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#Five Times Lost
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Diavolo's 1987th death.. or 1983rd?
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mychapel-004 · 7 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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jorgfromgermany · 1 year
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Darkness EP - Reviews
Darkness EP – Reviews
Das Reviewer Team Herzlich willkommen zu diesem Blogpost mit dem Namen “Darkness Reviews Interview”. Das Brecon Indie Reviews Team hat sich meiner EP ‘Darkness’ angenommen. Für mich ist es stets äusserst spannend, was professionelle Autoren über meine Musik sagen können. Meist finden sich Verknüpfungen und Kombinationen, auf die ich selbst nicht gekommen wäre. Die Songs der ‘Darkness’ EP Die…
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egophiliac · 7 months
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I want your opinion on something. Do you think it's better to try and the the cards of the character you like or skipping some to brench out? Like, say you're a fan of Leona. Should you try to get all of his bday card and stuff or stick to one and get other characters ssr?
personally, as much as I would like every single card...I gotta ration my keys, so I focus on my favorites!
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which isn't to say that I only pull for certain characters no matter what! more that I take a good long look at every card that comes out and go "do I really want this one? like...really really want it?" (the answer is usually yes, but -- look, the art in this game is very pretty, okay)
honestly, from a gameplay standpoint, I think it doesn't matter too much whether you focus on pulling for specific characters or not. there are very, very few points where actually having a good mix of characters is important (Those Two Stages in episode 6, where I think you can use retry tickets for the easy mode? and also guest room battles if you care about those) and you'll probably end up with at least one halfway decent card per character just from doing 10-pulls and events. so even if you're only pulling for Leona cards, you'll still end up getting a bajillion other characters as well. follow your heart! chase that grumpy lion bliss! ✨🦁✨
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majosullivan · 7 months
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FNAF MOVIE SPOILER
Me and my entire screen room completely unprepared as we watched the Diner scene:
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buttercup-barf · 4 months
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Happy Pizzer Wowzer day. Take a nap amidst your travels, why don't you?
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puppetmaster13u · 17 days
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Meme Prompt 11
A three-way crossover this time
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gojonanami · 6 months
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thinking about tending to nanami’s burn wounds after shibuya and helping him change his bandages and he’s somewhat self-conscious and afraid of you seeing them, trying to insist on having Shoko change them. But you want to help. you couldn’t help him in that fight but you can help him now. and as he relents, he asks you if you think any different of him — he wouldn’t blame you. and to his surprise, you press a light kiss to his bandaged cheek, and tilt your head, as you smile, “they only make me love you more.”
and he knew, more than ever, he wanted to marry you.
and he would.
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I think william and henry getting together in the fix it au would be so chaotic. like. how would they even confess
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the power of alcohol and releaf that Bill's son actually didn't die to the giant robot bear probably
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frogayyyy · 2 years
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the lost tos episode where they go to IKEA, play hide and seek, then have meatballs
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faeriekit · 2 months
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FMA fic I'm never going to write:
Hoenheim's lifespan and continued existence is entirely tied to the hundreds of thousands to possibly millions of dead his soul eats off of, slowly leeching life from the dead kingdom of Xerxes.
...It stands to reason, then, when begetting life, that spiritual artefacts make themselves known in the begotten sons of the dead. There are only four that can claim true heritage of Xerxes— the immortal, the synthesized man, and the heirs to the memories of a long-gone people.
Or. Well. Gone in body, certainly. But that's hardly stopped anyone from wanting to step up and parent.
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frunbuns · 2 months
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There's something so bittersweet about the childhood flashbacks in tua. They were all children together. Reginald was horrible, but they had each other. And then everything went to shit. Five's 13 year old body a bitter reminder of what once was. His siblings in their adult bodies a reminder of how things should've been. God,,,,
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essektheylyss · 21 days
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I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.
I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.
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fishisvibing · 11 months
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Everyone becomes their owl Pt.1
It's the slytherin!Sirius au again but I make it extra this time
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officesuppliez · 3 months
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bonnie bowl sketch :]
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gremlins-hotel · 1 year
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Happy Mardi Gras!
[ original ] // music for flavor
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