for the ship ask game, have you ever thought about simm!master/eleven? would you like to?
would i ever!!!!!!
this was the basis of one of my posts about little amy so long ago. a hypothetical s5 where the master sticks with the doctor after he regenerates. but like can we talk about how insane that dynamic between him and amelia, the literal eight year old, would be. look at me. one of the defining things of eleven's run is that the first face he saw was amy's. seared onto his hearts!!! now, imagine that happens in a world where the master did everything right to be that person, and it was still amy. the tardis crashed, and the doctor went one way and the master went the other, and by the time the master drags himself soaking wet out of what was the swimming pool and into amelia's garden, the doctor is already having dinner with some random human child.
things simm!master is not above: being a little bitch to amy about this. yes, even when she's eight. (amelia pond with her stories about her magical raggedy doctor!! ...and the trash rat who crawled out of his time machine after him and threatened to eat her. wait okay hold on i know im getting distracted here but aslkjdalkjsd rory who amy makes dress up as the doctor vs mels who insists on dressing up as the master because she craves violence and an excuse to bite people.)
ANYWAY. god. eleven who is this bottomless well of grief and rage. and the master who is so much like him in this incarnation. silly goofy guys who burn too bright, burn up everything and everyone around them. what is simm!master if not a version of eleven untempered by kindness. i wonder what the master would have to say about a version of the doctor who is aware of how scared people are of him and uses it to his advantage. who scares the rest of the universe so much that they try to lock him away and kill him and do anything they can to get rid of him. when they lock the doctor up in the pandorica, does the master give him the final shove into the chair or is he a few feet away, just barely restrained, impotently snapping and snarling to prevent this?
but never looking at it directly, right? neither of them would be able to. not at what's between them, not at what came before. if you don't talk about that time you both saved each other, then maybe you can pretend it didn't happen.
i think the master would make eleven worse, no doubt about it. i think eleven might just make the master a little better, and he'd hate that but that wouldn't stop it from happening. they might find some sort of equilibrium, just this once, a little willing to bend in the aftermath of the events of the end of time. that part of the master that will be missy one day wakes up. the part of the doctor that was once the time lord victorious gets a last glorious breath. they can have that, together.
okay. okay. one last thing. gets ill thinking about eleven who is so physically affectionate being that way with the master. with mr 'im going to kiss my wife i married for political gain like im starving'. with mr 'time lord telepathy does not require physical contact but if we don't touch foreheads right now ill die'. with mr 'fuck u but also im gonna die in your arms, don't leave or let me go before everything falls quiet.' thinks about eleven touching him and hugging him and kissing him and- thinks about the master recoiling from it, hackles raised, or shoving the doctor away when he does. thinks about the doctor not stopping. thinks about the master getting accustomed to his touch, taking it greedily. (thinks about missy kissing the doctor to greet him later.)
yeag <3
[put any ship in my ask box and i’ll give my brutally honest opinion]
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i think a lot about if jade would ever have been able to live a normal life.
had the kids never played sburb, what would’ve happened to jade? does she have citizenship anywhere? does she have a passport? does she have a birth certificate? if she ever got off the island, does she have any proof at all that she exists?
if she doesn’t and can’t get any, would she just stay on her island? would she die there, without ever being near a human other than her grandfather? would she die there, a distant memory of her childhood friends, who’ve long since grown up and joined society and no longer had time for her? would it be as if she’d never existed at all?
if she does get off the island and is able to join human society, would she even like it?
she grew up alone, aside from bec. she’s smart and curious, so she probably would want to go to university so she could do research. would she be able to live in a city packed with people people people and bricks and concrete and air pollution? would she learn that her social battery is a lot shorter than she thought, that the concrete and brick is colder than she thought, that even the air is more foreign to her lungs than she thought it would be? would she feel suffocated?
she grew up with bec constantly by her side, but many places dont allow dogs. would she feel separation anxiety? would she feel more alone than she ever thought possible, amidst more people she ever experienced in all years of her life combined?
would she return to her island? would she die there, lonely again but content but hungry for something she can’t stand? would she be remembered by her peers and professors? or would they, too, with time, forget her? would it be like she’d never left the island at all? would it be as if she’d never existed at all?
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Apparently Moriarty in Traum took the Norn, the 3 fates of Norse mythology, into himself, so he could weave together the threads of fate, presumably to regain some of the control over his future he lost. This immediately stood out to me, because the other crime butterfly spider clown, Mephistopheles, carries around a pair of scissors which I theorized way back whenever, are actually the shears of Atropos the inflexible, one of the moirai, fates of Greek mythology, specifically the one who cuts the threads of fate and determines your exact moment of death. So if I’m right he long ago did a similar thing as what Moriarty did. For. Reasons? The opposite reasons even. To sever fate.
Pictured: person whose eyes function in a similar way to Atropos, specifically annoyed by said scissors, and focusing on them as the subject of curiosity through the event (calling him scissors as a nickname) although if I’m right he’s absolutely using them the wrong way, which might be why Shiki struggles to pinpoint what bothers her so much about them (when she meets other heroic spirits in this event and does not give their weapons this kind of attention)
On the other hand if he stole them to cut the threads of fate it’s odd that he concocts an entire scenario here for you to beat him up until he turns good, since you’d think he could have just severed the fate of his bad self and killed him with the scissors or that when teaming up with you to do so he’d at least use them the right way to show off how he’s The Strongest (TM CR). So there are some things that feel Off about this theory I admit. However since the shears of Atropos work as an authority which can undermine even Zeus, I can still maybe come up with a few justifications as to why they’d give him this motif.
The boy who hands out explosives in the form of insects is actually a distinct character in the play Faust. He is basically a manifestation of Fausts subconscious desire to escape into a dream world, a reality he can control and manipulate. said character has a more beautiful, youthful form than Faust, so others are naturally drawn to him and trust him. Faust calls this character “son” and loves him quite a bit even though he’s basically a nameless one off character introduced briefly in part 2. Since our Mephy is not a devil, but a homunculus Historical Faust raised, part of the basis for him probably comes from this character, among several others in the play. Of course, characters who represent everything in the story are pretty commonplace in fate, but scissors are not at all relevant to the play, while pretty much every other motif on Mephy I can pinpoint as something particular mentioned on some character or other in Goethes Faust. but in particular this “charioteer boy,” who hands out fake gold which turns into explody bugs, is within his scene, associated with the Greek god of wealth, Plautus, a god who was blinded by Zeus so he could not tell right from wrong, a decision meant to benefit the already fortunate, since Plautus would just as readily bestow his wealth on an already wealthy person as a broke one. Fausts Plautus is, of course, just a conman version of himself. But he really seems to believe in this kid and want him to succeed.We see in fgo Mephys voice lines imply he struggles to tell good from bad in a way the devil in the play is not at all preoccupied with understanding, but a false construct based on Plautus might be, as Plautus is not actually a bad person, and in mythology there are tales written meant to rectify what Zeus did to him.
At the very least, the sheers of Atropos renders decisions made by the fates immutable even to Zeus, so the input of any other authority in the Greek pantheon regarding who the fates choose to kill is basically irrelevant, they have the final say. However even if that’s the case, either he can’t use them properly as a death tool, is purposefully destroying them by using their ”determines time of death” shtick to instead make his dinky little time bombs, or he’s saving the reveal they cause instant death for something special although it’s hard to rationalize he’d be able to keep it secret this long if that’s the case, since he can’t shut up about literally anything else. I’d say it doesn’t have anything to do with the Greek pantheon specifically and more to do with a desperate bid for agency, the same way Moriarty uses the norn. It’s possible he just doesn’t know what they are, or forgot what he’s even doing with them. Or it’s possible I’m just entirely wrong and they are, as his artist says, just a random decision! But considering how well researched the rest of the motifs on him seem, I still have doubts it’s irrelevant, I especially had to bring it back when Moriarty who assumed all this adjacent clown symbolism to Mephy, also made the choice to absorb the Norn. Since if I’m right Mephy here has the specific tool which could undermine what Moriarty has done. One spider clown to weave fate and another to sever it
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tbh i think that the "is ai generated content art" argument is roughly the same as "is Duchamp's Fountain art". i think that the argument of if its art is what makes it art, because it is invoking some kind of feeling. starting a conversation. if that makes sense?
that being said, absolutely there is a time and a place for it (ie not replacing the work of paid artists). and it should only be trained on artsts who have consented to it.
i dont want to read fiction made by ai bc if you didn't take the time to write something, why should i take the time to read it? and for non fiction, it'll be riddled with incorrect facts because an algorithm "decided" that this word is the most likely to go next in the sentence based on what it's database says, even if its factually incorrect.
one of my favorite pieces of art is an ai image that was sent to a company that makes paint-by-numbers, and then filled out by a person. the artist, tumblr user rigatonidanza, asks "is this art? at what point does it become art? can it never be art because its ai, or because its paint by numbers? is it art because it elicits a response from the viewer?"
the point of art is to make you think, and to make you feel. does it stop being art if its not made by human hands, the way algorithmically generated images are? is it not art if its something mass produced, made for intentions other than what the artist uses it for, like Fountain? even if looking at it makes you feel something? anything? even if that "something" is a negative emotion?
all that said. if you use generative algorithms as an excuse to not pay real artists, you are a human tar pit. may you always immedeatly stub your toe after it stops hurting from the last time you stubbed it.
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Ok just to be very clear the long lived mayfly StargateAtl clexa thing is INCOMPLETE in that it is not fully in prose, if that makes sense. Ch2 onwards has scenes or snapshots written and then also has exposition dumps in italics to explain what was planned for the story so the scenes and snapshots make more sense.
I tried to finagle the chapters so it was a decent mix of both, but thats what it is. I completely understand if that's not someone's thing and they would prefer to skip it, which is why I tried to explain it in the chapter notes of chapter2. Its not in the notes for chapter1, because ch1 does not have any of the non-fic exposition notes.
Its not my job or within my power to make sure readers look at the chapter notes. I added the incomplete tag so people coming in to ch1 will know going in. And I've already gotten some really lovely comments so I thank everyone who gave it a chance even tho its weird.
Psa over!!
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