Fic authors self-rec! ✨ When you get this, reply with your favorite five fics that you’ve written, then pass on to at least five other writers ❤️
Thank you to @yletylyf and @danpuff-ao3 for the invitation and reminding me to think about fic! It’s one in the morning, I had four hours sleep last night, and I’m going to entertain myself by seeing how coherent/interesting I can make this.
Anyone else want to play? @ac1d6urn, @writcraft, @liladiurne, @squibstress, @titconao3 - do you have favorites?
The first two picks are easy:
1. When the Rose and the Fire Are One - My first fanfic! Snape/Harry, my OTP before I knew what the acronym meant, my first experience of fandom, a love letter to the pairing and the Snape-centric LiveJournal community I had serendipitously stumbled upon. Written for the Snarry Games, thus finished on a (several times extended) deadline after pulling an all-nighter. I was talking shop with a writer friend recently about themes, as in “in 20 words or less, tell us the theme of your story,” and we agreed that it grows organically out of the writing and we have no idea what the theme is before we muddle through the first draft, nor do we care. (My friend writes pro fic, but she never condescends when I talk about my fanfic as if the creative process is the same - because it is in many ways, with the exception of professional editing in her case.) Well, I lied, because this fic was consciously and passionately written with the themes of freedom and beauty in mind. In canon, Snape is a character who never gets to experience adulthood free of masters; he signs up to be a pawn not once, but twice. I wanted to give him - for Harry to give him - that freedom, while at the same time presenting the temptation of a third master. The fact that Harry loves him by the end doesn’t make that beholden-ness less true. I was also determined to show that even someone raised in financial and emotional poverty, associated with ugliness, trapped in an ugly life, was capable of beauty under the right circumstances. Yes, I was up my own arse about this fic, but that’s okay because it made it more personal and intense. It was also, as I’ve mentioned elsewhere, my first time writing a sex scene, and I jumped in at the deep end with glorious abandon. As one may gather from subsequent fics, I proceeded to make up for lost time and contribute to the mainstream perception that fanfic = smut.
2. The White Road - If there’s one fic I’m known for among Snarry readers, it’s this. Why? Because it’s set in Lily’s POV in the afterlife? Because it positions her as a voyeur, a mother watching the fork in the road of her child’s future, someone with the right to judge Snape? (The voyeurism aspect turned a lot of readers off.) Because it has a cracky premise treated seriously? Because it’s nonlinear? (No. For some, this was a bug, not a feature.) Because, as a recent bookmark proclaims, it’s “such a weird fic”? Mostly it was me wresting a different ending out of the ruins of Snape’s canon demise and the utter bollocks of the epilogue; it was a purgative experience. I think for Snarry readers at the time, in the year after the series ended, it touched a communal nerve. Snape fandom remained in turmoil for quite a while after the Lily reveal and Snape’s redemption by death (a redemption currently much disputed). At this point, 15 years down the line, perceptions of Snape have changed so drastically the fic no longer has that cathartic effect, if that’s what it was. Readers are less inclined to be consoled or sympathetic. But the chutzpah of putting Lily’s voice at the center - of turning her into a Snarry shipper, to be flippant about it - well, I’m still surprised I pulled it off. And this fic, like Rose & Fire above, vibrates with so much of my joy in fandom at the time, love for my OTP, for the stories being written about them, for the exuberant emotional engagement on all sides, that I'll always be able to dip into it and be transported back to that creative ferment and sense of belonging. I think it’s one of my best fics, but my love for it goes deeper than its relative worth as a story. It’s a memento of one of the best periods of my life.
Now things get tricky. I’m pretty sure the five, arrrgh, five WIPs I’m working on would be eligible for this list, but since at this stage only I can know what makes them favorites, I have to make other choices. And I haven’t written very many fics, you see.
3 & 4. In Infinite Remorse of Soul (Snape/Dumbledore, Snape/Harry-ish) and And Mine the Gall (concluding the Dumbledore arc from the earlier story, and going further with the Snape/Harry-ish mess) - I put these together because they were conceived as a single narrative, but In Infinite Remorse was written for a fest with a word count limit, so I posted the rest of it as a separate fic. Which turned out to be the right choice since the second fic is the darkest thing I’ve ever written. These linked stories were inspired by Dumbledore’s words to Snape in The Prince’s Tale - “You disgust me” - and how he condescends to and sometimes makes a fool of Snape in the books, when the poor bastard is simply trying to abide by Dumbledore’s expectations. Dumbledore is a fascinating character, but his lack of generosity toward Snape - his tendency to treat Snape’s moral worth as disposable when it’s clearly one of the things Snape struggles with throughout his life - caught my attention. It’s a counterweight to all the examples of Dumbledore’s wisdom, his concern for other characters. Even Draco has more charity and protection bestowed on him than Dumbledore ever gives Snape. And I decided to run with that idea because surely what Snape suffers and the loyalty he demonstrates deserves more than a “Poor Severus...” afterthought. What would it have done to his soul to never once be thanked, to have Dumbledore pass over his sacrifices while lavishing time and explanations on Harry? Yes, Voldemort’s defeat depends on Harry going back to fight. But what would Snape’s reaction be to learning that Dumbledore knew of a way for Harry to survive - counted on it, in fact - and lied about it to Snape’s face? From there I decided to chart Snape’s moral collapse and his “fuck it all” desire to go after something (someone) he wants for himself - destroying every moral gain he’d so painfully acquired because in the end the authority figure who was his role model took it so much for granted he even forgot to say “thank you.” And then I went for something twisted and frightening because I think a Snape who no longer believes in anything - who feels nothing he did in his life ever actually redeemed him - would be terribly destructive.
On a less dark note, I enjoyed writing a florid and heavily metaphorical prose for Dumbledore’s POV, mostly to suggest the complex and not always praiseworthy workings of his mind. He’s one of canon’s most intelligent characters, bent up into plot contrivances for the consumption of children, and I didn’t want to rehash his canon schemes because they rely too much on coincidence and authorial fiat. (Plus: word count.) I tried to show how his calculations and his roots in the Victorian era might influence his interior monologues. As for Snape? I just enjoyed letting his worst impulses off the leash. (Some readers haaate And Mine the Gall.) (Where is my evil grin emoji?)
5. Hmm, the last choice should be split between my creepy massage kink/character study Soft Touch, but I’m feeling rather listless about that one at the moment, so No Room for the Weak it is. Another oldie, functionally a gen fic with pre-slash Snarry vibes, it evolved from my interest in Snape’s mum Eileen. Snape fans often assume she’s dead in canon, probably because she’s not referenced past a certain point in his childhood and doesn’t appear in the Spinner’s End chapter. So I wrote this fic about Eileen trying to come to grips with her son’s violent death and all the contradictory rumors clouding his reputation. It was a chance to explore what kind of mother would produce a kid like Severus and to ponder how he seems to lack any instinct for distinguishing right from wrong. His upbringing left him morally deficient - in fact, clueless. I also tried to pull off a bit of a plot twist, just to see if I could string readers along. Also, tip o’ the hat to Joy Division. Best of all, IMO, I nailed the ending. I found exactly the words I wanted, and I’m pretty confident the story earned them. (Same with The White Road. And Mine the Gall … maybe.)
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So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance
I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...
Taking the L with grace
More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.
Like he does literally say that. He gave up.
He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that.
A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.
But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.
So even if he escaped from that prison with his former agents, what was he going to do?
He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family.
Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him.
And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself.
And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?
I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.
And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with".
Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him.
So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.
And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them.
Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip.
But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives).
Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?
"Let's do Baroque Works again"
As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.
So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...
Taking the L and just going to prison might've been the easier option
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As a follow up to the previous post re: Jews by birth having ugly attitudes towards gerim-
Sometimes it's really hard to love ourselves - especially the parts of ourselves that others hate and have denigrated us for, mocked us, hurt us, or even killed others like us over.
I think the challenge to Jews by birth of gerim, especially Jews by birth who have been deeply wounded over their Jewishness, is that loving us means loving a group of people that chose you, specifically based on those wounded, vulnerable parts. We love you. We love you and the Jewish people enough to risk our lives by joining our fates to yours. We love you enough to leave behind everything we know culturally and religiously to be like you, to daven next to you, to join your family. And that can be really difficult to accept.
"Gerim are as hard for Israel as a scab" says the Gemara. Why? There are many interpretations of this statement, but mine is that we love the Jewish people for their Jewishness, which for many is still as tender as a scab. It can be hard to stomach someone choosing you and your family, especially if they come from outside, especially if they come from the very people who hurt you. And then we are here, in your space, excitedly embracing many of the very things that have gotten you mocked or excluded or hurt.
To fellow gerim, I would say that we need to be mindful of this and let our love include a lot of listening and grace towards those who are healing. To Jews by birth who may struggle with that sort of feeling, I would say that it's a perfectly natural instinct to have. Don't beat yourself up about it, but don't give into it, either. Let us be your salve, even if it hurts at first.
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more!! again!! for the nico after blood of olympus fic!! actually I thought of this while writing the last one but I just finished it.
His elbows buckle and he lets himself fall into Will, snorting at his theatrical groan under the weight. They lay there for a second until Will shoves him gently, and Nico lets him manoeuvre them into a more comfortable position.
"Hi," he whispers, moving a curl away from his cheek. The greenish tint of the loft window casts a weird shadow over Will's face.
"Hey yourself," Will murmurs back, winking.
Nico rolls his eyes. "You look like Apollo when you do that. Please stop." Will squawks in protest.
"I do not! Also, since when do you remember what Apollo looks like? Actually, no, don't answer that, you can't bring up my dad while we're in bed, Nico, why would you do this to me?"
Now it's Nico's turn to sputter and whack Will in the chest - getting another dramatic oof and a laugh in return - before turning around to face Hazel's bed. He's not sure when he'll ever be able to sleep facing the wall. Will can't do it either.
As Will's arms curl around his waist and draw him back against him, just like they did back in the infirmary that one day, he thinks maybe he'd be okay trying that with him sometime. One day, in a house with gates, no longer wary of monsters.
Will noses the back of his neck, causing him to twitch. "What is it?"
Will's answering smile presses through the rough cotton of his t-shirt. "Nothing, sunshine."
Nico frowns under the covers. "Hey, what do you think of houses with gates?" He whispers.
"Gates? Well, it'd be safer, I guess, but we'd lose the neighbours coming over -"
"As if you want to see random people at the door anyway. What if they're monsters?"
"Oh, come on, darlin', I'm from Austin. Of course I gotta keep space for the neighbours to come knocking."
"…Fences? Actually, hey, why'd you assume I was talking about us? Obviously - Obviously I was talking about random. Random houses. For architecture reasons."
Will muffles his laugh into the back of his neck, again. "Oh, my bad. And I'm only here because you ripped a stitch on the lava wall yesterday."
Nico feels his ears warm.
"Shut up."
"I didn't say anything."
"..Still."
Will reels him in closer until his back hits his chest and he can press a soft peck to Nico's still-red ears. "I think a fence is a great idea, by the way. We could ask Hazel for help with some ward stones too, like you have in the cabin. Gotta make sure we've got at least one window and standing space in every direction, though, or at least in the east, because you know my dad would sulk if he didn't get to scream me awake in the morning."
Nico's blush gets worse.
"Now who's talking about your dad in bed?" He gives up on pretending. Will sees him through every time, anyway. "Also, shrines, obviously, and we need a spot to stargaze."
"Yeah, shrines, obviously. Maybe just yours, mine, and Lady Hestia's though, or else everyone else is gonna get pissy."
Nico barks out a laugh like it's shocked out of him. "Pissy? Don't let them hear you say that."
Will holds him tighter and settles against the pillows. "Sure thing, sunshine. Now can we sleep?"
"Yeah, yeah."
It's not long after that that Will's breath evens out behind him, his muscles untensing. Nico knows he's got a few minutes yet, so he thinks.
Today was…. good.
Today was nice. Normal, even. Just a day of camp schedules, working in the infirmary, an admittedly short campfire, and this. No monsters, and no mistakes. No deaths, but..
Unbidden, the moments in the infirmary come to mind. He thinks of helping Will scrub in for his one surgery of the day, a kid that had gotten parts of an arrow stuck in their leg a week ago and hadn't noticed til yesterday. He thinks of yesterday during capture-the-flag, stepping in and desperately trying to copy what he'd watched Will do, because Lydia was hanging crooked from a tree and there was no one else around but him-
He thinks of Patroclus tying the straps of Achilles' armour, watching his lover sleep peacefully. He thinks of what Connor had told him about at the campfire weeks ago, of Silena Beauregard taking on a drakon when Clarisse declared the Ares Cabin wouldn't be fighting.
He thinks he might understand.
Lydia wasn't the same (thank the gods), but if there was something to be done that only Will could do right, yet couldn't, and the only way Nico could take up his mantle would be to die trying - then, yeah. He'd do whatever it would take for these kids. To do what Will would do. He's gone to Tartarus already, hasn't he? At worst, he'd try his best and greet his father early if he failed to survive. Nico could even give Charon a tip on the way in for the hell of it, why not?
If there is a luxury that comes from being a child of Hades, after all, it is that dying is not the thing that scares him.
There's a brazier still lit outside the window. Its glow falls in slits across their bed.
Will grumbles, pushing his feet forward until their ankles are wound together. The sheets shift.
Nico smiles into the dark, into the chirping of crickets and the soft glow of the fireflies out the window, and falls asleep.
more for this fic:
scene 0 - prologue-ish
scene 1 - the library of social awkwardness or here (or in my heart, 'kidney function is not a right, it's a privilege' lol)
general writing directory
also lmk if you want more lore. I am so down to talk about this fic + the worldbuilding ideas I have for it in the notes it is unreal
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taliesin and laura remain truly so fantastic at making characters who… don’t necessarily have something extremely and inherently in common but do have experiences that were caused by similar sources and that lead them to have quite different opinions/ideas about things but in ways that are typically very reconcilable? which is a lot of qualifiers but it’s a through line of vex/percy with nobility, jester & cad with loneliness (and also god stuff but in a different post maybe someday i’ll talk about how actually their god stuff is intensely related to their different experiences of loneliness), and now imogen & ashton with being left behind.
like vex was this character who technically had a claim to nobility due to her blood but at the same time was burdened because of that same claim. and percy who was born into and raised by nobility but that nobility ended up making his family the targets of a massacre. and then vex who lets down her walls and Do I Look Like I Come From Money? and percy giving her the title grand mistress of the grey hunt because it has nothing to do with blood, or his love for her, or anything aside from the fact that it’s something she can prove herself worthy of simply by virtue of who she Is, not who someone makes her. and percy and vex’s conversation about forgiveness and it’s necessity for growth as probably two of the characters most inclined to hold grudges.
and caduceus clay who gets left behind with nothing but his Belief while his family goes off into the world. and jester lavorre who gets shut inside with no company except her Belief as her mother protects her from the world. and they both get the burden of loneliness and the understanding of love’s nonmalicious imperfection. and caduceus having a panic attack on a ship and jester telling him that the world is a lot bigger than his cemetery and that means he has to break out of his comfort zone to find his path. and caduceus telling jester that he doesn’t think she gets as much credit as she ought to and she deserves more pastries. and jester thanking caduceus for showing her how cool it is to actually heal people and caduceus asking if she wants to use his shield while he doesn’t need it.
and ashton who was left broken and dying on the ground and was given inescapable pain as their means of survival. and imogen who was left behind by the only person who could provide true understanding of the pain she’d one day come to feel. and ashton who’s a barbarian, who wields their rage casually and unapologetically and who sees the Shittiness of the world but is unrelenting in his version of optimism. and imogen who is weighed down by pessimism she doesn’t Want to have but hasn’t cracked how to undo and who doesn’t admit her anger until it comes up again and again and again and carries it like a burden or like guilt, who we only see really Grasp and feel Confidence about her anger being something good in front of others when she has those conversations with ashton. and like. ashton who looks at imogen and sees a superhero. imogen venturing through ashton’s mind and holding his bleeding and exhausted head and saying i’m sorry. i’m sorry. and imogen who looks at ashton and sees someone special. and fucking “we got him killed.” and “no, we didn’t. don’t you dare. […] we are not what fucking killed that man. […] we are his eventual victory. we are his fucking revenge.” and “i’ll be his revenge.” and “i have no fucking doubt.”
and in general rp wise they both tend to make some of my favourite characters (also typically the ones i find most frustrating) because they both tend to make flaws that are easy to hate and they make those flaws very central to their characters but i think that’s also what makes their character interactions so deeply compelling because so frequently it’s like. yes yes these two characters have like. a helix of things they have in common but also things they deeply disagree on but they’re going to spider-man point at the things that are the same and they’re going to honour their differences while doing so. and it’s just. i always enjoy it so much and i was psyched when i heard about an imogen and ashton side pit stop in last nights episode and i was not let down when i watched the episode today.
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