 shut down.

As sucky as it seems, the current status quo really is the best situation possible. Sorry about that.

#archive of our own #endotwracism #end otw racism #content moderation #sufficient velocity #i hate how much i know about this topic

[puffleyia]

After Hours || Theodore Nott

Theodore Nott x fem!reader || 2.3k words

Warnings: Unprotected & clothed sex, p-in-v, Theo speaking some Italian (hope the translations are accurate..) yeah, i'm a sucker for that.

Summary: Exams are two weeks time from now. You've made a deliberate effort to steer clear of your boyfriend, Theo. One unfortunate night, he ends up dragging you into an empty classroom and teaches you a lesson worth remembering.

Author's notes: Hellooo, requests are open ! It's a blast writing ab Theo !! I've only gotten back into writing recently after not writing fics for a good while. sorry if i'm slow at churning out fics. I'm busy!

It was roughly two weeks before examinations, and professors have even stopped giving out homework as to focus students’ time on reviewing for their respective subjects. You’ve been studying your ass off in the library day and night, sometimes offering your friends to join in as well. Though, they quickly get bored as they soon offer to do much more interesting things  than studying such as having a go at wizard chess, or exploding snap.

It took a lot of self control not to join them, and it took even more not to just put down your book and see Theo. You had been purposely avoiding him because he would always end up distracting you, one way or another. You always catch him stealing a glance at you, and you would almost squirm at the way he looked at you; severely in discomfort as the tension between you two only continued to rise due to the lack of interaction.

It felt suffocating to say the least, so you even began trying not to even breathe in his direction. Needless to say, the bastard still had his ways. He would sometimes sneak up behind you in the library, as you pore over the shelves, inviting himself in as he grabbed your waist and buried his face in your neck. Another is when he would attempt to ensnare you right after your classes. 

In the end, you always found yourself ending up hiding away in your common room. You would get past him just by the skin of your teeth each time, as he used his cunning words and a dangerous tone that was like poisoned honey.

You thought, or, more like hoped it would be a quiet night tonight, staying up past curfew hours at the library and praying none of the professors nor prefects would catch you. Though perhaps you were too engrossed in Advanced Potion Making to notice the echo of footsteps that slowly grew louder as it drew nearer to you. Your ears simply blanked it out as mere white noise.

It had not even registered yet in your head until you felt an arm wrap around your shoulder, as someone sat beside you. You didn’t need to look to know who it was, as you could see him faintly through your peripherals. “You’ve been so distant lately, amore,” he says, his tone unhappy and laced with a hint of something else you couldn’t quite make out underneath it. 

“Sorry, Theo, I-I’m only trying to focus on the exams at the moment. I mean, not in a bad way but, if I spend time with you, I’ll only end up distracted,” you say, trying to clarify yourself to him. Maybe it would’ve been a good idea to tell him sooner. He sighs, “I guess I’ll just have to–” he gets cut off as you both stiffen at the sound of someone approaching.

He hastily places a firm hand over your mouth, silencing your protests, and shoves your book, notes, and quill into your arms. Before you could object, he then relocates you two into an empty classroom, hastily and skillfully sneaking around the halls to get there. It looked unkempt, and it seemed as if it were not used regularly either. He finally released you from his grasp as you gasped for air. “Theo! What the he–” you say, as he quickly covers your mouth again. “Shh, you’re gonna get us caught, principessa.” He says in a low voice, in a near-whisper before he lets go again. “Ahem,” you clear up your throat before you speak, “I-I believe I should get going, Theo.” He furrows his brows at that, frowning slightly. You head towards the classroom’s door, before he grabs you by the waist from behind and pulls you in.

“Who said you were leaving, hm? Are you trying to avoid me again?” He says, as he moved the both of you to sit on one of the chairs. You remain in his arms, unable to get out despite your attempts to wiggle out and you end up on his lap. “Theo.” You say firmly, trying to assert yourself to let him know you really are serious about studying. “Mm, fine, since you’re so stubborn. Tell you what, how about I study with you?” He says suggestively, his voice making you feel things you were not supposed to. Not right now at least.

“Really?” You say skeptically, raising an eyebrow. You place your stuff down, with a dull thud as it is placed on the table. Sounding slightly annoyed, he says, “What's with the attitude, hm? Are you doubting me?” “F-fine, then,” you hesitantly agree, knowing he’s got you exactly where he wants to be. Alone with him.

“Brava ragazza,” he says, as he rests his head on your shoulder whilst flipping open your book. You can not help but faintly squeeze your thighs together, you didn’t know most of the time what he was saying when he spoke to you in Italian, but you found it incredibly hot when he did. Your actions do not go unnoticed by him, though he was not going to do anything yet. You pick up your quill, your eyebrows knitting together as you attempt to focus on taking your notes. 

“Tell you what, I’ll ask you a few questions to help you. If you get it right, I won’t do anything. If you don't…” He says, his voice trailing off as he does not continue what he was going to say, though the timbre in his voice gave enough implication. You gulp and nod, your throat bobbing as you swallow. You knew you did not really have much of a say, Theo’s done a good job of cornering you. Not to mention the fact he knew you were slightly struggling with potions, too.

“Right then, amore, can you tell me how Golpalott’s Third Law influences the effectiveness and stability of potions?” He asked amusedly, his foot tapping the floor rhythmically. “Uhm,” you say, muttering in an attempt to answer, “Uh, well, it’s... um, when you have a potion with, uh, lots of different poisons, right? So, um, the antidote... it's not just, um, the sum of... wait, no, it's more than that! Yeah, um…” You begin feeling your mouth go dry as the tension in the room fills the air. You feel your heart thump loudly against your ribcage.

“It’s when you have multiple poisons mixed together in a potion, the antidote needs to be more potent or comprehensive to counteract their combined effects.” He says, cockily smirking as he corrects you. Your breath hitches as he takes off your robes and his, tossing it aside as he hikes up your skirt and gropes you. “Theo!” You gasp at his actions. He buries his face on the crook of your neck, as he breathed in your scent before he began kissing it.

“Cazzo,” he mumbles before he spat out another question, “What are the common ingredients and methods used to counteract the effects of different poisons?” You feel the tent in his pants growing, his cock pressing against your clothed cunt. “I–” You manage to get out before biting your lip, stifling a moan. You had reviewed this, but lust simply clouded your mind for you to formulate a cohesive answer.

“Um, er.. D-dittany, for uhm, venom,” you say, as Theo continued teasing you, grinding his hips upwards so that you could feel his dick. You moan at the friction on your pussy, feeling your panties get wet. “I..” You slur, unable to say anything further. “Cockdrunk already, cara mia?” He lets out a guttural laugh, bending you over the table and grabbing your hips roughly as he continues grinding his cock on your pussy. 

“Don’t forget, Bezoar, for example–” he grunts, “–is a stone found in the stomach of certain magical creatures like goats. It's known for its ability to neutralise many poisons when ingested. Then there's the Antidote to Common Poisons…” He corrects you, adding more strings of information you probably needed. Though, it was not as if you were paying attention, as you were moving your hips hungrily back onto his dick, only being separated by thin fabric. 

“Merda, might as well just fuck you if you keep getting my questions wrong, principessa.” He says, his voice dangerously low as you hear the clink of his belt unbuckling and the distinct sound of his fly unzipping. You look over your shoulder, watching him intently as he pulls down his dark grey boxers and frees his cock. “Theo, please,” you whine, as he smacks your ass and pushes your panties aside. “I thought you were too busy studying? Maybe I should just leave you to that,” he teases you, tapping his dick on your cunt and rubbing it in between your folds.

“No, please,” you plead, and desperately you pressed yourself onto his cock. “Beg, cara mia,” he husked condescendingly, enjoying humiliating you as he continued teasing your wet pussy. “Please, mmhn–” you moan, “I’m sorry, Theo. I-I need it, please, need your cock,” you whimper, flushed from embarrassment as he finally slipped the tip inside you. He pressed inside, at a gruellingly slow pace. 

“Cazzo, una puttana così sporca, aren’t you huh?” You could not place your finger on a single word he said in Italian, but your pussy definitely could. He groaned loudly as he grew impatient, shoving the rest of his dick into you. His groin pressed flush against your ass. You moaned loudly at that, and with a swift motion, he reached out and clamped his hand over your mouth. “Shh, cara mia,” he whispers sultrily in your ear as he quickly silences you, unwilling for the both of you to get caught.

You let out a few muffled sounds against his hand as he began thrusting into you, slowly drawing out his cock as he slammed it back into you with such force that the table beneath you shook. “Such a slut aren’t you? Merda,” He rasped as he uncovers your mouth, “yes!” you say, as he’s eliciting vulgar moans from you each time he fucked his dick back in.

He slithered his hand down onto your pussy, rubbing your clit. He leans in, grunting, as he kisses your nape. He sucks on your neck, trailing down to your back, leaving red marks as he sealed each one afterwards with a kiss. “Ti senti così maledettamente bene, amore,” he groaned, only setting his pace rougher as he hit a particularly deep spot inside you, hitting your cervix. 

“Oh fuck, Theo,” you whine, as you tried to remain as quiet as you could. Your hands firmly grip onto the edges of the table, your nails digging into it, as he fucks you into oblivion. Tears brim at your eyes, as close them shut. Some teardrops cling onto your pretty lashes, and some flow down your cheek, falling down, staining the pages of your book. He loved watching you cry in pleasure, observing your expressions as he drove himself into you.

He loomed over you, using a hand to cup your jaw to force your head to look up at his face. “Open your mouth, cara mia.” He said, an authoritative tone that rolled off his tongue like butter. You oblige, parting your lips, your tongue lolling out as you do. He spits in your mouth, the hand holding your chin clamping your jaw shut afterwards . “Swallow.”

You do as he says, swallowing his spit as he lets go of your jaw and your head hangs down soon after. With that, he fucks you rougher, his pace frantic. You become nothing short of a moaning mess, he returns his hand to your clit and strokes it rhythmically in time with his thrusts. You let out small whimpers and whines as you feel hazy and drunk on his cock. 

Theo, in an intoxicated trance, mutters a string of curses and praises in Italian. You cry out his name in ecstasy with every jab at your sweet spot as he ploughs into you. You feel a familiar warmth pooling at your stomach, only feeling more pleasurable by the second. “Theo, m’gonna cum, T-Theo,” you babble almost incoherently. He leans in briefly, and in a gravelly tone, “Cum on my cock, cara mia.” He says, letting his breath trickle down your neck.

Spasming around him, you dissolve into pleasure as you see stars. You selfishly clench around his dick, as if you wanted to milk him dry. Cumming all over his cock, you quite literally bury your face into your book, in an attempt to muffle the loud moan you let out as you do. 

His thrusts grow languid and sloppy, hips stuttering unrhythmically as his climax nears. “Want me to cum inside you, principessa?” He husked, now digging his fingers into your hips as he chased his high. “Yes, yes, mhn–” you chant, unable to think straight. “Theo, please,” you pleaded. 

With one final thrust, he groans loudly and buries himself fully inside you and stuffs your pussy with his cum. You felt his cock pulsing inside you, both of you panting as he rode out his orgasm. “Fuck, atta girl,” he says breathily, praising you as he pulls out of your cunt. He watches as you softly moan as you feel white globs of cum trickle out of your folds, dripping down your thighs.

He hastily tucks his cock back into his pants, pulling your skirt back in place as he walks (more like carries) you back to your common room that night before he headed back to his. Well, it was safe to say you definitely got nothing done that night, though he makes it up to you the following afternoon by actually helping you study with potions.

#slytherin boys #slytherin boys x reader #slytherin boys smut #thedore nott x reader #theodore nott #theodore nott smut #theodore nott x reader smut #theo nott #theodore nott imagine #theodore nott x you #theodore nott x y/n #harry potter universe #harry potter fanfiction #hp smut #theodore nott x reader

[slayfics]

Idk if you’re still taking requests but i’m down bad for your writings so pls hear me out: imagine giving katsuki a lap dance but even then somehow he’s still the one who holds control over you 🤧

I’m such a lost cause i’m sorry

You give Katsuki a lap dance.

Warnings: aged up | NSFW themes

1000 words~

You puttered around the living room, putting things away and cleaning down the table as Katsuki sat on the couch reviewing some work reports on his laptop. Music played off the speaker in the corner of the living room, your playlist on shuffle.

You listened to a variety of music, so the mood changed in the living room drastically from song to song. Currently, an ambient lo-fi song played, as you walked to the kitchen to throw away the cleaning wipes you just used.

You made your way back to the living room and scanned it for any other tasks that needed to be done. Everything looked in order, but you scanned again for something to do. You wanted more excuses to be close to Katsuki's presence as he worked.

You usually weren't this clingy but lately, he had been extra busy with hero work, giving you both little alone time. Deciding the TV could use dusting you walked to the hall closet to grab the duster.

As you made your way to the TV that was across from the couch Katsuki worked on, the lo-fi song changed and another randomly shuffled song played from your playlist. This song had a much different vibe from the lo-fi song. It was a slow sultry song you often put on to hype yourself up before having sex with Katsuki.

Katsuki knew the song well, as he watched you many times come to life for him when it played. He loved how it would instantly boost your confidence, making you feel like the attractive bombshell you deserved to feel like.

Katsuki's eyes flashed to you, "Change that damn song," he demanded.

You shot him a pouty look, "You don't like it?" you asked.

Katsuki clicked his tongue, "That's not the problem. This song- and you dusting the TV like that... can't fucking focus on my work."

"So don't," you said back at him teasingly.

Katsuki raised an eyebrow at you as if to challenge you. You stalked over to him and gently grabbed at his laptop. To your surprise Katsuki let you take it from him and place it on the table.

"Can I show you what I've been practicing?" You asked, climbing onto his lap. Being that you two had little alone time the past few weeks, you had been working up something special for him. After watching a sensual music video, you decided you wanted to give Katsuki a show, specifically a lap dance.

"Go ahead- you have my undivided attention now," he said, crimson eyes staring up at you as you positioned yourself.

Even though the song was perfect, and you practiced many times alone- you felt yourself freeze up under his intense crimson glare. His eyes eagerly watched you, curious to see what you had in mind. But all confidence ran out of your body as his hands grabbed your waist, his expression as intimidating as ever.

"Well? What were ya gonna do brat?" he asked, eyebrow raised.

Your hands rested on his shoulders as you internally yelled at your body to move, but nothing happened, "I was gonna dance for you," you said shyly.

Katsuki's eyes widened, "No shit?" He exclaimed. "Go on I wanna see," he encouraged.

You took a deep breath trying to regain some of your confidence. Noticing this Katsuki encouraged you further, "Come on don't get shy on me now, I want to see what you've been practicing for me," he said playfully slapping your ass. "You look hot as fuck just mounting me so- gonna lose it when you move your hips," he said, hyping you up.

You gave a sheepish smile as you forced yourself to try. You flipped your hair back putting on the confident expression you had practiced many times in the mirror, as your grip on his shoulders tightened and you began to gyrate your hips grinding on him.

Katsuki's eyes hungrily swept over your body as it moved for him. Then you pressed off his lap sinking between his legs, hands now on his thighs as you eyed him seductively making your way all the way down to the floor.

"Oh shit," Katsuki exclaimed taken off guard by your sudden departure. Following the video you'd studied so much, you stood up and turned around, now facing the TV you caught Katsuki's reflection in the dark screen still hungrily eyeing your body. Hands on his knees for support, you swayed your hips from side to side slowly as you sunk again to the floor in between his legs.

Knees on the floor, you removed your hands from his knees and placed them in front of you. On all fours, you slowly leaned forward till your head laid seductively on the floor. Your ass now being on display, you shook it for him.

Katsuki let out a lustful groan at your movements. Feeling all your confidence rush back, you sat up, laying your head back in his lap resting in between his legs, you arched your back and ran your hands seductively down your body eliciting another groan from him.

You moved back up to his lap, still facing away from him you pressed your ass into his lap and started grinding into him, hips swirling. "Fuck," he exclaimed, the feel of you beginning to weaken his resolve.

You stood back up but squeaked out in surprise when Katsuki grabbed your waist and pulled your ass back down. "Nah- do that shit again," He demanded.

You grinded your ass into him once more, a confident smile on your face at his enjoyment.

You flipped your hair again as you turned around, mounting him with a leg on either side of him, you worked your way up his lap. Swiveling your hips into him pressing into the bulge now protruding from his pants. You brought your hands to your chest as you gave your tits a jiggle, your last move before the song ended.

Before you could ask for his opinion Katsuki picked you up and threw you over his shoulder, "Bedroom now," was all he said. Causing your laughter to fill the room.

Thank you for the request! This was a fun one to write 🤭! I hope I was able to explain the dance well enough!

Shout out to @pastelbakugou and @unofficialmuilover for letting me bug them and give me ideas while I typed this one out 😂!

Tags: @unofficialmuilover @maddietries @fiannee @i-heart-carlisle @derangedmango @matchat3a

#katsuki fanfic #katsuki x reader #katsuki fluff #bnha katsuki #katsuki bakugo x reader #katsuki #katsuki bakugo #bakugou katsuki #bnha bakugo katsuki #katsuki x y/n #anime x reader #anime x y/n #katsuki x you #bakugo x reader #mha bakugo x reader #bakugo x self insert #bakugo x you #bakugo x y/n #bakugou x reader #bakugo katuski #bnha bakugou #mha bakugou #katsuki bakugo mha #mha x y/n #mha x you #mha x reader #bnha x self insert #bnha x y/n #bnha x you #bnha x reader

[etirabys]

meandering post about reading Orson Scott Card again

I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.

I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.

TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.

The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.

Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:

Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition

And it's pretty interesting to feel this way about Card for, well, the reasons.

(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")

I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,

(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)

it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.

(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)

which is fascinating to me, because... why would you tell on yourself like that

(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)

I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking

(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)

#rambl #orson scott card #eti reads stuff #eti reads the homecoming saga #songmaster #content note: homophobia

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

#tkp post

[toomuchracket]

if you're too shy (office nerd!matty x reader fluff)

in which the other music journalist at the magazine you work at is the cutest weird boy you've ever met. enjoy <3

in hindsight, coming back from a two-week holiday the same day the magazine goes to print was a misguided idea.

your editor-in-chief tells you as much when you enter the office, pulling you into a half hug. “don't get me wrong, it's lovely to see you,” she says, scraping her hair back into a bun and securing it with a pencil. “but you'll be doing nothing all day, i'm afraid. maybe some last minute proofing, but i think everyone in nightlife and reviews has been alright. double-check with marianne.”

you do just that, weaving your way through people running copy and coffee between departments until you reach your own. it's mercifully quiet compared to everywhere else, the ten or so people dotted at desks around the sunlit room looking at their laptops and wearing headphones; you actually have to flick marianne on the back of the head to get her to notice you. “oi.”

“who the- oh, hi!” marianne's face softens when she sees it's you, and she stands to pull you into one of her infamously bone-crushing hugs before pulling back to get a good look. “well, you look annoyingly well-rested. but i suppose a fortnight in a spanish villa will do that to you. bitch.”

“i had a great time, thanks for asking,” you grin. “how’s everything been with you? stressful, without your star reporter?”

“well, for starters, you've been succeeded for that title.”

you frown only half-jokingly, scanning the room to try and guess which of your colleagues has replaced you as marianne's unofficial favourite. “who the fuck…?”

“language,” she lightly slaps your arm, in spite of the fact she was just about to say the same thing, then smiles suspiciously. “and i’m talking about our newest recruit.”

the brewing annoyance in your stomach dissipates immediately, replaced by a flock of tiny butterflies. “oh,” you try to keep your smile to a minimum. “that's okay. i like him.”

marianne sees right through you, though. she rolls her eyes. “oh, you would.”

“what?”

she sighs, motioning for you to lower your voice and modifying her own to a whisper. “he’s a curly-haired pretty-eyed vaguely scrawny white boy. you'd like him even if he didn't think the sun shone out of your arse.”

“marianne!” you hiss. “he does not!”

“don’t act all indignant, he has literally looked over at you once every thirty seconds since you walked in - and don't look, idiot, you'll freak him out. we need him on the ball, today of all days,” she rubs her eyes. “but yes, he’s very good at his job. i like him, even if i've no idea what in the world he goes off on his tangents about. great writer.”

“yeah, he is,” you risk a glance towards him, but all you can see is the back of his laptop - covered in stickers for things you can only name half of - and dark curls peeking out from the side of his headphones. “i like the references. different perspective from me, innit? that's why we hired him, after all.”

“who's we? you were too pissed off that i was hiring another music critic to agree to be part of the interviewing panel.”

you'd love to disagree, but you really were pissed when marianne and the other editors told you they were expanding the nightlife section. it didn't matter that it was in response to an increase in funding and readership, with the magazine switching to a print format as well as the online edition you'd contributed to since its creation - your fierce independence and pride meant you didn't take the news well, made you think it was an issue with your competence and writing ability that meant you'd be getting a new colleague. but once you were reassured that you'd still get to keep the Big Gigs and restaurant reviews to yourself, you were slightly more agreeable to the idea.

and once you actually met the new guy, stumbling over both his words and his own feet as he introduced himself, you couldn't quite remember why you'd been opposed in the first place.

“well,” you say, snapping back into reality. “thank goodness i'm over it now.”

“because you want to get under him?”

“no!” you stand indignantly, and then grin. “on top, maybe.”

“good grief,” your boss shakes her head. “don't you go bringing it up to him - excuse the pun - before this edition goes to the printers,” she points at you as you move to walk away. “or talking to him at all until then, actually, you hear me? i love you, but you're a distraction to him, and he's my best journo.”

“he's not, but alright,” you pat her head as you walk back towards the door. “i'll be in the staff room if you need me. and i won't talk to anyone, mum, i promise.”

“i'm only five years older than you!”

“whatever you say!” you reply in a singsongy voice, giggling to yourself as you wander towards the sunny kitchen. the little radio on the windowsill is on, as it always is, and you nod along to the cure while you wait for the kettle to boil. once you've made a cuppa (and grabbed a slack handful of the chocolate digestives marianne always keeps the cupboard stocked with), you settle at the table with your laptop, typing out ideas for your next feature and doing your best not to think about the boy down the corridor you've been instructed not to talk to for the time being. for the most part, you succeed.

that is, until he walks into the staff room two hours later.

you frantically wipe your face of biscuit crumbs as he does, smiling as sweetly as you can for someone with no idea if she has chocolate on her teeth or not. “hi, matty. how are you?”

“oh, hi! i'm, uh, i'm alright,” matty smiles widely enough that his verbal emotional downplaying is blatant - still, he's so cute, beaming at you like that with his little sweater paws. he’s always in a jumper or cardigan or hoodie of some kind, and on more than one occasion in the three months you've known him, you've absolutely thought about literally cosying up into him instead of doing any work. “how was spain? and the wedding - it was a family wedding you were going to, yeah?”

“that's right,” it’s not a big deal, but you glow at the fact he remembered. or maybe it's the soft intent he looks at you with. “it was lovely, yeah. although - wait, have we gone to print?” you ask, suddenly recalling marianne's instructions. “i'm not keeping you from work?”

matty's curls bounce as he shakes his head, light hitting off the metal hoop in his earlobe (that you're only mildly obsessed with). “we've gone. i'm just in here to get my lunch,” he pulls a tupperware from the fridge, cheeks rosy as he waves it. “made some soup last night.”

he makes his own soup. the thought is so endearing that it takes everything in you not to sigh; you settle for a smile. “carrot and coriander?”

“you can tell from one glance?”

you shrug. “s'my favourite.”

“really?” matty's face seems to light up. “mine too,” he busies himself with putting the tupperware in the microwave, taking his time pressing buttons and turning dials before looking bashfully at you. “so, you had a nice time at the wedding, then?”

“i did, thank you. do you, um,” you start, suddenly shy. “d'you want to see some photos from it, while you're waiting for the soup to heat up?”

he nods back just as shyly, sitting quite awkwardly on the seat next to yours; while you open your photos app, matty twists a stray curl around his finger, and the movement seems to send your nerves into vibration as well as the molecules in the air. with a series of shallow breaths, you locate the folder of the wedding pictures and set your phone on the table. “feel free to flick through them, if you like.”

“thank you,” matty sits forward, carefully swiping through the album. you lean on your elbow, doing your best not to beam adoringly at the way he looks intently at each photo before moving to the next. “the venue is really beautiful.”

“yeah, it was stunning.”

the next picture is one of you in your bridesmaid dress, taken by your sister the morning of the wedding. you watch, slightly heartsick, as matty's mouth falls open as he looks at you; the feeling worsens when he tentatively does the same thing in real life, those pretty eyes of his sparkling as he smiles softly. “so are you. really. like,” he looks down at the photo again, shaking his head slightly before looking back up at you. “that colour is beautiful on you. honest. you look incredible.”

“thank you,” the words come out in a whisper, and the two of you silently smile at each other for a moment until you clear your throat. “um, there are more of the official pics on my instagram, let me… actually, do you have my private account?”

“oh, no,” matty shakes his head again - god, you love the way his hair moves. “just the one for your writing.”

“well,” you tap on the app with an almost-imperceptibly shaky finger. “that's the username there, if you'd like to follow. no pressure, of course. don’t wanna fuck up your algorithms or anything.”

your nervous chuckle at the end of the sentence turns to a giggle when you see matty's face as you share your username; it lights up so much that you'd be forgiven for thinking he'd just won the lottery. he pulls his own phone out and taps away at it. “you don't have to follow me back, by the way,” his cheeks flush a deep red, a beautiful colour. “m'not posting anything interesting.”

doubtful. he might be one of the most interesting people you've ever met, all talent and sweetness and a wealth of cultural understanding wrapped up in a sweater and a pretty face. “no, i'd like to.”

“alright. thank you,” matty's cheeks seem to get even redder as he watches you hit follow back, face twitching as though he’s trying to stop himself smiling too big. when the microwave dings, he all but skips over to it, almost tripping over the leg of his chair in a sweetly awkward way; he swears under his breath when he lifts the steaming container out, turning back sheepishly to look at you. “sorry.”

“don't worry,” you grin at him, feeling slightly bold. “i still think you're sweet when you swear.”

he giggles, and the noise makes your heart leap; in addition to being one of the most interesting people you think you've ever met, matty healy is without doubt the cutest. watching his lips pout in concentration as he stirs the soup and checks the temperature, you briefly imagine what they would feel like against your own, how he would be if the two of you were to kiss. just as giggly and endearingly awkward as he usually is, you think - eager to please, lips and tongue a little sloppy and unsure but enthusiastic enough for you not to mind, slightly unsure of where to put his hands so as to not make you uncomfortable… the scene is as clear as day in your head, and you really, really want to recreate it. you'd devour him right now if you could, the sweetheart.

and then, matty reaches up to get a bowl from the shelf, the hem of his shirt goes with him, and your want to devour him suddenly takes on a less pg-rated meaning than it did a second ago.

he has a fucking hip tattoo.

you’re pretty sure it's only a sliver of the full design you can actually see, but the hints of red and blue and black ink and the glimpse of his happy trail are enough to fuck you up completely. as you register what you're seeing - what you're discovering about the seemingly buttoned-up, shy, unassuming-to-everyone-but-you matty - your breath catches in your throat, forcing you to cough quite obviously on the mouthful of lukewarm tea you'd just taken. one cough turns into another, and you clap a hand over your mouth to make your tattoo reaction attack the least obvious it can be.

still, the ever-perceptive man across the kitchen notices, running over to crouch in front of you with concern filling those beautiful eyes of his. “you alright, darling?”

darling?! no, you most certainly aren't alright.

but you can't tell matty that, so you stick to gesturing to let him know you'll reply once you've managed to swallow your tea. “i am, yeah, thanks. tea just, y'know, went down the wrong way.”

matty tilts his head. “you sure?”

“yeah,” you smile, slightly embarrassed. “really. thank you, though.”

“of course,” he smiles in return, knee brushing lightly against your leg as he steadies himself; he looks down, eyes widening as he registers how close the two of you are, and quickly stands. “i'd better, y'know, get my lunch.”

you nod, despite the strange loneliness settling into your bones at the lack of him next to you. “i can head back to the office, if you want peace?”

“no, no, please stay!” matty all but gasps, turning to look at you like a deer caught in headlights - he clears his throat, blinking a few times before speaking again. “please don't feel the need to leave on my account, i mean. or feel obliged to talk, really - i was just going to read.”

“you're sure i won't be a bother to you?”

matty smiles warmly, shaking his head. “that'll never happen.”

christ.

“okay,” you whisper, winking at him - and savouring the little giggle that bubbles out of him when you do - before turning back to your laptop. 

matty settles at the table a minute or so later, pulling a paperback from his back pocket and holding it open quite attractively with one hand. you peek over the rim of your laptop at him every so often, never for more than a couple of seconds at a time; partially to avoid the mortification of him catching you, but mostly because if you look at him any longer you know your mind will wander back to that fucking hip tattoo of his, and what it might look like completely visible to you, and what it might feel like under your lips, and what noises matty might make if you slowly dragged your tongue all over it before moving to the side to lick a wavy line up the length of his-

enough. he's literally right there.

the room feels hot, all of a sudden, your cheeks flushing and throat drying to match. on only slightly shaky legs, you pick up your waterbottle and head to the water fountain, crouching as best you can to fill it. even though he stays silent, you can feel matty’s eyes on you from across the room, but it doesn't bother you or freak you out in the way that other men ogling you at a water fountain would - it's quite obvious that matty has some sort of more-than-platonic affection for you, but his gaze has always been one of appreciation and awe when it comes to you, not the predatory one you've come to expect from men. and yet, his is the only male gaze that makes you feel slightly nervous, unused to being looked at with such reverence and tenderness by an attractive boy; in complete contrast, though, it also makes you lower your guard, pull down the bricks from the wall you've built around your heart, and allow yourself to actually feel something for matty, for once. something good, honest, promising.

matty looks up from his book as you sit down, smiling pleasantly. he opens his mouth as if to talk, and then closes it immediately, shaking his head slightly.

this intrigues you. “you okay, matty?”

“hmm? oh, yeah, i was just thinking,” his cheeks go a shade of pink you would buy in blush form if you could find it. “when you were first talking about the wedding… you said although, and then we got off-topic slightly. what, um, what were you going to say, if you don't mind me asking?”

“oh, right,” you wrack your brain, doing your best to not get distracted by how cute you find his perception. “i think i was going to say something about how, as good as it all was, there's nothing like a family wedding to remind you of how single you are.”

his jaw falls open. “you… you don't have a boyfriend? wait, sorry,” he blinks. “or a partner?”

you shake your head, biting the inside of your lip to stop yourself smiling. “no boyfriend, no. and thus, constantly advised by a never-ending flock of aunts that i should get one so i could get married.”

“christ,” matty winces. “yeah, my cousin's getting married in a couple of months - not looking forward to everyone asking me when i'm going to meet a nice girl and settle down, as if i can answer.”

no girlfriend. how interesting. “you're single? really?”

he rolls his eyes, still smiling at you. “be serious. course i am.”

“i am being serious! that surprises me,” you lean on one elbow, tilting your head to look at him. “you're lovely, matty.”

matty’s eyes widen, and he blinks adorably a few times before he smiles shyly again. “thank you. i think the same about you.”

“you do?”

he simply nods, total sincerity in those pretty eyes. 

you feel your cheeks warm, but you make no effort to hide it. “thank you.”

matty shrugs. “just telling the truth, darling,” he looks panicked when he realises what he's said. “sorry for calling you that, twice, it just-”

“i like it, matty, it's alright,” you say reassuringly. “and i like-”

“oh, thank god you're both here,” marianne bursts into the room, carrying her laptop; you frown petulantly at her for ruining your moment, but shuffle your chair round closer to matty's so she can sit at the table too. “something weird’s happening.”

matty squints. “what d'you mean by weird?”

marianne pushes her laptop towards you both. “there's overlap in your planned reviews - the band you're going to see at the end of next week, matthew, have just been announced as the opener for the next Big Gig. i need to know how we want to go about this.”

“oh,” he looks at you. “i don't mind if you want to just review them as part of yours.”

you're shaking your head vehemently before he even finishes talking. “no, that's not fair,” you tap your lips with your index finger the way you always do when you concentrate, trying to ignore the glow within your body when you see matty looking at them from the corner of your eye; inspiration strikes, and you turn to marianne. “matty could come with me, couldn't he? if he reviews their headline gig, and then he does a follow-up review of their opening set in the Big Gig feature - we could just do a joint byline, work together on it.”

both of them turn to look at you in slight shock. marianne is the first to speak, her words trickling out slowly as she processes the fact you've just agreed to let someone else work on a Big Gig for the first time. “you're… happy with that?”

“if matty is, yeah,” you turn to him, smiling. “sound alright?”

he beams. “more than. thank you.”

“of course,” you turn back to the boss. “there you go. sorted.”

she sighs, relieved. “thank goodness for that. alright,” she stands, picking up her laptop and heading back to the main office. “i'll coordinate press passes. thanks for making that simple - you're both stars.”

“anytime!” you call after her, before turning back to matty. “you're sure you're happy to do this? i realise i've just given you more work to do, but…”

he laughs, a beautiful sound. “nah, i don't mind. also,” he shuffles in his seat, bashful again. “i actually have a spare ticket for the first show, if you'd like it - bought it before i saw it was on the review roster. doesn't seem fair that i get to go to two gigs while you only get one, i think. i mean, no pressure, obviously, but the offer's there.”

god, he’s so fucking cute. how could you ever say no to him? “i'd like that a lot, matty, thank you,” you beam at him. “i think us working together is going to be a lot of fun.”

matty beams back just as enthusiastically. “i think so too.”

#mads muses #mads does writing #office nerd au #matty healy fanfiction #matty healy fanfic #matty healy fic #matty healy fluff #matty healy x reader #matty x reader

[neptuneiris]

sparks (03/04)

Did i drive you away?

pairing: business-boyfriend!aemond x fem!reader

summary: at the beginning your relationship with aemond is perfect and there were no worries. until he becomes the Heir of his father's company, the most important in the whole country and certain events and certain people start to interfere in the relationship.

word count: 8.8k

previous part • next part • series masterlist

there will be an epilogue coming soon!

here it is finally! thank God!

I'm so sorry for the delay beautiful people, it's been heavy weeks where I was writing parts but I couldn't finish them, so my writing time was extended more because I didn't finish, plus I moved, my cat is lost and I've felt very sad about that, besides college, presentations and more, but seriously I love writing, it's my way to escape, so I didn't feel any pressure, don't worry about it :)

I hope you like this new chapter a lot, I'll be waiting for your comments, so enjoy and thank you so much for your patience and support!

In the midst of your relationship with Aemond, things between the two of you are charged with tension.

After the conversation with his grandsire, Aemond's suspicions could not have been more accurate because of the way he behaved. Despite everything he told him and left him thinking about the future of the company, he still tried to talk to you about it.

But you, again, did not let him.

Aemond had to go back to work, just as you also went back to taking care of your own responsibilities such as college.

Aemond's life was still immersed in a whirlwind of responsibilities and commitments. From the moment he woke up, got ready and set foot inside the company, he was already doomed to a busy day.

He had to attend meetings with his key executives, discuss financial analysis, take online conferences, answer emails, calls with partners and clients.

Every moment his desk was filled with reports, financial projections, documents and more that he had to review in detail. Not to mention that the partnership with Alys Rivers is still ongoing.

Still he would make the effort to get home early and spend time with you, every night making an attempt to talk to you about what happened that night, but you wouldn't let him, as you had things to do as well.

If not college, then work, besides having to clean the apartment, do laundry and make food, which Aemond offered to help you with, but the two of you feel completely distant from each other.

Because both he and you know that things between the two of you just aren't right.

They are not since that one night nor does it help you to read every moment in the magazines how Alys Rivers has been seen entering the Targaryen building, where Aemond is always mentioned as well and he assures you that they only had meetings even though you don't even question him about it anymore.

Each of you is immersed in your own thoughts, Aemond feeling helpless, frustrated and sad, his gaze reflected by a deep regret in his heart at not being right with you.

And although he wants to find a way to fix things, you don't want to create any more problems, more than anything else you don't want to interfere between his grandsire and him.

And as the days turn into weeks, communication is no longer paramount, the whole relationship feeling like emotional paralysis, with no clear path of how to reconnect where you hide in your to-do's and Aemond barely has time to spend time with you.

So you find it easier to forget about it and wait for him to do it too. But inside you are still just as hurt, humiliated and sad.

And that little free time he has left for you is simply not enough to try to talk to you, besides you won't let him.

Until that time of the year when Aemond has to travel to attend social events or board meetings, also to meet with his partners around the country to oversee the expansion of the company.

Until he tells you that the first trip will be to Storm's End with his brother Aegon, then to Highgarden and Winterfell with Helaena and at the end to Casterly Rock… with Alys Rivers.

And that you definitely don't like to hear.

"I'm not traveling with her, we're just meeting there for the event."

He lets you know as he starts packing his bags for this two-week trip and you help him out, because even though you're both going through a silent fight, you still care about him and have always helped him with this kind of thing.

But you do feel that discomfort all over you knowing that she is also going on a trip to the same place as him. And Aemond knows it as he watches you out of the corner of his eye, knowing your mannerisms very well.

"Eleanor and Cole will be with me the whole time," he tells you softly, "And I'm already preparing everything with my publicity team for when the press starts publishing pictures of her and me, I don't—

"It's okay," you tell him softly, placing his ties perfectly in the suitcase, "I understand."

He watches you for a few seconds without saying anything, as you continue to put his clothes away the right way, feeling his gaze on you but not watching him back, to which he lets out a long breath.

"I just want to make sure you'll be okay," he tells you just as softly as before, getting up to stand next to you, "I don't want you to be worried all the time. You know I would never do anything to hurt you."

You press your lips together, watching him for a few moments to refocus on the suitcase.

"Yes, I know," you tell him to cut the subject short, saying nothing more.

At this Aemond watches you with some sadness, concern and anguish, but at the same time with love and tenderness, desperately longing for you to share more of your thoughts and emotions with him without pressuring you.

But since he knows you won't, he chooses to hug you.

And he does it carefully, tactfully, knowing that at any moment you may push him away, but to his surprise, you feel your high barriers of defense crumble at that moment, his gesture catching you off guard.

And you with a little hesitation, in the end decide to hug him back, since of course you missed him just as much as he missed you, both of you sinking into a soft and comforting embrace, where finally just for that moment, everything feels right.

There is hope.

Aemond feels his whole body stop tensing the moment he feels your arms wrap around him to hug him back, he lets out a long breath and pulls you tighter against him, hiding his face in your neck.

And you hide your face in his chest too, inhaling his comforting scent, feeling at home again.

"You know you can come with me, right?"

He murmurs in your ear, making you smile softly against his chest.

"I'd love to but I can't. I have to work and attend my classes."

He lets out a resigned sigh.

"Then on your vacation we'll arrange a trip, I promise," he tells you then leaves a soft, tender kiss on your forehead.

You raise your gaze to him as he lowers his so he can watch you.

"Like when you took me to Winterfell?"

"Yes," he smiles softly, "Now where would you like to go?"

"I don't know," you shrug, "Maybe to the Iron Islands?"

"Perfect."

He tells you then leaves a soft kiss on your lips which you reciprocate, both of you pulling each other back into a tight embrace where neither of you want to let go.

And even though Aemond doesn't want to ruin the moment and the fact that possibly this invisible barrier between the two of you will no longer be there, he feels it's the perfect time for you both to talk about the topic you've been putting off that needs to be talked about.

"Y/N, about that ni—

"We need to keep packing."

You interrupt him instantly, gently pulling away from him and turning your gaze back to his suitcases, causing him to look at you sadly for a few moments.

"But—

"I'll go get your shoes."

You cut him off again, to start to move away from him and head towards the huge closet, leaving him with no choice since you definitely don't want to talk about it.

After that moment you both went through, that comforting moment, fortunately you don't feel that emotional distance anymore, since now you both sleep hugging each other, share breakfast and dinner together, also share about how the day went, like before.

Even on some nights there are movie nights, where finally Aemond finds that comfort in your arms, hugging and kissing you at almost every moment.

And you too after a stressful day at work or you are going through a lot of stress because of your classes, you hide from the world in his arms, feeling good and being that exactly what you need.

Until the day comes.

Aemond has to leave.

You drive him to the airport, where his private jet will be waiting for him along with Cole, Eleonor, you understand, his agent as well, and other security people.

The goodbye is hard, even though he's had to leave for business trips before, so neither of you know why. And by the time Aemond's jet flies, that discomfort returns throughout your body and so does that uneasiness.

At all times he lets you know of what he's doing, or at least the important things, like that he's already landed and also that he's already arrived at Aegon and Cassandra's penthouse where he'll be staying.

Before when he went on a trip he also did the same, letting you know where he is and what he will do, mostly to keep you informed, even now he sends you pictures of his breakfasts and also some views from Aegon's house.

You are more concerned that he is well and of course being miles away, it makes you feel safe that he talks to you about what he is doing and what he will do next, like attending those social events which is what he travels mainly for.

Until the day of the important event arrives.

Being at work, about to finish your shift, obviously you are not allowed to have your phone at hand, but when the time comes and now you have to go to class, when you look at your phone, you see severe messages from Aemond and also the notification of a link to a magazine.

This immediately tells you bad news.

And it definitely is when you read the title of what the magazine link is about.

Alys Rivers, co-owner of Riverlands Group seen at Storm's End… click for more.

You click on the link, curious, attentive and with a frown on your face.

The very famous businesswoman, soon to be partner of the important company Targaryen Inc, Alys Rivers has been spotted at Storm's End to attend an event attended by the most important businessmen from all over the country, among them, Aemond Targaryen. She has been spotted an early partnership between them but rumor has it that there may be more than just a partner relationship. We have also been informed that Rivers will be attending the same events as Targaryen in some parts of Westeros where Targaryen Incorporation has distributions of his company, so it is no coincidence.

After reading this, you read Aemond's messages, getting an idea of what they are about.

And you… you don't even know what to think anymore, let alone feel.

It makes sense that he didn't know anything, since at this point after what happened with his grandsire, it doesn't surprise you that he didn't tell him anything because he knew Aemond would do something to prevent it.

And how convenient that also Alys didn't report anything about her presence at all the other events since it was only known that she would travel to Casterly Rock.

Later that day you see how Alys does indeed show up at the Storm's End event and Aemond quickly sends you a picture of everything, of him with Aegon, Cole and Eleonor, wanting to make you feel at peace and safe.

Then later he sends you picture of him arriving to his hotel room, he even sends you a voice message telling you about everything that happened at the event, he tells you that Alys talked to him, that again she tried to cross physical boundaries but he wouldn't let her.

Also that they both had to take pictures together, but nothing else.

And the next morning there are a lot of videos and photos of the event where he is with his brother, his partner Borros Baratheon and more businessmen.

There are also the photos of him with Alys, even videos where the two of them talk and she again touches him on the shoulder and arm like that, smiling flirtatiously at him all the time, but Aemond turns away from her to go to some men.

It's as if she knows that at that moment there are many cameras around and they are recording, so you get the impression that she is doing it on purpose.

But all you can do is really nothing since Aemond is the one telling you everything to make you feel calm, so you just continue with your daily routine, focusing on work and your classes.

Although of course unconsciously your mind is on Aemond and his trip, also on her.

Fortunately what comes next is more… relaxing.

The next event is in Highgarden, where once Aemond lands, he sends you a picture of him with Helaena, where he tells you that she sends you greetings, both smiling at the camera, making you feel a comforting warmth all over your chest as you see the picture, smiling softly.

During the whole trip in Highgarden there is nowhere where Aemond is not with Hel, even in the event when he is around Rivers, Hel is always with them.

The same happens in Winterfell, as Hel must also attend as she is the one who made the partnership with the Starks possible.

Aemond sends you picture of her very comfortable on one of the jet couches, also of the two of them having dinner and watching a movie, even at the hotel they both ask for a room for the two of them with two beds.

At the event also the two of them are together, there is even a very professional photo of the two of them with their partner, Cregan Stark, where he with Hel give a welcome speech to all the guests and then Aemond with him make known the innovations in their companies thanks to the partnership.

It's simply all work, as it should be. You even see Rivers in some photos and videos, but compared to Storm's End, she doesn't look very pleased lately.

Until the moment comes when Hel will no longer be in Aemond's company. And from then on, you can't help but feel uneasy.

And apparently Aemond also feels the same restlessness as you do despite the miles of distance that separate you.

He sends you pictures of absolutely everything, from the moment he starts his day until it ends. He also tells you what he's going to do, even if it's taking a shower, yet he tells you to let you know that's why he won't write you back quickly.

He even sends you video of what he will eat, mostly to let you know that there is no one with him in the room if that is your concern, also at night, telling you that he will go to sleep.

Honestly, Aemond has never done this before on a trip and even though you didn't ask him to, as if wanting to see where he is and what exactly he is doing, wanting to check on him at all times, Aemond does it for your peace of mind.

And without wanting to, you already find yourself waiting for him to send you picture or video of what he will do next, feeling paranoid and to some extent a controller.

You know that this is wrong, that it is not necessary, that neither of you have ever acted this way before and that it is as if you want to know Aemond's movements every second in an unnecessary and… toxic way.

And it's not right, you know it's not.

But Aemond feels that need and so do you, even if you don't want it, you feel that need to know that Rivers is not taking advantage of your absence and worse…. That he is giving in to it by making the partnership possible.

But Aemond would never hurt you, he has told you that and you know that, but you also know as well as he does that he has the eyes of almost everyone on him and will have problems with his grandsire by the time he returns because of Rivers' disconformity.

So even in the event, Aemond feels more that need to let you know that she's not around Rivers, that he's not doing anything wrong or giving her and him anything to talk about.

And the worst part is that you are there, attentive, waiting and watching it all.

Even after the event is over, Aemond tells you that he's going back to his hotel room, telling you that he's going to take a shower. Then he sends you a picture of him brushing his teeth and then another one of him in bed and at an angle so that you can see that he is all alone.

And only at that moment, for two full weeks, just this very night you feel completely calm and at peace, knowing that he is coming back tomorrow and will be by your side again.

And you don't understand.

You just don't understand what happened to both of you.

You don't understand how you went from having the most beautiful and healthy relationship ever, to this, where both you and he acted in a toxic and completely unnecessary way.

And when you least expect it, tears begin to flow from your eyes as you stare at the dark ceiling of the room, alone in the huge bed, with frustration and sadness completely invading you and loneliness settling in your heart.

You are honestly afraid.

In the midst of your storm of emotions, you fear that the beautiful and healthy connection with your boyfriend will soon be gone. You're afraid that the relationship will become toxic.

You just don't want to lose the intimacy and complicity you both have to be replaced to this, the insecurities and these needs to look good and want to prove that neither of you, especially him, is failing in the relationship.

And with everything that's going on, the company, his grandsire, Rivers, you have no idea how to fix it.

Aemond's arms wrap around your body tightly, clinging completely to your figure, holding you tight against him as he hides his face in the curve of your neck, inhaling of your soft scent that drives him absolutely crazy.

And you reciprocate his embrace in kind by slipping your arms around his neck, hiding your face between his chest and neck, leaving a soft kiss on his cheek to cling to him again.

"I missed you," he murmurs lovingly and almost melancholy in your ear.

You hug him tighter, lovingly, as you place a small smile on your lips.

"Me too, babe."

He too leaves replete kisses on your cheek, tucking you back into his body, not wanting to let you go, while to you all his scent and the feeling of being in his arms is more than gratifying, being just what you needed.

He strokes your hair as he inhales deeply, not being able to get enough of it. And neither of you say anything else, as actions speak for themselves and what two need, is the touch of each other.

It was two weeks but for both you and him it felt like months.

You both look at each other and he leaves a soft kiss on your lips which you reciprocate as you both have a small smile on your lips. Then you both separate and start to head towards the car once Cole and the other men help Aemond to put his suitcases in the trunk.

All the way he keeps holding your hand, while you drive to the apartment and he talks to you about everything that happened on the trip.

"Our trip to the Iron Islands will now be easier," he tells you proudly and visibly excited.

You are glad to hear that the companies are doing well and that he has had friendly meetings with his partners, in fact you tell him so, as he smiles softly throughout and thanks you.

He also gives you the news that he will have a meeting with Rodrik Greyjoy very soon that involves talking about plans for an early partnership between Pike and Targaryen Inc.

You hum in agreement, smiling softly.

"I could tell," you look at him for a second to refocus on the road, "I'm sure your conversation with him will go well. But you want to go on a trip there too?"

"Sure," he tells you willingly, holding your hand against his lips, "They say it's a beautiful place. I've seen pictures too," he says then leaves a soft kiss on the back of your hand.

Once you both get home, you help him with his suitcases and unpacking, while now you tell him about your days at work, college and also here.

Fortunately for him and you, it's Friday, so you both stay home and rest. He tells you that he won't be going to work Saturday and Sunday, so you have the whole weekend for the two of you.

You still have to work Sunday afternoon but you don't mind, it still won't be long, so you enjoy and take advantage of these free moments with your boyfriend.

Later that same night you both resume your nights of intimacy, which is something Aemond had longed for since you both had that fight after the event, leaving after traveling not too soon after that was just awful for him.

First you both take a little nap where nothing feels better than sleeping in each other's arms again, both of you without being an inch apart from each other in the huge bed.

Then when you wake up you go together to the supermarket to do the week's shopping and at the end you stay in the living room watching movies.

And it was also something you craved.

Obviously you're not as insatiable as he is, as Aemond really can't get enough of you when it comes to sex and really takes all his time with you. This time is no exception.

But once that glorious weekend ends and a new week begins, you both resume your routines from before and in which he simply has no time for you.

Again Aemond tries to do everything in his power to come home early and spend more time with you, which is something you consider and are grateful for his effort, as you knew that sooner or later he would have to go back to his old busy routine.

Not being on good terms with his grandsire, having to attend meetings and phone calls from his partners, making and reviewing reports, delaying as much as he can the partnership with Rivers just so he doesn't have to see her, it's too much.

And little by little, although he doesn't want to, he returns to his exhaustive routine of before and in which unfortunately also affects you for seeing him only at night at a very late hour.

Although he still does everything he can to make sure that work doesn't take up more of his time than it should.

You continue as normal, going to work and attending your classes, but you find it again sad and annoying that you are again having less time with Aemond.

As well as what you didn't want to happen.

And of course Aemond would have to explain himself, having that need like on the trip so you wouldn't think other things, telling you all the time, either by message or in person, that nothing happened, they just talked about work and nothing else.

Sooner or later Alys Rivers would reach her breaking point, so if Aemond wasn't looking for her, then she would be looking for him.

So you had to go back to reading magazine articles online where they talk about how they've seen her in the Targaryen building and so on.

That's how things were going on for a few weeks, almost for a month, until again and unexpectedly, Aemond has to travel again.

Aemond is technically not yet the head of Targaryen Inc, his father is, but due to his health, he must attend for him.

Again to Casterly Rock to an important event and also to a conference where Aemond will meet with the board of directors and his partner Jason Lannister.

Other businessmen will also attend as it is a general event and heads of major companies all over the country are in attendance.

The news of having to travel again catches Aemond and you off guard, explaining that the board meetings normally take place in November, but that they are earlier this year.

So as soon as he gets the news, he starts preparing everything for his trip, even preparing work papers and other preparations for his presentation at the conference, while you again help him and make sure he misses nothing.

He can't miss his meeting with the board of directors, it is paramount and a really big commitment, so you understand but you are disappointed all the same.

Honestly you are disappointed that you have to be separated from your boyfriend again, as you were not expecting to have to stay home alone for a week again.

The event lasts two days and Aemond will have to travel there from before to ensure his presence and avoid any unforeseen events as it is an important event.

Until again when you least expect it, the day comes for Aemond to leave.

He paces back and forth, making sure nothing is missing, while you help him finish packing one of his two suitcases, while he talks on the phone to Criston and then to Eleonor to continue making sure he has the right information about what time he has to board his private jet.

You then head to the kitchen and make a quick breakfast for him and yourself, you also make him a cup of coffee and ask him to stop for a few moments to get some food in his stomach, to which he does while still busy on his phone.

"Which hotel?"

You hear him ask Eleonor as he takes a sip of his coffee.

"Ah, yes, that's fine. But… about the documents, did I bring the folder with me?"

You at all times stand still, eating your breakfast and listening to what he says to Eleonor back.

"Okay, I'll go check," he says and quickly heads back to his office, still holding his phone to his ear.

You continue to stand still, as you watch him disappear down the hallway and let out a breath, not really being able to do anything since you know him too well and he always gets paranoid when he has to travel, making sure to get everything ready one last time.

A few minutes pass and finally Aemond stands still in the kitchen to finish his breakfast, though when he's done he heads to the bedroom to check his suitcases one last time and start placing them in the hallway for when Cole arrives and he has to take them down to put them in the car.

He paces back and forth, wasting no time, watching his wristwatch every second, counting down the time for when Cole arrives and he has to leave.

You meanwhile take his briefcase and place it on the island with you, waiting for the moment when he has to leave.

When they start calling him.

You look at the screen and see that it's about his grandsire, causing an unpleasant feeling all over your body as you remember the way he treated you last time, but you quickly let Aemond know.

"Your grandsire is calling you!"

Aemond comes out into the hallway with one of his suitcases.

"Please pick up, love."

You nod and accept the call, put it out loud and resume your breakfast.

"Aemond?"

"Yeah? What's wrong?" he exclaims from where he stands.

"How's it going, son? Are you ready?"

"Yes," he replies with a little force in his voice, securing his suitcase one last time, "Cole should be here any minute."

"You got all the conference details?"

"Yes, Eleonor mailed me everything," he says as he walks over to the island and pulls the phone towards him to take a sip of what's left of his coffee cup.

"Very well. Then you'll meet Alys and her uncle at the airport, I've offered them to travel with you, after all the three of you are going to the same place."

You immediately stop chewing, as well as your whole body stops moving, standing completely still and with tension all over your shoulders.

Aemond also immediately watches you, instantly realizing your reaction, but you look away from him trying to appear indifferent and with the lump in your throat you go back to chewing, bringing your cup to your lips.

You feel your heart start to beat wildly, feeling instantly how your tranquility disappears and suddenly you feel overwhelmed by all the mixture of emotions that invade you.

Meanwhile Aemond frowns and with a bewildered and also annoyed look, quickly turns back to his grandfather.

"What?" he snaps at him.

Otto Hightower lets out a long breath on the other end of the line.

"Aemond—

"I didn't even know she was going to the event too and why are you telling me this now?" he inquires her completely serious, in an annoyed and deadly tone.

"Because I knew you would do anything to avoid it and I wasn't going to allow it. We're so close to signing the contracts and I knew this was going to please Alys, so she'll see you at the airport and I expect… that you'll give her a good treat and please her for the entire trip."

A shiver of jealousy, insecurity and sadness runs through you, as you bite the inside of your cheek and try to act nonchalant about it all, but you know you're not good at hiding your true emotions and Aemond sees that, not liking his grandfather's words at all.

"Have you lost your fucking mind?"

He inquires him just as serious and annoyed as before and Otto sighs.

"I'm not having this conversation with you again, Aemond. Grow up and do what you're told if you want your company to survive."

"Maturity doesn't mean I have to do everything you say!" he exclaims angrily and exasperatedly at him.

"For the love of the Seven, it's only a flight, stop acting like a fucking little child!"

Aemond sighs and runs a hand over his face, wearily.

"I can't believe you're doing this to me."

"Everything is already decided. You're going to have to deal with it, whether you like it or not, I honestly don't care. And I hope..." he begins to say in a threatening tone, "That by the time you get back, Rivers doesn't cause a scene for me again because of your lack of commitment and interest."

"That's your problem and hers, not mine. When I get back I want to have a serious conversation with you."

And finally Aemond hangs up annoyed with his visibly frustrated face, where in comparison to him, you hide your emotions, not wanting to frustrate him more with your behavior upon hearing this new travel plan, acting disinterested.

So you try to make yourself really look carefree by taking your dirty plate and cup to the dishwasher, starting to wash them, not observing Aemond at any moment, fearing that he will notice your true state.

While you at all times bite the inside of your cheek, resist the urge to cry and insecurity as well as a host of other frustrating emotions completely invade your body.

And Aemond immediately notices, because he knows you too well.

So feeling the weight of the situation, he stands up with an almost tired face and walks towards you, instantly slipping an arm around your waist to turn you towards him and leave a soft kiss on your forehead.

Something inside you snaps as you hear this.

"I know what you must be thinking, but you have nothing to worry about."

He says softly, hugging you tightly and lovingly, holding you close against his body.

"The only one I care about is you and I promise I will stay in touch with you for as long as I can."

And a realization comes over you, holding you completely still against him.

"No matter how busy I am, I will always find time to call or text you, just like last time," he promises you, wanting to comfort you, "I will do everything I can to keep you calm while I'm away."

You feel that realization hit you all at once again and with your gaze gone and your lips parted you just blink, because suddenly you don't have the strength anymore, for anything.

And because of your lack of response and movements, Aemond separates his head from your shoulder to watch you, still hugging you tightly and not wanting to let you go until he is sure you will be okay, watching you with concern.

"Hey, did you hear me? You will always be my priority, no matter where I am."

"Tell me you understand, please love," he pleads with slight anguish, completely attentive to you, holding your face with both hands gently in a desperate action.

He assures you firmly, wanting to make you understand and wanting you to say something back, anything. But you just watch him for a second, then stare at a spot in the kitchen and say nothing, your face without much expression.

With a lump in your throat, because you really can't speak, you feel like a fool even though it's part of all the emotions you're feeling at the moment, unable to help it.

"Good," he murmurs confidently, feeling a little calmer and leaves a soft kiss on your cheek, to pull away and continue to prepare everything for when he has to leave.

So the only thing you can do, is that nod in his direction, without uttering a word. And apparently, that's good enough for him.

Aemond continues to make sure he has everything ready in his suitcases and that nothing is missing, leaving them by the doorway.

While you watch him silently, still with all that overwhelming mix of emotions invading your mind. Again you feel your strength drain away and anxiety takes over, with an ache beginning to spread throughout your chest.

While he in comparison to you is calm, unconcerned, having no idea of everything that is going through your mind at that moment, making you feel bad to be thinking this now.

How cruel am I going to be?

You wonder with sadness, as you bite the inside of your cheek and try to hold back the tears that want to come out of your eyes. You don't want him to notice your agitation, at least not yet, but it's getting harder and harder to control it.

You love him.

You love him deeply.

You know that perfectly well. There is no doubt about it. And you know he loves you too.

But it all comes to your mind hitting you like a violent wave, drowning you, the magazines, his work, the association with Riverlands, the event, his grandfather, the press, his travels and Alys Rivers.

You watch as he ready waits for Cole with his phone in hand at the entrance, typing quickly, assuming he must be texting him, with the suitcases at his side and his face of concentration.

"Love, could you hand me a folder I left on my desk, please? It's black."

He asks you while at the kitchen island he hurriedly checks his briefcase, as you bite your lips and swallow hard.

"Sure," you say without much emotion and head for his office.

When you return you hand him the folder and he thanks you to arrange everything perfectly back into his briefcase.

"Cole won't be long, we're already late," he speaks to you also in a hurry, "If you need anything you know you can call me. But you can also call my mom if you need someone to come over, she's going to Oldtown for another two months," he lets you know, "Okay?" he watches you for a moment and you force a small smile, nodding in his direction, "Okay," he mumbles.

And he disappears back into the room, mumbling that he hasn't taken his jacket, while you watch him, standing still again with your hard face, wondering:

How cruel am I going to be?

Then Aemond stands still again at the entrance to the apartment, answering a call from Cole.

"Have you arrived yet?" he pauses slightly, "Fifteenth floor, C100. All right," he ends the call and looks a little more paranoid, turning to his suitcases, "Almost leaving, love."

You don't say anything back, you just watch him and feel that lump in your throat again, wanting to talk to him but the words get stuck, feeling more of your anxiety, agitation, sadness and anguish, with tears in the corners of your eyes, not being able to control it anymore.

How cruel am I going to be?

It repeats constantly in your mind until the tears fall down your cheeks and that pain in your chest gets stronger, watching it without being able to contain your emotions anymore.

"I can't do this anymore," you say in a shaky voice, getting his attention.

Aemond looks away from his phone and watches you, where your state slowly takes him by surprise and he watches you completely attentively, a little confused, not understanding, starting to worry.

"Love—

"I know it's not your fault," you make it clear to him, starting to cry loudly, shaking your head, "But I can't anymore."

Aemond surprised, quickly turns to you, trying to speak.

"Y/N—

"The first time you went to Casterly Rock with her, I wasn't at peace. I was scared and not for you, but for her," you confess to him, sad, "And you sending me pictures and videos of where you were and what you were doing, made me feel like we didn't trust each other."

"Y/N, I only did it so you would be calm and safe while I was away," he tells you in a soft, confused voice.

"You don't understand," you insist, "That made me feel like a controller, like you think I need to be constantly watching everything you do, and when had that ever happened on your previous trips?" you inquire, "It hadn't been like that since she—

You stop, not wanting to say more, as you sniffle and wipe your tears with your fingers, lowering your gaze, sorrowful, sad and disconsolate.

Instantly Aemond stops in front of you, trying again to hold your face in his hands, completely worried.

But before you can say anything, the doorbell rings at that moment and you both know who it is, Cole. But despite this, he continues to be attentive to you.

"My love, I understand," he says softly, wanting to comfort you, "I understand that you don't trust her, I understand your reasons, but—

"It's not just her, it's also what happened at that event, the press wanting you and her together, the magazines, your grandfather, and I-I…" you sniffle your nose, "I don't want our relationship to become a toxic one."

At that moment Aemond looks at you completely unsure, his heart beginning to pound, his gaze completely intent and anxious.

"What? Y/N, what are you saying?"

How cruel am I going to be?

"I can't anymore, Aemond," you tell him in your completely broken voice.

He watches you silently, his lips parted, fully inspecting your expression, beginning to feel his pulse quicken a little too much, understanding perfectly what you are implying.

When again you ring the doorbell, which catches your attention amidst your trail of tears but not him, he remains attentive to you, not caring, beginning to feel a huge void in his chest, incredulous, advancing towards you in a needy manner.

"Y/N, don't do this."

"I don't have a choice," you tell him in pain and he again tries to take you in his arms.

"But—

There's a knock on the door, interrupting him, as he feels a painful lump form in his throat and he looks at you in complete shock, disbelief and hurt.

"Listen, can we talk about this when I get back, please?" he asks pleadingly, holding you by the waist firmly, not wanting to let you go, "Just…" he shakes his head anguish, "Wait for me, okay? And when I get back, we'll talk about it."

You shake your head, pointing your gaze at the door for a second.

"You must leave now."

And Aemond becomes more concerned about this, seeing the determination and defeat in your whole look of sadness, giving this up now and not intending to wait for him, beginning to feel his eye begin to burn and despair along with anguish invade him more.

"Sir? Are you there?"

You hear Cole ask from the other side of the door, but Aemond pays him no attention, wanting to fix this, desperately.

"Yell at me," he implores you, "Get angry, reproach me, anything you want, anything but this, please, I beg you."

You close your eyes, swallowing hard.

"Sir? I'm sorry but we must leave now," Cole again speaks from the other side of the door, "Your flight departs in less than an hour."

And al Cole again knocks on the door in desperation, clearly because he has to do his job and you're taking advantage of it.

You open your eyes and both of you stare at each other without saying anything, where you just wait until he has to leave, your face completely devastated.

But he barely processes what's happening, his eye reddening and his heart rate racing, waiting for you to understand and say something back to him.

"Go now," you mutter sadly to him.

"No, I'm not leaving until I fix this," he tells you desperately, on the verge of losing patience, "Just…please don't do this, not now. I-I don't… I don't want to lose you."

"Your grandfather will be upset with you."

"I don't fucking care about my grandfather, Y/N! Right now I don't care about anything, just this, us!"

Cole again knocks on the door, insistent.

"Just fucking wait!"

He yells at Cole desperate, upset, distressed, his emotions running high, not being able to control himself anymore and you decide that enough is enough, because Aemond won't leave, then it's best that you leave.

"I'll be leaving too."

You know that this trip is very important to him and you still love him too much not to worry about his work.

And the last thing you want is for you to be the reason for not being on time, which could lead to him not doing well at his event and conference with the board and his partner.

You murmur to him with a broken heart and turn around, walking towards the room, instantly being followed by him.

"No, Y/N, please, just wait," he tells you more pleadingly than before, "I promise you this whole thing with Rivers will be over soon, I promise!" he insists, "Or not, I just won't make any association with her, I can find another way for the company, I don't care what my grandfather says or—

"You can't do that and you know it. The company depends on hers."

"But you can't do this! Not now, please!" he exclaims in frustration, starting to cry.

And just as you're about to go into the closet to grab your clothes, he stops you, turning you to him to hold you and make you look at him, make you see how devastated he is, definitely not expecting any of this at all, feeling completely helpless and powerless in the face of the situation.

"Please Y/N, please," he says to you with a broken voice, as he puts his forehead together with yours for a moment, starting to tremble and feel an unpleasant sensation all over his stomach.

And seeing him like this completely destroys you.

You've never seen him like this before, you know you're breaking his heart and more by breaking up with him now, like this, like you're taking advantage of the fact that he has to leave to get on a plane.

How cruel am I being?

And even though you didn't want to do it, at least not now as he is asking you to, you know this is necessary.

Because you know that if he gets on his jet with her and you and he are still together, you will not be calm at all, you will over think things, things that are not.

If the partnership with Rivers passes and you and Aemond are still together, you will feel the same insecurity as always because the two of them will be partners and will have to keep seeing each other for the report of both companies coming together.

You will feel controlling, he will have this need to want to be good to you in an unnecessary way and you will just feel bad about yourself. And it won't end there.

And you'll have to keep putting up with the press, the boundaries Rivers oversteps, what Otto asks Aemond to do with her and the necessary justifications from him to you.

"I'm so sorry," you tell him with tears streaming down your cheeks and your face completely broken.

And Aemond shakes his head in frustration, in hopelessness, closing his eyes tightly, not believing it, not accepting it.

"Wait until I come back so we can talk about it and work it out. Don't end things like this, please," he tells you in a broken voice, starting to cry, "I-I love you."

"I love you too," you tell him the same way he does.

"And if you love me then why are you leaving me?" he asks you in a painful voice, not understanding.

Your whole face transforms into anguish.

"Aemond—

"Please don't leave me," he begs you once more.

Silence envelops you, where you both cry, you completely broken and he in complete despair, in the room where you both have shared so many special moments throughout your relationship, in the apartment where you began to form a little life together.

The air is charged with so much tension and nostalgia, where you both suffer from an intense mix of emotions, where you both suffer equally, as everything feels unreal, so suddenly and without time to react.

And Aemond tries to find any hope of being able to hold on, to get you back. But in the depths of his broken heart, he feels and knows that he has lost the battle.

And you also feel and know that this has been necessary, as broken as it has made you feel and in which you know, you are probably not going to fully recover by doing this.

The last thing you see of Aemond is how with his completely devastated look he watches silently as you pack some of your clothes in a bag to leave, still not accepting it, completely broken inside and imploring you with his gaze not to do this.

But you knew that if you didn't leave, he wouldn't leave and it's important that he catch his flight to Casterly Rock.

So without even saying hello or giving Cole a glance, you leave the apartment quickly with tears streaming down your cheeks, walking away from there and him.

You arrive at Floris' house in search of temporary lodging where she opens the door and you burst into tears in her arms, without even being able to talk to her about what happened when you cried uncontrollably.

And after a few hours, the next thing you know from Eleonor, simply because you needed to know for the last time, is that Aemond managed to get on his jet at the estimated time to land promptly at Casterly Rock.

She tells you that it was difficult but that they managed to convince him. And that's the last you hear from him.

Despite your determination to move on, every day at all times you can't help but feel a deep sadness and a sense of loss that won't leave you alone.

Letting go of your relationship with Aemond is difficult, you just can't. And rightly so if it's only been weeks, because leaving him behind, feels like giving up a very important part of your life.

You tried to find comfort in your daily routine, classes and work, but everything reminded you of him, all the time you were thinking about him and when you least expected it, you were already crying again, without being able to help it.

At night it is more difficult, you feel completely alone, you cry until you fall asleep, you questioned what you had done and in the middle of everything, you miss him deeply.

Days after Floris accepts you in his house, you immediately request a room in your university's residence halls and fortunately there is one available near your Marketing department.

You asked Floris to please accompany you to the apartment to get the rest of your things, which she did not hesitate to do in order to support you and also help you, taking advantage of the fact that Aemond was still away.

You did everything as fast as possible, not wanting to remember and think too much, you just wanted to get out of there with your things, avoiding to feel and let all the memories consume you, because you couldn't stand it.

A few tears escaped you, but as soon as it happened, the two of you left the apartment, locking it and slipping the key under the door, so as not to return it to him in person.

After a while, exactly after the week in which Aemond would already be back in King's Landing, he started looking for you through messages and calls, begging you to please see each other and talk.

Feeling even more broken, you decided to block him from everywhere, which caused him to come looking for you at work, hoping to talk to you.

But as soon as you recognized his car parking on the street, you quickly hid in the small back rooms, begging Sophie to cover for you.

You later found out that Aemond had been texting your mutual friends, asking how he could find you, where you lived now, wanting to sort things out, unwilling to let the two of you end up like you did.

Hel messaged you, so did Daeron, even Baela, but you decided it was best not to respond, because if you did, you would agree to talk to Aemond. And it broke your heart not to reply to any of them, especially Hel, but you know yourself too well and you did it for your own good.

But you never let him find you, because you knew you'd go back to him the minute you both sat down to talk and that's not what you want.

Not with his grandfather and Rivers still behind him.

Until one day Aemond stopped.

He stopped trying to find you and stopped asking your friends where you might be, you also stopped reading about him in magazines and social media. You read about his family, but nothing about him.

And so it went for a while, for about two months, where you to this day do not heal and you keep thinking about him, finding it strange this new life without him.

When one morning, a magazine article and almost all the social media announce a news that makes you understand now a little more the disappearance of Aemond not only from your life, but also from the world, surprising you.

You read the news in complete disbelief, thinking of Alicent, Hel, Daeron, Rhaenyra, everyone, but most of all him.

You know what this means, the note itself says so, but even though you knew it was only a matter of time, as Aemond told you, you are still surprised to see this, surprised that it has already happened.

Suddenly you feel a need and urge to text or call him, but you know it's not a good idea, yet the urge is there, thinking about how he must be feeling and all that he and his family must be going through.

Fortunately you don't do anything, but this leaves you thinking.

After almost everyone reads this news, the whole Targaryen family is kept in hiding, there is no sighting of them, no statements and absolutely nothing, which is what the press wants.

That's what happens for a month, until finally sightings of Otto and Alicent Hightower are reported. Also of Aegon with Rhaenyra and Daemon.

Until you simply decide not to be aware of it anymore, having to continue your life without him, since these are matters that don't concern you, at least not anymore.

So a few weeks later, Floris' birthday arrives, who invites his closest friends to a pub to celebrate in a small group, wanting to have a good time, relax and nothing more, to which you agree to go.

What you definitely didn't expect, was to meet your ex, Aemond Targaryen after all that happened and after almost five months.

general taglist:

@melsunshine @n4forlife @iamavailablesstuff @ttkttt @elliaze @trshngyn @tsujifreya @imsoshygirl @watercolorskyy @kckt88 @zenka69 @yentroucnagol @crispmarshmallow @bellastwd @queenofshinigamis @strangersunghoon @happinessinthebeing @iloveallmyboys

taglist part 3:

@hoziersfairy @bananaminion678 @targaryenmoony @skzenhalove

#aemond targaryen fanfic #aemond targaryen x reader #aemond targaryen x y/n #aemond targaryen #aemond targaryen x you #aemond fanfiction #aemond x fem!reader #aemond x oc #aemond x reader #hotd aemond #aemond targaryen angst

[doobea]

ALWAYS BE MY MAYBE ─ MEGUMI F.

synopsis: upon graduating and landing your first job outside of college, you soon realize that being in your twenties suck. outside of working nine hours everyday, setting time for the gym, and making shitty home cooked meals, you have a new stressor joining your team on monday - your ex.

MILESTONE EVENT || MILESTONE MASTERLIST

contents: gn!reader, second chances, office romance, lots of awkward tension, background satosugu, alcohol consumption, company mixers and gossip thrown around word count: 7045 (im sorry) a/n: thank you so much for requesting this @mymegumi !! this is my first time writing for megumi so i hope he isn't too ooc!! :3 this was def one of my fav ones i've received hehe also shout out to @popponn for beta reading this like a champ because wow this was a MESS and shes helped w a lot ;;

Walking into the office on a Monday morning and seeing your ex first thing is something you wouldn’t wish on your enemy. 

To make matters even slightly worse, the team manager announces that he’s going to be the new software engineer on your team and that his assigned seat is, surprise surprise, next to yours. 

So this is how things are going now. 

Things have changed drastically between you and Megumi, having today being your one-year break up anniversary, and you’re still finding your ground here. And, it goes both ways, you suppose. The initial shock on your face was hard to hide and you could’ve sworn Megumi felt like putting in his two week notice the moment you walked through those doors. But you don’t blame him when he excuses himself to the nearest bathroom and you don’t blame him when he spends a suspicious amount of time in there.

“Does the new guy have IBS or something?” Your manager, Satoru Gojo, plops himself down at the corner of your desk, completely ignoring the fact that his ass is resting on the pile of documents that you’re planning to review. He’s wearing his usual black circular lenses inside despite it being not sunny on this cold, gloomy December morning. Gojo thinks he looks cool with them on, definitely not trying to gain a certain regional manager’s attention. He’s also disregarding the fact that you’re squirming uncomfortably in your seat. 

You cough loudly into your fist and manage to shimmy a packet from Gojo’s ass pile, trying to drown yourself in work and not engage in the conversation, knowing full well that Gojo can’t keep his mouth shut if he finds out about your relationship history.

“Maybe it’s just first day nerves,” you shrug back.

“I’m not paying him to take a shit at work,” Gojo huffs back, hands on hips like a mother hen. “There’s some Pepto Bismol in the first aid kit in the break room, go hand him that.”

You sigh, clicking the pen repeatedly in your hands in hopes that your manager gets the hint that you’re busy, but he just repeats it, emphasizing that ‘hey, no need to create a toxic work environment’ and that ‘everyone here is family’. 

“You can’t grab Nobara to do it?” You grumble out.

“I’m talking to you right now, aren’t I?” he replies back before hopping off your desk. Gojo adjusts his tie and smooths out his hair before sending finger guns in your direction. “Make Megumi feel at home and I’ll give everyone an extra five thousand on top of the initial holiday bonus, yeah?”

If there’s anything that Satoru Gojo is good at, outside of drunk whining about his ex, it’s bribing. You’ve been working at this company for just under a year and the amount of times he would throw money out in order to get others to do his responsibilities might be more than you can count but, in hindsight, it’s not a bad trait to have. He’s a good listener, attentive of other’s needs, and not a micromanager. And, while you desperately want to say no, you have to admit that having an extra five thousand bonus does sound incredibly nice.

“Fine,” you give in and push yourself out of the seat. “But that’s all that I’m doing for the rest of the week. I’ve got other things I have to catch up on before the end of the year.”

It’s not a lie. You’ve got meetings with clients scheduled back to back until the last week before Christmas and most of them are being indecisive about their app designs. Though, that’s the normal life of being a graphic web designer on a regular day.

“Yeah?” Gojo briefly glances over your calendar that you have pinned against the wooden cork board in your cubicle and hums in deep thought — which is usually not a good sign. “Y’know what? Megumi should join in on the meetings too.”

“H-Huh?”

“Why are you giving me that look? You give him the designs, he makes it look pretty, and then we have profit.”

“Yeah but,” you gesture your hands towards Toge’s desk behind you, who’s currently hunched over and deep into whatever line of code he’s attempting to fix for a particular picky client. “I’m already partnered up with Toge, I don’t think Megumi needs—”

Gojo enunciates your name, loud and slow, tilting his glasses down so you can see the intense blue of his eyes. “Can’t you see I’m trying to hook you up, right now?”

Oh god, so this is why he’s being so persistent.

You heave out another sigh and pinch the bridge of your nose in frustration and embarrassment. “Gojo, are you self projecting right now?” You swear he always does this.

“Am not!” Gojo quickly shoots back with crossed arms. “You look like you haven’t gotten laid in a while and I’d figure I play office cupid with you and the new guy!” Then, a small pause followed by a loud Teams’ message notification comes from his phone. You don’t need to guess who sent it judging by Gojo’s exasperated gasp. “Inumaki, please focus on your tasks instead of listening in on people’s conversations!”

Ping!

DESIGN TEAM - SUB GC [Toge Inumaki]: gojo needs to get laid lolol [Maki Zen’in]: say it louder for the ppl in the back

Gojo manages out another grumpy sound, more a whine than anything else; your grin widens and pat him on the shoulder.

“Pepto Bismol, right?” You snort.

“He’s still going to join—” Gojo starts to respond, but then gets cut off by another notification, and gives up. “Ack—whatever! Just make sure you look after him today, alright? Me and Suguru are going to plan for the holiday party for the rest of the day, so no interruptions!” He announces the last part louder than the rest, staring down at everyone else on the office floor. Gojo is met with a couple of weak ‘yeah, sure, have fun, bud’ before turning his attention back to you. He says the next part in a hush whisper, “Gonna increase it to ten thousand, you spend too much time at work anyway.”

You roll your eyes, nodding away just to agree and end the dreaded topic. “Aye, aye, captain.”

Then, Gojo has the audacity to drink some of your morning tea and sighs, content and relaxed as he’ll ever be, before strutting to the otherside of the floor and into Geto’s office. You and the others are pretty sure they have a secret room connected in there. No one’s ever been able to go inside Geto’s office without a special lock pad code. Something about protecting the company’s patented secrets or whatever. Doesn’t help the allegations that only Gojo has access to said special code.

Ping!

You look at your computer and see that Toge had sent you a private message. 

[Toge Inumaki]: u actually gonna flirt w the new guy?

You glare at Toge, who’s now flashing you a knowing smirk underneath the turtleneck that extends over his mouth. You know he’s celebrating inwardly because, yeah, you see that little glimmer in Toge’s eyes that indicates that he does know your dirty little office secret. How do you know this for a fact? Toge always looks up everyone’s personal and employment history.

It’s always the quiet ones who are freaks.

“No way,” you reply, probably with even more indignation than Gojo, if that’s even possible. “Also, keep the info on the down low and I’ll share some of my bonus with you, please?” If you’re going to survive this job, you might as well steal some of your manager’s tactics.

Without any opposition, Toge sends you a thumbs up.

This is going to be an interesting year.

“You’re making it so not obvious,” Maki starts, sarcastically, as she refills her liter sized tumbler by the company’s only fancy coffee machine. It’s also the only functional one on the floor and Geto claims that it’s worth more than your entire yearly salary. What an absurd purchase but everyone abuses the shit out of it, so you guess it’s worth the price. 

You stick out your tongue in disgust as you watch her put five shots of espresso into the container and wonder how the hell is her body still functioning correctly. “You could’ve at least told me that he applied for the job, y’know?”

“And what? How was I supposed to know he was going to be on our team? Were you going to look for a new job just because he got it?” Maki shoots you an unimpressed look and totally catches the way you chew your lips as your fingers twitch at your sides. “Listen, as your friend and his cousin, I’m not really sure all the details that went down but I know that Megumi isn’t out to hurt you — you should know that too.”

“I do know that,” you angrily place down your mug underneath the machine, firmly pressing the cappuccino option on the touch screen. “We just… didn’t really talk after he had to move, like at all.” You frown.

Maki leans against the break room counter and sips her beverage. “Mind running it back to me again?” 

“It’s long, Maki,” you try to deflect, “Trauma dumping first thing in the morning is rather—”

Ping!

[Satoru Gojo]: did ya hand him the anti poop meds yet? 

“Wait, give me a second, gotta reply to…”

Maki laughs. “All good, take your time.”

[You]: not yet, getting coffee [Satoru Gojo]: losing employee of the month status as we speak  [You]: u being deadass rn [Satoru Gojo]: you wished your ass was getting aidhwkakha 

The sudden keyboard smash and offline status change is enough to lose your interest in the conversation. A chill runs down your spine at the immediate imagination of your supervisors getting it on with each other. As a small distraction, your eyes begin shifting focus around the break room before settling on the small first aid kit in the corner. And now you’re reminded again of the side mission that somehow became a main mission in your twenties’ story line. 

Handing your ex bowel medicine was not part of your bingo card. 

“I’ll talk to you later, Maki,” you release a groan when she laughs again. It’s light hearted, you know that for sure, but it still feels humiliating. 

You round the corner down the hallway leading to the restroom with the neon pink bottle in hand, mumbling to yourself ways to avoid talking to Megumi, before crashing dead on into something, or rather someone, hard. 

“Oh, fuck, I’m so sorry—”

“No, it’s my bad, I—”

You regret ever opening your mouth. A heartbeat pause passes before you could gather your thoughts, coherently. You’re pretty sure you have this dumb, gawking, expression plastered over your face because Megumi is doing all that he can to avoid having proper eye contact with you. 

Instead of half expecting him to brush past you, he points at the neon bottle and asks, slowly, with all seriousness, “Is that for you?”

“F-For me?” You look down at the bottle and look up again, feeling warmth in your cheeks from embarrassment and… anger? You hastily shove the bottle into his hands, strongly ignoring the fact that he smells really good for someone who just spent the last half hour in a bathroom. “It’s for you, idiot!” 

For a split second, Megumi looks wildly offended that you would even consider that he needs something like this. You watch as he’s about to give it back to you or, knowing him, throw it away, when suddenly a tuft of pink pokes out from the corner of your eyes.

Yuuji had somehow acquired a ridiculous bright strand of Christmas lights that he’s looped around his neck. He’s got a Santa hat on, also holding an extra pair too, and you want to question where he managed to get the overly festive attire from, and if there’s some sort of weird in-office holiday event that you weren’t invited to. 

“Hey, hey! I was told to bring this over to the new guy!” Yuuji chirps brightly and stops in his tracks when he sees Megumi in front of you. “You must be him!”

“Megumi,” you wince at saying his name finally, pushing aside your previous strained thoughts due to the new company, and run a feverish hand through your hair. “This is Yuuji, he works in our sales department. Yuuji, this is Megumi, he’s part of the design team.” You reply in a sickly-sweet tone. 

“ ‘Sup! How are you?” Yuuji pops the ‘p’ and whistles.

“I’m charmed,” Megumi sighs and stares him down for a moment, before he finally grips the festive hat when Yuuji presents it to him. “Do I have to?”

“Of course!” Yuuji flicks on the switch to his necklace and it nearly blinds your eyes from how bright it was. The festive colors alternate, and there’s a small jingle that plays right after. Talk about a seizure warning. “It’s part of the company’s tradition!”

Megumi breathes through his nose, rolling his eyes. “The company was founded this year.”

“Yeah, starting today, it’s a company tradition,” Yuuji corrects. 

“Starting today, I’ll write up my notice,” he grumbles, only audible to you. 

You have to admit, you appreciate the dry sarcasm. There’s no denying that Megumi looks like he’s a second away from quitting all within the first two hours of his first day. But, as you noted earlier, you don’t blame him. 

“You guys are coming to the end of the year party, right?” Yuuji snaps a quick selfie with the three of you in it, explaining something about posting on the company’s Instagram story reels and gaining clout. Though, you’re pretty sure that only Yuuji was smiling in the photo.

“I was actually planning on staying home,” you answer sheepishly, not wanting to give away the obvious reason.

Yuuji frowns and immediately pulls out his signature puppy dog eyes. “Aww, wait really? You seemed so excited for it earlier last week.”

You’re shaking your head. “No, I wasn’t—”

“Yuh huh,” Yuuji fishes out his phone to pull up the fucking group chat receipts, showing it to both you and a perplexed Megumi. “You said you went out and bought an ugly Christmas sweater the next day!”

“It was a joke!”

Yuuji pulls up a photo of you in said ugly Christmas sweater. You die a little on the inside.

“You’re wearing it right here, though!”

“Yuu—” 

“A joke, huh,” Megumi kicks the bottom of his loafers against the floor, shoving the red hat deep into his pants’ pocket, before excusing himself, again. He holds up the pink bottle and turns around, back towards the restrooms. “Turns out I’ll be needing this, thanks.” There’s a hint of malice oozing from the last word, one that you pick up quite easily while Yuuji looks around confused. 

“So Gojo wasn’t overreacting about the IBS thing…” Yuuji muses.

It’s now midday and a total of less than thirty words have been exchanged so far between you and Megumi. You two have been working in silence for the past hour at the cubicles and you’re beginning to feel awfully guilty about the earlier exchange. 

It wasn’t your intention to make him feel unwelcomed. Maybe you’re thinking too deeply into this than needed?

“Are you feeling okay?” You arch a brow, pulling your eyes away from your monitor for a moment to look at Megumi. Megumi stops typing and makes a small appreciative sound, nodding quickly enough. You know better though, whenever he has a far off look on his face, that his mind’s a mess. 

“Yeah,” Megumi tries to sound casual as he goes back to coding. “This is probably not easy for you either, right?” He lets an ear bud dangle from his side.

“That noticeable?” You let out a short laugh, knowing that you both know each other still pretty fucking well. “It’s just… been a year, you know? Haven’t seen much of you since you moved.” You’re waiting for him to take the bait as you have your suspicions, and you don’t voice them, but you swear, just for a moment, there’s a strange expression on Megumi’s face. Then, you blink, and maybe you’ve imagined it all, because his face goes back to looking as stoic as he always did.

“I’m,” he pauses his fingers, sinking back into his seat, eyes downcasted. “I’m sorry. I know I should’ve called you, at least.”

“I was worried sick like crazy,” you suddenly admit, the words seemingly flowing out at this point. “Was almost debating calling the missing person’s hotline until the mailman, of all people, told me that your family packed up and dipped.”

Megumi isn’t the most expressive person when it comes to apologies, having an already wildly unconventional childhood was enough to shell himself out from everyone else. Though, it’s hard to deny that he should’ve and could’ve done something earlier. 

Megumi chews methodically down on his lips. “Yeah, I’m sorry.”

You nod slowly, making note of the way his voice strained, and face back to your monitors. “It’s fine, I probably shouldn’t have brought it up at work,” a pause and then you continue, “Also, I’m sorry about acting like you’re the plague, too. It’s just—people don’t normally work with their ex’s, you know?” You whisper.

He sighs, there’s a finality to it, and puts back his ear bud. “Mhm, I don’t want to think about it.”

Yeah. It’s stupid. It’s stupid and somehow it really sucks, too. You’re absentmindedly nodding and maybe, you think, there’s a quick flicker of that same unnamed emotion you keep noticing from Megumi, one that somehow forces your stomach to twist up, making your insides all confused. 

“Okay, that’s fair enough,” you say, and you forget about it, at least for now.

After a few days, working with Megumi is like clockwork. 

Greetings are short and brief or none at all. If he needed something, he would contact Toge or Maki since they’re the ones supposed to be in charge of him. If he ever needed to grab something from you… well it’ll just be exchanged via email or the work group chat — nothing ever in person. Which you’re happy that you’re both on the same page. Also, thank god for Zoom Meetings having a recording option. There was no way in actual hell you were going to sit through a two hour long call with your ex sitting across from you.

It’s halfway through the work week and nearing the end of the day. You’ve successfully got off the call with a client and just sent over the finalized web design to the rest of the team. 

Yuki Tsukumo, a self-made billionaire, reached out to the company three months back regarding a new app launch she had in mind. Ironically for you, it’s a dating app specifically designed for second chances and heartbreaks. Did you mentally suffer a couple of breakdowns from this? Of course.

Are you going to suffer another one because Gojo is currently ordering a last minute meeting with you and Megumi in a conference room? Yeah.

“What the fuck,” you say, intelligently. “Are you—are you crying?”

“W-What makes you think that,” Gojo sneezes into an already damp tissue. He’s got a stupid Christmas-themed sweater on, even got a themed set of earrings in, too. A little necklace with red and white candy cane beads hangs from his neck, and he’s got a dumb temporary reindeer tattoo on his cheek. Gojo is so themed that it’s almost disgusting. “Why would I—why would I—” and he bursts into tears.

You outwardly groan and Megumi stays quiet but makes his annoyance evident with a deep furrow of his brows. You do not like where this is going. Gojo breaking down combined with Geto suddenly taking off only means that—

“You want us to take over the planning.” Megumi concludes in a flat tone.

“F-For the party—yes,” Gojo hiccups and, fuck, is he also drunk on the job right now?

“Did you and Geto have a fight again?” You deadpan. 

“No.” Gojo frowns, going cross eyed. It’s not adorable at all, completely different from how he usually depicts himself to the rest of the office, which is why both you and Megumi stealthily slip out your phones and snap a quick picture… for blackmail purposes. “I-I was just…”

“We’ll do it,” you actually didn’t want to know the details, but you are slightly amused by how things turned out the way they did. “So, why are you drunk?”

Gojo opens his mouth, closes it, and opens it again. “ ‘m not drunk enough to tell you the whole story,” he gravely replies.

Megumi scoffs as he graciously gets out of his seat. “Well, if that’s all then I’m going back to my desk.”

And, of course, in the end it comes down to Megumi fucking Fushiguro being your co-assistant to organizing the biggest end of the year dinner celebration. A ten thousand bonus is on the line and you could really use a long vacation afterwards. 

Gojo sends you to a file containing the event plans that they’ve completed so far and what’s missing. Food has already been covered, Gojo has a fancy restaurant catering information listed down, one he raves constantly about their tiramisu. Below that Geto makes a brief comment about needing an after party reservation at any local bar. Holiday decor still needs to be ordered and a DJ still needs to be booked. Not to mention setting up the office, organizing activities, creating and sending out emails to every—

“I’ll handle coordinating with the vendors, you can focus on the internal tasks.”

You blink. “What?”

He blinks in return. “What do you mean ‘what’?”

And, when you don’t say anything back, he continues.

“I’ll stay out of your way,” Megumi has his back turned to you. He’s unable to catch your slight frown. Those words should be a good sign. The less contact, the better. But hearing it makes your stomach clench uncomfortably, and you find yourself casting around for something to say back. 

You try to open your mouth to speak, but it’s a bunch of gibberish, nonsense syllables, the only recognizable word being a bleary, “together”. 

“Together?”

“We can work on it together,” you rephrased it more clearly.

Megumi tenses his shoulders and whips his head around, holding a slight sneer, though you aren’t sure if it’s meant for you or just towards the odd situation. “We are, that’s why I’m splitting the responsibilities up.”

“No, I mean like—”

“You don’t have to force anything.” Megumi says, running fingers through his unkempt hair. “I don’t want to make things more awkward than they already are.”

Of course, that sets you off a bit uneasily. You look around in the office and, once you realize that it’s just the two of you, you pull Megumi by his sleeves and find the nearest empty conference room. 

“You look upset,” you huff, completely ignoring the way he’s pouting. 

“I’m not upset,” Megumi shoots back, but his words are far too quick, a little bit heated, and he flushes instantly. He knows that he’s not fooling anyone, especially you.

You sigh, leaning your back against the wall next to the door. “Maybe not to others,” you begin, “I don’t want to sound like an ass but…” and you instinctively cringe when you think back to Gojo’s words from the beginning, “We have to work together for this project, at least.”

“I don’t want to make you feel uncomfortable,” Megumi confesses, and you see the weight coming off of his shoulders as he says it. It sounded like he wasn’t planning on bringing this up at all, but the words are soon tumbling out. “Just… trying to get out of your way, you know? I still kinda need time to process everything.”

“Ah,” you’re looking down at your shoes, suddenly feeling… shy? Confused? You're watching him out of the corner of your eye. 

Megumi breathes out a long sigh, fixes the wrinkles in his sleeves, and leans forward, brushing shoulders with you as he reaches for the handle. “I’ll cooperate,” he forces out.

“Megumi,” you say quietly, and you’re watching his knuckles turn white as he grips the knob just a bit too tightly. “Let’s just start over, okay?”

He frowns, and he masks it after a moment, you know how to get him stirring in his emotions, because the thought appears to give him a pause. Megumi’s eyes widen a bit, and he’s back to chewing his lip, a bad habit he’s always had, before smoothing out again.

“That’s complicated, you know that,” Megumi says finally. 

You have no right to judge his answer, considering that you also played along in this weird tip-toe dance that you’ve both set. But is it really that complicated? Sure, you’re still pissed about what transpired during the relationship and ‘break up’, if you even want to call it that, but how long are you going to pretend that he’s not an important figure in your life?

“Life is complicated,” you stare into his eyes. “So work with me here, Megumi.”

You begin to feel better when you check off the final bullet point on Gojo’s ridiculously long event planner. Miraculously, the two of you manage to have everything prepared before the end of the month, even if it means working slight overtime together. Not that either of you had minded, it seemed after that conversation, there’s been less tension. You’re both trying to move on from the past and that’s the part of growing up, like it or not, and things don’t really fall neatly in place anymore. 

So, when you get to the restaurant, you realize something real fast.

The seating arrangements are absolutely staged. 

It’s a small izakaya, so the price to rent the whole place out wasn’t as expensive as some of the places Gojo had listed down as recs in the previous email but, because of its limited space, you knew it was going to be a tight squeeze for all twenty of you guys.

For starters, it was apparent from the moment you sat down that no one wanted to sit next to you. You were wondering if it had to do anything with your body odor before noting two very important things — one, Megumi was going to be the last one to arrive because he’s picking up the cake and two, everyone was staring intently when he entered the restaurant and had no choice but to sit next to you. You were trying so hard not to get distracted but the scent of his familiar cologne and the proximity of his body heat traveled to the forefront of your mind.

Three shots of tequila followed by five lemon drops later and both of your supervisors have disappeared from the dinner table. You vaguely make out a trail of unraveled ties and belts down the restaurant’s bathroom hallway in the corner, no surprise guessing what your bosses are doing — hint, it’s probably with each other. Aside from that, you’re currently trying not to let yourself get distracted by the obvious questions that your other coworkers are currently throwing to you and Megumi.

“We heard from a little birdie that you two are ex’s?” Todo throws the fucking rock out there. 

Everyone is either currently drunk or getting to the point of being tipsy. One look at Toge and he has the word ‘culprit’ written all over his smug, redden face. You’d imagine that he told everyone at the table about it when you and Megumi excused yourselves to the restroom separately earlier in the night. Mai is giggling up a storm and Yuuji looks like he’s one sip away from making weird hand puppets of you two kissing. Maybe it’s hypocritical on your part, but you don’t get why they’re making such a big deal out of it. It’s not like you and Megumi are actually making the work environment uncomfortable and it’s also not like you guys are getting back together by seeing each other every day… right?

But you have to wonder, vaguely, when your body’s going to stop doing that weird, fluttering thing it does every time Megumi does look at you. You almost spill your drink everywhere when you catch his eyes again and mutter a string of curses under your breath, forcing your attention back to actually doing some damage control before it gets out of hand. 

The only way to stop them from spreading unnecessary rumors is to own up to it. The more you deny, the more relentless teasing you’ll receive. Both you and Megumi drain a shot of tequila for the sake of courage before answering Todo’s unwarranted question.

“Yes.”

“No.”

You stare at each other in disbelief before switching your answers in a panic. 

“No!”

“Yes!”

Yuuji starts nervously laughing and scratches his cheek. “Uh, guys…”

“We’re not—”

“We broke up—”

“You gonna take him out on a date?” Todo digs into his food, eyes never leaving the two of you. For some reason, you think he’s enjoying this a bit too much.

Megumi seems to pick up on this and groans. “I’m going outside for a bit,” he removes himself from his seat and pointedly avoids all the disappointed drunk mumblings from his coworkers as he makes a beeline towards the entrance with his coat in hand.

Okay, yeah, he’s smart for not falling for that. You, on the other hand, start pawing at your lap. 

“We’re not dating,” you correct Todo, and basically everyone at the table.

“What if… he thinks you’re dating and you don’t?” Yuuji slurs his words, half of his body is basically leaning against the tabletop.

You highly doubt anything you’ve done together would be considered date worthy. You’re pretty sure Megumi feels the same way and everything is exaggerated at this point. Suddenly, you feel really out of your element here, and this burst of anxiety, one that leaves you squirming in your seat, has you itching for fresh air.

“I’ll be right back,” you quickly excuse yourself, grabbing your belongings along.

It didn’t take you long to find him. Megumi is standing off to the side underneath the building’s overhang, eyes glued to the road, silently watching the first snowfall of the month before taking notice of your presence. He flashes you a soft nod and scoots a little to the left, inviting you into his space, which you end up taking.

“When are you planning to leave?” Megumi asks. His face is flushed at this point, the first couple of buttons of his collared shirt are open, and his sleeves are rolled up. He’s got his jacket tossed across his shoulder and, you soon realize, that your ex looks stupidly mesmerizing under the shitty neon lights outside the restaurant. 

The answer had been “in about ten minutes” but somewhere between your brain and mouth, the words had taken a detour to Megumi’s long lashes, because instead you say, “Whenever you leave, I guess.”

It’s not like you actually have plans after this anyway. Your apartment might need a deep holiday cleaning after wasting the last couple of weeks working overtime, and you might need to pay the grocery store a little visit to actually start cooking yourself a healthy meal, but that can all wait. 

Megumi makes a strange straggled noise at your response and hides his surprise through a long sigh, “So…” 

You cock a brow. “So?” You echo back.

Another sigh from Megumi and he finally floods out his words. “The next train arrives in fifteen, we can both make it if you’re fine with leaving now.”

It’s a rare invitation and, despite the initial tension, there’s no way in hell that both of you are letting this opportunity go. 

You say yes in an instant, fixing your winter coat around your body and doing a quick three-second check to see if you have everything only to notice that your phone is missing.

“Oh, um—”

“I’ve got it right here,” Megumi fishes out your phone from his pocket and hands it over. “Figured that you would’ve accidentally left it behind.”

For a moment, you wonder if you’re on one of those hidden camera shows. But the look that Megumi gives you, the look that you’re all too familiar with a year ago, it’s there written all over his face. You realize that you are, fortunately, not on a reality show — the alcohol and snow might be paid actors — and your ex, tipsy and but wildly attentive towards you, is completely still infatuated.

You take it without questioning. When you check the phone battery, it doesn’t surprise you to see it almost fully charged too. He’s always been the worry wart, even if he doesn’t show it half the time. 

“Gojo recommended this new book series to me,” Megumi says with a small grin, changing the topic. You’re grateful for that, slightly. Even though you can’t quite meet his eyes, your gaze lingers on the way his hand is idly tugging at a loose thread on his shirt, or the way that he’s subtly kicking at the growing pile of snow in the corner, like he can’t stay still. It’s endearing, and you’re left wondering what’s actually going through his mind outside of all things surface level.

You find yourself mimicking his smile, already knowing what might come next. “Bet it’s either a series about friendship and adventure or the nastiest smut he could find in the romance section.” You reply, rolling your eyes. 

Megumi lets out a choked laugh, and almost drops his coat. You hide a giggle of your own. “Not anything like that, but I wouldn’t be surprised.” Megumi momentarily eyes you, but then reaches for his phone, pulling it out and thumbs the title ‘Sorcery Fight’ into the search bar. Tons of images pop up, many featuring fanart of who you assumed to be the main character — white hair, wears a blindfold, oddly charismatic in its character description — wait, this all sounds oddly fishy. 

“Another self projection?” You realize, instantly. 

“Maybe,” Megumi agrees before shifting his weight around, rocking back and forth on the balls of his feet. “Did you want to check it out tomorrow…?” He briefly makes eye contact and diverts his attention back to his phone. “If you’re free, that is.” He quickly adds.

You pretend to be in deep thought for a moment, leaving Megumi wondering if he said something he shouldn’t have, because the look on his face screams ‘oh god, have I gone too far’ under all of his aloof persona. 

“Maybe.”

“Maybe?”

“Yeah, maybe I’ll be free.”

Almost uncharacteristically, Megumi lets out a, “Fuck you,” and that seems like the wittiest response in the world, in that moment. 

It descends you into a full on giggling fit, and Megumi can’t help it, your laughter is contagious, and now you’re both giggling, on the verge of leaning against each other helplessly as the winter air is howling rough and bitter around. It’s a damn good thing that the alcohol is still running through your veins, giving you both that hot feeling of dumb immortality. 

“Let’s go catch that train,” he looks forward but extends a hand towards you, when you firmly clasp around his fingers, the slightest shade of red coats his cheeks and you’re positive it wasn’t from the weather. 

Of course, Megumi ends up at your apartment after you decided at the last minute to pick up crappy, greasy takeout food on the way back at nearly one in the morning. The buzz from the drinks have worn off, but you find yourself slowly gaining confidence scooting besides Megumi as both of you take a seat on the carpeted floor in front of your incredibly dusty coffee table. It’s covered in finger smudges and scratches from all the other previous nights of takeout meals and accidental bumps. You pray that Megumi doesn’t point them out, but a part of you is glad when he wordlessly starts cleaning some of the spots away. 

Kinda feels like the old times, you think.

“You ever think that we’re the ones who can’t see what’s going on?” You ask during an opening scene to a British comedian podcast show. It’s a news channel that Megumi likes to watch sometimes, despite not believing half of whatever that’s being reported. Out of the corner of your eyes, you could’ve sworn Megumi’s cheeks are flushing, but it’s hard to tell in the dark.

It’s the takeout food talking. The fries and milkshake combo is making your stomach do weird little flips—or maybe it was from Megumi being close? 

You tip your head back, looking out your window, because the thought of looking at Megumi is… hard right now. It makes your heart tight, your throat dry. You’re wondering if he’s even going to show up at your door the next morning, or if you’ll see him the next work day and he’ll make a passing comment about how dumb everything was. Hell, would you even remember this tomorrow with how late it’s getting?

“I’m pretty sure we’re the ones who know what’s up,” Megumi replies, but the words sound hollow, coming from his lips.

“Maybe,” you say, quickly, and the laughter you force out carries the same empty sound that his voice did. “Next time, we should probably have a drink limit to keep them from chatting their asses off.”

“Or never letting them drink again,” Megumi agrees, somewhat, before stealing a piece of fry from your plate.

You hum before testing the waters and letting half of your body go slack against his shoulders. Everything is experimental at this point, so you’re glad when he doesn’t push you away, instead, Megumi leans into your touch, just a little.  

“How’s your family? Are they well?” He asks over a news segment. It’s about a modern urban legend, sort of like Bigfoot, but it’s just a guy cohabiting with a giant crocodile. This makes Megumi laugh. 

“They are! Parents finally retired so now it’s just me working while they’re relaxing at home.” You let the story wrap up before firing back the same question. “And you?”

“Dad’s still working overseas,” Megumi says with a slight frown. 

He’s never really talked about his father, even when you two were together, all you know is that it’s been a complicated relationship since his mother passed away when he was young. His father tried his best raising him all on his own while balancing work, though half of the time Megumi rarely saw him growing up. There’s a bit of resentment, you think, it’s understandable but you can also tell Megumi still holds him high to a certain degree. 

“You guys have been talking more though, right?” You vaguely recall a faded memory. 

To this, Megumi smiles fondly. “Yeah, we have. Once a month, if he’s not terribly caught up with whatever he’s doing.” 

Turns out neither of you have figured out his father’s occupation, which might be for the better. Megumi thinks it’s gang related, and doesn't give it too much thought as long as his father is safe. You, on the other hand, have thought of it being related to overseas construction work, something less… imaginative and dangerous.

“I’m glad to hear that, and also glad you’re doing well for yourself.” 

“Yeah,” and Megumi shifts a bit to get a better look at you. There’s fondness in his eyes that steels you to sit up a bit straighter. “I could say the same thing for you.”

“Well, my apartment could use a bit more loving,” you laugh, “It’s a bit hard to manage everything sometimes.”

“Maybe I can help?” Megumi says this with a straight face and you’re wondering if somehow the apple juice with his takeout order is somehow spiked with hard cider. 

When somehow you didn’t pick up a hint of alcohol from his breath, from how close you’re sitting against him, you choke on your saliva. “You’re serious about that, Megumi?”

“What? Don’t believe me?”

“No,” you say the words instantly, far too quickly, and feel the immediate warmth spreading to your cheeks, even if you’re trying to look cool and collected. 

“Well,” Megumi tips his head to the side, eyes narrowed. “It’s getting late,” he points out.

You glance at your wall clock and, sure enough, it’s three in the morning. You weren’t tired before but, somehow with him pointing it out, your eyes start to grow heavy. You’re grateful for the distraction and you think you just want Megumi to go away, but you know the second he does, you’re going to be obsessing over this conversation. Over the implications, the unsaid words between the fine lines, and well… just about everything that’s been there and been overcomplicated. And maybe Megumi is taking pity on you because he shifts his gaze to your face before settling a firm grip on both of your shoulders.

“Let’s get you to bed.” Megumi scoots a little closer, and you have a moment of panic. Then, you realize that he’s silently asking for permission to lift you up. “Are you planning to sleep out here?” 

“Are you leaving right after?” You catch yourself staring at him, a bit too longing, and jerk your head down but he catches your chin, before you can fully pull yourself away. 

“No, I’m staying,” he breathes out, his voice a low rumble in your ears. “Is that fine?”

You weren’t expecting that particular answer. You slowly lift your head away, gently freeing yourself from his touch, but staying close enough to nudge your shoulder up against his. Megumi is trying—he’s trying really hard to be open and you feel like your nerves are raging in your body again, although this time, it’s not an entirely uncomfortable feeling.

“I would like that,” Megumi smiles at that, and he lets you lean a head on his shoulder while he slips an arm around your waist, pulling your sleepy figure up, and both of you slip into a comfortable silence. 

© 2023 DOOBEA. do not copy any of my writing and translate/repost.

TAGLIST: @hellothere9597 @sad-darksoul

#doobea writing #jjk fluff #jjk x reader #jjk x gender neutral reader #satosugu #but more in the background lol #megumi fushiguro x reader #megumi x reader #megumi fushiguro #jujutsu kaisen x gender neutral reader #jujutsu kaisen fluff #jujutsu kaisen x reader #jujutsu kaisen #jjk x gn!reader

[sen-ya]

part 5/7

is it silly that this is my favorite in this series? i really enjoyed writing kaya and I wanna do it again at some point :')

[op comic masterpost]

[pg1] panel 2: Kaya: Oh! Dr. Law! I didn't expect to find you in our library.

panel 3: Law: K-Kaya-ya!

panel 4: Law: Uh. Ahem. Excuse me. I hope you don't mind me borrowing your books.

panel 5: Kaya: Oh of course not! I'm just shocked to hear we have books you don't! What are you studying?

panel 6: Law: UHHHHH

[pg2] panel 10: Kaya: Oh! Is someone on your crew pregnant? Ikkaku??

panel 11: Law (thinking): She doesn't know Ikkaku is trans. Does she not know that I am?? I just assumed Nose-ya would have mentioned it. But that makes sense. If Straw Hat didn't already know Nose-ya was trans it's not like I would have told him.

panel 12: Kaya: ...?

panel 13: Law (thinking): Fuck, I've been quiet too long. I can't throw Ikkaku under to bus. Just say something.

panel 14: Law: No. Kaya: Oh. Then why...? Law (thinking): Wait, shit

[pg3] panel 15: Law: My, uh...brother...'s...wife. Yeah, we're taking him back to Zou soon...because his wife is pregnant...and I...want...to help...?

panel 16: Kaya: Oh, how sweet! Congrats "Uncle Law" hehe. If you have any questions I could help with let me know!! I specialized in traumatic injury, but I did deliver a few babies in Syrup Village! On smaller islands like that you wear a lot of hats.

panel 17: Law: And you've...been pregnant. Kaya: Well, yeah, but I wasn't my own doctor! Could you imagine if I had tried to deliver the twins myself? Even a doctor needs a doctor, you know that.

panel 18: Law: ...right.

panel 19: Law: ...what...what was it like?

panel 20: Kaya: Oh, my pregnant patients were actually pretty fun! I suppose it makes sense that as a pirate ship doctor you wouldn't have had to know obstetrics. But it was always so lovely to hand a parent their--

[pg4] panel 21: Kaya: ...newborn...baby...?

panel 23: Kaya: ...I'm sorry, Dr. Law. If there's context I need you'll have to give it to me. I'm not good at guessing.

panel 24: Law: What do you mean, I just gave you context. Kaya: With all due respect, you're full crying. It's a new sight for me!

panel 25: Kaya: You can tell me what's going on! I'm told I'm a very good listener

panel 26: Law: ...You Straw Hats sure are a pain Kaya: Sorry, hehe

panel 28: Law: ...I...ahem...so number one, if you didn't know...I'm...I'm trans.

panel 29: Law: But not like your husband. He got the works from Ivankov-ya...I never felt the need to seek that out.

[pg5] panel 30: Kaya: ...I see

panel 31: Kaya: How far along are you? Law: ..12 weeks, give or take. Kaya: Well, I've provided obstetric care of all kinds. So whatever questions you're researching here...why don't you ask me instead of being your own doctor?

panel 32: Law: ...Same question. What was it like?

panel 33: Kaya: Being pregnant was a horror show!

panel 34: Law: A glowing review. Kaya: Oh, sorry! I can lie if you'd prefer!

panel 35: Kaya: I was just so sick my first trimester! Law (speaking over her): KAYA-YA I THOUGHT I WAS DYING FOR TWO WEEKS WHEN WILL IT STOP I CAN ONLY EAT RICE.

panel 36: Kaya: It's different for everyone. By the end it wasn't quite so bad for me, though. And I love my kids so much. They were such cute newborns!! So I was alright being uncomfortable for awhile. Because that's what we wanted, you know?

panel 37: Kaya (off screen): What do you and Luffy want, Dr. Law?

[pg6] panel 38: Law: ...We haven't decided yet. We're giving it to the end of the week. I'm trying to think about it rationally. But I just keep getting emotional any time I talk about it. It's strange.

panel 39: Kaya: An emotional decision and a bad decision aren't inherently synonymous, you know.

panel 40: Law: ...your bedside manner is impeccable, Dr. Kaya-ya. Kaya: Well, thank you! Next time let's meet in the infirmary, mine or yours.

panel 41: Kaya: I'll be your doctor through this, okay?

panel 42: Law: ...Okay...Thank you. Kaya: Of course!

#my art #lawlu #law x luffy #luffy x law #lulaw #cw dysphoria #cw unplanned pregnancy #cw implied discussion of abortion

[callsign-rogueone]

under the weather

fourth wing boys* x gn!partner!reader *Aaric, Bodhi, Brennan, Dain, Garrick, Liam, Ridoc, Sawyer, Xaden! y'all seemed to like excuses, excuses, so here’s something in that style because I don’t feel good rn, but I want to write :( and I added Aaric this time too!  words: 645 🏷: no spoilers. just some thoughts on ways our boys would take care of you when you’re sick 🥰 descriptions of sickness (cough, fever, dizziness, etc.) doctors visits, medication. I've been ripping shots of nyquil all day and I’m not all there rn so I really hope these make sense lol 

Aaric lets you rest your head in his lap while he reads to you, either from a textbook (the grind never stops with this one) or whatever fiction novel he’s reading. the words go in one ear and out the other in your soft delirium, but it’s still nice to hear his voice and feel him stroking your hair as he reads. if you fall asleep on him, he won’t move until you wake up, or unless he absolutely has to — but heaven help the person who makes him move.

Bodhi insists on cuddling you back to health, curling up with you and letting you rest your aching body against his while you settle in for a long afternoon nap, because sleep is the best medicine. he completely ignores your protests that you’ll get him sick too (you do, and then it’s your turn to play nurse next week, but he swears it was worth it). 

Brennan spends as much time with you as he can, bringing his paperwork and things to your shared room so that he can be there when you need him, while still tending to his duties as a leader of the revolution. he checks your temperature and pulse etc. every hour, monitoring you carefully, but he’ll make up for it with lots of forehead kisses. 

Dain excuses you from training until you’re better, insisting that you stay in bed and devote all your energy to recovering. he frequently comes to check on you throughout the day, and you better still be in bed when he does, or you’ll be getting a gentle lecture about the importance of your caring for yourself and how much you mean to him — he needs you to be healthy, okay?

Garrick carries you around whenever you need to go somewhere, because he doesn’t want you collapsing after that dizzy spell you had. he doesn’t care if it’s only twenty feet to the showers and back; he’s scooping you up and walking over himself. he also insists on supervising your shower, but no funny business — you’re sick. once you’ve recovered, however…

Liam draws you a warm bath, letting you soothe your aching muscles for a while before washes your hair and your back for you, being incredibly gentle all the while. he’ll dry you off afterward, letting you pick any of his clothes to wear to sleep if you want, and helping you through the steps of your nightly routine — brushing your teeth, etc., before giving you your medicine and letting you fall asleep on his chest.

Ridoc goes with you to the healers, rubbing your back and making soft jokes all the while to distract you from the discomfort — apologizing when your laughs turn into a coughing fit. he also tries to make you feel normal / less gross when you’re stuck in bed, helping you with basic self-care: brushing and braiding your hair, taking your makeup off if you wear it, helping you do your skincare… 

Sawyer does all the things that you can’t do while you’re sick — goes to class and copies an extra set of notes for you, does your laundry, straightens up your room, etc. that way you can focus on recovering, but also, once you’re back on your feet, you won’t have a huge mess to deal with and you won’t be behind on your studies. he’ll help you review what you missed, as well. 

Xaden is protective to a fault, but when you’re sick, it’s a whole new level. he doesn’t leave your side unless absolutely necessary, ignoring any form of protest. follows the healer’s instructions to the letter — antibiotics every four hours? he’s waking you up at two am, glass of water in hand, helping you sit up so you can take them. he’ll also use his shadows to dim the room so you can sleep through the day. 

#fourth wing x reader #brennan sorrengail x reader #bodhi durran x reader #garrick tavis x reader #liam mairi x reader #dain aetos x reader #ridoc gamlyn x reader #sawyer henrick x reader #xaden riorson x reader #aaric graycastle x reader #sawyer henrick #bodhi durran #liam mairi #dain aetos #aaric graycastle #ridoc gamlyn #xaden riorson #brennan sorrengail #garrick tavis #mine #fourth wing

[immaturityofthomasastruc]

IOTA Reviews: Emotion

Hey, remember Felix? You know, that minor character who is the entire reason Gabriel has all of Ladybug's other Miraculous? The writers remembered he existed more than halfway through the season.

Let's get into the eighteenth episode of Miraculous Ladybug's fifth season: Emotion

We start off with Marinette and Adrien getting ice cream, and just like last episode, right when they're about to kiss, Adrien stops at the last second. While we don't see it, it's heavily implied that Gabriel is behind this. It turns out that Adrien has to get ready for some dance for rich people. While it has a name and I think it was mentioned in a few earlier episodes this season, it's really just some dance for rich people, so I don't care enough to remember it. Of course, all of the rich characters we know are invited, like Kagami, Chloe, Zoe, and Prince Ali. Lila, on the other hand, wasn't invited. This might sound important, but nothing happens with her until the end.

Zoe isn't going because of the “character development” she's gotten, so she offers to let Marinette wear her dress to the dance, which just so happens to be a masquerade ball. Tikki asks why Marinette even wants to go to this party she wasn't invited to, but all Marinette says is that it's so she can tell Adrien that she didn't have to keep the dance a secret from her. Why didn't Marinette just call Adrien? Because then we wouldn't have a story.

At the ball, Adrien and Kagami are the king and queen or whatever because their parents are really determined to make their ship sail even though the two show no real interest in each other (insert your own joke about the writers here), but they're interrupted by Amelie, Emilie's twin sister and Felix's mom. She's worried because her son has been missing for weeks, but Gabriel couldn't care less about the little twerp.

At the party, we get a somewhat amusing joke where Chloe fails to recognize Marinette under her mask, where Marinette not only says her name is Zoe, but her “underling” is named Chloe too. But speaking of...

Chloe: How rich are your parents? Rich? Very rich? Immensely rich? Of course, otherwise you wouldn't be here! It's too bad we can't bring out underlings with us. I'm sure these tin cans can serve properly but we can't make fun of them! (grabs a drink from a butler robot before kicking it) So lame!

Okay, did the writers just stop caring about writing convincing dialogue for Chloe? This is a problem I've noticed a lot this season. Yeah, Chloe was bad in the last four seasons, but here, she constantly talks about how Sabrina is her “underling” (Passion), or how she finds Marinete's suffering to be amusing (Derision). It's not really out of character, but it's weird how she's so much more blunt when it comes to boasting about how full of herself she is. It feels like a lot of her lines this season were meant to be placeholders for stuff the writers thought they'd change later, but then they decided to keep it in anyway. And of course to show how stuck up the other rich kids saying the same kind of stuff Chloe normally says, which is somehow less subtle social commentary than Hop Pop shouting “EAT THE RICH!”.

Adrien and Kagami talk about how they're expected to follow orders, while pretty much saying that Kagami is a Sentimonster since the camera really wants to show off her ring.

Oh wow. what does this mean? Wow, this is such a compelling mystery with so many twists and turns. I am so very invested right now.

However, as the two talk, it's clear that Adrien isn't himself, literally.

“Adrien”: Let's leave, I dare you.

Kagami: Are you insane? We can't do that.

“Adrien”: Of course, we can. I can.

Kagami: (gasps) You'd do that?

“Adrien”: Wanna bet?

Kagami: No, we can't.

“Adrien”: See? You're not as free as you claim. Don't you think we should be able to decide our future?

I'll get back to this later.

Marinette tells “Adrien” that she loves her, but Chloe figures out that Marinette crashed a party she wasn't invited to. Of course, because this is Chloe, we're supposed to ignore how unnecessary this plan was for Marinette. Seriously, Marinette crashing the party in “Gabriel Agreste”, as illogical as it was, made sense, because they needed to stop Chloe from showing Gabriel incriminating footage of Marinette. Here, Marinette had no real reason to crash this party when all she had to do was call Adrien, and Chloe, like her or hate her, makes a good point in that she wasn't invited. But again, since this is Season 5 Chloe, she could say she opposes human trafficking, and the writers would still find a way to make her look like the bad guy.

Chloe tells the other rich kids to help her expose Marinette, but because they're so stuck up and entitled, they refuse to touch her. I'll give you all a moment to groan from that unfunny joke. Then we get this conversation between Marinette and “Adrien”.

“Adrien”: All eyes are on you.

Marinette: They're looking at me like I'm a monster.

“Adrien”: Look closer, Marinette. (whispers into her ear) They're the monsters.

I officially take back everything bad I ever said about the Canto Bight scenes from The Last Jedi.

While I get what the episode's going for, we really haven't seen a lot of the 1% doing things that would actually warrant this level of scorn from the audience. Yeah, most of them were egotistical snobs, especially Chloe, but you can't really see this as a shot at the elite when it's aimed at their children instead of their parents. All we've seen in this episode is the rich kids being jerks (and even then, it's played for laughs), Chloe rightfully trying to get Marinette thrown out of a party she had no reason to crash, and Gabriel and Tomoe trying to pair their children together. If you want to show the audience how bad rich people are, you need to show them actually abusing their power and mistreating others. As bad as the aforementioned Canto Bight scenes were, they still worked because it managed to back up the point it was trying to make.

Compare this to characters like the Ferengi from Star Trek or the World Nobles from One Piece. These are allegories for the 1% that work because they do a better job at exaggerating aspects of them that can translate to how we see the elite in our world. With the Ferengi, they represent everything wrong with cutthroat businessmen who base their entire society over financial gains, and with the World Nobles, they represent the disconnect with the common people by being so arrogant, they wear helmets that prevent them from breathing the same air as the commoners. If you wanted to show how bad the rich were, especially considering what's going to happen in a few minutes, you needed to do more to make the audience not like them so we'd be more happy to see them get their comeuppance.

Marinette figures out that Felix impersonated Adrien once again (it honestly stops being impressive when he's done it during literally every episode he appears in), and he decides to transform using the Peacock Miraculous in public for some reason, calling himself Argos.

Argos' design is okay. The suit and coattails look pretty nice, and the coloring on his face works a lot better than Gabriel's. The only problem I have is the way the hood looks. It looks too goofy to go with the rest of the suit. It kind of reminds me of that salmon suit Squidward wore in that one episode of SpongeBob SquarePants.

Before anyone else at the party can do anything, Argos reveals a Sentimonster he created, Red Moon.

Red Moon is... a red moon. It's just a red moon that floats above the city, and it gives Argos the ability to make anyone bathed in its light disappear with a snap of his fingers. If anything, this shows how overpowered the Peacock Miraculous is, and that Gabriel was a real idiot for not trying anything like this while he was Shadowmoth.

Anyway, after making everyone think his cousin is a supervillain as part of his brilliant plan, Argos decides to tell everyone in the room about what his Sentimonster can do. He demonstrates this by, of course, choosing to snap away Chloe before targeting Gabriel and Tomoe. You really have your priorities straight, buddy. Argos then carries Marinette outside before throwing her in a dumpster, because if he snapped her away, than Ladybug couldn't fight him.

But then Argos decides to go to the streets, and decides to snap away a bunch of innocent civilians... while singing a jazz song. To anyone curious as to what it sounds like, I must warn you, it isn't for the feint of heart.

I take back everything bad I ever said about the Hawkmoth rap.

First off, I'm just going to say it, Bryce Papenbrook cannot sing. Argos is clearly trying to sound like a suave and confident villain like Doctor Facilier from The Princess and the Frog, but his delivery is terrible. It either ranges from flat monotone to trying to shout while dealing with a sore throat. The point I'm trying to make is that there was a good reason someone else did the singing voice for Adrien in the recent movie.

Second, this doesn't do anything to make us root for Argos as a character, because there's no reason for him to be doing this. I can understand why he'd use his power to get rid of Gabriel and Tomoe (even Chloe, given we know how much she's done), but why is he suddenly going nuts snapping a bunch of random people who haven't even met him before? The episode tries to make him a character who only does bad things because he has no choice to, so him doing this to a bunch of innocent civilians makes no sense.

Finally, WHY THE HELL IS THIS SCENE A MUSICAL NUMBER?! It's hard enough to see Argos callously wipe out a bunch of bystanders, essentially committing genocide, but the tone of the song is all upbeat and cheery, while the lyrics are about how Argos should get whatever he wants. What is the purpose of adding a song here? Are we supposed to find this funny? Is it meant to establish Felix as a wild card? Is the song supposed to make us like him more because of how catchy it is? What was the writers' endgame here? Like I mentioned earlier, this flies in the face of the characterization the episode is trying to establish for him.

Marinette transforms into Ladybug and arrives on the scene, confronting Argos over what he did last season.

Ladybug: You're the reason why I lost the other Miraculous in the first place! And why he took them! You gave them to him without any regard for the consequences it might have with the people of Paris!

Argos: True, except I work for no one. I only helped Monarch cause it served my plans! I needed the Peacock Miraculous and today I need yours and Cat Noir's so I can make my wish!

Ladybug: Your wish?! What do you want?! What are you trying to do?! You're destroying the world and we don't even know why!

Argos: When I merge your Miraculous together, I'll make a wish to create a better world! A free world, where no one will be under anyone's control anymore, where no one will be excluded like I was! A world without people like you to decide what's right or wrong! Who gets powers and who doesn't!

Dude, you're literally playing God right now by snapping away people who did nothing wrong, while singing a song at that. You have no right to lecture Ladybug on how to use power responsibly. And once again, even though we just saw him happily snapping people out of existence like the kid from that one Twilight Zone episode, the episode is going back to portraying him as someone who's only doing this because he has nothing to lose.

Ladybug tries to use her Lucky Charm, but gets nothing in response. This is because her plan is to get Argos to give up, but even in episodes where her plan was to get Akumas to give up, she still got her Lucky Charm (Rocketear, Qilin, Penalteam, Reunion, Perfection, Intuition), so this doesn't really make any sense. Ladybug calls Argos' bluff, so he wipes out everyone from existence. After running into Kagami and snapping Adrien back into existence, Argos is surprised that they aren't thanking him for wiping out all of humanity, and in fact, see him as a complete psychopath.

We then learn Felix's true plan. Earlier that day, Argos capitalized on a opening he had been hoping he would get for weeks, and then created Red Moon. Right after Adrien's date with Marinette, Argos ambushed Adrien, and snapped him out of existence with Red Moon's power. He then decided to impersonate Adrien so he could infiltrate the dance and snap Gabriel, Tomoe, and everyone else out of existence.

I think my feelings on this plan can be perfectly summarized by Tony Stark.

First off, why did he need to sneak into the dance? All Felix had to do was transform into Argos, and nobody would know who he really was.

Second, why did he need to impersonate Adrien? Felix claims he's doing this for him, yet all he did was steal his girlfriend and ruin his public reputation. As a matter of fact, why did he even snap Adrien away? You're already wiping out all of humanity, so I don't think temporarily doing the same to Adrien will earn you any goodwill.

Third, why did he waste so much time screwing around with Marinette and Kagami? I sort of get why he would try to get in Kagami's good graces (keyword being “try”) by trying to convince her to rebel against her mother more, but why did he dance around with Marinette while pretending to be Adrien? Felix later says he wanted to spare Marinette for Adrien's sake, but he barely knows her, and whether she finds out Felix impersonated her boyfriend or not, she's going to be pissed at either you or Adrien because of your galavanting. In fact, I don't think he ever told Adrien that he danced with Marinette while at the dance in the first place.

Finally, he really needed to wait for this for weeks? If your goal was to get rid of Gabriel and Tomoe, why didn't you just ambush them yourself instead of waiting for a public function? This isn't like has last few appearances where he needed to rely on his intellect. He has superpowers now. All he has to do is create another Sentibug or some kind of assassin Sentimonster and he can be rid of them easily. Instead, he waited weeks for a chance to steal his cousin's identity, dance with his girlfriend, talk trash about Kagami for listening to her mother when he's supposed to be helping her and Adrien, blow his cover in a crowded area by transforming, and use his killer moon to erase all of humanity from existence while singing. Remember, this is the show that usually makes jokes about Marinette's obsession with unnecessarily complicated plans.

Anyway, Argos tries to use his powers to bring Marinette back, but for some reason, they won't work. My best guess is that it's because Marinette transformed into Ladybug, but that shouldn't chance the fact that Argos snapped her with Red Moon's power. After trying to justify his genocide by saying he never wanted to hurt Adrien and Kagami, Argos remembers how his powers work and brings everyone back. After Ladybug lets him go scot-free, Argos goes to a private place realizes that he may have made a few mistakes for almost wiping out all of humanity, tearfully snapping Red Moon out of existence, calling it “his sister”. Because I guess we were supposed to emotionally connect to the giant moon that showed little to no signs of sentience this entire episode? Argos transforms back to Felix, and we learn that Amelie knew where he was the whole time, and she was apparently testing Gabriel for some reason.

After Adrien explains to Marinette that his father ordered him to not tell her about the dance, Adrien goes to talk to Gabriel about it. Gabriel, being Gabriel uses his control over Adrien to force him to never talk about Marinette again. Gabriel then gets a call from Lila, and even though she's been nothing but helpful to him since Season 3, he's apparently tired with her. Why is he suddenly rejecting the help of his most competent (by comparison) ally?

Also, the episode ends with the revelation that Lila somehow knows Gabriel is Monarch. Why? How? I DON'T CARE, BECAUSE THIS EPISODE SUCKS!

Oh my God, this episode was just terrible! “Derision” and “Adoration” definitely got to me with the way their stories were handled, but this was the first episode in a while to really piss me off. The plot was contrived as hell, basically being a repeat of “Gabriel Agreste”, and you all know how I wasn't exactly a fan of that episode. Think about it: Marinette sneaks into a party, Felix tries to scheme against Gabriel, and Marinette and Adrien end up getting caught in one of his schemes.

The social commentary about how bad the rich were just felt more pretensions than anything else. I get that it's meant to teach children a lesson about the real world, but the episode feels so confident in what its trying to say when it's not that deep, even by kids' show standards. Rich people are bad? Yeah, I think someone like me who lives in the same country as Elon Musk, Jeff Bezos, and Mark Zuckerberg knows that. Will you actually teach kids about the financial conditions that allow the wealthy to abuse their power or the cutthroat methods they'll resort to in order to turn a profit? No? You're just going to tell kids that rich people are jerks without giving any actual evidence in the same episode you're using to try and to teach them? Man, these writers just keep hitting it out of the park here!

This whole “Rich people suck” message also falls flat because Felix is the one pushing it. You know, someone who already comes from a rich family? It's not like Bruce Wayne where he uses his money to help the people of Gotham, as Batman or not. Felix just whines about how “tHeY'rE tHe MoNsTeRs.” when he's just as well-off as they are. The episode tries to do a subtle discrimination message as evidenced by his rant as Argos earlier, but it doesn't work because we have never seen anyone discriminate against Felix for who he is. Yeah, the episode once again tries to hint at him being a Sentimonster, but because the show hasn't just pulled the trigger and confirmed it, it's hard to really sympathize with him being “excluded” when we've never seen him being treated differently by others in earlier episodes, and even if he was a Sentimonster, nobody would know or be able to discriminate against him in the first place.

I don't know why the show keeps trying to excuse Felix's actions when once again, he pretty much committed fucking genocide yet the episode still wanted us to feel bad for him realizing his actions had consequences. If he actually wanted to own up to his mistakes, he'd either hand over the Peacock Miraculous to Ladybug or help Ladybug stop Monarch. For someone who claims he hates when people abuse power to make others suffer, he's no better, judging from how both times he's gotten to use a Miraculous, he's either screwed over Ladybug (Strikeback) or endangered a lot of innocent people. And if you're wondering why I didn't point out any double standards between the treatment of Felix compared to Chloe, that doesn't really matter. No matter how you feel about Chloe, whether you feel like she got screwed over or not, it doesn't really make how the writers are glorifying Felix any better or worse, as his potential “redemption arc” isn't off to a good start.

The plot was stupid, Felix was an idiot, and it felt like more effort was put into the musical number than the writing. In my opinion, this is easily the worst episode of the season so far.

Although at the very least, now that we have even more evidence that Adrien, Felix, and even Kagami are all Sentimonsters, I think I know what clip I can start using to describe my feelings on this plotline.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

For someone who managed to outsmart Gabriel on multiple occasions with no superpowers, Felix's intelligence really took a nosedive the second he got the Peacock Miraculous. He came up with a completely unnecessary plan that involved impersonating his cousin's identity and mocking his friend when he's supposed to try and win their favor, he danced with his cousin's girlfriend without his consent, transformed in public, smearing his reputation even further, and proceeded to gleefully wipe out humanity through a musical number, and needed other people to point out how immoral his actions were. Of course, Marinette gets second place thanks to her plan to break into the party and later letting Argos get away.

#immaturity of thomas astruc #iota #miraculous ladybug #miraculous ladybug salt #marinette dupain cheng #ladybug #adrien agreste #cat noir #chat noir #felix graham de vanily #argos #gabriel agreste #hawkmoth #hawk moth #monarch #monarch miraculous #kagami tsurugi #chloe bourgeois #zoe lee #lila rossi #tomoe tsurugi #nathalie sancoeur #amelie graham de vanily #red moon #Youtube

[regretmedaisy]

i can see you - tom riddle x fmc/reader

part II

loosely inspired by "i can see you" by taylor swift.

“I've been watchin' you for ages

And I spend my time tryin' not to feel it”

summary: She had always fancied Tom Riddle. It was an infatuation that bordered on love and obsession, that she had secretly grown and cared for, content with indulging in her fantasies and never bold enough to try and make them become reality.

When she meets him again in her adulthood, dormant longings resurface together with a newfound desire to be the object of his own devotion.

As their paths keep crossing, she starts to think he feels the same.

tags: afab mc, use of female pronouns and no descriptors (i tagged it as x reader because i guess it could be read as such if you use the same pronouns), somewhat period-accurate clothing, courtship (just a little because it's still tom riddle), fmc has a crush on tom, she's a bit anxious, a bit of fluff, explicit sexual desire, vaginal fingering, cunnilingus, vaginal sex, unprotected sex, woman is on top.

please note that mc has a crush on tom, therefore the way she refers to him could sound a bit cheesy and exaggerated. i edited this last night and didn't read it again before posting. i'm sorry for any typos or grammar mistakes i missed.

bear with her in this one, she's a little anxious.

words: 6.7K

you can find part I here, I strongly recommend you read that one first.

this is me crawling out of my hole of shame to post this chapter.

i'm really sorry for this very late update, but the smut chapter is finally here after many days of writing (but still in time for smutober lol).

it's not crazy smut, but i hope it was worth the wait.

Part II: And I could see you up against the wall with me

She tapped her foot, pursing her red lips as she jotted a few numbers down on a parchment. She sighed, taking another folder from the pile on her side and checking if the reports corresponded. 

When Serena, her boss, had showed up that morning with two delivery men in tow, she already knew her day was going to take a detestable turn.

Serena had dropped three boxes full of last year's reports in the office and sprinted out of the door before they could say anything and try to stop her.

Apparently she had hired a cheap accountant to save money and now she had to review everything before the Ministry noticed and demanded an audit. Or rather, Serena had asked her to do it.

She was now holed up in the backroom while Will had taken her place in the main office, since Serena didn’t pay her enough to care about customers and save her from bankruptcy at the same time.

She glanced at the clock, noting that it was almost time for her usual break. She chewed the inside of her cheek and returned to the reports.

She wasn’t in the right mindset to meet Tom.

The day she had gone to see him had been like the calm before the literal storm. In the past week it had rained so heavily that she had had to give up on going out and he hadn’t come to post his letters. What had happened between them had been left unresolved.

She had replayed it so many times in her mind, at night and during idle moments in the office, picturing different ways in which it could have ended, desperately wishing she could indulge in his warm lips again.

The first few days she had fretted about it, but as the week had gone by without a word from him, she had just started to accept it as the normal course of things. Perhaps it had just been an extraordinary event, a moment that wasn’t going to repeat itself and that she needed to find contentment in. Perhaps it was supposed to be one of those memories she was going to return to in twenty years, thinking about everything she could have had, or it will sour in her mind, turning into regret while her lamenting soul grieved the possibilities of youth, the chances she had been too scared to take.

It didn’t matter that she was conscious of the anxious butterflies leading her decisions, she still didn’t want to find out if what she saw in him was just a product of her infatuated imagination.

She immersed herself in numbers, refusing to go down that rabbit hole again.

Fifteen minutes after the end of her break, a customer walked in. A beat of silence followed and then Will said, “She’s in the back.”

She almost jumped out of her seat, her heart rate picking up. She quickly smoothed her hair and sat straighter, crossing her legs.

Tom appeared in the doorway, his arm half raised as if he had wanted to knock. She pretended she had just noticed him.

“Good morning,” he said.

“Hello, Tom.” She gave him a mellow smile.

He was so good-looking, with his perfectly styled curls and black coat in the muted light of the cloudy morning. Her heart fluttered painfully.

He looked hesitant as he made his way to her and handed her a folded magazine. It was the weekly crossword.

“Thank you,” she said, taking it as her gaze met his. The way he was looking at her was so compelling it was impossible for her to divert her eyes.

He had been thinking of her, she realised, he had noticed her absence, perhaps even missed her.

“I hope I’m not disrupting your work.” His gaze trailed to the numerous papers scattered on the table.

“Not at all, a distraction is more than welcome.” The distraction of his presence was most desirable.

He drew closer, reading through them as he casually rested his hand on the back of her chair.

“What are you doing?” he asked.

“Maths mostly,” she replied, fiddling with the parchments to hide her nervousness.

He reached out over her shoulder to grab a folder but she placed a hand on his arm to stop him.

“I’d rather you didn’t. It’s still work.”

He dropped his arm. “You’re right, I apologise. I don’t wish to put you in an uncomfortable position.”

“It’s fine.”

He stepped to the side, tickling her neck.

“I’ll see you later?” he asked.

She had to stop herself from grinning.

“Of course.” 

She watched him with desirous parted lips as he left. He said goodbye to Will and she heard the door closing. It was only a matter of minutes before Will came to pry.

She grabbed the crossword, flipping through the pages. He had bought her her favourite one.

As she got up to put it next to her bag, a small note fell to the ground. It was a plain piece of parchment. But as she picked it up, ready to throw it on the table with the rest of the documents, words started to appear.

Her breath caught in her throat. She knew to whom that elegant and neat handwriting belonged.

She read the note. Then read it again to make sure she wasn’t hallucinating. 

“I hope to see you more often in the future.

You look stunning with that lip colour.

T.R.”

She brought her fingers to her mouth, staring at the words until each swirl of ink etched into her mind, terrified they might disappear.

Instead his message remained there, visible, tangible, real. He had taken time to write her a note, to think about something he knew she’d appreciate.

Something warm diffused in her chest, a new version of a familiar feeling, and a giggle escaped her as she realised the ridiculous effect he had on her. 

She was so engrossed in her reverie that she didn’t notice Will standing in the door until he cleared his throat. 

She quickly hid the message in her purse and  he was so considerate not to comment on it.

“How is it going?” he asked.

“Awfully slowly, these numbers are all over the place,” she huffed, returning to her chair.

He dragged a chair and sat across from her. He started bouncing his knee. “I know you’d prefer not to talk about this, but how are things between you two?”

She stopped twirling her quill. “What do you mean?”

Will shuffled awkwardly in his seat. “Don’t get me wrong, I’m happy for you but I’d hate to see you hurt.”

She tilted her head to the side, disliking the territory the conversation was heading towards.

He was struggling with his words. “He never- I never saw him interested in a girl. I just want to be sure you know what you can expect from him.”

She averted her eyes. “I have considered all the options.”

“And?”

“And I don’t know, Will!” she bursted out. 

Her flare of annoyance suddenly deflated, making room for embarrassment for what he probably saw as naivety.

“I know I’m probably getting ahead of myself.”

“You are smart, I just can’t stand watching you smile at the things he writes to you.”

She feigned offence and threw a balled up paper at him. 

“When you find someone, you’ll be just as ridiculous.”

He laughed and steepled his fingers in front of him. “I’m curious to know, when did it start?”

She scrunched her eyebrows, thinking about how much she wanted to reveal. “I don’t remember exactly. It was more like a sequence of events, until one day I was anxiously waiting for him to sit at his usual spot at breakfast,” she replied with a smile. Will was smiling too.

“You and half of Hogwarts,” he said.

She chuckled. “I miss those years sometimes. Everything was simpler.”

“I used to worry about everything,” he admitted. “But fears always seem so big.”

They really did.

“What do you like about him?” he asked after a beat of silence.

It was her turn to be at a loss of words. “He’s handsome…and always so mysterious. I think I always liked him because it was easy to imagine him being exactly what I wanted.” She looked at him hesitantly, fearing judgement, but he was just listening. “But I think it’s impossible for me to dislike the real him.”

They shared a small moment of closure. She had always wished for someone she could confide in, someone that could help her see beyond the fabrications of her wary heart, and perhaps she had finally found them.

The bell chimed and Will got up. 

“Do you want to come for lunch on Sunday?” she asked.

“I’d love to. I’m sorry for earlier, I didn’t mean to upset you.”

“Don’t worry about it.”

His gaze shifted between the door and her. “Just make sure you both want the same thing.”

He went back, leaving her at the mercy of her insidious brain and foolish heart.

Throughout the afternoon she had opened the note at least three times, giggling like a schoolgirl everytime she read his words.

Her mind kept straying to what he had said.

“I’ll see you later.”

She wasn’t sure what he had actually meant. Was he just going to stop by or was he going to wait for the office to close? She wasn’t even sure she could see him today, since she expected to stay late to solve Serena’s mess. 

Will popped in. “I have to check something at the owlery. I’ll be back in a while.”

“Alright, I’ll see you later.”

The door opened and closed and then she was submerged by stillness. It was soothing almost.

She had found out long ago that she enjoyed being alone, it freed her of any kind of expectation.

She turned up the heating with her wand and took off her jacket. Since they couldn’t light a fireplace in a room full of paper, they had refined a spell that kept the room warm and the humidity away.

It was a few minutes after the usual closing hour that the door opened again. She knew who it was.

He walked in, his cheeks slightly flushed from the cold and his lips reddened. 

“Are you still working?” he asked.

She nodded. “I’m afraid it’ll take a while before I’m free to go.”

“It’s not a problem,” he said, grabbing her crossword and a quill and sitting down on a chair, bending one leg so that his ankle rested on his other knee.

Her face heated as she watched him but she didn’t say anything.

As she returned to her work, she realised that silence was a strange assistant. It felt like every sound was heightened and she was becoming keenly aware of everything that was happening. The scratching of their quill on parchment, paper being flipped as she checked the numbers or he looked for a crossword he liked, his soft breath threatening to pull her close like a magnet, her absentmindedly chipping her nail polish.

She kept throwing glances in his direction and she could feel his eyes on her from time to time.

An unspoken craving was growing between them again. She had waited long enough.

She slowly got up, gathering her reports and stacking them in a neat pile. She then took them and walked over to the shelves, conveniently passing by Riddle in doing so. 

As she stored them, his chair scraped on the ground and she felt him draw closer. She deliberately turned around, meeting his eyes.

His gaze was deep, like he was trying to read every thought that crossed her mind just by looking at her. She wasn’t going to lay them bare for him. 

He raised his hand, brushing a strand of hair behind her ear. “Did you get my message?”

“I did,” she replied, stepping forward and trailing her fingers down his suit jacket, feeling the fabric. “You keep mentioning it but this is the first time I’ve seen you all week.”

“It was storming all week,” he pointed out.

She tilted her head, finding his eyes again. His eagerness was palpable. “Still,” she said.

He grabbed her waist, pressing her body flush against his. “And you still haven’t answered my question.”

She had thought about that moment since then.

“Tell me what you desire the most.”

What could she tell him? That she had been pining for him for so long she couldn’t imagine herself with anyone else? That she was jealous of even thinking about him with someone else? Will’s words played in her mind.

She leaned closer, murmuring against his ear. “Not until I know why you’re here, Tom.”

She left a kiss on his jaw, phantom lips brushing against his flawless skin.

“It’s a really uncomplicated answer,” he said, caressing her back.

“Explain it to me, then.”

Tender amusement tugged at the corners of his lips. “Do you really think I came here because I don’t own an owl?”

His words pulled at her heartstrings with raw delight and her mind went blank. Adrenaline was rushing through her as she listened to her impulses. It was enough, at least for now it was enough.

She wrapped her arms around his neck and tangled her hand in his hair, involuntarily tugging at the strands as she leaned closer. She could feel his warm breath as he pulled her in, gripping the silky fabric of her blouse.

She met his lips halfway, the burning touch consuming her as he pressed her against the shelves, one hand lost in her hair, the other splayed around her ribcage. 

She bit his lower lip, smiling as it elicited a groan from him and the kiss became more demanding.

It was a moment frozen in time, where she wanted to stay forever, like the scenery in a snowglobe.

“Hello?”

A man’s voice abruptly pulled them apart. She was breathless as she realised she had forgotten to lock the door. Was this a conspiracy? 

Tom was slightly panting and she left a small kiss on his neck.

“Don’t leave,” she whispered.

She used a finger to fix her smudged lipstick and went to see who had just dared to interrupt them.

There was a man standing in the office.

“We’re closed,” she said.

“But I saw the light on.”

There was a twitch in her jaw. “We are closed to the public. I must ask you to come tomorrow morning.”

He rolled his eyes and she ignored his grumbling as he left, locking the door behind him. When she went back, Tom was leaning against the table.

He turned his head towards her as she languidly got closer. She forgot pleasantries, immediately grabbing his face to kiss him again. He was quick to react, wrapping his arms around her.

His mouth trailed down, kissing her cheek, her jaw and then pressing against her neck, soft lips and the occasional scrape of his teeth. 

He grabbed her waist and spun her around, flattening her back against his chest and brushing her hair away from her neck to bite and lick her skin. His hands travelled down and he started gathering the fabric of her skirt. 

Merlin, it was finally happening. 

He caressed her inner thigh, tracing patterns and snapping the nylon of her stockings as his fingers moved excruciatingly slow.

Finally he pulled her underwear to the side, feeling the wetness between her folds with his fingers as his other hand cupped her breast.

She threw her head back against his shoulder as he stroked her clit, eliciting a sigh out of her, and she grabbed his thigh for support.

“I won’t drop you,” he murmured, amused, against her ear. He rubbed his palm over her clothed breast, the friction causing sparks to jolt through her body.

None of her fantasies came even close to what she was feeling right now.

“Should I trust you?” she asked, biting her lip to suppress a moan as he sunk one finger inside of her, his thumb still applying pressure on her clit.

“Such a great timing to ask me that,” he replied. She felt him smile on her skin.

“We don’t really know each other, Tom.” She dug her fingers into his flesh as he slipped in a second finger and started fingering her, stretching her as pleasure morphed her features. 

“And yet you are letting me do this.” He squeezed her breast, lewd wet sounds filling the room as he kept moving his fingers inside of her. 

She leaned her body weight completely on him, her legs unsteady as it was precarious the beating of her heart. 

He let out a low moan as she yanked his hair to catch his mouth, biting his lip hard to gain better access, their tongues tangling together.

He curled his fingers inside of her, an unrelenting wave of pleasure washing over her.

She stopped to imagine what it would be like if he dropped to his knees again, if he started kissing and licking her, if she could watch him at her mercy between her legs.

She realised in that moment that the fall down the precipice was inevitable. Tom had threatened to push her but she had allowed him to succeed, jumping into an abyss that felt unending but that could only allow two conclusions to her story.

What she had told Will was true. She loved the fantasy, all the glances, conversations, gestures that had never happened, that she had delighted herself with when the reality was harsher, but as she kissed him she knew that falling for the real Tom was unavoidable. Not if he kept touching her like that.

It was bound to happen, it was part of her story, the decision she was brave enough to take.

She focused on him, on the circles his thumb was drawing on her clit, on the indecent sounds falling from her lips, on his groans on her reddened skin, on him growing harder against her back. 

He pulled her hair back, tilting her head to meet her gaze. His eyes glimmered with rapture while hers were heavy-lidded, tension building inside of her. 

He didn’t take his eyes off of her, as if he wanted to memorise each detail of her, the way she looked at him, the way her lips parted slightly and the way she panted as she was nearing her orgasm.

“Just like that, darling,” he murmured, a pleased smile on his lips as he noticed she was still blushing.

She threw her head back, losing herself in the motion of his fingers, surrendering herself as blissed moans spilled out shamelessly. She squeezed his soaked fingers, and he kept moving, stroking her throughout her climax.

She panted, coming down from her apex in a flurry of emotions and flustered thoughts. He raised his wet fingers to her lips and she opened her mouth, tasting herself on her tongue as she sucked on them, never breaking eye contact.

“Good girl,” he said, holding her jaw and kissing her.

It was a slow kiss, meant to explore her depths in a different way from the breathless and unrestrained passion from before. She leaned into his palm, her hand closing around his wrist.

His arms snaked around her waist and he turned them around, pushing under her thighs to lift her on the table.

The kiss transformed again.

Teeth and tongues met with vehemence, burning urgency guiding their movements as he brought her legs around his waist and she quickly started to unbutton her blouse.

But at the third button, she stopped. 

Tom noticed the shift in her demeanour and drew back, observing her. Her eyes flew to the clock, as she had just remembered about Will.

She noticed with disappointment that they had no time.

“What is it?” he asked. She didn’t miss the urgent tone of his question.

“Will will be back any time now,” she replied, leaving a peck on his lips. 

He cleared his throat and stepped back, composing himself. She got off the table and

cool hands unexpectedly reached her again, adjusting her clothes and stockings. She shivered at the contact.

He smoothed her skirt and put his coat back on, watching her as she scribbled something on a piece of paper and gave it to him.

“If you want to stop by one of these days.”

“I remember where you live,” he replied, reading the address she had written down.

She shrugged, holding out one finger to wipe away the lipstick at the corner of his mouth.

“Do you have to go back to work?”

“I was supposed to meet with a potential supplier, so yes.”

“I’d stop by the bathroom before,” she advised, gesturing for him to go as she herself needed to compose herself again.

She braced herself against the threshold, leaning her head on the hard wood as she watched him unlock the door and leave. 

Then she was alone, finally finding an answer in the cluster of hypotheses that had tormented her mind.

Two days later, as she was returning from her meeting with Serena, she found Tom waiting for her.

He was talking to Will and they both turned to her as she entered, feeling tremendously self-conscious.

“How is Serena?” Will asked.

“Dim-witted as always,” she replied, earning a laugh from Will.

Her eyes trailed to Riddle, holding an unspoken question. 

Will seemed to notice because he stepped forwards.

“It’s quite late, you can go if you want, I’ll close.”

Tom didn’t wait for him to repeat himself, pushing down the handle and holding the door open for her.

She mouthed a ‘thank you’ to him and followed Tom outside. Once in the street, she huddled herself in her coat and took the arm he was offering her. 

“May I walk you home?” he asked.

“Of course,” she said, a little breathy, still not immune to the chivalrous manners he always had with her.

They strolled through the streets, passing by scarcer and scarcer people as the stores emptied and everyone returned home seeking a tranquil evening.

She held his arm tightly, her fingers tracing delicate patterns on the fabric of his coat.

The first time they had walked together it had felt like an accident, a singular mistake in the already waved threads of her life. This time, she yearned for so much more than she wanted for the error to repeat itself; she was willing to cut the strings herself and tie them back together, as messy as it might have looked. 

They crossed the road and he gently put a hand on her waist, pushing her away from the pavement. 

“Would you fancy dinner?” he asked. There was a foreign quality in his voice and when she turned to look at him, he averted his eyes. She blinked bewildered. Was he nervous?

“I’d love to,” she replied and she noticed his chest rising like he had just begun breathing again. “But not tonight.”

An almost imperceptible smile cleared his expression at her answer and she leaned her head on his shoulder, basking in his mere presence.

When they reached her front door, she looked for her keys with embarrassingly clammy hands. 

As she lifted her head to ask Tom if he wanted to stay, she found his eyes impatiently boring into her bag. 

“Would you-”

His gaze snapped to her, serious and scorching. “Don’t even ask.”

Something coiled between her legs at the way he was looking at her. She nodded and walked up the few stairs to her door, unlocking it.

“Second floor,” she said, more to fill the silence than anything else.

They stepped into the building, the sound of her heels and the soles of his shoes hitting the stone ricocheting through the empty hall.

She turned to gesture to him to follow her when he grabbed her face, kissing her as he pushed her against the wall by the foot of the stairs. Her hands tangled in his hair, tugging at it just as she suspected he loved by the way he always pressed himself harder against her. 

He curved his palm around her cheek, better angling her face as their tongues met.

“I have a nosy neighbour,” she said after they pulled apart to catch their breath. “She is probably spying on us through her peephole.”

Tom didn’t think twice about it, taking her hand and leading her up to the second floor. She stifled a laugh as she unlocked the door, Tom’s lips skimming against her neck as she did, and was left breathless when he closed it unceremoniously behind them, resuming from where they had been interrupted.

As she dropped her bag and grabbed his waist, walking backwards into her living room, she remembered there were clothes somewhere - perhaps in the bathroom but she wasn’t sure - that she had forgotten to put away yesterday.

In any case, Tom didn’t look particularly interested in how tidy she was.

They quickly took off each other's coats and discarded them on the floor.

He sat on her sofa, pulling her down with him.

She was straddling him, her knees digging into the plush cushions as his hands appreciatively caressed her back, moving up and down and occasionally squeezing. She lit the fireplace with a wave of her hand.

She rocked her hips, rubbing against him and eliciting a long awaited moan from him. She grabbed the collar of his shirt, their lips collading so hard she was sure she cut him.

She helped him out of his jacket and vest and undid his tie, smoothing her hands on his white button-down.

“I’ve waited too long,” she said, quickly unbuttoning his shirt and grinding against him. Her hands disappeared under his undershirt and ran over his pale chest, lightly scratching his skin.

“Slowly, my dear. We will get there,” he replied between kisses.

His palms kept tracing her thighs and his face buried in her neck, nibbling at the thin skin.

When she was a small girl, before she discovered sex, Tom Riddle was just a boy she liked. During puberty, sharing stories and questions with her friends, she started to understand what was the sensation that passed through her everytime she was close to him, the one that made her cheeks redden and her mind go somewhere she wasn’t yet comfortable with.

As an adult, sexual relations weren’t unfamiliar to her, but this carnal longing, the need of a physicality that went beyond her skin touching his, was.

He opened her blouse, revealing her silk slip and bra underneath.

She wanted to touch his soul, to hold it and comprehend it.

Her eyes fell on the tattoo on his forearm, black tendrils of ink in the shape of a serpent slithering out of a skull.

“Does this have a meaning?” she asked.

He followed her gaze, blinking surprised at her question. “It does.”

“Am I prying too much if I say I’m curious to learn it?”

He bit his lip, opening and closing his fist as if he was scrambling for words. Or perhaps he was just determining if he could trust her.

“It’s a reinterpretation of the ouroboros, the snake eating its own tail,” he finally said. “It symbolises eternity and the renewal of the being after rebirth.”

She traced her fingers on his skin, following the outline of the snake. “And what does your interpretation mean?”

“There is time to talk about it later,” he whispered, his teeth biting her neck and sinking lower, kissing her collarbone and her sternum, moving the fabric covering her breasts to the side.

She let go of the subject. She knew what it meant not being comfortable sharing your life.

He held one breast between his fingers, latching his mouth over the other, sucking her nipple and twirling his tongue around it.

She moaned, rolling her hips faster as he revered her bosom, the cold air hitting her moist skin and making her shiver as he took her other nipple in his mouth, lightly tugging at it until she reached the point where pleasure and discomfort mixed.

“Since we are in the mood for confessions…” she said between moans. He raised his head and looked at her waiting for her to continue. She hesitated, collecting all her courage.

“Why did you pursue me?”

His eyes softened, glimmering with fondness. He brushed a strand of hair away from her face.

“Because there is something extremely valuable in your devotion.” His voice was an intimate murmur, a confession no one else could hear.

She freezed, turning her head to the side to hide her mortification.

He took her chin, searching for her eyes until she finally gave in.

“Don’t be embarrassed, darling, I respect it, I understand it. Obsession keeps us alive, it’s what drives us.”

She swallowed the lump of embarrassment in her throat. “Do you enjoy it?”

“Being the object of the desire of such a woman? Of a witch? I do,” he replied, and he was so direct and earnest that her heart swelled.

He lifted her to sit on the sofa, sliding down on his knees on the floor and taking off his shirt and vest. She remained silent as he rolled down her tights, his lips gliding down her smooth skin. He unbuttoned her skirt and helped her out of it, tracing patterns on her inner thigh as his other hand felt her damp underwear.

She tensed, something tightening in her lower abdomen and her eyes fell down to his trousers.

He kissed the crease of the thigh, like he had done that one time at Borgin and Burkes, but this time she wasn’t letting anyone interrupt them. 

He took off her underwear, his movements deliberately slow, and kissed her everywhere, except there.

His lips felt hot on her skin, searing her flesh like she had often dreamed about, carving his way into her body the same way he had done with her mind and heart, until her entire soul was consumed by him, until he could finally close that fist and feel her in a way nobody had before. 

Her breath hitched as he delicately kissed her mound, spreading her legs apart. She leaned her head against the backrest, licking her lips with anticipation, and she couldn’t contain a whimper as he felt his tongue dragging down her slit, sweet and cruel.

He took her clit in his mouth, sucking on it as his hand splayed on her abdomen to keep her still.

She squeezed her eyes shut, overwhelmed.

“Look at me, darling,” he murmured against her folds. His breath was warm and pleasant.

She obliged, meeting his devilish grinning figure between her legs. She was incapable of looking away as he resumed his work, she didn’t want to look away. She wanted to watch him, finally allowing herself to fully indulge in him, in what he wished to do for her.

She observed his curved eyelashes, the way his perceptive eyes followed her reactions, refining his movements to please her better.

He sucked her labia and she moaned loudly, the idea of him enjoying this as much as her being exhilarating.

He threw her leg on his shoulder, resulting in her figure sliding down the cushions and him gaining better access to her. 

His tongue probed her entrance as he coated his fingers in her wetness. He slipped one finger in, working her thoroughly as she gripped his hair, keeping his head in place.

He inserted a second finger, his tongue on her clit moving accordingly to the delighted sounds she emitted.

“Tom,” she cried urgently as she tried to press herself harder against him.

He curled his fingers inside of her and her hips jolted upwards, arching her back to an uncomfortable angle as she reached her orgasm with lascivious bliss, her obscene moans matching the wet sounds he produced by licking her until she came down from her climax.

“Tom,” she said again, so breathless her voice was a raspy whisper.

“I know,” he said, kissing her leg and inhaling deeply, like he was trying to commit the moment to memory.

He brought his fingers to his mouth, licking them clean as she let her watch.

She gently pushed him onto the carpet, bracing her hands on his shoulder as she sat on top of him. The fire was burning, enveloping their almost naked figures in warm orange light, heating their already scalding skin.

She took off her blouse with quivery hands, his gaze tracing her naked form that was slowly revealing itself. She hooked her fingers into the straps of her slip, pulling it down and then getting rid of it altogether. His hands on her waist tensed as she did the same for her bra.

Her lips parted as he touched her breast with both hands, kneading the soft flesh, tracing her areolae. 

She undid his trousers, pulling down the fabric until they were both completely naked. She took him in her hand, her fingers closing tentatively around him. Her hand started sliding up and down, her pace getting quicker and more confident as moans escaped him. She brushed her thumb on his tip, her eyes admiring what was in front of her. His lips were swollen, residue of her lipstick still on them, his hair was tousled, curls falling disorderly on his forehead, his eyes heavy-lidded as he looked at her. She felt a rush of satisfaction in knowing his current state was her doing, that she had enough power over him to ruin his flawless exterior, to make him want her to do it. 

His lips caught hers and he gently pushed her hand away. 

What happened after felt like rehearsed choreography, something so familiar it was impossible to forget. Their bodies moved together, their movements responsive to each other, doing and touching exactly where it mattered.

She pushed herself up on her knees, slowly lowering herself until she sank down on him completely, shuddering breaths escaping her lips.

His jaw was tense as she placed a hand on his shoulder for support, positioning herself better.

She didn’t break eye contact as she rolled her hips, soaking in the hazy blue of his eyes, in every twitch of his jaw and emotion he was feeling as she increased her pace, in his voice murmuring her name against her ear as his hands squeezed her tights and traced her back.

Skin slapped against skin, his touch inebriating as he felt every part of her, caressing her, massaging her, kissing her until she couldn’t take it anymore. Almost.

His hand dipped between her legs again, stroking her clit as she rocked her hips, eliciting groans from both of them.

Sentiment and pleasure fused together in an exhilarating moment, seared in her mind and flesh forever.

She kissed him again - she could never get tired of that - and bit his lower lip roughly as his other hand went to her breast again, pulling at her nipple. 

She threw her head back, letting his mouth scrape over her neck and chest, leaving behind scorching wet kisses. Or perhaps those were marks reddening her skin, she didn’t particularly care.

He gripped her waist, thrusting upwards as she held onto him tighter. Her nails drew half-moons into his back and she bit his neck, the fibres of the carpet scratching her knees.

The lights in the flat fluttered momentarily.

His fingers increased the pressure on her clit as his thrusts grew in intensity with one purpose in mind. 

She bit her lip, trying to hold back, to prolong this instant of pure bliss before she inevitably plummeted onto the other side.

She arched her back, moving accordingly to his rhythm, her hips bucking erratic as she rubbed against his pelvis. 

And then she fell down, unrestrained, her walls closing around him as she moaned uncontrollably. He didn’t stop, drawing circles on her sensitive skin until her breath found a semblance of steadiness again. 

“You did so good,” he whispered against her forehead, brushing a strand of sweaty hair away.

She slumped against him, her hands grabbing onto his biceps as he chased his own pleasure, his movements turning frantic, losing his rhythm.

She found herself murmuring against his skin the same things she had never had the courage to say out loud, not even to herself. She wasn’t sure he was even listening to her, engrossed as he was, but it didn’t matter.

He squeezed her tights once and she understood, rolling to the side as he deftly touched himself, fast strokes that culminated in white spurts all over his hand. She watched him mesmerised

He turned to look at her, his chest rising and falling rapidly. The fire casted shadows on his gorgeous face. 

They stayed like that for a long moment, gazing into each other, trying to guess what the other was thinking, making sense of what remained of themselves after what had just happened.

Did it have the same momentous effect on both of them? Or was it just her that knew she couldn’t go back to being acquaintances after this?

“Do you want to stay here tonight?” she asked. Her voice sounded faint and husky to her own ears.

“I do,” he replied without a second of hesitation.

They didn’t get up, instead resting against the foot of her sofa. She curled up against him as his hand traced indistinct patterns on her skin, remaining in this haze of indiscernible unspoken feelings they were both still trying to find a name for. 

When she woke up the next morning he was gone. As she took in the cold sheets and missing clothes, her heart threatened to crack.

She got up groggily, conclusions already forming in her mind, building the most pessimistic of pictures.

She felt anxious as she wore her robe and opened the door, heading straight for the bathroom. Halfway down the corridor, the sound of someone flipping through a newspaper halted her in her steps.

She stepped into the kitchen, finding Tom sitting in a chair with his legs crossed.

“Good morning,” he said.

“Good morning,” she said back, adjusting the belt of her robe. 

She noticed he had made breakfast, a steaming coffee pot, kept warm by magic, and some pastries she had never bought waiting for her on the table. 

She turned to take a mug from a cabinet so that she could hide her smitten smile. When she closed the cabinet, she found him looking at her.

There was no need for words.

“Where did you get that?” she asked as she poured herself some coffee, referring to the newspaper. 

“I stole it from your neighbour, I hope she won’t mind.”

She laughed. “So you know how to make a joke.”

“What is that supposed to mean?”

She sat next to him, crossing her legs. She perhaps needed to rethink her choice of slippers.

“You were always so serious growing up.”

She put a spoonful of sugar in her coffee. 

“That never seemed to deter you.”

“It doesn’t.”

He took a sip of his own coffee. “Good.”

“Does it deter you, knowing how I feel?”

He blinked. “It never had. It makes it more interesting if I have to be honest.”

She blushed, scared to ask the next question.

“How long have you known?”

He got up, brushing his knuckles on her cheek.

“Long enough to see you for who you truly are.” 

He bent to give her a chaste kiss. “I should go, the shop opens in half an hour.”

He put on his coat and grabbed his leather gloves from his pocket. She turned in her chair, treasuring the last few moments of him in her apartment.

“There’s still a lot you haven’t learned yet.” 

She refused to be an open book to him. There was so much about her that was still incomprehensible even to her and too much she wanted to show him on her own terms. She wanted to be enigmatic, to drive him mad.

“I know.”

Her disappointment was visible on her face as she was met with his silence. She had wanted to continue that conversation, to learn what he had observed.

Instead he opened her front door, throwing her one last glance, heavy with unsaid intention she hoped she wasn’t imagining, before leaving. 

She had almost finished her breakfast when she noticed a small note under the newspaper he had left behind. She grabbed it faster than she was willing to admit, almost knocking over her cup in the process, and unfolded it.

“Dinner tonight?

I’ll pick you up at eight.

T.R.”

the last part is a bonus scene i wanted to write to apologize for my tardiness. tom is a little different, but I hope he isn't too out of character.

i honestly had so much fun writing this short story and exploring a different tom from the one i usually read and write about. i hope you enjoyed this and thank you for reading!

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