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bugswapau · 8 months
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Okay everyone vote on your phones wisely. Should I draw this as Wambus yay or nay
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quiveringdeer · 1 year
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Hi!! It's @early20sfailingplenty here to ask if you'd pleaseeee elaborate on your tag "bo is the softest sinclair" ??? I can't stop thinking about it and I wanna askkkk because I'm super curious hasdfghjkl you don't have to if you don't want to!!!🥺🥺🥺
Thanks for this ask, sweets! Also this got waaaay longer than expected. 😅
So in reference to my tags on Bo in this post. Many fanon works paint Bo as the dangerous, aggressive, toxic Sinclair. And while he's a sick bastard (cause like they all are for murdering people for years lmao) after a bunch of rewatches of House of Wax (2005) I don't know where that interpretation comes from.
I read so many fanfics prior to even watching the movie and so I was full on board with Vinny as the uwu soft twin train. Lester has never appealed to me in any way shape or form, but fanfics generally portray him as the really sweet kinda neglected and forgotten brother.
Through my massive hyper fixation in the movie and doing all those rewatches for ridiculous analysis that no one asked for I observed Lester being pretty lecherous with Carly. Both when at the carrion pit when she was changing her shirt and also while they were in the truck (if memory serves.) I also don't find Les attractive, even ignoring his lack of personal hygiene so like there's maybe some of my bias there. Not caring to read more into him cause of the initial creep factor and that he doesn't get much air time. I do appreciate his carving artistry though!
In Vinny I saw waaaay more sadistic and predatory nature than Bo. Also he's officially the more dangerous Sinclair since Bo couldn't even manage to kill Carly and Nick with a freakin shotgun at close range 😂 smdh
I think I've highlighted in other posts some of these instances but please feel free to send another ask for me to talk about them again! I miss talkin about these boys.
Anywho, outside Bo's outburst at Vinny in the kitchen, he doesn't show that much anger and such. And even then he had a crossbow bolt in his shoulder and had been outwitted by their victims like 3 times at that point. (again he's so bad at his 'job' 😂) Vinny straight up ignores that outburst anyway and Bo immediately starts soothing the situation. Apologizing and trying to reconnect through talkin bout the family legacy.
I'll also say that for almost half the movie Bo is in 'actor' mode. Puttin on the charm to manipulate the group. I was honestly surprised how long he kept it up even when Carly had locked him outta the truck. And while it could be seen as some fucked up sexual and power fantasy thing, after duck taping Carly to the chair he shhhhs her all gentle and keeps his voice soft. Even when gluing her mouth shut.
I also have the hc that Bo is hella susceptible to anyone showing him kindness--usually a trait that people ascribe to Vinny in fanon-- because he was the neglected and abused son. Like fair to say they all are violent (they are murders of many people) but I feel like he's always characterized as this extra broody, mean/grumpy alcoholic, which when I watch the movie he's not really any of that.
So yeah, while I do love the grumpy broody Bo trait, I think he's real touch/attention/love starved and would be hella fuckin soft with someone he loves. I've headcannoned that he doesn't like being that way around his brothers but I think that's fanon too now that I'm typing this all out.
Much of this could be considered conjecture cause they spent way too much time on the college kids when they should've just focused on the brothers and Paige then being the final girl (still bitter) but yep. That's why I think he's a softy. 🥰
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in-sufficientdata · 8 months
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uh-oh
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all right love you babies but i'm going to have to apply post block to that proplifting post
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hadescavedish · 2 years
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Actually I think AV realised how Raffles reflected his own life in a way that is why he seldom talked about it involuntarily (even if was happy whenever someone asked or made tribute for the role)
(although he seldom talked about any of his roles at all, only if his opinions were required, but his opinions are always very reliable, if you see him talked about Major Mohn)
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grntaire · 9 months
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“their miracle was so big bc crowley used to be an archangel” have u considered that aziraphale and crowley love each other so much that their love alone could move the tides just by staring at the ocean for too long. have u considered that they did the miracle not really to protect gabriel but to protect what they had, what they’d built with each other. and that was them barely even trying
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poorly-drawn-mdzs · 19 hours
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Expertise can't help you here.
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I saw this post on Instagram the other day and my first thought was just "hmmm... Eddie Vedder"
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go-learn-esperanto · 10 months
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I see so many people starting to use Threads as a way to escape Twitter and yes, it's owned by Facebook's CEO and giving Facebook the monopoly of social media is bad but I think we should also talk about the fact that, you know, Threads isn't avalibe in the EU for privacy reasons????? That should be concerning to EVERYONE
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whetstonefires · 11 months
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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adinelsylvia · 9 months
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i avoid any new internet lingo like the plague. not because of any snobby reasons, (let people have fun, every word is a real word, etc etc) but because knowing my luck everyone has moved on to the next cool phrase and i just end up sounding like their grandpa trying to be hip with the times
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contactlessdrivethru · 4 months
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there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.
a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.
but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.
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nunalastor · 3 months
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ennas-aesthetic · 8 months
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If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.
Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.
THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.
As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.
It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)
And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.) And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.
So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.
I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.
Giving them the APPLE, so to speak.
And then they'll go off to retire in a cottage, together at last.
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possamble · 23 days
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Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
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And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
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Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
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We have SEEN Marcille meet strangers. It was never with this understated of a smile.
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literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
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when she's testing out her new spells
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(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
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And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
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We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
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What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
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It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
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We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
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lgbtlunaverse · 26 days
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"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?
It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR
THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.
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That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.
The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.
Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.
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mjulmjul · 1 year
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Katya / Goncharov
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