#'that shitty book actually got something right. of course the protagonist would have to be super attractive its a super popular trope!' | Explore Tumblr Posts and Blogs

babesonly · 3 years

Text

fic recs 2.0!

hello kings (gn) ive got significantly more fic than last time which means this is gonna be a little more organized than the last post bc it is much longer <3 categories in order are non casefic canonverse, casefic/roadtrip fic, finale fixits, endverse, non supernatural aus, and then non destiel ones. titles will be in bold for my favs! also within each category they’re in order from shortest to longest

Canonverse

I’m a tulip in a cup by godtiering (1.2k)

I worry that I never really came back from hell. I wonder why, if I got remade by heaven, I’m still the same screwed up kid that I always was.

Sometimes I worry I’m not into women at all.

"Guess not,” he looks at his shoes.

a REALLY good fic that’s basically just a look inside dean’s head during my bloody valentine do not read this looking for a fun time but please do read it

on vessels by flightsofangels (1.9k)

“You know,” Cas mutters into Dean’s bare skin. “When I was still… an angel, I used to dream that I would take you as my vessel.”

hello consumehimnatural fans!!!!! read newt’s fic right now its incredible

dean winchester is not a nicholas sparks protagonist by microcomets (1.9k)

Dean fell in love with Cas the way you fall asleep--slowly, and then all at once. Or some other hackneyed and trite bullshit. God, this is embarrassing.

dean is in LOVE. he’s also a disaster who keeps staring at cas’ hands. sigh

Stay by aeli_kindara (2.5k)

Coda to 13.06 (Tombstone). In which Castiel reckons with the aftermath of Dean's grief.

hello fellow widow arc fans <3 click here to see cas find out abt the events of advanced thanatology !

walking on a string by swordfishtrombones (2.7k)

Between the doomed offensive at the Firmament and the impending retreat from the ravaged northeast border, Castiel left camp long enough to answer one of Dean Winchester's prayers.

S6 DEAN IS A WAR WIFE. been really into early seasons deancas lately and this one is very good. god

the flesh of the mighty by Mudprophet (2.7k)

Ezekiel 39:17 "you shall eat the flesh of the mighty and drink the blood of the princes of the earth."

MY GOD. anyone who saw the @autisticandroids purgatory cannibalism talk and was interested read this right now. also anyone who enjoyed nbc hannibal OR raw (2016). if romantic cannibalism is remotely aligned with your interests read this right now. god

Sam Winchester, Ally At Law by alittleduck (3.3k)

Sam was pretty sure he could read every single gay friendly guide to coming out or supporting queer family members ever written and literally none of them would even imply that arguing with gay people that they were actually just homophobic constituted as "ally behavior". However, Sam was equally sure that none of those book authors had found themselves accidentally watching their brother get pounded by an Angel of the Lord at 9 am on Tuesday, so Sam was pretty sure he might actually still have the higher ground. Now, if only Jack would stop trying to bond with Dean using gay slurs long enough for Sam to convince everyone of that, he might just be able to cobble together some remnant of sanity or, failing that, dignity.

Or, the one where Sam desperately wants to invent PFLAG but Dean won't stop teaching Jack gay slurs

JACK VOICE HEY COCKSUCKERS.

hummed low by microcomets (3.3k)

Dean pulls the Impala over at a cider barn about thirty miles out; doesn't really think about it, just sees the hokey orange lettering off the roadside and lets his hands guide the Impala off the interstate with gravel spitting under the wheels.

they get a nice day out together and dean has a gay crisis and it’s written beautifully mwah

Vena Amoris and Other Old-Fashioned Bullshit by pyrebi (3.9k)

In which angelic marriage bonds are apparently stupidly easy to trigger, Cas wages multidimensional war in Heaven, Dean can't catch a break like ever, Sam rather enjoys being a dick, love saves the day, and nobody consummates anything.

sometimes i think about this fic and it hits that at this point dean and cas would have been married for more than a year. cas my beloved...

an exploration of gender; angelic by sometimeswelose (4k)

Castiel's true form is made of electromagnetic radiation. He has spent the majority of his life, if you really want to add it all up and average the whole thing out, as a wavelength of celestial intent.

The thing about being made of light: it's light in the physics sense of the word. Castiel's waves are gamma, x-ray, micro, and radio. He's visible light too, of course, a visible light so intense that it is blinding to most humans.

hello trans cas community <3 he’s literally trans he was assigned genderless and then went hm actually i will be a man! love of my life

Some Boys are Sleeping Alone by prosopopeya (4.2k)

This isn't something that's okay, not for him, but it chases him through the years until it turns into something he can't -- doesn't want to deny.

ohhh deans tenuous relationship with his sexuality my beloved...

love. worship. consummation. consumption. by redeyedwrath (4.3k)

ConsumehimNatural (copyright marcusantonius) the Series!

These are all snapshots centered around the idea of you know. Hunger in Supernatural. Both carnal hunger and other kinds. Fics are shown in semi-chronological order but this series is generally nebulously early seasons.

for ANYONE who is a consumehimnaturual this is required reading it is INCREDIBLE and gorgeous and very visceral and i am so very obsessed with it. thank you redeyedwrath for enabling my brainrot

the reach of human sense by perilously (4.5k)

“You know what Jimmy Novak looked like. You think he was beautiful—gorgeous, hot, all of it. It’s him. Not me. This isn’t my face.”

“But,” Dean says. He doesn’t know where he’s going with it. Just that Cas’ face is right there, brows drawn together and cheekbones gleaming in the lamplight. It’s a face that’s made his heart skip probably a couple hundred beats collectively since they met.

And it used to belong to someone else.

this one is just very nice <3 cas gets uncomfortable w dean calling him attractive since dean has never seen his trueform and they work it out

Down in the River by Ias (4.7k)

Alone in Purgatory and hunted by Leviathans, Castiel finds himself praying to the one person who can't hear him.

cas i love you <3 cas alone in purgatory praying to dean bc dean is the only thing he still worships i love you so much

Creature of Habit by trinityofone (5.1k)

The more you love someone, the more you want to kill them. Or: How Cas developed some bad habits, and Dean coped surprisingly well.

written in s5 when cas was depowered and completely nails the later seasons bitchy husbands dynamic it’s very good and fun <3

sink by crackers4jenn (5.4k)

"Where to?" A 9.06 coda.

very bittersweet very well written and also canon compliant so do not go into this one looking for a happy ending but i DO recommend it it’s very good

Sensational by castiowl (6.1k)

“When I first came to earth, it was advised that we temper the senses bound to our vessels. They were a distraction, we were told. An antiquated form of experiencing existence that would hinder our ability to complete our missions, whatever that may be. My true form can better facilitate these experiences. What you would recognize as heightened senses of sight and sound, among other things.”

Or, how Dean helps Cas experience all five human senses for the first time in one night.

early seasons deancas man. i love the sound part i love dean being so worried about doing a good job with this. god. read this please

Something to Protect by Sass_Master (6.2k)

Dean’s violent reaction to being unexpectedly woken has become something of a running joke among them, but Castiel can’t help but look past it to the underlying cause. It makes him ache to think that Dean feels so unsafe, so persecuted, before he’s even fully conscious.

Secretly, Castiel has been determined to work on that, to ease Dean into awareness in a less jarring way, smooth away one of the many stresses that follow him even in sleep. Now’s as good a time as any to try.

oh to sleep more soundly in the presence of someone you love...this fic is very nice i enjoyed it a lot

all this and heaven too by ftmsteverogers (7k)

“Hey,” Dean said. “I’m not ashamed of you, okay?”

Cas raised skeptical eyes to meet his.

“I mean it,” Dean insisted.

“I understand you mean it,” Cas said. “But I don’t think it’s any better if you’re only ashamed of yourself.”

hello trans dean community here is 7k of trans dean having to deal with his internalized homophobia now that he’s sleeping with cas <3 it is SO good

The wilderness. by orange_crushed (8k)

He takes a shower and the pressure is not especially good, but it doesn’t matter. It’s warm and he stands under the spray a long time. Human skin, he knows, constantly renews itself, shedding the dead cells of the epidermis. He wonders how long it will take until he is an entirely new person, until every cell on his surface is a new one. He looks at his hands under the water. It might take less than a month.

this might be the only post 9x03 fic on here with a happy ending actually? plenty of good melancholy leading up to it though <3 canon divergent after 9x03 though which means no 9x06 fanfiction gap but it is absolutely worth reading

till the juice runs by deathbanjo (8.4k)

Apparently whoever drew up the venn diagram of Dean’s sex life decided the circle labelled ‘good sex’ and the one labelled ‘sex with men’ should be kept far apart.

hello this one is SO funny dean finally gets comfortable enough with his bisexuality to start having sex with men and it goes so very bad every time so sorry about your shitty choices beloved </3

First Date by aeli_kindara (8.9k)

“We should go on a date. You and me.”

Castiel wishes he could see Dean’s face. He wishes he had any idea what to say.

“I’m asking you out, Cas.”

this one is very sweet i liked it a lot <3 good refreshing little fic where they just get to have a nice evening together

Entertaining Strangers by cadignan (9k)

Dean settles on to his side, lying in the bed facing Castiel. “So you had sex without me and you bit all my moves. I think I deserve to hear about it, at least. What was her name?”

op im in love with you. premise is established relationship deancas and cas mentions he did have sex before dean and not only that it was a threesome. good for him <3 this fic is cas describing the story of what led up to the threesome and what happened during it while dean interrupts regularly. incredible

the shape you take by noviembre (10k)

“What?” Dean says, fake-offended. “I’d be hot as a girl, you know I would.”

And this is when he really, really should have stopped talking. When he shouldn't have whipped back around and asked, “Cas, if I was a woman, you’d fuck me, right?”

Because if he hadn’t said that, then he wouldn’t have had to deal with this:

Cas, meeting his eyes, forehead wrinkles all smoothed out like there’s nothing to be confused about anymore. Cas with something at the corner of his mouth that might barely be called a smile.

Cas saying, calmly and without hesitation, “Yes, Dean.”

Dean Winchester fucks around and, with the inadvertent help of some witches, Finds Out.

dean winchester your gender is diabolical. this fic is insane and its the only thing that matters actually. dean fully convinced its normal and straight to think about being a woman so you can fuck your male friend. incredible. op im proposing to you

Sinnerman by a_good_soldier (10k)

Dean listens to Nina Simone, reads Anne Carson, and makes out with a dude (sort of).

yall want to read about dean realizing he’s in love with a man as a direct result of learning to better respect women right?

you’re fooling yourself by cowboydeanwinchester (13k)

Dean Winchester and Castiel retire from hunting to raise baby Jack. Dean struggles to allow himself the things he truly wants.

Jack is two, Castiel and Dean are idiots, and Sam's gotta solve everyone's problems.

love a married couple who doesn’t know they’re married <3 everyone say thank you sam for bullying dean

The Girlfriend Experience by rageprufrock (15k)

While it's not like Dean hasn't had a couple of truly regrettable hit-and-runs in his sexual history, this is probably the saddest fucking thing that has ever happened to him.

a classic for good fucking reason. we’ve all talked about dean thinking holding hands is too gay after having just had gay sex but my personal favorite was sam accusing dean of cheating on cas because dean bought condoms. incredible

No Kingdom To Come by domesticadventures (16k)

“We should fuck,” Dean says.

Cas looks up from where he sits on his bed, hair still damp from the shower, frowning as he places a finger on the page of his book to mark where he left off.

There are a million things Cas could say here; Dean has rehearsed them. After lunch, his restlessness had given way to a vague panic, a dread that matched his every step and crept along with him from room to room. Eventually, he had returned to his bedroom and spent the rest of the afternoon pacing back and forth, playing out all the possible scenarios. When Cas asks him Why? or Are you being serious? or when he sighs and says, in that way he has, Dean, he knows exactly what he’s going to do. He’s going to shrug casually, like he isn’t invested in the answer, like he isn’t desperate for an outlet, and say, Why not? He’s going to raise an eyebrow and say, What, are you not interested? He’s going to crowd into Cas’ personal space, he’s going to shove himself right up in there and whisper Cas against his ear.

Instead, Cas says, carefully, “Okay.”

literally the only quarantine fic i’ve ever bothered to read in any fandom and completely worth it it’s SO good. they become fwb and dean has an existential crisis and he keeps bringing up meaninglessness and death during sex

Bodies by Speary (18k)

It was a secret they never acknowledged even with each other. It would change everything, end everything if either of them ever dropped the act. So they became very good at acting, at keeping up the lie that gave them what they wanted. Even if that lie involved constantly seeking out temporary, consenting female vessels, Cas would do it. He told himself it was worth it for Dean. He just hoped that he could stop wanting more, or maybe one day Dean might stop pretending that he wasn't really sleeping with Cas every time.

i don’t even have anything to add tbh if that summary did not immediately make you click we are very different this fic is incredible. god. fellas do you ever make yourself a woman so you can fuck the man you love without him having to talk about it or confront his sexuality

it’s such a mystery (the way you know me) by fleeceframe (20k)

So the man crouching in front of Castiel is named Dean. He wonders if that’s supposed to mean something to him.

“Cas must’ve got hit with something earlier. He just dropped like a sack of fucking potatoes a minute ago. By the time I was checking on him, he had already woken up again, but now he doesn’t fucking know who we are.”

“I’m right here you know,” Castiel says testily.

Sam’s eyes are wide even as his eyebrows are furrowed, and he looks between Dean and Castiel again.

“What do you remember, Cas?”

“Firstly, that I’m not Cas. I don’t know who Cas is, but it’s not me. I don’t know who either of you are, either."

or the one where castiel is hit with a memory curse that makes him forget the winchester brothers and is stunned to find out he has a family... also why can't he stop thinking about dean?

BEST amnesia fic oh my god. cas my beloved you deserve the world. everyone read this that is not a request.

More Than Ever by Sass_Master (20k)

Dean’s getting some pancakes together for breakfast when Cas saunters in after a run.

He’s trying to focus on whisking batter, unfairly distracted by Cas a few feet away, breathing heavily and shining with perspiration. Dean’s been painfully aware for a long time that Cas is pretty easy on the eyes, but he’s used to seeing Cas buttoned-up and unflappable, looking straight-laced in a stiff oxford and an unflattering trenchcoat.

Now Cas is sweating, Dean’s borrowed t-shirt clinging to his skin, flushed from exertion and Dean really can’t deal with that in his kitchen right now.

this entire series is really good i enjoyed it a lot, i’m just putting this one specifically on the list bc the rest of the series is very explicit and this is really good as a standalone for anyone who wouldn’t be into the rest of the series!!

Being Dean Winchester by Anonymous (20k)

"You should show me some respect. I dragged you out of hell. I can throw you back in."

Who the fuck was this bitchy "warrior of God" doing talking to him like that? Fuck Cas-tee-el and his dumbass trench coat and abrasive motherfucking attitude.

Dean was done with this shit.

***

Wherein a monster of the week steals the essence of Castiel's vessel, so he must use Dean, recently raised from hell, as a vessel instead.

it is at this point i realize that there are more fics than i expected there to be on this list that involves a threesome with only two people/using the presence of a female body to act like what’s happening is heterosexual. deangirlism is a disease

I Shall Not Want by domesticadventures (20k)

His grace is burning out, and the wasteland it leaves inside him becomes an echo chamber for all the memories, all the fear and doubt and self-loathing he's collected over the years. Things said and done hound him on endless repeat until he's convinced they’ll break through his skin and fill the silence of the bunker.

His head is killing him, and he sits hunched over an open book, not really reading, just digging his fingers into his skull and praying nothing slips through the cracks.

this one is GORGEOUS i love it so so much. dean and cas are both struggling so much to get by and they’re trying to support each other but fucking it up and they have to grow together and learn to cope with the fact that this is where their lives are and they fall in love i need everyone to read this

To Boldly Go by 8daysuntiltheapocalypseiguess (24k)

Title: Just One of Those Things Author: Impala67 Series: TOS Rating: M Summary: Four years into their five-year mission, and all the planets start to look the same.

In which Dean is not Gene Roddenberry, but he does write Star Trek fanfiction.

mx winchester writing star trek fanfiction to process his own trauma <3 this is a wip but it’s SO good and i also have not consumed a single piece of star trek media so it IS definitely readable to anyone who isn’t a star trek fan. please read this

where the weeds take root by deathbanjo (30k)

“Are you happy? Y’know. Just—being here,” Dean says, gesturing to the yard with his beer bottle. “Being with—I mean, you used to fight in celestial wars and—and save the world. Now you’re growing vegetables and talking about chickens.”

this is on here just for the 1.5 people who were putting off this one like i did for no reason. it’s extremely good and it is just gentle. i enjoyed it a lot

Heroes for Ghosts by pantheon_of_discord (42k)

After Sam and Dean are arrested, Castiel is left alone and scrambling to find them. He knows they’re locked away in a government facility, and he’s still able to hear their prayers, but no matter how he tries Castiel can’t seem to track them. He chases leads and even attempts to hunt on his own, but Mary is AWOL, Crowley refuses to help, and Castiel’s options are running out.

Weeks pass, Castiel’s hope dwindles, and through it all Dean prays, keeping them connected. His voice is comforting, frustrating, and occasionally annoying, but in his solitude Castiel comes to cherish it. But then one day, without warning, Dean stops praying, and Castiel is forced to confront some uncomfortable truths about his feelings.

yall ever wonder what it would’ve been like if the sam and dean arrest storyline in s12 was interesting? yeah <3

Teaching Poetry to Fish by aeli_kindara (52k)

In which Castiel teaches poetry to fish. Also, himself. Also, eventually, Dean.

(A series-long story, diverging slightly from canon after S14.)

cas learning about humanity through poetry before dean and thats what led to him developing enough emotion to be lobotomized....cas i love you so much

Emergence by ellispark (58k)

Something’s been missing from Dean’s life for the past three years, a void left after a hunt gone terribly wrong. He often feels a sense of longing with no discernible cause, a need to talk to someone who isn’t there.

A call from an acquaintance leads Dean to James Novak, a man who disappeared more than a decade ago, and suddenly Dean gets the feeling he’s found what he’s been missing. But James isn’t really James — he’s the angel Castiel, who’s wanted by angels, demons and hunters alike. And he may be at the center of the storm that wrecked Dean’s life all those years ago.

another cool amnesia fic!! for unknown reasons everyone forgot cas three years ago but cas didn’t forget anything. cas deserves so much love and support. god

a turn of the earth by microcomets (95k)

Dean’s your typical half-orphaned, monster-killing 22-year-old until a trenchcoated stranger crashes into his back windshield one September night, claiming he’s an angel that knows him from the future and that he’s on the run.

Frigging fantastic.

(Or, in which Castiel gets stuck in Dean’s timeline preseries and Dean kind of hates it—until he doesn’t.)

cas getting to meet and fall in love with pre hell dean just as much as he loves the dean he already knows oh my GOD. i love this fic so much. turn of the earth my beloved

Crossing Lines by sometimeswelose (122k)

Two Deans, one Cas - it's not as sexy as it sounds

An ethics lesson from Hell

The one where Dean from the past meets Dean in the present. They're not sure they like each other very much.

deans intense self hatred vs cas’ unwavering love for every version of dean oh my GOD also this is a wip fair warning but it’s so worth waiting for updates i’m having such a great time with this one i cannot wait to see how it gets ended

Plot Holes by saltyfeathers (160k)

Of course it wasn’t over after the apocalypse.

There was season six. Then there was season seven. Against all expectations, there was season eight. There were the alphas and purgatory, and then the Leviathans, and then the angels fell. Enter season nine. Loose threads Metatron, Abaddon, and Crowley have to be tied up. Sam, Dean, and Cas have to try to tie them while at the same time dealing with their evolving relationships and newfound graceless states.

Amidst all the chaos, someone has started publishing the Supernatural novels again. Convinced there’s something amiss in the pages, Charlie starts her own quest to suss out the truth behind the Winchester Gospels.

With the help of various faces, old and new, they must now not only deal with the typical runs of demons and recently fallen angels, but also reconcile the battles raging inside themselves, as the fate of the world, once again, quite literally lays in the palm of their hands.

saltyfeathers said i WILL make the plot holes in this show mean something because the showrunners are sure as shit never gonna adress them ! and i thank them for it bc this was a really cool read

Casefic/Roadtrip Fic

Deprived Of Every Planet by KelpietheThundergod (9k)

Dean's breathing is audible in the scant space between them, irregular. The motel room is dark, pale blue shadows falling in through the gaps in the blinds. Throwing a pattern of uneven white stripes over the bunched up covers. Over Dean's fingers twisted in the sheets. One half of him in shadow, softened by the dark. The heat of his skin. The tremble of him under Castiel's touch.

He caresses a hand over Dean's chest, slowly. Dean's mouth falls open, his body arching into Castiel's touch. Castiel stops over Dean's heart. Through the fever of his desire, he rejoices about the wonder of experiencing another's heartbeat through one's own senses.

Dean gasps, but then he turns his face away and towards the dark. Eyes closed tight and brows furrowed like something is hurting him.

Castiel stills.

“Dean?”

the case is background on this one but it Does take place over the course of a case so im putting it here. god touchstarved dean trying so hard to work through his shit for cas head in my hands i love this fic so much

before and after breakfast by spocklee (10k)

The monster of the week is a ghost who hates meat, alcohol, and feeling yourself. Guess who it is during the commercials.

chapter 2 of this one.....god. dean and cas you are both so unwell <3 i love everything abt this fic everyone read it now

we shovel all the ashes out by xylodemon (15k)

Dean’s always known things were headed this way. He just figured getting dragged under would be cleaner and easier than jumping in feet-first.

fics that make you go Oh they love each other...also there’s lesbians in it literally what else could you want.

thunder road by dothraki_shieldmaiden (20k)

After Chuck is defeated and the Winchesters settle into life without God, Dean Winchester is bored.

OR: Dean and Cas take a road trip and figure out some stuff along the way.

this fic is just like. it’s kind! this fic is kind it’s just a pleasant experience and i enjoyed it thoroughly. they’re in love and it’s good

Suck It, Judy Garland by GlitterDwarf, midrashic (20k)

It had to be St. Louis. Or, the one where Sam and Cas get fake married for a case, and Dean loses his mind.

actually im gonna defend dean here imagine youre dean and cas gives what definitely sounded like a deathbed love confession while making eye contact with you and then immediately afterwards fake dates your brother. who among us would not have been a bitch about this

best friends without benefits by lizbobjones (20k)

It’s nearing three a.m. and they’ve been on the road a long time. Sam’s been asleep in the back seat since eleven. Giving up and handing the wheel over to Cas and letting the guy who doesn’t sleep drive had seemed like a good idea.

the premise of this fic is so funny. cas voice dean you want to fuck me so bad it makes you look stupid. everyone read this

the taste of gravel in the mouth by deathbanjo (22k)

This is what Cas gave up Heaven for: greasy diner food, shitty motel rooms with even shittier cable, long car rides spent in complete silence except for the same six tapes playing over and over again, and a burnt-out husk of a man who can barely hold a conversation anymore.

alt version of getting rid of the mark of cain, the darkness never happens. this one is VERY heavy but it’s so good and it has a hopeful ending. ive read this one twice and loved it both times

Someone Who’s Feeling For Me by ellispark (45k)

Dean sees her for the first time in nearly six years in some no-name town in Idaho, and it's panic at first sight.

Lisa Braeden, the one woman Dean ever actually had a shot at a real life with, back from where he buried her in his mind. And her hand is on Cas's arm like it's no big deal, like it belongs there. Cas, Dean's dorky, sweet, badass, angelic best friend, and he's just standing there next to Lisa and not moving her hand away.

Dean feels the jealousy rising, and it's not directed where he expected it to be. Because it takes this exact moment for Dean to realize he's in love with his best friend. He's in love with his best friend, and Lisa is looking at Cas like he's the best thing since automatic rifles, and Dean is utterly fucked.

hello op please contact me. please contact me and let me see the inside of your brain. this fic was an unparalleled experience and everyone should also go through it. i love it so very much

Bumper Cars by mansikka (111k)

Two teenagers are missing from an abandoned carnival, and there’s enough to raise suspicion that their disappearance involves a ghost. Dean, Sam, and Cas arrive in town to investigate, though what they find leads them away from those teenagers, and on the trail of a ghost story that churns up things from their past.

Can newly-human Cas, and Dean, with the help of shipper!Sam, work out the mystery behind the abandoned carnival and its ghost, and along the way, figure out the riddle that is them?

one of my absolute fav case fics it forces dean to confront some aspects of johns parenting and work through some shit and also him and cas fall in love and it’s really well done. love this one a lot <3

Finale Fix-its/Finale Denial

Sorry Jimmy by K_K_TiBal (2.1k)

Based on the tumblr textpost:

jellydeans: so are cas and jimmy novak just up in heaven existing at the same time katebushstandean: #jimmy moves to heaven timbuku so that dean stops trying to make out with him every time they run into each other at the heaven grocery store

this one is just extremely funny. local midwestern heterosexual man is forced to play relationship counselor to the dumbest gay people in existence because one of them wore his face

Dean Winchester Really Needs To Make Some Gay Friends by AreYouReady (2.2k)

“Like, I’m trying to think if I’ve had, I don’t know, crushes. If I ever had a gay thing before you came along and just didn’t notice,” Dean said.

Cas suddenly looked down, and away from Dean. If Dean didn’t know better, he would swear Cas looked guilty.

“What is it, Cas?”

“You have had several… gay things before.” Cas still wouldn’t look at him.

“What? When? How come you know this better than I do?”

There was no way the answer to this question wasn’t funny as hell.

dean learning about gay ppl via the memories of dean smith...incredible.

tiny difference (between ending and starting to begin) by sunforgrace (2.4k)

Sometimes Dean catches Cas staring at the sky.

It doesn’t happen often. Not when Dean’s around to tell, anyway. But often enough that he starts to notice.

Eventually Dean starts to recognize the pattern.

Cas just doesn’t watch the sky. He watches the birds.

Chuck is gone, Cas is human, and the world is safe. In the quiet aftermath Dean and Castiel find each other again.

i really don’t have much to say abt this one it is just very good and they love each other so much

Bring Home by cenotaphy (3.8k)

Dean's phone doesn't ring on the drive back to the Bunker, but that's okay. Because—well, maybe Cas lost his cell, what with getting shuffled back and forth between a cosmic void dimension and all. And anyway, Dean doesn't want this conversation to happen over the phone, he wants to—he wants to talk to Cas face-to-face. They should talk face-to-face.

Dean will tell him—

Dean doesn't know what he'll tell Cas. Dean is, in fact, terrified by how utterly and completely he does not know what he'll say to Cas.

cas being forced to face the consequences of sending the risky text that was despair <3

dean’s coworkers vs the heteronormative agenda by cowboydeanwinchester (4.1k)

Dean started working at a local auto repair shop in Lebanon, Kansas about a year ago. His coworkers don't know much about him. Except that he has a wife. Or maybe he doesn't. But he has a kid. Who is either a toddler or a high schooler. Who is either named Jack or Sammy. He also might have a best friend named Cas, but that also might be his wife.

Truth is nobody knows what to make of Dean.

obsessed w people not knowing a single fucking thing about dean because he talks so much and never explains anything. this fic is SO funny

Enhanced Extraction Techniques by goldenraeofsun (5.8k)

The Empty takes Meg’s shape, Samandriel’s, Duma’s, every one of the thousands of angels Cas killed up in heaven. But in the middle of lecturing Cas in the form of Balthazar, it explodes in a burst of light and sound.

Dean Winchester stands in the aftermath.

the empty playing mind games on an awake cas bc it can’t put him to sleep is a thing i like a lot and this is very very good

Speak Silence No More by rea_sunshine (8.1k)

When Dean imagined this moment, it went like this:

Dean bursts into the Empty—guns blazing, chin high, righteous anger coursing through him. No matter what form his plans and fantasies and whiskey-drunk-whispered-promises took, he is always, always successful. When he imagined it, he was finally the hero Cas deserved.

The reality of the moment is this:

It’s fucking cold.

dean and cas STILL managing to not communicate with each other properly after the confession is so funny to me and this fic does it really well. also i like that a human being in the empty, where humans do NOT belong, had some like. consequences

my heart is a compass by lagaudiere (10k)

“There you are,” the Empty says, in Dean’s voice. It’s cold, like Dean’s eyes are cold, his expression set in contempt. It’s the expression Cas feared, he realizes, all the times he thought about saying it. Revulsion. It makes him feel sick in the way that goes beyond physical, here where there is nothing physical left.

The moment before it happened had been so sweet it covered up all the hurt. For years, Cas had been holding back those words, biting down on his tongue to keep from saying them. And now he had said it, and he knew that it was good, knew that it was worth it. But on the other side there is only this.

In the Empty, Cas dreams of his regrets, until someone comes looking for him.

one of thee best dean rescues cas from the empty fics out there i love the way his memories are written i love how many of them were ones that this fic came up with to give me new things to have brainworms over instead of just making me more fixated on He Watched Him Rake Leaves than i already am

killing time by orestespdf (11k)

It's been four years since Dean saved Cas from the Empty and confessed his feelings in return, and in their Vermont lakehouse, the retired couple is now learning how to heal. One morning, Dean gives Cas a haircut.

(A character study of Castiel.)

perfect fic perfect fic no notes no complaints they love each other so much and now dean is giving cas a haircut and they’re spending the day together. god.

and every time we kiss, i swear i can fly by knameless (14k)

Every time, Dean tells himself it’s the last.

aka, twelve times dean and cas kiss.

a just boy best friends kiss for every season <3 mwah

for which no words exist by MediaWhore (14k)

'a prayer for which no words exist' // richard siken

"Dear Cas who art in my bathtub, give me the strength to be honest about how I feel. For your sake and for mine. Forgive me all the times I wasn’t in the past, all the words I should have said but didn’t. And please stay. Please stay with me when all is said and done. Amen. "

Dean rescues a newly human Cas from the Empty. That's the easy step.

mediawhore i am in LOVE with you oh my god this fic. this fic. dean taking care of cas after rescuing him dean wrapping cas in a blanket oh my GOD

swimming with the fish pond fish by februyuri (17k)

Some time between Dean bleeding out on a makeshift hook in a barn in Ohio and Sam making marshmallows on his funeral pyre, Dean was brought back to life. By Castiel. Again. Dean agreed to it if only to give Jack time to work out the glitches up top. So, now Dean’s back in the land of the living and things are ... actually good, for once.

Or, as good as they can be when demons are attacking Earth, Dean’s failing to get over why he died in the first place, and Cas is suddenly, inexplicably taking every opportunity to casually tell Dean that he loves him.

this is a wip! but it is so good and so worth the read i love it a lot and am very excited for the last chapter. it IS pretty heavy though dean has a LOT to work through

looking like a true survivor (feeling like a little kid) by courfeyrac (20k)

"Jack’s a clever kid—has been ever since he was born, maybe even before that—but Dean’s pretty sure he hasn’t figured out where they’re going yet. And Dean’s… Dean’s excited about it. He remembers planning surprises for Sammy when they were little—saving up quarters and sneaking off to the arcade the year he turned seven, or slipping a book Dean had seen Sammy admiring into his jacket before sprinting out of the store the year he turned twelve. There was only so much Dean could give him back then, hindered by lack of finances and transportation and a father who paid attention. Now, though, Dean’s got a wallet full of cash, a tank full of gas, and the freedom to give his kid the kind of birthday he deserves."

Or, it's Jack's fourth birthday, and the kid wants to go to Build-A-Bear.

EVERYONE READ THIS RIGHT NOW. that is not a request this fic undid me. oh my god. oh my god. they’re a family and they’re going to build a bear and they love each other. oh my god. also no it isn’t a baby jack fic he is 4 and he is also alcal

what’s missing is found (our souls can exhale now) by sobsicles (27k)

It's not the first time Claire has ever gone missing. It is, however, the first time Kaia panics about it. Dean's dragged into the mess, but he soon finds that it's the best thing that could have happened to him.

~~~

"But have you ever just met someone and maybe it wasn't from the first moment, maybe it was after all these other moments that meant more than you ever expected them to, and it seems like your soul just—just—" Kaia makes a helpless gesture with her hands, pushing out, and she breathes out loudly. "Like it can finally exhale. And that person isn't guaranteed to make you happy, but they're—they're important. You just know it, you can't even escape it, you can't let them go. Ever met someone like that, Dean?"

"I—" Dean halts, his mouth hanging open. He's looking at Kaia, who's looking at him, and his heart is fluttering in his throat like a caged bird aching to soar again. His mind threatens to spiral out of control, but he focuses, swallowing hard. "Yeah. Um. I—yeah, I have."

deancas AND dreamhunter we love to see it also dean DOES smoke weed with kaia and apologizes for pulling a gun on her what more could you want in a fic

Command Me To Be Well by prospopeya (28k)

Dean did a lot of thinking about when and how he would get Cas back. Months of it, actually, stretching into a year, because while Sam and Eileen were settling into their new lives, Dean was stuck. He was stuck in a faraway corner of the bunker, dark and empty and hollow, ringing with the sound of a vibrating phone.

So when he falls to his knees in that same room, exhausted, hurting, breathless, and he feels a hand on his shoulder and looks up to see Cas, he realizes that he doesn't have a single clue about what to do now. Getting Cas out had been easy--actually, it'd been the opposite of that--but the planning of it, the methodical desperation of one attempt after the other had been a familiar rhythm. It'd been soothing almost, solid, something to focus on that wasn't Cas's eyes, watery and jubilant in a way Dean hadn't ever seen that up close on anyone, let alone Cas.

And now Cas is pulling him to his feet, and Dean's stumbling, and he instinctually grabs Cas's arm, and his hand lights up with a fire that he isn't prepared for.

"Hello, Dean."

oh post despair lack of communication....oh dean refusing to work through his feelings...this fic is incredible i love it everyone who enjoys dean doing everything in his power to avoid talking about feelings up to and including having sex with the guy who’s in love with him multiple times should read this

break the skin (to break the barriers) by sobsicles (29k)

The first time she meets him, he's nothing more than an almost-missed appointment.

SOBSICLES TATTOO FIC MY BELOVED. dean grieving and getting tattoos and it turns into tattoo therapy. im SO in love with mitzi it’s insane. requires some suspension of disbelief for how long a tattoo takes but it’s an incredible fic and an unparalleled experience. sobsicles does not miss

ascend by quiettewandering (53k)

Something in the world is wrong.

Demon activity is rising where mysterious black substance oozes and unusual ecological events are shaking the world. Dean, grief hanging on his shoulders, restlessly searches for answers that might lead him to the Empty… and to Cas.

But what Chuck wrote can’t be undone. The narrative thread pulls Dean along, forcing him to comply. Because once a story already has an ending, it can’t be rewritten.

Or can it?

SUPER cool concept i liked this a lot i’m pretty sure everyone’s read it already but just in case someone hasn’t you absolutely should

oh sooner or later it all comes down to faith by sobsicles (62k)

Getting used to Heaven is something of a marvel. It ain't perfect, and Dean thinks he'd hate it if it was, which is probably why it isn't.

~~~

"You don't understand," Dean whispers, exhaling shakily. "I know you don't, because even I don't. The instant you were gone, I wanted you back. Cas, I wanted you back. I wanted—I wanted—"

Cas stares at him, searching his face. After a moment, his own face falls slack, eyes widening just so. "Oh," he breathes out.

Dean wants to be furious that Cas has figured it out before he has—whatever it is—but he's not even that surprised. Cas knows him too well, always has, even more than Dean knows himself. He's been kicking Dean in the goddamn teeth with how deeply he understands him, even about the things Dean doesn't, ever since they first met. You don't think you deserve to be saved, that's what Cas had said. All bundled up in impossibilities and power, this being that looked at Dean Winchester and knew every single inch of him, as if he had a right to each part.

"What?" Dean grits out.

"I love you, too."

the ONLY heaven fic. i do not read heaven fics bc i refuse to budge in my finale denialism i refuse to read fic where it is accepted that dean dies. i was hesitant to read this but god im glad i did it was so good. literally the best possible outcome of dean dying

Endverse

final fantasy. by orange_crushed (1.9k)

“If I’d actually been born human, would I have gotten sick like everyone else? Would I be running around gnawing on the neighbors?” Castiel tilts his head up and even from here Dean can see the black ring of his pupils, wide and dark as dead stars. He’s high as fuck and he’s been loading the guns for forty-five minutes. He stares into the space where Dean is. He smiles and shows his teeth. “Maybe you’d have already put a bullet in my head.”

"This is why you don’t lead storytime anymore," Dean says. "This kind of shit."

endverse last night on earth fics are something that can be so personal actually. god

The Last Song by Moorishflower (3.5k)

The very last song is the Song of Solomon, and Castiel sings it only for Dean. Set in "The End."

this is like. pre endverse and the tone is so like. wistful? is the best word ive got? it’s gorgeous i love it but fair warning there is graphic description of like. viscera and infected wounds

to think that we could stay the same by cipherwriter (6.5k)

cas has all he needs; himself, his creation, and enough power to continue this cycle for a long time. he's fine. dean wants to take care of him anyway.

oh my GOD this one is good it’s based off the thing of how originally endverse cas was supposed to be just sitting in a room killing and resurrecting the same cockroach over and over. very bittersweet at some points i love it a lot, do not read it if youre looking for something happy though lmao

the first church at the end of the world by withbloodstainedclothingon (11k)

The angels don’t eat the brain. Only Croats do that.

this one is fucked but it’s incredible it contains very heavy and violent subject matter and cas is an Actual cult leader he doesn’t just have orgies it is SO well done and i had a great time reading it i recommend it very highly if the warnings sound like something you can stomach

Down to Agincourt by seperis (1.1 million. i know. yes it’s a wip)

There is no such thing as a guarantee when it comes to war.

The outcome's known. Why try? Return your rusty sword to battered sheath, bow your head and bend your stubborn knee. Why take the field when you cannot win the war? But Harry -- he went down to Agincourt.

PLEASE. i know the length is intimidating i KNOW it’s a very long fic but please. please read down to agincourt i am begging you. head in my HANDS this series is incredible.

Non Supernatural AUS

Long-Term Relationship by bendingsignpost (2.7k)

Castiel says, budging over to make room for Dean on the couch, “I thought we should have a serious talk about our relationship.”

Reflexively, Dean laughs.

Castiel does not.

“Uh, Cas... you know we’re not dating, right?”

look man it’s bendingsignpost okay. it’s bendingsignpost it’s good and it’s sweet and you should read it

One White Lie by komodobits (11k)

Castiel takes a deep breath and rings the doorbell. He doesn’t need to run through what he’s going to say – he’s already planned and edited and rehearsed it a thousand times. He is going to ask Dean Winchester out to dinner. If it’s not too forward, he’ll say, perfectly charming. You see, I’ve seen you around the neighbourhood and you always seem so earnest and I’d really like to get to know you bette— The door swings open, and Castiel panics.

He intends to excuse himself. He means to apologise and come back some other time. However, in a moment of blind fear, what comes out of his mouth instead are the words, “Could you spare a moment for Jesus Christ?”

do you ever pretend to be a jehovahs witness for months to hang out with the guy you like because you fucked up asking him out? yeah.

separate ways and sleeping dogs by sobsicles (53k)

Dean is three years sober when Cas comes back into town.

~~~

For a moment, they just stare at each other. Dean, once again, has to swallow the urge to offer to swallow something else. It's very hard to resist the gut-wrenching pull of want that hooks in his chest whenever he looks at Cas. And to think, he used to have him, used to be able to act on that want.

God, he's so fucking stupid.

Well, there's no point in kicking himself three years later for shit he can't change. He'll just sit right here and pretend that his fingers aren't twitching with the urge to reach out and touch. He can't do that anymore, and it's his own damn fault.

"Three years ago," Cas prompts.

Dean huffs a weak laugh. "Yeah. Eventful."

this fic hit me SO hard emotionally oh my god. don’t have much to say bc most of my thoughts on this fic are very personal but my god read this please

Everyone’s a Critic by Englandwouldfall (109k)

The one where uninspired chef Dean Winchester has a one night stand with the male (!) food critic who described the flavour of his garlic bread as 'closeted' and accidentally ends up dating him to try and prove that he's a kick ass chef, thank you very much.

(He may have a point about the 'closeted' thing).

this one is SO fun. dating the food critic who called your garlic bread closeted and lying about your career because you’re embarrassed and you want to redeem your food in his eyes but then you fall in love with him

Non Destiel Centric

gender? you mean that thing i have that pisses people off? by bigender dean winchester (homosexualitie) (946 words)

sam and dean paint each other's nails and dean abuses the technicalities of her gender. what more could you want?

HELLO HE/SHE DEAN COMMUNITY oh my god the pure rush of euphoria reading this. oh my god. oh my god.

the quiet road to a distant city by rottingbrains (1.2k)

Sam stares out the windshield again. They’re approaching a city, and she can see the lights in the distance. She’s past the danger zone, and she feels like the world around her reflects that in some way she can’t put into words- as if God is telling her that it’s okay. She did the right thing, and soon she will be past the lonely unknown and into the warm, forgiving light of acceptance. Or something. Come to think of it, the lights only look warm from far away, and she knows that the actual city will seem far less welcoming. Still. Best not to imagine the worst when it’s already going well.

required reading for transfem lesbian sam fans. fics that live in your ribcage to make your heart feel good

Four People Ruby Seduced & One She Actually Fell For (Or: Ruby's Epic Love Affair with Humanity in General and Sam in Specific) by tuesday (3.7k)

In which Ruby has a lot of sex, is not any kind of therapist that would be legal, and helps a few people out for her own reasons. (S4/S5 AU)

for everyone out there who enjoys ruby being a girlboss <3

Fractured Link by Trell (orphan_account) (5.5k)

Meg goes on, resolute despite the way Dean flinches, "He likes me. He likes me a lot, and I like him back, and that's probably good enough for both of us. But fuck me for saying so, Dean-o, he loves you, probably more than anything else on his daddy's green Earth, and you need to man up and give back what Clarence over there has been devoting to you for years."

this is meg/dean/cas which is not smth i really seek out but this was extremely good. set in s7 so it’s meg and dean and honey cas and it’s a lot of dean figuring his shit out and trying to forgive cas and i love meg a lot in this

#spn #supernatural #destiel #deancas #mine

472 notes · View notes

ot3 · 3 years

Note

What's the core appeal of orv? I know the premise but why does it make you so hyped up?

OH BOY OH BOY....... i will try to be as concise as possible here but i could write without exaggeration thousands of words about why orv is good. But I guess here's the big stuff.

- Its funny, for starters. it is extremely funny, which is very high up on my media priority list. in orv, there will be incredibly grim things that make you laugh, and incredibly cringe and silly anime bullshit that will hurt you as heavily as any other media you’ve seen.

- it executes it’s thematic arcs with pinpoint precision the likes of which i’ve hardly ever seen anything else manage to do. regardless of whether or not the themes themselves are the sort of themes you go bonkers for in media, it’s always just delightful to see something perfectly stick it’s landing in terms of the big concepts its trying to grapple with, and orv does

- it’s got fun and fascinating worldbuilding mechanics. the core concept being ‘reality now operates on the rules of a shitty novel’ means that the worldbuilding doesn’t have to function logically, it functions thematically. it’s explicitly stated in orv canon that some of the internal rules governing this new reality are objectively really stupid and illogical, but they just have to roll with it because that’s what was in the book, and i think it’s a really enjoyable way to do it. This may at first sound like a copout, where the writer is trying to excuse their own bad worldbuilding, but it isn’t. The world building is actually incredibly deeply thought out, but it doesn’t exist for the sake of rational function, it exists for the sake of, once again, furthering orv’s thematic arcs. the rules by which this universe operate do a magnificent job of strengthening the core concepts the authors are exploring.

- it deals with morality in a really wonderful and nuanced way. there are almost no characters in orv’s extremely large cast of characters who are just explicitly morally condemnable, and almost every conflict allows you to understand exactly why the antagonists believe they’re in the right by opposing the actions of our protagonists. the central conflicts are never pure right and pure wrong; they’re always about contrasting goals, conflicting worldviews, and different priorities between ends and means. this makes the conflicts all feel so much more dynamic and engaging than those where the only stakes are physical harm.

- the characters interpersonal relationships are some of the most interesting ive ever seen. orv is very slow burn and it takes a long time for a lot of these to come out of the woodwork, by design, but by god once they do they fucking hit. similar to the plot conflicts, the interpersonal conflicts also almost never occur where there’s one side clearly in the wrong. the characters are almost all genuinely attempting to do their best by each other, and the tension comes from the ways in which human communication is fundamentally imperfect and part of our feelings and intentions get lost in translation. it’s very heartwrenching and heartwarming to see unfold, in equal measure.

- following from that, it’s a narrative that really meaningfully prioritizes non-romantic relationships over romantic ones as the central focus. obviously there’s shipbait and the ot3 is real and good and my friend but if you’re looking for deep complex platonic, (found or otherwise) familial, and antagonistic relationships that never get ruined with forced romantic arcs, we got em baby!

- the pacing is unlike anything i’ve ever seen before. from a purely technical standpoint, it is genuinely a fascinating case study in how to execute a narrative that is almost constantly escalating without exception. there is very little downtime or breathing room in orv, which is insane for something that clocks in at over a million words, and somehow, it still works. i’ve never felt more like a frog in a pot of slowly boiling water than i did when i was reading orv and i can’t believe they pulled it off. it’s so interesting to read something like that.

- it is a tragedy without resorting to cynicism and a very adult narrative that’s really steeped in childlike wonder. i’m a big fan of cartoons made for children cartoons made for children are my favorite things to watch because i like media that is uplifting and encouraging. but of course children’s media will always be simplified and not very relatable to an adult. orv is very much a serious and heavy adult narrative, and a deeply tragic one at that, but this is never tragedy for tragedy’s sake. it’s a very compassionate piece of media over all, that holds a lot of reverence and sympathy for the ‘naive’ optimism of children that gets stripped down over time. if you, like me, feel more like a grown up child than an adult someday, i think it’ll hit for you.

- if you are a person who has ever gotten deeply involved in media to ignore bad things happening in the real world, which i know you are because you are reading my tumblr blog, then there is going to be a lot about orv which resonates for you. a lot of metanarrative has attempted to comment on the voyeuristic nature of media obsession and storytelling, but a lot of it does so in a bizarre way that almost seems to shame the audience for having the audacity to... enjoy the product the creators have produced for them. orv is what i can only describe as a love-letter to its own audience, and it’s really a manifesto about how engagement with media can foster genuine human intimacy, even if initially it’s something you’re using as a crutch to replace that intimacy. the closest thing to orv’s metanarrative i can think of would be undertale. if undertale made you Feel some Things, orv is gonna make you Feel some Things as well.

- it is extremely cathartic and meaningful. i am not exaggerating at all when i say that reading it gave me the closest thing i have ever felt to any sort of spiritual breakthrough. it helped unfuck my head a ton during some very grim times and i think the perspective it offers on the value of human life is a really really good one

- its really funny i promise

- its cringe in a way that’s hype

- please read orv please not even for me do it for yourself i want you to experience what i experienced for YOUR sake not mine

#long post #orv #i really like talking about orv #maesamine

259 notes · View notes

augustheart · 2 years

Note

45, 50, 42, 40, 37 character of your choice, 34, 33, 28, 23, 22, 13, and 8. you do not have to do all of these

doing all of these minus one i've already answered but i'm putting them under a cut because it is really long. (non graphic abuse m and SA m for some of these, i don't know of good substitutes for my old trigger tags.)

8. What hero doesn't deserve their hype?

13. What’s the worst character assassination you’ve seen happen?

oh my g-d whatever priest was doing with j'onn in justice league task force... like i know that a whole big thing was that he was just "putting on an act for the kids" but a) it doesn't read that way and b) it doesn't matter if it was an act when it caused actual in-universe harm to the teenagers he was supposed to be in charge of. that was fucking nuts and it's one of the parts of task force i'm actually extremely glad got left behind.

22. If you could cancel one comic book that’s running right now, what would it be?

i don't even know if i can answer this. there are several. probably taylor's nightwing book because it seems like an ableist mess. i've also heard pretty much entirely negative things about robins. while i may not care about the batfamily, i stand in solidarity with people who do, and i am prepared to pull the trigger.

23. If you could erase one comic book from canon, what would it be?

identity crisis is already erased from canon so i'm actually not going to pick that and i am instead going to pick cry for justice. you're free now

28. What’s a popular fandom take you disagree with about [x]?

all dctv fanon about the rogues is pretty shitty but i really dislike the fanon of len asking barry for a sexual favor in exchange for his help. i love it when evil characters are evil but i don't think they realize that that's. like. a horrible thing to write him doing. len is fun as a criminal who does things like over elaborate and terribly run heists. that just... isn't fun. what the hell was the deal with that being accepted as canon

33. Which character that deserves a solo didn’t get one?

max mercury mini about him traveling through time helping people and learning to control himself while also redoing his backstory when

34. Which retcon do you hate the most?

every time geoff johns kills someone's mom i grow stronger and more powerful with my anger.

37. I wish fandom/official writers understood ___ about [x].

rita was abused by steve. it's incredibly explicit that he psychologically and emotionally abused her, and pretty obvious that it went beyond that in ways i've talked about in other posts. even though he and gar grew closer after the death of madame rouge, they still had a relationship made incredibly tumultuous largely because of this abuse. you can't hand wave that away.

42. What’s a fandom trope you hate?

i have a lot which is why i'm answering this one a second time! one on my mind currently that i don't think is as popular now as it used to be is people using the period following iris' pseudo-death (or killing her off in the modern day) as like... a period that can be mined for ship fodder for [redacted very popular ship with barry]. like even disregarding the misogyny there, don't make me tap the sign (the entirety of destiny is a stacked deck).

45. What’s the worst take you’ve seen about [x] (popular or not)?

not even one specific character in mind for this but i absolutely hate how people who read comics about teenage characters or watch adaptations of comics starring teenage characters (etc etc) get upset when they act like teens. like... of course this character didn't think this through all the way. they're sixteen. of course this character is acting childish. they are a child. and it leads to the worst takes imaginable about how they're bad protagonists because they're being written realistically. also the oliver queen is an abuser take is always shit.

50. What’s something that bled into comics from a tv show or movie that you hate?

i already answered this one but I will elaborate on the answer I gave there: felicity smoak was a great supporting character under conway and ostrander and tbh absolutely ruled as a businesswoman and a tech ceo and a mostly trained lawyer with a completely justifiable vendetta against superheroes like firestorm while unwittingly being the (step)mother of said superhero. and then arrow was like oh she does computers? we'll now ruin her for everyone and make this the only version of the character anybody knows. and if you don't like that then too bad.

#negative comics asks #extended post #thadpole

3 notes · View notes

tuiyla · 4 years

Text

So I finally watched The Owl House

I wish I’d do this with every show I watch but it seems like only a lucky few get the She-Ra style rant of love treatment. Well, I finally watched The Owl House after my dash having been flooded for the past couple of weeks and I have some thoughts. Slight spoilers below.

First off, I love the whole vibe. I had a faint idea that this show would be about magic but I didn’t know much before watching - except for one thing, we’ll get back to that. The way it builds its world and deals with magic, though, is so refreshing. And I just have to mention here that I laughed out loud at all the Harry Potter jabs, they were hilarious. I expect we’ll learn much more about magic and its users as the show goes on but as far as the first season goes the introduction was really solid. It strikes the right balance between leaving things to the imagination but being more than “wave wand and magic happens”. It’s colourful, it’s creative, and I even like the ovens and school tracks, despite knowing that the story is about not conforming to those. It makes the Boiling Isles unique and make me want to learn more about the world even beyond the characters and the main plot.

TOH also presents a world that’s much more macabre than I was expecting from the Disney Channel, not that that’s a bad thing. I found myself thinking of Adventure Time at certain points and pondering, at scary moments, how kids would react. I think kids love this, though, and besides, nothing can be more scarring than Courage the Cowardly Dog was. It’s not that terrifying, of course, just daring enough to stand out. Overall the show has what I would classify as more of a Cartoon Network vibe than a Disney Channel one, but I admittedly haven’t really been following many Disney shows. In any case, I dig it. I dig the weird creatures and the beautiful backgrounds and I appreciate how alive the Boiling Isles feel. It doesn’t take long for TOH to immerse you in its world so I’m for one am hooked.

I make a big deal of loving the world itself because rarely does it happen that world-building stands out to me so soon in a series. I do love carefully constructed fantasy worlds but for the most part I’m more interested in the characters themselves. Here, I’d say it’s close to being a 50-50, which is something that even Avatar can’t say with its elemental masterclass in world-building (which is mostly because the character depth there is unrivaled but still). So yeah, kudos to The Owl House for achieving this. From Luz’s glyph magic to the covens and the titans, I’m excited to explore this world more.

Now, the characters. The real meat of any story. Starting with Luz, I have seen some criticism that she’s a generic hero so far, the “I’m a weirdo”, heart of gold, upbeat variety. I don’t think this makes her bland, though I do admit that being told over and over again that she’s weird makes me less engaged, even she’s also shown to be weird. I like the message of her arc and that the chosen one trope was deconstructed almost right away. I like that she’s relentlessly enthusiastic and kind to people and I like that she doesn’t have to get more bitter in order to get development. Instead, she learns from her mistakes but keeps being herself and brings her unique spirit to the Boiling Isles. We need protagonists like Luz, not just because she’s latina and bisexual but because her learning process doesn’t involve cynicism. Sure, there is a lot she needs to learn but her heart is presented as an asset and a sort of source of magic. I’m excited to see where her story goes, for sure.

I’m gonna write briefly about the other characters before I get to my favourite one. Eda is super cool and I quickly got over the fact that she’s not Beatrice Horseman, lol. She embodies such a youthful energy but the show also allows her to be a middle-aged woman comfortable in her own body - well, owl curse notwithstanding. Also, her relationship with Lilith is one of my favourite parts of the whole show. Eda subverts so many of the mentor’s traditional tropes and I’m here for it. I kinda thought she was the villain based on her design and when I didn’t know anything about the show but hey, happy she’s not.

I don’t think I’d even seen a picture of King before starting to watch the series and at first I thought I’d get tired of him real quick. He’s the type of character who can get really annoying instead of endearing really fast if he’s not given any depth or charm, both by way of writing and voice acting. Luckily, I ended up liking King and his antics. His design is indeed adorable and Alex Hirsch is a genius. The only time I felt like he went too far was, perhaps surprisingly, in the book writing episode, “Sense and Insensitivity”, but even there going too far was the point. So yeah, King’s also great, there’s much potential in his backstory and general character.

Alright so really quickly, other characters: Willow and Gus are generic best friend characters and though they already have other things going on, I expect more development as the series progresses. I like that Willow is actually super powerful, just not in the way people expected her to and Gus is clearly also talented despite being younger. I’d be happy to see more of the other kids, get more familiar with Hexside. Edric and Emira are fun characters but they were really shitty in their first episode so I was kind of surprised they weren’t more of a nuisance to Amity later on. I’m all for supportive siblings so I wouldn’t mind a good relationship between the three but I feel like it’s more complicated than that with the Blights.

Finally, I also have to mention that Hooty is... well, quite something, isn’t he. Much like with King, I thought he’d be much more annoying but somehow the show is self-aware enough that it makes Hooty tolerable. I’m almost always torn between feeling sorry for him and being thoroughly weirded out, and I think that’s the intention? It’s fitting that he’s the titular character as he embodies the tone of The Owl House well in my eyes. He’s there for the comedy but there’s just enough there to hint at something more. Very bizarre, strong CN vibes, here for it.

Now that I’ve written a paragraph more about Hooty than I expected to, let’s talk about Amity. Listen, no other character stood a chance to be my favourite as soon as I learned Mae Whitman voiced Amity. That woman gave me Katara so now I have a quasi Pavlovian response to her voice. I’d also say that I knew more about Amity going into the show than I did about any other aspect of TOH. I heard somewhere that she started out as an antagonist, I knew her parents were abusive, and the reason the show blew up on my dash and my general online bubble is the Grom episode. Lucikly I only saw stills of Lumity beneath the crescent moon but the pure Sapphic energy of that was enough to gay migrate me to this show. I’d like to note it here though that The Owl House is a good show in and of itself, the queer rep is just a nice extra. I’m gonna spend the next couple hundred words going on about Amity and her crush on Luz but I don’t value only that. The Gay Migration is great and rep is great but I’m also grateful to have a solid show behind it. That being said.

I’m a total dyke for Amity Blight. I was very biased before even being introduced to her character but I genuinely find her to be fascinating and she has great potential. She’s developing quite quickly, like much of The Owl House, but an arc not being stretched out for several seasons before getting a rushed conclusion is refreshing. The progress hits all the beats and the only note I have is that I want more. She starts out as a generic bully but the opportunity to be more is there from the beginning. We find out early on that she used to be friends with Willow, we see that she works hard and values honest work. When she becomes Luz’s rival, it doesn’t last long before Amity shows that she’s open to new perspectives. That’s not to defend or even justify her earlier and nastier moments, Amity was rude to both Luz and Willow. But through all that, she becomes a complex character who does bad things but isn’t a bad person and grows when she gets the space to. I think that’s neat.

Luz’s decision to befriend her might be cartoon logic but as someone who subscribes to the “kill them with kindness” ideology, I can totally relate. Amity’s softer side doesn’t take long to show and “Lost in Language” is such a great episode to show how complex people can be. Again, I was already biased when it came to Amity but she’s consistently shown to be capable of self-reflection and growth when others give her the chance. I think her past and potential future friendship with Willow is a great way to explore many different topics and I’m trusting the show to do it justice. I also can’t wait to meet the rest of the Blights, if only to get me some angst and further develop Amity. I half expected Grom to take the form of her parents. Too dark for Disney? Well, we don’t know Amity’s dynamic with her parents, exactly, but there’s so much subtext and potential. I love what we’ve already seen from her but I’d also say that she has one of the greatest potentials in the show.

Another way in which this potential manifests is Lumity, of course. Again, they’re developing quite quickly but that doesn’t mean it’s rushed. I’d love to explore Amity’s crush more and what Luz means to her. The Grom episode surpassed all expectations, still and gifs don’t do the stunning dance sequence justice. The animation is so smooth, the colours are amazing, the music is on point and the Sapphic vibes complete the picture. Poetic cinema, truly. Molly Ostertag and Noelle Stevenson are really out there giving wlw animation fans everything we ever wanted, huh. It also warms my heart that the crush is made very clear, not just by Luz’s name being on the note but by the delightful gay disaster that is Amity in “Wing It Like Witches”. I never thought I’d ever see such a relatable useless lesbian in animation so kudos to Dana Terrace and the whole crew. Wow, how far we’ve come.

So yeah, Amity is a funky little lesbian and I’m a 100% here for her gay disaster moments, but I also love where Lumity is going thematically. They’re great as foils and I’m hoping that they won’t get together at the very end. Look, I love me some Bubbline, Korrasami and Catradora, but it’s time a wlw relationship had the chance to exist onscreen and not only in the last episode. The Owl House has a great chance to do that. I know the creators don’t want romance to be the main focus and I respect that, I think the world they created deserves to showcased and explored to its full potential. Lumity could be a great subplot though, as representation on the one hand and as a thematically interesting dynamic on the other. Plus, Luz and Amity are just cute and sometimes, it’s as simple as that. Oh, and also the whole Little Miss Perfect thing? One of the best fandom discoveries I’ve made in a long while. Not only is the song truly perfect for Amity, I love that Joriah Kwamé went on to write Ordinary as well. This right here is why fandom is beautiful.

I think that’s about it for season 1 initial thoughts. The moral can be a bit on the nose at times, especially in the early episodes but the show is ultimately for kids and I appreciate its message. Interesting world and magic system, good characters, great potential for later seasons, just a well put together show that I’m really glad I started watching. I’m kind of sorry I didn’t keep up with season 1 as it was coming out but I would not have been able to wait between episodes. The pacing is good overall, deffo moves fast but I wouldn’t call it rushed, and the “filler” episodes still add something to the story. I’m not sure if I would still feel like the show moves at a fast pace if I hadn’t binged it but in any case it isn’t rushed, the necessary beats are all there and have time to sit. I’m going to watch as it comes out from now on so hopefully season 2 will arrive early next year.

Oh, and: I’m very new to the fandom, barely just found out about Little Miss Perfect, so any and all tidbits, fun facts, and fic recommendations are welcome. Also if you just want to chat my inbox is always open!

#the owl house #toh #amity blight #lumity #luz noceda #my thoughts #down another rabbit hole i go

69 notes · View notes

depizan · 3 years

Text

I noted here that I'm not fond of the current dark n' gritty take on Star Wars that a lot of the new!EU favors (nor, for that matter, the worst timeline approach of Disney!Star Wars in general).

The weird thing is, a lot of the fanfic I read could be considered darker or grittier than canon (Even, arguably, the fic I write, since I don't go with bloodless violence.) and I - obviously - don't have a problem with it.

Which leaves me trying to figure out what the difference is. There must be one, beyond one being canon and one not -- something that might be a valid difference if I felt that way about Star Wars. But Star Wars is one of those things where I have a very...uh...mythological attitude toward "canon." I don't feel like there's a One True Story, I feel like it's all (official canon, no longer official canon, fanfic, weird ancient Marvel comics, whatever) in kind of a state of, I don't know what to call it, Shrodinger's Canon? It's like...it's like Robin Hood. I like some versions better than others, but there's not a True Story Of Robin Hood. Like I said, a mythological attitude. There's Star Wars I like and Star Wars I don't like, and I don't much care where on the canon spectrum it falls.

So it's not really a case of, well, it's okay for people to explore darker stuff in fic, but I don't want canon to do that. Or at least it isn't that simple, because I do feel like distinctly non-canon things (fanfic, What Ifs, etc) have more freedom to explore possibilities within a fictional universe than official canon does. Mostly because there are things that simply don't fit together well. (I think I've used Jupiter Ascending as an example of this before. You start with Jupiter's father being killed by a random criminal, then you have her being born with no medical help while her mom is being smuggled to America and it's all very gritty and un-fantastic... and five minutes later you've got hoverskates and bees knowing royalty and my brain feels like the movie has done the mental equivalent of throwing a car into reverse from 5th gear.)

But, if I'm going to be honest, the fic I like (including my own) is just as much Real Star Wars to me as The Empire Strikes Back or Han Solo's Revenge. So why does the Aftermath trilogy bother me, but [insert assorted fics here] don't?

Because of the story "alignment" chart I hunted back down and just reblogged. Star Wars was NobleDark. The fanfic I like is still NobleDark. Disney!Star Wars is Grim or, on a larger scale, even GrimDark with, in the case of the movies, a weird sort of candy coating on top. In an attempt to distract you from the tonal shift, I think. (Or, worse, somehow no one at Disney has realized the tonal shift. D: ) Never mind that accomplishments are fleeting and only achieved through pain and suffering on the part of characters (Notice how people must die for anything to be accomplished in the sequel trilogy.), we'll slap some heroic, nostalgic music over the top and shoot the film in pretty colors instead of real-o-vision and no one will notice!

I actually used the wrong words in my complaint in that other post. I don't object to dark n' gritty. Star Wars was always set in a Dark world, and grit isn't the issue. It's the Grim. And if I'd remembered to say that, I wouldn't have been confused. You can have stories where the world is Dark and the action is gritty, but outcomes still land it solidly in Noble.

I think the tricky thing is that people talk about the difference between Noble and Grim as if there's only pain and suffering in Grim. And even the chart I reblogged suggests that. But that's not really the case. There are degrees of suffering that push things out of Noble and certain kinds of suffering that do, but it's a pretty rare story in which being a hero never hurts. And if you're heroing in a Dark world (or even just protagonisting), it's definitely going to hurt. It just isn't going to hurt the way trying to be a hero in a Grim world would. (Even a GrimBright one!)

And that's why, even though the actual violence levels and presentation aren't different, something like the Aftermath trilogy feels very different from the fic I like. It's about whether or not things get accomplished, and, if so, to what degree. It's also about what the characters learn over the course of the story, how they grow or don't grow, whether their situations get better or worse. How the world is shifting, or not shifting. Where you think (or know!) they'll be in ten years.

And the weird thing is, sometimes a character essentially holding steady can feel like an accomplishment, like proof that it's a world where positive change is possible. Because, in a shitty enough Dark world, not becoming like the people who make the world Dark is a victory, in and of itself. As well as being a kind of proof that the shitty people are wrong. Something else is possible. Maybe this character alone can't shift things, but by not being shifted, themself, they're holding the door open on possibilities.

Just as characters accomplishing things can not save a story from seeming Grim if the audience knows that all of their accomplishments (and possibly their lives) will be destroyed. If your characters triumphantly sail away on the Titanic, the audience is not going to be cheering with them. And if the accomplishments come on the back of characters deciding they can't be better people, well, we're definitely in Grim land, then. Particularly if they're right.

(And this all probably comes down to the fact that I tend to view reality as Dark, so naturally I would much prefer that fiction told me change was possible than that change was not possible. So sorry, you appear to have booked onto the Titanic.)

#Mac ponders fiction #long post

8 notes · View notes

soopersara · 4 years

Note

Thoughts on post-series (especially TLOK) Katara? Do you agree that she became a shell of the woman she once were? Do you consider it to be misogynistic when people say that on the basis that she "just became a housewife + a sad old woman alone in her hut"?

I'm not sure if you're asking if I think the writers were misogynistic for reducing Katara to a sad widowed housewife or if I think that it's misogynistic to say that Katara's character was reduced when she became a sad widowed housewife. Either way, I'm not in the business of accusing people of bigotry over works of fiction that I find questionable or opinions about fictional works that I find questionable. In the case of creators, I'm not a mind reader—I don't know 100% what the intention behind thing X in story Y was, and I trust that if the creators are shitty, malicious people, it'll shine through in other areas of their lives. Are there certain tropes that make me squint real hard and whisper, "I don't trust where you're going with this" before noping out? Absolutely. But some people, even professional creators, are just... not good at their jobs. And frankly, just the idea of going through my life assuming the worst of everyone who makes me scratch my head and squint is exhausting.

And in the case of Katara's post-canon characterization (because IMO, canon ended when the credits rolled on ATLA), assuming incompetence over malice seems entirely fair. Yes, Bryke are professional creators, but they are visual artists first and foremost. Writing simply isn't where their strengths lie, and the writing is what suffered when the franchise was left entirely in their control post-ATLA.

Full disclosure, I haven't read all of the comics or watched all of LOK because the former infuriated me and the latter bored me to tears, but the biggest problem I saw with both was the fact that the characters' individual wants, needs, and motives vanished after the end of ATLA. Except for Aang's. His inner life stayed intact because he was The Protagonist™️, and everyone else flattened out because it's difficult to hit the plot beats you want if you give multiple characters autonomy. I can sympathize. Writing is a pain in the ass, and writing character-driven stories well is a bigger pain in the ass.

But...

The original series was led by a writing team who knew how to wrangle multiple characters with autonomous personalities and motivations and storylines. The writing team knew how to do the delicate finagling to steer things back on track without compromising the integrity of the characters when they veered a little sideways, and they were aware that sometimes it's not possible to get back on track if the characters are leading an entirely different direction. And that's the brilliance of the show—for the most part, you can get into the head of each character and track him/her through the whole series and see exactly why they were motivated to make each and every choice (there are a few big puzzlers in Book 3, but let's not get into that right now or we'll be here for a year).

So when you go from the original show, which had a whole team of people who specialized in writing, to the comics or LOK, helmed by Bryke, who specialized in visuals, the difference is jarring to say the least. Suddenly we go from a cast of complex characters with their own inner lives that strongly influence how they act/interact, down to... well, Aang, and flattened versions of the rest of the cast who exist to either agree with and support Aang or to disagree with Aang and later be proved wrong because The Protagonist Is Always Right™️. Never mind the fact that a lot of that directly contradicts the characterization established in ATLA. Never mind the fact that the base premises of some of the post-canon stories are ludicrous by the show's own standards. None of that matters. Zuko is going to take advice from his genocidal maniac of a father after he firmly rejected him and his beliefs because none of the people who love Zuko care enough to check in on him from time to time. Aang is going to agree to kill one of his closest friends when he wouldn't even consider offing the aforementioned genocidal maniac because... he promised to, I guess. And nobody else is going to see a problem with ANY of this because they no longer care about... um... anything that mattered to them previously. Because they're all been lobotomized, apparently. We as the audience are supposed to like and accept all of that solely because it's Dramatic and Unexpected. We're not supposed to care that the characters we got to know over the course of 61 episodes would fucking never do that. Because the plot is more important than the characters, and Aang is the only character whose motives matter now anyway.

And all of that is a very long way of getting around to the point that, as far as I can tell, Katara's reduction from a fiery, impassioned, irrepressible warrior to a sad, ineffectual, lonely widow is more a result of Bryke not knowing how to write a character-driven story and therefore butchering all of their characters aside from Aang in the post-canon material than it is a result of misogyny. Misogynistic undertones? Since Katara was more visibly affected by this inability to write a natural character progression than anyone else, it sure feels that way. But I hesitate to call Bryke misogynistic for the way her character turned out when I know for a fact that writing is not their area of expertise. If I'm looking at some of the attitudes they've expressed outside of the show, I'm less forgiving. Never attribute to malice what you can attribute to incompetence, I guess.

And if you weren't looking for a long ramble about the writing of the show vs the writing of the post-canon material and you actually wanted my opinion on the idea that Katara's character was reduced by becoming a sad widowed housewife... then no. I don't think it's misogynistic to say that. Listen, there is nothing wrong with being a housewife. Living according to gender expectations isn't wrong if that's the life you want. There is, however, something very wrong with a girl who was actively angry about being shoved into those gender roles being forced to accept them later in life without any explanation. Someone who fought (quite literally) for the right to not be "just" a housewife or "just" a healer can't turn up a few decades later as a housewife and a healer with next to no other accomplishments to her name if she didn't have a compelling reason to go back and choose the path she previously rejected. This is fiction. Things don't happen by accident. And when things happen without reason, that's just bad writing.

#atla meta #anti lok #anti atla comics #anti bryke #hopefully my bases are covered 😬

128 notes · View notes

bronanlynch · 3 years

Text

bi-weekly update

it sure has been a wild time here and tbh I had enough to do one of these last week and just. didn’t?? for some reason?? anyway

listening: the Promare soundtrack went on sp*tify recently so I’ve been on Promare soundtrack lockdown over here. I know Kakusei is the iconic Promare song but Inferno (the opening song) always makes me tear up??? love to experience emotions about a movie in a reasonable and normal way. so anyway my standout track from the OST is Piromare because I am so very not immune to sad soft piano renditions of a motif that is usually triumphant/cheerful/etc

youtube

reading: I have, for once, read a bunch of books. I got a giftcard to my favorite local indie bookshop for Christmas and finally got around to using it to buy two books I’d been looking forward to, Dowry of Blood by S.T. Gibson (bi polyam Dracula retelling, kind of) and Winter’s Orbit by Everina Maxwell (gay arranged marriage space opera)

Dowry of Blood was very satisfying to me, someone who has lots of opinions about how vampires ought to be sexy and also terrifying, and I really enjoyed this specific take on vampire lore. also the formatting/pagination was really really cool and reminded me more of poetry books than prose usually does. for the first couple of pages there’s only text on one side of the page and then there’s one line on the back of a page and it hits really hard. extremely good and cool printing choices. would def recommend, but it is also explicitly an exploration of getting into and then out of an abusive relationship so. warnings for that in addition to the murder/blood warnings

also look at how sick this cover is (by Marlowe Lune, an artist whose work I really like in general)

I previously read Winter’s Orbit when it was on ao3 as an original work (called Course of Honour) and it was really cool to read a familiar story that I uh. read several times on ao3 but with added layers, because the author added a bunch of worldbuilding and an entire overarching higher-stakes political plot. I really really liked the added worldbuilding, and for the most part I enjoyed the new plot stuff, though at times I felt like it distracted from what I liked the most about the original, and there was one specific scene that was taken out that I was disappointed about. fave thing about the worldbuilding is when something is referred to by normal familiar words (like pigeons or bears) and then the actual thing is like, a fucking dinosaur that only vaguely resembles the word that’s used for it. very fun

also slightly mixed feelings about the framing of empire in the book, since there is some discussion about the consequences of imperialism and the resolution of the plot involves getting more rights and political sway for colonized planets. but the majority of the plot is about preserving an unjust status quo, and the representative of one of the colonized planets is working for the interests of the empire so that they can appear unified in the face of a larger-scale potential threat, which I’m not sure I love. and I also didn’t really care for the way the resistance movement (whenever it came up, which wasn’t often) was portrayed. so. on one hand yes there is a message of ‘empire bad and we should maybe try to be less Like That’ but on the other hand sometimes it did feel like the imperialism was an under-examined backdrop for a romance. like don’t get me wrong, I love the romance, I love the characters, it’s just that some of the politics didn’t quite do it for me and I think I just wanted More of things that just. weren’t the focus of the story

warnings for discussions of abusive relationships in this one, except this time it’s backstory for one of the characters, not something that’s present in the central relationship. and for all of the things that I wasn’t quite satisfied with, the parts of the book that are about like, learning how to be a person again after being in a situation where you’re not allowed to be yourself are still very well-handled and hit me real hard.

I also read a whole bunch of KJ Charles because sometimes all my brain can handle is marathoning romance novels, but I’m not gonna talk about all of them because this is already long enough (have not read the new one that came out today yet though that’s what I’m gonna do after this)

watching: Supernatural season 13 is incredibly boring and bad in ways that aren’t interesting or fun to talk about so I haven’t watched any recently. I did watch the first episode of Lupin, and really enjoyed it! will definitely watch more, though slowly because it takes too much of my brain to marathon it, partially because I know just enough French to almost not need the subtitles but having to read and also automatically trying to translate as I’m listening takes more brain energy. love a good heist though, and it has some good social commentary on race and class and crime

also the main character is very good. fucking superb you funky gentleman thief

playing: still making my way through the last mission of Knife of Dunwall. I made a bunch of progress since I whined at my friend about how hard it was and they told me to just stay in the building that has places to hide (the one you have to make your way through as Corvo, so I already know the layout, which helps lol) instead of the one that’s falling apart with nowhere to hide. who would have thought.

have also watched my roommate play lots of games and have thoughts on those too. Final Fantasy games (or at least the ones I’ve seen anything from, which is 7, 14, and 15) really appeal to me on a character/aesthetic/plot level but the gameplay looks like it would be bad for my brain. and yes all of those have very different gameplay but they would all be not fun for me in different ways. my roommate showed me like an hour of cutscenes from 14 last night that was basically a movie of tropes I love but holy shit I could never play a game where I have to wait for other people to be ready to also play the same part of the game before I can advance the plot

they’ve also been playing Persona 5 Scramble/Strikers (I don’t know which one the S stands for and at this point I’m too afraid to ask), which I do intend to play myself some day. it’s a sequel to Persona 5 with the same characters and damn they really nailed the feeling of seeing your friends again after not seeing them for a while, both in terms of. I care about these characters and am happy to see them again and also, they haven’t seen the protagonist in a while and they’re so happy he’s back and it makes me very soft. would love to reunite with friends whom I haven’t seen in a while

making: haven’t worked on cosplay but we did make some very tasty tortellini soup last weekend, and then last night we made fish & chips which was a lot easier than I was expecting and turned out pretty well? we just used frozen fries instead of like. frying them ourselves but we did make some very tasty lemon-garlic green beans

writing: well. I have a couple of things I’ve been noodling away at for a bit, and then a couple days ago I had a little bit of a breakdown and wrote 3000 words of angst in one sitting for an entire different new fic (Persona boys having a miserable time), and then yesterday decided to get in on a thing in The Untamed fandom of people writing short ““boring”“ domestic oneshots, and I love domesticity so I wrote one, which various reviewers have called “very sweet” and “a callout post” (it is both of those things)

I’m also organizing an event for P5 trans content because someone was shitty to one of my roommates over a trans headcanon and I got so pissed off that I’m running a prompt week now. love to have reasonable emotional reactions to things that happen in my life. why would I think about my actual problems when I could get petty and spiteful over someone saying that a fictional character couldn’t possibly be trans

#this one is real long i'm sorry #contains pictures of food under the readmore #tuesday no problem extended universe #dreaming.txt

7 notes · View notes

thinkingbookthoughts · 3 years

Text

Strange the Dreamer, post read thoughts.

I just finished it last night, and hoo boy was it a read. This is the first book I’ve read by Laini Taylor, and it’s got me wanting to read more. I’m starting Muse of Nightmares tonight or tomorrow, and maybe after that the Daughters of Smoke and Bone trilogy. Anyway, [spoilers probably]:

First off, I don’t care for fantasy. I tend to have little patience for made up words (yes, I know all words are made up, you know what I mean) and hyper detailed world building. I enjoy the fantastical, but fantasy as a genre generally bores me to tears. I don’t want to read about fake cultures when I could be learning about real ones. That’s personal taste, whatever. Taylor however, writes it almost exactly the way I want to read it. She dips occasionally into exposition dumps, but I find it nowhere near as tiresome as the typical Tolkienesque approach. Even then, I’m interested. She’s created such a wonderful world that I want to know whatever she’s going to give me, and uncovering some new detail feels like a treat, not a slog. My eyes still glaze over at all the made up words and politics, but everything else makes up for it.

What keeps this book interesting to me is definitely not the plot though. I have no major issues with it, it’s fine, whatever. But it falls into the category of legendary fantasy tale that generally I have no interest in. Hero’s journey and all that. I find it boring. Again, personal taste, whatever. I tend to enjoy character driven more than plot driven anyway, and this book is absolutely character driven. The story itself is so simple I might even go so far as to call it formulaic, but the people who carry it are something else. When their hearts break, so does yours. I won’t lie, she does go for some easy gut punches, but they do still feel earned and in their place. She’s not afraid to let you dislike her heroes. Except maybe Lazlo, I’ll talk more about him later (though I feel like the sequel may challenge him more). Most of the people that we grow to like are complicated. They’ve done terrible things, or harbor toxic beliefs, but they’re also justified to a certain extent. And to what extent that is, is left up to you.

She does kind of beat you over the head with her themes, but I mean, this is technically YA. It’s not terribly clumsy, you just find yourself wanting to go, “OK I get it! Move on!” every once in a while. But that’s a hard line to toe as a writer, and as far as shortcomings go, it’s really not that big of a deal. I’m willing to forgive it, anyway. Sometimes you can feel when the “correct” answer is coming through, usually because Lazlo is taking a hard line moral stance, but it never felt so overwhelming to me that it seemed like right and wrong were being truly dictated. It’s not perfect, and writers are allowed to have opinions, so eh.

In general, I’m a big fan of her writing style. I get the feeling the novelty would wear thin if I read all of her books back to back, so I won’t lmao, but from the one I’ve read I love it. She has issues with repetition to the point where it crosses from emphasis to unnecessary and redundant pretty often, but god I am a simp for flowery prose, so I will forgive it. If I had to describe the way she writes to someone who is deciding whether or not to read it, I’d say that she writes like those verbose, rich paragraphs you find on tumblr. You know, where someone has had a few nice sentences flow into their head, but they aren’t going to expand on it so they post it as is, without the context that might make it anything more than pretty words. (No shade, but... look they’re not exactly high art, ok?) Except that she’s actually written the book. And I find it a very pleasurable experience. Like I said, I am a simp for all things purple. If you’re not, you’ll probably hate it.

It can, at times, absolutely feel indulgent, but in a way the whole book is. I mean the fantastical elements of this story really go hard. She’s not really attempting realism here. Grounded (enough), sure, but definitely not realistic. And it’s fine by me. I’m willing to give a story a lot of passes if I feel like the writer has earned them in other ways. I don’t care if every little detail is what would really happen. Not at all, actually. If I wanted realism I’d go outside. I’m reading a book, not a newspaper.

One example is what I saw described as the “insta-love” between Lazlo and Sarai. Personally, I had no issues with it. It felt earned and in place in the context of the story. It makes sense for the two characters, both of whom are young and have felt painfully isolated for their entire lives. And then in walks someone with a mutual attraction, who can interact with them and appreciate them in a way no one else ever has. Yeah of course they fall in love. Even if the relationship wouldn’t have worked out long term, it makes total sense that one would have started. And as for how quickly it happened, eh. They literally met in a dream, what do you want?

There are plenty of other crimes that I’m sure I would defend, but here’s one I won’t. Thyon Nero. He is so criminally underutilized in this story, I question his place in it at all. Which is a goddamn shame because I love me a petty bitch like Thyon. It feels like he’s all wasted potential. In a sea of interesting, well drawn characters, he’s flat as Saskatchewan. Unforgivable. If it had been another character, fine. But Thyon? Come on! We spend enough time with him that he should feel more interesting, but he just doesn’t. There’s an attempt to give him a tragic backstory and whatever, but it’s so cliche (rich pretty boy with an abusive family behind the scenes controlling him and making him feel like a pawn in their game. Snarky on the outside, hurting on the inside, blah blah you’ve heard it a million times.) that I need more! You can’t just give me a scene of him getting whipped by his shitty dad, toss off a sentence about him wanting to free from his family’s exploitation, and then dust your hands and call it a day. UGH. He honestly serves as little more than an occasionally funny, almost interesting character foil for Lazlo. He exists to show you what a good boy Lazlo is. And that’s it. They aren’t even proper enemies. How much they dislike each other in any given scene is directly inverse to how much the plot needs them to get along in that moment. Before they’ve even reached the city Thyon is little more than a mild inconvenience. So why set him up as this scary antagonist??? I’m really hoping the second expands on him. I need more. You cannot dangle a funny bitch like him in front of my face and then do nothing with him! RUDE.

Ok, now Lazlo, I said I’d talk about him. Here we are. Lazlo Lazlo Lazlo. First of all, hate his name. That’s a nothing issue, I just had to say it. Second, he’s kinda lame, huh? I wouldn’t say that he’s underdeveloped, I feel like I have a much better idea of who he is than I do Thyon, it’s just that his development isn’t that interesting. He very much feels like a protagonistTM. He’s passionate and funny, driven and like... always in the right on moral issues. He’s the immediately accepted outsider who’s also able to bring a new, but more importantly, morally correct perspective on their issues. He’s charming, but humble, shy but not enough to actually impede social interaction. I don’t hate him, I’d probably hang out with him if I was on that journey (assuming I wasn’t following Thyon around like the simp I am). He’s just that kind of perfectly imperfect character. His flaws only make him more likeable, he’s never outright wrong about anything. I’ll say it, Lazlo is a Mary Sue.

Lazlo is a Mary Sue and Thyon was wasted on his basic ass. And that’s that on that.

I will let that (correct) declaration wrap this up. It’s way too long already. Thank god not a single person on earth reads these. Small miracles.

#booksbooksbooks #books #bookblr #booklr #strange the dreamer #good book #liked it a lot more than I thought I would #book thoughts

6 notes · View notes

bibliophileiz · 3 years

Text

A (not really) Ode to bucklemming

Last bucklemming episode, and you guys, it was just such a classic example of their stale mediocrity. And yet, at the end of this post, I found myself bizarrely happy with how the episode turned out.

This is the second time I’ve watched it, and while I was planning to just liveblog my thoughts, I realized quickly that would not work, because most of the episode is boring and miserable, (especially the first third or so) and that makes for boring and miserable note-taking. I think I said in a tag of a different post that Dabb assigning this one to bucklemming is just further proof that he hasn’t cared about plot at all this season, and honestly, I don’t know there’s much they COULD have done to make this plot entertaining. Chuck even says at one point that it ... isn’t entertaining.*

The first third or so is basically Sam, Dean, and Jack being miserable with nothing around them break that misery up (except, briefly, a dog). And that makes for a miserable viewing experience. Here are a handful of notes I took that give you the gist:

- Chuck standing there talking about how loneliness and no-people is “deep” and a “page-turner” is such a gratifying little critique of shitty writers who like their gritty stories about permanently miserable protagonists. Like dude, you know there’s a reason nobody rereads “The Road,” right? - Dean slurring his words because he’s hungover is the first time anything interesting has happened with the dialogue in this whole episode. - Rob Benedict is the only one who gets to inflect his dialogue this episode. I do think his acting in that last scene is great, where he’s screaming, “Guys, wait!” as they drive off. It’s not a terrible ending scene.

So there’s that. Now here are my notes not-related to how stale and boring everything is:

Beginning: -The shots of Kyoto and New York City remind me of all the shots in NYT and other major newspapers after COVID shut everything down last spring (except in this case all the traffic would still be in New York, just no people). - “I couldn’t save anybody.” Poor Sam. (must push down feelings about Sam’s leadership arc and how it always seems to end with people dying, ugh, repress, repress!) - Also, I wanted to see a shot of a sink running and one of them turning it off. Just a random thing.

Archangel stuff: - I guess it makes sense to lose Adam if you’re going to kill Michael at the end, but goddamn if Michael isn’t a way more boring character without him. - Ah, Lucifer, a.k.a bucklemming’s attempt at comic relief. I’m starting to miss the boring dialogue. - Ooh, awesome, the only female character in the episode shows up bound and gagged and immediately murdered so she can be used and then murdered again. (Also, the first time I watched this scene, I was sure she wouldn’t wake up and was gearing up to laugh at Lucifer for sucking.) - Jensen stays as far away from her as he can when he unties her, I’m sure that actress appreciates him trying not to give her COVID. Course then she immediately ruins it by head-butting him, which is NOT practicing social distancing. - Many have commented on whether Lucifer can actually kill Death by snapping his fingers. We don’t know, but the Scythe WAS right there, and if Dean can kill Death with it (twice), I’m sure Lucifer can. - On the other hand, it IS established lore that God doesn’t have power in the Empty. Presumably he could negotiate with it like Death, and possibly he just took advantage of the loud chaos of Jack exploding, Death dying, the Empty apparently being super pissed, etc. to sneak in and make off with Lucifer. - Also WHY DO ALL THE ARCHANGEL FIGHTS IN THIS SHOW SUCK ASS???? - “I haven’t been in a battle like that in several centuries,” Michael says, as if he just fought the Battle of the Blackwater in Game of Thrones, and not what appeared to be the archangel equivalent of Mario Kart.

And climax/last scene: - But the best moment of the episode is when they GET BACK UP BLOODY AND HOLDING ONTO EACH OTHER AND ABSOLUTELY BEAMING BECAUSE THEIR LITTLE BOY IS ABOUT TO BECOME GOD. - Also, I like the music in this scene. And it seems like it’s the same place they used to film the end of Season 12/beginning of Season 13, which was probably peak Dabb era, ngl. (Jensen as Michael was also great.) - I also like that Jack and Chuck are both wearing light jackets, but Jack’s is a leeeeeetle whiter. - Chuck looking at the blank book is that moment in every writer’s life, when they’re like, “NOOOOOO, the computer DELETED EVERYTHING I WROTE.” - “Dean Winchester, the ultimate killer” You guys, 10 is Chuck’s favorite season. - Of course it is sweet that Cas’s last words seem to have had an effect on Dean, how he goes from “That’s (killing) all I know how to do” to “That’s not who I am.” I’m far from the first person to point that out though. - What happened to Amara is THE WORST. - Also, I am annoyed that Jack isn’t going home with them, because I really wanted him to be God, and a hands-off one, but I also wanted him to drive the Impala and solve crimes, ya know? - Jared at least seems to understand that this ending is upsetting, because Sam has tears in his eyes, whereas Dean is just kind of like, “ah, he’s leaving.” Which is fine because DEAN AND JACK ARE NOT AS CLOSE AS SAM AND JACK, fight me. - Him disappearing into light is stupid, though. - At least Dean and Sam get to sit close to each other at the end. I wonder if that was the first scene shot after they got out of quarantine. - WHERE ARE THEY DRIVING? - Maybe to go see Jody. - WE GOT BELA AND CROWLEY AND ANNA IN THE MONTAGE HELLZ YEAH, ALSO ABBADON AND ELLEN AND RUFUS, but we also got fucking Asmodeus and Ketch and no Benny, what the fuck, Showalter?

So I have questions.

Some of them are unimportant, like how did people in restaurants at the end react when they found themselves looking at food that seems to have undergone days’ worth of rot in the blink of an eye? Also, you got a shot of a full airport at the end, but that begs the question: were there airplanes in the sky at the time Chuck snapped everyone away, and did they crash, and did the people on them get snapped back into crashed airplanes and was that not super confusing for them and did the airlines lose billions of dollars because all their planes crashed right before COVID shut them down anyway and if all that’s the case is it really any wonder they needed a bailout from the federal government?

But some of them are plot-relevant and could have helped an episode in desperate need of it.

For example, I want to know what’s going on with the Empty, and if Mark Pellegrino had talked about it for more than two seconds, I might not have hated every second he was on screen. Also, there are other things happening this episode. Like Jack walking around sucking life and “power” out of plants catches Dean and Sam’s attention immediately. We know that, because we see them noticing it and exchanging confused glances in the flashback at the end of the episode.

Here’s the thing though: Why not have that in the beginning? It’s not a Huge Reveal, and it would have given Jensen and Jared something to do in that stale boring beginning other than Make Sad Face. As pretty as Jensen and Jared are, and as good as they are at making sad faces, you cannot build an entire episode around that.

Related, there isn’t actually much of a beat in the plot where it makes sense for them to figure out Michael will betray them for God. It seems like it will happen in that conversation between Dean and Michael when Michael expresses his hurt that Chuck let Lucifer out of the Empty before even asking for help. But at that point, it seems Sam and Dean have already come up with their plan. The flashback makes it seem as if they began to suspect Michael would betray them when Lucifer called him a cuck, something I think they made a plot point purely to have the word “cuck” in the episode for the third time.**

There are a few hopeful beats that show that bucklemming understand on some level that there needed to be some flow to this episode, such as the dog and Dean thinking he may have gotten Cas back. But I don’t think those are substitutes for showing Sam and Dean come up with their plan to defeat God. Even if you don’t want to reveal that they know Michael will betray them, you can still get one scene in there of them saying something like, “You think this’ll work?” if you just cut two minutes of Michael’s boring monologue in the church and/or Lucifer’s bullshit.

It follows this weird pattern of bucklemming once again seeming to not find Sam and Dean particularly interesting, so they don’t spend any time writing them DOING anything, or at least succeeding at anything, because they’d rather write Lucifer killing women and generally being an asshole.

So ... who cares, right? It’s bucklemming, they were bound to be mediocre-to-bad anyway, it kind of makes sense for Dabb to give them this episode because nepotism definitely makes it a best case scenario. And while I take issue with Dabb as a showrunner, I do think he’s great at standalone episodes and character stuff, so I’m not too terribly worried about next episode. I just think there were things about this episode that could have sucked less.

There ARE things about it that were fine, dare I say even good. It was in my notes, but I just want to emphasize that I LOVED the shot of Sam and Dean getting up bloody and broken, holding onto each other and grinning their asses off knowing that Chuck’s about to lose to Jack, and they get to see it! They may very well have gone into that fight expecting to die -- Chuck nearly just zapped them from existence, which would have still unleashed God-power for Jack to soak up.

The ending scene is pretty good, with Sam and Dean seeming like they’re still pretty beaten down, but trying to get it together. That’s more Jensen and Jared’s acting than anything bucklemming wrote, but it’s still good. The montage is good (although I will say for like the third time, where. the fuck. was Benny?)

Jensen’s acting over the dog was SO SOFT (doesn’t he have a dog?). I half-expected the dog to run to him at the end, which would have been cute.

There are also things that were ... potentially good, if they’d been brought up correctly? I actually really like that Jack is going to be “hands-off” (although I like less that he and Sam will never see each other again, but Dabb did say it was going to be a bittersweet ending, so ....).

I also -- and God, I’m going to get hate mail for saying this -- don’t mind that he didn’t bring Cas back. That highlights the difference between him and Chuck. Chuck brings back Sam and Dean (and, in Season 5 at least, Cas) over and over again, not out of love, but just to throw them back into their exhausting existence. In contrast, Jack NOT bringing anyone back (except the people who’d been snapped out of existence, which I would argue is more about putting the world on its proper course again, as opposed to “violating the natural order,” as Billie would put it). He knows he has to let people go. You could argue that’s always been his arc -- he and Cas even talk about how hard it will be for them to one day lose Sam and Dean back in Season 14 when they think Dean is dying.

But I wish there had been dialogue exploring THAT instead of the weird vague stuff about how he would always be a part of them. It doesn’t have to be anything super analytical like what I just wrote, it just has to be him saying, “I understand that in order to be a just god, I have to let things go and be at peace.”

(However, if the reason they DIDN’T go that direction is they didn’t want Dean to be like, “You know, he’s right,” next episode and not rescue Cas from the Empty, then I’m fine with them leaving that out. Screw the natural order, Dean -- go rescue Cas from the Empty!)

I also really really really want to get some sense that Sam’s faith has been rewarded. We got a tiny glimmer of that this episode in the hushed, awed way Jared delivers the line, “Are you really ... him?” Sam has always been the one with faith in a just and loving God, and one of the things that aggravated me about the end of Season 14 was his faith being so blatantly not rewarded, in favor of promoting Dean’s more cynical take on God.

The show has always, since the very first season, raised questions about where God is, whether his will is just, and how we know we’re following it, and the main characters all have different answers to that -- Sam’s being the more faithful, optimistic view of “God is good”, Dean’s being the more critical “If God is good then why do bad things happen?”, and, most interestingly, Cas’ viewpoint largely fluctuating with his own sense of identity and self-worth. The point is, we had all three of these opinions on God, without the show ever explicitly saying which one was right.

Until very recently, I thought it should have stayed that way. But now I love the idea that Sam’s faith in God was rewarded not by Chuck, but by Jack -- the very boy he took under his wing and raised as his own son, the boy who understands that he is good and that people are good largely because SAM TAUGHT HIM THEY CAN BE. It’s just so beautiful, and I’m getting more and more happy about this ending as I write about it, actually, so maybe I don’t entirely hate Jack’s ending after all.

That was a happier note than I planned on ending this on. I guess that is how you stop worrying and tolerate bucklemming.

Goodbye, bucklemming. I hated many of your episodes, but I will miss you and your weird, inconsistent writing that was so entertaining to pick apart and analyze and make fun of. I hope you find some cop shows where you can churn out more mediocrity and make some money. And in the meantime, stop killing off women.

*Yet another example from this season of the writers intentionally writing a bad episode to highlight the fact that Chuck is a bad writer. NEWSFLASH DABB: Bad writing is still bad writing, I don’t care if the villain of the story is the writer, I still don’t want to watch it if it’s bad.

**Which is such a bizarre insult to use. Isn’t it slang for a guy who’s wife cheats on him? I swear I’m not innocent or sheltered, I have just literally never heard anyone use that insult in a real context in my entire life.

#how i learned to stop worrying and tolerate bucklemming #this is the last time i get to review one of their episodes i'm getting a little choked up #not really #supernatural spoilers #supernatural #supernatural home stretch #this episode was boring and miserable but the end was decent

6 notes · View notes

idkwhoiamanymorebutwtf · 4 years

Text

Imagine Sasha and Max being friends tho.

(i’ll be real this whole thing took multiple hours to type please somebody actually read this or I might die tbh-)

Like I know they had one episode together but think about them a c t u a l l y being friends.

(below are a ton of headcanons for a friendship between them)

- Obviously they have a bit of respect for one another because of their alliance of convenience, but their friendship would probably be forged on laughing at someone else. Whether it's their friends fucking up or Pikeman's general incompetence or whatever else. I can imagine now their camps are competing or something but the stakes don't matter to them, so Sasha and Max just end up shit talking everyone else and watching the show.

- Since their friendship was forged on calling people out they'd kinda just start hanging out specifically to rant and gossip about the shit that goes down around camp. Like Max'll get fed up with how idiotic the campbell campers are and come to vent to Sasha and she'll be here for it, because of course she is or Sasha ends up getting ditched by Tabii and Erin again and just kinda goes to Max to talk about how annoyed she is.

- Sasha keeps pointing out things like the circled under Max's eyes and other facial discrepancies and eventually he'll just be like "well how do you look perfect all the time?!?" because it's not fair. Sasha gasps super loud and immediately goes full makeover mode. She immediately shoves a ton of makeup onto him and prescribes him a skincare routine and Max isn't sure about it but he's actually kinda self-conscious and Sasha's like "do you wanna end up looking like Pikeman?" so Max follows her instructions to the letter and he looks amazing.

- After that they kinda just end up doing each other's makeup all the time and stuff like that. Max usually just uses like concealer and stuff because he doesn't want it to look like he's trying, but occasionally Max'll give Sasha permission to put some eyeliner on him or something and he'll never admit it but he l o v e s the way it looks. They start hanging out even more of course because it's not like Max can go to anyone else about the whole skincare/makeup thing and honestly Sasha loves her other friends but it's relieving to hang out with someone more willing to gossip with her (even if she's slightly salty that Max doesn't have enough hair for her to mess with like Erin and Tabii do)

- Sasha forces Max to watch a ton of shitty highschool movies and Max doesn't really like most of them but he'll put up with it because he (although he'll never admit it) cares about Sasha (and is a little intimidated by her when she's upset). He doesn't like them but occasionally Max can also coerce her into watching a horror movie with him so they're even in his books (even if the poor thing has to watch way more of her movies than he makes her watch)

- They actually end up being r e a l l y protective of each other. Like most of the time, they'll let people fuck with their friends (so long as no real harm is done), yknow? But if anyone says a word about Max and it gets back to Sasha they'll literally end up the laughing stock of Lake Lilac by the end of the day because Sasha's a bitch who can spread a rumor like wildfire. Alternatively, Max'll sick Nikki and Neil on anyone who fucks with Sasha (which won't end up pretty). And that's if they're lucky because that kid could do so much worse if he's got the right motivation. They try to hide the fact that they're acting in defense of one another and justify why they're screwing over whoever it is they're screwing over, but it's honestly just vengeance for their friend.

- All the gossiping makes the two more unstoppable than they were before tbh. Like Max always had other Camp Campbell camper's secrets tucked away for blackmail purposes and Sasha needs to know everything going on in her turf so of course she's got dirt on all the Flower Scouts. And it's not exactly hard to figure out the Woodscout's. So with their swapping info constantly both of them end up knowing everything about everyone and being able to screw them over in a heartbeat. Basically, hanging out together makes those two terrifying.

- They're also more confident as a duo than most other times. Like don't get me wrong, they're both pretty sure of their capabilities, and they trust their individual friend groups to have their back, but they know that the other person is competent in manipulation and incredibly cunning and they value each other's skillsets because they're super similar. When you're confident in yourself, having somebody who's like you around only makes you doubly confident. They feel super badass whenever they team up in something and it's great.

- Most of their arguments are probably petty tbh. Max calls one of Sasha's favorite movies dumb (she bases her life around highschool stereotypes and dumb cliche movies, of course, she gets pissed when he insults them) or Sasha makes one too many comments about Max's physical appearance (the girl is obsessed with looking good and as much as Max is willing to listen to her advice, it gets to him when she comments on his weight or how he needs to sleep more because the circles under his eyes are getting harder to cover up. Like, he has depression, do you not realize that weight changes and bad sleeping habits are a symptom of that?!?). A common source of disagreement is how used to being in charge they each are. Like yeah, they know they don't always have to take the lead, but it's so ingrained into them that they struggle with it. Max watches Sasha's dumb movies all the time and took her advice on skincare and stuff so she occasionally forgets that she's not his boss like she's in charge of her other friend's and of course he's willing to compromise on some things but he doesn't take well to being treated like a lackey and she's too stubborn to admit she's wrong half the time.

- Their fights get bad. Despite normally being over small things and the person who's in the wrong normally realizing they're the one who's wrong, both Max and Sasha are very stubborn people and they will die on this hill no matter how petty the whole thing is honestly. They'll scream and throw things and once or twice they've even wound up physically fighting. Usually, if it comes to an actual physical altercation they'll stop there because actually injuring your friend is super fucked up. Once Max threw a book at Sasha without thinking and it gave her a black eye. Another time Sasha literally slapped him and it left a bruise for like a week. They both felt like shit after. When Sasha gave Max a bruise she literally cried and he forgave her on the condition that she help him cover the bruise with makeup (He said he'd dealt with worse and something about the way he said it made her uneasy. She can't place why). The time that Max hit Sasha with a book he froze up completely and refused to even look at her for like an hour. Partially because he felt guilty and couldn't verbalize his regret but it was honestly more than that. You don't shut down and practically disassociate for an hour because you don't know what to say. There was absolutely something wrong with the way he shut down after the whole thing but she didn't push for answers and he apologized and they just decided to forget it ever happened. They never aim to actually hurt one another, they just don't have many ways to actually get out their frustrations. They never once actually physically hurt the other more than once each. It's just not something either of them wants to go through again, honestly. If their arguments don't end with one of them going too far and the two felt like shit and making up within seconds one of them will eventually storm off and they'll both get super petty. Making sarcastic remarks at one another whenever they see each other, pointedly ignoring the other, the occasional mean prank. Usually, they forget all about it within a week, though, because as stubborn as they are something dumb happens to one of them and they'll need to vent. None of their fights are ever serious, as nasty as they are, so it's easy to get over and never gets mentioned again.

- They had one serious fight that actually put their friendship in danger. Tabii had ended up crying to Sasha because she was devastated over being rejected by Neil. Like, she was super broken up about how he doesn't love her and it's probably because she's ugly even though Erin told her she wasn't. Sasha wasn't happy about it. At all. Like, she normally just rolls her eyes and brushes it off whenever she sees Tabii going after him, but she watched so many stupid cliche high school movies where the girl got the guy if he was good and anyone who rejects the protagonist is an asshole. So Sasha, going by movie logic, was pretty sure that Neil was insulting Tabii by rejecting her and was a terrible person. She also failed to realize that Tabii's whole attitude towards pursuing Neil was kinda creepy and stalkerish to begin with and she already had a low opinion of him since he's a nerd who called her a cunt and hangs out with Nikki, who she also hates. She did not like seeing one of her best friends in the world (who's basically like a sister to her tbh) cry. So Sasha, with a burning rage towards Neil, wound up spilling the whole thing to Max. And he wasn't happy with her for insulting his friend either. Max basically cussed Sasha out because Tabii's behavior was creepy and it was making Neil super uncomfortable, which he was not cool with. He told her she was a moron if she saw nothing wrong with how Tabii acted but thought that Neil was out of line for rejecting her. Sasha didn't take well to being called a moron or to her friend being accused of being creepy, and she said something along the lines of "It's not my fault you hang out with a retarded nerd and a girl who can't even be a girl properly". Max basically called her an ignorant bitch and told her to go fuck herself, then he left. Normally their arguments are long and wordy and even violent but this time he just cut it short and stormed out. Sasha still thought she was right, of course, because that boy who Max was friends with had made Tabii cry and he was a moron for not liking her! And yeah maybe the insults to Nikki weren't exactly called for but every word was true, right? She just kinda expected Max to get over it eventually but a few weeks passed and he never really did. The fact that Max had called her ignorant kinda stuck out to her more than anything. That's the same thing Neil had called her, isn't it? Why would they both use the same insult? It's not like that was a go-to thing to call somebody. The whole thing drove her crazy and eventually when she confronted him about it she got a long lecture about how romantic relationships work, the fact that bullying a girl over dressing or acting slightly differently from her is a shitty thing to do, and that calling Neil 'retarded' is offensive because he's actually mentally ill and even if he weren't, the word's still terrible. She didn't quite understand all of it but she got enough to feel guilty and she apologized. Sasha still doesn't really like Nikki and Neil much and it's not like she's stopped shit-talking them, but she's eased up a bit because she doesn't want Max that angry at her again, and in a way she can see how she maybe...was a tiny bit wrong.

- They don't normally get super sad or deep on each other. Neither really likes to be emotional or open up so they wouldn't exactly initiate any sort of depressing dialogue. However, they are both observant people so they notice things anyway. Max notices how Sasha talks a little too much about her weight and thinks anything over one hundred pounds is horrifically obese to the point where she diets incessantly. He notices that she cares too much about looking young and pretty too. Damned highschool movies. Sasha, on the other hand, notices that Max doesn't trust adults at all and that he flinches when she gets too loud (even if he tries to cover it up) and that he either doesn't sleep at all or sleeps way too often...amoung other things of course. They don't talk about these things out loud but they've both deduced that the other isn't healthy.

- Max practically forces Sasha to eat every time they see each other and refuses to watch a single movie with her that even mentions dieting in a positive light because she is ten years old and shouldn't be counting calories and refusing absolutely all fat. He'll insist on doing her makeup and will make sure to do it lighter and lighter every time because as much as he himself appreciates makeup and uses it to cover parts of his skin he doesn't like, she needs to be more confident and he can't in good conscience let her go on the way she's been going on. Sasha, on the other hand, if she ever notices he's having a bad day and isn't functioning well, will let him hide out with her all day even if she has other things to do and he should be at camp. Occasionally she'll even let Nikki or Neil in her room if she or they feel Max really needs their support (he can't just stay at his own camp, he'd never be allowed out of activities all day). She doesn't exactly understand why he's sad and tired and angry and has a hard time with sleep but she won't ask. Sasha has some theories on why he doesn't trust any adult and flinches when she yells but she doesn't like thinking on that one too long (his comment when she slapped him 'i've had worse' comes to mind). They're not always great at it and they don't always understand but they try to help each other even if they have an unspoken rule not to ask questions.

- While they normally spend their hang-out time watching movies or doing each other's makeup/hair/nails or talking crap about other's behind their backs, they've occasionally had adventures of their own. They typically leave Lake Lilac for these, honestly. Sasha couldn't care less about anything going on at Camp Campbell and Max isn't about to get involved in Flower Scout politics so if they're ever inclined to go on an adventure it's in town or even the big city. And usually involves crime one way or another tbh. Once they accidentally managed to get Max elected mayor of the whole town and Sasha as treasurer. Money was embezzled, fires were set, and they're now banned from muffin tops for life. That's the kind of adventure those two have whenever they're compelled to do anything at all. Go big or go home, basically.

- They're actually super honest with each other. The general light-hearted nature of their friendship and the fact that they gossip and chatter about pretty much everything that pops into their heads means they don't exactly stress about getting judged or anything like that as long as they aren't confessing to horrific sins or anything.

- They love to fuck with Pikeman. Like they normally just sit around at the Flower Scout's camp or out in town or the city or something like that but occasionally they'll screw him over because they both can agree he's an incompetent asshole who deserves it.

- Sasha flipped her shit when she realized that Max knows how to bake, cook, sew, and knit (he definitely can knit and sew we’ve seen him do it in the show and I headcanon he’d have to learn to cook and stuff cause his parents don’t feel like doing it for him) She nearly died and made him sew/knit her a bunch of stuff for her and decided they had to bake together and she was just super happy about it. Once upon a time, she would've judged him for it because of gender roles and stuff and she wasn't used to guys doing any of those things, but after the whole incident where he called her an ignorant bitch she wasn't gonna push it and besides, she was happy to have her gossip and makeup buddy also be able to do those other things with her. Like she can do those things with Tabii and Erin too but Max kinda gets her and she needs a break from the two sometimes.

- Most people don't actually know they're friends. Nikki and Neil are vaguely aware they hang out but they don't see much besides the occasional banter when the Flower Scouts and Camp Campbell interact as a group. Max doesn't talk about Sasha much around them since he knows they don't exactly like her. Sasha doesn't dare mention their friendship around Tabii and Erin because they'd freak out completely and probably assume they're dating since those two don't realize guys and girls can actually have platonic friendships. She doesn't want that drama. Their friendship is kinda a secret, which is surprising since they may not talk about it but they visit each other and chat enough when they cross paths that you'd think people would realize. But they're kinda glad. Lake Lilac is a chaotic place and when they're hanging out it's one of the only times they even have the option of just relaxing.

(imma be real I literally came up with the idea of those two being really close friends because I watched the episode where Nikki hung out with Dolph and Nerris and I thought 'Max have other friend too? :0')

Literally, ANY input is welcome. I spent multiple hours on this so if you have anything to say you know I'm down for a conversation about it

#camp camp #cc sasha #cc max #sasha and max

76 notes · View notes

itscookieoverlordtoyou · 4 years

Text

40 Questions — Meme for Fic Writers

Don’t you sometimes see those ask games and wish you could just fkg do them all? On this sunny Saturday, we make our dreams reality lolol

1. Describe your comfort zone—a typical you-fic.

Short fic, I usually get a small scene I want written so I write around it, plus I love short stories with interesting punchline.

2. Is there a trope you’ve yet to try your hand at, but really want to?

Probably, I don’t know them all ^^’

3. Is there a trope you wouldn’t touch with a ten foot pole?

Writing about stuff that disgust me I guess.

4. How many fic ideas are you nurturing right now? Care to share one of them?

Like 5-6? I want to write about a restaurant but set in a world where people have powers I think the combo could be very funny. The main character has the power of insight, the plonge is a giant pool where you swim around cleaning. Backstories of characters with shitty and amazing powers and how they ended up here. Rival to lover character that has the power to see into the future.

5. Share one of your strengths.

Dialogues, subversion, and humor; classmates often said I have a touch to spin a sad story into something positive/happier.

6. Share one of your weaknesses?

I get tired when I describe something for longer than 4 sentences.

7. Share a snippet from one of your favorite pieces of prose you’ve written and explain why you’re proud of it.

“In what kind of trouble have we walked right into?”, I ask my companions as they’re idly fixing their attire. Together, we’ve face many perils and this mission ranks among one of the most dangerous. Yet, the others had been…how should I say it…professional! Rescuing kidnapped princesses, vanquishing terrifying monsters, quests to restore mythical artifacts, save nations from insidious plots. Oddly enough, “Does this dress make me look fat?”, is not the answer I’m looking for.

Ribbon in my hair is the first time I wrote about my knights, I first dreamt about them when I as 18, my boyfriend at the time called my idea stupid and my world building pointless so I only started writing about them when I was 21. Now I write about them a little bit every year :)

8. Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

“Do you really want your last words to be complaints?”

“I die as I lived.”

“Will we become a fruit tree?”

“I don’t think so, it’s never been the case for my ancestors.”

“I’d love it if we could turn into a banana tree.”

“I’m not from the southern regions, plus I like apples more.”

“Just imagine, our fruits could have been banana flambée”

This death scene was a big finale to a story I wrote for a class in Uni, a story of war between clan of forest and volcano people, of the supposedly brutal death of a Goddess, of a mysterious apple tree whose fruit give vision of the past. I should revisit it.

9. Which fic as been the hardest to write?

My analysis on D’Artagnan and the figure of the hero. Granted it’s an essay for school but I deeply loved it. I was too afraid to write or ask for help from the professor in charge of me (which made our relationship tense ^^’) but when I did, it was beautiful and I was very proud got 89% :D

10. Which fic has been the easiest to write?

A play called Adelaide where an old couple reads their old fairytale book about a Prince on a quest to save a Princess. They bicker about the other misreading the story but we finally get to the part where the Prince tosses the princess apart to get a better view of the dragon of which he falls instantly in love. The book is actually their wedding album.

11. Is writing your passion or just a fun hobby?

It’s one of my passions, but it’s not something I think I could live on so I delegated it to my hobby.

12. Is there an episode above all others that inspires you just a little bit more?

The wedding scene in Shrek 2, my mind was blown when I saw it in theaters and when I need inspiration to write, I rewatch it.

13. What’s the best writing advice you’ve ever come across?

Presentation is important. If trying to read you gives people headaches, they’ll stop. Choose a nice big font, space with paragraphs, be mindful of your spelling and missing words. Read out loud because some things written are bad said.

14. What’s the worst writing advice you’ve ever come across?

I must’ve been lucky in this regard, I don’t think I’ve ever received advice that made me go NO, but I did have to listen/read stuff that made me gag.

15. If you could choose one of your fics to be filmed, which would you choose?

I would love to the Adelaide acted out, some adjustments would be required because I’m no expert in play writing but I think I’d be great.

16. If you only could write one pairing for the rest of your life, which pairing would it be?

Luyenor’a and Taram, names are placeholders as of now but they’re two of my knight, being the “only pairing I’m allow to write about forever” means I’d get more knight shenanigans done.

17. Do you write your story from start to finish, or do you write the scenes out of order?

I’m doing bullets point of what I want to happen and write stuff without much order. Some days I have no inspirations for what goes in the beginning but have loads for a later point. I surf the wave when it presents itself.

18. Do you use any tools, like worksheets or outlines?

Word on my computer, a notebook in my bag, the note app in my phone.

19. Stephen King once said that his muse is a man who lives in the basement. Do you have a muse?

I have little trinkets all around my computer to invite inspiration.

20. Describe your perfect writing conditions.

Freshly woken up, having eaten, drinking something sugary and sometimes apple cider because the alcohol help lower my inhibition.

21. How many times do you usually revise your fic/chapter before posting?

I read out loud at least once the whole thing, helps with missing words but dude I reread my stuff on ao3 and always find mistakes still ^^’

22. Choose a passage from one of your earlier fics and edit it into your current writing style. (Person sending the ask is free to make suggestions).

I’m not going to put here because it’s in French and I don’t want to translate now but I wrote Vision of a world, mine when I was 16 and damn was I already depressed then?

23. If you were to revise one of your older fics from start to finish, which would it be and why?

The Princess and the Soldier, some gay fairytale I think my first one, I’m sure I can do better bow

I also have one about a janitor and it’s a murder mystery I could redo

24. Have you ever deleted one of your published fics?

Once by accident, I was so angry I never rewrote it.

25. What do you look for in a beta?

I don’t really use beta (beta reader right?) but I guess I’ve had like 3-4 when I was in Uni and had to read people’s wip and they read mine. They’d talk about what they liked, links they noticed, things that seemed weak or to change

26. Do you beta yourself? If so, what kind of beta are you?

I usually just point out the stuff I like

27. How do you feel about collaborations?

For a class in college, we had to act out a play we wrote collectively. Ten sketches written in pairs/alone. I made sure I was alone so I wouldn’t be saddled with someone else to write my sketch

28. Share three of your favorite fic writers and why you like them so much.

I don’t follow fic writers; I just am in a mood for a ship and read what’s available. I do like my friend @alumort ‘s fics tho ^^

29. If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?

There was a Phineas and Ferb fic focused on Perry I really loved. Their world building was something I’d never seen and they abandoned the story, so I did fanfic of a fic. Never dared to post it anywhere I mean it was their world to begin with.

30. Do you accept prompts?

Of course, when inspiration is given I accept

31. Do you take liberties with canon or are you very strict about your fic being canon compliant?

I don’t care about canon but I do love using it when there are little trivia to enrich the character.

32. How do you feel about smut?

Love to read it sometimes, would love to write it. Some I’m like………….youveneverhadsexhaveyou…………………

33. How do you feel about crack?

Love it!!!!!!!! I’m too self-conscious to write it tho. Oh maybe that could be a never before written trope I could try?

34. What are your thoughts on non-con and dub-con?

Rape I can’t, dub-con where underlying requited feelings exist but anxiety™ don’t let the characters express them but they’re drunk so it surfaces is okay

35. Would you ever kill off a canon character?

Hell yeah! I do when/if the death makes sense (I am still pissed at Kishi for Neji)

36. Which is your favorite site to post fic?

Ao3 is where I post,I used devianart when I had one

37. Talk about your current wips.

Marry Me for the Love of Cake: God I’m so sorry to the few people who followed it, I said I’d pick it up before the end of 2019 and well……I have the ending in bullet points

Yours, with Love: I hope I’ll finish it…I have most of the ending in bullet points

I guess I’m into rom com at the moment lolol

38. Talk about a review that made your day.

I made my best friend read All this for a Roll Cake, and she laughed so much at my work, I took a picture I look at from time to time to remain humble.

39. Do you ever get rude reviews and how do you deal with them?

Thankfully I’ve never received a rude review. My professor once told me it seemed kinda unnatural how unlucky my protagonist was vs. how lucky his love interest was (All this for a Roll Cake) but that was the whole point of the story so I just ignored her.

40. Write an alternative ending to [insert fic title] (or just the summary of one).

Writing this I realised I lost my final version of All this for a Roll Cake T^T so I guess I’d rewrite the ending I have of the before the last version I still have.

Well this was fun ^^ got to revisit my works and remember many beloved pieces of fiction I wrote, I look forward to my next projects

#have fun reading lolol #will writing this inspire me to continue my wip?#who knows

5 notes · View notes

philcoulsonismyhero · 3 years

Note

2, 6, and 21 for the writing asks?

Thanks!

2- Tell us about what you’re most looking forward to writing – in your current project, or a future project

So there’s a point in my still unwritten space story where Alastair, the protagonist, finally manages to get back home after being abducted by aliens only to find himself stuck in the centre of the Big Debate as to whether these aliens are hostile and whether what they did to him is grounds for starting a war. Alastair - pacifist, dedicated scientist/explorer, all-around nice guy and currently dealing with a shitty experience by trying to make something positive result from it - very calmly and politely Loses His Entire Shit at a council of representatives from pretty much every major power in the Commonspace (might not be sticking with that name, some of the world building is very placeholder-y, but it’s the entirety of human-settled space) and proceeds to spend the rest of the story demonstrating exactly what happens when you push a nice person far enough that they start pushing back. It’s very cathartic to think about, and one of these days I’ll actually reach a point where I can write it.

6- What character do you have the most fun writing?

Definitely the most fun character to write in that fic I just finished was Maria. She only had a few lines, but chaotic old ladies who give zero shits and gleefully bother the other characters are deeply enjoyable to write. I’ll have to find more excuses to include her in future stuff.

But overall, right now it’s Ironwood, because of course it is. I always end up really enjoying writing for whatever character I’m currently Special Interest-ing over, and he’s no exception. There’s something endearingly straight forward about the guy (like, he doesn’t really bother hiding his emotions or how he feels about things) and he’s animated with very consistent body language so I’ve found him really easy to key into. Plus it’s just cathartic writing him making better decisions than in canon, so.

21- What other medium do you think your story would work well as? (film, webcomic, animated series?)

Since I tend to write fanfic for TV shows, I often end up seeing it in my head as if it’s an actual episode? Like, I’ll picture exactly how a moment would be framed or cut together and the sort of shots that would be used to establish things, and it’s a pain in the butt sometimes because that doesn’t always translate easily to prose. Recently, thanks to the way that RWBY uses the melodies from the songs as part of the soundtrack, I’ve even started scoring some of the scenes that I’m writing. (e.g. ‘this bit would use the ‘take my hand’ melody from Ironwood’s song, except it would use the instruments from Penny’s leitmotif to show that she’s actually the one saving him’) So yeah, pretty much any fic I write would probably work well as TV or a film.

When it comes to my original stuff, my space story is definitely A Novel, but I could also see it being adapted for TV in a way very similar to The Expanse? I still haven’t read the original books, but I’ve seen enough people taking about it as an adaptation to get an idea of how it’s being done. That sort of big scale space opera is the kind of vibe I’m going for. I’ve got another idea for an urban fantasy type thing that works best as something serialised, though. Really it’s a monster of the week TV show concept, but since I’m the only one making it it’ll probably end up being some sort of comic if it ever does become a thing. If it was going to be a TV show, I’d want it to be an animated one, though. Much easier to have a shapeshifting lead character that way.

#Anonymous #asked and answered #personal stuff #writing wip tag

2 notes · View notes

the-desolated-quill · 4 years

Text

Quill’s Swill - The Worst Of 2019

Congratulations! You’ve made it through another year! You’ve faced many obstacles and overcome many adversaries to arrive here, at the dawn of a new decade. So as we prepare to leave the 2010s and make our way into the 2020s, lets take a look back at the challenges and hardships of 2019. And by challenges and hardships, I of course mean shitty fiction and media.

Yes, it’s time for yet another edition of Quill’s Swill, where we mark the absolute worst stories that the industry had to offer over the past year and proceed to tear them to shreds. Think of it as like voiding your bowels before the New Year.

As always remember that this is my personal, subjective opinion. If you happen to like any of the things on this list, that’s fine. More power to you. Go make your own list. Also bear in mind I haven’t seen everything 2019 has to offer due to various other commitments. So as much as I really, really want to, I can’t put Avengers Endgame on here. I know what happens. It sounds fucking terrible, but I haven’t seen the film, so it wouldn’t be fair of me to put it on the list, even though it would most definitely deserve it.

...

Seriously, read the synopsis of Endgame on Wikipedia some time. It’s like fanfic written by a nine year old. It’s truly shocking. And now it’s the highest grossing movie of all time? Give me strength.

All In A Row

Don’t you just hate it when you’re expected to parent your autistic child? Like actually show love and care and consideration to your offspring. Look at him, expecting you to treat him like a human being. Selfish bastard! If only there was a play that explored the horrors of having to be a decent person to your own flesh and blood and how objectively awful it is. If you’re one of those people, then the play All In A Row will be right up your street.

Premiering on the 14th February at Southwark Playhouse in London, All In A Row was a total shitshow to say the least. The playwright, Alex Oates, claimed to have ten years of experience working with autistic children, which you wouldn’t have believed if you saw the play as the autistic child at the centre of the play, Lawrence, seemed more like a wild animal than a person. In fact two of the main characters compare him to a dog. And if you thought this wasn’t dehumanising enough, Lawrence isn’t even a child. He’s a puppet. Yes, it’s as bad as it sounds.

All In A Row seems to place all of the blame for the family’s predicament on the autistic child, who’s presented as barely functional, bordering on bestial. There’s no effort to really make an emotional connection with Lawrence (how can you? He’s a puppet!) as the play instead focuses on how this kid has effectively ruined this family’s life because of his autism and aggressive behaviour. Speaking as someone on the autism spectrum, I can say quite confidently that this play is fucking despicable. Badly written, badly conceived, insulting and downright mean spirited. I wouldn’t want Oates looking after my autistic children, that’s for damn sure.

Anthem

EA is back and this time they’re dragging the critical darling that is BioWare down with them.

Anthem was a desperate attempt to jump aboard the ‘live service’ bandwagon, trying to replicate the success of other video games like Overwatch, Destiny and Warframe. They failed spectacularly. The game itself had more bugs than A Bug’s Life, loot drops were often stingy and unrewarding, loading times were farcically long, and the story and worldbuilding was fucking pitiful. Oh yeah, and if you played it on PS4, there was a good chance it could permanently damage it. Thankfully I have a uni friend with an Xbox One and they allowed me to play the game on that. It was a crushing disappointment, especially coming fresh off the heels of Mass Effect Andromeda, which didn’t exactly set the world on fire back in 2017.

It didn’t help that EA’s reputation was in tatters thanks to the lootbox controversy of Star Wars Battlefront II and having to try and win back the trust of fans, but worse still reports began to service of what went on behind the scenes at BioWare during the game’s development. Apparently the game’s story and mechanics kept changing every other day as the creative directors and writers didn’t have the faintest idea what kind of game they wanted to make, and the developers were often forced to work obscenely long work hours in abusive crunch periods to get the game finished for launch. It got so bad that, according to an article on Kotaku, some members of the team had to leave for weeks or even months at a time to recover from ‘stress casualties.’

To think this was the same company that gave us Mass Effect, Dragon Age and Knights Of The Old Republic. Thank God that Obsidian Entertainment is there to pick up the slack on the RPG front because I think it’s safe to assume that BioWare won’t be around for much longer at this rate.

The Lion King (2019 remake)

Here we go. Yet another live action remake of a Disney classic. Excpet it’s not live action, is it? Well... it’s live action in the sense that Dinosaur was live action (remember that film? Don’t worry if you don’t. No one does). Real locations but CGI characters. Millions of dollars spent on cutting edge tech to create photo realistic animals... and the film ends up duller than a bowl of porridge that really likes trainspotting.

It’s not just the fact that The Lion King remake is yet another soulless cash grab from the House of Mouse, it’s also the fact that it’s done really badly that upsets me. The Lion King works as an animated film. Bright colourful images, over the top song and dance sequences and vibrant character designs. As a ‘live action’ film, it just looks awkward and stilted. None of the animals are very expressive, leaving it up to the poor voice actors to carry the film, and to cap it all off the CGI isn’t even all that convincing in my opinion. At no point did I look at Simba and go ‘oh yeah, he looks like a real lion.’ It’s so obviously fake. In fact it reminds me of those early 00s movies like Cats & Dogs or Stuart Little where you see the jaws of the talking animals moving up and down like some messed up ventriloquist act or something. And here’s me thinking cinema has evolved past this.

BBC’s The War Of The Worlds

Remember Peter Harness? That guy who wrote that Doctor Who episode about the moon being an egg? Yeah, he’s back and he’s doing an adaptation of H.G. Wells’ War Of The Worlds. And guess what! It’s fucking ghastly! :D

The three part BBC mini-series was without a doubt some of the worst telly I think I’ve ever seen. It’s staggering how clueless Harness is as a writer. For starters he managed to achieve the impossible and somehow made a Martian invasion of Earth boring. I didn’t even think it was possible, but somehow he pulled it off. Then he sucks all tension out of the story by revealing the ultimate fate of the Martians at the beginning of the second episode, so now any threat or danger has been chucked out of the window because we know that the main female protagonist Amy at least would survive. And then finally he takes a massive dump over the source material by having humanity weaponise typhoid to kill the red weed rather than just having the Martians die of the common cold like in the book. Because God forbid us Brits should be presented as anything other than heroic and dignified.

So what we’re left with is a poorly realised allegory with ineffectual horror tropes full of OTT progressive posturing in a pathetic attempt to make Harness and the BBC look more liberal than they actually are. There’s no effort to really explore the themes of imperialism and colonialism outside of casual lip service, and we barely get a glimpse of the dark side of humanity. Everyone is presented as flawed, but basically awesome or, in the case of Rafe Spall’s character, utterly gormless. Our TV license fees help fund this shit, you know?!

And if you think this was bad, just wait till New Year’s Day where we’ll get to see Steven Moffat and Mark Gatiss’ butcher Dracula. Can we stop giving these beloved literary icons to these hacks please?

Glass

I liked Split. It wasn’t an amazing movie, but it was entertaining with some good ideas, a great performance from James McAvoy and was a true return to form for M Night Shyamalan. That being said, I wasn’t keen on the idea of it taking place in the same universe as Unbreakable. I feared it would be a step too far and we’d end up having something like... well, something like Glass.

On paper, Glass isn’t a bad idea. The idea of superpowers being a delusion is legitimately intriguing and could have been a great post-modern deconstruction of the superhero genre. Except Shyamalan never actually does anything with it. The first act drags on and on with absolutely nothing happening, none of the characters really grow or change over the course of the film, Bruce Willis in particular is basically only here for an extended cameo as his character does pretty much nothing for the majority of the film, and then the entire film is undermined by that stupid Shyamalan twist. Turns out superhumans are real and there’s a big cover up. Oh great! So not only does it render the entire film pointless, it also undoes what made Unbreakable and Split so good. They’re no longer people capable of extraordinary feats via rational means. They’re just superhuman. They can do anything. Sigh.

Shyamalan... maybe it’s time to give up the director’s chair, yeah?

Cats

Oh come on! Don’t act surprised! Did you honestly think I wouldn’t put Cats on this list?!

Cats, without a doubt, is the worst film of the decade and, yes, the CGI is terrible. Not only are there these sub-human cat mutants running around, we also have mice and cockroaches with child faces, James Corden coughing up furballs, Taylor Swift trying to give the furries in the audience boners, Idris Elba looking disturbingly underdressed and Rebel Wilson being... well... Rebel Wilson. It’s a disaster of a film. And really, should we even be surprised? We all knew this was going to suck. And no it’s not because of the CGI. I thought the CGI in Pokemon: Detective Pikachu was creepy as well, but at least it had a decent script and good performances to back it up. No the reason why Cats sucked is because... it’s Cats. It’s always been that bad. No amount of ‘advanced fur technology’ was going to change that. It was still going to be a confused, plotless mess with one dimensional characters and bad songs.

The only consolation I had was that I didn’t waste money buying a ticket. A friend of mine snuck me into the premiere and we watched it in the projector room. The plan was to make fun of it and have a laugh, but we didn’t even do that because honestly there’s nothing to really make fun. There’s only so many times you can take the piss out of the CGI and honestly the film was just boring more than anything else. It doesn’t even have the distinction of being so bad it’s good like Sharknado or Tommy Wiseau’s The Room. It’s just bad, period.

I just hope we don’t see something similar happen to Starlight Express. Just think. Anthropomorphic, singing trains on roller skates. Shudder.

Star Wars: The Rise Of Skywalker

Finally we have yet another cynical cash grab from Disney.

I confess I didn’t exactly go into The Rise Of Skywalker with an open mind. I was never all that keen on a sequel trilogy in the first place, and neither The Force Awakens nor The Last Jedi ever convinced me otherwise. Admittedly they weren’t bad movies. Just derivative and painfully uninspired, and I was expecting more of the same for Episode IX. What I got instead was quite possibly the worst Star Wars film since Attack Of The Clones. Yes, it’s that bad.

This film is very poorly made, filled with plot contrivances and logic holes galore. I lost count of the number of times the protagonists got into a dangerous situation because of Rey constantly wandering off like a confused toddler lost in a shopping mall. Oh and we finally find out who her parents were and it was quite a twist, but only because it was really stupid. Of course we didn’t see it coming because nobody would have guessed it would be something that moronic. I feel JJ Abrams’ stupid ‘mystery box’ philosophy is to blame for this. It’s derailed countless franchises before such as Lost and Cloverfield, and now Abrams has fucked up Star Wars because he’s obsessed with mystery for the sake of mystery and Disney are so lazy that they couldn’t be bothered to plan an actual trilogy out properly beforehand. Instead they just wing it, making it up as they go along, which led to Rian Johnson ‘subverting our expectations’ and left Abrams desperately trying to pick up the pieces.

In fact a lot of The Rise Of Skywalker seemed designed specifically to appease people of both sides of the wide chasm The Last Jedi had created. The roles of characters of colour like Finn and Rose were significantly reduced, Poe and Finn don’t end up together because of homophobia, but we do see two women kiss in the background of one two second shot that could easily be cut out when they release the film in China, Kylo Ren gets his stupid redemption even though he hasn’t fucking earned it, Lando Calrissian shows up for no fucking reason, Rey is given ‘flaws’ relating to her parentage in order to combat those accusing her of being a Mary Sue, but they’re the boring kind of flaws that don’t have any real impact on her character, and that ghastly ship Reylo is made canon even though it makes no sodding sense in the context of this movie, let alone the whole trilogy. They even go to the trouble of baiting us with a FinnRey romance before pulling the rug out from under us. Then, just to add insult to injury, the film retroactively ends up making the entire original trilogy completely pointless. All because Disney wanted more dollars to put in their Scrooge McDuck money bin.

The Rise Of Skywalker, and indeed the entire sequel trilogy, should serve as a cautionary tale against the dangers of hype and nostalgia. The reason The Force Awakens was successful wasn’t because it was a good movie (because lets be brutally honest here, it really fucking wasn’t). It was because it gave gullible Star Wars fans warm fuzzies because it reminded them of A New Hope whilst tempting them with the vague promise that things might get more interesting later on. And when that didn’t materialise, quelle surprise, the fanbase didn’t take it very well. I would love to think that this will serve as an important lesson for the future when people go and see Disney movies, but who am I kidding? I guarantee at some point we’re going to get Episodes X, XI and XII and we’ll have to go through this sorry process all over again.

So there we have it. The worst of 2019. May they rot forever in Satan’s rectum or wherever it is stories go to die. Tomorrow we’ll take a look at the other end of the spectrum. Yes it’s the Quill Seal Of Approval Awards! The best of the best! Who shall win? The suspense is killing me! Ooooh, I can’t wait! You’ll be there tomorrow, won’t you? Of course you will. How could you not?

#quill's swill #quill's swill 2019 #worst of the year #review #opinion

26 notes · View notes

taiblogcomics · 4 years

Text

No Rave Reviews for Ravagers

Hey there, characters named after songs. Man, I looked ahead, and the next Teen Titans story arc is a long one about Wonder Girl. And, like... Cassie has been such a drag this whole series. I don't really want to focus on her right now. I mean, do you~? And so, let's do something a little different this week. I'm-a use my reviewer's privilege and drop in a substitute. One I've been teasing for, like, at least a month or so~

Here's the cover:

Hey, we've got an all-new team of characters spinning off from Teen Titans! How do we sell our first issue? We put boobs on the cover, that's how. I mean, honestly, nothing else is gonna sell this series. Three of these characters are basically all new, and the ones that aren't, we'd rather see in a better series than this. Nobody liked them in "the pages of Teen Titans", and no one's gonna like them here~

By the way, the cover also mixed up Thunder and Lightning’s names. Lightning is the blue-haired girl, and Thunder is the dude with the subwoofer in his chest. So, great job making us care about the characters, comic, when you couldn’t even care enough to get their names right~

The comic opens with the group bursting out of the ground to escape. Caitlin suggests that, based on the topography, they’re in Alaska now. That’s quite a journey from Antarctica. And right away, we see that not only is the cover trying to get you on a "sexy sells" sort of way, it's not even true. Caitlin Fairchild does not appear in anything as skimpy as on the cover. She is wearing a full-body suit with gloves and boots. Other than a couple tears in the fabric, she's completely covered from the neck down, and stays that way for the entire comic.

Now, I know why they did it, and I do mean other than to try to get you to buy the comic by titillating you with the cover. It's because in Gen13, it was a running gag that Caitlin's clothes would get destroyed during fights. Now, obviously I'm glad that's not the case here, but the point is that it's trying to make you think this is the same character as the previous series, when it's really not at all.

Anyways, Caitlin is also our narrator for the book. The group of them burst out of the ground, and are already constantly bickering with one another. This is a recurring theme throughout: none of them can stand each other. Caitlin's actually the only one who's likeable, because she's the only one saying "Look, we were all in a shitty situation, but that doesn't mean we have to be shitty people. We gotta work together, so we don't die, because we're still in Alaska." Nobody else wants to listen to her, especially Ridge, and the group points out that she looks like she'll be fine. Caitlin then suddenly loses about two feet of height and all her muscle mass. Her power is being able to get temporary super strength. Hey, as long as it's not ripping her costume up to do it.

Despite the fact that she's the only one making sense, none of the rest are willing to listen, and in fact several of the rescuees just fuck off out of the story. Beast Boy and Terra are the first to do so--so the only other recognisable heroes have left, and thus any draw the story had regarding said heroes--as do a couple minor characters named Windshear and Brighteyes. Ridge then gets pissy with Caitlin trying to suggest he's the reason no one wants to stick around, because he's one of the Ravagers who used to torment them. He in turn hates her, because she's one of the scientists who turned him into a monster. Not personally, mind you, she just worked there. Unlike him, who did torment kids personally. So, you know, completely justified, right~?

She convinces him to at least not snap her neck then and there, and the group is interrupted by a squad of some of Harvest's generic soldiers turning up. The soldiers immediately surrender, and while "we were just following orders" is not an excuse, the soldiers are laying down their weapons and not making any hostile actions. So of course, Lightning decides they should execute them. We actually get a little more characterisation for Thunder here. Apparently using his powers causes him pain, so he is very reluctant to do so. Lightning's powers work best when they're working in tandem, though, so his dilemma is that attacking the soldiers also hurts him. Not emotionally, though, so Lightning doesn't care.

Meanwhile, with those nothing characters Windshear and Brighteyes, they're flying along when they suddenly get spotted by one of Harvest's ships. Brighteyes uses her surprisingly literal power as a distraction, but it doesn't work. So Windshear? Just to increase the effort to make everyone in this issue unlikeable, he chucks Brighteyes at the flying vehicle and flies off on his own. This doesn't help either of them, though, as Warblade simply kills Brighteyes through the windshield, and Rose WIlson jumps out of the ship to land on Windshear, murdering him too. Somehow she doesn't get killed in the process and actually ends up back on the ship.

There's a long tense scene of both Caitlin and Thunder pleading with Ridge and Lightning not to murder all the surrendering soldiers, mostly based on the notion of "we can be better than them". It's fine, especially in helping make Thunder a more likeable character, but it doesn't feel like anything you probably haven't seen before. The group's ready to move on, which is just in time for the ship that Caitlin's been remotely calling closer to show up. Ridge points out that it's one of Harvest's ships, and that brings back bad memories, and gets pissy all over again. And like, first of all, no duh it's gonna be one of Harvest's ships, whose base did you just escape from? And secondly, you're in Alaska. Any ship is better than being in Alaska!

So because Ridge was pissy, karma swings back around again and the flight ship plows into the ground and explodes. Why? Because this is actually the ship that Warblade and Rose are piloting. I'm not even sure how that works, if Caitlin thought she was remotely piloting a vehicle but Warblade thought theirs was flying... I dunno. But anyway, Warblade and Rose pop out of the explosion and proceed to murder all the other survivors, leaving only our four protagonists. To get away from them, Thunder's powers turn on and begin carving away into the ground. It actually carves off the cliff-face they've been backed onto, like a Road Runner cartoon, and plunges them into the sea below, ending the issue.

My god, this issue is not good. The cover has all sorts of problems, which I pointed out. But even besides that, none of these characters are likeable. Like, don’t get me wrong, you have to have conflict in a story. But you can’t have nothing but conflict, and that’s what this feels like. Beast Boy and Terra were right to fuck off out of the plot early (unfortunately for them, they’ll be back). It’s just not a fun story, and that’s a bad sign when it’s a book about teen superheroes~

#comics #reviews #The Ravagers #Taiblog

2 notes · View notes

sleepingfancies · 5 years

Text

We Need to Talk About SJM

I was recently anonymously asked what exactly my issue with Sarah Jane Maas is, and ended up writing what was essentially a thesis paper about it. Unfortunately, Tumblr pulled a Shitty Website move and deleted everything I wrote under the ‘read more’ tab, so I’m compiling my reasons here on a masterpost, for your reading leisure.

EDIT: Read more tab continues to not work for me, so I apologize to all of you who have to suffer through this. I’ll tag is as a long post accordingly.

Let’s get started

***********

Reason 1: She preaches messages that no young girl needs to (or should) hear.

Granted, I know the a lot of the YA genre are adults who are no strangers to smut and aren’t phased by toxic behavior in characters. But on the same token, a lot of the YA genre is fueled by young girls age 12-20. Now I’m not going to sit here and pretend like girls in that age range aren’t reading/writing smutty fanfiction or dating. I know they do, I did, most of my friends did. But at that age, young girls are still trying to figure out who they are and who they want to be, including in terms of relationships. That’s where my problem with Maas comes in.

Maas writes, almost exclusively, toxic relationships - at best. Straight up abusive at worst. At one point in ACOTAR, I had to put the book down because I was so disgusted by what happened. Rhysand assaulted Feyre. I’m not kidding. He kissed and groped her against her will, telepathically asked whether she was wet about it, and wondered aloud what she looked like naked. The entire goal of doing this was to piss Feyre’s then-boyfriend off, and for Rhysand to assert his dominance as a Fae lord or whatever the fuck (y’know, like rapists do). Feyre was left shaking, nauseated, and scared for her life. But the worst part? It was written like this was something sexy and desirable. Literal penetration was all that stopped this from being a horrifying rape scene, and I couldn’t believe Maas wrote about it like some hot erotica. It wasn’t romantic. It wasn’t cute. It was disgusting, violating, and I was furious when I read it (especially given Feyre actually ends up with Rhysand eventually. What the fuck).

In Throne of Glass - and subsequent sequels - there are couples (namely Rowan and Aelin) who quite literally spit on each other, punch each other, and bite each other. No, not “love nip” bite, I mean “I’m trying to tear your skin off” bite. But we’re meant to believe they’re endgame, meant to be, and a totally healthy relationship. Let’s not even get into emotional abuse and manipulation, because holy fuck does every single character in these books act like a goddamn villain if we were to go over that in detail. All you need to know is that “if you don’t do xyz then I’ll leave and never come back” “what made you think I cared about you? You’re nothing to me. Just kidding, I love you” and similar sentiments are rampant in these series.

While we’re here, what is up with this “mates” nonsense? Every character pairing we see by the end of the ToG series has a “mate,” and swears off everyone they’ve had before, claiming them to be “false mates.” This whole “mates” business sounds a lot like somebody desperately trying to reassure their insanely jealous partner that they don’t still have feelings for their ex. That’s not healthy! That’s not okay! Your exes helped you narrow down your search. They helped you understand yourself more and what you want (or don’t want). And y’know what? It’s okay to have happy memories with an ex. It’s okay to not hate your ex. Telling young girls that all that matters is their future husband (which erases LGBT+ girls, as well as straight women who don’t want to get married) is harmful as hell, and contributes to the idea that a girl is only “complete” when she finds her “soulmate.”

Girls 12-20 really do not need to be given the message that it’s normal - nay, romantic - for their partners to hit them, humiliate them, or assault them. You may be saying, “Clara, come on, girls know fiction isn’t reality and no girl is actually going to stand for that kind of thing in real life.” But I can’t tell you how horribly my own view of relationships was corrupted for several years after all the books I read as a tween where the protagonist had to defend her flirty boyfriend from the advances of other girls. I didn’t trust boys not to cheat on me. I didn’t trust my girl friends not to try and steal a boyfriend. I thought girls who dressed up and wore makeup and dated a lot were sluts. It took me years of conscious effort to unlearn those ideas. Fiction can and does influence the reader. So again I say: teaching girls that it’s “hot and sexy” when men literally abuse you is not a message a 12-20 year old should be hearing. Ever.

***************

Reason 2: What exactly does Maas want her readers to be?

Y’know, Maas thinks Caelena/Aelin is a role model for young girls. But here’s a brief list of things Celery/Alien has done throughout the Throne of Glass series:

1. Tried to smash a flower pot over a girl’s head for showing interest in courting Prince Dorian. Despite said girl literally being present at the castle for that purpose and Caelena was not.

2. Very nearly murdered Dorian for absolutely fuckall reason, and then she got mad at Chaol for trying to stop her (keep in mind: Chaol and Dorian are supposed to be best friends. So like... yeah, he’s gonna come to Dorian’s defense).

3. Straight up said, “if I get bored being queen I’ll just go and conquer more lands for my kingdom.” Imperialist there much, Aelin?

This is Maas’ role model material? Half the shit she does from Heir of Fire onward could be described as “war crime” and the other half could be described as “selfish.” Maas seems to think that a shit ton of half-baked “witty” lines and a few “badass” fight scenes completely makes up for having an amoral character as the protagonist you want to flaunt around as an icon for young girls.

It would be one thing if Maas said, “I don’t want anyone to be like Celery/Alien. She’s not a good person and I want my readers to be able to identify how and why she isn’t a good person. The moral is what not to be like.” But she does the opposite and claims time and time again that Celery/Alien is some kind of feminist warrior, when in fact Celery/Alien is the very epitome of white feminism and false feminism. She’ll be all kinds of gung-ho for herself, but as soon as another woman mentions her own unique problems or lifestyles, Celery/Alien thinks she’s a “whiny bitch,” “dumb slut,” or something similar. Celery/Alien ends up looking down her nose at basically every other female character. The lack of female friendships in Maas’ books is frankly astounding.

No girl needs to be Celery/Alien. Celery/Alien is not a role model, she is not a feminist, she is not a figurehead of a well developed female character or even a compelling antihero. She’s sexist, she’s misogynistic, she has serious anger issues, she’s manipulative, she’s abusive. This is not who young girls should be looking up to.

************

Reason 3: Maas has no place in the YA genre.

I’m not really sure I need to elaborate much on this. Let me give you a scenario:

Imagine you’re at a book signing for your fans. They’re mostly girls 15-20, so you kind of just sign their copies without thinking much about it. But then a smaller girl comes up to the table, you ask her age, and she says “I’m ten.” A 10 year old girl is standing in front of you, clutching her copy of your book where you wrote and published the scene, “he buried in to the hilt and roared. Over and over he spilled inside of her, the lightning outside flashing soft and lovely long after he stilled.”

Look me in the eye and tell me that shit is appropriate in the YA genre. At all. Ever.

You wanna write romance? Go for it. It can be cute! It can be healthy! It can be intriguing! But this? This? This is just... erotica. If you’re publishing stuff like this in the YA genre, in a book that isn’t even on the ‘tween/teen romance’ shelves, then you better be ready to take full responsibility for teaching 10 year olds what a blowjob is, what an orgasm is, what BDSM is, what a fucking foot fetish is.

I know JK Rowling isn’t the most popular right now, but even she did better than this. The first 3 Harry Potter books you can generally find on the children’s/middle grade shelves. They were cute, fun little adventures about wizards and magic and fantastic creatures. Books 4-7? Those are on the YA shelves. People are dying, magic is dangerous, fascist organizations are on the rise -- it isn’t fun for Harry anymore. It isn’t about the wonders of magic. It’s about life or death, war, and fear. So yeah, of course those book aren’t going to be on the children’s/middle grade shelves! They’re dark! They’re scary! That kind of material shouldn’t be advertised as appropriate for younger kids!

Maas never extended that courtesy. Maas took her books full of badly written erotica and plopped them down right where all the rest of the completely tame YA books went, because she wanted the sales. She didn’t care if she was exposing kids who were too young to explicit sex scenes. She never posted a disclaimer, she never posted any kind of warning on social media when the books came out. Nope. She just silently took advantage of the market knowing she’d get more sales in YA. But it has no place in YA. It’s not YA. And I don’t think I’m ever gonna be okay with that.

***********

Reason 4: Diversity? Never heard of it!

Maas’ books are so incredibly white and straight that it’s painful. Rowan and Aelin? White and straight. Feyre? Rhysand? Chaol? Dorian? Manon? Hey, you guessed it! They’re all white and straight (despite Chaol, Dorian, and Manon being heavily LGBT+ coded for like, the entire series till the last book)!

“He looked at his friend, perhaps for the last time, and said what he had always known, from the moment they met, ‘I love you.’” (Queen of Shadows)

Hello? Sarah Jane? I’m all for male friendships, but there’s male friendships and then there’s actual romance. Chaol and Dorian are about as gay-coded as they could fucking get. And this isn’t even the only time this happens! Check this out:

“Dorian surged from his chair and dropped to his knees beside the bed. He grabbed Chaol’s hand, squeezing it as he pressed his brow against his. ‘You were dead,’ the prince said, his voice breaking. ‘I thought you were dead.’” (Queen of Shadows)

But wait, there’s more!

“‘I’m not leaving you. Not again.’

Dorian’s mouth tightened. ‘You didn’t leave, Chaol.’ He shook his head once, sending tears slipping down his cheeks. ‘You never left me.’” (Queen of Shadows)

I mean come on, Sarah!

Also, Manon. My girl Manon hated men, pretty explicitly, for the entire series. In case you don’t believe me:

“There were few sounds Manon enjoyed more than the groans of dying men.” (Heir of Fire)

Oh, and other characters even imply Manon has never had a heterosexual relationship in her fucking life. See:

“‘That golden-haired witch, Asterin...’ Aelin said. ‘She screamed Manon’s name the way I screamed yours. How can I take away somebody who means the world to someone else? Even if she is my enemy.’” (Queen of Shadows)

Tell me that’s not gay as fuck. I dare you.

Manon had a whole lot of love to give women! She was always affectionate towards other women. Particularly Elide. This is a woman who was about as lesbian as you could get. Had no interest in men, every interest in women, rejected typically expected roles for women (getting married and having kids, etc.) but guess what happened? Guess what fucking happened?

This warrior who was friends with and rode on a big fuckoff wyvern completely and totally submits to Dorian as her lover. I don’t mean that metaphorically. They literally do some BDSM shit where he’s her “master” and she “kneels to him” or whatever the fucking fuck. This entire thing pissed me off more than Chaol and Dorian being all “no homo bro,” because Maas used every possible symbol and subtext for Manon being gay, and then said “just kidding!” Her relationship with Dorian came out of nowhere. All of a sudden she was just as thirsty for mediocre dick as Aelin.

At this point I honestly have to wonder if Maas is really this ignorant or if she’s - dare I say it? - taunting her readers who have complained about the lack of LGBT+ representation. Maas has, historically, not reacted well to people criticizing her work. I would not put it beyond her at all to intentionally queer-code characters only to turn around and rip the rug out from under her readers by pairing them up in heterosexual relationships. And not only is that shitty writing, but it’s... really malicious and rude.

Of course then there’s the issues with racial representation. Again, Maas doesn’t even try. She includes 13 characters of color only to immediately kill off all of them in a suicide pact. So there’s that. Not sure I need to say more than that.

Maas knows what diversity is, but as per her famous quote, “I just don’t want to force diversity into my books.” So. Y’know. Writing a black or gay character (or!! God forbid, both black and gay!!) is asking a little too much of her, apparently. She doesn’t want to force anything as unbelievable as someone who isn’t white or straight, don’tcha know? In these books about fae people and dragons and gods fighting mortals and explicit erotica, an LGBT+ character or a character of color is high fantasy, not YA. *Sarcasm*

************

Reason 5: The woman can’t write.

This is pretty straightforward. She cannot write. My proof? She plagiarizes the living fuck out of everything she can to avoid actually writing her own original work.

1. “You’re gonna rattle the stars.” - from Disney’s Treasure Planet

2. “The Queen Who Was Promised” - from GRRM’s ASOIAF, where Dany Targaryen is often toted as the exact same thing. Oh, and The Prince Who Was Promised prophecy in ASOIAF also mentions Azor Ahai being “the Heir of Fire” so, uh.... yeah.

3. Aelin basically being Aragorn. Lost royalty spends years as an outcast, denies their claim, teams up with elves (fae in Aelin’s case) to defeat a greater evil, becomes known as the people’s champion, falls in love with an elf (fae) and makes them their consort, crowned by the people, ends their coronation scene with a “you bow to no one” (I’m not kidding).

4. Nehemia dying for Aelin and it later being revealed that Nehemia was “grooming” Aelin to face great evil, and potentially give her life to stop it. How much you wanna bet Maas tried to give Aelin a name as close to “Harry Potter” as she could get?

5. Manon lighting a series of beacons across a mountain range to call for aid during war. I mean seriously? This is one of the most iconic scenes in Peter Jackson’s rendition of Lord of the Rings. It’s moving, it’s powerful, it’s awe-inspiring. And Maas knew it. So she just... took it. I don’t have a lot of respect for writers who can’t write their own moving scenes.

6. Kingsflame blossoms, which only bloom when the rightful monarch is on the throne. So... the White Tree of Gondor. Got it.

7. The Hand of the King being a royal court position. Like... jesus. GRRM, come get ya world-building, SJ stole it again.

8. A paralyzed Chaol has a specialized saddle made for him, because he wants more than anything to ride a horse again. GRRM! Please! She’s taking Bran Stark’s story now!

And besides all of these horribly plagiarized points, there’s nothing even slightly compelling about these books. There’s literally zero substance, and the last few books in both the ACOTAR and ToG series have been nothing but a smut-fest. Plot who? We don’t know her.

Trauma, both physical and mental, is erased at the drop of a dime (Aelin lost physical scars, Chaol’s paralysis was basically cured, series of events that should’ve left characters absolutely fucked just... didn’t phase them). The battles are rushed and sloppily written, and Maas has a particularly nasty habit of focusing on exactly the wrong people in the middle of what should be an action packed scene. Instead of showing alliances forging and plots being made behind people’s backs, instead of showing us people gearing up for battle by saying tearful goodbyes to their infants and spouses, Maas shows us Rowan and Aelin banging on a beach, or a tree, or a ship, or wherever the fuck they happen to be at that moment.

None of these characters lose jack shit. There is no sense of urgency or stakes, because we knew since Heir of Fire that Aelin and her precious uwu fae “mate” would be just fine. Why? Because nobody shipped Rowaelin as hard as Sarah Jane Maas did. Consistently the only people who suffer in these books are background characters (who, coincidentally, are almost always the characters of color and LGBT+ characters). By the end of Kingdom of Ash, literally everyone is fine. And paired off to be married, too! Because a happy ending isn’t a true happy ending if it doesn’t end with Babies Ever After and everyone in a heterosexual relationship, of course, right?

***********

Reason 6: World-building doesn’t even go here! Sorry, she just wanted to be a part of something.

Maas’ world-building is... how do you say... shitty. New lore pops up in every book, having never been mentioned before, and is for some reason of utmost importance (but only for this book. It’ll be forgotten again as soon as it isn’t relevant). Religions who? Culture where? History what? None of these things exist in Maas’ world. None.

Now before anyone jumps down my throat with “but The World of Throne of Glass is coming out this year!!!1!1!!” let me gently establish something. Speaking as a fantasy author: if you do not have your most basic world-building - that being religion, culture, language, and history - already established, then you have no business making a “world of” book to cover all the bases your ass never bothered with in the original series.

I said what I said.

Tolkien and GRRM are masters of world-building because they spent decades working to forge their worlds before they ever put a pen to paper and wrote their stories. Not to toot my own horn, but my own fantasy series has been developing for almost 7 years now. What am I doing with it? I’m outlining governments in different societies, why people came to worship what they do, and I’m making a fucking world map on my bedroom floor (that now has cat paw prints on it, so it’s not exactly final product material anyway).

I give not a single hoot for Maas’ “The World of Throne of Glass.” She could be saying anything she wanted to and it would all just have to be canon, because she’s establishing what this world is after already finishing her series. Yes, it does piss me off, because it’s pretty obvious she didn’t have a clue what her world was, or who was who, or why things were the way they were. She made shit up as she went along, nothing more. There was no grand scheme. There was no planning, and it shows.

***********

TL;DR: I have a lot of issues with Sarah J Maas’ writing, including her world-building and handling of diversity. But most of all I despise the potential impact she has on the YA genre and on the young girls reading her work. They deserve better than this. They deserve better than Sarah Jane Maas.

2K notes · View notes