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#11.8.2023
louisupdates · 9 months
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louist91 Thank you to absolutely everyone involved in the North American tour and every single person who supported. Can’t wait to come back. Love you all!
[Instagram 11.8.2023]
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angelnumber27 · 6 months
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from my yard today °❀⋆.ೃ࿔*:・
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aminaascericworld · 9 months
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Happy 22th Birthday to me Amina yea 🎂💜✨️🌙💕💞💓💗💖💝💘💌💜🧚‍♀️🐅🐯💐🥭🌟⭐️🌠🌌🌙✨️🎉🎊🔮🧿🪬🪩🪅🧸♟️🎉🎊🇦🇹🇧🇦⚜️♌️☪️
11.8.2023
Bye Tokkis 🐰🐇
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septentrrional · 8 months
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Balkans trip part 1.0: Bulgaria
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amina-asceric · 9 months
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Happy 22th Birthday to me Amina yea 💜💗💖💕💞💝💌💘🐯🎉🎊🎁🇦🇹🇧🇦♌♾🔮☄🌟
11.8.2023
Bye Tokkis 🐰🐇
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prosy-days · 8 months
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August 11, 2023 - Day 53
The slow progression of feeling better is interesting to witness.
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godsnameisjoy · 9 months
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MAY THE FORCE BECOME YOU
Date: 11 August 2023
Duration: 41 minutes at 11:31 PM
Depth:
There was that purposive sound again. Last night is the second time ever, in my entire meditation practice of 20 years plus, that I have perceived a purposive sound in my head. The first time was a few days back.
Since June of 2023, I have been hearing a variety of percussion like sounds in my head during my meditations. These are real perceptions of sound due to a surplus of life energies in the head. It took me a bit more than 20 years of meditation to experience freed life energies in the spine.
Since June, freed and surplus life energy in my head is causing me to perceive sound where there isn’t any. My experience of life energies pooling in the head began with a trickle of the blessed energy from the spine into the head.
When my head began filling with such energies, I experienced Peace for the first time. Peace continues to settle in my head. The process began about a year back. The initial filling of energy was peripheral to my brain. Nowadays, I am experiencing a deeper cleansing of my head by the same blessed life energies.
I have no clinical method to prove it. However, I can sense life energies moving deeper in my head through brain capillaries. It’s a layered movement. It all began with a sense of profound Peace. The flow of Peace through my brain capillaries is experienced as sound. The sound itself is turning distinctly purposive now.
The sound is not shifty or muted. It is closer than before and from a certain spot in my head. From the centre of the back of my head, the strikes come. They come with a ‘sit up, pay attention’ feel. I must point out that all of this occurs only during my meditations. And since it is the case, I feel like the blessed energy is with me but hasn’t turned me into it. The force is with me but hasn’t become me.
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phototagebuch · 9 months
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11.8.2023: Brennessel
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meinewege · 9 months
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11.8.2023
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sezija · 7 months
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i got possessed
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louisupdates · 6 months
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Louis Tomlinson ‘Faith in the Future’ World Tour 2023
By: Steve Jennings (Photos and Text) | 11 AUG 2023
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English singer-songwriter and former One Direction band member Louis Tomlinson is back out on the road in support of his second album, Faith in the Future. For his second world tour, he’s playing to an ever-growing audience—the crowd I witnessed could not get enough of him as evident from the adoring fans singing along to every word he sang. We spoke to Production Designer, Programmer, and Director Tom Taylor of TANCK about the tour.
Designer Tom Taylor started working on the current tour as the new album’s promo materials and aesthetics came to light. Taylor says it’s a more rugged and asymmetrical look than they’ve gone for before, meant to mirror a sort of dive bar aesthetic rather than a beautiful arena production. “This reflects the music off the latest album, which has a more grungy feel to it. There are touches in there such as the light boxes (loosely resembling the fluorescent lights of a nightclub toilet), and our custom camera housing (a hollowed out old VHS camcorder with a Marshall 4K camera inside) that bring it back to a more intimate venue feel than the true scale of the places we’re playing across the world.”
Taylor notes the show itself has definitely progressed and he would say feels more like a ‘show’ than a ‘gig‘ now; it has a start, middle, and end, with themes and segues to connect them throughout. “The video content is more to set a mood for the songs. We’re trying to stay away from anything too literal and obvious. This extends to the lighting programming as well where we largely refrain from hitting everything on the beat, fully ‘perfect’ timecoded hits throughout the rig. Hopefully the end result is that in those moments where we do go crazy with programming and rhythm, it’s much more interesting and stands out in the set.”
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Since 2020, Taylor has worked with Francis Clegg on production design. They had worked together for about five years prior to that and have a complimentary skill set. “We’ve accelerated quite rapidly, taking on a design assistant in Jamie Lawrence and soon to have another member of the team joining,” Taylor says. “Whilst one of us is the company face to each artist or client, we work together 50/50 on every project behind the scenes. James Washer [Lighting Programmer] is often the first name on the team sheet when we pick up a show like this one… he just gets it; is a great programmer and time saving resource who knows how to interpret when I say something like ‘can the lights be a little more aggressive.’ Francis (Clegg) is also a fantastic programmer, so I was able to work alongside James in the rehearsals to finesse the previz programming.”
Although he’s on a MA Lighting grandMA3 surface, Taylor runs the show on MA2 software. The reason for that is because this tour goes everywhere in the world, and he knows he can get an MA2 anywhere without having to lug around small form consoles himself. Taylor much prefers to take a USB stick through an airport. “We are running a lot of things through the desk—lighting, video, camera switching, and automation. The MA makes this easier to deal with and the fixture cloning system is excellent, so I know I’m going to get a good replica of the show no matter what fixtures I get thrown wherever we go.”
The venue sizes this time around sort of called for a video element to be added, Taylor says. “The focus of the show is, of course, Louis, so plenty of close-up camera work to amplify his emotion. These are treated with overlays and masks created by [content creators] Two Suns and ourselves, with 3D animation work coming from Boxcat Studio. The whole system is run on a Resolume server. Camera switching is done from the MA console via Open Control, which sends OSC messages to the ATEM switcher, which ultimately sends it to the capture cards. This way we eliminate a touring video director (sorry!) and save a bunch of truck space on outboard equipment. The system works extremely well.”
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Colour Sound Experiment out of London is the tour lighting, video, and rigging company. “We use them for a large portion of our shows. It’s very useful dealing with just one company who ‘do it all’ but also don’t cut any corners or scrimp to get the job done. The equipment is well maintained with a good selection of inventory to choose from.” Taylor says it probably took them about three iterations to get to the point they’re at now, keeping ideas from the previous versions until they got somewhere they were all happy with. “It was a bit of a process, but a great payoff. I should probably thank Louis and his Manager, Matt Vines, for their patience in putting it all together. There are a lot of (literally) moving parts to the stage with winches, light boxes, light bulbs, and our shuttering set piece at the back. Ultimately the show is dynamic and exciting, but all the elements sit nicely together as well.” Taylor was a bit unsure on using the GLP X4 Bars across the back because of the brightness difference to GLP’s FR10, for example, but they are exactly the right brightness for this gig without being overpowering, he says. “My absolute favorite moment of the show, where we have some crazy iridescent hyper color animation, is driven by the Ayrton Huracans… amazing lights, just don’t try to pick one up by yourself, they’re beasts!”
Tomlinson was really involved in the design of this one, and also much more open to trying new things and delivering a narrative through the show, adds Taylor. “Matt Vines should have a shout out for his contribution to the ‘ideas factory’ and being a great sounding board as we developed the show. PM Craig Sherwood has been incredible as always, never asking ‘why’ we want to make it look like a derelict bathroom, just making it happen. Finally, the tour’s secret weapon, technical maestro Sam Kenyon, who is quite literally irreplaceable, has been an excellent resource for actually delivering the show in the real world day after day.”
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Production Team
Tour Manager: Tom Allen
Production Manager: Craig Sherwood
Production Design, Programmer & Director: Tom Taylor & Francis Clegg, TANCK
Lighting Programmer: James Washer
Lighting Crew Chief: James Box
Lighting Techs: Rick Carr, Amy Barnett
Stage Manager: Torin Arnold
Technical Manager: Sam Kenyon
Video Crew Chief: Dave Mallandain
Video Programmer: Jack Fone
Video Techs: Tim Curwen, Braden Pettigrew
Camera Operators: Mark Lawrence, Braden Pettigrew, Tim Curwen
Rigger: Mark Lawrence
Vendors
Lighting/Video/Rigging: Colour Sound Experiment/Acc. Rep. Haydn Cruishank
LED Trim: LED Creative
Custom Light Housings: OX Event House
Set Construction: Hangman UK
Video Content: Two Suns Creative, Boxcat Studio, TANCK
SFX: BPM SFX
Gear
Lighting
2 MA Lighting grandMA3 full-size
19 Ayrton Eurus Profile
6 Ayrton Huracan LT Profile
5 Claypaky Mini-B
12 Robe Spiider
72 GLP X4 Bar 20
16 GLP JDC Line 1000
10 GLP JDC1 Strobe
12 CHAUVET STRIKE Array 4
2 Chroma-Q Color Force II 12
16 Elumen8 COB PAR Endura
10 LEDJ Spectra Q15
3 Robe BMFL RoboSpot
Video
2 Resolume Server
23 Custom LED Trim
6 Video Screens, 2.5m x 2.5m
7 Marshall 503 Camera
3 Panasonic UE70 PTZ Camera
2 Blackmagic Design URSA G2 Camera
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nataliesnews · 9 months
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good news for once 11.8.2023
---------- Forwarded message ---------
Just to show that I don't only demonstrate. I spent two days with Rene and Jeff in Raanana. So good to be with family.
And this evening I am going to a concert with Karin and to supper with friends on Friday night. Arabic music which can go on and on , just one song for ages. 
Saturday I am going to Cinematheque to see a London theater play which is shown simultaneously on the screen here. It is always rather weird but any time I can see something in English of a high standard I go.
Wednesday morning I received an sms that a course I had been hoping to take part in was to be that night at the community centre which is just opposite Nofim. I did not really know what it was about except that it was something to do with theatre. I rushed to get back as I had been waiting for this for ages and, wouldn't you know it, there was a suspicious object at Mount Herzl and so I came late. I saw immediately that I was far the oldest person there though it turned out that most of them were on pension. It was very weird.....you had to take a partner and make mirror images or repeat what your partner had just said, or one person made a sculpture of another person by moving arms and legs. The  others were very kind to the old lady ....I said that because I felt that my world was growing smaller...a result of age and of not having family here...I was always on the lookout for something new to do and the one woman said she admired me as her mother who is 84 does not do anything like that at all. Maybe because she has family around her. But they complimented me by asking me to continue with the course. The problem is that, if I do so, then I will not be able to go to  my Arab group with Palestinians. The director said though that they may be doing a course for those of the third age and she would let me know. I hope this takes place before I enter the fourth age. 
Many doctors are threatening to leave the country and this was a caricature in the paper. Not really funny but very clever.
And to give  you a laugh...there is no babysitter. Grandma is demonstrating
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Sentiments of Origins-if
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This story is rated 18+ as it is going to explore mental problems, suicide, alcohol use, violence, horror, blood thirsty and morally questionable scenes.
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Death had taken you in your previous world, though the details of how it happened remained hazy in your mind. When you finally opened your eyes, you found yourself in a vaguely familiar place, face to face with the entity known as "God". But this was no peaceful afterlife - God presented you with an ultimatum: participate in their experiment or face eternal suffering. It wasn't much of a choice at all.
Reluctantly, you agreed to possess a mortal body and become the Origin of Magic, tasked with bringing stability to the chaotic world. As you delved deeper into your role, you discovered some unsettling truths about your purpose. Yet despite these revelations, you found yourself grateful for the path you chose as it led you to two younger twin brothers who became your whole world. Alongside them were two other individuals who would also become dear family members - Ginger, the Origin of Humanity, and Nil, the Origin of Demons.
But one day, when you awoke in your bed in a secluded forest where your home stood, you were greeted with the shocking realization that 500 years had passed. Your brothers and chosen family were nowhere to be found. What could have possibly happened during your long slumber? The weight of uncertainty and fear settled heavily onto your shoulders as you searched for answers.
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❀ Play as male, female or non-binary Origin of Magic.
❀ Play as an overpowered wizard but use Magic within the range of what a normal wizard can use as not to break the rules.
❀ Explore the world of Aether, magic, the circumstances and the rules that you had to abide as the Origin of Magic.
❀ Discover about your past, your life before you came to this world and your relationships with the people around you.
❀ Just how much the world has changed in the past 500 years and are your adorable twin brothers even alive? And also, why can’t you seem to sense Nil and Ginger’s presence?
❀ This is a story of healing, discovery and self-journey with a focus on family and other mental problems.
❀ Above all, don’t break by the weight of decisions that you had to make in your past. You have already been broken after all. There is no second chance.
ROs and other characters
DEMO + Chapter 1 (11.8.2023)
New Demo
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septentrrional · 8 months
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Balkans trip part 1.1: Sofia
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cybercity-sunrise · 6 months
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11.8.2023
Goose and I are on the same page tonight. But lucky for him, he doesn't have to take a chem exam tomorrow. I am trying to summon some motivation, but tbh I'm so ready for the semester to be over.
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jeresgf · 8 months
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KÄÄRIJÄ @ aurafest, turku 11.8.2023
don't repost or use any of my content without permission
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