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#《 I also want to give him a more interesting design 》
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spent a bit of time today writing out some thoughts on ford as a character and thought it might be fun to put them here. I think ford is a really interesting commentary on heroism and his role in gravity falls is specific and pointed. theres a lot more i COULD get into (the way he and Stan act as foils for example) but here I just want to explore the fundamental ideas of his arc which includes parts of his dynamic with Bill Cipher and Dipper.
I really love the way gf combines the ideas of the lone hero/adventurer (a classic hero trope) with the ideas of the mad scientist (a classic villain trope) to reveal the way they're really based in similar lines of thinking and emotional pitfalls. Ford's isolation & paranoia, his tendency to put his own body on the line, his (relative) willingness to endanger others for his cause...it all points out a neat overlap between the guy who wears all black and carries a gun at his hip and the guy who WOULD inject himself with some kinda substance in the name of Science. I think that's part of why from what I've seen the fandom can be pretty conflicted on Ford--even on a basic design level, he evokes strong and conflicting feelings.
A key moment to me in establishing the ideas of Ford's arc happens at the very beginning of Weirdmageddon--a strange point to choose maybe since it's so late in the show, but I feel like those three episodes beautifully encapsulate Ford's failures and his development. After realizing what's happened, Dipper is desperate to find Mabel and make sure she's all right. Ford tells him, there's time to find her later--right now we have to stop Bill before the weirdness spreads. I love the way that the show presents throwaway moments like this: they're not questioned in the moment, but they stick out to you anyway because they run so counter to the philosophy of the show. Through the past 2 seasons, not only has the show proven that saving Mabel is more important than stopping Bill, it's also proven (and proves again after this) that saving Mabel is essential to stopping Bill. Evil isn't defeated by one guy being brave enough to shoot a gun at it, it's defeated by a community that works and fights together. And, hilariously, Ford is captured within the first 7 minutes of the episode, making everyone else's jobs way more difficult.
To be clear, it would be a complete misunderstanding of the character to say that Ford prioritizes stopping Bill first because he doesn't care enough about Mabel or her safety. It's precisely because he cares so much that he doesn't look for her right away. Ford has bought thoroughly into the lie that Bill fed him, which is that devastating personal sacrifice is not only right & good, but necessary in order to accomplish great things. As long as Ford believes that lie, he remains Bill's perfect prey—even with a metal plate in his head, even 30 years after the initial manipulation. Ford will easily give up sleep, food, friendship, family, sanity, and his own life, if he can be convinced he's doing it for the right reasons. And he's very easy to convince! Ironically, despite being arguably one of the most formidable characters in the show, he's also arguably the weakest and most gullible of the main cast, because he's so obsessed with the idea of giving up everything for something greater than himself.
That lie of the moral necessity of self-sacrifice, the lie that makes it possible for Ford to give up his brother, lock himself in his basement, be angry when he’s brought back home, and nearly destroy the world, is heavily in the offing through the Ford-Dipper plotline of Dipper and Mabel vs the Future. Ford offers Dipper apprenticeship and tells him that he’s capable of handling it—but it would require personal sacrifice, giving up his childhood with Mabel to join Ford in his self-imposed isolation. A test of Dipper’s aptitude for that kind of sacrifice occurs in that episode: Ford nearly dies, and orders Dipper to let it happen so that the rift is kept safe. Dipper doesn’t even think before disobeying him. He doesn’t seem to consider it a decision. There's no thought of the greater good when his uncle needs him.
Later, talking to Mabel about the idea of joining Ford as an apprentice, he says how ridiculous it is--sees it for a fantasy. The image of heroism Ford presents is appealing, but it's a lie.
For Gravity Falls, a show with two central protagonists, a show arguing over and over that the only way to change things for the better is to work with, trust, and care for your loved ones, Ford's position is an interesting one. I'd argue that thematically he stands in a more relevant antagonist position than Bill Cipher. He represents everything that the show is poised against. He's set up carefully as the epitome of Cool, with a masterful buildup to his entrance, badass styling, and hero worship from Dipper (the closest thing GF has to an audience insert.) And then, slowly and subtly, the show reveals how the lie of the lone hero has convinced him to hurt himself and everyone around him, nearly to the point of destruction.
I love him dearly. The best awful guy of all time
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charmwasjess · 2 days
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So, let's say George Lucas was more self aware producing/directing the prequels and hired you to reign him in/keep him on track. How would the prequels be different?
What a fucking FUN question. :D I've been chewing over this in my inbox for a couple days.
Honestly you couldn't pay me enough to write for Star Wars, and that's not just because I'd be fired on my second day for making it so gay. I think there absolutely are problems in the prequels, but I also think no matter what films they made, it was going to be a difficult tango of trying to keep an existing fanbase happy while attracting new ones, doing the old story homage but also not just retreading stale territory, and the fact that an entire generation came up with headcanons for what the Clone Wars or young Obi-Wan or Vader was like in that era, and no matter what you do, someone was going to be disappointed.
I also have a ton of sympathy for Star Wars writers in general - I see stories like Mike Chen who wrote the Brotherhood novel having to get the book together in three months over 11 drafts or the Rebels writers working unpaid nights and weekends to try to land the story they loved decently because they weren't given enough time or money. I don't know what it's like to write or create content for Lucasfilm, but I can't help but think of Warren Fu, who created the iconic General Grievous design for Lucas, later drawing himself as Sifo-Dyas being drained of blood to create Grievous. The metaphor he chose there is, um, interesting, to say the least, and I wonder how it reflects on his time at Lucasfilm. I see these anecdotes all the time of writers and creators working incredibly hard for little money or recognition and then their passion project gets changed or sidelined by the powers that be within the franchise.
ANYWAY THAT SAID HERE'S HOW I'D FIX THE PREQUELS- I think it's really a matter of redrafting what's there because so much of it is really good and has great potential. I just rewatched the Phantom Menace, so that's on my mind. Yeah, I remember being little enough that Jar Jar Binks was funny to me - I love Ahmed Best - but having just rewatched it, Jar Jar gets a ton of screentime and that could be better balanced. AND oofa-doofa, the racist accents/stereotypes. Cut cut cut. Rework.
Otherwise, I think there's a tendency - and some of it was the popular movie tropes at the time the films were going out - to rely on Idiot Plot. OOPS, Anakin didn't mean to go to the big space battle!!! He just won the day on accident!! To a lesser degree, many other characters make it through the movie by just sort of guessing and lucking their way into it as a narrative choice. Just going by the fact that the films need to be about the good guys losing because it's a prequel for a saga with no Jedi, I'd like a little bit more agency for them. More moments of saying "yes, I want to do this" and less "wow, what the hell is going on?!"
The other big change I'd make is give Obi-Wan a much larger role in the Phantom Menace, and Padme a bigger part in both AotC and especially RotS. (Actually, she really kicks ass in TPM. That moment where she shoots through the window and the duel of the fates music swells? Ascension guns!! I'm getting goosebumps just thinking about it.) I think Anakin is the most sympathetic when he's seen through the eyes of characters who love him and vouch for him. And Obi-Wan is honestly barely in TPM - it's all Qui-Gon, who I love, but I could see the film being really successful through him as our perspective/focus character instead. The way that Luke Skywalker takes us with him on this adventure and shows us the story. Obi-Wan could do that very effectively. And as much as the prequels are about Anakin's fall, they're also ultimately a story of Obi-Wan's survival.
And I'd cut Count Dooku, for no reason other than I don't like how weird I got about that guy.
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ACOSF Bonus Chapter Breakdown Part V - Azriel and Gwyn
Part I - Azriel and Elain
Part II - Azriel and Elain
Part III - Azriel and Rhys
Part IV - Azriel and Rhys
**This is just me, analyzing the life out of the bonus chapter and all the possibilities. My thoughts and no one else's. If you agree, great. If you disagree, love it. If you want to share why you disagree, love it even more. If you are disrespectful while disagreeing, I kindly request that you move along and if you insist you will be left to argue with yourself**
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Back to control
"If you don't feel you don't hurt."
"If you don't feel you don't suffer."
"If you don't feel they can't break you."
Or know how close to breaking you got.
Azriel seems to be someone who feels too much and too deeply without a healthy outlet.
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"tonight had proved he'd been right to do so."
This glimpse into his mind suggests that Az knew, consciously and subconsciously, his feelings were misplaced. He had known all along he ought to heed reason and not entertain or act upon those desires. If it were right, there'd be no regret.
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Azriel arrived at the training pit with intense emotions that were overwhelming him and threatening to override reason.
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The shadows also had not warned Azriel of Elain's presence earlier in the chapter, yet the author chose to only note it here.
Possibilties for the lack of warning:
The shadows didn't sense the person that was at the training pit
The shadows wanted Azriel to run into whoever was at the training pit and did not want to give him the chance to change course
The shadows were curious about the person who was at the training pit and they wanted to engage with the person.
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Azriel wanted to be alone in this moment but didn't want to give the wrong impression that he is avoiding whoever was there. Azriel is a considerate character.
Chill, ice: ice and the cold are words often used to describe Azriel's moods, attitude or reactions.
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It's late into the night of Winter Solstice and Gwyn is training alone.
Something is making her restless and in need of working it off
She has found something to give her focus and an outlet for her competitive streak
Gwyn wants to make sure she'll never again be vulnerable
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The mask is back on and whole, containing everything he feels deeply within.
The shadows peered over his wing at her.:
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The shadows are being highlighted in this section of the bonus chapter, as though their behavior is important to note.
They are curious about Gwyn, something rarely seen throughout the series.
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Azriel's shadows are often met with fear, awe and outrigh disgust, so it is refreshing to see someone react to them in a positive manner, considering Azriel has noted his shadows are his companions, who would always be with him, making them essentially a part of his very existence. And not only react positively but treat them as their own entity, sentient beings worthy of recognition and attention.
Azriel again noticed his shadows are curious about Gwyn, something not seen before in the books.
"hooked her coppery-brown hair behind an arched ear":
Here are a few potential meanings behind this simple movement
Sign of attraction - a non-verbal way of exposing a persona's facial features, making them seem more open to the other person
A comforting or self-soothing gesture - a way to manage one's emotions in an uncormfortable situation or intense conversation. It serves as a small distraction, allowing the person a moment to collect themselves
A display of confidence - exposing one's face can signal they're not afraid to assert their presence and take up space
A flirting signal - hair tucking is a "preening" behavior in the animal kingdom, actions designed to improve one's appearance or attract a mate. It can signal their interest to the other person
Expression of nervousness - self touch providing a calming effect on the nervous system
Simply a habit developed over the years for any or no reason
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Possibilities
Azriel being considerate of Gwyn's comfort level being in the cold
2. He is trying to subtly coax her to go inside so he can be alone in the training pit
3. This is an attempt at making polite conversation before excusing himself
4. Az is as curious about Gwyn as his shadows
Gwyn answers in stride.
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After Azriel saved Gwyn in Sangravah, Mor brought Gwyn to the library where she's lived since then. Azriel remembers her, though he had not seen her since, until he began to help Cassian train the priestesses.
There is a hint of awkwardness in this moment.
It is great to note the difference in Gwyn through Azriel's perspective, since he is the one who found her at her worst moment. He's able to witness her growth and healing.
Based on ACOSF's depiction of her, the Gwyn standing before Az is determined, caring, stubborn, competitive and rises to the challenge. She is strong mentally and physically, which she already was before, but Azriel had not yet seen it.
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SJM retconned the attack on Sangravah so Azriel would not only be present but would be the first to get there (emphasis mine):
From ACOMAF:
But Azriel confirmed that they’d raided the memorial in Sangravah three days ago. They’re looking for something—or found it.” Azriel nodded in confirmation, even as Mor cast a surprised look in his direction. Azriel gave her an apologetic shrug back.
From ACOSF:
“The first had just unbuckled his belt when Azriel arrived.” Silent, unending tears streamed down Gwyn’s face. “Azriel slaughtered all of them within moments. He didn’t hesitate. But I could barely move, and when I tried to get up … He gave me his cloak and wrapped me in it. Morrigan arrived a few minutes later, and then Rhysand appeared, and it became clear some of the soldiers had gotten away with the piece of the Cauldron, so Azriel headed after them.
Once the moment passes, Gwyn gives Azriel an opening to leave.
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Az had originally gone to the training pit to be alone, and he could've taken this opportunity to leave and find solitude somewhere else. Instead he chooses to stay in Gwyn's company.
Their interaction is very direct in a comfortable way. There’s a sense of familiarity.
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This shows Gwyn is perceptive and capable of reading others well. Azriel certainly wouldn't have volunteered this information.
"Her mouth quirked to the side":
She realized she has figured out why Azriel went to the training pit late at night on a holiday and is amused to know he's not as hard to read as he likes to think.
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Azriel tries to slip back the mask on with a lie
Gwyn challenges the lie
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This moment provides another example of how caring Az is.
Az decides to indulge Gwyn and accept the invitation to banter with her. In this moment he is lighter, compared to before arriving at the training pit.
To be continued...
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essycogany · 5 hours
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Amy Rose’s Quills
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Yes, it’s that time again! Where I ramble about character designs and why I adore them so much. In this post, I want to talk about Amy’s quills and why I like the different ways it can be represented in official and none official media.
Just like Amy’s eye color. I’ll also make guesses as to why her overall design changed officially and in canon to make things interesting. Let’s get started!
Long Quills
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This style is in Amy’s first design. Being the Minnie to Sonic’s Mickey, she had the same quill style as him. Aside from her bangs. While I do think the quills look cute, it almost makes Amy look like Sonic’s sister. I guess that’s why they changed it later on.
I say this only in comparison to her modern design. The Minnie inspiration is the reason she’s here. I’m only talking about her changing designs and making it less identical to Sonic.
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My favorite iteration of her classic look is in Sonic Mania Adventures Christmas special. Just look at the differences. It may not be a HUGE change, but even her nose is slightly smaller. I just love the Mania’s designs in general. They’re awesome! I still do love the OG design too. Classic Amy is so precious.
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Look at how Sonic’s quills are messier then Amy’s here? I think it gives them more dimension. Showing how one cares more about grooming themselves than the other.
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It’s kind of cool and I wish it was integrated in canon more. Not because it’s “important” but it’s a fun idea.
Short Quills
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Ever since Sonic Adventure, Amy’s design changed immensely. Even Sonic himself noticed it in Adventure 1. Her outfit, eye color, nose, and quills (besides her iconic bangs) are different. Giving her an older more teenage look. I say this because Amy doesn’t look any older or younger then Sonic.
(Or any other teenage/young adult character for that matter)
They are sometimes even shown to have the same hight at times. Back to the quills, Amy now barely resembles her classic design and definitely looks less like a Minnie Mouse inspired design. Her classic design is still amazing, but I believe the change was a necessary one. The differences between her and Sonic are more apparent and noticeable and I think that’s a good thing.
Mixed
Here’s my own example, but there are many other fantastic fanartist who does something similar with both styles together.
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Why do people like this quill style a bunch? I’d say it adds more flavor to her personality. Her having the classic long quills along with the short front dreads could symbolize her adventures side along with her girly side. It blends the two nicely and overall looks visually interesting. While I will say her shorter quills does differentiate her better, I’ve seen plenty of artist change it up a bit in unique ways. It’s fun to create and see what ideas an artist could have for Amy.
Why Amy’s Quills Were Changed?
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I’d say the official reason is because of the things I said before. But the in canon reason could be Amy wanting to look pretty enough for the next time she sees Sonic. Or perhaps she thought to change her appearance simply because she wanted to look cuter. Though I’d say the first answer is the most likely because her love for the blue blur was much more prominent in the past.
Conclusion
Did I use this as an excuse to gush about Amy again? Yep! I regret nothing. I love love LOVE Amy Rose and how interesting her design is in the past and present.
Stay Creative! 💜
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ecargmura · 3 days
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Wind Breaker Episode 6 Review - The Fox Leaves The False Holly
Now, THIS is a well-animated fight of pure hand-to-hand combat. No flashy magics or powers needed. It’s just two delinquents going at it. Cloverworks did an amazing job giving us a fight scene as impactful as Sakura’s brawl from the premiere. I love how it was animated! Sako uses a lot of spin-kicks and punches while Hiiragi is more powerful kicks and punches. I think my favorite aspect of the fight was when Sako was going to kick Hiiragi, but faked it by grabbing his leg. That was so cool! I also really liked Hiiragi utilizing his tall height and long legs by kicking Sako from behind. It shows that the animators know how to get creative with these fight.
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Hiiragi and Sako have history with each other. They used to be friends since elementary school when the former saved the latter from bullies. This was when Sako asked Hiiragi to teach him how to fight. When they were in middle school, Sako was keen on following him for the rest of his life and believed he’d be at the top in Furin. However, Hiiragi said that he was going to work under Umemiya and not take the top spot for himself. The moment he told Sako to not follow him anymore and get a new goal in life was when the rift between them happened. It seems it could be an asinine story for some viewers, but I see it as more of Hiiragi trying to help Sako avoid a potential toxic codependent relationship. He was clearly attached to Hiiragi sort of like how Sugishita holds Umemiya in high regard. However, the only difference between Sako and Sugishita is that Umemiya is already at the top so he is someone already respected while Hiiragi is someone who doesn’t want to take that position for himself. Sako could’ve been someone who could’ve been spiteful of Umemiya or Hiiragi because of this because had Sako gone to Furin, there would be a lot of tension. This was why Sako drifted away from Hiiragi and decided to join Shishitoren after Togame and Choji scouted him. Sako believes that power comes from doing things on your own, without the need to depend on anyone. The fact that Hiiragi chooses to be a follower and not a leader was what irked him.
As someone who read the manga last weekend, I want to say that there’s a very interesting theming with Bofurin and Shishitoren. All of the Bofurin members are named after plants, hence why their team’s image color is green and why Umemiya likes gardening. For example, Sakura’s name uses the kanji for Cherry Blossom. In Hiiragi’s case, his name comes from the Japanese word for Osmanthus heterophyllus, or false holly. The “ko” in Sako’s name is the kanji for fox. By extension, all of Shishitoren are named after animals. The To in Tomiyama stands for rabbit. The Game in Togame stands for turtle. The Ma in Arima stands for horse. The Ka in Kanuma stands for deer. It also helps that Shishitoren means Lion’s Head, hence the animal themed names. I think it’s super creative from a writer’s standpoint.
Speaking of Sako, I have to say that I really like his design. Wind Breaker’s character designs are so intricate. Sako stands out a lot to me. While he’s not as pretty as Suo, I still consider him a beauty. He stands out, hence why I think he’s pretty. It also helps that he does look like a fox like his namesake. No, it’s not weird to call male anime characters pretty and I’ll keep doing it.
I also liked the little banter Sakura, Nirei and Suo usually have as an audience member. Sakura’s shit talking actually gets his allies motivated. Suo’s fighting style is supposed a hodgepodge of different martial arts as his instructor was self taught. Hmmm, this does support my Suo being a successor theory…
As a manga reader, the Hiiragi and Sako fight was animated superbly. However, I honestly cannot wait for Sakura vs Togame, which will happen next week. All I can say is that Hiiragi’s words towards Togame, “You don’t know what’s going to happen” is foreshadowing the results of the match. Who do you think will win?
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ohitslen · 11 months
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College (uni??) AU catering to my own interests as it should always be hehe :)
#projecting my major on Vash because them mfs who have changed from the med field majors to that one have some tragic things to tell#and also because I think that Vash would be such a wonderful designer I don’t know why it’s a gut feeling#Nai the law major because of course he would have you seen the guy#he would be a personal injury lawyer because lore#fun fact Nai rested for a semester after the incident with Vash while Vash took two.He never told Nai he would be changing majors#so it was a big big shock for him. they fought again but yk I’ll explain more on that if anyone is interested#as to Kni and WW I thought it’d be funny if they shared a common subject that required a lot of team assignments#and they can NEVER work out together. being an absolute nightmare to the rest of their group#separately they are great to work with. even if Kni can come off as too bossy sometimes he is actually a great leader#and WW would always deliver things on time exactly as it was asked from him#but Kni and WW just never really matched. Kni was too rude at times when WW made a mistake and WW would always clock him if he passed a line#like insulting his reasons for wanting to study security#one day Kni tells him at the beginning of a new semester where they both have unfortunately landed on a shared subject again#“you are not suited for that sort of job Wolfwood. you should simply give up and why don’t you go play role model to your little kids’’#then WW beats him again and then is like hey yk what you’re kinda right. and changed majors and he feels so much more at home studying#education/teaching than security. he fucking hates some things but the end goal makes it worthy#Trigun Uni! AU#because I don’t know how differently a college and a uni work#trigun#vash the stampede#nicholas d wolfwood#trigun stampede#vashwood#trigun fanart#wolfwood#vash#Nai saverem#millions knives#lenssi draws#pen!
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pocketramblr · 11 months
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Who knows what Gerudo culture or fashion would have evolved into by 'Rule's time but it's nice to think about him getting to experience a bit more of it in another universe... Before BLYGanon sours it for him... Also been thinking about that Great Fairy of the desert...
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#the more i think about Rulie details and lore. the more fun little bits i find about if he were indeed Gerudo#walks death mountain without fear of the heat. no thought for swimming but can sail#that spark of magic- fire like koume. lightning like urbosa#the red Triforce mark. an attunement to Power even if he's got courage in spades too....#lu hyrule#or. blood like yours! lu Hyrule. BLYrule if you would.#my art#alt text#first picture is more first game rulie. second is more post sequel i feel#pulled from the game sprites and then the guidebooks art for the first one#which was interesting#since the first couple of players guides were made years before any games with the Gerudo planned#id honestly want to describe the aesthetic of Impa and the Sages- what we'd later assume to be Sheikah#to learn more... Gerudo tbh. colors and drapes. which would have interesting implications to what happens to them in the downfall timeline#as opposed to them in ww tp or fsa#but here i gave impa more sheikah colors to contrast with Rulie's#anyway. hypnotizing nin10do to give us a Gerudo link..... any day now....#none of these designs are set in stone or anything. im just thinking out loud... spinning this idea around because i guess i didn't enough#already lol.......... pls make 'Gerudo!Hyrule (Linked Universe)' a tag..... pls look into it's potential.......#also yeah. been calling him BLYrule in my head but! once other aus use it it too! will have more options and branches and nicknames#gerule? no i dont like that#someone give a better name than that#huh. these colors look different on my computer from phone.#these were not all drawn the same day. or even week. so inconsistency yeah...
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larrythefloridaman · 2 years
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captains! with a little bonus Casual:
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#updated design for val. ive drawn him before but am no longer satisfied with it#and listen i know its sacrilege to not give valentine the heart shaped tiddy window. and trust me i am allured by it.#but if i could get pretentious about character design for a sec i dont think its all that in character for him if im honest#smthn that always stuck with me wrt val and quad is ryan saying 'val is like a rollercoaster. quad is like skydiving.'#val is a dedicated and professional showman. all about the buildup and mystique amid the exciting ups and downs#so i simply think he'd leave a little more to the imagination. hence a formfitting but not exposing costume#and a nice comfy turtleneck in his downtime <3#i think about val a good bit and i like him a lot but i feel like sometimes people have a very different read of him vibes-wise than i do#val is a showman through and through but i think he's kind of awkward outside the routine and distant spectacle of it.#when people catch him off guard in intros it shows and just listen to him stammer his way through that serious talk with heartbreak#he's percieved publically as The Perfect Man to some extent- order says so#and between barry and kakyoin i dont think thats a matter of her personal taste.#and he does want a significant other but when you're thought of as the perfect man only people with obnoxious egos think they deserve you#and to circle back to the conversation with heartbreak.#theres sometimes a compulsion to compare val and crimson to quad and order for Red Trauma reasons but#i think its interesting that one of the only times Val's ever talked about his experience with crimson he compared him to cupid.#especially since. like cupid. Crimson expressed similar obliviousness to what he'd done wrong in cpuk orange#seemingly genuinely not understanding why Valentine refused to be around him#anyhow. i also think Quad's helmet was attached and didnt come off until J0hn got to fiddle with him#for the Symbolism of revealing the face = him gaining access to all of his feelings he wasnt allowed <3#cpu kerfuffle
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princekirijo · 9 months
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I gotta say I was not expecting to enjoy Devil May Cry as a series as much as I am, I'm kinda surprised it took me this long to get in to.
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opaleyedprince · 9 months
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new oc just dropped
#opal.txt#oc tag: cassus#he is for a silly little thing i am hyperfixating on atm. as one does#in short#he's an ihnmams oc bc i find horror fascinating and i wanted to add my own little guy to the mix#so he's a cyborg - closer to an android in design but still at his center human#bc he was once human and he still /IS/ is his core theme. he has been changed sm but he is still himself even though his name is different#and his personality has changed he is STILL that guy and not that guy at the same time. he still /IS/ himself. the self is just not static#anyway before they wired up the whole earth they thought hey - maybe we can train a human to do this. and he volunteered (maybe)#and over time he became cassus but upon completion he was deemed too volatile bc he was still Too Human#couldn't be objective couldn't be logical bc even without a heart he still thought with his and made decisions from his. he still loved#he was built separate from the network bc they worried he would 'infect it' with his well. everything#and then put to sleep and launched into space to orbit the world while they lined it with circuitry#and he slept. for a hundred years and some change - asleep and dreaming all the while#and then his ship finally gets too old and gives out. so he crash lands#and the thing abt him is. he is poison data given human form#if am absorbs him - he will finally know what it is to feel and to be human. but he can't do that without permanently altering himself#he can't kill him either bc cassus was built to not die + has the bargaining chip of 'you try to hurt me and i WILL inject myself into you.#if you've seen tng he is to am what hue was to the borg collective#you could say 'oh sounds gay' and whatever they have going on is waaay more interesting to me. guys who hate each other + are also not guys#but also why not sure
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magichcuse · 6 months
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When it's not 4 AM, I'll rework Gaubert and see if I can make him more interesting than just "perverted creep"
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eff-plays · 8 months
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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)
He calls Astarion his "horrible little vampire boy"
He loves seeing the fandom around Astarion<3
He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion
Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens
He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from
They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(
According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it
"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."
"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."
Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough
The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that
Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around
Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)
He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors
The way Astarion moves and poses is "all Neil"
Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")
There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution
However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)
It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)
However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.
The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members
They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.
Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.
He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!
Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.
No discussion about Astarion's romance unfortunately, but that's that!
8K notes · View notes
satoruhour · 9 months
Text
HIS FAVOURITE W— STUDENT !
a/n: dilly / @crysugu i am losing the pwp war i needed the lore to be in this HELP. anyway !!! professors bc i cannot stop my mind from spiralling while starting my university classes — im not entirely proud of this but eehhh ….
wc: 4k
warnings: ultimately semi-public sex for all, unprotected sex, cumshot, standing doggy, brief oral (m receiving), brief f! masturbation, brief fingering (gojo), geto is a professor who is also a camboy, camgirl!reader, f! and m! masturbation, mentions of bad dragon’s cumtubes, brief fingering, unprotected sex, creampie / breeding kink (geto), pussy slapping, spitting (on yo pussy), pet names, clit stimulation, oral / cunnilingus, tit play, fingering, implied f! masturbation (nanami), mentions of murder, stripper!reader, riding, degradation, calls you ‘slut’ and ‘whore’, calls you ‘mama’ once too, unprotected sex, oral (m receiving), deep-throating, slight face-fucking (toji), n*sfw under the cut
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✶ GOJO
professor gojo was… an interesting teaching figure. he didn’t have a set way of doing lectures or tutorials, nor was his feedback on assignments entirely coherent, but he was fun and unorthodox. he was also hot as fuck, as you’ve heard from your friends, but you never really got the deal even after seeing his photo on the university website or from miles away entertaining some starstruck student. his classes were always left with no vacancies, too, only able to see what your friends meant after stepping foot first into the lecture.
you were a tad bit early, greeted with gojo sitting at the front with his legs propped up on the desk as he shot you a nonchalant greeting and you think maybe you should’ve signed up for another lecture group, but then he speaks and the air is knocked out of your chest. professor gojo is charismatic when he teaches about art, design and media, captivating everyone with the stark white hair and blue eyes, but he’s clever with his glances because you aren’t realising he stares at you more than anyone else.
aren’t you in your second year? how did he not see you anywhere last year? why did you just sign up? 
the smiles he gives you are sweeter than others, the words more sugar coated with lilts in his voice and you’re chastising yourself for not being any different from everyone else, soon turning into the girls who ask for extra tutoring sessions and sidling up to him on campus — at least you’d get the full experience.
“oh! sweetness, what are you doing here?” you’ve managed to get gojo just as he leaves his office, standing outside for quite some time thinking if you’d really want to do this. several lecturers and professors have already walked past asking if you needed anything, but no matter how much you wanted to say professor gojo’s name, it always turned into something like waiting for a friend.
“oh— uhm, professor gojo, just wondering if the grade for that major project is really set in stone?”
gojo makes a show of thinking, but you know you’re asking for the devil himself when he replies yes with a stifled grin and you’re asking if the two week period of appealing works for the major you’re in.
“you can submit other collaterals as an appeal but it might either boost your grade or bring it down,” the professor leans down with a sick smile on his face, because he’s had so many people outside just like this, nervous from his advances and yet not going through with what they thought they could do. but this time it’s you, the you who he imagined taking on his office desk or even in a lecture theatre for everyone to see, who wants the words to fall from your lips just so he could be your knight in shining armour.
“is there really no… other way to appeal?” you swallow when gojo switches the position and gets you in exactly where he wants you: your back facing his office, his face dangerously close to yours while his eyes slyly catching the way your thighs rub together.
gojo smirks to himself when you knock down yet another cup of stationery on his desk after “discussing” ways you could improve your grades, nails making unsatisfactory noises on the wooden desk while he can hear your cunt gush around him, made obvious from the squelch of your hole and he’s muttering praises into your neck from behind.
“this what you had in mind, baby?” just another girl in his roster, getting ruined just for a grade that wasn’t even that bad. what you didn’t know is that you were the only girl, getting professor gojo so hard in lectures and tutorial classes just from the sight of you that to finally have you — it’s a sweet reward. you shiver when his hand reaches to your front to rub at your clit and you’re grasping at nothing as moans leave your lips.
“y-yeah, professor—” gojo is filthy, lewd, lifting your leg to prop up on the desk just so he could get deeper in you, your pussy everything he imagined and more as he continues to fuck into you. you’re warmer than his hand, than some hookup’s mouth from the club, clenching around his cock so tightly his hips stutter.
“f-fuck, angel, tryna snap my dick off?” you let out an incredulous chuckle at that, hips moving back to meet his while the sounds of his balls slapping against your ass fill the room. your juices are coating his length so well, too, that gojo’s eyes lock on your cunt that sucks him in over and over again, the spread of your pussy lips just amplifying his moans. the other spreads your cheeks and sighs at the translucent ring of cum at the base of his cock, hips fucking up to hit your sweet spot that you’re cumming with a shock down your spine — so hard, so deep, so intense that you’re jolting from the orgasm with whimpers of his name. gojo never truly is done with you after pulling out to cum on your ass, however, and you aren’t either.
there’s a thrill that runs through his veins when you back him up onto the sofa, a glimmer in your eyes that suggest you’re as intoxicated on him as he is on you, a sultry gaze taking over your shyness from earlier before he’s pushed onto the cushions.
“thank you for the meal, professor,” you giggle and gojo swears he’s reached his death when your mouth first closes around his still sensitive tip and he whines loudly, hearing your fingers fill your drooling cunt as your hand squeezes out leftover cum from before. a hand runs through your hair and your cockdrunk face is enough for him to see white—
professor gojo thinks you look heavenly between his legs.
✶ GETO
you sigh echoes throughout your dorm room, ending the stream and collecting your keep for the day as you grimace at the mess you’ve made on your sheets. it’s not like it wasn’t pleasurable, but on some days you’re wondering how long you truly need to serve gross men on the internet for it to be enough to pay off your university fees. sure, there were a few attractive people who commented and tipped you, but that was the extent of it. it’s not long before you can only think about cleaning up and taking a big fat nap, but a video in the sidebar catches your attention.
it seemed like a casual stream — no script or planned storyline apart from a heavily tattooed arm taking up half the screen, his pelvis just slightly off the thumbnail. he was faceless, too, filming rather from the chest down which was also inked, something that sends a chill to your core.
it’s only later when you’re slipping your dildo back into you as you watch this stranger pump his cock, guttural groans and slick noises filling your airpods that you realise the dragon wrapping around his arm looks awfully familiar. you’re so blissed out by pleasure, focusing on the needy moans that the man lets out before he cums with a grunt, so much cum leaking out from him. you’ve reached your high too, but you have no time to admire the stranger because it seemed like he was in a hurry, but not before you’ve caught a glimpse of his lip ring.
you know why he looked so familiar, now, standing in front of him in his office while his sleeves are rolled up to his elbows, something he doesn’t do often. geto suguru doesn’t wear his lip ring in lecturers either, and now you think you know why because they match the video you’ve seen just last night. you aren’t even entirely sure why you were called in, and you think maybe it’s because you “accidentally” sent a friend request, but you’re taken aback when he asks you if you’ve already selected a tutor to be your mentor throughout your major project.
“surprised? i sent out the email a week ago, love.” you try not to let the name get to you, and the confession lingers at the tip of your tongue.
“y-yeah! i saw it, professor geto, just—”
everyone was no stranger to professor geto’s striking looks, always turning heads with his unconventional gauges and long hair that probably should’ve landed him in a modelling agency in the first place. except, he’s opting instead to teach linguistics, a fitting major for him to talk of the history of language and its formation of it, even slipping in some latin and greek to show its origins but you can hardly listen when all you can focus on is the tight pull of his shirt around his body while his hair falls around his face and you think maybe it was a bad time to think if his hair falls out of his bun while he rails someone. you hope soon it’ll be you, just so you can confirm it for yourself with no other reason involved (you’re a fucking liar).
geto clears his throat and you swallow and the flex of his forearms only distract you further, the dragon on his arm seemingly laughing at your torment as it moves along his skin — the other doesn’t miss your dilemma, staring at you for your answer with a dark stare and enjoying the effect he had on you. your brain doesn’t respond fast enough, though, and you’re blurting out the first thing as you watch the curve of his mouth turn in either distaste or satisfaction; you weren’t sure.
“i saw you stream yesterday—” and you slap a hand over your mouth, wanting to run immediately, but you didn’t expect him to smile after a moment of recognition, making the connections to your account until his mouth falls open just a little.
“you’re the little cutie who sent me a request last night, aren’t ya?”
as he asks the question you hoped he wouldn’t ask, you find there’s nothing on your mind except maybe seeing his tattooed arms wrap around you — and you did. they looked so much better up close, leading from one thing to another in that stuffy office soon they’re looking especially good with how he’s currently dragging the tip of his cock along your folds, collecting your slick as you hold onto his biceps after confessing sin after sin about you from—
“i’ve jerked off to your videos.” a burn on your cheeks when geto sets you on his office table, palms leaving hot trails along your thighs and skin. he lets you play with his bulge, hands probably forming bruises on you from how you relieve the tension in his pants.
“the way your cunt wraps around that dildo — makes me wish i was there fuckin’ your pussy instead.” a gasp and a moan when he preps you with both fingers as he sucks hickeys into your neck and plays with your tits, pinching your nipple that has you clenching around him.
“didn’t miss how you like to be bred in your videos too. think maybe you need some real cum, princess,” geto’s button up shirt is pried open by now, trousers just barely pulled down below his hips because he has a lecture in about half n’ hour. though, he wanted your pussy all to himself and if 27 minutes was all he was granted, he was going to make full use of it. geto groans into your hair when your legs wrap around his middle and he’s reeling at how he’s been watching your videos for the longest time and yet, nothing compares to having you fall apart by his hands.
a quick glance to his watch tells him fifteen minutes, eyes flitting back to the squelch of your cunt around him and he smiles smugly at the whimpers he knows so well. he’s sure it’s imprinted on his brain by now but his dick still jumps at the many variations you’ve let out during the 27; he’d commit every single one to memory. “professor— s-shit!”
geto angles his hips up, the curve of his cock hitting that spot just right that your back arches and you let out a drawn out moan, “yes, baby?”
“w-wan’ your cum in me, suguru,” you’re pleading with a drunk little smile and your face is twisted into such pleasure he’s only seen through pixels that geto cums almost immediately with a pained laugh seeing the real thing, hips stilling as he fills you up, up, up to the brim with hot, white semen that geto feels embarrassed to climaxing so quickly. but what can he do? when his favourite camgirl and student asks to be bred, it’s only natural.
how could he possibly say no?
✶ NANAMI
“does that mean the poem is written from the cross’ perspective?” your hand shoots up in hopes of interpreting the text correctly, but also because, just maybe, that you wanted to impress a little someone at the front of the lecture theatre. beside you, you can hear the gasp of your friend along with the eyes of various other students. “sort of like— personification?”
nanami points to you with his glasses that he’s long removed, a small smile on his face. it’s not like you’re trying too hard, but of course you know your shit fairly well. you always have in every class, it was just a bonus you were so attractive that all nanami could think about was spreading your legs right on this desk. “yes, almost. anthropomorphism, something that was very common in poems or works written in old english.”
you were sceptical about professor nanami at first, especially since he was a lecturer who was transferred here from overseas only three months ago and is technically quarter of a white man, but he held command of the japanese language well enough for you to understand, both in speech and concepts. you were more interested in the lecturer himself though, piqued from the moment he explained his grandfather was danish and you turn to your friend, explains the blonde hair, doesn’t explain how he’s so insanely fine, giggling quietly to each other the first day.
as for your major, it was texts after story after poem, but you enjoyed it alongside giving your own input in class — something you knew would help your participation grades. you’ve raised your hand in more ways than one, always coming up at the end of lectures with a question, stopping him in hallways to show him the book you were currently reading. so that’s why you were confused when you were called to the front of the lecture theatre after everything’s over. it couldn’t be bad, right?
it wasn’t bad, it was much better, especially when nanami’s got your legs on either side of him on the lecture theatre desk while he takes his rightful place between your legs — somewhere he’s always longed to be. both the front and back doors are locked, with only your soft, muffled moans filling the room. but nanami has no shame, slurping up the juices that drip from your pussy loudly, possibly staining the desk below him. he’s cared before about the condensation of his drinks but when it comes to your sweet, sweet cunt? he doesn’t give one fuck.
“taste so good, sweetheart,” nanami moans wrapping a forearm around your thighs and just eats. he flicks his tongue over your clit, while the other hand goes up to squeeze at your tits, kneading and playing with them while you’re still at awe at the man on his knees, at how you’ve gotten one of the hottest professors in the university eating out of your pussy like it’s the last meal on earth.
you’re snapped out of your daze when nanami lands a few slaps onto your pussy, brown eyes boring holes into your skull. but this stare is different, as opposed to glaring down the mischievous boys who can’t stop making noise, this is…
“pay attention when i eat your little pussy, angel,” the demanding tone has you shivering, a small grin stifled when he nods in deserved approval and continues his assault. fingers slip in before you have time to react and your head is thrown back so hard it bumps against the wood but you don’t care, clamping down around his fingers. nanami’s pace is unforgiving, sucking hard on your clit while he pumps them in and out.
“feel good?” nanami asks through slurps as he catches your eye, licking one last stripe before gathering his saliva into a ball and he spits onto your clit, sight so lewd you clamp around his fingers. he admires how the way the glob of liquid runs down your cunt and mixes with your arousal that he can’t wait for it to be his cum instead.
“better than…” your voice trails off when he rubs in his spit, a thumb on your bud while he continues to move his fingers and your thighs are already trembling from how nanami knows all your sweet spots in such a short period of time. nanami simply chuckles at your sensitivity, meeting you halfway as you sit up to feel his lips against yours and he whispers against your lips—
“what were you gonna say, baby?”
you’re heaving for oxygen as he adds a third finger and you’re just hoping he’d show you his fucking dick already. hot breath fans across your lips and you smile to yourself seeing how your words affect him.
“better than fucking myself with my fingers thinkin’ it’s your cock, prof.”
✶ TOJI
it was nine in the morning, and toji could already feel a headache forming from the amount of absentees in his class, simply sighing before pulling up the details for today’s lecture, eyes unknowingly looking for you in the large lecture theatre. he finds that you’re already looking, clad in a cardigan and tired eyes — no doubt from trying to reach his deadline earlier than usual. toji found that you liked to do that, the first one to always submit your essays and assignments, so that’s why he knows what game you’re playing at when you’re asking the difference between first, second and third degree murder when you already know their definitions.
he would know — you got full marks the other time. 
“hm?” toji only hums when he sees your enthusiastic face and a quick look down to your lower half shows how your legs spread naturally for him. the professor only licks his lips before he spots your underwear, entertaining you for now as you stare on earnestly, while nothing is actually entering your brain. that’s okay, though, you’re smart.
toji can count on one hand the amount of times you manage to catch him off guard, but he didn’t expect both of those times to be on the same day. it was a busy night at the club, trailing behind professor gojo, bored, until the clock hits 11 and the shift changes, some dancers retiring for the night whilst others make their way out. they emerge with pumps and skimpy outfits, but toji still hasn’t found someone worth wasting his loaded bank account on until you’re stepping out in a corset and garters and toji whistles lowly, eyes travelling up your person unforgivingly before he hears a small gasp.
his curiosity is piqued at the small noise, only to be greeted with your widened eyes and taut muscles at having seen your professor at the strip club you work at, but with a clap from somewhere backstage your body moves naturally into a professional stance, and perhaps a little more sluttily than other days.
your professor was hot, of course you would work twice as hard, twisting your body around the pole while you show off your assets — things you were covering just this morning in professor toji’s lecture. he taught criminology, a minor that you were trying out in your second year of uni and if it didn’t work, you’d drop it, but no matter how much you complained about the class, the green eyes that bore into yours in lectures always seem to ask you to stay. you never really knew whether he was looking at you or not.
at least now, you’ll make him.
toji’s hands tightened around the wad of cash he planned to waste tonight, all put on hold just from watching the way you put your body on display. he wouldn’t have imagined seeing you tonight at the strip club he let gojo drag him to, but he’s almost glad he’s here when you seem to be only dancing for him, all focus on the other patrons lost.
your eyes are still locked with toji’s, reminding you of the times in the lecture theatre where green was all you could see, a smile creeping on your face when one of your girlfriends behind you whispers that the man with the black hair and tight shirt wants a private session with you.
that’s all it took before you feel toji’s hands on your ass later in the private room, pulling you to his front with a smirk. “what’s a sweet girl like you doin’ here?”
you roll your eyes as you feign annoyance. your heart was pounding along with the music, finally being able to feel his toned body from the front., “cut the crap, prof. you booked me for a reason. what, here to talk about my grades or something?”
“what? can’t see my favourite student?” you scoff with a small smile.
“and how did you know i work here?”
“i didn’t, but seeing you work that pole,” toji grins, landing a smack on your butt before grinding his very obvious, large bulge on you and he’s loving the way it seemed to stimulate your clit, “i need ya to show me what i’ve been missing, mama.”
toji groans later while you’ve got his cock in his mouth, on your knees in front of him while you’re fisting the places you can’t reach. you take most of him easily, feeling the tip of his length reach the back of your throat. there, your eyes flick up to him, doe eyed and pleading. it isn’t long before you feel his hips bucking into your mouth and the cute twitch of his cock in your mouth, moaning around him as you knead his thighs, dragging him closer with what little strength you had.
“dirty fuckin’ slut, huh?” toji mumbles out breathlessly, tightening his grip around your hair before you start bobbing your head again, a plethora of lewd noises alongside the slurp of your saliva and his pre-cum mixing only makes your panties wetter and sends your cunt clenching around nothing. “who knew my cutest student was such a whore?” your head reels at the degradation, sucking in your cheeks even more while you slobber over him. toji swears under his breath when your tongue sweeps over his tip, collecting his pre-cum.
“it’s s’big in my mouth, professor,” giggling, you bob your head faster as the other’s noises increase in volume, and he’s left to tap the side of your skull, causing you to tilt your head in question. the vibrations of your moans has him grinding into your mouth, shutting you up until he’s cumming down your throat with a loud groan. toji spills so much into your mouth that you have to swallow twice, pulling on your jaw as you show him the remnants of the cum still on your tongue.
“’m sure they have it somewhere in the conduct about professors not having sexual relations with a student,” toji chuckles when he sees you peel off your underwear, eagerly wrapping his arms around your waist. “or even something about cutting corners to get your grades up…” it’s a little soft, trailing off when he feels you drag his tip along your pussy and he’s mesmerised with how your dripping folds accommodate him easily.
you pout in dramatics, thighs tightening around his when you take inch after inch of him before you’re bottoming out. there’s a deep sigh coming from you before you’re moving your hips lazily, a certain slur to your words that already show you’re drunk on your professor’s cock and toji only smiles.
“yeah, but my grades are perfectly fine,” you whisper with a small whine when toji squeezes your ass, something he never thought he’d get a taste of.
“plus, we’re not in the classroom now, are we, professor?”
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9K notes · View notes
supercutszns · 4 months
Text
rotten to the touch; luke castellan
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series masterlist
wc: 3.2k
pairing: pre-tlt luke castellan x f! reader
synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.
warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’
notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain
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You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.
It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.
It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.
Everyone hates you. Everyone hates a person with an unquenchable anger.
But everyone loves Luke Castellan.
He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.
But you do, and you don’t, and it’s complicated, okay?
Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.
You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.
During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.
He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.
Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.
Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.
Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.
The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.
But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.
An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”
“Fuck off, you idiot,” you snarl.
You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”
“Have you ever thought that I’m not being mean? Maybe I just am.”
You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.
The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.
Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.
To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?
They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:
“I’m guessing you’re not having a fun night.”
You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.
“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.
Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.
The thoughts almost make you laugh. Been a long time since you’ve been funny.
He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.
“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.
“Then why have you been staring at me all night?”
It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”
He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”
You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”
His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”
“You have no idea what you’re talking about.”
“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”
You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”
The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.
“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”
“If I’m awful, then you’re awful,” you spit before he can say anything else.
He just shrugs. “Well, I guess that’s why I’m not sure.”
It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”
He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”
“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”
Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.
But when you play, you play to win.
“You don’t know that,” he dares.
“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”
However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.
He tilts his face towards you, grinning, “Then why do you want to kiss me?”
All right. What the fuck. It feels like you’ve been electrocuted.
“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.
He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”
The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.
“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”
His words fan over you. That fire simmering in his eyes has finally come to the surface.
“One of?” You challenge.
“You let me make out with you and I’ll give you a whole list.”
You snort, hoping it hides the shortness in your breath. “What a charmer you are.”
His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”
There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.
His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.
His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”
“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”
Another kiss to your jaw. “Not yet, sweetheart.”
Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.
He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.
“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.
“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.
He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”
“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.
He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”
Fuck him. Seriously. You might have to.
It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.
He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.
After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.
“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.
“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.
He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”
You roll your eyes, “Oh, you ass.”
“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”
“Thanks, dipshit.”
“Thank you for proving my point, heathen.”
The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.
The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.
He’s got a strange expression when he looks at you. “That’s not true.”
He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.
After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.
He says, “You’re not rotten. You’re right.”
And damn it, you really do believe him.
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mikeystrawberry · 4 months
Text
Today is Dungeons & Daddies’s 5th Anniversary!
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I haven’t been listening for nearly that long but the podcast and all its characters means a lot to me. Happy Anniversary!!!
Throwing the cropped sections under the cut because there’s a lot of stuff going on and I know Tumblr likes to throw half the pixel quality out the window. And also so I can ramble a bit about this piece!!!
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This piece has been months in the making, possibly an entire year. And by that I mean I’ve had a sketch of the comp scribbled on my whiteboard for ages because I wanted to save this specifically for 5th anni art. Now onto design stuff!
(First off a random thought: I really love how the garlic knot came out, I kind of want it as an enamel pin.)
I knew I wanted to make this a stained glass piece since the beginning, but I was also going to add flowers at one point but quickly dropped the idea. It felt like too much and I also didn’t want to fuss over flower language assignments for everyone. I was also going to add Doodler tentacles, but also dropped that idea pretty early. Kind of on accident, right at the end, I figured out how to make it even more stained glass-like but taking a duplicated lineart underneath the regular layer and turning the brightness all the way down, then setting it to overlay and adding a guassian blur. It’s very subtle but it adds that tiny bit of depth that makes it look more real. As for shading on the lineart/gold, I tried adding more highlight on the characters who died but once I evened everything out it wasn’t as noticeable anymore so I’m throwing that thought here so the attempt at least known lol.
The order of characters only changed a little bit from my original comp, I flipped the Wilsons and the Oaks so the rainbow could work. As for the anchors, specifically in season 2, I lined them up to the teens since the season 1 anchors lined up with each dad:
Tony —> Scary: his death was the beginning of Scary’s betrayal arc and also Willy killed him.
Guitar Pick —> Taylor: it’s not really aligned with Taylor at all, but the anchor was with Glenn so I put it next to his blunt.
Scroll —> Normal: was only because it was the last left to give him, but there’s the whole scene of him and Hermie in the Green Room so it still works!
Garlic Knot —> Link: one of two that he broke, but the more significant of the two with him telling Grant he never wants to see him again.
Small notes on the season 1 anchors: I put the layer of mold in the overnight oats but you can’t really tell with the overlay. And to make the supper bowl more interesting I added the fantasy sodas mix they dumped into it. The lure of actually drawn before so I just traced my own art lol.
As for the other smaller triangles, it took me a bit to figure out what I wanted to put there. I didn’t even think of adding the vehicles until two days ago but I’m so glad I did. I don’t really have my own take on the mascot version of the Doodler (yet?) so I borrowed the design from one of the stickers in their merch shop. Teeny was terrifying as just a front facing head so I made him cute again.
In the outer circles, I put what I felt was the most significant quotes for each family. I really wanted to use “It’s okay to be angry, it’s not okay to be cruel” but it was just a little too long.
That’s all I can think of! If you read all the way through, thank you for indulging me in my excitement to gush over this piece.
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remuslovebot · 5 months
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hii, could you do something where reader is family friend and visits every summer so she’s there when Ollie is too, and he senses reader and felix’s tension and tries to ruin it or come between them? And like some angst, drama, tension and just pent up frustration between Felix and reader
ooh yes! angst and drama, this is perfect
i hope you enjoy and thank you for the request!
☙☙☙☙
pairing: felix catton x fem!reader
warnings: use of y/n, angst, toxic relationships, manipulation, ollie being ollie, jealous!felix, possessive!felix, language.
a/n: I’m really proud of this
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☙☙☙☙
You had spent every summer with the Cattons since you were 15 years old. Your father, Henry Roy was best friends with Sir James Catton. Once you met the Catton siblings— Venetia and Felix you came to Saltburn every summer.
Felix Catton. How would someone describe the human embodiment of the Greek god Apollo? That was Felix. He was tall and lanky. When his brown eyes fixed on you, it was like he was staring into your soul.
You couldn’t help but feel attracted to Felix. There was a spark between you two, that burned every summer.
When you turned 18, the Catton sibling’s cousin Farleigh joined in your summer adventures.
The four of you would run through that maze, figuring out its intricate design. Drinking every night and running naked through the tall grass that grew around the castle’s edge.
The summer before you went off to college, Felix and you shared your first kiss. It was a hot sunny day, Farleigh and Venetia were drinking by the pool. Felix had taken you off into maze for a walk.
When you came upon the statue in the middle of the maze, you and Felix were laughing. He leaned in and kissed you. Surprised at first, you pulled away. Then you planted your lips to his and kissed him until dark.
Then the summer ended and you had to go to University in Paris. You told the family you would come back every summer. And you kept your promise.
Now after your first year at college, you came to Saltburn for the summer. Hoping to see Felix. Neither of you had talked about your kiss last summer. It was a moment of passion and you doubted Felix would want to be with someone like you.
You’d heard from Elsbeth that Felix was bringing home a friend. You dreaded the thought of it being a girl, until Elsbeth clarified it was a poor boy from Liverpool.
The day before Oliver arrived you came to the house. Elsbeth was overjoyed to see you, giving you a hug and her usual kind compliment. Venetia said hi and pulled you aside, letting you know that would be staying on her side of the castle.
Farleigh and you exchanged jokes, although really happy to see eachother. Sir James asked you about your father and told you that he planned on inviting your family for dinner one night.
But you wondered where Felix was.
“Where’s Felix?” You asked Venetia, she was like a sister to you. You knew to trust her and she would always have your best interest at heart.
“He’s hiding and also preparing for his new friend Ollie to come over tomorrow. It’s annoying, he won’t stop talking about him. And you, christ, Felix is so nervous to see you,”
You blushed when she said this. But as if he heard his own name, Felix was walking into the room. You looked up at him, a smile spreading on your face.
You walked to him and he pulled you into a hug. Felix had missed you and he wanted to tell you how he felt. After he kissed you last summer he realized how in love with you he was. Felix spent the entire school year pining after you, figuring out a way to tell you.
When he became friends with Oliver, he always talked about you. How you were a friend but could definitely become something more.
Oliver was jealous. He was madly obsessed with Felix and had plans of his own this summer.
“I’m so glad you’re here, y/n,” Felix smiled charmingly at you.
“I’m glad too,” you replied, looking up at him with heart eyes. Venetia gave Farleigh a ‘let’s hope they get together this summer’ look.
After a night of pleasantries, you went to your room excited for what the summer had to bring. Little did you know, this was the calm before the storm.
☙☙☙☙
Oliver arrived the next day. You met him and heard all about his sad backstory. He was nice to you. Felix introduced you to him and immediately Oliver saw how much he loved you.
It made him sick with jealousy. So he planned to tear you two apart.
Later that day, you walked back to your room to change for dinner when you stumbled across a note.
‘Meet me in the garden tonight after everyone goes to bed — Felix ♡︎’
You blushed, closing up the note and planning to meet him. When you got to the garden, you waited. You didn’t see Felix anywhere. You sighed in frustration and confusion. You were cold.
But then you heard foot steps and in the dark you could see a figure. But it wasn’t Felix, it was Oliver.
“What are you doing out here Ollie?” You asked, your arms wrapped around yourself.
“I saw you, from my window. I wanted to know if your okay,” he said.
“Thanks, Ollie but I’m fine. I’m waiting for Felix. I thought—never mind,” You said.
“What?” Oliver asked, his plan unfolding just as he imagined.
“Felix asked me to be here. I thought he was going to tell me he wanted me, after last year,” you explained vaguely.
“Ah well. I don’t want to hurt your feelings but Felix has someone. Well multiple girls. He can’t keep his hands off them at Oxford. It’s ridiculous,” Oliver lied straight to your face. And you believed him.
Tears came to your face. Felix wasn’t interested in you and he already had someone, someone that wasn’t you. “No it’s alright. Thank you for telling me,” you said, wiping away a tear.
“I’m cold, so I should return to the house,” you said, walking past Oliver. He grabbed your hand and pulled you close.
Leaning in, he kissed you softly. You pulled away from him.
“Ollie no,” you said, looking into with eyes with warning. He let your hand go and you walked back into the house.
As you walked back into the house, you didn’t know that Felix saw you and Oliver kiss. As soon as he saw it, his heart broke and he turned away from the window. He didn’t see you pull away and leave.
The next morning, breakfast was awkward to say the least.
You were mad at Felix for not telling you he was involved and for standing you up. Felix thought you’d gotten with Oliver and was extremely jealous.
He was also angry with Oliver, as he knew how Felix felt about you.
Later that day, Oliver tried to find Felix. He was sulking in the sun.
“Felix? Is everything alright?” Ollie asked innocently. Felix just huffed in response.
“What do you think?” Felix asked passive aggressively.
“I’m not sure. I want to know what’s made you so upset?” Ollie asked innocently.
“How could you get with Y/n? I saw you two last night in the garden. You kissed her,” Felix said, sounding hurt.
Oliver frowned. “She wanted me to kiss her. I didn’t know what else to do. She left me a note to meet me and I was going to turn her down because I know how much you like her,” he said.
Felix’s face softened but his heart was breaking. Did you not like him? Obviously not if you wanted Oliver to kiss you, he thought.
“I’m sorry Felix,” Oliver apologized.
Felix turned to his friend, “It’s alright mate, it’s not your fault.” He reassured.
☙☙☙☙
You and Felix were not speaking to each other. Just glaring at each other across the room. Venetia was confused and Farleigh was too busy worrying about his own situation to notice.
“What happened between you and Felix?” Venetia asked, one night before bed.
You huffed, “Nothing, I guess. We kissed last summer and now, well he doesn’t want me anymore.” You explained.
“I find that very hard to believe. He talks about you all the time when you aren’t here. And Farleigh said he couldn’t stop thinking about you during school,” she laughed.
This confused you. You wanted to confront Felix. Angry, you took the note. “Right, I’ll be back,” you told Venetia.
You practically stomped to Felix’s room that night, banging on the wooden door. Felix opened the door, his hair disheveled and only wearing his boxers and maroon robe.
“What do you want?” He asked coolly, leaning against the door.
You huffed, crossing your arms. “Don’t take that tone with me. You have been nothing but aggressive towards me this entire week. You won’t look at me, except when you glare. As if I’ve hurt you in some way,” you ranted.
Felix looked at you confused as you continued to speak. “Which is ridiculous, because you invited me to the garden. Not the other way around. I know you have loads of woman just lining up to fuck you. So I will do you the favor of fucking off,” you said, pushing the note into his hands.
You left in a huff and Felix was utterly quiet. He opened up the note and recognized the hand writing immediately.
Why would Oliver lie? He thought. Why did he pretend to be me and write you a note?
Felix walked next door and into Ollie’s bedroom. “Hey mate, I have a question.” He said, shortly.
Oliver looked up from his book, “Yes Felix?”
“That note that Y/n gave you. Did it look anything like this?” Felix said angry.
Oliver looked at the paper that he’d written and slipped under your door. He gulped. “I can explain,” Oliver said, albeit timidly.
“I don’t need an explanation Ollie, you’re a fucking liar. You took advantage of our feelings. Why would you do that?” Felix said.
Oliver couldn’t respond and when he didn’t, Felix left the room going out to try and find you.
You were crying on the bottom of the staircase, drinking a bottle of champagne that you’d snagged from the kitchen.
Coming down the stairs, Felix heard you and came to you quietly.
“Y/n, don’t cry,” Felix said. Hearing his voice, you stood up and turned around.
“What are you doing here?” You asked, wiping away your tears.
Felix walked towards you. His thumb landed on your cheek and wiped away a fallen tear. “I’m sorry about Ollie, he manipulated us. Told me that you wanted him. It made me jealous, because well…because I love you.”
You looked at him in surprise. Felix loved you. “You love me?” You asked, to which Felix nodded, a soft smile on his face. “And you aren’t seeing anyone?” You wanted clarification.
Felix furrowed his eyebrows in worry, “No, no im not. I only want to see you,” he said, leaning in incredibly close.
You nodded, “I love you too, very much,” you smiled softly, looking up into him.
In a heartbeat, Felix kissed you. At first it was soft and sweet. It became heated as you kissed him back. Felix moved his hand around your waist, to hold you up and close to him.
When you pulled away for air, Felix smiled softly. “I’ve been wanting to do that again since last summer. I don’t like it when you’re away. You’re mine, you know.” Felix smirked, pulling you into his hips.
“Am I now?” you grinned, liking the sound of him calling you his. Felix nodded, leaning into kiss you.
“Felix….” You heard Oliver say from the top of the stairs. Felix’s grasp on your waist tightened protectively. You both turned to Oliver.
“Go away Oliver,” Felix said warningly. You gave Oliver an angry look. You wished he would leave.
“I need to talk to you, Felix. We need to sort this out,” Ollie practically whined.
Felix shook his head, “I can’t have you here mate, it was a mistake inviting you.” He said.
☙☙☙☙
The next morning in a dramatic fashion Sir James and Elsbeth led Oliver out of the grounds. You, Felix, Venetia and Farleigh watched from the top of the staircase as it happened.
When the door closed, Sir James clapped his hands together. “Alright. The Henry’s are coming to dinner tonight, everything must be perfect.” He said.
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