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omegaphilosophia · 10 months

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Exploring the Paradox: The Convergence of Heaven and Nihilism

In a seemingly paradoxical twist, the concepts of heaven and nihilism intersect at the edges of human understanding, offering contrasting perspectives on the nature of meaning and perfection. While heaven is often associated with ultimate fulfillment and perfection, nihilism challenges the inherent meaning of existence. In this thought-provoking blog post, we will delve into the intriguing convergence of heaven and nihilism, exploring how these seemingly opposing viewpoints shed light on our quest for meaning.

Heaven as the Culmination of Meaning: Heaven, often portrayed as a realm of perfection and ultimate fulfillment, represents the pinnacle of human aspirations for a meaningful existence. It embodies the ideal state of being, where all desires are met, and harmony prevails. From this perspective, heaven is viewed as the endpoint of the search for meaning, encompassing abundance and fulfillment in every aspect of existence.

Nihilism: The Perfection of Nothingness: In contrast, nihilism challenges the very notion of inherent meaning and purpose. It posits that life is devoid of objective significance, highlighting the absence of inherent value and purpose in the universe. From a nihilistic perspective, perfection lies not in abundance, but rather in the recognition of nothingness as the ultimate truth. Nihilism embraces the idea that in the absence of imposed meaning, one is free to define their own sense of perfection.

The Paradox of Perfect Nothingness: The convergence of heaven and nihilism reveals a paradoxical perspective on the nature of perfection. While heaven embodies perfection through abundance and fulfillment, nihilism perceives perfection as the acceptance and embrace of nothingness. This paradox challenges our conventional understanding of perfection, inviting us to contemplate alternative interpretations of meaning and fulfillment.

Meaning in Imperfection: A deeper exploration of the convergence of heaven and nihilism prompts us to question whether perfection is inherently tied to meaning. Nihilism invites us to find beauty and significance even within the imperfections and limitations of existence. It challenges us to seek meaning not in an idealized state of perfection but in the acceptance and embrace of our flawed and finite nature.

Embracing the Journey: Rather than perceiving heaven and nihilism as irreconcilable opposites, we can view them as complementary aspects of the human experience. Heaven represents the longing for transcendence and the pursuit of ultimate meaning, while nihilism reminds us of the importance of questioning and critically examining established meanings. Both perspectives contribute to our ongoing journey of personal and collective discovery.

The convergence of heaven and nihilism challenges our preconceived notions of meaning and perfection. While heaven embodies the quest for abundance and fulfillment, nihilism questions the inherent meaning in existence. By exploring their convergence, we open ourselves to a richer understanding of the complexities of the human experience and the diverse interpretations of meaning. In this exploration, we find room to contemplate the significance of imperfection, the power of individual interpretation, and the ongoing search for personal fulfillment in the face of existential uncertainty.

In embracing the paradoxical nature of heaven and nihilism, we embark on a profound philosophical journey, questioning traditional assumptions and exploring the intricacies of human existence. As we navigate this intellectual exploration, we gain insights into the diverse perspectives on meaning, purpose, and perfection, ultimately enhancing our understanding of the intricate tapestry of the human experience.

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fifty-ten · 11 months

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hmm i should have refrained from thinking about imaD because now im back to overthinking things like "are single thoughts linear or ever-changing"

#'evolution' in it was originally linear (4 stages for everyone) but if it's about imagination then should it be a reversible & changable evo #...but then that's digimon-style evolution and the story keep convergently evolving to resemble digimon more than intended Anyways so...#but idk. in my experience thoughts are pretty linear. they go one way & have a past present and future #so maybe linear evolution does make sense. idk. but thoughts do also change and branch off...#idk i just feel chatty this evening... i have a habit of overthinking these kinds of things in oc stories #when really the best thing to do is to make a bunch of characters do something and see what happens #not to mention the fact that i also have a bad habit of trying to define what some mechanic can do #rather than the far more reasonable and conventional method of just definining what it CAN'T do and working things out from there #... altho that last thing doesn't necessarily apply to an 'evolution' mechanic. or does it #anyways...#fiftytenpost

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patrickwmarsh · 11 months

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Visit me at CONvergence 2023

My CONvergence 2023 panel schedule. I'll be selling my books in the vendor room as well. Hope to see you there! #writing #books #CONvergence #CONvergence2023 #events #conventions #fiction #horror

That time of year again. My favorite event, CONvergence is happening this weekend. Hit it right here to learn more about it. I’ll be selling my books in the dealer’s room, talking on panels, and everything in-between. Here is my panel schedule for the event. To Read or Not to Read: The Role of Cover Art – Friday, July 7th at 9:30 AM The Villain’s Journey – Friday, July 7th at 2:00 PM…

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#author #blogging #blogs #books #conventions #CONvergence #CONvergence 2023 #events #fiction #horror #patrick w. marsh #the greenland diaries #writing

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thelastreetangel · 1 year

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3/29/2023- Gigantic dinner with the Convergence event attendees, The Unify Organization founder, Love Coach Academy & the CompassionGames.org founders at TrueFoods restaurant in Santa Monica, CA @iunify @compassiongames @thestreetangel @livetruefood #thestreetangel #streetangel #angel #wings #unify #unity #foundation #nonprofit #compassion #dinner #epic #convention #convergence #santamonica #losangeles #networking #charity #humanity #higherconsciousness @love.coach.academy #important #MakeADifference #lightworkers #network #BeTheChange #bekind #kindness #evolve #helpothers #contribute #moversandshakers (at Santa Monica, California) https://www.instagram.com/p/CqjYGsar5nc/?igshid=NGJjMDIxMWI=

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physalian · 3 months

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What No One Tells You About Writing Fantasy

Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.

Boy, was I wrong.

So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.

1. You still have to research. Everything.

If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.

In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.

I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.

2. Naming everything gets exhausting

I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.

You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.

And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.

3. It will never read like you’re watching a movie

Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.

It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.

It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.

4. Your space opera will be compared to Star Wars and Star Trek

And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.

You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.

Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.

5. Your world-building is an iceberg, and your book is the tip

I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.

If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.

There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.

6. The gatekeeping for fantasy and sci-fi is still very real

Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.

She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.

If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.

Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.

7. Your “original” idea has been done before, and that’s okay

Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!

How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?

Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.

#writing advice #writing resources #writing tips #writing tools #writing a book #fantasy #scifi #writeblr #what no one tells you about writing

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convergencecon · 22 days

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CONvergence Minecraft Block Build

Help us expand our world (and earn CONvergence 2024 volunteer hours!)

Rain or Shine. Supplies provided. Please wear clothes to paint in.

Date: May 11 & 12 Time: 10am -5pm Location: St Paul MN (email [email protected] for address)

#CVG2024 #CONvergence con #CONvergence #crafts #CONvergence convention

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markelton · 2 years

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“Red Balloon” 🎈🎈🎈 First day at #Convergence2022 and I’m excited! Scroll through to take a gander at some of the stuff I’ll be slinging this weekend, including a sneak peek at a new piece I have yet to post publicly! 🍄🐖🍄 #convergence #convention #conlife #conventionlife #redballoon #balloon #sticker #stickerart #stickerartist #digitalart #digitalartist #digitalillustration #digitalillustrator #digitalpainter #digitalpainting #lechonk #fanart #fanartist #luckycharms #lucky #charm #pokemonart #pokemonfanart (at Hyatt Regency Minneapolis) https://www.instagram.com/p/ChIZXk5OOOw/?igshid=NGJjMDIxMWI=

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delta-orionis · 1 month

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Currently losing my mind a little bit trying to find an alternate name for the Recursive Transform Array/Abstract Convergence Manifold regions in Five Pebbles/Looks to the Moon respectively. I think both names mean roughly the same thing.

(Left: Coils in the Recursive Transform Array, Right: Coils in the Abstract Convergence Manifold)

(Theorizing under the cut)

Both regions contain sets of large transformers (or inductors, they both look like coils) arranged into different groups. I assume the function of this region is to receive power from an iterator's power source (how iterators get their power isn't exactly clear- but at least in Pebbles' case it probably comes from the Linear Systems Rail) and step up or down the voltage so it can be distributed to the different electronic components of an iterator's superstructure as needed.

Stepping up/down voltage is the function of a transformer, which is where I assume the "transform" part of "Recursive Transform Array" comes from. In Moon's case, "abstract" in "Abstract Convergence Manifold" is a synonym for "transform" or "change", one thing is being abstracted, or changed into something else.

"Recursive" means "repeating" (and "repeat" is a synonym of "iterate", funnily enough), so this part probably refers to the multiple similar transformers found in the Recursive Transform Array.

In terms of the Abstract Convergence Manifold, either "convergence" or "manifold" could correspond to the "multiple similar things" meaning. The objects in question are "converging", coming together, or being similar.

"Manifold" is a bit trickier, the general definition means "variety" or "many", but the word has other uses. In typography, it can refer to the process of making copies of a document (via a carbon copy), and in engineering it can refer to a component that distributes gas or liquid to different parts of a system. So in this case, I'm going to assume that "manifold" means "copies" and/or "distribution". This makes sense if the Abstract Convergence Manifold distributes power (or maybe even Void Fluid) to different parts of Moon's structure.

And finally, "array" in "Recursive Transform Array" means a group of things arranged in a pattern. This is also probably what "manifold" in "Abstract Convergence Manifold" means; a group of copies of things.

Based on this, both names basically mean "group of similar/repeating things that change". This might not just refer to the groups of transformer coils, but also to the big square structures that both Pebbles and Moon have in these regions:

(These rooms are very dark, I'm only showing Pebbles' here because it's better lit than Moon's.)

This thing looks like a big computer chip, maybe a Central Processing Unit (CPU). I theorize that this room is where the majority of an iterator's processing takes place; where the actual iteration (in terms of computing: repeating a process) happens. So the things that are repeating and changed could be the actual iterative processes (simulations, thoughts, calculations) are carried out, altered slightly, and repeated again.

(Side tangent: I've always wondered what Pebbles was referring to when he mentioned his "processing strata". It might be layers of processors located in his Recursive Transform Array, possibly in the same big room as the square thing. Personally I think the processing strata are the little blinking lights you can see in the background of this room, but I could be wrong. If anyone actually knows the answer please let me know.)

TL,DR: If you have an iterator OC and you want to give their internal regions names but you don't want to simply copy existing ones, I'm pretty sure the naming convention for the transformer arrays uses synonyms for (similar/repeating) (change) (group). For example, "Sequential Flux Assemblage", "Parallel Modification Cluster". These sound silly, but basically everything iterator-related is silly technobabble, so I think the moral is to have fun with it.

Thank you for reading, and let me know if you have any ideas. I enjoy talking to people about random Rain World theories.

#this is another theory spiral I fell down while trying to flesh out OC lore. enjoy #rain world #iterators #rain world iterator #rw iterator #personal #delta’s wild lore speculation corner #rain world theory

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queerfables · 9 months

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The Rules of the Twist

Given the themes of deception and sleight of hand in Good Omens season 2, I think most of us agree it's at least possible there's some kind of twist waiting to be revealed in season 3. We're bouncing around a lot of theories, but I wanted to take a step back and look at the general shape of what we might expect.

The big twist we've seen before in Good Omens is Crowley and Aziraphale's body swap. (Okay, technically it was an appearance swap. But that just doesn't sound as pithy.) Rather than anticipate an exact repeat of this trick, I'm considering the swap as a sort of model. What does it tell us about the rules Neil plays by when he pulls a twist in this story? What clues can we expect, and what can we not count on? Sure, there's no guarantee that a season 2 twist is going to map exactly onto what we've seen in the past, but I think it's a reasonable place to start. Take these as guidelines and take them with a grain of salt, but if you're sorting through all our fascinating Good Omens theories and trying to decide what you think, you might find them helpful.

So then, what are the rules?

Broadly speaking, Neil plays fair with twists. He foreshadows and includes enough hints for the audience to make a reasonable guess at what's going on, or at least to look back after the reveal and go, "oh, of course". But he still keeps some cards close to the chest.

During the body swap, there are two big gaps in the information we're given:

Key events happen off screen The swap happened between scenes, during a time that it was only suggested, not confirmed, that Crowley and Aziraphale would be together. The transition between these scenes also used film and tv conventions to make that passage of time "invisible" - we see Crowley and Aziraphale get on the bus, and then we see them in the morning going about their days separately, and we're conditioned to think nothing important could have happened in between.

Key tools (eg abilities, items, information) haven't been shown before The swap was not something we'd ever seen Crowley and Aziraphale do, and it wasn't something they'd ever talked about either. It fit comfortably into the established world building but it hadn't been specifically signposted as a possibility.

The other big twist that Good Omens pulled was the romance between Gabriel and Beelzebub as the explanation for Gabriel's disappearance from heaven. Both of these information gaps are involved here too. The offscreen event is obviously the meetings between Gabriel and Beelzebub that lead to them falling in love - up until Gabriel's flashback sequence, the only indication they'd ever met each other was a brief conversation at the airbase during Armageddon. The tool that we haven't seen before is Beelzebub's ability to create a fly vessel for Gabriel's memories (protecting him in much the same way that Crowley and Aziraphale protected each other with their body swap, in fact).

These are pretty big gaps, really. And given that Neil knew there'd be years between seasons 2 and 3, I expect he would have leaned pretty heavily into them if he wanted to hide something. So how do we predict a twist if we can't know where it is and haven't seen what it might involve?

Unanswered questions

This is the big one. Looking at where the furniture isn't, you might say.

What's interesting is that the questions that point to a twist aren't usually subtle or ambiguous. For the body swap, the two converging questions were: what did Agnes' last prophecy mean, and how could Crowley and Aziraphale survive their executions? In season two, some of the unanswered questions signposting Gabriel/Beelzebub were: how did Gabriel lose his memory, why was he carrying a box, what was the significance of the song he kept singing, who was he at the Resurrectionist with...

I think guesses about upcoming twists are most convincing when they seek to tie up loose threads from the show. For this reason, I'm a little skeptical of theories proposing the kiss between Crowley and Aziraphale involved some kind of twist. It isn't impossible, I just don't see any unanswered questions there. (Savvy readers may note that I too have speculated about a twist hidden in the kiss. I do find the possibility fun, but it's not a theory I'm seriously committed to). If I was going to really buy into one of these theories, I'd want it to explain one of my big unanswered questions other than "but how could they get into a fight that hurts me so deep in my soul?" That's definitely a question I have, but not technically a mystery.

It's worth noting that in the case of the body swap, we were initially given a false answer to the question "how did they survive their executions?" The angels and demons watching attribute it to Crowley and Aziraphale having "gone native", believing that their natures had fundamentally changed, making them immune to holy water and hellfire. It might be the case, then, that some of the apparently resolved questions this season warrant further investigation. Is there more to the story of Gabriel's disappearance than we know, for example?

2. Unexplained details

If examining an unanswered question is looking at where the furniture isn't, then this is where we take all the pieces of furniture piled up in storage and see if we've got anything that fits. Everything is fair game here: script, acting, music, props, sets, costumes, editing, camera angles, audio effects, visual effects, everything. If it's on the screen or coming through the speakers, it was put there on purpose by multiple teams of highly skilled and attentive creators all working together to create the final product.

I think you could probably do an entire meta on all the little details pointing towards the season 1 body swap, but here are some of the big ones:

"Crowley" sees the restored Bentley, but takes a taxi instead of driving it

"Aziraphale" circles "Crowley" when they order their ice creams, the way Crowley more typically moves around Aziraphale

"Crowley" says "tickety boo", an extraordinarily Aziraphalean phrase

The collar on "Crowley's" jacket is a beige tartan rather than its usual red

There are general differences in the ways David Tennant and Michael Sheen embody the characters throughout the swap

Similarly, Gabriel and Beelzebub's romance has lots of small details pointing to it. The big one that keeps showing up is the connection between Gabriel and flies. He mentions them and interacts with them repeatedly, and although it isn't obvious at first glance, there's a fly in the box that he carries to the bookshop. This all culminates in the reveal that it's the same fly, Beelzebub's gift to him.

Here's the problem, of course: if everything in the show is intentional and crafted with meticulous attention to detail, how do we know what actually matters? This is why I think it's so important to look at the unanswered questions first. There's a joy in seeking out Easter eggs and connecting all the dots, and sometimes you might strike gold this way, but there's also a lot of noise in the signal. It's helpful to know the general shape of what you're looking for, so you'll know when you've found it.

You can reverse engineer this. Start with details that jump out at you and then look for a puzzle they might explain. This works, but it's a little easier to get lost in the weeds, struggling to sort out what's significant and what's a fun reference to another piece of media or a hint to a question that's already been resolved. Going back to the twists we've already seen on this show, the unanswered questions around them were really big and obvious, so I think it's a good idea to ask: if I hadn't noticed this detail, would I have thought this was a mystery that needed solving?

Okay, but what do we do with this?

Well, maybe nothing. These criteria can't confirm or rule out any theories, after all. I'm laying it out like a rubric but it isn't really, I'm just describing a few storytelling patterns we've seen before and making some rough guesses about how they might show up again. If I were really serious about this I'd probably take a look at other examples of Neil's work and see how well my model holds up there, but the truth is I'm not really familiar with enough of his other works to do this. (Confession time: I was always more of a Pratchett fan).

The main reason that I've laid everything out like this is it informs my thinking when I stress test my own theories, and I figured other people might be interested in it. I'm also hoping it will help me to be able to refer back to this when I write meta in the future. For my own purposes, I find a breakdown like this helpful because it gives me a sense of how a writer approaches their story, where they'll tip their hand and where they'll hold things close. It's no guarantee and it wouldn't be any fun if it was, but in a lot of cases we're not aware of our own patterns, so it can be surprisingly illuminating.

#good omens #good omens meta #fable talks good omens

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twincitiesgeek · 11 months

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CONvergence 2023 Returns to July in Downtown Minneapolis

Will we see you at CONvergence in downtown Minneapolis this July? Use code TWINCITIESGEEK to get $10 off your full-weekend adult badge at checkout!

CONvergence, Minnesota’s largest fan-run science fiction and fantasy convention, is coming back to Minneapolis for four days on July 6-9, 2023. CONvergence has traditionally been held around the 4th of July holiday, but after moving to a new venue in Downtown Minneapolis, spent a few years holding the annual convention in August. This year marks their return to their traditional weekend, and many…

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#conventions #CONvergence #CONvergence 2023 #CVG2023 #Minnesota conventions #MN conventions #science fiction conventions

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shatteredearth-if · 8 months

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SHATTERED EARTH INTRO POST

DEMO | DISCORD

Shattered Earth is an Interactive Sci-Fi/Fantasy Fiction about retreading old ground and working for your good ending. less formally, this is meant to go on my portfolio

Five years ago, you watched the world split open, bore witness to what you could only refer to as "dragons" made manifest in scale, flesh and skin. You saw cities razed to the ground, asphalt streets shattered like ice. Fleets of dragons and foreign—almost alien—aircrafts alike seared across the skies, while towers of dirt and metal tore free from the landscape. The world has inexplicably, incomprehensibly changed, but you know this to be true: Earth never really stood a chance.

With your world now overrun by dragons and dangers alike, you've lived alone, hiding from the world you once called home, scrounging for scraps and surviving by the skin of your teeth. But when a chance encounter with a mercenary ship leaves you reeling with the realization that you're not the average-joe of a human that you thought you once were, you're forced into an ultimatum: enlist with the Seekers, or live out the rest of your life in a Human compound on Therius. But your horrors extend far beyond the threat of the dragons; your monsters are at home in your head, but they might just be the key to stopping all of this madness… if they don't take you out first.

The gears turn, the worlds spin inwards like ever-onwards like painted tops. You will undergo a journey of self-discovery, of potential romances and of incredible loss. And somehow, you can't shake the sensation that this has all happened before…

A customizable protagonist: Customize your gender, your body type, your pronouns, and personality.

Five ROs to romantically pursue—some in the most conventional sense, others in… a not so conventional sense.

Engage in brief flings, one of which is... an RO's estranged divorced mother. (Your crewmates will disapprove.)

Train your body or your mind to perfection. Are you a frontline fighter, or do you prefer the aethereal arts?

Cute cat dog wolfboy…?

The female version of a himbo

There's no good way to put this: you remember things you shouldn't. The end of your story is not the end; something awaits you at the place where your endings converge. What is it? What are you?

There's an egotistical mind entity in your head, and the flags aren't just red; they're blood-crimson. Romanceable, but at a steep cost to your sanity. Or maybe…

Skippable, customizable NSFW content. My friends have advised me not to continue.

Avett Ironsturm

Role: RO

Gender: Male (he/him)

Race: Kattish

Age: 20

Specialization: Arms specialist

Appearance: Avett is a Kattish man of average height. His complexion is fair. Perched upon his head are two swivelling cat-like ears, and at the base of his spine is a prehensile tail that is about the length of his arm—both are adorned with soft, black fur. His hair is black, hangs just below the shoulders, and he keeps most of it in a messy ponytail. Most of his frontal hair frames his boyish, youthful face. His irises are copper colored, his pupils slitted.

Personality: Avett is bristly, prickly, and very easy to anger if he's not trying to get into your pants. He's a flirt through and through, and knows how and when to be charming, just… not with his coworkers. Or you. Though if you can get him to let his guard around you, you might just find him a lot more bearable.

Your impression: Once upon a time, you saw his old ID, stuffed in a cabinet along with his boxers and body spray, and you realized he was smiling in his photo. Not outwardly—they don't want you smiling on those cards, but behind those eyes was a laugh ready to bust out at any moment. That was four years ago. Now? All he does now is sulk and yell at people. Something happened in those four, long years, and those years have only been getting longer since.

Sexuality: Bisexual (woman-leaning)

Yuda Hellsbridge

Role: RO

Gender: Female (she/her)

Race: Half Gallian, Half Kattish

Age: Secret?

Specialization: Restrainer

Appearance: Yuda is a half-Gallian, half-Kattish woman of above average height. Her complexion is a pale, seafoam green—common for most Gallians. Her hair is white with blue undertones in the right lighting, and is short and choppy. If you look too closely into her metallic gray eyes, you will notice a swirling, foggy substance within her irises, as is common for all Gallians who are at least a bit adept in magic… which is to say, almost all of them. Yuda is extremely fit and exercises often, and as a result her build is stocky and muscular—very uncommon for a Gallian, though she claims that she's half Kattish.

Personality: Yuda is outwardly cheerful, loud, and brash—tact is not her forte. But behind every sunny smile is a shadow, and Yuda keeps her shadows well away from the spotlight.

Your impression: It's not trauma. It's not a blip in her personality. There is something genuinely terrifying hiding behind Yuda's eyes, and that's not including the fact that you don't know how old she is. Oh, she's nice, and she's got no ulterior motives, you'll give her that. But it's like she's wearing her own body like a shadow.

Sexuality: doesn't care for labels, but for clarity's sake she is pansexual.

Ysh'vanna O'Raal

Role: RO

Gender: Female (she/her)

Race: Draconian

Age: 26

Specialization: Captain/Pilot

Appearance: Ysh'vanna is a short girl with wispy, white hair that topples down to her waist—if she doesn't brush it out of her face, it has a tendency to smother her slight frame like an oversized scarf. Her irises are orange, with a ring of emerald green around her pupils. Trailing from her ears are two, small, green webs that resemble translucent dragon wings.

Personality: Everyone onboard the Seeker is a wreck, yes, but Ysh'vanna is always at least two crises away from a mental breakdown everyday. Sorting through admin, funds, Avett's shenanigans and the odd dragon attack has left her riddled with anxieties. She has difficulty forming bonds outside of work because of this, so her relationship with Avett isn't great. After any particularly grueling mission, she will often be found comatose in front of the navigation panels, staring off into the skyline. Otherwise, Ysh'vanna tries to be cheerful. Most of the time. Some of the time.

Your impression: She's probably by far the most average person on this ship. Every morning she takes her coffee with three sugars and a cupful of milk; every night she takes a nail-sized tablet along with a full glass of water. "For the anxiety," she says. She's incredibly open about most things... until it comes to her family. What's the deal?

Sexuality: bisexual (woman-leaning)

Auren Draksparrow

Role: Platonic Option

Gender: Male (he/him)

Race: Gallian

Age: According to Avett, "Like, a hundred or something." He looks about forty in Human years to you.

Specialization: Warder

Appearance: Auren is a Gallian man of above average height. His frame is gaunt, almost frail; his hair is platinum blond, and is secured in a low ponytail that reaches down to his waist. His complexion is seafoam green, and his eyes are a faint violet. Swimming in his irises is a fog, a trait most Gallians share. His facial features are long and soft, but his cheekbones sit high upon his face.

Personality: Auren is cold, aloof, and it can be difficult to discern what he's thinking from speech and body language alone. He is clear in mind, even during high-pressure situations, until his abilities as a caster fail him.

Your impression: Here's the deal about living past one hundred and one; you're going to mess up. You're going to mess up a lot more than the average person, and your book of guilt's going to be pushing a trilogy if you don't start forgiving yourself for some of those mess-ups. You know for a fact that Auren has never forgiven himself, not even once, because he's yet to save the Seekers. Because he's yet to, in his eyes, make himself useful. But you're his lucky break: he's the only one on the ship who can see that thing in your head for what it is, and he knows it's a threat.

Sexuality: he's not looking for a relationship right now, if ever. He's married to his tomes and the study of aether.

Liam Salazar

Role: RO

Gender: Male (he/him)

Race: Human

Age: 24

Specialization: Researcher

Appearance: Liam is tall with an athletic frame and broad shoulders. He usually keeps his dark brown hair in a nest of curls atop his head. His skin is a deep umber, and his eyes are an even deeper shade of brown. He often wears a white lab coat over a simple sweater and dress shirt.

Personality: Quiet, but goofy; aloof, but sensitive. You sense that this boy would rather bury his head in a good book or some other complicated research than look you in the eye. That's not to say he's meek, though—come any threat, and he'll lash out swinging. You had to be a special kind of tough to have survived the Migration as a Human, and Liam is no exception.

Your impression: You didn't expect to make friends at the IRC training facility—most Humans there wanted your head on a stick for the cardinal sin of having a deal with a merc ship already. The Migration wore everyone's patience thin, but not Liam's. For a hot moment at that facility, you were two renegades against the hateful world. Until your training period finished up.

Sexuality: Panromantic demisexual, though initially he believes that he's straight.

The Entity

Role: RO

Gender: Customizable/it

Race: Something intangible. A voice in your head.

Age: It laughs when you ask this. "How old is a concept? The fear of death, the love of life? How old? Are you counting? Think about that."

Appearance: A dark wisp of smoke that occasionally shifts to form parts of a person.

Personality: Loves you, like an overbearing parent. Punishes you, like a torturer gleaning for answers. It maims you and calls it affection.

Your impression: When you're not talking to it, it's rummaging through your memories. Why? For fun. It knows about that time you did this and that in the locker room and almost got caught for it. It knows about that time you stopped someone from leaving after class just so you could hit on them, unsuccessfully, for ten minutes before they had to beg you to leave. It knows everything about you, all the bad, all the good—and it loves you anyway. That's the purest kind of love, isn't it?

Sexuality: Wouldn't you like to know.

With that all said, thank you for checking out this post, and DOUBLE thank you if you decide to try out Shattered Earth. 🙇🙇

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