#90s hiphop instrumentals

[teck-zilla]

25 May 2023Gangstarr's "Mass Appeal" gets an Afrobeats revamp from yours truly. Let me know what you think in the comments ⬇️ 👇 ⬇️Show less

#afrobeats instrumental #mass appeal #gangstarr beats #classic hiphop instrumentals #90s hiphop instrumentals #hiphop beats #gangstarr #rema type beats #davido type beats

[hiphophardware]

💿Limited Edition Vinyls💿

#hip hop #rap #underground hip hop #hiphop #90's hip hop #80's hip hop #rapper #hip hop culture #hip hop music #hip hop producer #beats #instrumentals

[tha-wrecka-stow]

#The Instrumental Series #Instrumental #Instrumentals #Rap & Hip-Hop #Rap #Hip-Hop #Hip Hop #hiphop #Music #1990s #90s #lil kim #lil’ kim #Lil Cease #Crush On You #Queen Bee #Bad Boy

[teach-or-trav]

I really forget what I named this beat...but it will come to me eventually

#teach_or_trav #beat #boom bap #hiphop #hip hop #90s hip hop #instrumental

[krash47]

Bushido - 90er Berlin - Remix – SoundCloud

Hör dir Bushido - 90er Berlin - Remix von kRa$h47 an auf #SoundCloud

#hiphop #boombap #hip hop #hip hop culture #underground hip hop #rap music #funk #90s hip hop #90s rap #beat #instrumental #rap #90er #bushido #berlin #remix

[ynatmusic]

New Music is on the way ! YNAT - Lost Signal will be live on all music platforms on 11/13 . Follow YNAT for more music in different genres.

#spotify #music #new music #rap music #indie music #hiphop #phonktrap #beats #my music #house phonk #boombap #90s hip hop #hip hop #underground hip hop #hip hop culture #instrumental music #banger #viral hit #hit #favorite songs #song #song of the day #hard beats #passive aggression

[verse-osmo]

❤️💎🥶💎❤️

♾️ Boom Bap ♾️

#boombap #lofihiphop #scratchdj #technics1200 #turntable #chillhiphop #mpclive2 #rolandsp404 #makingbeats #beatmaker #howtomakebeats #90shiphop #realhiphopmusic #sampling #vinylrecords #akaimpc #beats #numarkscratch #turntablism #turntablist

#boombap #makingbeats #beatmaking #lofihiphop #akai mpc #chill lofi #howtomakebeats #musicprodution #rap instrumentals #hiphop #beats #90s hip hop

[mientras-el-mundo-pasa]

Brasil 🇧🇷

#brazil #weed #huf #kush #lofi #vintage #waves #homestudio #rap beats #type beat #90s #golden era #hiphop #drum and bass #drill #greece #tsimikas #hippie #high #instrumental #ableton #flstudio #fruit loops #rap #reggae #samba #brasil #peace #paradise #picoftheday

[fluxam]

#beats #instrumental #hiphop #rap #TYPE BEAT #youtube #90s hip hop #breakbeat #rapper #underground hip hop #trap #instrumental hip hop #beatstar #misery business #paramore #rhythm game #travis scott #music #memes #meme #twitter meme #twitter #tumblr #music memes #the weeknd #kane52630 #utopia #streetwear #acne studios #kylie jenner

[killingbeats1]

"No Creo" - Bom Bap Caporal Type Beat - Instrumental de Rap - Killingbeats

#youtube #hiphop #rap #trap #typebeat #beatstars #boombap #flstudio #beatmaking #beatmaker #90s #instrumental

[teck-zilla]

#da luniz #luniz #afropop #afrobeats #afrobeat remake #hiphop #90s hiphop #westcoast hiphop #westcoast #i got 5 on it instrumental #da luniz instrumental #davido #rema #tems #burna boy #remix #deejay #producer

[hiphophardware]

Cold Blooded - Hip Hop Instrumental

#hip hop culture #hip hop music #hip hop #rap #underground hip hop #hiphop #j dilla #pete rock #dj premier #rapper #80s hip hop #90s hip hop #hip hop 2000s #hip hop art #turntable #rap music #hip hop producer #music #beats #instrumental #chill music #lofibeats #boom bap beats

[krash47]

verbal – SoundCloud

Hör dir verbal von kRa$h47 an auf #SoundCloud

#hiphop #boombap #hip hop #hip hop culture #underground hip hop #rap music #funk #90s hip hop #90s rap #beat #instrumental #vibes

[jacewbeats]

#rapbeats #90s oldschool beats #oldschoolrapbeats #freestylebeats #hip hop instrumentals #hip hop beats #beats #instrumentals #old school beats #youtube #hiphop #rap instrumental

[devildomresidentt]

Fav Music Genre Headcanons

Demon Bros Edition

Thinking about Lucifer, who will commonly be seen listening to Classical music in the music room, but personally prefers Gothic music/bands because of his strong liking to the intricate instrumentals and the unique vocals that pair perfectly alongside a glass of chilled Demonus.

Mammon, who loves to play Oldies rock as he gambles the night away at the Casino, and later on spend the rest of his night cruising around the Devildom, admiring the bright lights that illuminate the city streets as he relaxes to the 2000’s R&B quietly playing from his car speakers.

Leviathan, who can’t help but blast K-Pop from his speakers as he sings his heart out from across the hall, but will calmly blast Japanese City-Pop through his headphones as he reads Manga and unwind from his previous gaming match.

Satan, who grew a deep liking to Alternative music. He finds comfort and relatability in the lyrics, and he strongly feels that there’s no better way to spend a rainy night other than with a good book, a cup of warm earl-grey tea, and the sounds of Alternative Rock coming from his headphones.

Asmodeus, who loves 2010’s Pop-Music almost as much as he loves himself. Humming to the upbeat music coming from the light pink speaker as he does his morning facial routine, and softly singing along to it as he takes his nightly bath in the later hours of the Devildom Night.

Or Beelzebub, who found himself drawn to 90’s/2000’s HipHop/Rap, he enjoys the beat and flow of it, and he finds its the perfect background noise to tune out the slightly annoying sounds of the gym machinery and equipment as he works out at the Local Gym.

And we can’t forget Belphegor, who loves 2000’s Scene Music and Scene Culture as a whole. But you always find him blasting Heavy/Industrial Metal though his headphones during the RAD Class hours, just loud enough for you to hear every lyric being sung over the aggressive beat, and if you ever ask him about it he’ll always respond with a simple, “It helps me stay awake”

(( Author note - TY FOR THE SUPPORT ON THE LAST ONE <333 I REALLY APPRECIATE IT AND ID LOVE TO HEAR ANY REQUESTS YOU GUYS HAVE FOR ANY FUTURE POSTS ^^ ))

#obey me #obey me swd #lucifer obey me #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me! #obeyme! #obey me nightbringer #obey me hcs #obey me drabble #obey me shall we date

[fob4ever]

patrick stump & neal avron on tape notes podcast (12.15.23)

songwriting stuff, demos, lyric process, a bunch of things! they talk about the songs lftos, heaven iowa and smfsd.

long summary under the cut!

talked about how they sat outside “emo” because they leaned more towards hiphop/rnb, but also how they didn’t fit in the “pop” genre too and how they would be put on pop shows and “comparatively it was like slayer was playing” lmao “but we’re still a pop band!”

they experimented with reggae and 90s shoegaze and hardcore during the pandemic

they recorded most of stardust together in neal’s house :D at the beginning it was mostly just neal and patrick working together, at the end of the day everybody would come in to listen

patrick said he got “kinda obsessed” with streamlining pete’s lyrics in the chorus over the past few albums: “pete is very wordy. he has all these ideas that take up a lot of space.” and that their manager sat him down at lunch and said “don't do that. you guys used to ramble. why don't you ramble?” and lftos was the first song patrick put together after that convo

lftos writing process: patrick followed what he was feeling, and most of what he did in that song were things that years spent working in pop music had scared him off on doing.

the “every lover's got a little dagger in their hand” lyric tied it all together for patrick: “[i was] singing that line and EAGERLY emailing neal: listen to this!”

they play a little of the lftos demo (16:55). it's wild. VERY guitar-forward

“neal and i lost most of the demos for [folie a deux].” the burning of the library of alexandria. to me

talks about how the folie demos were infinitely stranger than the final versions, “psychedelic at times”

for stardust, they didn't really keep much of the demo stuff- patrick: “and my demos are pretty decent!”

lftos piano demo (21:35)

patrick: i want some drama. when i look back at our records, our best ones start off with a sense of melodrama

they play individual parts of the lftos instrumentation (31:25), andy's drums, pete's bass, joe's guitar. <3

bridges are patrick's favorite thing to write, because he just gets to play

patrick: "pete doesn't even send lyrics in lyric-form, he just sends words. and it's interesting when you see it- it's almost like one-liner after one-liner. and i'll just get an email of those, and then you kinda have to figure out what thematically goes together, what feels like the same song. but then i also try to keep lyrics together as much as possible, because i feel he's in a place where it does feel like one thought."

"when i read it, there's almost a passive thing where i just imagine what it sounds like to me. and [the lyrics for heaven, iowa] scared me a lot, because it felt kind of sparse, and i don't really like sparse- i don't really like singing by myself. [...] i don't like being so front and center, and i could tell that there was something really intimate about this song, and it was a big challenge for me."

everybody immediately went for the heaven, iowa demo- it's from the first stardust session and it took the longest to complete because patrick wasn't satisfied with just his voice over keys- "it was too naked."

patrick doesn't ask pete about lyrics because: "first off, he will not explain things. but second off, i think there is something to that. where i'll read his lyrics, and i'll interpret it one way, and years later i'll realize it's another way. there's so many double entendres that i've only gotten decades later, i'll be singing and go, 'OH it's a sex thing.'"

patrick really attaches to the story of a lyric, the craft of it, and then years later he'll be like "oh that was a HEAVY lyric. [and] pete must have felt that thing! i don't really question it when i'm writing- it's kindof unfair on him, like, should i check on him?"

heaven iowa instrumental demo/instruments isolated (53:30)

patrick would tell joe to "go nuts" on heaven, iowa!

neal talks about the ambient guitar pedal joe plays during heaven iowa and how it worked really well. patrick says this was the kind of thing that saved (the song).

patrick and andy double drummed at the same time in the studio for heaven iowa! <3

pete told joe to go "full slash" at the end of heaven iowa : )

patrick almost didn't send out the demo for the title track, smfsd! he was almost sure no one was going to like it, even though he liked it. but he sent it out, and it "kept surviving"

both patrick and neal brushed smfsd off because they assumed they "couldn't do that", but pete really pushed for it, which surprised patrick.

so much for stardust demo (1:25:07) patrick plays drums on it, sloppily. which he freely admits to lol. it is quite sloppy indeed

patrick: "i'm a drummer too, but andy and i are very different drummers. and it's very cool translating our things between each other, because he comes from metal (...) and i'm more a funk drummer."

lotsa joe layering in heaven iowa and smfsd : )

it was patrick's idea to do a lyrical callback in lftos/smfsd, and pete was hesitant about it. but patrick pushed for it, becasuse it made sense as "story beats"- "it's like 'empire strikes back'!"

patrick doesn't like to putz around the studio that much, he just wants to be recording something.

patrick: "my routine [during the writing of the album] was just to make it to the studio as on time as i can be- i have adhd, it's very difficult- but i'd be there within 10-15 minutes of when i was supposed to be there, and then we'd just work through it."

patrick's advice: FROM ELTON JOHN: when you find your producer that understands you, stick with them. patrick: "and that was on a record we didn't do with neal, and i remember thinking [makes unsure noises]..." also prioritize in the short-term, what's important. take a step back.

neal's advice: if music is your passion, do it, and do it all the time

patrick was afraid people wouldn't like him "rambling" in songs, even though it was honest and natural to him. he was terrified of doing it again, thinking people wouldn't like it. but people did! "don't subvert yourself too much."

the host asks for them to choose a stardust song to close out the podcast, and patrick chooses what a time to be alive :)

the end

#recap #: 3 #i missed doing these #there's also a bunch of technical music stuff they talked about that i didn't put in here because i don't understand <3 love and light