#yuh yuh | Explore Tumblr Posts and Blogs

defectivevillain · 8 months

Text

this broken design, ch12

pairing: Hannibal Lecter/Reader

summary: “Dr. Lecter?” You blink a few times, convinced that you’re dreaming. The man’s gleaming eyes and concerned expression seem a bit too realistic to be conjured by your sleeping mind, though. You’re not sure if you’ve ever seen him look worried. You quickly decide that you don’t like it.

“Hannibal, please,” the doctor responds nonchalantly. You stare at him in utter confusion. Just what is happening right now? You thought you were dreaming, but this feels a bit too vivid. “What are you doing out here?”

read from the beginning here.

ao3 version | Spotify playlist

warnings: canon-typical cannibalism, violence, blood & gore

Hannibal eyes the clock on the wall. It’s nearly 8:00 p.m.—approximately the time that you should be showing up for your appointment. In the time Hannibal has known you, you’ve never been late to an appointment.

It’s not like this is the first time a client has missed an appointment. It happens a lot, especially within the practice of psychiatry and psychology. Events occur, people contact sudden ailments or forget commitments… It happens. Yet, this has never happened with you before. If the client were anyone else, Hannibal would resign to sitting at his desk and sketching until the patient showed up or twenty minutes passed—whichever came first. An absence has never bothered him before, yet when he glances over at the chair across from him, he can find no better word for the sentiment. Absence.

The clock’s hand shows no mercy. It spins mockingly from its brass confines, creating a subtle ticking sound that embeds itself into Hannibal’s very skin. He doesn’t understand this strange prickling feeling, this restlessness that eats at him from the inside.

For a fraction of a moment, he hears the telltale movement of someone’s hand turning the doorknob to his office. Hannibal walks over to the door and opens it, only to find nothing on the other side. There is no one sitting in the lobby—nothing waiting for him save for the foreign feeling of dread he seems to be accruing.

Hannibal spends the rest of the night resolutely refusing to read into your absence. It is a human’s nature to forget—you likely forgot to attend. He will follow up with a phone call tomorrow. You could have gotten called onto an assignment, too. Indeed, there are a multitude of rational explanations for your absence. Hannibal spends the rest of the night rifling through them in his mind, before firmly compartmentalizing any thoughts about you.

The next day, he calls you again. You do not respond. Foreboding threatens to trickle into his psyche, but Hannibal pushes it away insistently. You are fine. You are likely busy with work, busy sleeping, merely… busy. Hannibal immerses himself into the sessions with his clients that day, pretending that he isn’t avoiding the unshakeable facts staring him straight in the face. You’ve never missed a session. You always answer your phone.

He begins to grow accustomed to your voicemail message, to hearing the tranquility in your voice as you kindly tell him to leave his name and phone number after the tone. Days slip through Hannibal’s fingers and there is absolutely no sign of you.

Something must be wrong, because Hannibal is soon summoned to the Bureau. Once he arrives, he realizes that he very well could have been the last person to see you. Hannibal cooperates with Jack Crawford’s insistent questioning and pretends not to notice the man’s evident annoyance at the utter lack of information about your whereabouts. Hannibal isn’t your keeper, and he tells Jack as much. Jack doesn’t take too kindly to the remark, however, and he elects to murmur under his breath in the corner of the room. Hannibal folds his hands in his lap and pretends not to be amused by all the fanfare. Amusement is far preferable to any other foreign, forbidden feeling clawing at the unmarred carcass under his skin.

At some point, Jack steps away to take a phone call. Hannibal waits, with nothing but the insistent rhythm of the clock on the wall to accompany him. Before long, Crawford returns with a grim expression on his face.

“I have some news you may want to hear,” Jack tells him. His lips are pinched and there’s an unreadable emotion lingering in his eyes.

“Yes?” Hannibal asks. He already knows what he will hear. Indeed, he hears your name fall from Jack’s lips, with that tortured expression on his face—and he knows. Hannibal gets bits and pieces of the rest—Abel Gideon, abandoned residence outside Baltimore, a kidnapping.

Somehow, there is little discussion about what will be done next. Jack regards him for a moment, before evidently deciding that his presence will be useful. Jack simply nods and turns on his heel, ever the leader. Hannibal follows, mildly surprised by the show of trust. He isn’t very close with Jack—has only invited him to his residence a few times for dinner. He sees value in having Jack as an acquaintance—another chess piece—and therefore quells his pride and follows after him.

“Right under our noses, this whole damn time,” Jack sighs once they’re comfortably situated in the helicopter. The man’s jaw is clenched tightly. Hannibal recognizes that he doesn’t want to talk about it. He asks for details anyway. Crawford then recounts the phone conversation he had with you all those days ago. A maelstrom of irritation, amusement, and something far darker rages inside Hannibal’s mind palace. The ivory walls are crumbling and peeling. Dust falls from the ceiling every few seconds, coating neglected surfaces with more memories. He clenches his fist at his side, annoyed with the onslaught of feelings he had thought long buried. Hannibal can’t remember the last time he’s felt so…bored. Unfulfilled.

They arrive soon enough and far too late all the same. The helicopter lands in a grassy field, across from a nondescript house that almost appears to be molding and decaying at the seams. Jack is quick to run to the front door, which has already been thrown ajar by the agents that must have arrived before them. Hannibal follows the man, turning the corner to find a dilapidated dining room. Wallpaper crumbles and falls from the walls, coating the floor in a truly unsightly amount of dust and debris. The room reeks of decay and death. Truly, the only indication that the room is meant for meals is the delicate, purposeful organization of plates and silverware near each seat. All the chairs are empty. As Hannibal blinks, he realizes he can see what the killer saw: a full table, listening with rapt attention and hanging off his every word. The head of the table is the puppetmaster, content to watch as everyone trips over themselves to earn his favor. Hannibal understands the vision, but the execution is rather lacking. His eyes travel from the table to the chair at the other head of the table with frayed ropes attached to the arms.

Jack suddenly bursts into movement at his side, moving towards a figure collapsed against the far wall. It seems Jack Crawford only has eyes for his agent. Hannibal, on the other hand, finds his gaze searching for the one presence that is currently unaccounted for. Gideon was here; he’s dead now—at least, according to Jack. Hannibal warily walks through the hall before he stops in his tracks. Abel Gideon lies dead in the hallway, a bullet wound carving a neat path through the center of his temple. Blood colors the wooden flooring near him. The weapon is nowhere in sight. It doesn’t take long for Hannibal to comprehend what happened here.

You escaped from your bindings. Chilton and Lounds were present, too. In an effort to keep them out of the crossfire, you stumbled back into the hallway. It’s a rather long passageway with several doors on each side—apt for concealment. Perhaps you stumbled into the closet on the right wall, or the tiny bathroom on the left wall, and hid as Gideon trailed you. Perhaps you stood there silently—a hand over your mouth as you tried to stifle your breathing. You only had a dagger; you knew that stealth and speed were your only advantages. As Gideon passed, you jumped out and stabbed the back of his neck. There’s a smattering of blood on the floor a few feet from Gideon’s corpse. You two brawled. Gideon, overcome with fury at your insolence, clasped his burly hands around your neck and squeezed. You managed to break free of his grip by stabbing him in the eye. You picked up the gun as he dropped it and fired it at his temple. A clean shot.

Your dagger lies in the crimson puddle of Gideon’s blood. Hannibal feels himself reaching out to grab it before he can rationalize the urge to do so. He’s taken by way droplets of blood slowly slip down the weapon, catching the light briefly before falling down to stain the floor. He manages to suppress the unexplained urge.

Jack’s voice draws him out of his thoughts. Hannibal remembers himself and turns his back on Gideon’s corpse, before walking to the dining room. He finds himself thrown into sheer chaos. Freddie Lounds is being questioned by a few agents. More agents are huddled around a dining chair on the ground. Hannibal takes another step forward and realizes that they’re surrounding Chilton, who is unconscious and mutilated. He is in a rather dire state, yet the sight of his mangled face only incites indifference within Hannibal. It’s laughably easy to conceive what happened there: Gideon’s grudge against Chilton prompted him to kidnap the man and mutilate him. The man had no intention of killing Chilton. Why would Gideon kill him, if he could instead ensure that Chilton lived as a mangled mess of limbs and skin in constant pain?

Hannibal then looks over to the wall, where he finds Jack kneeling and speaking to someone. It’s you, he realizes. You’re on the ground, holding a hand to your side. You’re shaking and shivering, a glassy glaze over your eyes as you stare at Jack. Your hands are drenched in blood and your clothes are bloodstained. There are several markings developing near your neck—evidently from your scuffle with Gideon. You look frail—vulnerable in a manner Hannibal has never quite associated with you. Hannibal feels himself walking toward you before he can take another breath. He mimics Jack’s posture and glances at him. The department head looks uncharacteristically troubled. Hannibal wonders if the rumors of his favoritism for you are somewhat founded.

There’s a scar ripping down the left side of your face, spilling bloodied tears down your cheek. It’s a gruesome sight—clearly performed to anger him—yet all Hannibal can fear is a strange sense of reverence. You look like a painting, a textured canvas brought to life in vivid colors. There are lacerations on your wrists from the ropes that kept you bound to your seat at the dining table. Horribly rude, Hannibal thinks. It is much more gratifying to entertain willing dinner guests. Evidently, Gideon didn’t fully grasp that notion.

Within moments, the paramedics enter the scene. Hannibal follows the medic who is currently carrying you. Jack nods at him—a symbol of approval and reassurance. Hannibal nods in response, knowing what the man is trying to convey with the slightest gesture. Crawford is the head of the BAU—he’s needed elsewhere. Hannibal meets the paramedics in the driveway and they move you onto a stretcher. You’re wheeled into the ambulance. Hannibal finds himself faced with the paramedics’ questions: who you are, if you have allergies, what wounds you’ve acquired. He answers to the best of his ability and, with a subtle mention of his past as a surgeon, he’s allowed to accompany you in the back of the ambulance.

As the ambulance speeds down the road, Hannibal reflects. Something about you eludes him, and he can’t quite figure out what it is. He wants to wind you up and see what makes you tick. Through your sessions, he’s built a rudimentary understanding of you. But… he wants more.Hannibal wants to know everything about you. You’re special. He’s met with dozens of clients throughout his years as a psychiatrist, but none of them have stimulated his mind as much as you have.

You’re sharp. You’re never lost in his extended metaphors or hyper-specific references to the arts or academia; rather, you easily understand them and see directly past them to the root of his psyche. The thought provokes an equal amount of exhilaration and wariness within him. You look at him and you see him. You don’t see Hannibal Lecter, the well-read surgeon or Hannibal Lecter, the Chesapeake Ripper—although he feels you’re clever enough to have had a fleeting suspicion of him before. Your organic, effortless insight into his perspective is something Hannibal has been entirely unable to find anywhere else.

Perhaps that is why Hannibal finds himself lingering in your hospital room, waiting for you to wake. The chair at your bedside has become his seat; even when you have other visitors, that chair is always left alone. He stays long enough to learn which nurses care for you during different shifts. He stays long enough to fall asleep with his hand resting on the mattress next to you.

You’re still unconscious after a few days. Hannibal knows you must be in significant distress; he wonders if you unintentionally exacerbated your injuries during the fight. Your adrenaline must have been pumping—otherwise, he can’t quite conceptualize how you escaped with your life. Hannibal knows you’re a force to be reckoned with, but to his knowledge, Abel Gideon was, too. He supposes he is pleased with how things turned out—Gideon would have grown rather annoying. Judging from the scar on your face, Gideon wanted to confront Hannibal himself. It would have been a waste of time. Abel Gideon is far from the ideal prey; in fact, the ideal prey is now unconscious in a hospital bed next to him: you.

Hannibal finds himself unable to dismiss such an opportunity. You aren’t getting too many visitors these days, since you still haven’t woken up. Hannibal reckons he has a few days before you’ll wake. That’s more than enough time to kill a nurse, take their scrubs, and enter your room unencumbered. Frighteningly easy, really.

Perhaps that opportunity is why Hannibal finds himself looming over you in someone else’s skin, reaching for the scalpel to cut you open. Security around the hospital is laughably lackluster—Hannibal reckons he didn’t have to go to such lengths to conceal himself. Even so, he doesn’t intend to go to prison any time soon. Captivity would be a horrible bore.

Your wound’s location is far too convenient, Hannibal thinks to himself as he removes your sutures. Surely, it would be foolish not to capitalize on it. With that recognition lingering in his mind, he pushes the scalpel to your skin and allows his vision to be flooded with the sight of skin, tissue, blood. His gloved hands move with practiced precision. He’s first greeted with the mesentery, which briefly impedes his access to the meat. The small intestine also serves as a momentary obstacle. Finally, after some manipulation, Hannibal finds the tube he’s looking for—the ureter—and removes a portion of it to free the kidney. His right hand almost moves on its own, reaching down and yanking at the organ. Hannibal puts your kidney in cold storage and then moves to stitch your skin back together. By the time he’s finished, your wound looks exactly the same as before.

He stares down at you, before taking a slow breath in. That process was laughably easy. When you wake, you will feel pain—but that pain will be easily attributed to the gunshot wound. The nurses already performed blood tests in the days prior. With your normal functioning, it is very unlikely that the medics will order more tests. You likely won’t even wake within the next day or two. By then, Hannibal will have returned to his residence and feasted on the meal you provided him. Meanwhile, you will be reclined in your hospital bed, feeling none the wiser. The thought sends a thrill down his spine and shivers down his skin. Hannibal can already envision the dish he’ll make: deviled kidney on toast. The dish is traditionally associated with breakfast, but Hannibal will likely eat it for supper. He has a loaf of fresh-baked panettone bread, which will pair beautifully with the flavors of the meat. He feels the insides of his cheeks stinging with salivation as he walks out of the hospital and leaves the receptionist with an amiable departing remark.

Hours later, he sits at the head of his dining table with a beautifully constructed meal in front of him. Hannibal almost doesn’t want to consume it. It is truly a vision to behold. Hannibal gives himself a few moments to breathe it all in, before finally picking up his fork and letting it pierce the meat. The sauce coating the kidney dribbles from the piece on his utensil. Hannibal brings you to his tongue, his lips twisting in a morbid, macabre mockery of a smile.

next chapter

Thank you to my bestest friend and #1 Pinocchio simp, @pinocchiospissrock, for helping me with the medical stuff. I’m not the least bit knowledgeable about medical stuff, so if there are any remaining inconsistencies, they are absolutely my fault and I urge you to blink at them for a moment before moving on. Lol.

Some small lil details: Apparently, panettone bread is rather difficult to make, since the dough is very sensitive and the entire baking process is time-consuming. It made perfect sense to me, therefore, that Hannibal would both have a loaf on-hand and also display absolutely no struggles with the baking process, in true mysterious Hannibal fashion.

I used a lot of alliteration in this chapter, yes. You can rip it from my cold, dead hands.

“Looming over you in someone else’s skin” is more of a reference to Hannibal wearing someone else’s clothes. However, in Silence of the Lambs, Hannibal does actually wear someone’s skin, so… take that as you will.

“Hannibal brings you to his tongue” okay, buddy, take me on a date first. sheesh.

and we finally we got to some more cannibalism. *maniacal laughter escalates*

taglist (comment if you'd like to be added/removed): @its-ares @tobbotobbs @xrisdoesntexist @gr1mmac3 @tiredstarcerberuslamb @yourlocalratwriter @kingkoku @kahuunknown @atlas-king1 @pendragon-writes @slipknotcentury @cryinersaved @the-ultimate-librarian

#defectivevillain #hannibal #hannibal nbc #hannibal lecter #Hannibal Lecter x reader #Hannibal Lecter x male reader #Hannibal Lecter x gn reader #hannibal x reader #yuh yuh #Hannibal x gn reader #hannibal x male reader #u get the idea #wanna cover all the bases

159 notes · View notes

sezginer35 · 3 months

Text

İyi akşamlar canlar...

youtube

#yuh yuh #Youtube

58 notes · View notes

defectivehero · 11 months

Text

“They’re fashioning you into a weapon and you can’t even see it,” the villain remarks loftily at the hero’s turned back. The hero doesn’t even flinch and it annoys the villain more than they’d like to admit. Instead, their adversary remains staring out at the horizon. The villain rolls their eyes and comes up to stand next to them. They miss the days when their enemy would wince and scramble away from them in fear—they miss when the hero was lively. Now, they seem to be a husk of their former self.

“Oh, I am more than aware of that, trust me,” the hero eventually scoffs, crossing their arms over their chest defensively. The villain chances a sidelong glance at them, only to find that their rival is still gazing out at the horizon.

“I don't understand,” they remark, squinting at their enemy. “How can you be comfortable with that, with how they treat you?” The villain has always felt a strange sort of kinship with this particular hero—they both have similar superpowers and grew up in rather gruesome environments. The villain has long given up on wishing the hero joined them. They’re not sure what they wish for the hero, anymore. Perhaps they just want the light to return to their enemy’s eyes.

“We’re all monsters,” the hero says with a casual shrug unbefitting of the statement. The villain sucks in a sharp breath at the resignation that seems to roll off their enemy’s body. “It doesn’t matter.”

“It doesn't matter?” The villain can’t help but snap. Their fingers clutch at the railing of the building with renewed fervor. “Have you heard the whispers, the rumors? Surely you see the fear in their eyes. Do you understand-?”

“What do you suggest?” The hero interjects, finally turning to look at them and meet their eyes. The villain nearly recoils at the dark circles under the hero’s eyes, the grief written in the tight lines of their foe’s shoulders. “Should I switch sides, perhaps? You know that won’t change a damn thing. This way, I'm at least on the winning team.”

“It’s more than that-” The villain tries to say, only to be interrupted once more.

“No,” the hero laughs disbelievingly, shaking their head. “It isn’t. I think you’re the one that doesn’t understand. People like me, we don’t have the luxury of choosing when and where we’re wanted. Hell, we’re never wanted. We just go where we’re least feared—where we’ll at least be regarded with some semblance of humanity.”

“Even when that same humanity only regards you with fear and disgust?” The villain questions, despite already knowing the answer they’ll hear. The hero nods silently. This time, it’s the villain’s turn to look out at the horizon with an indiscernible expression. They can’t quite find the words to say. “That's a sad fate.”

“Of course it is,” the hero acquiesces, biting their lip. The villain isn’t sure why their chest feels so tight at the sight, why their breaths are suddenly much harder to come by. “Doesn't mean I can change it,”

“Have you ever considered... not taking a side at all?” The villain remarks. “Just because you have superpowers... doesn’t mean you’re automatically responsible for protecting or destroying the city.” Regardless of what hero agencies might tell you, the villain thinks loathingly. They themselves were nearly taken in with that kind of rhetoric, all those years ago.

“I never thought of it like that,” the hero admits.

“Of course you haven’t,” the villain sighs, hoping their voice sounds closer to irritation than the fond exasperation they’re feeling. “You’re so committed to torturing yourself, you know that?...You seem to think this is about choosing the lesser of two evils. Why choose at all?”

“Why choose at all, indeed,” the hero repeats, staring at them with an enlightened expression. The light is slowly starting to return to their eyes. There’s an easy grin on their face and it robs the breath from the villain’s chest. The hero reaches out and it takes every ounce of restraint the villain possesses not to flinch. Thankfully, the hero simply puts a hand on their shoulder. “Thanks. You’ve left me with a lot to think about.”

“Don’t hurt yourself,” the villain says with a smirk. “I know your mind might not be capable of all that free thought.” It’s incredibly amusing to see the carefree expression on the hero’s face morph into indignation.

“Shut up.” The hero rolls their eyes, their hand falling from the villain’s shoulder. The villain watches as their enemy turns around and walks away. The hero’s shoulders already look looser. The villain waits until they’re far enough away to smile to themselves.

reblogs are welcome <3

endnotes below

this was a fun snippet to write. I like the idea of a villain being the one to convince the hero that life is about more than conflict. typically, I see interactions like that being the other way around, so I thought I’d flip the script.

thanks for reading, everyone!

TAG LIST <3: @lateuplight @wit-is-wisdom @greengableswriting @whump-me-all-night-long @noawhite @rekhyt-of-arcadia @the-blind-one-speaks @sufferfictionalcharacters @basically-psyduck @alexkolax @subval01 @emerald-blade @felicia609 @surplus-of-sarcasm @ilickedanenvelopeandilikedit @a-chaotic-gremlin @unknownogre @prompt-fills-and-writing-spills @whatwhumpcomments @excusemeasibangmyheadonawall

click here if you’d like to be on/off the tag list!

177 notes · View notes

markdelonge · 2 years

Text

“ secrets ”

note before i start writing: this could either be the cutest thing ive ever written or a disaster im shaking from how nervous i am.

...

request?: yes

pairing: jimmy smith jr. x female!reader

contains: fluff, horrible writing.

summary: jimmy takes y/n to meet his little sister!

...

"Jimmy, are you sure about this?" You chewed your lip as you spoke to your boyfriend of one year now.

"Yes, baby, I swear she's gonna love you." He assured. You could hear the voice of his little sister singing in the background, your stomach flipped from how nervous you were before you took a deep breath.

"Okay, Rabbit." You continued chewing on your lip.

"Do you know when you'll be here?"

"Uhhh, we're leaving now but it depends on how long it takes the car to start but I'd say 15 to 30 minutes." He replied.

You noticed if you were to stay in bed any longer that you wouldn't be ready when they'd show up.

You lazily rolled out of bed and stretched before you decided to end the call with Jimmy

"Alright, baby" You started but was cut off by a yawn

"I'll see you when you get here, I have to get ready" You finished.

"Okay, I'll see you soon. I love you." He said and your heart completely melted. Although you guys say 'I love you' on a regular basis, it still warms your heart every time.

"I love you too, Jimmy" You smiled.

The call ended as you walked out your small bedroom and walked into the bathroom not too far from your room.

You decided not to do too much with make up or hair so you still had time when you were done getting ready.

You sat on the couch and turned on the TV, flipping through the channels aimlessly, not having an idea on what you wanted to watch.

Thankfully, minutes later, you heard 3 knocks on the door, the state of boredom leaving you as the anxiety built up once again.

"Fuck, fuck, fuck, fuck, fuck" You cursed under your breath as you tripped your way to the door.

You took a deep breath and cleared your throat before unlocked the door.

A huge smile played on your face as you opened the door to see Jimmy and Lily who he was holding on his hip.

"Good morning, Jimmy" You started

"And you must be Lily?" You asked, trying to sound as nice as possible.

All she did was nod, which you didn't take as offensive, she was most likely shy.

"Say 'hi', Lily" Jimmy whispered to his sister, but it was loud enough for you to hear.

"Hi" She said ever so sweetly which caused your heart to melt.

"Why, hello" You smiled as you moved out of the way to let them in your apartment.

"Hey, baby" Jimmy spoke after he put Lily down but she never left his side.

"So, what are the plans for today?" You asked Jimmy.

You had actually woken up to Jimmy's call this morning, he called you saying he was off work and had Lily and she had wanted to meet you.

"Um, I don't know yet" Jimmy said, looking at you.

"Can we go to the park?" Lily spoke up.

"Yeah, baby, we can do that" He smiled down at her and your heart melted for what seemed like the 80th time today.

"You cool with that?" Jimmy asked, looking back at you.

"Yes! I love parks" You said, looking down at Lily and winking at her

"Can we go now?" Lily asked, you could see the excitement and hope in her eyes.

Jimmy looked at you as if he was waiting for your answer, although he was the one with the car.

"I'll go get my shoes?"

"I'll start the car" Jimmy said turning back to the door.

"Lily, can you stay here for a second?" He started

"Can she stay here for a second?" He repeated his words to you to make sure you were alright with watching her for less than 5 minutes.

"Of course, Jimmy" You smiled

"Alright."

He kneeled down so he was at Lily's height.

"I'll be right back, baby. Okay?"

All she did was nod in response.

"Be good for Y/N real quick, alright?"

She nodded again.

He spoke so softly with her, it was the cutest thing ever.

He stood back up and looked at you

"I'll be back" He said before he opened the door and left

"So, Miss. Lily, do you have a favorite color?" You asked while sitting down to put on your beat-up white sneakers.

"I like green" Her response made you gasp

"No way!" You exclaimed

"Green is my favorite color, too!"

"It's been my favorite color since I could remember" You said.

"Really?" Her voice grew louder due to her excitement.

"Yes!" You smiled

Before you had time to ask her another question, Jimmy walked in.

"You guys ready?" He asked the two of you

"Yeah" You said as you jumped up.

"Lily, you ready?" You asked, looking down at her

She nodded before she put her arms up in front of Jimmy, hinting she wanted to be picked up which he did and she wrapped her arms around his neck and laid her head on his shoulder.

As you guys left your apartment building, you were walking next to Jimmy and you saw that Lily was staring at you. At first you had flashed a smile to her which she mirrored, then you stuck your tongue out in a playful way which made her giggle. You continued to make silly faces at her until you arrived at the car.

Jimmy placed Lily down before he patted himself down for his keys. After he found them he unlocked the car and opened the passenger door.

"For you" He smiled, his actions had caused you to laugh

"Thank you, kind sir" You replied before getting in the car.

He shut the door and not long after that he opened the backseat door.

"C'mon, Lily" He said to his little sister as he helped her get inside her booster seat.

You watched in the rearview mirror as you took a mental note that Jimmy was amazing with kids which made you fall for him even more. Although having kids wasn't even a thought that would ever cross your mind, you couldn't help but imagine how he'd be with your kids one day.

"Hey, Jimmy" Lily's adorable voice spoke out

"Yeah, Lily?"

"I really really like Y/N" She tried to whisper but it didn't really work out given that you heard what she said.

You smiled to yourself as you noticed you had completely nailed meeting his little sister.

"Yeah?" He started

"Well, can you keep a secret?" Jimmy asked her and she nodded and giggled

"I really really really like Y/N" Jimmy whispered but it was loud enough for you to hear.

He finished buckling her in before he shut the back door and got into the driver's seat.

"What took you so long?" You joked, acting as if you didn't hear their conversation.

"Oh nothing, Lily just wanted to tell me something" He played along as he started to back out his parking spot.

"About what?"

"About how much s-"

"JIMMY, NO!" Lily cut off Jimmy.

"What? Can I not tell her what you said?"

"It's a secret" Lily replied

"Oh oh oh, okay, my bad"

"Sorry, babe, I can't let you in on our secret" He said as he looked over at you for a split second before turning his eyes back on the road.

You fake pouted before you turned back to look at Lily.

"You wanna listen to some music?" You asked, smiling.

"Yes!" She said with excitement in her voice.

You laughed a little as you turned around and turned the radio on.

#im gonna close my eyes before i press the post button because i hate hate HATE THIS #HAPPY BIRTHDAY MARSHALL #my baby <3 #eminem #eminem x reader #eminem imagines #eminem is the queen of rap #yuh yuh #jimmy smith jr x reader #jimmy smith jr #jimmy smith jr imagines #8 mile #2000 #rap

538 notes · View notes

jostansbandc · 11 months

Photo

TWO ALBUMS, TWO PAIRS! First one is Off The Hook’s comeback album “ Put A Ring On It!” the second one is the Squid Sister’s “ Karaoke Supreme Deluxe DVD Album!” For ALL your karaoke needs

135 notes · View notes

beyondthepaper · 9 months

Text

The pictures aren’t in the best quality- D: But I’d you wanna read it over there now you can! :D

#beyond the paper au #cuphead #felix the cat #fresacake #mugman #oswald the lucky rabbit #batim bendy #bendy #mickey mouse #cuphead show #blythe the cat #cuphead and mugman #moogman #yuh yuh

99 notes · View notes

fresacake · 9 months

Text

Art trade with @whosectype ! I got to draw their lovely OC, Chai T! Hope you like her!🫶💖💚

#art #digital art #fresacake #artwork #artists on tumblr #toons #artist #cuphead oc #cuphead and mugman #cuphead #cuphead au #whosectype #my art #artists #original art #oc art #art trades #art trade #yuh yuh

94 notes · View notes

estell0 · 7 months

Text

Super quick Astarion sketch for #inktober •v•

#artists on tumblr #artwork #illustrator #drawing #sketch #fanart #artist #small art account #small artist #inkdrawing #traditional sketch #baldurs gate astarion #baldurs gate 3 #yuh yuh

23 notes · View notes

raindropwindow · 8 days

Text

Hnnggggg ooooauwaugh

#yuh yuh #incomprehensible stuff ykwim

7 notes · View notes

antsyandpantsy · 8 months

Text

an assortment of silly lil wb doodles bc imagine actually finishing artwork (who knows if ill ever finish that callie drawing....)

90 notes · View notes

cheesyjester · 3 months

Text

Am so sleepy

#uhhhhh idk #random cheese post #yuh yuh #idk #cheesyjester #its late i got no art rn #I'm tired

10 notes · View notes

defectivevillain · 1 year

Text

took an axe and amended things

pairing: kratos x reader

reader’s pronouns: he/him

[reader with they/them pronouns here!]

warnings: canon typical violence, blood and injury

You’re venturing out in the forest when you come across a rather unusual sight: a young boy standing across from several Draugr. You initially think that your eyes are deceiving you. Even so, you move closer and realize that the kid seems to be in trouble. His only weapon is a bow and arrow; unfortunately, there are too many Draugr for the distance weapon to be of much use. You contemplate walking away for a long moment. Ultimately, you decide that you can’t leave him.

You take a deep breath and pull out your sword, lunging at the creatures closest to you. You manage to cut through a few of them. You’re preoccupied for a few moments, which causes you to lose focus and forget the boy. This mistake nearly costs you, as the kid lets out a chilling shriek. You immediately race over to him, shoving him aside. The Draugr that had been descending upon him lets out a strangled noise and plunges a clawed hand into your abdomen before you can react. A sharp burst of pain shoots through you and you quickly finish off the creature, before turning back to look at the boy. He looks mostly fine, save for a few scratches and scrapes. The kid stares at you with wide eyes, looking around for more Draugr before walking up to you.

“Thanks,” the boy says breathlessly, sending you a warm smile. The happiness quickly fades from his face when he sees the wound tearing through your abdomen. You try to muster up a calm expression, but it doesn’t seem to work very well. “Oh no…” The kid grimaces for a moment.

“It’s okay,” you murmur, stumbling forward as you try to take a step. Quick as lightning, the boy is standing at your side and steadying you. You can’t help but lean on him, despite knowing he’s a child who probably won’t be able to withstand your weight. Against all odds, though, the boy seems strong enough to support you. Before you can apologize and try to walk away, he slings your arm around his shoulder. The hand you’re pressing to your abdomen is slowly turning a dark crimson. The boy begins to walk forward and you have no choice but to clumsily follow.

“Our house is around here,” he remarks, leading you onwards. Your vision is blurring by the second, but you can make out a structure that looks like a house in the distance. Unfortunately, that distance seems rather large in your current condition. “Just hold on.”

The walk is long and painful. The cold air makes your chest burn and the wound on your abdomen isn’t getting better. You’re losing strength and gradually becoming dead weight for the kid to support. You idly wonder—through the painful haze you’re stuck in—what he’s doing out here by himself. Then again, he said our house, didn’t he? The boy evidently lives with someone else. Even so, should he have been all alone in the forest in the first place? You don’t think so.

Your thought process surrounding the boy only lasts a few moments, before it takes a backseat to the immense pain ripping through your body. Shadows creep across the corners of your vision. You stop in your tracks, grinding your heels into the snow to stop the boy from leading you onwards. Vertigo is hitting you out of nowhere, to the point where the ground seems to be spinning under your feet. You weakly grasp at the boy’s shoulder, but you can’t keep yourself standing. Before long, you’re crumpling to the ground. The kid lets out an exclamation and the world fades to a dizzying black.

You seem to waver between unconsciousness and wakefulness. There’s a loud thunk that breaks you out of your slumber, but you keep your eyes closed in the hopes that you’ll find rest again. Amidst the darkness, you can catch traces of conversation between the boy from earlier and another person.

“Boy, what did I tell you about strangers?” The voice you hear is deep and timbered; it sends a shiver down your spine.

“I know, Father, but-”

“A childish mistake. The moment you let your guard down to someone, they will swiftly destroy you.”

You eventually abandon the notion of rest and open your eyes to find yourself in a dimly lit room. Wooden beams stretch across the ceiling; the torches hanging from them are the only source of light. For several seconds, you remain still and stare up at the ceiling. Your balance feels lopsided, despite the fact that you’re reclined on the floor. Before you can even begin to push yourself up, there’s a quick glint of metal as an axe presses up against your throat. You look up to find a huge man towering over you. He wears a stiff shoulder guard, leather forearm wraps, and a belt across his waist. His eyes are steely and there’s a malicious aura radiating off of him.

“Get out of my home,” the man orders, pressing the axe further against your neck. You can’t stop the hiss that crawls from your throat when the metal digs into your skin. “Now.” There’s nothing but hatred in the man’s brown eyes. You swallow hard and try to push yourself up to a sitting position, while avoiding the axe at your throat. The slight movement hurts far more than you expect and you let out a strangled breath.

“No!” The boy from earlier exclaims. You glance to your side, only to find him sitting next to you. He places a hand on your shoulder and you realize that his grip is surprisingly strong. Now that the boy is closer, you’re able to see that he has clear blue eyes. He’s even smaller up close. Just how old is this boy? You’re not sure you want to know. “He needs rest.” You raise an eyebrow at the unexpected defense.

The man holding the axe glares at the boy, who stares right back. Admittedly, you’re impressed with the kid’s fearlessness—especially in the face of this brute in front of you, who’s holding a rather dangerous-looking axe. “Atreus.”

“Father, he saved me,” the boy—Atreus—interjects. At this, the man stills. His gaze falls to his son for a fraction of a moment, before he returns to glaring at you menacingly. “I was surrounded.” He continues. Your head is swimming and takes an immense amount of effort to focus on what he’s saying. “I tried to fight, but I was outnumbered… A Draugr got close and was about to strike me. This one was a lot faster than Draugr usually are, and I reacted too late… He pushed me out of the way and took the blow.”

The massive man is still staring at you with a scrutinizing gaze, evidently trying to find the fault in his son’s story. You grimace, half in pain and half in intense discomfort. For a few moments, there is nothing but silence. Then, the axe at your throat falls to the man’s side. You push yourself up to a sitting position and take a deep breath. Unfortunately, the conversation doesn’t seem to be over, as the man’s axe is still in hand.

“Why did you save him?” The axe isn’t pressed up directly against your skin any longer, but it still hovers menacingly above your neck.

“He’s just a boy,” you murmur, struggling to make sense of your thoughts. “I don’t know; I didn’t really have time to think about it. It just… happened.” The man’s eye contact is intense, so much so that you have to avert your gaze after a few seconds. Whatever this man is looking for, he seems to find it in your expression.

“He can stay until he heals,” the man says, hardly sparing you a glance before turning to his son, “You will supervise him.” Atreus nods and immediately turns back to you. His father glares at you one more time, before turning his back and walking to one of the other rooms. You stare after him in disbelief.

“Sorry about Father,” Atreus sighs, drawing your attention back to him. He seems to be making some sort of ointment to apply to your wound. “He doesn’t like people very much.” You shake your head, trying to reassure the boy that it isn’t his fault and that you don’t mind. You are a stranger in their home, after all. “This is going to hurt.” Atreus presses the ointment to your abdomen and you inhale sharply. It burns for a few seconds, before cooling pleasantly.

Feeling a sudden heat, you look up to find Atreus’s father lurking a short distance away. He looms next to a wall, hiding him from his son’s view. The man crosses his arms over his chest and stares at you with a strange expression—which morphs into a murderous look once he realizes that you’re staring back.

“What’s wrong?” The boy asks from his place at your side. He’s looking at you expectantly and you tear your gaze away from his father, who slinks off into another area of the house and out of sight. You bite your lip. Despite Atreus’s curiosity, you can’t bring yourself to betray his father’s actions.

“Nothing.” You say with a shake of your head. Atreus finishes preparing the bandages and begins to wrap them around your abdomen. The boy’s bandaging seems to be a bit clumsy, but you can’t bear to feel anything but grateful for his help—especially when he stood up to his father for you. “Thanks for healing me.” You decide to voice your gratitude.

“It’s my fault you got hurt in the first place.” Atreus murmurs, just quietly enough that it takes you a moment to realize you didn’t imagine the remark. You try to argue, but the boy has finished your bandages and he’s already walking away before you can entirely comprehend the statement. As much as you want to go after him, you’re essentially bound to the floor—your injuries are too grave for you to even try moving.

You fall asleep for a bit, until you’re woken by the eerie feeling of someone watching you. You dazedly blink your eyes open, only to have a mini heart attack when you see Atreus’s father looming over you. Is he here to kill you, now that Atreus isn’t present? You don’t get much time to wonder, before the man is speaking.

“That boy…” You can hardly let out a protest before his father gets down on one knee and tugs at your bandages. You let out a weak protest, but he doesn’t acknowledge it. He instead pulls off the bandages with an almost mechanical precision.

“I don’t even know your name, yet,” you joke weakly, trying to distract yourself from his proximity and the pain flaring up in your abdomen. As expected, the joke doesn’t register with the man. He looks annoyed at the mere suggestion.

“You have no need for it.” You stare at him. Your disbelief and mild irritation must show on your face, because the man looks back down at the bandages and steadily refuses to meet your eyes. For someone so intimidating, this guy seems to be almost… timid. Perhaps he’s just unaccustomed to social interaction. That would make a lot of sense, actually. His house is in the middle of the woods, deep enough that he likely doesn’t encounter many people. “Kratos.”

You raise an eyebrow and tell him your name, although you suspect that he doesn’t care what your name is. Sure enough, the man doesn’t even acknowledge your remark. His rather large hands are fiddling with the roll of bandages, and you’re almost tempted to help him out. You reach out, only for him to meet your eyes once more.

“If it weren’t for the boy…” The man’s eyes darken. He looks down to wrap the bandages around you. He tightens them a bit too fiercely, causing you to suck in a startled breath. Kratos looks up when he’s finished and levels you with a menacing glare. “I’d kill you where you stand.”

You gulp. His hands brush your skin for the briefest of moments, sending a wave of heat down your spine. It’s hard to focus when Kratos is so close to you. Thankfully, once he’s finished with the bandages, he gets to his feet and stares at you.

“For whatever reason, the boy has developed a liking for you,” Kratos states flatly. There’s an unconvinced look on his face, as if he can’t comprehend why his son even mildly tolerates you. You feel a little offended at that—are you really so insufferable to be around? “I expect you out of here the moment you’re fully healed.”

“Alright, thanks,” you answer, having half-expected a remark along those lines. The two of you are then locked in a pseudo-staring contest—as if you’re sizing each other up—for a few seconds before Kratos turns his back and walks away.

As you rest, your conversation with Kratos dominates your thoughts. Unfortunately, you don’t have much else to think about—your healing isn’t going as fast as you’d like. Time seems to drag on, especially when all you do is sleep or eat small meals. You’re amazed you’ve been given any food at all; although, you then realize that Atreus is likely hunting for you.

“I’m not who Father thinks I am,” Atreus remarks one morning, as he’s changing your bandages. He noticed his father’s adjustments and since then, he’s been fairly high strung. You remain silent and let him continue. “I’m strong, I’m smart. I’m capable.”

“You are,” you agree, happy to see the pink flush on the boy’s cheeks at the acknowledgement. Unfortunately, Atreus’s bashfulness doesn’t last long, as his eyebrows furrow and his lips twist into a scowl.

“Then why doesn’t he see that?” Atreus exclaims. You put a finger to your lips to get him to lower his voice, but the boy doesn’t seem to notice the gesture. “I don’t understand! He always leaves, he never talks to me or teaches me. He doesn’t even want me!” The boy’s voice cracks and your heart breaks just a little more.

“Atreus…” You bite your lip, feeling an overwhelming sympathy overtake you. You feel like you’re listening in on something you shouldn’t, despite Atreus’s voluntary disclosure of information. “I don’t know your father, but I know that you’re wrong. He does want you; he loves you.”

“How can you be so sure?” Atreus whispers. He sounds so unsure that you feel your eyes begin to burn. Is his father’s approval really so foreign to him? It doesn’t take you long to choose what to say next.

“Because I’m still here,” you answer. You hadn’t intended to tell Atreus about his father’s threats, but now, you think they’ll serve as evidence to your claims. “He’s keeping me here because you asked him to. If you hadn’t, I’d be dead right now.”

“That’s not true,” Atreus fires back.

“He told me as much,” you admit. Atreus’s lips part and he stares at you in disbelief. You take a moment to collect your thoughts before speaking again. “Anyway. Your father doesn’t seem like the type to use his words, but… his actions couldn’t be more transparent.” Atreus is silent at that. You frown, wishing there were some way to convince him. An idea passes through your mind and you decide to speak your thoughts. “I know I’m not your father, but-” you break off, “I am proud of you.”

“Thanks,” Atreus huffs, his ears turning red. You give in to the urge to ruffle his hair and he scowls dramatically, turning his attention to your bandages. You allow him to escape the conversation and the two of you soon change topics and talk about innocuous things. Eventually, Atreus leaves to hunt and you’re alone again.

You find yourself alone in the house rather frequently. You can’t bring yourself to be irritated with it—after all, you’re pretty much an uninvited house guest. Furthermore, it appears as if your wound is healing rather well… It should take only a few more days of rest before you’re ready to go home. A small part of you wonders if this cabin could be your home, if this father and son could be your family. You quickly disregard the concept.

Somehow, you manage to heal faster than you expect. Within a few days, you’re up and walking again. Almost the moment that you realize you can walk, you head towards the door. Kratos’s threats from earlier are living in your mind. I expect you out of here the moment you’re fully healed. You press your palm flat against the door and push, only for a voice to interrupt your thoughts.

“Where are you going?” You turn around, dread coiling in your chest as you find Kratos standing in the space you had previously occupied. He’s regarding you with wariness and skepticism. You frown at that, unable to dissuade your own confusion.

“Um… home?” If it weren’t for the boy, I’d kill you where you stand. You gulp. You had hoped to avoid an awkward confrontation—or even a fight— by slipping out of the house undetected. That was wishful thinking, apparently. For the next few moments, you’re frozen in the doorway as Kratos stares at you with a scrutinizing gaze. His arms are crossed over his chest and there’s nothing but frustration written in the lines of his tense shoulders.

“The boy likes you,” Kratos eventually says, breaking through the strained silence. Tension settles in the air. You’re admittedly not fully recovered, and your balance is a bit testy. You place a hand on the wall in a casual gesture, pretending that you don’t need the stability. Kratos seems to recognize what you’re doing regardless, as he reaches out. You resist the urge to flinch. His hand rests on your shoulder and there’s a strange look on his face. “Stay.”

You stay—not that your decision has anything to do with the relieved expression on Kratos’s face when you step away from the front door. That doesn’t run through your mind at all. You make your way past Kratos and sit down on the floor once more.

When Atreus returns home that day, he launches himself at you and hugs you before you can object. You smile and wrap your arms around him in return. The boy doesn’t seem keen to let you go any time soon. You look over Atreus’s shoulder, only to accidentally lock eyes with Kratos. His fists are clenched at his sides and he quickly turns away. Your chest burns as you return your attention to Atreus, pretending not to have noticed his father gazing at the boy with a remorseful expression.

When the two of you break apart, Atreus stares at you expectantly. You turn your head to the side in an attempt to avoid his gaze, but the movement draws a pained hiss from your lips. You grimace as pain flares up your back. You don’t think you’re quite subtle enough, because Atreus’s eyebrows furrow.

“Your back hurts,” the boy realizes aloud. Damn it, why is this boy so observant? You bite your lip and remain silent, not wanting to further incriminate yourself. Atreus seems to have his mind made up, however, as he looks at you. “Haven’t you been sleeping on the floor? That’s probably why. You should tell Father.”

“No thanks,” you say with a shake of your head. Your conversations with Kratos are awkward enough on their own. The last thing you want is to bring up your discomfort, especially when he and his son have been so kind as to let you reside here. “Besides, there isn’t another bed for me to sleep in or anything.”

Atreus stares at you with a rather complex gleam in his eyes. His mischievous expression throws you off, and you get the feeling that you should be nervous. “Father likes you, you know,” the boy remarks. You blink once, twice—convinced that you misheard him. Once you process the statement, you look at him in confusion.

“There’s something about you,” Atreus continues, “He doesn’t hate you as much as he hates everyone else.” You want to laugh, but the sentiment seems to strike true—Kratos clearly dislikes people. The portion of Atreus’s statement concerning his lessened hatred for you is definitely untrue, though. Instead of arguing, you keep quiet and let Atreus continue speaking. “Ever since Mother died, he hasn’t been quite the same. But he’s better, now that you’re around.”

“You think so?”

Atreus nods silently. You don’t know what to say; Atreus seems similarly lost for words. “It’s healing nicely,” he says, nodding at your wound. You look down at the warped scar tearing through your skin. That scar is probably going to be permanent, you realize with resignation. Atreus doesn’t elaborate on his previous remark and you spend the rest of the day thinking about it.

The next day, the strange interaction with Atreus falls to the back of your mind, as you begin to busy yourself with attempts at full recovery. You slowly begin to start walking around again, and before long, you’re able to walk around the house with relative ease. One day, you even walk outside to get some fresh air. You don’t realize how much you needed the sunshine, until you feel a smile breaking out on your face. The midmorning rendezvous gives you a bit more energy.

For a few days after your attempt at departure, you don’t see Kratos at all. You almost want to think that he’s avoiding you, but you recognize that notion to be rather self-centered. He’s probably just busy. You decide to remain patient. Your patience does eventually pay off, because Kratos ambles into the room you’re occupying and stops to stand next to you. You send him a small smile, which he doesn’t return. Silence dominates the air for a few more moments, before Kratos speaks.

“The boy says-”

“You know, it wouldn’t kill you to call him by his name once in a while,” you interject. Kratos glares at you and you glare right back for a few moments, until you eventually get sick of the charade. The man raises an eyebrow, as if to ask: Are you done? You roll your eyes in response.

“The boy says your back has been hurting.” Kratos finishes, a note of something unreadable in his voice. You don’t dare to analyze the emotion beneath that remark.

“He’s too observant, sometimes,” you sigh, pinching the bridge of your nose. You quickly feel the need to defend yourself. “I’m fine, don’t worry.”

“I wasn’t worried,” Kratos snaps. He looks askance and it almost feels as if he’s trying to pretend you aren’t in front of him. Despite the rather harsh statement, though, his eyebrows are furrowed and he seems more irritated than usual. “You’ll sleep in my room tonight.” A million thoughts run through your head all at once. What does that statement mean, exactly? Surely, he means you’ll sleep on the floor of his room. Perhaps there’s a plush carpet. Honestly, you’ll take anything over the hardwood flooring of the main cabin area.

“Okay.” You murmur, once you realize that Kratos is waiting for a response. His lips are pulled taut and he stares at you for a moment longer before walking away. You let out a breath you hadn’t realized you were holding. Thankfully, it’s only midmorning. You have the rest of the day to put the thought off.

Unfortunately, the day passes unusually fast. Before long, it’s beginning to get dark. Kratos doesn’t seem to be around, but his words from earlier still echo in your ears. For a moment, you contemplate sleeping on the floor in the main room again. You quickly dismiss the notion when you see Atreus pouting at you. Rolling your eyes, you allow him to tug you by the arm until you’re standing in Kratos’s room.

There’s only one bed. Thankfully, Atreus leaves and doesn’t insist on anything stupid—like sharing the bed with his father. You’re sure that you’d wake up to an axe pointed at your throat, and you’d rather not have a repeat of your first meeting. There is a fluffy carpet in the corner of the room and you shrug, before lowering yourself down to the ground and curling up on your side. It’s far from comfortable, but you’re so tired that you can’t find the energy to care. Before you can muse about your unconventional sleeping arrangements any longer, you’re drifting off into sleep.

Your sleep is rough for a little while. You hear bits and pieces of noise, but you’re never fully torn from slumber. Then, out of nowhere, you’re jostled and you slip into a weird void between slumber and wakefulness. You vaguely register an arm under your knees and another supporting your upper back. Suddenly, there’s plush material beneath you and you can’t stop the miniscule exhale that leaves your lips at the feeling. You swear you hear a huff of amusement, but you’re far too exhausted to ponder it.

You wake hours later feeling remarkably refreshed. It’s the first time since you resided here that you were actually able to rest. You push yourself up slowly, taking a moment to survey your surroundings. It appears that you’re in Kratos’s room. Wait. You’re not on the floor… You’re on his bed. You quickly throw the blanket off of you and try not to panic. He can’t kill you if he doesn’t notice—

“You were on the floor.” Fuck. You look up, only to find Kratos hovering in the doorway. He stares down at you expectantly.

“Well, yeah,” you frown, pushing yourself off the bed to stand across from him. “Where else was I supposed to go?” Kratos has a rather disbelieving expression on his face as he regards you. His lips part and he’s about to say something when there’s a loud rapping sound. The man whips around and stalks out into the main room. You follow at his heels, secretly grateful for the interruption. You weren’t quite looking forward to the awkward conversation surrounding how you ended up sleeping in his bed last night.

“What was that?” Atreus asks, emerging from one of the other rooms. You put a finger over your lips and then turn to Kratos, who is glaring at the front door hard enough to set it aflame with his gaze alone. The three of you are entirely silent as you wait to hear the sound again. About a minute passes and you’re about to relax when there’s another harsh noise; it sounds like someone is knocking on the door. Kratos turns around and stares at you determinedly.

“Watch the boy.” He demands.

“But-” You try to say, beginning to sense what is going on. Evidently, this visitor isn’t coming for a housewarming party. Whoever it is, they must be an enemy—if the vicious expression on Kratos’s face is anything to go by.

“Go.” Kratos snarls. Your heart is racing but you decide to obey him. Atreus seems like he wants to fight, but you place a hand on his shoulder. He sighs and walks a few steps until he’s standing in front of a pile of cushions and blankets. Atreus pushes them to the side, which reveals a sort of trapdoor mechanism. The boy tugs at it before lowering himself down into it. You take one final glance at Kratos, before following Atreus into the makeshift cellar. The moment you’re with Atreus, Kratos closes the trapdoor and Atreus and you are left in pitch-black darkness.

“Will he be okay?” Atreus voices. Within a few seconds of that question, you both hear a rumbling sound and raised voices. You can’t quite see Atreus, but you can hear his leg bouncing restlessly.

“Of course,” you murmur quietly. You’re sure he’ll be fine and you try to bring that conviction into your voice to combat Atreus’s nerves. The boy stares at you for a moment, before practically throwing himself into your arms. You embrace him hesitantly at first. As the two of you continue to wait with bated breath, you bring your hand up to the back of the boy’s head and cradle him close. He’s far too young to be going through all of this, you think to yourself.

You hear a loud crash and hastily put your hands over Atreus’s ears. He whimpers and you close your eyes, trying not to flinch as you hear inexplicable noises from above. A part of you wants to peek out from the trapdoor and see what’s going on, but you promised Kratos that you’d protect Atreus. Knowing that, you hold him close to your chest and try to wait for the end of the crashing noises.

Ironically, after all of that ruckus, there is… nothing. You have no idea how much time passes after those sounds. Your ears are buzzing and you anxiously await any sort of noise. After an immeasurable amount of time, you hear footsteps from above. Atreus clenches your shirt in a tight grip and you pull him closer. The trapdoor creaks open ominously, and you instinctively turn your back to protect Atreus. A few seconds pass, and nothing happens. You warily turn your head, only to find Kratos looming over the trapdoor. You let out a sigh of relief and relax your hold on Atreus, who peeks out from your shoulder and looks up at him.

“Father!” Atreus exclaims, relief evident in his voice. He steps up on the chest nearby and Kratos hoists him up.

“Atreus,” Kratos responds, staring down at his son. The boy launches himself into Kratos’s arms, murmuring things that you pretend not to hear. You smile at the sight, despite feeling a bit out of place; you vaguely feel as if you’re not supposed to be witnessing this rather intimate and private moment. After a few moments, Atreus releases his hold on his father and you accidentally lock eyes with Kratos over the boy’s head. There’s blood splattered all over the man’s face but he appears to be fine. Atreus moves away and Kratos extends his arm to you. You don’t hesitate to take his proffered hand, allowing him to loftily pull you up from the cellar. His grip remains, even as Atreus pulls the cushions and blankets over the cellar. In fact, Kratos’s hand rises from your hand to grasp your forearm.

“You alright?” You ask. Kratos answers with a huff that you’ve grown to associate with amusement. There’s something lingering on his shoulder and you move to brush it off. Kratos stiffens and freezes, a guarded expression rising on his face. Despite his evident wariness, he doesn’t push you away. You brush the debris off his shoulder and quickly explain. “Sorry. You had, um, some dirt.”

“You looked after the boy,” Kratos says, apropos of nothing. You blink at him for a second.

“Of course,” you respond. You glance over at Atreus, who appears to be doing something in one of the other rooms. He’s too far away to hear your conversation, but your voice comes out like a whisper anyway. “I care about him. And… you asked me to.”

There’s a vulnerability in Kratos’s expression—a sentiment you’ve never seen from him. His eyes are wide and shining with emotion. You’re almost convinced that you’re seeing things. Despite the uncharacteristically expressive look on his face, he doesn’t speak for a few minutes. “You were prepared to die for him.” Kratos’s eyes fall to the pile of cushions over the trapdoor, evidently referencing how he found the two of you. You had instinctually shielded Atreus.

“I mean, don’t give me too much credit; it’s what anyone would have done.” You ramble, feeling strangely off-kilter with Kratos standing so close to you. His eyes have yet to leave your face and his gaze demands your attention. You stare at him and he stares at you. Kratos reaches out and cradles your jaw. He swipes at your cheek with his thumb and you freeze in surprise.

“When you were about to leave,” Kratos begins, his hand falling from your face and down to the crook of your neck. His lips part as if to continue speaking, but no words come out.

“You don’t have to explain,” you say, noticing that his shoulders are tight and his posture has recovered some tension. Kratos has an utterly tortured expression on his face and you feel immensely guilty for provoking that feeling in him. “Seriously, it’s fine-” You try to say, only for the words to fall flat on your tongue.

“You knew how to handle the boy,” the man continues. “I was envious at first. I… never had that kind of relationship with my father, and it affected my own relationship with the boy. When you appeared, I thought you would take him from me.” It appears as if speaking so much is actively harming Kratos, as he winces and stiffens with every word. He looks profoundly uncomfortable and determined at the same time. You remain silent, despite the conflicting feelings roaring in your heart.

“You understand the boy, in a way I have never been able to. I couldn’t bear to hate you, not when you gave Atreus his joy back. He hadn’t smiled since his mother died.” That, you hadn’t known. Suddenly, your throat burns as you remember the smiles Atreus has given you. “I have failed Atreus again and again, yet I tried to rob him of the one person that truly understood him… because that person was not me. What kind of father am I, for envying what you have with him?”

“A normal one, I think,” you answer honestly. “Kratos,” you break off, reaching out to him. Kratos grabs your wrist before you can reach him, a resigned expression on his face. He’s beginning to bury his emotions again. The light is slowly draining from his eyes. It feels as if he’s slowly slipping away from you.

“You don’t know what I’ve done,” Kratos says quietly. Your eyes catch on the bloodstains on his face and you begin to realize what he’s alluding to. Everything begins to make an absurd amount of sense: the giant axe, the ease with which he handled the unknown intruder, the entirely unaffected expression on his face as he ordered Atreus and you to hide.

“I don’t,” you acquiesce. Kratos’s hand is still on your wrist, but you manage to move your arm and clasp his forearm in return. “But that doesn’t matter—none of that matters. What matters is that you’re trying.” You take a deep breath. “Atreus needs you… and I do, too.”

Your eyes lock again and you realize that Kratos’s eyes are rather glassy. Is he crying? No, you must be seeing things. There’s an apology on the tip of your tongue but before you can speak, Kratos is tugging you towards him. You go along with the sudden momentum and, in the blink of an eye, he’s kissing you.

The gesture feels far too short, as a voice grounds you back to reality. “Finally.” You freeze and regretfully break away from Kratos, only to find Atreus staring at the two of you from his position in the far doorway. You feel extremely mortified and you try to salvage the situation by removing your hands from Kratos’s shoulders, but you fear it’s already too late.

“Boy…” Kratos trails off, evidently lost for words. Despite the fact that you’ve been found out, the man still hasn’t removed his hands from your waist.

“What?” Atreus asks innocently, a rather mischievous smile on his face. You sigh fondly at him, before beckoning him closer. The boy runs over and throws an arm around you, before doing the same with his father. Kratos looks startled for a moment, before he brings Atreus closer with his free hand. You smile to yourself as you’re surrounded by Kratos and Atreus—your newfound family.

#defectivevillain #kratos x reader #kratos x male reader #god of war #gow #gow kratos #gow x reader #x male reader #male reader #masc reader #transmasc reader #yuh yuh

385 notes · View notes