Tumgik
#<- that tag is always relevant
zelkam · 2 months
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— chuck palahniuk, haunted
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wrayofmoonshine · 1 year
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whatever you do, don’t imagine eddie doing a running jump at steve’s back while he’s trying to talk to someone, and steve catching him in a piggyback without even breaking away from the conversation. then eddie starts to attack his neck with little nibbles while going “BITING you BITING you BITING you BITING you” over and over again until steve turns his head just enough to catch his lips with his own so eddie gets stopped mid sentence like “BITING you BIT—oh! kissing you! :D”
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eastgaysian · 6 months
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i loved you so much it was making me sick
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snek-eyes · 9 months
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Queen instrumentals playing in Give Me Coffee or Give Me Death
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(instrumentals arranged by Eos Counsell)
(insp. / template / BoRhap breakdown)
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lucalicatteart · 7 months
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 sculpted a strange shimmery two headed snail, speckled with wild flowers on it's shell~
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Note
I'm not sure if your event is open just yet (potential time differences) but may I request Lilia, as the ghost, with the prompt 6.Bump in the night with romantic, fluff and maybe a bit of horror cause we know Lilia likes to scare people please?
I'm so sorry if I didn't do this right 😅
Bump in the Night; Lilia Vanrouge
Content; Gender-neutral reader, implied romantic feelings/pining
Content Warning; Swearing, light fear
Word Count; 700+
A/N; I hope you like what I came up with, Lilia will always be a little imp. And don't worry about formatting, you did everything perfectly!
Please do not put my work into AI. If you would like to see more of my work check out my masterlist!
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You were grumbling to yourself as you lit some candles while holding a flashlight under your chin.
The power had gone out due to a blizzard, right when you were in the middle of catching up on your favourite show. But the weather didn’t care about the plotline or the barely warm soup that was now sitting sadly on your stovetop. No show and no dinner, you were shit out of luck tonight by the looks of it.
So instead, you grabbed all the candles you could find, a small horde of blankets, and hunkered down.
You fidgeted around, picking at some loose strings, and tapping to the beat of the battery-operated clock. 
… bored bored bored THIS SUCKS bored bored bored …
You dragged your hands down your face. Why couldn’t the power go out while you were asleep? Why did it have to go out on one of your only quiet nights to yourself? Why couldn’t the power wait until you had your dinner? 
The wind howled outside as if it were mocking you.
The hairs on the back of your neck stood on end, and the candles snuffed out, one by one. Not by a draft, or wind, but as if someone was pinching off the flame. The room was cast into darkness, only the pale blue light from outside lighting everything up in a dim silver cast.
Face the issue at hand that had all levels of nope nope NOPE written all over it? Or, hide under the blankets like you were a kid again?
… you hid under the blankets. You reasoned it wasn’t from fear, but rather to conserve your body heat, since hey, the candles died out due to some unforeseen and totally normal reason.
But then you smelt something burning.
There was no power though, nothing was working so why was something burning?
You shuffled to the kitchen and peered out from your blanket cocoon.
The soup, which was barely lukewarm, was now a charred mess of black sludge.
“The hell,” you hissed, eyeing the baffling liquid. Part of your brain was screaming DANGER DANGER DANGER!!! And the other part? It was mourning the loss of your dinner.
A breathy chuckle was in your ear.
You wanted to move, but you couldn’t. You were frozen in place by some unseen force.
You felt delicate fingers trace the back of your neck before they came to a stop at a pulse point, which was easy enough to find since your pulse was beating like a trapped bird trying to escape a cage.
“You always look the same,” the voice whispered, the chuckle and playfulness long gone.
The voice flitted closer, and you could make out a hazy figure in your peripheral vision, but just barely.
The figure, a petite figure, came to a stop in front of you. The only thing about them that felt physical, that was the most clear, were their magenta almost red eyes. They bore down on you with a weight; of knowing, of countless years, of longing, and a mix of grief and mischievous — an odd combination.
“What do you want,” you asked, fighting your mouth to spit out the words.
The man, you assumed the spectre to be a man at least, gave you a soft smile.
He took your face into his cold hands, or at least tried to, and rubbed circles into the apple of your cheeks. “Many things, dearie,” he sighed softly, “but only if you want them too. I’ll leave if you want me to. I just want to see you happy.”
An odd thing to say when you nearly gave me a stroke. 
Despite that near stroke though, you didn’t sense any malevolence from the ghostly figure who held you softly. And despite his cold touch, he was nothing but warmth, but in the sense of a weak candle.
One must just take care of the flame to see it grow.
Time after time, Lilia would find you, his spirit drawn towards yours.
I love you.
Never really said, but it would end in the same way. Him quietly loving you from the sidelines until he found his opening. An opening into your life, and your heart.
~~~~~~~
Taglist; @afunkyfreshblog @bloomstruck @eynnwwyjth @identity-theft-101 @ithseem @lucid-stories @moonsoup01637 @ryker-writes @twistwonderlanddevotee @xxoomiii
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ladsofsorrow24 · 23 days
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idk why i'm crying from this scene lol but...
i did. i'm crying right now.
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bilbao-song · 7 months
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(all credit for the original idea [and a significant portion of this text] goes to @quiet-beatle​!)
ho ho ho, classic rock fans! Christmas is coming and so is The Secret Rocker Santa project! if you are looking for an opportunity to make new friends who love classic rock, or just want to make someone happy, this is your chance!
** if you don’t want to see posts about this anymore: filter the tags #secret rocker santa and/or #srs23 — click here for an explanation of how to filter tags **
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What is Secret Rocker Santa?
Secret Rocker Santa is a tumblr-wide “match-maker” in which you will anonymously send asks to (and hopefully befriend!) a tumblr user who is assigned to you. you will also be assigned to someone else, who will send anonymous asks to you. the event will run from december 1st through december 25th. while this might seem complicated, it’s actually quite simple, and you will only need to answer a minimum of two questions to sign up.
How it works:
you must read these instructions!
the deadline to sign up is november 28th. there are two ways that you can sign up: the first option is to sign up via google forms. the second option is to send me a submission (or an ask) with your completed questionnaire (found here). while the first two questions are required, you can otherwise provide as much or as little information as you want.
please reblog this post! (this isn’t a strict requirement, but it would be greatly appreciated and helps to ensure that enough people will participate!)
your ask box must be open to anyone! this means that anon asks will have to be enabled. if you want, you can wait until the first day of the project (december 1st) to change this setting, but please make sure you remember!
your blog doesn’t have to be classic rock-related, you just need to be a fan. (we will also be using a very broad definition of “classic rock,” so nearly any music from 1950s-1990s counts.)
(those are the main things you need to know, but more details + some helpful tips are below the cut!!)
shortly after signing up you will be assigned a number — you probably won't need it for anything, but it's a backup way for me to keep track of who is who in case we run into any problems :)
during the last days of november, i will be assigning people to their Secret Rocker Santas. you will receive a message from me telling you who you have been assigned to, either in the form of an ask or direct message.
you will start messaging the person assigned to you ANONYMOUSLY on the 1st of december and continue until Christmas (december 25th), which is when you will reveal your identity and (hopefully) have made a new friend!
you can send your partner whatever you want (as long as you do not reveal your identity). your job is to make your partner feel happier! (some ideas: send lyrics, pictures, or facts; play games, chat, and of course do things that are not only associated with classic rock).
be careful - make sure you are messaging your assigned partner anonymously.
please tag messages that you receive from your secret santa and any other related posts as #SRS23, so your santa will be able to find your answers more easily.
EXTRA REMINDERS:
some people might get more than one santa or will be assigned to more than one person, depending on how many people participate and how many suitable matches i have for certain people. if you are certain you will not be able to be a secret santa for two people, please mention this when you submit your form (you can also let me know if you would prefer to be a santa for two or more people! anyone who volunteers for this will get first pick if the need arises)
if you’re not committed to sending asks to your partner and/or responding to your santa at least a few (2-3) times a week, please do not sign up.
while the primary focus of this project is classic rock, any additional interests you list may be used as a secondary way of helping to find a good match for you. with that in mind, don’t hesitate to list any interests and hobbies you might have, whether they relate to classic rock or not! this will especially come in handy if there are many applicants who like a particular band, or if i am having trouble finding a match for you based on your favorite bands.
if your santa has not contacted you in over a week, message me and i will gently remind them or find you another one.
as a general rule, be nice! anyone who is rude to the another participant will be removed from the project.
make sure to answer all of your santa’s messages! you don’t have to answer right away, but don’t ignore them.
please let me know if you experience any problems at all (for example, if i have made a mistake, or you are having problems with either your own santa or the person you are assigned to)
if you are not already following your partner’s blog, you probably shouldn’t do it right away, because they might guess that you are their santa.
it’s useful to have an easy-to-find “about me” page or pinned post so that your santa will have a better chance of finding something to talk to you about!
please try to keep a note of who you’ve been assigned to, as well as your assigned number!
IF YOU CHANGE YOUR URL AT ANY TIME DURING THE PROJECT PLEASE LET ME KNOW. if you don’t let me know about your new URL (or otherwise make it clear that you have moved), i will not be able to assign matches for you.
please be patient! i will assign matches and answer questions as quickly as possible, but please keep in mind that i have other responsibilities too!
you don’t need to be following me, but i will be sharing updates here, so it would be a good idea to at least keep an eye on that page/tag.
please don’t hesitate to participate! this is supposed to be a fun, lighthearted, seasonal activity, and if you do encounter any issues, i will help you :)
ALL RELEVANT LINKS:
google forms sign-up
copy the questionnaire here (to sign up if you don't wish to use google forms)
paste questionnaire, fill out, and submit here
FAQ page
all future updates will be posted in this tag!
lastly, if you have any questions or want to ask for advice, do not hesitate to message me or send an ask!
please spread the word if possible! :)
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vigilskeep · 2 months
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fanartists will draw the guy with lighter brown hair as the blondest man you’ve ever seen in your life
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y-rhywbeth2 · 5 months
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Gods & Clergy: Shar
Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]
Religion | Gods | Shar | Selûne | Bhaal #1 | Bhaal #2 | Mystra | Jergal | Bane #1 | Bane #2 | Bane #3 | Myrkul | Lathander | Kelemvor | Tyr | Helm | Ilmater | Mielikki | Oghma | Gond | Tempus | Silvanus | Talos | Umberlee | Corellon | Moradin | Yondalla | Garl Glittergold | Eilistraee | Lolth | Laduguer | Gruumsh | Bahamut | Tiamat | Amodeus | The rest of the Faerûnian Pantheon --WIP
And back to collecting lore on the evil deities! There's... a lot of information on Shar, so honestly this isn't even all of it just most(?) of it. Most of it isn't relevant anyway...
Overview: What if depression was a religion?
Clergy: If you don't have shit like depression and cptsd you're about to, courtesy of the Nightsinger! Society? Burn it all!
Nightcloaks / Nightbringers: Memory wiping. Whips. Making creepy man-shaped things of pure darkness.
Shar: Don't look her in the eye. Wear earplugs when she speaks. Don't let her kiss you. Avoid the talking severed heads and the tentacles... actually, just avoid this ancient eldritch horror altogether.
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"Reveal secrets only to fellow members of the faithful. Never follow hope or turn to promises of success. Quench the light of the moon whenever you find it, and hide from it when you cannot prevail. The dark is a time to act, not wait. It is forbidden to strive to better your lot in life or to plan ahead except when directly overseen by the faithful of the Dark Deity. Consorting with the faithful of good deities is a sin except in business dealings or to corrupt them from their beliefs. Obey ranking clergy unless it would result in your own death." "Darkness is your cloak and your spur to action. Strike down the moon and those who serve it, and work against laws and law keepers, rulers and the powerful, by corrupting them and sewing dissension. Weave discord through secrets and rumours and falsehoods, so that all that is now mighty shall in time be swept away, and all that will still remain is in the darkness of Shar. Work in secret when necessary, obey your superiors in the Night Church without question or defiance, and give your life when Shar deems it needful, for you will reap her dark reward." - Shar's Dogma
The interesting thing about Shar, for all her intrinsic hatred of existence, is that she needs people - specifically "she feeds on [people's] suffering." Literally. She eats it. When she consumes their grief and misery, the sudden void of negative emotion causes a temporary surge of euphoria. Due to this relief, many people turn to "Shar's embrace."
Sharrans believe that by following Shar faithfully they will eventually reach an enlightened state beyond all suffering, however all that happens is that they're exposed to suffering and retraumatised again and again until they become resigned to and desensitised to it - their own and others'. Sharrans are much less useful to their goddess if they truly move beyond suffering, and instead the process is simply a cycle of abuse and depression as she farms them for sustenance and power.
As per the teachings: life is inane and existence was a mistake all are cursed to suffer because of Selûne's stupidity. All love withers and dies; you are alone, and always will be. This misery is inherent and inescapable, and it's better to embrace this fact than to hurt yourself by being stupid enough to feel love for others or hope for better.
All rulers and hierarchies are corrupt, according to Sharran doctrine, and everybody should be free to live their lives as they wish free of the laws and "morality" decided for them by others.
Everything that exists deserves to perish, and the right thing to do is to help the entropic process along.
Shar is ever-present, and wanders through the dreams of mortals, prodding at their hidden pains and whispering suggestions to them on how to act upon them. She offers the allure of relief to the poor, the lonely and ostracised, the grieving, the mentally ill... Victims of abuse often turn to her for relief and vengeance. On the every day level, people who need to work or travel at night or in the dark make offerings to her to placate her.
A lay worshipper is referred to as a Dark Follower. Sharrans are forbidden to hope, plan ahead or attempt to improve their miserable lives unless ordered to by the clergy, as part of Shar's design. They must not speak out against a priest, or interrupt any of their rituals and prayers for any reason. Lay worshippers must prove their loyalty and devotion by carrying out one crime or deed under the order of the clergy at least once a year, and try to bring others into the fold. They are strictly forbidden to interact with followers of good aligned deities (so you know stay away from people who follow, like, Selûne, who encourages comforting the lonely and making welcoming spaces for the ostracised; Lliira, who encourages experiencing joy; Lathander, with his thing about optimism and new beginnings... Don't want them hanging out with those people...)
If you have no need of Shar's "aid" then her clergy are at hand to fix that for you.
The members of the Night Church are known collectively as Darshars by outsiders, but they would refer to themselves as Martyrs. They have forfeit their lives to Shar in order to serve her, and know that she will eventually come to claim her due. They're generally under no delusion regarding the fact that their deaths are likely to come sooner rather than later, and Shar's tendency to discard her most powerful, loyal and favoured servants on a whim is well known - for all should experience the loss.
When addressing each other, Darshars address equal and lower ranks as "Brother/Sister/Sibling Night," and their superiors as "Mother/Father Night."
Novices of the faith are called Adepts of the Night. Full priests are Watchers. Hands of Shar have proven themselves in battle, and are placed in charge of several cells. A Darklord or Darklady is a region's senior priest, and sets policy for the church in their area. Nightseers oversee the activities of all Sharrans in a realm (a country). The Flames of Darkness are the highest ranking priests, answering directly to Shar. The standard training of the clergy usually shows, mechanically, through multiclassing as a rogue.
To become a Darshar, each priest much prove themselves by committing some terrible deed or other in Shar's name, after which the goddess will bestow a new name upon them. The nature of the deed and the name is called one's Own Secret.
Unlike lay worshippers, clergy are permitted to seek wealth and power, although it comes with the awareness that these things will not last. "If she uses [powerful individuals] as her tools now, there will come a day when she destroys them utterly, in favor of someone much weaker and very different. For that is the way of Shar. In her words, “Out of the darkness we all come, and to the darkness we all return. Some swifter than others, and many not swiftly enough.”
The senior clergy preach of Shar's "Dark Reward" - the raising of a dead Sharran as undead under the control of the clergy. Typically mindless undead such as zombies and skeletons. If Shar prizes the fallen individual's skills enough then she will actually resurrect them fully, augmented with her power. Such priests are the Shadowed, who have abilities such as turning invisible or into mist. They always bear a mark of Shar's corruption however; their eyes - including the sclera - are pitch black, and they can speak only in hoarse, cold whispers. One of their hands gnarls into a black talon. The rest of her priesthood views them with terror.
Darshars keep their hair long in homage to Shar (whose long hair is iconic). It's usually kept under a black skullcap, but women with naturally dark hair are permitted to forgo the cap because their hair is considered sacred to Shar. Black and purple are worn extensively, as are full body black cloaks and robes.
The black cloaks are called nightcloaks, which are enchanted to enable flight and mute ambient sound when the wearer wills it.
At night, some clergy let their hair down and walk the night, wearing nothing but their nightcloaks and their hair. They leave no barriers between themselves and the darkness that is their goddess.
Some priests wear enchanted wigs, woven into braids that can move and carry things (such as daggers), much like Shar's own hair is said to be animate.
Clerics who disappoint Shar/their superiors are forced to undergo thei penance surrounded by light - "the darkness if for those who deserve it."
Darshars are tasked with making society as miserable to live in as possible, so that more will feel loss and be brought into Shar's Embrace seeking peace. They corrupt the powerful, kill those who can't be corrupted and ferment rebellion, and murder people whose work is improving people's lives. They support thieves guilds and criminal organisations that make civilisation more unsafe and untrustworthy. They do generally avoid war and mass bloodshed, however. Shar requires converts/cattle, and it's hard to do that when they're all dead. Also murdering Selûnites and destroying their bases of worship wherever you can; can't forget that.
When a Darshar commits a murder, they are to ensure that the victim is aware that they died in Shar's name. Provided that this murder isn't being committed to foment strife and chaos by pinning it on somebody else, the Darshar will write Shar's name somewhere nearby with the victim's blood.
They're also to help others avenge slights, and publicise such stories, so that the desperate will turn to the Night Church for justice and vengeance and they do their best to present themselves as the superior option to the god of vengeance, Hoar.
They are to do all of this in utter secrecy, it should never be obvious to others who and what is behind these events. Often Sharran cells will found secret, non-Sharran cabals to do their dirty work for them. Hiring adventurers to commit crimes for them is another way. In order to form these cabals, Sharrans often run secret societies, hedonistic social clubs and false cults. They also maintain ties thieves guilds
Unlike the churches of other evil deities, the Night Church is often outlawed simply because they fundamentally won't stop disrupting society. Occasionally, the church will agree to follow the laws and keep their destruction of people's mental health to manageable, more one-on-one levels, and are allowed to build temples and worship. They have such a temple in Silverymoon, which must begrudgingly co-exist in public with the Selûnites there. Sharran worship is also open in Calaunt, Mulmaster, Scornubel, Sembia and Westgate.
Generally speaking though, the church is happier to remain underground where they can do the work they truly "need" to. The Night Church is explicitly illegal in Waterdeep, Baldur's Gate, Amn, and the entirety of the Dales and Cormyr.
They have a complex hierarchy; they work in cells, and every member has a direct superior they answer to. Multiple cells may be active in the area, and while they may know each other and sometimes lend aid, they don't work together or maintain connections to prevent attempts to crack down on Sharran activity from taking down every cell in the area. Nobody knows the true name of their co-conspirators or their leaders, and many of them die in their attempts to subvert society (getting executed for their crimes is a common way to go).
There are no holy days on the Sharran calendar, except for the Feast of the Moon, which they call the Rising of the Dark. Sharrans gather together for a blood sacrifice, and the lay worshippers are told of the plots and aims they are expected to aid in the coming winter.
The most important daily ritual is Nightfall, held every night. There is a brief payer, sometimes in the form of a ritual dance and sometimes involving a sermon. There is a feast and everybody begins dancing (or joins in, if one already started). If one cannot attend group prayer, then the worshipper must dance alone in Shar's honour, wherever they are. Lay worshippers must also either perform a crime or act of cruelty or report one to the congregation. Nights where the moon is not visible are called the Coming of the Lady and the entire congregation is set to task carrying out acts of vengeance and cruelty in Shar's name.
The Kiss of the Lady is the most important ritual, traditionally declared at the whims of the leading priests in the Temple of Old Night in Calimport (Old Night is the oldest of Shar's temples, built in -373 DR). Shar's worshippers engage in a night-long revel of murder, chaos, horror and cruelty ending in a celebratory feast at daybreak.
Representations of Shar in religious art (typically found in temples) show either a black sphere outlined in magically animated purple flames; or depict her as a smiling human woman with sweeping raven-black hair dressed in swirling black clothes. Her eyes are large, with the irises and sclera being solid purple around black pupils. Her temples are usually built under what appear to be legitimate businesses or private residences.
Those of the clergy chosen by Shar to serve her personally are the Nightcloaks, also called Nightbringers.
They can create supernatural darkness in their surroundings that extinguishes all light
Cause temporary light blindness in others
Erase the memories of the last few minutes from the minds of those around them
Cause nightmares
They can conjure doors made of pure darkness and step through, which makes them seem to have teleported (although they've only turned invisible)
They can cast a veil of illusion magic over their surroundings, making them appear totally different (tailored to whatever the priest wants them to look like)
They are a tiny bit more powerful, physically, while in the darkness, but are a tiny bit weaker when standing in the light of a full moon.
They can wrap darkness around themselves, or another, which fully obscures their features and serves as a minor form of armour (including against magic and psionics). They can see perfectly through the darkness, but effects that require eye-contact can't affect them. If cast on an undead being then they're immune to a cleric's turning ability.
They can create a whip of flickering darkness. The strike of the whip does damage and has the same effect as turning on Undead struck. Contact causes pain so unbearable it may cause seizures. The whip passes through inanimate matter harmlessly, and can't be used to tie people up.
Darkness can be moulded into something vaguely human-shaped under the control of the priest. It levitates in the air and suffocates all sources of light it touches. The priest can vaguely "see" through it if they choose.
They can fire a beam of pure darkness from their outstretched hand, which passes through inanimate matter and non-living beings but causes suffocating cold and pain to the living it strikes. The target it overwhelmed, and struck with a supernatural silencing effect for up to four minutes.
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The Lady of Loss is a Neutral Evil deity, and her domain has been in different places over the years. Originally her realm, the Palace of Loss, resided in the Grey Wastes of Hades and later moved into the Plane of Shadow (aka the Shadowfell) where it was known as the Palace of Night. After the Plane of Shadow moved closer to the material world during the Spellplague she moved to the Tower of Night, which was in the Astral Plane. Considering that 5e has mostly reversed all of 4e's changes, she has presumably returned to the Palace situated in either the Shadowfell or the Grey Wastes.
Shar is described as a "deeply twisted and perverse being of endless petty hatred and jealousy. [...] She revels in the concealed, in that which is hidden, never to be revealed."
Shar is omnipresent, she is the darkness and she is everywhere. She is aware of every single person, object and action that takes place in the darkness.
Another deity, Ibrandul god of caverns, the Underdark and other dark places within the earth. She felt that this was encroaching on her turf, and she murdered him for the offense and took his portfolio and his worshippers during the Time of Troubles. Most of his followers were unaware of this, because Shar enjoys deception and simply presented herself to them as Ibrandul. She usually used them to attack Selûne's followers without drawing attention to her main church. (As of the Second Sundering Ibrandul is... probably alive again, but for all anyone knows it's still Shar pretending to be him)
Shar has two avatars:
The first is the Nightsinger: a 12ft tall woman wearing a mask made of the feathers of every type, trailing away into the cowl of her cloak. The cloak becomes increasingly intangible as it merges into the nearby darkness. She is constantly singing softly, even when she speaks, and her song feels hauntingly beautiful - and engenders a feelings of tragedy and grief. She can manifest supernatural darkness in her surroundings at will. Her song drains away memory and experience (in mechanics, she drains character levels and inflict the feeblemind spell). Listening to it may cause one to experience an unearthly chill (which inflicts cold damage) and can even cause listeners to drop dead on the spot. -
As the Dark Dancer Shar stands at 7ft tall, and appears as though the night sky has been moulded into the shape of a human woman. Her skin is jet black and glitters with stars. Her eyes are just as dark, and her gaze is both hypnotic and capable of enchanting those who meet it. If she kisses a mortal she places a magical compulsion on them - if they surrender to it they will become her loyal servant, and if they chose to resist the spell will kill them (this is an active choice for the victim - surrender or die). The spell can only be removed by rewriting reality with a wish spell so that it never happened, and the victim is fully prepared to die for Shar.
Shar's hair is prehensile, and moves at her bidding while ignoring the laws of physics (gravity and the wind are irrelevant). She hisses and speaks softly, never raising her voice, even in anger.
Her lesser manifestations involve tendrils of pitch darkness forming where they shouldn't be able to. They writhe, curl and swirl in constant movement, and a nimbus of glowing purple surrounds them. Sometimes one can see a glowing purple eye at the heart of the dark staring at them, but even when the eye isn't visible one can feel a presence within the darkness watching. In some stories, the darkness that blankets the world is described as Shar's hair falling over it. Presumably these are the individual strands. When a tendril touches one of her followers she can transmit her thoughts into their head - sometimes these are instructions or advice, and sometimes she reaches into their minds and numbs their ability to feel pain. She never heals their physical injuries, only allows them to ignore their suffering until they succeed or collapse/drop dead from the damage.
Her messengers take the form of these tentacles and other, more alien, shadow monsters.
Another fun manifestation Shar enjoys is severed human heads that fly through the darkness at night. They fly silently through the darkness, and Shar sees through their eyes, hears through their ears and occasionally speaks through them.
Shar hates all the other gods (especially her sister, and the sun god Lathander (and Amaunator before him)). She has tolerated an alliance with Myrkul, worked with Cyric to cause chaos, and Talona plays the sycophant to her in the hopes that Shar will help her kill Loviatar one day.
In response to the formation of Mystryl's Weave, during the early days of creation, Shar studied it for a while, eventually creating her own form of it - the Shadow Weave (called the Dark Lady's Weave by her followers). Where the Weave forms the tapestry of reality, the Shadow Weave fills the negative space of nonexistence between the gaps. To utilise her Weave "safely", one must be a follower of Shar or have their patron deity request her permission on their behalf. One deity she works with frequently in "lending" her Weave is the drow god Vhaeraun. One who attempts to use the Shadow Weave without her permission will lose part of themself - and it's already pretty good at having horrible side effects and destroying your sanity. It works well for spells that corrupt, destroy, drain life and smother the senses, but is less useful for effects that create.
Shar hopes to kill Mystra and supplant the original Weave so that she will be the only source of power for mages on Toril. Unlike Mystra, she places no restrictions on its use.
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Shar and Selûne were twin halves of the primordial Two-Faced Goddess born shortly after the birth of the universe. There was no time or space, only a void containing themselves, the Overgod Ao, and shadowy beings known as the Shadevari.
Together they created the planetary bodies of the solar system, including the Earthmother, Chauntea.
When Chauntea begged for warmth to nurture life upon her, the Two-Faced goddess experienced conflicting desire for the first time. Selûne was willing to grant the Earthmother her wish, but for Shar, the very concept was a horrifying antithesis to her very being.
The argument between the two spawned the concepts (and gods) of destruction; such as war, disease and death/murder. Eventually, Selûne reached into the Elemental Plane of Fire and drew a portion of it into Realmspace, and fashioned it into the sun - a process that burned her.
Shar's rage doubled, and she began to snuff out every light she could find in the universe, causing Selûne to tear out a part of her own essence and fashion it into a weapon that she threw at Shar in defence of the new-born life of Realmspace. This portion of Selûne passed through Shar and formed itself into the Weave - the goddess Mystryl (who would one day be called Mystra). Mystryl sided with Selûne, and Shar was forced to concede bitter defeat now that she was utterly outnumbered, and swore revenge against all of them.
Shar retreated into the dark to recover, and found allies amongst the Shadevari, who also shared her resentment at having light and life brought into the previously dark and silent universe.
This battle has left Selûne permanently weakened, and her strength waxes and wanes much like the phases of the moon. The two sisters continue their argument - and Shar is boldest when her sister is at her weakest.
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leemontoast · 4 months
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Ok but it is the funniest shit ever to me that everyone is like oh no we are gonna have to start everything building from scratch again and Fit and Ramon(and probably inevitably Pac and maybe Richas too) have an entire fucking castle
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bidokja · 1 year
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#mine#ask#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
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spartalabouche · 1 year
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hilacopter · 28 days
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I'll admit I didn't know who this Mike Pollock guy was until now as I've never really been a Sonic fan, but seeing Hamas stans piss and shit themselves over him literally just acknowledging and wanting the return of the Israeli hostages, not saying anything anti-Palestine, has been strangely cathartic, if a bit infuriating. Like they'll throw a temper tantrum over a Jew that's not even a Zionist wishing for abducted innocent civilians to return home safely, meanwhile I see the third person this week who turns out to want me dead for being born here and just go "damn, another one to the pile.". Like I've seen his responses in the twitter thread and his stance seems to be peaceful and humanitarian. But nooooooo he's actually an (((evil Zionist))) because he... wants for both sides to live in peace instead of for Israelis to be murdered for existing. Ok but also the reason I'm making this post is because it's because of this I found out Mike Pollock is the voice actor for Greg from Ratatoing, a character I've been ironically obsessing over for ages and now will probably do so even more.
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fritzes · 2 months
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Player Questions | Taylor Fritz
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maironsbigboobs · 8 months
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re: elf servants
I think generally there are servants in royal/noble households simply for practical reasons and they generally fall into 2 categories: specialised servants (think, stewards and messengers and scribes, masters of horses or kennels, that kind of thing) and servants who help with the upkeep of the household (cleaning, repairs, cooking and also the apprentices and assistants of specialised servants)
specialised servants are probably quite prestigious roles and fields of industry in their own right, and they are considered full members of a household, and probably are closely linked to the person they serve - it's as much a political and social statement to be Finwe's chief scribe as it is an economic one
but the second category are more associated with the house than the family living in it - for example, Finwe's palace in Tirion would function both as a home and a diplomatic and administrative centre, it would be impossible for him to rule and keep up with chores himself. But Fingolfin's personal home would probably not have any full-time servants - when there more people than usual to feed or house then professionals might be hired, but for the most part I imagine the day to day is done by the family (made possible by the fact elves sleep and eat less than humans)
IRL domestic service (at least in the 18th century) often functioned as a kind of prep stage for adult life (for women in particular, but gender is probably not as big a factor for elves) and I could definitely see this in Valinor - domestic servants being 80% elves between 50-100 who haven't chosen an apprenticeship or similar in another field who are earning extra money to set up their own households, getting experience outside of the family, meeting others in their own ae cohort, learning independence etc. It's a job that comes with the offer of room and board + the wages a king/prince/lord can provide. Not glamorous, but not terrible.
The other 20% is made up of professional servants - experienced elves who are genuinely like the work and are contracted workers as much as a builder or gardener might be. Some of them might be independent and others part of businesses set up by other elves who are really into cooking/cleaning etc.
In Beleriand the situation (for the exiles at least) is probably very different, though I think there would be attempts to adapt the system - but there aren't as many households that need servants and there aren't as many young elves.
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