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#I have no words either man
jumpscaregoose · 7 months
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can't stop referring to The Nayuta Thing as hatsune miku magic so now this exists
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ganondoodle · 6 months
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so im not sure if anyones interested, but, i went through quite a bunch of totk critiques by people who were also very disappointed with it and thought id share my favorite videos i found (granted, i only really wachted those that youtube recommened and its mostly .. white men... things like the orientalism problem are not mentioned at all for example, maybe ill update this post if i find any more diverse voices)
i dont agree with every single point and also dont know most of the channels (aside from the big zelda theory guys) so i judged solely by what they mentioned in those videos and the quality of it (like the audio .. bc i cant listen to bad audio)
in no particular order, also they talk about or use footage of the literal ending stuff so if you arent done with the game yet, better leave these for now
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(the following one is a podcast thing by multiple zelda theory guys, there some stuff you can skip at the start thats just kidna random things, but the video is marked with chapters)
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(theres some mention of some things not making sense, like the sonau only being two, and ithink thats kinda bc the english translation was weirdly vague about that, in the german version its much more directly said that they all died out and only rauru and mineru were left of them;
also mentions of how unfitting it is to call the enigma stones "secret"stones in english might come from a similar thing; in german they where called "Mysterienstein" which would be translated as mystic/mysterious/enigma- stone
just wanted to mention that since the vast majority are gonna play it in english only and the stuff online is also dominated by english)
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lazycranberrydoodles · 11 months
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its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3
all the gifs i made (poses traced off franziska):
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hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also
his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.
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the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)
a whole lot of AU stuff
the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.
cases include:
Turnabout Revenge (Mo Manor, quick introductory first case)
Turnabout Goddess (Dafan mountain, the good times flashback)
Turnabout Saber (the man-eating castle (omg hiii nhs))
The Blind Turnabout (Yi City arc)
Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)
The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)
Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)
Turnabout Confession (Guanyin temple)
the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao
there's not as much of a problem with the cql timeline but i have not finished it. so.
the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.
for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.
it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.
tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me
Jin Ling's sprites & Nie Huaisang's sprites / masterpost
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footballshowrot · 1 year
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having a normal one👍
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corrodedcoughin · 1 year
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little story about little Eddie and his 2 new friends | word count approx 2.5k | general audience rating | steve and eddie are kids and Wayne is a pushover
Wayne sometimes thinks it was a mistake, not taking in the boy. God no, he would never think of Eddie as anything other than an important and intrinsic part of his life, couldn't be without him, wouldn't want to be. 
No, what Wayne worries about is how his readiness to help Eddie feel loved might contribute to the boy's difficulty in making friends.
It was an innocent enough request, Eddie asked for a pet as all young children do. He was so small and so wide eyed, just a scrap of an 8 year old with more feelings than he knew what to do with. Wayne knew he'd never hold up against any request Eddie made but he liked to pretend to himself that he could. And while technically he never pandered to the boy, yes Eddie usually got what he wanted but in a way that suited their means. Or so Wayne tells himself. 
8 year old Eddie asked for a pet and a pet is what he got.
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Eddie barrelled into the trailer door, backpack swinging off his arm and ready to be thrown into the corner. Planning to shoot off back out the door to do his usual; lift up rocks and inspect whatever bugs he could find, to grab sticks and imagine them as wizard staffs, to let his imagination finally run wild after hours of sitting still at a desk under too bright lights and too busy class rooms. In truth he wasn't really paying attention to the insides of the trailer, expecting it to be the same as always. It took a very pointed cough for Eddie to register that Wayne was unusually home from work, far earlier than normal, and a further loud clearing of the throat for Eddie to pay attention to what Wayne had placed on the kitchen table. 
Right in the middle of the table, sitting in a beam of sunlight, was a cage and in that cage was what would soon become, Eddie's very reason for being. He crept up close, almost as if scared that any sudden movements would prove the whole thing to be a cruel illusion. He was brought out of his reverie by a pink nose wiggling at the bars, whiskers attached and twitching as the rest of the rat appeared.
'is he-? is he for real?' Eddie said with a gasp, hands inching towards the door of the cage. 
Wayne had to suppress a laugh, trust this boy to be bowled over in wonder at a rat as if it were a puppy. He opened the contraption of the enclosure door and dipped his hand inside, allowing the rat to climb onto his palm. The guy from work assured him that this one was the most tame he had, inquisitive to a fault and oddly enough, desperate to be handled. Quite honestly, the perfect match for his well meaning but excitable nephew-near-enough-son. 
'Yeah, yeah kid it's for real. And he's a she.' Wayne lets the rat sniff at Eddie's hands, little pink hands finding a platform on Eddie's palms, clearly holding himself a still as possible but if Wayne knew this boy, and he did, he knows that Eddie is so close to vibrating out of his skin, that containing that much excitement must be killing him. 
'I don't care. Wayne, I don't! Can she sleep in my room? Does she know tricks? Can I teach her? What does she like? Can I take her to school? Please! Wayne!' He's started now, words pouring out of his mouth, tripping over himself to try and release every thought entering his brain at lightning speed.
'Woah, there' Wayne says pulling the rat up, cradling it in two hands, 'We got to be kind to her alright? She's only small. Doesn't know what loud noises are good and which are bad, okay?' He watches as Eddie nods vigorously, eyes never leaving the creature. 'Now you promised me you'd look after a pet so that's what's going to happen. She is your responsibility. That means cleaning, feeding and loving, got it?' Eddie nods again, tentatively reaching his hands up, the image of Oliver Twist springs to Wayne's mind. 
Wayne comes around the kitchen table, crouches down to Eddie on creaky knees and hands the rat over, filling Eddie's small hands with a heartbeat and fur. Eddie giggles, watching as the rat surveils the new patch of skin its found itself on. 
'Tickles, Wayne' and its said with such love and devotion Wayne almost feels his heart break 
'Yeah son. She does, doesn't she?' 
-
 Of course it takes less than a week and Eddie and Sam are inseparable. As soon as Eddie gets home he's itching for his furry friend, delighting in the way she scampers around the room, over his arms and anywhere she can get. No matter what though, she always comes back to him. She can be digging in to a particularly interesting crevice behind the couch but she'll always come running back when she hears Eddie make a noise.  
The thing is, Eddie is a pretty lonely kid. Not for lack of trying, don't get it wrong. Eddie tries to socialise he tries to talk to the other kids in his class, get them involved in his imaginary games and play pretend but being the new kid doesn't really do him any favours. Being the new kid that lives in the trailer park and a penchant for biting to show affection does him even less. 
To Eddie, its him and Sam against the world. He can come home and know that his best friend will listen to all his problems, will stay close and won't run away even when he's extra loud or being 'a lot' as his teacher like to tell him. He's so tired of being told to use his 'quiet hands', his 'inside voice' and every other subdued phrase they try to press on him. 
This particular day was a hard one, Sally Winters had said that Eddie was 'bad luck' and the word quickly spread around by recess. Eddie had thought he was making some progress with a couple of kids from the class, was thinking today might be the day that he finally got asked to play but that hope quickly got squashed. He had hopped up to the potential friends with a stick in his hand and a notion of being a pirate when they both looked at him like he was a monster, they couldn't get away fast enough. And Eddie couldn't find a place to hide quick enough before the fat and heavy tears fell from his eyes. 
It was a long day and home time was his only saving grace. 
Wayne knows somethings up, can tell in the way that Eddie isn't even really talking to Sam, hardly looking at the Tv despite the fact that Wayne very purposefully had put the cartoon Lord of the Rings movie on. The sure fire fall back he liked to keep in his back pocket. The trump card to get his kid happy. This time though? No luck. Looking at the kid makes a chasm open up in his gut, deep and full of overwhelming sadness that he just wants to stop, wants to find the solution to make this boy smile like the sun again. They don't talk much for the rest of the night but Wayne makes sure to stay close, stay awake in case he's needed. Eddie spends the time between dinner and bed sitting on the floor, side pressed up against Wayne's leg and playing fetch with bits of Wayne's whittling with Sam, not a word said. 
-
Eddie wakes up the next morning with a plan and a devil may care attitude. Oh so carefully he maintains his usual routine; says good morning to Sam, carts her around the trailer as he washes his face and wanders into the kitchen, placing her in her secondary cage so she can eat breakfast with Eddie and Wayne - Eddie was adamant that they couldn't have meals without her, 'she's part of the family!' and soft hearted fool Wayne Munson agreed and an additional cage was sourced. 
When breakfast is finished Eddie begins his usual rigmarole of dragging his feet to get out of his pjs and into his clothes, reluctant to grab his bag and go out the door. Same old protests as Wayne watches him walk out towards the school bus. 
What is a new addition to the routine though, is Sam Munson hiding up the sleeve of a school boy and about to go on a secret and very dangerous mission. A mission to survive the school day. 
Surprisingly, Eddie manages to keep Sam secret, keep her safe, the whole morning. He came prepared with snacks to make sure she was entertained and happy, he couldn't stand the thought of her being sad, her eyes get so big and her tail droops as well as her ears, it makes the whole of Eddie ache. But no, she's happy, or happy enough at least. 
So the morning goes without a hitch, Eddie making noises to cover up any squeaks and keeping a hand in his pocket to reassure Sam, stowed in the pocket of his hoodie. He knows he's seen as 'weird' so what's a few extra noises? They are let out for recess and Eddie breathes a sigh of relief, thinking this is his time to let Sam out, knowing she's desperate for some fresh air. Sure, she's peed in his hoodie pocket, but he can't really tell with it's dark colour and the layer of t-shirt between the wet material and his tummy. 
He runs off to his usual corner, stuck between a bush and a tree and gently tips Sam out of his pocket, she scampers around his feet and gratefully accepts a broken off bit of cracker between her hands.
'Thanks for coming with me Sam. Everyone is so mean, its so stupid. I don't care. You are a better friend than any of those losers' He crouches down, hoping to find a twig to play fetch with. A game that he delights in, is immeasurably proud of her for learning it so quickly. 'Gonna find you the best stick Sam. Promise. Best stick for the best friend' 
He continues muttering to himself and doesn't notice that he's getting progressively louder after finding a twig and beginning the game. Doesn't register that he's drawn unwanted attention with his happy shouts and encouragement until a body is crashing through the shrub he's hidden himself behind. 
Sam doesn't notice either until the unexpected form is right in front of her and she bolts, running as fast as her legs will carry her and Eddie is right behind her, muttering under his breath as he trips over his own feet in an attempt to catch her 'oh shit oh no oh no oh no' He's pushing himself as hard as he can but it doesn't count for much, he never was the fastest. He keeps trying though but then a faster body is accelrating past him, in a evident bee line for Sam. 
Without thinking, Eddie lets out a painful 'NO!' terrified of what might happen.
He knows people think rats are dirty, thinks they don't deserve love and don't deserve life. He doesn't want to imagine what this person's intent might be. Sam reaches a dead end up against the wall of the school and the body, the boy, stops infront of her. Scoops her up? Cradles her into his chest? Eddie...Eddie doesn't know what to think, he's prepared to fight this kid but then the boy is looking up at him with curious hazel eyes. Stroking Sam's head gently and with intent.
He holds Sam out, careful with his motions, trying to blow his brown floppy hair out of his face without disturbing the animal in his hands 'is she okay? is she yours? did I hurt her? she looks okay, is she?' Eddie gingerly steps forward and plucks Sam out of the boys hands, gives hera thorough inspection as the other boy continues 
'I didn't mean to scare her I swear! I didn't even know you had her! I won't tell, I swear I wont! You know...you shouldn't really have a rat in school. If I promise not to tell can I play with you? I'm Steve' 
Holding her close, Eddie squints at the boy, at Steve, and thinks. Thinks about how he looks nice, about how soft his hair looks and how he asked Eddie, Eddie!, to play, that he didn't give him a wide bearth and that he held Sam with such care. It isn't even a hard decision.
They spend the rest of recess together. Eddie shows Steve just how smart Sam. That she can play fetch, that she can run across one arm to the next, over your shoulders without losing balance. That she can twitch her whiskers and it seems like she's laughing at the joke Eddie tells her. That she laughs at the joke Steve tells her! Steve learns that she's named after somebody called Samwise and it doesn't matter that he's a boy because Sam is brave just like Samwise and smart and cares just as much. That Sam is Sam and Eddie is Frodo and together they can take on the world. 
Steve asks if he can have a name too and Eddie calls him Legolas, doesn't tell him why. Doesn't say that Steve reminds him of the pretty elves described in the books Wayne reads out loud to Eddie. It doesn't matter, not really. 
Recess ends and they shuffle back to the school doors, both of them lagging behind the others.
Eddie steels himself, knows he has to bring his misfortune up so that he can own in, so that his new friend doesn't find out from someone else. 'I'm bad luck you know. Sally...she said it. now everyone wont talk to me. I wont be mad if you don't either. I've got Sam. We'll be oaky! So you can just go, I don't care!' He knows he's getting wound up, he can't stop himself. He just wants the bandaid ripped off so he can start feeling sad quicker, get it over with sooner.
Before he can register is, Steve is wrapped around Eddie in a flash of a hug, careful to keep his tummy away from squashing Sam. 
'Not bad luck to me. See you tomorrow Frodo' Steve whispers next to Eddie's ear and shuffles through the school door. 
Eddie is in a daze of joy and happiness, thoughts rumbling through his head but none of them sticking as he journey back into his class room. Pure happiness radiating out of his body, he takes Sam out of his pocket and holds her up to his face 'Sam you made my bad luck go away!' kissing her on the forehead as he hears his teacher scream 
'EDWARD MUNSON IS THAT A RAT?!'
-
So Wayne thought the already unpopular kid having a rat would make things worse. Turns out, he was wrong. Very, very wrong. He might have to start pocket inspections before school though.
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also on ao3 if that's the preferred reading format for you
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puppyeared · 1 year
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Little brother
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uncanny-tranny · 1 year
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If you want a weird piece of advice on how to treat trans men and transmasc people you know... I think my piece of advice is to hold off on calling us things like "cute", "twink", or anything adjacent to these if it hasn't been made clear that a person is okay with being described in that way. I promise, it's better to ask than to assume we're all the same, because it genuinely sucks when people make the assumption without even caring.
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toushindai · 8 months
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like every now and then I wonder. am I being too hard on Rauru. am I being too me about that scene by thinking that he's leaning on Ganondorf a little harder than necessary, that he's being just a little more condescending than he has to be, that he maybe likes a petty power play a little more than the rest of how the game seems to want us to think of him would imply.
but let's be real, he and Ganondorf are in full agreement that Rauru's fatal flaw is arrogance. and also. someone very kind directly translated* the Japanese cutscenes into English the other day (x) and I
G: “For our late attendance for your repeated invitations, we the Gerudo tribe offer our heartfelt apologies. We pray that you will allow us to join you as your lower-class vassal.” R: “Admirable Ganondorf, I recognise your submission to Hyrule Kingdom. A man is said to be born only once in every 100 years to the Gerudo tribe. To be able to welcome a warrior called ‘king by birth’ into my Hyrule… is indeed a reassuring development.”
(breathes calmly) lower-class vassal. your submission to Hyrule Kingdom. my Hyrule. the nasty little implication (am I imagining this) that Ganondorf--proud warrior, king--is now subsumed into Hyrule and is become Rauru's possession. I am still breathing calmly. I am deeply normal about this.
Like I have seen people argue that no no, the other peoples/tribes weren't asked to submit to Hyrule, they were simply allies of the new kingdom, but Ganondorf sure seems to think that submission is what Rauru's after or at least is the bait he will willingly take; and even knowing full well that that's an evil guy Rauru is more than willing to play along.
and yet the game still wants us to look at Rauru as a Good King figure. as a noble ruler. And the thing is I am honestly convinced that he does actually want or at the very least he is convinced he wants to unite the peoples of Hyrule simply so that everyone can be united and be friends! I do actually think this is his genuine desire! I also think he made up a kingdom so he could be king of it and this is inherently an action to be deeply suspicious of. He is arrogant. Again, the game is quite firm on that point. There is a sort of presumption that power should rightfully lie with him.
and I posit that when he's faced with Ganondorf, known evil bad guy, whatever part of Rauru's superego tells him that he should tamp down the part of him that enjoys being the one with power simply... steps back a little. because it's all right, here. Ganondorf is evil, so it's allowed.
* Disclaimer: I don’t think this is a superior translation, to be clear, and I do feel that both this and the official English are effectively giving the same vibe; I appreciate & share it primarily as another take on the same concept. It’s easier, I think, to solidify conclusions when you’ve got things to compare/contrast with each other.
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fair-fae · 1 year
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Narratively, I don't think Zenos should come back from the dead because FFXIV has already had way too many death fakeouts/back from the dead storylines and he has already had one of them. But I would still be more than willing to accept it because a) I really love Zenos and will always want more Zenos content and b) the idea that this motherfucker just absolutely will not die is hilarious to me.
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bumblingbabooshka · 8 months
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Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...
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#He sees NO downsides????#Also I love how Neelix was yelling and panicked and Harry was like 'haha ok buddy. Hey this little guy is ugly huh~? See ya later!'#absolutely unbothered and not the least bit curious - love him <3#saw someone post about how they don't like 'once upon a time' bc Neelix doesn't tell Naomi right away about her mother .... bro.#c'mon. Anyway I love Neelix and him trying so hard to shield Naomi from bad things / upset bc he KNOWS how fucking painful#it is to lose a family DID make me tear up.#Also Naomi in that burned-down forest (symbolic of innocence?) was a kickass visual. Neelix telling her about his family and Naomi trying#to comfort HIM??? SHE'S SUCH A GOOD KID MAN....Neelix making her a flotter doll was also v cute#OH AND Naomi going 'I Am Borg...' and Neelix going '~??? No you're not~!!!' and Naomi giggling...added NOTHING to the#episode - as it should be!! Sometimes you've just gotta have a really cute silly moment <3#Tuvok: [says something] / Tom: Nice bedside manner Tuvok =_=#Tuvok: [about to say the most beautiful comforting words you've ever heard one parent say to another] And I took that personally.#Love how Naomi is scared of Seven at first...girl that's your roommate.#HEHEH she starts off the series scared of her but by the end she's her little buddy and also her intern#but yeah never forget that Harry Kim can and will say the most unhinged things but so casually that no one will really clock it#NEVER forget that he says he remembers.....either being an infant or his own birth - both WILD to me#Harry Kim lowkey loves destiny and being special and the idea of 'chosen ones' and the narrative even though he will fight it all if it#harms the ones he loves#Harry: (guy from an alternate timeline who replaced the dead Naomi with the alive one from his own) That kid's living the dream <3
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time-is-restored · 8 months
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btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.
it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'
and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.
and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.
like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.
hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.
#qsmp#q!phil#LIKE. does anyone else think this! i genuinely believe its like one of the major#traits of his character i feel like u can trace it through Everything.#the man lives with the constant knowledge that sometimes all it takes is a tempting ravine and a badly timed creeper to end a life#whether that life belongs to a stranger or someone you love more than anything else in the world#you COULD rage against that. you could scream and shout and tear your hair out and grieve for the futility of it all#but what does that change? the days march on. death waits either way#and that's not to say he's a laizesfair kind of guy. anyone who's seen him stress out abt chayanne's risk taking + freak out#whenever his kids don't have enough autofeed grist can see that he cares DEEPLY. which resolves into his very distinctive#defensive + protective playstyle. the goal is not to win the fight the goal is to *survive* the fight etc#but the only way that mindset doesn't spill out into unchecked paranoia + complete agoraphobia is with acceptance#'shit happens: the philza minecraft story'#i also think it even manifests in the nightmare sequence w his last words to chayanne? 'they didn't want us to live. we were never supposed#to survive' or whatever the exact wording was#he is FURIOUS and deeply hurt and sad abt the deaths he says so explicitly later#but at the time the first thing he reaches for is. exhausted acceptance. it wasn't their fault. it wasn't his fault. they did their best.#they could only do so much in the face of the federation's Overwhelming Hostility. y'know?#mine
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
#makoto naegi#Danganronpa character analysis#Danganronpa#danganronpa thh#danganronpa future arc#I fucking love Makoto Naegi man.#I think there’s a fine line of nuance to Makoto that’s easy to miss bc he doesn’t really make it known#he’s not a pushover and he’s not overpowered. he’s a people pleaser but he will say what needs to be said#he’s an immovable object and the exact opposite of Junko but he’s also just a normal guy who’s optimistic and (un)lucky#he isn’t invincible but he has immense power to his words the same way Junko did#if anything his superpower is being kind above all else. he’s compassionate to some of the worst people in the world.#he was even conpassionatr to an extent to Junko. he didnt want her to kill herself despite everything she’s done#and he still acknowledges that for years she was a classmate and friend.#I do think the more he learned abt what she did the more he’s come to actually hate her though#post the first game he always refers to her without a suffix to her name which is one of the most subtle rude things you can do#it means you have zero respect for the person you’re referring to#and he speaks about her with some venom he doesn’t use for anyone else in the future arc#he’s not incapable of feeling negative emotions#I really liked the future arc scene bc it showed that Makoto DID experience enough despair to have overcome him if he didn’t refuse#and that it still affects him deeply. people treat him like he’s either this perfect ideal Chad or this baby chick who’s so delicate#and no one really focuses on how makoto shoulders so much and yet is still vulnerable.#honestly that guy was DUE for a mental breakdown even without the tape. it would have happened eventually#I actually wrote one based on him finally hitting a breaking point after giving so much of himself away and keeping nothing for himself#that his issues that he shoves down constantly finally can’t be held down anymore. Hajime helps him bc he knows how that feels#it was a LONG time ago that I wrote that but honestly if I can remember where i was going w it I might finish it#it was initially an rp but I could make it a fic#anyway. the point is Makoto is SO much more complex than people give him credit for#the most fundamental thing about him is that he’s normal and that’s ok! that’s what helps him rise!
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With the Springtrap and Y/N plot/idea that I mentioned, here’s some other stuff that I imagined that would happen at some point throughout it:
1: At some point, someone manages to break into Y/N’s home one night, and Y/N enters the room just as the person happens to find a way inside. Thing’s start happening.
Springtrap, who happened to be in another room, overhears a panicked Y/N, and makes his way to the area of the house. Obviously, he makes a lot of noise, which both Y/N and the other person hear.
Long story short, Y/N gets saved that day—but tries to forget exactly what the rabbit did during the process.
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2: A bit of a funny thing—and the only time he ever happens to appear. Y/N is out doing groceries, and ends up bumping into a man—who says his name is Henry.
They talk a bit, before going their separate ways. Nothing else really happens during that—they just talk for a minute or two.
Y/N never learns who he is completely, or what he’s trying to do, and Henry never learns that this person happens to be living with the old friend that he’s hoping will show up at a pizzeria.
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3: Y/N ends up getting hurt while out one day (a broken leg or something), and they just need to rest for a little while, and aren’t really supposed to do that much.
Springtrap quickly discovers what happened to Y/N—while also having been a bit worried, since Y/N was gone for much longer (was at the doctors).
So, Springtrap makes the decision to try and help out Y/N while they’re recovering.
@ravenmccookies
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bonefall · 9 months
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wait, why can’t a decent amount of the members in proto-thunderclan not hunt?
A lot of them have serious physical disabilities! It's enough that it poses a logistical problem, which they are committed to overcoming together.
Thunder Storm's three legs makes him slower than his companions. He's ferociously powerful, but like a male lion, he has to rely on his "lionesses" to slow a large animal.
Bright Storm has asthma from her heroics trying to save SkyClan cats from a fire. She's taking that from Gray Wing, who is famously the first major death now. Like her son, she has a difficult time with chasing prey.
Bumble is dyspraxic. She's a terrible hunter and fighter and struggles with self-worth because OTHERS used it to dehumanize her, and continues to, even after an entire society forms out of love of her.
Sunlit Frost has permanent nerve damage in his arm from the fire, and ends up working so hard that it makes his disability worse. A bite on the good paw from Snake becomes infected after he refuses to sit out from digging graves after the First Battle; I am planning a chunky B-plot about Sunlit coming to terms with the fact he has to retire early.
That's FOUR major members of a small group with physical disabilities that make hunting hard or impossible. They have a lot of logistical problems that I will actually be exploring solutions to.
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rapidhighway · 3 months
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i want to write fic soooo bad but i feel like i just can't present a narrative in a way that anyone will understand idk it always just feels so nonsensical, whatever i write. Even just writing a plan its like after a while all words just lose all meaning idk what this meanss idk how to do this
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sad-endings-suck · 2 months
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Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.
“Mizu is way too overpowered, it doesn’t make sense.”
I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.
People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.
“Taigen has way more training in an actual dojo, so why is Mizu better?”
Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).
We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).
“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”
I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.
In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?
“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”
Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”
Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?
Now, do y’all get it yet?
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