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#But I'm actually having motivation to write so..
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Fix You - Chapter 16 - Genesis
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Pairing: Frankie “Catfish” Morales x Fem!Reader
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Read on A03
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Chapter Summary: 🤷‍♀️
Word Count: 4K
Rating: Explicit
Chapter Warnings: cussing, graphic violence, mentions of sex. I'm not giving more warnings than that, sorry.
A/N: Hey all. First I want to say I'm sorry. I literally had no time or motivation to write this. I'm gonna be honest, this is a really tough chapter, and it was hard to get in this headspace. Suffering a recent heartbreak, things in this chapter are things I have thought also, and so it was really hard for me to voluntarily want to address that. I also started working in veterinary medicine, i do not have the spare time that I used to. We also recently adopted a puppy who we named Bucky! And if you read my earlier posts, you know that I was SA'd last January. All that to say, sorry I couldn't do this faster.
Also want to wish a happy birthday to @musings-of-a-rose, my beloved, my bestie, and my constant support. This is for you. Sorry it's not a happier chapter....
* If a character is speaking fully in Spanish, I will put “[ ]” around the dialogue. I speak pretty decent Spanish but not good enough for this
Suggested Songs: "Exile" Taylor Swift feat. Bon Iver, "I Love You" Billie Eilish, "Vampire" and "Logical" by Olivia Rodrigo, "The Night We Met" by Lord Huron and Phoebe Bridgers, "Genesis" by Grimes
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You didn’t even flinch at the landing, which was rough, so that’s saying a lot. When the janky cargo door (which looked like at any time during the flight would be ripped right off) opens, you barely even lift your eyes from the floor. You felt heavy and hollow, somewhere suspended in between shock and just not giving a fuck anymore. The only thing you could still fell was the pinching in your heart. It was still broken.
At some point during the journey, the co-pilot had taken pity on you and untied your arms from behind your back and bound them in front of you instead. You hadn’t struggled. There was no point. Where would you go? Jump in the ocean? You weren’t that great of a swimmer and you loved sharks and everything but the open ocean is not where you are supposed to be.
You have no sense of space and time, so you have no actual clue where you are other than not the mainland. You’re dehydrated as fuck, groggy, your vision’s blurry and you’d figured out the sticky moisture on your face was your own blood. 
Because when you had suddenly blacked out it was because they’d hit you, and had absolutely no hesitation doing so. They did not care about you, they did not see you as a human being, they didn’t even bother strapping you into a seat so you had been sliding around the cargo bay the entire flight, bumping into everything. You were in deep danger, any hope that you would have some ransom protection had pretty much disintegrated. You had hoped that the boys wouldn’t come for you at first. Then you had hoped that they would, because if you’re ransom, even if at the very least you’d be alive until then, right? But “alive” doesn’t mean unharmed.
A shadow looms over you and it finally makes you look up, squinting to adjust your eyes to something so close, as well as the brightness of the sun. It feels like it takes you 10 whole minutes to process that you were being spoken to in English.
“Eh!” The man leaning over you snips, and when you simply blink in confusion and don’t answer, he slaps you lightly on both cheeks. You’re stunned enough to finally look at him, his oval face, beady eyes and unique sideburns seeming so familiar to you but quite frankly you wouldn’t trust yourself with recognizing even your dad at the moment, so you push that thought aside.
He kneels down in front of you. “You listen to me. We don’t want you. We want the money. This means if you don’t fucking piss me off, I might be nice and not kill you, you understand? Be a smart little girl, eh?.”
You nod, you probably should be feeling some sort of panic setting in but you don’t. Whatever. Who even cares anymore.
He takes your silence as submission. “Bueno.” He whispers, leaning down and grabbing you by the arm, lifting you until you are back on your feet. He tilts his head and steps to the side, revealing 5 additional men with AKs pointed straight at you. From behind, you feel the sharp tip of another poking your back, urging you forward and down the precarious ramp. The pilots.
You didn’t trust that they wouldn’t hurt you, but you knew you had no other choice. Trying to fight was asking for it, and once you step out of the hold and realize you were in the fucking jungle, there would be no sensical place to go even if you did get away.
You step out of the plane onto a rickety steel ramp that bounces as the footpad of your sandals touches it and shuffle slowly down it. You feel suffocated sandwiched between four men, your hands chafe where they are tied and you have been in the same positions for so long your whole body is sore. Every touch and movement hurt.
You stumble as the ramp ends but one of the men grabs your arm and yanks you so you don’t fall. It wasn’t kindness. It was a way to hurt you that he could get away with. The tiny dirt landing strip is almost canopied completely by the jungle trees, leaving large patches here and there where the plane flew through, not noticeable from far above. It looks like you’re walking to nothing, just a dirt road that ends right into the thick middle of the jungle, but you don’t stop at the edge. You push through.
It’s hot as shit and you felt sweat buildup in every crevice of your body, your thighs are rubbing raw from your asinine decision to wear short shorts to the fair, and you could feel a heat rash growing under your tits that you couldn’t even scratch because your hands are bound.
You walk for forever. You walk until the friction rash on your inner thighs turn to lesions. You haven't drank water in almost 48 hours and it feels like 150 degrees out, with full humidity. You’ve had to stop twice already to vomit from heat exhaustion and you still occasionally gag even though there’s nothing in your stomach to come up anymore. All the years that you did not appeal to insects are making up for it now, they’re all over you and you can’t walk 3 steps without one getting in your eye.  The jungle gets tighter and you can’t breathe because it’s pushing in on you almost as tight as the hands on your shoulders pushing you forward..
You start crying. At least, that is what you tell yourself as you whimper and sob as quietly as you can. You know you’re strong, but this is just beyond reason that any normal person could take. And when you think about how this is probably what life was all the time in Delta for the boys, you cry even harder because you feel guilty, that you have no right to complain.
Finally, after what feels like forever, the tightness of the jungle seems to loosen. More open. You notice some of the trees look more oddly arranged than others. As you get closer you realize they aren’t trees at all, but tents and dilapidated buildings built into the shadows of the trees.  The huge roots and overhanging canopy of the jungle transformed a bustling camp into what looks like a little village. At the entrance, a line of guards in jungle fatigues that were impossible to detect until you got right up to them. You hear someone speak above you, alerting you to a man up in the trees on a platform tucked between the branches. There was another in the tree on the opposite side. He calls to the man with the sideburns, saying something in Spanish you can’t interpret fast enough, but it’s jovial and they laugh, and it makes you feel like you’re going to go mentally insane. 
It’s like it’s not even serious to them. And it’s so serious to you.
You are pushed through the camp quickly, but not quick enough that you don’t see the insane amount of cocaine packages piled up in the makeshift buildings, sheds, and tents toward the back. Men were milling about checking them, moving them and glaring at you as you walked past.
You continue past the main camp, crossing over a bustling creek whose bridge was literally just planks of wood, but you noticed there were tire marks across them so you felt at least safe it could handle a car’s weight. Across the creek, an old stonework manor stood. You can tell at one time it must have been glorious, but the white stone-worked walls were dirty and crumbling in many places, the fountains out front had dried crusty palm fronds and dirt in them and looked like they hadn’t sprayed water since the 1980s.
It was still oddly beautiful. You thought about how this house came to be, what it might have looked like when it had been first built. A beautiful Caribbean sea mansion. A jungle that hadn’t closed in on it yet. Fountains spraying and colorful birds resting on the rooftops. But then you  realize that this place has probably always been used for what it is now. Someone like Carl Lehder probably lived here and ran an entire cartel within this very jungle. Maybe it was the same one, just run by someone else.
There was a shabbily made shack to the left of the manor with padlocks, piles of debris piled next to the door. You assume that’s where you would be taken, but you were instead led up the stairs to the manor proper. And as your eyes focus in on the ground while you were being guided to the mansion instead, you realize the heap of matter by the shack that you thought was some dying plantation was actually a crumpled human body. A boy looking not much older than 17, shot execution style in the head and left to rot.
Then smell hits you, your knees buckle and you vomit on the stonework stairs, a scream of shock and realization pierces the jungle, making the nearby tropical birds explode from the treetops. When the sicarios pick you up and carry you through the mansion door, you’re still screaming.
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Eventually whoever was carrying you became fed up, and simply dropped you at the bottom of the stairs and dragged you up backwards by the armpits instead. You didn’t even feel the step edges hitting the small of your back all the way up, but you would later. 
You were tossed stricken and shivering on a disgusting, top-sheeted mattress on the floor in the corner of a room, your feet still bound together and your rope-bound hands looped through a radiator that was long enough only for you to lie down or shuffle over to a bucket for your business. Everything stank and you still had vomit on your chin so you curled up in a ball and slammed your eyes closed, hoping that in time the voices and smells and fear would give way to just simple numbness. You didn’t hear a female voice speaking to you for several seconds.
Your eyes snap open, skin pulled taut from dried unwiped tears,and you jolt upright to look in the direction of the voice. A woman who wasn’t even tied up was propped up against the adjoining wall, and as you take in her condition you could understand why they hadn’t even bothered. She wouldn’t have been able to run.
Her legs look..wrong, splaying at angles that shouldn’t be possible. They look like they could be broken, but you can’t tell for sure because she was wearing jeans that cover up most of her skin. The jeans were ripped in some places and stained with dark blood spots, the color turning brighter wherever her skin shows through the tears in the fabric. She’s missing several fingers on her left hand that had been burnt at the ends to cauterize, and her face was black and blue, swollen and smeared with more blood that seemed to be coming from her scalp somewhere. Her lips are pale and cracking and her eyes are glazed over and barely open. When she speaks, she already sounds like she is dead. 
She swallows and winces slightly in pain, then licks her cracked pale lips.“Is…my…her–my brother. Did you see him? Out there?” 
Your face scrunches in confusion, which actually hurts a little and you’re not sure from what specifically. Perhaps you look just as bad as the other girl. “Your–I—I don’t understand.”
She’s too exhausted to even be annoyed with you. “My brother. They took him from me days ago. They do not talk to me anymore. They don’t—need me anymore.” A single tear falls down her swollen cheek and you suddenly feel so much connection with this woman and how  incredibly fucking strong she is. Her eyes roll over to you, meeting yours for the first time. There are burst blood vessels in them. 
“I think that they killed him.”
Your lips part and you utter a shuddering breath as you connect the dots. There’s no point in sugar-coating it. You nod slowly. “I think so. But it’s not…recent.” You look away as her eyes slowly close, the additional tears she was holding back finally spilling over and cascading down her cheeks. 
“Bueno.” She says. “Then at least he is not suffering like me.” 
You both fall quiet and you look over her again. Her pants aren’t completely done up and her t shirt is ripped at the neckline, exposing a gashed shoulder. Almost like…
You start crying again, and you feel even worse about it this time because you have in front of you a woman who has been through much worse and is somehow NOT crying. You curl tighter into yourself to try and hide. 
But she simply asks. “Who are you?”
You swallow, raising your head up off your arms, quickly wiping the access tears off on your sleeve. It’s incredible how adrenaline and fear can sometimes make you the most clear-headed you’ve ever been. Your thoughts are swirling but you knew one thing for damn sure, if they didn’t know your name yet, you weren’t going to say it now. 
If I look forward I am lost. Focus on right now. Nothing else. It’s my best chance.
You know enough about trauma that compartmentalizing this moment is your best chance. You can’t think what will happen if you don’t escape, if you aren’t found, if they never come for you. You need to stay focused. You need to keep hope alive. You need to stay coherent, because if a chance pops up, you need to be able to think quickly.
“I’m no one.” You mumble. “Just happened to be dating the wrong person.”
She sniffs and looks away, but it’s muffled because her nose sounds congested. You don’t miss her tone though. “Mmmm. His new one then.”
You blink. “What?”
Her glazed over, discolored eyes snap back to yours. “Pope.” She spits. “Your man. Santia—”
“NO!” You cut her off with a shout, you know there is a guy who is in the area and you still don’t know how much these men do or do not know. “Don’t. Don’t give them names if they don’t already know it.”
“I don’t give a shit about Agent Garcia, or his friends, or anyone else, it’s their fault I am here and it’s their fault my brother is dead and..” She finally, finally starts to cry. “I told him I didn’t want to do it. They said they would let us go if we gave them what they wanted.”
“It was you.” You exhale with a shuddering breath. “They found us cause of you. You told them.” You shake your head, and for some reason you feel betrayed by this woman even though you’ve never met her.  “How could you?” 
“Because all I care about is my brother, do you understand?! I wish I’d never met him, Garcia, we would have just snuck away and no one would never seen us, but no, instead we listened to him and helped them steal from fucking Lorea, and now they found us and I knew they would, and YES, I gave them EVERYTHING because they said they’d let us go so long as they found you and–”
“Eh!” A voice trails in with a watchman you knew was hanging out somewhere in the hallway beyond. He slips through the doorway, a smaller man you were not expecting from that voice, and leans against the deteriorating door frame. He crosses his arms and his legs and it makes the handgun on his hip jut out prominently from his skinny hips. “No talking to each other.” His voice is silky and the words all slide together so it sounds like ‘no talkintoeeachother.’
You shrink back into the dirty wall behind you as your associate spits a bloody phlegm ball in the man’s direction. “FUCK you!” She snarls, a tirade of cuss words in Spanish flying from her lips. 
A loud pop almost bursts your eardrums and your heart and you exclaim in terror as your associate is shot point blank in the head, her back slumping against the wall and her head hitting with a bang, pieces of blood and brain tissue spraying over the back wall with pieces flying in your direction.  
The man remains completely motionless with his arms still raised before huffing a laugh to himself, putting the gun back on his hip, and looking at you with the such an unaffected gaze it leaves you feeling dizzy and you scream and scream and scream yourself hoarse, crumpling onto your mattress in a terrified heap, arms over your head, sobbing hysterically.
A gentle but firm palm wraps around your forearm, yanking you back up to a seated position. You look away, but the man’s other hand takes you gently by the jaw and makes you look at him. And just behind him, the woman slumped in a pool of blood and brain matter. You try to wriggle out of his grip but he tightens ever so slightly, and you can’t help but notice how different it is when Frankie would grab you like that versus this man. Frankie held you the same, sometimes harder, but you had trusted his domination and his care of you and because of that, it made it arousing. That same motion with this man has you more scared than you ever have been in your life. 
“Bebita.��� He coos, thumb lightly caressing your jaw. He wipes at a small speck of blood you don’t know is even there. You can feel yourself shaking and breathing so fast you can see his half waxed back tousled locks that hang past his temples are blowing in its breeze. You can’t answer him. “Look at me.”
You do. His eyes are a dark, almost black chocolate brown, shape mismatched, a scruffy beard and goatee and thin lips. In another world you would find him devastatingly attractive and the fact that you do makes you feel absolutely violated and disgusted with yourself. 
“Do not cry.” He continues. “You have no reason to if you behave, si? You be good and you listen and I will keep you safe you understand? Well, at least for now.” He shifts closer to you, you can smell his breath. It smells like orange and cloves. “There are a lot of men here Bebita. I am sure you understand what this means, si? Answer me.”
“Yes.” A final fat tear spills from one of your eyes, and it stings as it mixes with your sweat and the raw skin around your eyes. 
He juts his head in the other woman’s direction. “This one, she fight the whole time. I like a easy job. Make my job easy, I make sure you always deal with me. Do not make me call in the other guys, they are not as nice. Understand?”
“Yes.”
“Good.” He releases your chin and you scoot back quickly as he saunters over to the other woman’s bloody body, grabs it by the arm, and casually drags her as dismissively as possible out the door and out of your sight, leaving a bloody trail behind.
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At first you just sit there in a slump staring at the opposite wall,, you don’t know for how long. Probably hours. Maybe days. The man, whose name you figured out from when he spoke to someone else in the hall, is Angel. Sometimes he would sit up and watch you, as if figuring you out, your body and the way you shift and switch positions when you are uncomfortable, what it looked like when you were crying and trying to keep quiet and unnoticed. But most of the time he ignored you. Occasionally others would come into the room and either speak to him or approach you, but upon noticing Angel watching them they would hiss or spit a curse and slink off.
The room reminded you of those old houses from the 70s that had those drafty unfinished basements that were simply concrete floors, painted stucco or white brick. To the sicarios, it served as an overflow area, there was a rotting desk along the side wall with a metal folding chair and piles of scattered papers and random household tools on them. Against the opposite side wall was a pretty nice tv, considering, which was always playing soccer. Angel seemed to make that his home base, his lithe frame sprawled across a grandma-fabric sofa, head resting on one of the puffy arm rests. He binge-smoked cigarettes and his right hand was always stretched over his head resting against his forehead in the direction of to an end table with an massive overflowing porcelain ashtray on it. You didn’t used to mind the smell of cigarettes too much but now it makes you feel sick.
You’re ashamed of how little you actually think about your current situation and like the hopeless romantic idiot you are, mostly all you can think about is Frankie. The things he said–you knew he said mean things when he was mad, or things he didn’t mean, but isn’t there always some truth to things that are said in the heat of the moment? That was enough for you to silently spiral. You thought about every memory you had of him and how it could be viewed through the lens that Frankie just wanted to fuck you. Your self confidence was low enough it was believable, and your mind races through every instance of an older man being in a relationship with someone much younger and how of course it was predatory, and how could you not see it, that you didn’t have anything in common? It’s a tale as old as time. He just wanted to fuck you, he wanted to fuck you and dominate you, his dark desires seducing you into feeling so wanted you can’t believe you thought he loved you and didn’t see right through it. 
And his friends, well, they were all in on it weren’t they, because why would they want to hang out with someone like you either? Why would men such as that actually want to be friends with you when you have never experienced half of what they have.
Fuck him. Fuck him and his lying ass, he was a fucking loser addict and you’re pissed at yourself for even considering him. Like how lonely were you?? To choose an old man with a kid who served in an institution that represented everything you hated about this country? To be so easily blinded by pretty words and love bombs to immediately take your clothes off. Because how, if he actually loved you or even like you, could he possibly have lied about something so big?! Or bought you something nice with all that fucking drug money he stole. Not that you’d want it or expected it, but why wouldn’t you want to treat someone you love as much as he claimed to? 
How could he sit there and make up what happened to Tom like that, when you were being so coddling and trying to be a caring ear. And Benny…Pope...if they were your friends they should have told you, that’s what real friends do…
But they weren’t your friends. They were never your friends. 
And if you went the other way, and considered that it was all true, that he did love you, that they were all your friends, and that he lied to you and threw stones to hurt you and push you away, how was that any better? You couldn't even think about a future not being with him, but obviously he could. He could watch you cry and question him and not even look at you, completely ignore you, then not even think about you again. No texts, no calls. No “I’m sorry, please come back.” Silence. 
How could it be so easy for him? How can he just go about his life like you never happened? Why did you still care?
Why did you still want him? 
Why did you still love him so so much. Part of you wishes they’d get on with it and just kill you. At least then you wouldn’t have to feel this excruciating pain. You wouldn’t have to see him show up to rescue you because he has to, to have to see his fucking face and every line, crinkle, scar, the bald patch in his beard and the tousled little curls that pop out of his hat…only for him to save you and then leave again, or die and then you have the guilt of killing a man who no longer loved you.
Yea. You think you’d rather die.
You feel like you’re going to throw up again. You’d let him force his cock in your mouth as far as it could go, let him tie you up and fuck you hard enough to leave bruises you had thought of as a badge of honor. You’d let him cum on your face. You’d let him fucking cum inside you! He’d gaslit you so you actually wanted him to tie you up with zip ties—-
Your heart almost stops. You can picture how his face looked exactly when he said it.
Sometimes rope can give over time.
That’s why we always used zip ties.
You look down at your bound hands.
They’re bound with rope.
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some Thoughts on chapter 13 now that i've finished:
I LOVE HOEDERER.... i already did but like. Really enjoyable to get his POV in this event and see more of his inner thoughts and motivations. I'm fond of characters who are so tired and worn down and jaded, but manage to hold onto some scrap of hope regardless, even against their own better judgment. A lot like Mlynar in that way, tbh.
regrettably this chapter sold me on hoederines a little. i'm CONFLICTED because i love wines so much, dammit. (and manhoe, but there's not as much of a conflict with my headcanons there.) But their relationship is so good regardless of whether you read it as romantic or platonic.
speaking of, Ines was a delight in this chapter. Love her role as the resident non-Sarkaz Sarkaz who is completely unaffected by whatever arcane bullshit is getting to Hoederer and W in any given moment, so she can yell at them to snap out of it and save all of their lives lmao. I love her deep loyalty and care for them that she expresses in everything but words. ugh ugh i love her
the little subplot with Vendela and the Sarkaz commander who tried to keep her safe was sweet and sad, I wish he'd gotten a unique sprite at least. I kind of want to see her meet Flamebringer now and her reaction to the friendship between him and Perfumer... I feel like there's some parallels there.
We're starting to see some payoff to the buildup with Siege in this arc, and I'm so glad! I've never really understood the hate her arc gets - I know it's partly that I'm biased, she was my first 6* so I'm rather fond of her, and I just really like the whole concept of the Glasgow Gang. And I think it doesn't help that ch12 was (imo) the weakest part of act 2 so far. But also, it was always really clear to me that we've been just... laying the groundwork with her up til now, I didn't really expect her to have big moments or turning points yet? Idk. i kind of want to write a whole post about her arc and my thoughts on it at some point. BUT, I really liked her in ch13, seeing her start to really come into her own and how all the events of act 2 up until now have shaped her decisions.
I'M REALLY SAD ABOUT GUARD ACTUALLY??? :( Tbh I have not really cared much about New!Reunion until this chapter, except for Talulah, but I'm finally getting invested. And Talulah's confrontation with Eblana was AMAZING. I've always seen her as a foil to Talulah - while Talulah started down her path with good intentions and ideals, Dublinn seems to have been like late-stage Reunion from the very start, because Eblana has always cared more about seeking power than about the oppression of the people around her. SO FUCKING SATISFYING to see Talulah, of all people, calling her out on that, and protecting Reunion from her. I really hope we get more of these two in future, and also more Reed in main story please please pleeeaseee.
This chapter was wonderfully cohesive with the themes of tradition and bloodlines vs forging a new path. Siege, Delphine and Horn, all beginning to break away from their inherited roles in Victoria's hegemony and fight on their own terms instead. The Kazdel flashbacks, the spacetime feranmut, and Hoederer's POV - a character who wants to see a better future for Kazdel, while still remembering and learning from its past. Nine, Guard and Talulah dealing with what Reunion means as a symbol, and figuring out what it should become. Shining and Nightingale, confronting the Confessarii and their own past. Even Vendela, having to let go of the life and traditions she'd grown up in, the townspeople clinging to familiarity and the hope that things would go back to normal to the point that it was literally going to kill them. The confrontation with the Sanguinarch was such a great culmination of all of this, with his fixation on blood purity and the glorious lost past of the Teekaz. And he's defeated by several people who all soundly reject his vision of what the Sarkaz "should" be - Amiya, the outblood King; Logos, who does have a "pure" bloodline by the Sanguinarch's standards but refuses to be defined by the role he inherited; Hoederer and W, two of the mixed-race "commoner" Sarkaz he's so contemptuous of (and Hoederer specifically rejecting the idea that the Sarkaz's destiny must always be soaked in blood); Ines, who isn't a Sarkaz at all, except she is, because her family is Sarkaz, and she's always going to be one of them. It was! So fucking good!
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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botanautical · 11 months
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'We all yearn for the woods. That's why every fellow on this island wants to settle down near a tree - just one will do.'
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tea-tuesday · 6 months
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10/30/2023
if it seems like my whole world revolves around school, then you are... absolutely correct ‼️ 😩 i already did my assignment for tomorrow's class but i have to finish a short memo on drinking water policy that is also due... i already have an outline and i'm halfway done w the actual memo so hopefully i don't have to stay up all night.
q for tumblr friends: will you show up to class in costume for halloween? my professor said costumes are optional but i think i will show up as a bat and wear fishnets and black thigh-high boots🦇🖤
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cuubism · 7 months
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hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic
other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?
#i actually do have one someone asked me for ages ago i've been meaning to get to so i'll try to do that too#bonus points if it still involves dream bc you know i love dream XD#probably wont do any romantic pairings /between/ the endless because well yeah#but open to exploring pretty much anything else... feel free to send whatever if you want. dont worry about if i'll like it#if i can't vibe with it or find it uncomfy i just won't write it no harm no foul#not me soliciting little prompts fully knowing that motivation is a fickle beast and who knows if i would get to writing them XD i want#to though! or like. idk. if anyone wants to share headcanons about their favorite pairings i am happy to receive them#the sandman#a couple that are bouncing around my head already:#rose meeting desire. this could be really interesting i think (they are of course her grandparent)#calliope and lucienne post-calliope's imprisonment: i think their dynamic could be interesting since they both have/had close relationships#with dream. but of course calliope's relationship with him fell apart. i think lucienne with whatever context of it she had would probably#be sympathetic to calliope's perspective but still staunchly On Dream's Side so the speak bc she is ultimately very loyal to him... could b#an interesting convo.#additionally - calliope and johanna. both suffered things recently. both had curious interactions with dream where they recently saw both#his vicious side AND a kinder more understanding side of him... [dream gave rachel a peaceful death at johanna's request etc]#but they've come out of their suffering really differently (granted it was different types of suffering. but)#wow here i am asking for people's ideas and then just coming up with my own XD#anyway#wait two others: i'm fascinated by the potential dynamic of lucienne and the corinthian they only had like one short scene together in the#show but can you imagine. spending eons being loyal to dream and then going opposite directions with that loyalty. being among dream's inne#circle so to speak except lucienne is her own entity while corinthian was /created/ by dream. they have the most fascinating venn diagram o#personality traits and narrative positions...#secondly. and this is kind of crack. but like. imagine johanna and corinthian in the same room XD 'hi i'm an exorcist and this is my pet#serial killer' 'yeah my lord gave me a vacation to go kill some demons' why doesn't he try to kill johanna? bc she tried to destroy him#first time they met and he can't help but respect it XD
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stuckwiththesnakeboi · 11 months
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tma au where s4 Jon and Daisy take Helen’s tunnels back to s1, and Jon literally cannot bring himself to have a normal conversation with any of the archive squad because he feels so guilty about... well, everything
also Helen finds s4 Martin and Basira after Jon and Daisy leave, and basically bullies the both of them into heading into her tunnels in an attempt to go after them
meanwhile, s1 Jon is having a fucking crisis and ends up purposefully going full-on avatar in an attempt to protect his friends, because s4 Jon has basically told them that everyone died and it was his fault
since Jon and Daisy are from s4 not s5, they don’t know about jonah’s eyepocalypse plan. this goes very badly for everyone involved
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hailsatanacab · 3 months
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Are you still doing the wip ask game? If so, can i ask about number 5?
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I love this one and I'm so embarrassed that it's still a wip oh no!!!! This should have been completed a long time ago to celebrate hitting 1,000 followers but uh... it sorta snowballed into way more than I thought it would and this cute little oneshot is now way more than that. Whoops.
It started as a @stealingyourbones prompt that I added on to, which you can read here! Then I posted a wee little wip wednesday sneak peek, and this snippet (is it still a snippet if it's over 1k words?) carries on from there :)
👻🦇👻
Danny doesn’t join him for what is, unexpectedly, a pretty great meal.
“Holy shit, you guys,” he murmurs, wiping his mouth with a napkin. "You’re missing out.”
“Come on, Jay, it can’t be as good as the Big Bat Deluxe.” Dick whines in his ear. “You love those.”
“No, I love the Red Hot Hood Bites. That’s all I get at Bat Burger, and don’t let me hear you telling the others that I get anything else.”
“Please, Jason, don’t think we don’t have everyone’s BB order on file, who do you think you’re talking to?”
“Fuck off, Timbits. Go eat at Red Robin.”
“Hey, fuck you!”
Jason elects to tune out the ensuing list of threats in favour of finishing his burger. He’s heard them all before and he’s like 80% sure that Tim won’t actually hide his body in a Red Robin—if only because it wouldn’t take the World’s Greatest Detective to figure out who did it and he'd be so deep in the fucking shit that he may as well join Jason.
Aside from the food (seriously, that sauce! He’s going to need to rustle up a copycat or something, he can’t leave here without a recipe), the Nasty Burger is a pretty sad affair.
It’s a little run down, the vinyl covers on the seats peeling and suspiciously sticky, and incredibly quiet. The only other people around are the two teens behind the counter, bored and on their phones, and two kids, probably around Danny’s age, sitting in the corner quietly arguing amongst themselves. There’s an ungodly amount of food in front of them, but only the guy seems to be eating.
Jason sighs and looks at the rapidly cooling Supremely Nasty Meal meant for Danny. Taking a few of the fries won’t hurt, will it?
He peels the paper bag away from the greasy mess and digs in. Huh, they really skimped on his lot, there’s only like half a carton in here.
“So, you gonna bring us back something or are we going to have to starve?”
“Haven’t decided yet.”
“What a shame,” Timbo starts, with a theatrical air, “for I am still trying to decide whether or not to tell you everything I’ve learnt about the Fentons. Perhaps we could come to some sort of arrangement?”
“You finally made yourself useful and got through those firewalls?”
“Yeah, once I managed to get my hands on a native laptop. It’s weird, but whatever was keeping out my tech lets anything bought directly from Amity in. Having such localised security—to the point where even my stuff can’t penetrate?— is beyond strange. I don’t like it.”
Jason leans back, and reaches for Danny’s milkshake, finding it surprisingly light when he lifts it up. Seriously, what is with the half portions here? He turns round and glares at the spotty teen behind the counter, who doesn’t look up from his phone. Whatever. It's not like Danny’s going to drink it anyway.
Looks like the two kids in the corner have made up, if their stifled laughter is anything to go by. Most of their own food is gone now, too, so perhaps the real reason it’s called the Nasty Burger is because they stiff you on the food.
“This place is weird.” says Dick, in a rare case of being right.
“You don’t know the half of it…” Tim sighs but doesn’t offer up anything else.
Jason’s been trying his best to ignore it.
The weirdness, that is.
There’s an electrical charge in the air so strong it almost feels like he’s swimming through static. Each breath makes his steps bounce like he’s walking on the moon. If he turns too quickly, if he stands up too fast, his head spins like he's breathing too much oxygen.
No matter what Tim thinks he knows, it’s not the full weirdness of Amity Park, Jason's sure about that. Being here itches under his skin, and he resolves not to delve any deeper into it. Not with the way the green swims on the edges of his vision. 
The sooner they figure out what’s happening here, the better.
“What’s your price?” 
“Two Supremes and a six pack of Nasty Nuggies. Cake shake with two shots of espresso.”
Jason rolls his eyes as Dick splutters in concern.
“Shake and espresso? Tim, you have a problem.”
“It’s just a frappuccino. There’s no difference.”
“Then get a frappuccino.”
“I want a shake.”
“Then there's a difference! And the difference is that Alfred will kill us for enabling you!”
“As riveting as watching Timberly’s mental and physical wellbeing disappear before our very eyes is, what’s your info?”
“The same for me, please!” Dick butts in, yet again. “Except with a coke instead, because I’m normal.”
Both Tim and Jason snort. 
“Yeah, not gonna touch that. Tim, info, come on.”
“Alright, alright. Hey, so, what’s your favourite thing about being adopted?”
“Tim, I swear to God, if you don’t get to the point right now, I’ll—”
“You’re right! It’s that none of us are actually related to you.”
“And yet somehow, I’m still stuck with you all. Point, Tim, get to it.”
He grabs the burger meant for Danny and begins to unwrap it. If he has to listen to Tim being all smug about whatever he’s found out, he’s doing it with a burger in hand.
“Did you know that Willis Todd’s Great-Great-Great-Great-Great Grandfather was a Nightingale?”
“What’s a Nightingale? Aside from the obvious.”
“A Nightingale is about two generations away from becoming a Fenton.”
“Oh, what the fuck? You cannot be serious!”
“Serious as a cake shake with two espressos in it.”
“No, my… Someone ate my other fucking burger!”
Danny’s burger has a huge, bite-sized chunk taken out of it. Literal teeth marks in the bun. A slice of tomato slops limply onto the table, painting his shirt with splatters of weak tomato juice, the red half moon taunting him. Sauce dribbles out mournfully.
The two kids in the corner are staring openly now, faces red with how hard they’re laughing.
Jason sinks into his chair with a groan.
This fucking town. 
Is this how they treat outsiders? Take bites of their burgers while they laugh on—but then why only do it to his spare and not both meals? The teenagers behind the counter aren't even paying any attention, so why bother pulling a prank like this if you're not going to—
Danny.
Jason whips his head around as if he can catch the invisible little shit, but just like on the street, there's no sign of him.
Has he been here the whole time, invisibly eating the food Jason offered him? Except the packaging was still perfectly wrapped, the sticker still attached, how in the hell had he managed to eat the burger without damaging it? Did he get to it in the kitchen? Or does he—
“Wait, hold up. What the fuck did you just say?”
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aintgonnatakethis · 4 days
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characters through quotes
Thank you @fortunatetragedy for the tag! 😊
My prompt: a quote about ideals
Telford: "The ends justify the means. It's my job to get my hands dirty and do the hard thing so others who aren't capable of it won't be called on and fail. It doesn't matter whether I can look at myself in the mirror at the end of the day - the only important thing is reaching the goal I have set for myself. My feelings aren't important."
Young: "I want to be a good man, someone younger men can look up to, someone I can be proud of, someone who doesn't struggle with the difficult decisions. I'd know what the right thing to do is because I'd be a good person."
Rush: "Ideals are a waste of time. Success is the only thing you should be focusing on."
Your prompt: a quote about justification
No pressure tagging: @frostysfrenzy @adriankyte-writes @bagheerita @etoilesombre @ashirisu + open to anyone else who wants a go!
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bougiebutchbitch · 4 months
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links to concepts in the comments!
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lord-squiggletits · 8 months
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I need to reread the comics again to have specific arguments/evidence for this, but like
I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?
Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.
So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???
It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.
I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically
#squiggposting#paused work to muse about this which i prolly shouldn't have lol#oh well i'll still get stuff done#like idk an example of this is how pyra criticized OP for using religion to manipulate people#(lets just ignore how she said she would teach OP but never actually did)#but in the story there's never any sort of confrontation where pyra learns about history or talks with OP#and OP gets to be like. yeah on my planet primes fucking sucked and i'm the only one trying to redeem their image#also ive been fighting an endless war that lasted 4 mil years in which me being a shining figurehead was basically#the sole motivating force keeping my army from just collectively succumbing to endless despair#and i also had to use this shining figurehead image i had to keep the opposing army from genociding a bunch of organics#like not once does OP get to express his side of things he's basically just shit upon endlessly by other characters as he keeps doing plot#i feel like i had another example but i can't recall who/what was involved lmao#like idk it's not just that barber's writing is depressing and dark and edgy. i LIKE stories that do that kind of thing#it's just that it feels a bit as if the story is ENDLESSLY depressing and dark and edgy with almost no reprieve#as if it's mostly presenting the flaws of the characters with no chance for them to justify or redeem themselves#idk i feel like there was another better point/example i was gonna make but i can't remember it#like idk i guess a dark depressing story would've been better if the characters at least got to defend themselves#bc as is it basically feels like they (esp OP) get shit on endlessly and never once get to express anything about it#so like. they get shit on in universe. but also as the reader since there's never a contradicting viewpoint or the character defending them#it's as if you're supposed to take this one-sided criticism of them at face value and it just doesn't seem fair AS THE READER#if i read about OP getting shit on by some people and defended by others and also him expressing his opinion on himself#then that just feels like a normal fair narrative where i get to take sides#but if it's just OP being shit on and he hardly expresses much about it#then it feels like i as the reader am expected to agree with the portrayal being shown?#but in reality the portrayal just feels negative and unfair and one sided to me#and why the fuck do i want to read a story that's just the characters i know and like on an endless shame parade#also shout out to 'literally who' aka slide calling OP 'literally fascist' lmao#one of the most cringe moments of the entire comic. wait no. i can think of a more cringe Slide Moment#when unicron is about to destroy the planet and trypticon is getting shot and dying(?) in the background#and the story decides to pause and focus on Slide so she can monologue about how evil and tyrannical OP is
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oh-meow-swirls · 7 days
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how does the raft not capsize.
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#puppy rambles#yo-kai watch#yw3#i mean komasan's not there in canon 3 so it's slightly better but not by a lot#i feel like someone should at least be falling off how is the raft also big enough to hold them all-#whisper floats so he doesn't add weight or any space really but like#it still needs to both hold the weight of three teenagers and two yo-kai#AND have the room for them all to fit#the rafting challenge in bada-bing tower is probably worse cuz it has to fit two additional yo-kai#i think komasan not being that important in the mainline games is very lame. he's pretty important in the anime so it's kinda weird#he is at least somewhat important in 3 since he's there for the yopple tour and everything in bada-bing tower#whereas in 1 he has the auto-befriend yo-kai curse (only being important in their debut chapter)#and in 2 he literally only shows up during the jibakoma quest in psychic specters#(excluding being an npc during the beginning of the jibanyan's secret quest alongside a bunch of other yo-kai)#idk what's weirder the fact they made him so important in the anime despite that or the fact they never made him important in the games#i personally go with the nyanderful days continuity that he also moves in with katie cuz that makes sense to me#i've literally never written anything where nate's the one who gets the watch in 1 so idk what i'd do there-#(funny how i've never written anything that's in the same timeline as canon-)#i want to at least write something at somepoint where nate and katie both get watches cuz i like that idea#i mean i have a dumb au idea where nate and katie independently get watches at the start of 1 at around the same time#and take an extended period of time to realize#mostly just haven't actualized that cuz 1) i already have the rewrite and 2) i don't have enough ideas#basically just have the basic concept-#these tags got derailed quick. and also make me really wanna work on the rewrite more-#i have so many ideas but i'm just not motivated to write any of them#and also most of them are for 3 and i haven't finished rewriting 2 yet 😔#‚‚‚ anyways-
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why-the-heck-not · 1 year
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you know you’ve fucked ur time management when you don’t even bother assigning tasks for different days. Instead you just have a long to do-list, and every day is a “good luck buddy, we’re rly in it now” :D
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amethystina · 3 months
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I was casually rereading whtd, as one does, and reading the comments (because i love the extra insight you give about the information that we're limited to in Ga On's pov) when i stumbled upon this comment: "… sort everything out? (and no one dies along the way, hopefully) He'll be very happy for them." about lawyer Ko and that in combination with the "minor character death tag" has made me Extremele worried about him. (plus you have also said that the kidnapping tag is not the one we should be worried about!!) I know you probably can't say anything about this because of spoilers, but know that it has been noted!!
Also kind of want a scene wherein lawyer Ko, Yo Han and Ga On are all together. Their dynamic would be so exquisite!! (obviously no pressure to actually write this, just a thought)
Anyway, whtd remains so good even after already having read and reread it in its entirety at least 5 times (and some scenes/chapters much more than that) (my ao3 history says i've visited whtd 200 times… so uh. yeah. i'm normal). I love slow burn so much (to the point where most romance book leave me disappointed bc they MCs get together like 100 pages in), i just love reading/watching the build up of a relationship and you write it so well!
I guess i just wanted to thank you for writing! I hope you're doing well <3
I'm usually very careful not to spoil what's going to happen in future chapters but I'll make an exception this time and flat-out say that you don't have to worry — Lawyer Ko is not going to die. I would literally never forgive myself if I killed him xD Not to mention that you all would probably come for my head if I did. He's just too amazing to be killed off!
So, rest assured, he's not going to die :)
And there will be at least one scene with Ga On, Yo Han, and Lawyer Ko in the same room unless my plans change dramatically. Which they rarely do, but "rarely" isn't the same as "never" so we'll see. Truth be told, though, I'll probably try really hard to keep it because I totally agree — the dynamic would be SPECTACULAR. So yeah. Stay tuned for that, I guess? ;)
You've definitely read Who Holds the Devil more times than I have x'D At least in its entirety. I mean, I reread the chapters at least twice (often three or four times) but I rarely start from the beginning and read it all the way through. I did at the end of my long break last year to get back into the swing of it, but it's difficult to find the time for that since I always have to focus on the next chapter. Which is a bit stressful at times, I will admit, since it puts more pressure on me to remember things at the top of my head (or at least know where to look if I want to check any details) but I'm lucky enough to be blessed with a really good memory, so that helps.
Anyway, I'm so glad you're enjoying it 💜 I honestly didn't plan for the slow burn to be quite this slow when I started the fic, but I can't say I have any regrets. Much like you, I just enjoy it too much ;) There's something so incredibly satisfying about delving this deep into Ga On and Yo Han's feelings and slowly developing relationship. And I guess that's also why I can't help throwing out tidbits of information in the comments, since there's usually so, so much happening within this story that you readers don't see (especially within Yo Han's head).
And I'm still not sure how to handle the knowledge that some people read the comments specifically to find those tidbits. Like, I don't mind you doing so! Go right ahead! They're public and all that. But it kind of blows my mind that some of you are so interested in what I'm writing that you'll do that. It feels a bit surreal to me, but in a good way? Like I'm an ACTUAL writer or something xD
Anyway, thank you so much for this kind and supportive message 💜 I definitely needed it right now because things honestly aren't all that great. Partly because of overall exhaustion and restlessness — mostly due to work — but even more so since it's now been a month since I posted a chapter and the requests for me to please update soon are starting to come in. I swear, it happens like clockwork every time I don't post within a month. And, what makes it worse, is that it's often from people I don't see comments from when I actually DO upload more frequently. As in, they don't comment on the fic itself, only when they think I don't update fast enough. Which is pretty disheartening, not going to lie.
Tragically enough, once the month mark passes, I have to start bracing myself whenever I get a comment or ask because there's now a 50/50 chance that it'll be someone asking me to update soon. They usually try to be nice about it, but it kind of always fails.
So, again, thank you for this. Because while I know that I should take my time and update on my own schedule, it's not always easy to remember that when people start asking me why it's taking so long. This was a nice change of pace and I'm very grateful for your kindness. Thank you 💜
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thawthebeez · 8 months
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hey guys. tumblr user thawthebeez back at it again with yet another haikyuu essay B) the topic of today is one that i see NOBODY talking about which is crazy because this motif is (in my opinion) one of the main foundations of the kagehina community.
now may someone please explain to me why the HELL nobody ever talks about how whenever Tobio expresses an insecurity of ANY KIND, Hinata is ALWAYS the first one to swoop in and tell him not to worry about it?
yes, we've all established that Hinata Shouyou is the #1 Kageyama Tobio understander. we get that. BUT THIS IS ONE OF THE MAIN DISPLAYS OF THAT AND I'VE SEEN LITERALLY NOBODY SPEAK OF IT EVER.
i'm pretty sure there's an instance of it in season 2 (either that or my brain just made it up) when Tobio is a little worried about his and Hinata's quick attack not really working out but Hinata tells him "nah you'll figure it out eventually" or something along those lines. i'm not going to lose my shit over it because i can't find it but if you know YOU KNOW.
a part that i COULD find from season 2, however, was this:
here we have Tobio explaining how talented of a setter Oikawa is- how he's so much better than him- and it's clear that this is something he's insecure about given his facial expression.
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THEN we have Hinata's INSTANT response:
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and it blows Tobio away because WHAT
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because, to paraphrase a little, Tobio basically just said "yeah oikawa can make any spiker look good no matter what team he's on" to which Hinata replied "yeah but that team wouldn't be Karasuno" which is essentially "Karasuno is strong enough as it is" BUT- if ur crazy- " dw he wouldn't take your spot babe" (<- which probably isn't how it's meant to be interpreted because they just finished talking about The Team That's Stronger As Six thing so like... context clues. it's probably not the insane interpretation).
ANYWAYS boom there it is. Tobio expresses insecurity, Shouyou swoops in and goes "Ermmmm Actuallyyyyy🤓" WHICH IS SO FUCKING ENDEARING ON IT'S OWN BUT THE FACT THAT IT HAPPENS MORE THAN ONCE AND AT SUCH A CRITICAL POINT TOO
the critical point in question being:
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(context: Tobio just came back from his training camp in Tokyo and is a little frustrated because he's gotten so used to playing with other prodigies like himself so to go back to talented-but-not-prodigious players is a bit of a switch for him. don't get him wrong tho he loves this team to DEATH it's just a little different that's all. hashtag number one Tobio apologist right here)
SO THERE'S THIS! and it goes without saying that Tobio is DEEPLY insecure about his late middle-school days and being referred to as a king. Tsukishima adds a little salt to the wound and while I didn't take a screenshot of it Tobio makes this look of absolute HORROR after he says what he says
(which, side note, shows a lot of a character development within Tobio. especially since I've been flipping between season 2 and 4 a lot looking for these clips. Tobio didn't even notice when he was acting kingly before but he realizes it INSTANTLY now which is so so so good for him yayyyy character development!)
this also leads fantastically into my next tangent which is
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TOBIO FUCKING APOLOGIZES!
now, admittedly this isn't entirely related to my thesis but i absolutely ADORE talking about this scene and i genuinely think it is one of the most prevalent displays of character development within Tobio because i feel like he tends to get overshadowed by all the other characters (especially Hinata, which i'm not upset about in the slightest like it makes perfect sense and if Tobio got all the attention all the time the show would be soooo unbalanced)
but I feel like a lot of people skip over Tobio's overall development over the course of the show. I mean compare s1 Tobio to s4 Tobio THAT IS NOT SAME PERSON ANYMORE. he grows so much over such a short period of time (which is another essay I could write. something along the lines of "Explaining Why Tobio And Shouyou Need To Be On Separate Teams Actually Because Character Development Purposes" because the amount of people i've seen on tiktok complaining about kghn being on separate teams and how they should just be on the same team forever makes my blood boil violently) and it's so refreshing to see Tobio's growth especially as a big Tobio enjoyer.
ANYWAYS back to the main thesis.
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So Hinata steps in IMMEDIATELY here. literally cuts Tobio's apology off because HE HAS NOTHING TO APOLOGIZE FOR. he was expressing his thoughts whatever that's fine he could have done it in a nicer way SURE but listen the guy still has a LOOOONNNGGGG way to go but still, nothing to apologize for. it's just growing pains, y'know?
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now the quote "What's wrong with him being the King again?" appearing here isn't the first time we're seeing this. Hinata has ALWAYS been confused as to why calling Tobio a "King" is a bad thing. literally from day fucking one Hinata was like "nah dude I think that title is cool" WHICH, AGAIN, TOBIO BEING INSECURE ABOUT SOMETHING AND SHOUYOU REASSURING HIM THAT IT'S TOTALLY CHILL HELLO?????
LITERALLY FROM DAY ONE SHOUYOU HAS BEEN DOING THIS. THAT MAN MAY THINK TOBIO'S AN ASSHOLE SOMETIMES (and he kinda is) BUT NEVER WILL HINATA INHERENTLY HATE A PART OF HIM. and i don't think they realize it here nor do i think the realization comes soon after but at some point there will be the realization that they love each other. every single part. fucking Tobio probably realized it way back in junior high but that's a tangent for another time.
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now this line.... this one right here...... oh my god i can be SO NORMAL ABOUT IT.
the main reason why Tobio had this look of HORROR on his face after he yelled at everyone was BECAUSE HE KNEW THE ENDING. he knew that yelling at them would have consequences (if it weren't for Hinata stepping in thank god). HE'S SEEN IT ALL BEFORE. in his final year of junior high he yelled at his teammates to run faster and jump higher and be better AND THEY LEFT HIM!!!
so Tobio yelling like this instantly makes him afraid that he's just ruined the entire balance of the team. he thinks he's going to be left behind again because he yelled and everyone is going to leave him BUT!!!!!
BUT SHOUYOU IMMEDIATELY JUMPS IN AND SAYS "idc what u say honestly if i don't like i'm just not gonna listen" OR, TO TRANSLATE "i'm not going anywhere regardless of what you say"
Tobio's biggest fear is losing this team. I literally do not need to explain why. that man would fucking DIE for this team (if you really need an explanation just to go the end of the Kamomedai match when Tobio admits that he's upset they lost because he wanted to play with that specific team more).
and for Hinata to essentially say "you could literally be as kingly as u want and i simply would not care, pal, i promise you i am NOT going ANYWHERE!!!" which has got to be SO FUCKING RELIEVING FOR TOBIO.
(also something something "nobody was there" / "i'm here" something something "doesn't matter what kind of toss goes up if you send it my way i'm hitting it" something something they're soulmates or whatever they are literally bound together by the universe they were destined to be together and it's a crime that universe kept them apart for so long and now that they're together they will always BE together two peas in a pod literally inseparable they are hot glued and duct taped together.)
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and then there's this. i mean at this point you already know what i'm going to say like you get it by now but again IT MUST BE SO RELIEVING TO TOBIO to know that shouyou thinks his biggest insecurity is cool. that shouyou thinks that it's not something to be concerned about. that no matter what, no matter how much a King he is, they're not going anywhere.
SOMETHING SOMETHING "you drew stars around my scars" IF YOU EVEN CARE
and just the fact that it's always ALWAYS shouyou to do this. the fact that there was dead silence before shouyou spoke up. the fact that it's ALWAYS HIM there to understand Tobio (someone who has been misunderstood for as long as he can remember) GOD THEY DRIVE ME INSANE.
anyways thank you for being a witness to this madness👍
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moregraceful · 13 days
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actually one thing causing severe sunday scaries is my former coworker said she'd front the cost of me submitting my writing to a pretty prestigious contest that includes mentorship and publication, and while i'm not afraid of being judged, because i know the value of my poetry and i know what it means to ME, i am deeply afraid of winning and someone being like do you have chapbook material, and me having to be like. well i have a pantoum about nathan mackinnon, some blackout poetry about being transgender from an article about the new jersey devils, and a really good poem-comic about grief and love and queer found family but it's also about witches and also it's kind of distantly fanfiction about the baltimore orioles but i don't have the art skill to pull it off. like hello? no. i don't fear anonymous judges disliking my poetry because ultimately i do not care about their opinion, i fear being asked to seriously consider publication of my nonsense poetry
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