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Vintage Photos of Minorities in the Queer Community
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Because we aren't all able-bodied gay white guys!!
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Sunset and Moonrise
I had started this with the intention of more cloud petticoats but somehow it evolved into ocean waves, so I just went with the flow~
HD files, art videos, and PSD files on my Patreon.com/Yuumei
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Lost in the Pages
Between Two Tomes
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all sorts of echoes in these caverns
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Literally this was perfectly incapsulated by the "Who's Afraid of Red Yellow And Blue III" incident.
Before:
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After:
[Source: "Roller Controversy in Amsterdam: The Restoration of Modern Art." The New York Times]
"When a man with a grudge against abstract art attacked a canvas by the late American painter Barnett Newman in Amsterdam five years ago, he left long slashes a work entitled "Who's Afraid of Red, Yellow and Blue III?"
The assailant spent six months in jail.The painting went to a restorer in New York. Now, it is back in its place at the Stedelijk Museum in Amsterdam, where it is the focus of a heated debate among experts, many of whom disagree strongly with the way it was repaired.
According to the critics, the restorer, Daniel Goldreyer, merely covered the painting with red paint usinga roller. The canvas, 2.5 by 5.5 meters (about 8 by 17 feet),is red rectangle flanked by thin stripes of blue and yellow.The restoration cost 800,000 guilders (nearly $400,000), and some of the critics say any amateur could have done as well with a few hours' work and a pot of paint.....
.....One Dutch expert, Ijsbrand Hummelen, a member of a commission that examined the painting after the attack, said that Goldreyer, without consulting the museum, had overlaid acrylic paint onto Newman's original oils. He said the restoration had destroyed a shimmering, silky effect that the artist had achieved by the subtle juxtaposition of magenta and sienna, turningthe painting into a mere monochrome.
He also said the repair had violated the first rule of restoration in that it is not reversible and was not confined only to the damaged parts"
Basically a man who thought abstract art was worthless pretentious and dumb slashed huge long knife marks into this piece, because he thought it was worthless.
But when the restoration process was being addressed, it turned out that Barnett Newman, the original artist, had created his own completely unique pigment using egg whites and a special blend of pigments, that he was very secretive about. And he applied them using a unique brush technique that left no visible strokes. And this created incredibly subtle nuances and a silky effect to the painting that the restorer didn't even try to replicate.
He just patched the canvas and slapped a generic red paint over the whole thing and called it a day. Then he ghosted the art museum that commissioned him.
The value and depth and nuance of the red was completely lost and the acrylic paint used to paint over it might be completely irreversible.
This sparked a greater debate about the technique and creativity required to execute abstract art, and the general value it has.
Abstract art comes from somewhere and someone put time and thought into making it. Just because you don't understand doesn't mean that it doesn't have value and subtlely and beauty.
(Jacob Geller has a great video about this and he does a better job of explaining it than me )
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abstract and modern art haters are sooo snobby like klein literally Created an entirely new pigment and then painted a canvas in a way where the brush strokes wouldn't be visible. the insinuation that people with no skill could reproduce that is so annoying because unless you are skilled at color mixing and painting you definitely couldn’t lmao
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Did you know that there is a Toaster Museum????
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A hundred years ago this month, Buster Keaton pushed the magic of cinema to peaks it had not reached before with one of his greatest and most unmissable masterpieces, Sherlock Jr. (1924)
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So many summer fields
An ode to the passage of time.
“Running into the sun, but I’m running behind.”
- prints ! -
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Spring is the fucking greatest
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Arthouse Muppets
Art by Bruce McCorkindale
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For all my fellow name nerds out there, I am very pleased to present the second annual "Gloyd Roberson Memorial List of Actual Human Children Who Wrote Letters to Santa in 1920s/30s Oklahoma".
These aren’t all necessarily “weirder than Gloyd” but fall into three rough categories which I’ve dubbed: “that’s got a nice ring to it”, “if I used this in a novel it would be considered too unrealistic” and “you’ve got 5 seconds to name a character that lives in 1920s Oklahoma, GO!”:
Selvyn Atteberry
Dyer Banfield
Bert Baxter
Hilda Bender
Imogene Berry
Heloise Blakely
Burl Boyer
Clyda Pearl Boyington
Okal Brooks
Vada Jo Bricker
Deverett Brumley
Lee Roy Buck
Vivian May Burdue
Donnie Buster
Elmarie Button
Junior Buzzard
Melchor Caldex
Tycene Calhoun
Tiny Bell Callison
Dapalene Caywood
Edney Clopton
Buster Combs
Georgia Countryman
Vantruba Crockett
Alto Day
Buddie DeWayne
Violet Divine
Elwanda Downing
Cletys Durham
Thurlo Epps
Apple Fields
Floyd Fleetwood
Metherine Franklin
Ula Fay French
Wanda Jo Fronterhouse
Irline Fuller
Jack Gritzmaker
J. D. Grizzle
Billie Jean Gulley
Joline Hardcastle
Kaloolah Herrill
Thelias Hatfield
Elva Heavins
Coleman Hewlett
Helen Hillhouse
Virgil Holderby
Katymae Houston
Myree Huffstutlar
Estelline Hurrypack
Blondie Huhm
Lila Lou Jackson
Denver Jones
Vernell Lambert
Sonny Boy Lockart
Dinkey Long (autocorrect really wanted this to be Donkey Kong)
Bamma Lynn
Rep Madden
Standford Mann
Jack Mattingly
Goldia McGee
Madge Messinger
Mauzell Mullins
Jeffie Wayne Muskrat
Archibald Neighbors
Hazel Nickerson
Eulah Oakley
Lyle Oyler
Milburn Partain
Jackson Payne
Montana Phillips
Bobbie Dean Phoenix
Toots Putman
Madonna Mae Rickey
Cyprine Robertson
Juanelle Schneeberger
Billie Jean Sparks
Texanna Smith
Pansy Stetson
Patsy Ruth Stubblefield
Eldon Sweezy
Hoy Trotter
Pearl Vandorien
Leland Weems
Joe Bob West
Wayness Whitely
Buster Wyatt
John Ira Youngblood
Domby Zinn
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Another selection of some of the better names I've come across in Regency era newspapers recently.
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Art by Clément Blum
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