There's something almost calming about watching Jaskier when he orgasms. It's always so loud, and intense, and powerful; it leaves no room for anything else.
It's as if his body is absorbing every bit of chaos that surrounds him until he can't take it anymore, and then he simply... releases.
Geralt's had the pleasure of experiencing it many, many times now, and it always has the same impact on him, if not stronger each time. It's addictive, makes him wish that he could spend all of his days, every day, his only purpose in life being to bring Jaskier to orgasm.
And it's possibly making the person in the room next to them homicidal because this would be the seventh time tonight that they’ve banged on the wall, and shouted insults at Geralt and Jaskier for being too loud.
Jaskier’s chuckle turns into a gasp when Geralt slips out of him— the slide slippery, the sound lewd.
Geralt grunts as his body hits the mattress, finding that he's aching in the way he always does after several rounds with the bard. Very few people can tire him out, but it is no surprise that Jaskier manages to be on that short list.
"Outstanding as always, dear witcher."
"Hm."
"And verbal as ever," Jaskier teases as he sits up. "Your ability to be so nonchalant and quiet after sex with me is becoming quite offensive, I must say."
"This is how I normally am."
"You had a lot to say an hour ago when I had my lips wrapped around your cock."
Geralt shrugs, "I was inspired."
Jaskier rolls his eyes, but there’s a playful glint in his eyes as he sits up and begins searching for his pants.
Geralt admires his back (and his backside) as he moves, eyes trailing over the—
Wait…
Wait.
Geralt doesn't panic, okay? Living the life he lives, he doesn't have that privilege, but right now, laying in this bed as he watches Jaskier get ready to leave— fuck, he might be panicking.
Because Jaskier never leaves after sex, not since after the first few times, at least. And yes, he isn't necessarily obligated to stay, but he always does, and so does Geralt, and now he isn't.
Why?
Why is Jaskier not talking him into cuddling right now?
Why is Jaskier not attempting to get him into the now-cold bath in the corner of the room?
Why is Jaskier not going on one of his very detailed post-sex rants that Geralt pretends to despise, even though they both know he gets invested each time?
Why is Jaskier not falling asleep right now? Hogging up all the bed space and stealing the blanket while using Geralt's chest as a pillow?
Geralt remains as still as possible, barely twitching out of place as Jaskier pulls on his doublet. He may not feel normal about this, but he can sure as shit act normal, even if it isn't normal.
"Alright, darling, I'm going to go fetch us some water. Be back before you can miss my presence too much," the bard announces, throwing a wink over his shoulder before practically skipping out the door.
The words settle him, but only for a few moments before he's ready to panic over something completely different because why did he care so much about Jaskier possibly leaving?
Sure, Geralt has become almost as fond of the after-sex things as he is of the sex-sex things, but he doesn't need them. He won't break down into tears without them.
Except...
That's sort of exactly what he was ready to do just now.
Okay, maybe Geralt wouldn’t have cried, but he definitely would’ve bothered… upset, even.
And he knows this because even with the knowledge that Jaskier is coming back, even knowing that Jaskier only left so he could make sure they both stay hydrated, Geralt is, in this very moment, bothered.
Which isn’t good. At all.
Because the last time he got bothered by someone leaving, it was Yennefer. And he was only bothered because.
Well.
But that wouldn’t make sense, would it? Because Jaskier leaves all the time. He leaves Jaskier all the time. They part for months on end, and Geralt lives.
So what if Geralt has begun to notice that it gets a little harder to willingly go every time they part ways?
So what if his mood during the months where Jaskier isn’t around is shittier than usual?
So what if his mood when Jaskier is around is better than usual?
That doesn’t mean anything. Sex puts most men in better moods, that doesn’t mean he’s in love with the bard.
Not that feelings would mean love. Because a little crush doesn’t equate to love.
Not that Geralt has a little crush, or any crush of any sort. Because he doesn’t. Because he can’t.
Because what they have now, friendship and lust and comfort, is the best thing that has happened to him in a while, and he will not ruin that over catching feelings, of all things.
He doesn’t have feelings for Jaskier, so he can’t ruin anything.
“I don’t have feelings for Jaskier,” he says aloud, into the empty room, but the words feel heavy on his tongue.
I can’t have feelings for Jaskier.
“I don’t have feelings for Jaskier,” Geralt says again, but this time, it comes out as a growl.
Please, don’t let me have feelings for Jaskier.
“I do not have feelings for Jask—”
The door opens, and Jaskier walks in with a wide smile, and that spark of electricity that follows the bard wherever he goes bursts in behind him.
Jaskier takes easy steps towards the bed, and it’s like he’s moving in slow motion.
Geralt desperately wants to run. He doesn’t.
He remains still as Jaskier sets down the pitcher of water, and the cup in hand, and fills it up to the brim before turning to Geralt with a disarming gaze.
The rim of the glass in Jaskier’s hand is pressed to Geralt’s lips, and the witcher takes in the sight before him.
Those wide blue eyes, and that disheveled hair, and those pouty lips— he realizes that he could probably draw every single feature of this man’s face perfectly without even looking, and he’s never drawn a day in his life.
I can’t.
“Well?” Jaskier says, “drink up.”
Geralt parts his lips, and Jaskier’s eyes drop, and Geralt’s heart thuds so loud, it seems to echo throughout his entire body, and Jaskier smiles wide, as if he heard it.
I do.
Fuck.
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"Superzero" Fic Notes
Superzero, my secret superhero AU, is finally done! As usual, it went way longer than predicted, but I had a lot of fun with it so thanks for being along for the ride. The fic notes are… long.
Epilogue Life:
Scorpia takes longer learning her powers than is “typical” as a result of the crack in the garnet, but it does slowly heal over in her care. Her powers are also just a particularly dangerous set, but she learns to aim them at the technology and weapons of those coming at her rather than the heart. It takes a bit of training, but eventually she joins them in the field. The entire Alliance considers her the most likely to compromise them, but she’s one of the fold, so they take her in.
Catra continues to train alongside her and eventually the papers pick up on a secret member of the Alliance between some odd occurences and the name Ghost being thrown around. It’s still just speculation that’s never confirmed, but Catra is a part of the plan.
With the Horde dissolved, they do still see the odd supervillain or group attempting to rise up in their place (the Crimson Waste, for once) so they still have superheroing to do, not to mention natural disasters to help out in, but they aren’t as busy as they were before. They have more time for each other. And also studying. Catra of course finishes law school and passes the bar, eventually becoming a lawyer. Adora is stupidly proud of her. She works in a clinic for a while before becoming a full vet herself, but she gets there too and they do end up with that bayview apartment she wants eventually.
Chapter 1: Chance Encounter
⦁ Adora was Going Through It™️ when she fought Shadow Weaver, as the breakup was still fresh and she needed an outlet, which ended up being Shadow Weaver’s face. The Alliance had been fighting her for years, and she was personally responsible for the incident that caused Adora to miss their date, so the next time Adora fought her, she was pretty much screwed. Years of terrorizing the Fright Zone and one interrupted date gave She-ra all the motivation she needed to take her down.
Chapter 2:
⦁ Melog’s capture was originally the button on this chapter, but I didn’t want them to be captured for that long so I decided to imply the library attack’s purpose earlier
Chapter 3: Overworked
⦁ “Catra can’t tell she’s looking at her cleavage” Well she couldn’t until Adora’s eyes snapped to meet her and then she felt the change. She didn’t know where she was looking but like, come on. She’s so lucky Catra was so tired.
Chapter 4: Movie Night/Return
⦁ The mentions of the kitchen light are a reference. Even if you have good taste you probably won’t draw the connection though lmao.
⦁ Originally, Adora was always supposed to use the window. In fact, in the first draft of chapter one (which ended up almost entirely rewritten), Catra’s backpack got left at the library so Adora had to bring her in through the window and that’s what established the pattern, but then I tried to write that and realized how logistically dumb that was. I still intended for her to switch to using the window pretty quickly, but I was basically just waiting for a good time for them to have the talk about her neighbors possibly seeing and by then I realized that my early idea for roof meetups just made more sense.
Chapter 5: Rooftop
⦁ Initially the fic was supposed to start here. I really wanted to write this fic for The Scene™️ (more on that later) so it kind of made sense to start the fic with Catra already friends with She-ra and then I’d get a chapter or two of these secret meetings and flirting, and then I would get into the kiss.
When I went to write the fic, though, I decided I should show the initial rescue in a prologue kind of thing and then do some skipping forward through their friendship. I started writing chapter 2 though and it just kept continuing “in real time” and I absolutely couldn’t skip that angst because it was fun, so I ended up just writing the whole thing and having chapter 5 be more like what I thought 1 & 2 would be initially.
⦁ Catra assumed She-ra was stopping by when she had Alliance business in the area, and that is partially true, but Adora was also swinging by when she could disappear for a few hours without her roommate noticing/questioning it, which was easier said than done.
⦁ There was a line all the way back in chapter one that I cut for being awkwardly phrased, not realizing it was the establishing line for the fact that She-ra has been missing for a few hundred years. It was only when it came up again in chapter five that I noticed, and by then I had already posted almost everything leading up to it and there wasn’t anywhere to put it back in early. This is one of those things were, if this was a book, I would fix that on the second draft but you don’t really get a chance for that with fanfic. I had already posted chapter three by the time I realized so the earliest I could have added it was chapter four, and by then I decided to just wait until chapter five, since the part where that would actually become relevant wouldn’t be for a few chapters anyway, it just should have been set up sooner.
⦁ Adora immediately assumed Catra was talking about her when she mentioned a breakup, but she was also kind of worried she wasn’t and there had been another relationship in the interim that she didn’t know about.
The whole conversation was rough for her. She was trying to comfort Catra while subtly encouraging her to think more about what could have actually happened, and she completely meant it when she said Catra deserved better (…than she had treated her).
⦁ While “breakup haircut” isn’t a phrase I’ve heard exactly, the concept of cutting all your hair off when you go through a big change — often a breakup — is definitely one I’ve seen around a lot. There’s entire songs about coming back into an ex’s life as a blonde. I mean, how many of us shaved our heads during the pandemic. Of course there was the added factor of not being able to get a haircut, but trauma haircuts — or hair dyes — are a definite thing.
Chapter 6: Mistake
⦁ As implied in the fic, the spell-storm was a side effect of Shadow Weaver trying to drain Melog’s magic. She couldn’t control it and it manifested physically in the environment.
⦁ Writing this fic was a really interesting challenge because of the unusual dynamic between Catra and She-ra. It was so weird to write Catra falling for someone who wasn’t Adora, but also was; not to mention She-ra backing off at weird times because she thought she might out herself to Catra, etc. Catra was wary of She-ra and she would have been way more so if she wasn’t a) a literal superhero and be) reminded her of Adora.
The whole dynamic was really complicated, but it’s part of what made me want to write this in the first place, so even if it was really hard and I had to rewrite a lot, it was a good challenge
⦁ … That was part of what made me want to write this fic. The rest of was The Scene™️, which was the kiss and fall out in chapter 6. Pretty quickly Catra finding Melog and then the smug introduction with the Alliance became the “secondary” Ccenes that I also pushed towards when the rewrites were getting to me.
⦁ I had so many different ideas for how the reveal conversation could go I couldn’t possibly hope to fit them all into one and not have it be like twenty minutes of extended arguing, so after trying a couple variants, I settled on the lines that worked the best.
Chapter 7: Hindsight
⦁ This fic is interesting because, while I never really mention it or make it too explicit, it is partially nonlinear. The scenes with Melog, especially, were never intended to be signposted as taking place right where the other scenes were in the story. Another example is the kiss scene partially playing out twice from each perspective, and the start of chapter 6. Catra’s spiraling lasts well into the night whereas Adora’s following scene with Glimmer takes place earlier, right after Chapter 6 cut off.
⦁ Initially there was supposed to be an extended beat in this chapter where Adora thought she was being quietly kicked out of the Alliance (not completely, but that they were going to stop trusting her with anything other than punching). It didn’t end up fitting with the timeline, so it got dropped to like one line of speculation on her part in the Netossa scene, but the idea was going to be that the team gets called to another emergency like four days later and they don’t invite Adora. Now, that was actually because she was just recovering from being sick and walking around like a zombie, but she thought it was proof they were done with her and thus she went down to the Alliance sanctum to punch it out.
A relic of this plan that I ended up keeping is when Adora says “I don’t care. I’m not doing this,” in the scene with Glimmer. The second half of the plot beat was, at the same time as Adora thought she was kicked out, the Alliance thought she might be quitting. They were giving her space both to recover and calm down, but with how badly she broke then, it seemed like she might have decided that she wanted to be done with the thing that had totally ruined her life. No one thought she would actually stay away, but they were giving her room to cool off.
⦁ Speaking of the punch-out scene, that was initially written all the way back in chapter 2. Basically I wrote the very beginning (Netossa tells her to talk and offering her the easy way, ending with the “drop the goddess act” part) with the idea being Adora was angsting over Catra, but pretty quickly I was looking at the set up and going oh this would be so much better later when she’s really angsting so I cut it out from there, tossed it in my Scrivener doc, and then reused the structure of it for this scene.
⦁ April 26th is the day season 2 of SPOP dropped. November 13th is when the show premiered. The other dates are made up bullshit.
Chapter 8: I Like the Idea of You
⦁ Which name Catra is using for Adora (Adora vs. She-ra) is important in this scene. She is considering how she knew them as separate entities and using each name depending on that at first, and then she’s trying to just sink into the She-ra fantasy, and then she starts losing herself. She uses She-ra when Adora is especially confident, flexes her strength/powers, or Catra can’t see her face to contradict it — basically whenever Adora plays into her initial She-ra fantasies — and she uses Adora when she is being soft/gentle/meek, when Catra has an emotional connection to what’s happening, or sometimes just because she’s seeing her face and that’s Adora’s face, not the mask she pictured for She-ra.
A weird example of this is the, uh, you know, spit string moment, where Catra is actually having an internal reaction to seeing Adora debauched/debauching her like she used to fantasize about. She’s also looking at Adora’s face again for the first time after looking away. I know there’s a lot of name-changing in this scene, but it all has a purpose, and part of my editing was making sure the right ones were being used for each moment. By the time Catra was really getting into it, though, the scene/Catra were getting away from me and taking control, and thus using Adora for every name, and I had to fix that in a few small places.
⦁ At this point I’m writing things in smut just based off the if I haven’t done it before. I’ve always written a range of stuff , but when writing this I found myself just doing things because they were new without much other reason as long as it still served the purpose I wanted for the scene.
Chapter 9: Ripples
⦁ The glamor is actually lowkey a reference to an earlier version of the fic idea where the Alliance just straight up didn’t wear masks and it was a Superman situation. The idea was there would be a glamor (similar to the Mist in the Percy Jackson series) that would make it really hard to recognize someone for who they are, but could still be fought through. It was one of the contender ideas but I quickly settled on just having them wear masks.
The way the glamor actually works in-universe is that it makes it hard to notice similarities. So before meeting She-ra, Catra straight up couldn’t notice “hey, the Alliance is led by a trio that matches the description of Adora and her friends,” but once she saw She-ra’s face she had enough to be like “that’s Adora.” Conversely, if She-ra had been someone she didn’t actually know well like just one of her classmates she didn’t actually talk to, she still might not have been able to recognize her without the mask on.
The glamor is not inherent to the runestones, but is a manifestation of their power that has come over the last four hundred years of the princesses living in secret. If a princess chose to be open with her identity, the glamor would ease as the runestone learned it didn’t have to help her hide. Basically, it’s a learned behavior of the runestones, not innate.
⦁ Usually in canon fics I have Adora tend to refer to She-ra as if she’s a third person (because Adora has a lot of issues feeling like she’s not living up to what She-ra should be, or putting She-ra and her duties above herself) and Catra reacts like she finds that weird. The truth is Catra partially does, but she’s also training Adora to recognize she is She-ra, she doesn’t have to do anything more to be worthy of being herself, and she is the only one who gets to decide what She-ra’s duties are. This only really comes up in post-canon fics, where they both have had some Realizations™️.
In this fic, Catra starts off trying to distance She-ra from Adora, so she reacts completely opposite to how she usually does and refers to She-ra as a third separate person for herself. Adora does this too, just like she always does. Catra only starts coming around slowly and changes her mind later.
⦁ Micah had his suspicions and he probably would have come even if he had known just because he would have been worried and felt like he could handle himself. The other princesses trying to comfort Angella with that at the time is part of why Angella turned to Castaspella. She also felt like she deserved to know the truth about how her brother died, even though that context really had nothing to do with it. At the end of the day, Micah made the decision.
⦁ When the comms are turned on, they’re constantly broadcasting to each other, but the microphones are set to be partially muted so they (hopefully) mainly just pick up the person who is wearing them talking. When the button is pressed, it turns up sensitivity and also bumps the broadcaster’s volume up so their orders can come through clearly.
Catra could just barely be heard over the comms, but of course Adora caught something, and then she saw Entrapta when Bow fired his arrow, who she recognized in conjunction with Catra’s voice (her hair is kind of distinctive). She asked Bow “What’s going on? Is Catra here?” and that’s when he said not now.
After the robots were dispatched, she immediately landed beside him and gave him her Firm Commander look and he explained the brief interaction. Once the scene was completely cleared and they had teleported back to the sanctum, Adora agonized over Catra before ultimately deciding to text her. If Catra hadn’t responded, she would have had Glimmer bring her over to her apartment (which Glimmer would have done with minimal complaint, because there was a real chance Catra had gotten injured trying to leave the scene) but Catra texted back fairly quickly. She didn’t respond to Adora’s second message, which she would have liked just to know what was really going on, but she took what she could get.
⦁ Guesses for who Melog actually was were really interesting. I thought that either people were going to be onto me immediately due to the pronouns or be completely unsure due to assuming I was using they/them pronouns to obfuscate it. I saw a mix, though I don’t think anyone really guessed Melog by name in the first chapter.
For the first couple chapters, guesses seemed evenly split between Melog and being unsure. Other guesses were DT, Shadow Weaver/shadow spies, Micah, and the First Ones worm (or maybe elemental?) from Glimmer’s coronation trial. Sorry to everyone’s Melog comments I ignored, but I wanted to maintain the mystery.
⦁ On a similar note of future guesses, no one commented a correct guess on Catra finding out the exact way that she did. There were some interesting theories that I enjoyed, and a few more along the lines of how she would potentially join the Alliance that were exciting to see so early on.
⦁ Catra started to say “Good boy” and then realized that was wrong for several reasons and probably demeaning, so she just pivoted.
⦁ Catra finding Melog under the dumpster was the second Scene™️ for this fic. It was one of the first things I outlined for it. Actually it might have been the first because I never wrote out an outline for the kiss scene, I just pictured it in my head a dozen times starting back when I was still writing AMLAIT.
The Melog scene was, in the very initial idea, taking place after a chance attack Catra happened to get caught up in, but as soon as I started writing the fic and used that plot device in the opening I didn’t want to use it again, so the Entrapta thing formed because I already had the technopath subplot set up for later.
Very little changed about the scene except how Catra got there and a little dialog tweaking, but originally Catra was supposed to hide Melog in a backpack she was carrying. I didn’t want to write one into the brief “chase scene”, so I gave her a gay flannel instead and had her wrap up them in that.
Chapter 10: Cause and Effect
⦁ Normally I uppercase krytian, but for this fic it was a species name like “human” so I (un)capitalized it as such.
⦁ Melog doesn’t know a lot about krytians due to a mix of their age when they were orphaned and the language gap. Melog’s parent never said to them “We are krytians, we were victims of a genocide by a human religious sect” they said “We are us, but others are dangerous. They hunted us, and now we must live in secret.” Krytians think of themselves as we and everyone else as them. They don’t have pronouns because they are I, you, or us. It’s combination of their culture and their communication method that makes it that way. Melog had no idea what the world would know them as until Catra told them. Shadow Weaver called them it a few times, but again, Melog didn’t know what that meant. It wasn’t until Catra found them and helped with their memories that they understood their jailer was named Shadow Weaver.
⦁ Okay this is something I had to cut from Chapter 10 because the whole thing it was included in dragged on, but I’m really SAD I had to cut it because it is, well, sad, so here it is, to hurt you with for posterity:
“Krytians forms are so reliant on magic, they don’t even leave bodies behind when they die. They dissipate back into the area when they die. When Melog lost their parent, their tombstone was a slowly fading well of power. Melog was the only one to ever know that they lived or died.”
⦁ For this fic, I considered having Shadow Weaver just be a supervillain and Catradora grew up in some Anonymously Rough group home together to set up the right experience for their current insecurities and mental issues — I even went back and forth on some edits early on to leave more possibilities open — but once I had the whole Melog plot getting Catra into the Alliance, it only made sense for her to have someone to fight with them, and setting up Shadow Weaver as a ghost from their past worked perfectly for that. Plus, I couldn’t resist the “I was raised by a supervillain” line.
⦁ A big part of Catra’s struggle with Adora in this fic, after she finds out the truth about what happened, is neglect. She knows that Adora didn’t drop her and she had reason to be busy, but it was still a pretty shitty way to treat someone even before you get to the ‘lying about it’ part. Catra (as she later demonstrates) is capable of understanding and even sharing Adora’s commitment, but it wouldn’t be fair for Adora to continue to put absolutely everything first aside from Catra, and the fear that she would do that again was a big thing keeping Catra away.
Adora loves her and she makes that rather clear, assuaging one of Catra’s fears, but loving someone and actually treating them well — especially the way they consider treating them well — are two different things. I brush up on this a lot in my Catradora fics (BFM comes to mind) but I feel like it’s especially important for this one.
Chapter 11: Peace Talks
⦁ The Swift Wind thing came from a comment exchange on Chapter 4 where I said that I wasn’t planning on it, but the way I would work Swift Wind in would be for Adora to “deputize” a police horse in battle and for him to then work on freeing all the animals used by the police.
It would kind of be a random thing to include in the fic, but I really liked the idea, so it was kind of in the back of my mind and I formed the idea of it being a story the Alliance tells rather than a scene on its own. I was really happy to be able to work it in. I think sometimes I go “that’s a distraction/irrelevant to the fic” but like… it’s fic. “Regular” media can have one off jokes and this is fic where I can do whatever I want so communist horse it is.
⦁ As is… just expected at this point for my fics, half of the contents of chapter 11 were supposed to also be covered in chapter 10, but that thing hit 8k before they even explained anything, so it had to be broken up.
⦁ Chapter 11 is basically the end of my main planning for the fic. After that point, it was all new stuff I came up with to serve the ending of the story that had been written so far. My big outline point for everything after chapter eleven was basically just “take down the horde. Be superheroes. Kiss & make up.”
Chapter 12: Movie Night?
⦁ Given that I just said 11 was the end of my planning, it feels weird to say “12 wasn’t supposed to exist,” but it really wasn’t. My planning by then was for the story to shift into Catra and Adora cautiously taking up texting while she set Entrapta on the Horde’s scent — basically, Chapter 13. The first scene of Chapter 12 started as an ending button scene for Chapter 11, but then I got the idea for the movie night (which actually originated back in Chapter 10, where the initial draft of the chapter included them explicitly planning the horse movie thing) and — more temptingly — the secret kisses during it, so then I had to write it.
The scene with Glimmer was also unplanned (when I first tried to write it, the idea was that Catra actually stayed the night because it was “too late” to go all the way back home, but then the gap between the movie and the morning was too big for conversations to not have taken place), but showing Catra open up a little to more members of the Alliance was important for when she joined them later, so I wrote it.
⦁ Catra says the new place “wouldn’t work with Melog” for two reasons: 1) it was another studio, and she needed more options for privacy, especially with Adora around, and 2) it didn’t allow pets. Now, she had no intention of paying the pet fee or ever revealing Melog’s existence, but if a neighbor was to hear Melog meowing or pawing at the door, they would just assume Catra had a cat and had paid for it, instead of possibly snitching about her sneaking one in.
⦁ “Princess isn’t a thing for her” *proceeds to immediately outline why it’s a thing for her when Catra says that*
⦁ Obviously Catra was worried about She-ra finding out Entrapta was a technopath before because her entire apartment looks suspicious as hell, but knowing it’s Adora, she knows she’ll listen to her if she says Entrapta isn’t with the Horde. Otherwise, there’s a very real chance of somebody thinking she’s the one building their bots.
⦁ If you’re capable of not crying during the train scene in Spirit then you’re heartless.
Chapter 13:
⦁ The line “[Trust] can be lost in [a year], too” is in reference to Catra and Adora, not the Alliance.
Chapter 14:
⦁ Glimmer stalled telling her mom because she wanted school to be busy so Angella couldn’t say or do much because it would distract me from finals, mom.
⦁ Shadow Weaver ran the home for every reason Catra listed and more. Maintaining a secret identity (as long as absences didn’t become conspicuous) helped her fly under the radar. It also made her not entirely reliant on the Horde (she didn’t trust Hordak, though if anything he shouldn’t have trusted her). When the kids hit their late teen years and were about to age out into the world, she knew exactly who, when, and where to target them (as Shadow Weaver, or via proxy with another member of the Horde) for a recruitment pitch.
She was especially looking for magic children who might have a future in the Horde — or who might be capable of becoming princesses and inheriting/fixing her runestone, or using another one if they ever managed to track down She-ra and Spirit Ember (both runestones clearly lost, but Shadow Weaver didn’t know if that was permanent or a situation like how she acquired the Black Garnet and thus she hoped to find more). She saw that opportunity in Adora, which is a reason why she targeted her and Catra in particular.
Finally, Catra is kind of right that she did it for her own “enjoyment”, but it was in a very different way — at least to her. Shadow Weaver legitimately saw herself as helping the kids who crossed her doorstep and thought the world needed her and people like her to prepare these poor, unloved, unruly children for the future. She thought she was a hero and any sliver of remorse she had for the Horde’s more extreme actions she could dismiss with “well look what good I’m doing with this home, it balances out.”
⦁ “It’s a nice dream” Yeah Horde Prime’s line like that still fucks me up and I had to slip it in.
⦁ There’s a dampening spell centered on the door so other people in the archive don’t hear it opening and closing (all the secret tomfoolery would be pretty ruined if people heard a bookshelf being dragged around in the next room all the time) but it also lets me surprise Catra, which is a rare opportunity.
⦁ The alarm at the computer goes off at the same time as a mid-level priority message to all their phones so someone will check the news/hub to see if it’s something they need to deal with, but since they were in the room with the alarm, no one heard/cared about their phones buzzing.
⦁ Melog’s ability to warp the world around them as they travel the paths is inspired by Little Nightmares 2 and that’s all I’ll say on that because it’s not a game that should be spoiled. I thought it fit well with their illusion magic, though. I think the official power is called something like object distance manipulation but relativity manipulation sounded like a better fit to me.
⦁ I was kinda surprised people asked about Netossa and Spinnerella’s codenames (which is a fair question) but no one asked for Bow since they’re all in the same spot as not having a runestone in canon.
For Bow, I came up with the Cupid thing Catra mentions early on in the fic as a joke, and while I do think it’s a plausible thing for Bow to consider given his very “I love love” attitude, I don’t think he would actually pick it and it felt a little diminutive. Apollo was a late contender thank to the historical connection with his dads and his association with archery, but I thought about other bow/arrow symbolism and remembered one of the Zodiac had a bow and arrow and thus went with Sagittarius once I realized it was Glimmer’s zodiac. This meant I had to spell Sagittarius. So I fucked up there.
For Spinnerella, I never ended up saying it in the fic so I kind of got away lucky, but her runestone is an amethyst. I had been calling her just “Cyclone” in my head, which of course didn’t match with a runestone so I had to add some kind of gem/mineral thing in there, but there’s a big range from the simple “Moonstone” to the slightly more descriptive “Sea Pearl” to “Fractal Flake” which is… nothing. I tried for a while to make some kind of alliteration with “Cyclone,” but there aren’t a lot of gems that fit that, so in the end I went with just Amethyst despite being a little unimaginative because I couldn’t come up with anything that wasn’t cumbersome to shout in battle. I really tried to work some kind of “Air Amethyst” type alliteration in there but it just didn’t happen.
For Netossa, I thought about making her sapphire early on because blue, but that’s a Steven Universe character so I wanted to either find something else or add a modifier onto it. Coming up with modifiers related to nets is… hard. Star Sapphire and Cerulean Sapphire (bit of an oxymoron, but it felt like it fit with the naming conventions lol) were in contention. It was just hard to relate anything to nets of all things so I followed the simple route a la Moonstone and just went with Star Sapphire (the star pattern of which could represent the intersections of the ropes in her nets? Maybe? Listen that’s the best I’ve got).
For Catra things were… more complex. Catra very well could have picked anything she wanted, similar to Bow, which made it a lot harder. I considered Wildcat immediately (especially with Scorpia suggesting it later and then Catra ends up stuck with it after the others pick up on it) but I didn’t want a name that reveals she’s a magicat, so I tested out a lot of things until I just settled on Ghost for the invisibility. Tiger’s Eye was my other immediate instinct for the runestone theme, because, well, obviously, but while that felt exactly like what SPOP would call the magicat runestone, I wasn’t naming “Catra’s runestone,” I was coming up with a superhero name for Catra while runestones also exist. Her name only had to match as much as she wanted it too, and it didn’t feel like she would want that. As soon as I decided on Ghost I looked up to see if there were any “Ghost something” crystals, which is when I found Phantom quartz and added it into the conversation.
When I was looking at gems/minerals/elements for inspo, I saw Mercury and I thought that fit really well with Melog’s shifting powers, and as something related both to geology (okay, listen, it’s an element and that’s close enough) and astrology. Other contenders were things like Silver, Bismuth, and a red theme for/with Catra (I literally looked up a list of red shade names. Naming things is hard).
Then I had to come up with joke names that were still something the character might come up with (for themselves and others), so I just made things worse for myself. I got to acknowledge that initial Tiger’s Eye instinct though, so that was good to fit in.
Chapter 15:
⦁ Sideloading an app is basically downloading it on your phone without using the system’s app store.
⦁ After Perfuma suggested Phantom, I thought “you know what, that sounds cool” so I went back and forth on using that instead, but there’s no way Catra would pick it knowing the context, so I played with it a bit more in the scene where they decide her official codename — as well as giving her perspective on that bit, and introducing the beginning of Netossa kind of being Catra’s superhero mentor, which is a relationship that develops after the fic ends — but ultimately let Catra decide. It also let me introduce how the system was coded around their aliases, keeping Entrapta from instantly realizing their identities when she hacked them, though it’s obvious once you start sifting through the general channel and see them talking.
⦁ Bow lives with his dads still since they’re close enough to campus for it and that way he doesn’t really need a job on top of school and (secret) heroing. That means he spends a lot of time in Glimmer’s dorm, though, because it’s the only private place he has to go on campus. He can go to George’s office, too, but students come and go from that so it’s not really any better than a student lounge.
⦁ Adora’s voice is strained after saying she loves Catra because she’s convincing herself that Catra just isn’t ready to say it back yet. She’s in total denial that hearing it is important to her.
⦁ Kadroh is, of course, Wrong Hordak, and the guy who runs the front counter.
⦁ Entrapta was basically shouting for the entire conversation with Scorpia, but since Scorpia also tends to talk loudly, she didn’t really notice it.
⦁ The scene with Scorpia is actually the first I conceived for the fic from a different perspective, which would eventually influence my decision to switch perspective around however I saw fit.
Chapter 16:
⦁ Adora mentions her academics a lot in this fic because I was playing with the idea of her dropping out and just becoming a vet tech to reduce her stress and wanted to leave that option open, but she was so close it didn’t end up feeling right, especially after the Horde became less of a threat with their scrambling following the arrest.
⦁ Someone on crew (pretty sure it was ND) joked that Catra’s “real name” was Elizabeth, so I pulled that as the bullshit name Scorpia said. I went back and forth on her actually saying Catra’s name in hopes of being able to tell if the Horde recognized it (and thus had at least seen her) but that would have been a whole thing to Shadow Weaver as soon as she heard it and there was too much going on in the scene already to throw that in. Plus, it risked endangering Catra’s secret identity even more than Scorpia’s mere presence already did.
⦁ Okay, so obviously my instinct when giving Scorpia an alias was to use… her fucking alias, lmao, but Linda is her mom and D’Ream is her last name already, so Lynda wasn’t going to work. Lynda D’Ream was originally a reference to Scorpia’s voice actress in the 80s (Linda Gary), so I used her SPOP voice actress’s name, Lauren Ash, and threw a fucking y in there because that’s how they did it lmao
⦁ Every runestone calls out a little differently to its holder (in the circumstance where it’s not immediately passed to them). Adora saw lights in the edge of her vision, just ephemeral enough to now be there, that led her towards the stone and then it pulled her in with a mental call. Scorpia couldn’t feel the mental call with the stone cracked, but it sparked to beckon her.
⦁ Scorpia’s mask looking kind of like Shadow Weaver’s was temporary. I don’t know if I ever squeezed the joke in because I’ve been writing this fic for like two months and have forgotten, but the first time Adora transformed, it was into her season one outfit. Both she and the runestone kind of freaked out and it was only on subsequent transformations, when she knew what was happening and could exercise some control over it, that the season five/current She-ra costume appeared. Scorpia is in a similar situation where her mask will eventually take a vaguely scorpion-like theme, with the hooks down her cheeks mimicking stingers and similar ones hooking up her forehead and back over her ears.
⦁ Scorpia didn’t notice any of Catra’s attempts to touch her. Catra kept them light because she was worried about startling Scorpia and giving away their best shot at getting out of this, but that just made them easier for Scorpia to miss them.
⦁ Melog was reliving some trauma and hiding out under the table made them feel better, so when Catra was okay they were busy taking care of themselves by hiding to recuperate.
Chapter 17:
⦁ Shadow Weaver genuinely isn’t entirely certain what happened that day. She remembers Lauryn showing up, but details are fuzzy. When Black Garnet debuts, she remembers that Lauryn was the new Black Garnet since it was Kind Of A Big Deal to her, but she doesn’t remember many details about what she looks like that aren’t already public, and she doesn’t remember her transforming because it all happened so fast and then she was electrocuted and unconscious. That electrocution caused her some issues beyond her memories of that day, and between that and having no magic herself, she isn’t much of a threat when it comes to breaking out of jail or something. With the overwhelming evidence of her involvement in the Horde and no evidence she was blackmailed as she claimed, she goes away for a long time.
Everybody arrested turns on Hordak trying to get a plea deal, and between the testimony and physical evidence he was the only one who could have built the robots, he gets convicted of a lot of things, especially as an accessory because that’s easier to prove.
⦁ The rooftop scene was actually initially planned to go earlier in the fic, before the big confrontation, but even though I had been planting the seeds for it, I wanted a bit more hinting and I felt like Catra running off on her own would make Adora worry even more about it, so I pushed it back.
⦁ I ended up using gender neutral pronouns for Horde members a couple times because they often wear helmets or masks that make it hard, but sometimes I chose to use gendered pronouns because I tend to default to they-them pronouns and a nebulous appearance for rando NPCs and I didn’t want it to seem like I was doing that rather than it being a part of the plot that they were disguised and ambiguous. And of course physical appearance isn’t always and indicator of pronouns etc (it certainly isn’t for me lol) but it is usually the assumed default without indicators otherwise. Also sometimes it was just easier to have a random NPC gendered, which is why I had rando Horde members be male a couple times because it just made it easier to distinguish who was who during the fight scenes LOL.
⦁ The “I’ll stroke your ego if it shuts you up” “Wow that didn’t take much convincing” exchange was in my notes before I even started writing the fic. I didn’t have a place for it planned and it only ended up coming up here at the end, but I’m glad I got to use it finally.
Misc Fic Thoughts:
⦁ I’d written a little here and there, but I really got my fanfiction start (both reading and writing) in the comics fandom. I never had a superhero AU “planned” but it always felt like an inevitable thing I would do one day when an idea occurred to me. Superheros befriending(/rescuing/romancing) people they know in their real lives but who don’t know about their secret identity is something I’m a SUCKER for, so when that idea occurred to me in early March it was like of course. I absolutely have to do this right away. I had another thing I was excited for but this jumped the line as soon as AMLAIT was done. I was actually writing this simultaneously with editing that ending.
⦁ I’ve referenced the playlist a couple times and it’s linked below, but I wanna actually talk about it for a second. If you weren’t around for it, 8tracks was a website that was basically the Tumblr version of spotify playlists. It wasn’t affiliated with Tumblr or anything, there were just a lot of Tumblr people populating it and it had a tagging system, so you could hunt down all the playlists associated with your fandom. There were some licensing/copyright issues, and they had a profitability problem anyway, I think, so after a few years it closed down and no website has ever been able to capture the kind of playlists 8tracks hosted and the quality there.
With it gone, I can’t go back and find the playlist that this AU is named after. However, it was a Young Avengers playlist (it was called something like “superzeroes — a young avengers fanmix”) that I still vividly remember the cover art for. I believe it was around 11 songs long (a pretty normal length for an 8tracks playlist), and the only two songs I’m pretty sure were on it were Superlove by Charlie XCX and Kick Ass by Mika. I think there might have been a song by FUN on the playlist too? But that — like both of the other songs, really — could have come from one of my other comics-related playlists too. I did my DAMNEDEST to find a tumblr post linking to this playlist again (and in doing so, dug up some nostalgia holy shit) but in the end turned up nothing.
Shockingly for how long I’ve gone on about it, I wasn’t particularly attached to this playlist. I mean, I listened to it, but it just came up as a memory when I first got the idea to do a superhero AU, so when I created a file for it I named it “Superzero AU” just intending for it to be a play on superhero, and then that Became the AU’s name in my head and I couldn’t change it after this. I need to stop doing that to myself.
The name does, however, have meaning, which is kind of two-fold. First, superzero is an insult aimed at Adora. I considered having Catra say it to her face when they were fighting, showing that she can try to be a superhero to everyone else but she is still a failure, because she failed Catra (they didn’t end up fighting a lot so that didn’t make it into the fic, but the idea of superzero being a term Catra snidely thinks about Adora when they were fighting is still there). Second, Catra is the superzero, specifically a superhero with zero powers. She’s using Melog’s, yes, but she has none of her own and yet she eventually joins the Alliance in throwing herself into danger.
⦁ POV for this fic is interesting because when I was originally coming up with the concept, most of the scenes where from Catra’s perspective, but I knew I wanted the kiss scene specifically to be from Adora’s perspective. I also knew, by the time I started writing it in earnest, that this was going to a long fic so sticking to one POV was going to be impractical. I then thought about switching POV by chapter and just having the Catra chapters be longer, but there were too many scenes I wanted both their takes on. I then considered something weird which was alternating Catra POV chapters with my usual back-and-forth POV chapters, but by then I knew I wanted a scene from Melog’s perspective and maybe even one from Scorpia’s, so I decided f**k it, free POV whenever and wherever I want.
This is the first time I’ve really used a POV like this in a long fic, though I did it here and there in one-shots like the soulmarks AU and ‘dawn after the long dark’ in OotW.
⦁ I had fun with this fic, but it was also Struggle Bus to write (for various reasons, from plot-related, to meta, to my own indecision, to life). All my fics (at least long ones, and it can still happen in one-shots) include rewrites somewhere, but I feel like it’s something invisible to both readers and other writers. You only see the final result, not the six tries + editing it took to get there, but this one took a lot of rewriting. I think the final result is fun though so I’m really happy with it.
Original Outline:
The original idea for this fic was very brief. She-ra would have already saved Catra in the past and they were in the weird friendship phase, there was some will-they-won’t-they and attempted friendship tension, then the kiss and the reveal, then the booty call which would start turning Catra around and they would repair their relationship from there.
Then I thought “hey this is a magical realism au, I could have Melog in here” and immediately had the idea for the scene where Catra found Melog. Everything spiraled from there. Below is the entire outline for the fic by the time I finished drafting the first chapter (during which I had ideas about Shadow Weaver’s place in this AU and such).
- meet
- friendship (adora learns theres a chance of rebuilding next semester)
- return (health insurance, kiss it better)
- “just checking in again” (law student)
- rooftop
- kiss/fall out
- booty call
- in limbo, find melog
- bring melog to BMU
- priorities conversation
- some fight with the horde, taking down shadow weaver
In the end, the fic followed the outline, though not always the way I thought, mostly at the end where it was more ambiguous. I don't have much to say about it (beyond what I said in earlier notes) since it mostly turned out how I planned, but I thought sharing what one of my overarching outlines looks like might be fun.
Meta:
Superzero playlist
Upcoming:
Okay so I have like, four fics I’m weighing at the moment and I’m not sure with one is going to win, so it’s hard to say which will be upcoming. If I had to guess, though? City of Angels.
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