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letteredlettered · 3 years

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hi! ive been following your writing for a few years now and i drop by periodically to check if you have anything new posted, and im really surprised that you seem to be enjoying the untamed? im curious what you think about the show - its story and characters, the acting, the production, etc. idk if you know, but the untamed is the most successful example of a current trend in chinese entertainment, where popular online novels centered around a gay romance is adapted into a 'safe' drama.

continued:

due to the many explicit and implicit restrictions imposed on creative media in china, many crucial plot points have to be changed (often badly) or removed, including the nature of the relationship between the main characters. the untamed is considered the most loyal adaptation so far, but like all other works in the genre, it received criticism for weak acting and queerbaiting. that's why im really curious about what you think of the show as it is, as itself, free from its context.

if you're interested, you could also check out guardian! it features much better performance and chemistry by the leads imo, but the story was heavily botched bc the original incorporates and reinvents a lot of classic chinese folklore beautifully and stuff like that is considered disrespectful and not-pc. i think it's really sad how so many great pieces of writing with complex world-building and plotlines are simplified into... idek what to call them, but just, less than what they are.

im sorry this turned into a rant. as a mainland chinese person with oh so many frustrations about our current society, it's hard to comprehensively describe my feelings about the untamed's popularity. it's the first mainland chinese show/movie to gain this much organic interest abroad so i should be glad? but, but. anyway, yes, im sorry.

There’s no need to apologize for ranting, but I admit to some confusion as to whether you want your question addressed or the rant. Because I’m me and tend to be thorough, I’ll address everything, in reverse order.

First of all, I’m sorry that this show is sad to you. I’m sorry that the popularity of it is difficult. I’m also deeply sympathetic to your frustrations about your society, as I too am deeply frustrated by my own.

Secondly, yes, I’m aware of the context of The Untamed. I’m aware that the book it’s based on is a BL novel, and that, in order to align with Chinese politics, overt queerness was erased from the adaptation. I’m aware of the censure laws of gay media in China. I’m also aware that some aspects of necromancy and morality were adjusted to make the show more palatable for general audiences, but I’m fuzzier on those details. Lastly, I’m aware that the popularity of the show calls attention to certain things, such as fanfic, and that attention results in more censorship,

The fact of this erasure and this censure provokes a lot of questions: by consuming this product, which contains erasure and censure, do we engage in the erasure and censure? By posting gifs and writing fanfic and talking about this product, do we increase its popularity, thereby encouraging additional erasure and censure? By increasing the popularity of this product, do we diminish the popularity of the original gay morally gray canon, thereby decreasing representation? Do we discourage other authors in China from writing explicitly gay morally gray material? In short, are we allowed to enjoy this media?

I don’t know the answer to these questions. However, I do know that boycott is a very effective tool when it can inflict economic pain on the producer, or when it can exert pressure on an entity to change. That said, I feel like a lot of the calls to boycott certain media these days are a lot like telling people to stop driving their cars to stop climate change: it’s suggesting that individuals can solve the problem, which presupposes individuals are the problem, and therefore fails to address the scope of the problem, or present the possibility of a real solution. Not watching The Untamed isn’t going to change laws about portrayals of homosexuality onscreen in China, partly because the laws in China are a much bigger problem.

The other part of it is that The Untamed is coded queer, so if you run a successful boycott against it, you end up with . . . less queer TV. I know a whole lot less about China than I do about the Hays Code, but if you had told gay people during the Golden Age of Hollywood that they couldn’t enjoy movies that were coded queer because they weren’t explicitly queer, they’d have said you were crazy. In fact, many people will tell you that media that was coded queer was a big reason we got more explicit queer stuff later. And as I’m sure you’re aware, the US is still fighting that battle . . . partly because it wants to sell movies to China.

So then there’s a question about whether me, an American in the US, liking something coded queer from China but not explicitly queer--does that encourage Chinese censorship? Should I only support texts that are explicitly queer? But the answer is the same--it’s not addressing the scope of the problem, and by supporting texts that are coded queer, you could be paving the way in the future for something brighter.

But you weren’t talking about boycott! You were talking about your discomfort with the popularity with this show, which I accept. I understand feeling uncomfortable. I can only hope it makes you a bit more comfortable to know that plenty of fans are deeply aware of the context and do wrestle with the question of what liking this show means in the context of a society that would never allow aspects of the original to be portrayed onscreen.

Thirdly, I’m not against trying Guardian at some point, but by comparing the acting and chemistry of the leads to The Untamed, I feel like you prove our tastes are very different in these regards. I love the acting of the leads in The Untamed; I found their chemistry off the charts. It’s okay you don’t feel the same.

Lastly, you asked my opinion of The Untamed: its story and characters, the acting, the production, sans context of the canon upon which its based and censorship laws in China.

a. I love the overall story, but the plot has deep plot holes. Quite a few segments do not actually make sense to me, because the plot is so haywire. However, I’ve never cared that much about plot, except when it gets in the way of characters and themes, and for the most part, this plot serves its characters and themes, except when the parts they leave out are so confusing that I cannot follow the story. As for the story, it feels like it’s built for me, because ultimately it’s about moral decisions and how to make them; it’s about guilt and paying for mistakes; it’s about learning, changing your mind, and remaking yourself. Really, I’m not sure there are many stories I love more--except they killed my favorite character, and I almost quit. So, that certainly put a damper on things.

b. I love the characters most of all, although the villains are really two-dimensional. However, large parts of the plot are not Hero vs Villain, they’re Hero vs Society, and then some Hero vs Himself in a way that suggests the Hero is no longer a hero. I could talk about the characters forever, but suffice it to say I think they’re really strong. Also, the relationships are really exquisite, particularly when it comes to family dynamics. Unfortunately, they killed my favorite character off. Also unfortunately, there are six women in this show, only two of them are main characters, and every single one of them dies. It disgusts me.

c. I think the two leads are exceptional, in particular Xiao Zhan . . . when he’s not being too broad, which he is quite a bit. However, I do wonder how much of this is direction and production style, because in many instances, he’s quite subtle, and the choices he makes are astounding. Then there are times where it’s like they needed more footage, or wanted to drive home a point, and he turns on the extra, and it’s awful. It could just be him, but I actually feel it’s the case with most of the actors, which does make me think it’s a directing issue. Meng Ziyi never really has that problem though, because she is the most perfect of all. But then take He Peng, who I actually thought could be incredible, but every scene was just SO BROAD that I began to feel sorry for the poor dude having to act that part. But there is nothing to be said for Wang Zhuo Cheng, who really is just terrible, which is sad, because it’s a great part.

d. Production-wise, it’s really hit and miss. So much of the locations are truly beautiful. A lot of the costumes are too, unless the shot is too close. I actually don’t mind the wigs; I love the long hair. The CGI is terrible. And then while a lot of the shots are beautiful, some of them are awkward, and the pacing is really difficult, imo. It really seems like they wanted to drag it out, and there are so, so many scenes where I’m sort of embarrassed that we’re in the same scene or that we’re still looking at someone’s face, or that everyone is just standing there waiting for the shot to finally end.

I will say that film is a language that does differ from culture to culture. It could be that both the broadness of the acting and the awkwardness of the editing are my cultural lens based on American and a lot of western film. When I watched older Hollywood films, the acting is a lot more broad and maybe a little less “true” feeling, but I understand that it’s not the case everyone in the past was a bad actor. It was just a different style, so I’m not sure I’m equipped with the cultural knowledge of Chinese acting, cinematography, and editing to be able to really judge the value of these things.

I do know how I feel, which is that the editing is the biggest hurdle for me while watching the show. However, I feel that the beauty of it makes up for a lot, and the strength of the characters and themes really carries it.

I hope I addressed your points adequately, and I wish you well.

#Anonymous #the untamed #china

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80scartoonfan · 3 years

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My Review of Masters of the Universe Revelation - Better late then Never...

It has been two months now, and wow... Not, not many fans of the entire franchise like the Kevin Smith Masters of the Universe series do they? As an aspiring writer myself I can't say I blame them.

I know this comes literally on the heels of the LATEST series being released (obligations to projects, work, family and other things got in the way) and I have to say I wasn't all that impressed with it. If anything, compared to the dumpster fire that was Season 8 of Voltron Legendary Defender that season was more enjoyable than this first part of the mini-series.

And if I am being honest from the first leaks of Skele-God, to the drama with YouTubers like Clownfish-TV and others, to the "race swapping" of Andra and King Greyskull, to spoilers Kevin Smith himself even made, I would give Part-1 a GENEROUS D-Minus. This is a shame because I really wanted this series to exceed all expectations and be equal to the original like 2012s TMNT is or 2011s ThunderCats. But there is too much against it.

First, let’s talk about the animation. It was absolutely breathtaking! It was crisp, the world-building in just the scenery was a masterpiece. Out of what I saw of all of part 1, spotted one goof - dealing in episode 1 with Evil-Lyn's staff, which shows that their animators care of what they produce. I loved the animation so much that if the rights to my favorite anime were purchased by a studio to do a continuation from 2005 or a second reboot, I'd gladly give Powerhouse Animation my salary for the next 5 years!

The music, the music was gorgeous! But then I am biased towards Bear McCreary. Even though He-Man seems a bit knew to compose music to, he immediately got my vote of confidence when it was announced he was attached. Reason being, his work for the movie Godzilla King of the Monsters! His music made me actually tear up during that movie. Something I didn't do since another Godzilla movie.

With the exception of Mark Hamill - as shocking as it comes and Sarah Michelle Gellar, the voice acting was phenomenal! I loved Kevin Michael Richards as Beastman, Tony Todd as ScareGlow, even Liam Cunningham as Duncan! Chris Wood was spectacular as Prince Adam/He-Man for just being introduced to him. But the one who really stole the show for me was Lena Headdy. She killed it as Evil-Lyn, so much that if the Eternity War Saga or 2 part crossover event ThunderCats and He-Man/Injustice vs Masters of the Universe were made into live-action or animated movies, I'd pay whatever she wanted just to have her return.

I also want to applaud the effort of getting a diverse group of voice actors. Something which I noticed few if ANY have. Actors who are both known for their VA resumes and those who are new to voice acting. But also the actors themselves, besides the white and black VAs there were if I am not mistaken a Native American and I think 2 Mixed-Race voice actors. I don't remember if there were any Asian or Middle Eastern VAs, but it is always Part-2!

As for Mark Hamill, at first, I was excited that he was going to do the voice of Skeletor. But upon hearing him as Skeletor, I'm not sure anymore. Granted this is just the first part of the mini-series, but it didn't feel like Skeletor if that makes sense? To me, it felt like he was trying to mix Joker/Alvin the Treacherous/and Firelord Orzi all into one character.

Sarah Michelle Gellar is another one I wasn't sure about. I admit I found it hard going in unbiased because I never liked Sarah. Not as Gwendy Doll, or Andromeda, Daphne and certainly not as Buffy - mainly because I preferred Kristy Swanson as Buffy, but that is beside the point. She had some nice emotional spots, but for the majority of her performance as Teela, it just wasn't there for me. If the writing and script had been better than what it was, she could have won me over for Teela, but as I write this I am more excited for Kimberly Brooks to voice Teela.

Now let’s talk about the things I hated. This will involve anything from Characters including designs to the writing and other things. If you don't want to be triggered I advise you to stop reading this and move on. If you are still here and get triggered, like one person who always seems to be, don't say I didn't warn you. I am always open to engaging others civilly in talking and debate. But if you can't even do that, don't bother engaging. These are my opinions and MY THOUGHTS, and I will hold nothing back regardless of the topic. You have been warned!

The story, the story absolutely sucked! You can tell the writers, if you can call them that, just didn’t care about what they were doing. I’ll go into this shortly. But those writers should be ashamed to even call themselves that. Sure it was catered to be modernized and appealing to potential new fans, but they should have been more aware of what they were doing. Just in this first part, there are so many plotholes and questions I was asking myself that I filled 4 whole pages of paper asking questions and thoughts - which to the fanfic writers I will put in at the end of this if you want to explore them.

I watched the mini-series five times now, trying to be as objective as I possibly could as an aspiring writer and not as a MotU fan, and each time got even more painful. Let’s be clear on one thing, I wanted this series to succeed. But too many things brought it down, and like with Ghost in the Shell 2045, I’m not sure I want Netflix to release part 2 or that I would watch it if they did.

Let’s start with how it was advertised as a “direct sequel to the original.” It was not a direct sequel to the original. I have seen someone bring this up and I have to agree with him. This mini-series is more in line with Nickelodeon’s Voltron-Force from 2011. I remember watching that series when it premiered and then had to hunt down my VHS tapes that had them to get a feel for the series again.

Both played off their respective originals as direct sequels, but both are in fact pseudo-sequels/soft reboots. They have the characters we grew up with and we can identify these characters because they are close to their original counterparts, but that is as far as the “sequel” goes. They bring in newer characters who we know nothing about or characters who have maybe been unimportant to the main characters, but we have to accept them now. It was like that with Mona Lisa in the 2012 TMNT who I enjoyed WHEN they used her, Larmina of Voltron-Force being Allura’s niece, and Andra of Revelation who had maybe 2 or 3 appearances in the entire run of the Masters of the Universe franchise.

Like Voltron-Force, Revelation, had no real ties to the original. There were no mentions of battles, events, and characters who played critical roles in the original. Instead, it starts off with a narrative deposition to set the series up (not matching how the original ended) and just starts in with new adventures. For it to be a direct sequel to an original, you need to have more than just characters we can identify as He-Man/Skeletor/Keith/Lotor/Allura/or Teela.

Next, let’s talk about the length of this mini-series. This is still a bitter subject amongst Voltron fans because so much Netflix could have done more with it if they didn’t do four seasons that were 6/7 episodes. We can all agree that with the “story telling” they wanted to do, just five episodes just were not enough for the first part and potentially the second part. The amount of time needed to portray the journey from Adam’s death to Skeletor taking the power sword and becoming Skelegod could have easily been an entire season. Even 9-10 episodes would have been acceptable with the proper writing that wasn’t going for deliberate shock value goals or “shipping.”

With a 9-10 episode first part, they could have given everyone what they wanted. They could have had He-Man solidly in the first 3 episodes killing him off in the 3rd in such an emotional way it would leave us old-timers not only devastated but eager for more. Use episode 4 to transition into a dying magical world trying to survive with the loss of He-Man and Skeletor and set up the following episode where we see Teela and Andra meet, rather than “next episode we meet Teela and her ‘friend’ Andra on a practically dead world.” Hell, if this was supposed to be a series which wanted to emotionally cripple old timers like me, I’d have been fine if were three season 13 episode series where He-Man dies at the very end of season 1, season 2 picks up with the aftermath of his death, and season 3 is He-Man’s return to defeat Skeletor.

Let’s now talk about the plotholes in this series which tie together with the amount of episodes. These are the biggest things that damage the series the most! The biggest plothole and the most important one is “SPAN OF TIME!” How long has it been since Prince Adam’s death and we see Teela with Andra - days/weeks/months/years - WHAT?! When did they meet? Where did they meet? What happened to Eternos? Did King Randor go all Mad-King Targarian or was Eternos get sacked and destroyed now that He-Man was no longer there to protect its people? Did King Randor put a bounty on Teela’s head for leaving? Remember she was a sworn member of the guard to the King. I doubt he would have just let her leave unless he had a good reason not to go after her. What happened to all the other Masters - Clamp Champ/Ram-Man/Stratos/Buzzoff/Tusk Man and many others in the aftermath of Adam’s death? These are questions and things fans should have been focusing on rather than “will Teela and Andra be together?” Kevin Smith said this series had what others didn’t... STAKES. What are those stakes?

Speaking of Teela and Andra and I know this will be a touchy one for most. I feel that their dynamic is directly done to “queerbait” people. Now I am not saying we can’t have LGBT couples in series, it’s just that writers either need to commit to establishing these couples or not at all. Only doing glimpses or hints at, is for a lack of a better term a Kobayashi Maru - (a No Win Scenario for the Non-Star Trek fans) like it was with Shiro in Voltron Legendary Defender. And if and when this blows up in their faces, like it did the Voltron writers, they have no one to blame but themselves.

Star Trek Lower Decks like every other Star Trek since “The Next Generation” have no qualms in establishing certain characters as LGBT. It is how you do it, and many of these shows need to follow the example from Star Treks TNG/DS9/VOY/LD. This series are a clear testament that you can have Straight/Gay/Lesbian/Bisexual relationships without “queer-baiting” or overtly shoving it in people’s faces.

The writers have made it clear that there is something between Teela and Andra but while also making it clear there is still something between her and Adam. Which regardless of how part 2 ends is liable to upset the fans they “catered” this series to. Who do you make happy and who do you ostracize? And with today’s social media are you going to handle the backlash of giving one and not the other? I personally would prefer Teela and Adam to be what kids today call “Endgame,” but ever since the Keith & Allura tradition was soundly destroyed in Season 2 of Netflix’s Voltron, that when it comes to Netflix series I just simply don’t care anymore who ends up with who, I want a well thought-well developed story.

The character designs of Teela/Andra/Evil-Lyn I understand they wanted a more “modern” realistic feel to them, which I am neither for nor against. Because let’s face it spandex-clad or barely covered barbarian fantasy women with chainmail is a product of the 70s/80s/90s. It is alright to have modern designs for characters but not too modern. Especially when we have shows like Game of Thrones and others to draw references from.

I do admit, I am not a fan of Teela’s design. I understand the reasoning is to make her a “Strong Female Character” but there is more to being a strong female character than looking strong. Strength is also one’s character, how they grow and develop. Teela’s stubbornness, fear, and anger at her “past life” are preventing her growth. If this is the way they portray a strong female character then they have no business doing so.

Kimberly Brooks’ Allura is a far stronger woman than this Teela ever will be. The burdens she shouldered, admitting she was wrong and not gloating when she was correct, the forgiveness of a race responsible for the genocide of her’s, being a diplomat while also being a warrior, sacrificing her well being for others all contributed to her growth from “Princess who just woke up” to Strong Female Character by the end of Season 6.

Teela understandably was hurt by the lies that filled her life. Sure she built a life away from those lies, but she was running away from them. Rather than confront the reason why she became bitter and ran away essentially. She was only forced to confront those lies to save Eternia and the universe and even then there really wasn’t any humility about it. Instead, it is all about her. Not once in this series have I seen growth for Teela’s character like Legendary Defender’s Allura, and let me be perfectly blunt - I had no love for Allura after Season 2. Not once did she admit she was wrong or apologize. Not once was she willing to sacrifice her life for the greater good - instead she was willing to let the whole universe die because of the lies she was fed her life.

Now let me address the whole Race-Bending “controversy.” As with the new designs, I am neither for nor against them. I understand the arguments on both sides when it comes to Andra and King Greyskull. One side argues it appeals to young black girls and boys while the other argues they are being tired of being handed “Hand-Me-Down” characters. Both sides have valid arguments. But honestly, as an old Masters of the Universe fan, it took the so-called “race-swapping” of Andra for me to even remember her because she was never that important and even betrayed Teela for Faker in the Injustice vs Masters of the Universe comics and even then she appeared in maybe 5 panels at most.

Now King Greyskull, at first I was against, I’ll admit it but then I changed my tone looking at myself and my family. See I am Bi-Racial, my mother is white and my father is black. My father’s sister married a white guy and had 6 bi-racial kids. Two who in turn gave birth to white-skinned blond-haired blue-eyed kids. Had they gone the “bloodline” path Prince Adam could have been a representation of not just blacks, whites, but bi-racial and mixed-blood peoples.

I realize this is coming out on the eve of that new He-Man and the Masters of the Universe series, which as a He-Man fan since 1984 (when I was potty training) I will give it a shot, maybe even write a review of it. But I still have my reviews of Godzilla: Singular Point, Pacific Rim: The Black, Star Trek Lower Decks, Ghost in the Shell: Stand Alone Complex 2045, and other series to write on top of work and my family life.

-------------------------------~ Question and Thoughts Time ~---------------------------

As I mentioned above, had many thoughts and questions which I believe were pivotal in the development of this series. Questions and thoughts should have been vocalized during the writing stage rather than fans asking them. These are of the first 3 episodes and some of episode 4. If you are a fanfiction writer who wants to explore these feel free to do so, I will be more than happy to read if they answer these questions and make the mini-series more enjoyable.

Keep in mind these are questions and thoughts I had because I am also an aspiring writer of my own fiction - that I am keeping close to my chest until I feel ready to release it.

Any true He-Man fan would question why is He-Man on a mechanical horse when he would be using battle cat

I do like the celebration happening at the same time quote-unquote He-Man is approaching Castle Grayskull it makes you think Adam is missing out on an important event

In the original series, Castle Grayskull had defenses that the Sorceress could call upon to confuse and combat an enemy who breached its walls how did Skeletor learn about the true secrets of Castle Grayskull when it should only be the Sorceress that knows of such secrets

If the Sorceress is so powerful and so smart why was she tricked by the faker He-Man he doesn't have the power sword?

I love that Orko is still a bumbling magician in Eternia’s realm. Shows how different realities have an effect on others

Adams entrance to “I have the power” let alone his playful jab at who “He is” should have been a hint to Teela

I do like the scene between Adam and Teela in the hall. It really makes you think that they actually are friends from childhood that grew up together and possibly have a future together.

My knowledge of the 38 years of the canon may be a bit shady now, but hasn’t Skeletor always needed the Power sword to get into Castle Grayskull like he always needed it in the comics?

They hinted that his mother knows he's He-Man and that she does reveal that he is He-Man after the battle. I know a mother knows these things about her child. But how did she learn Adam was He-Man and how did she not tell King Randor

Again how did Marlena know He-Man was her son and not tell her husband?

King Randor’s response is feasible but Teela’s response, because everyone lied to her is understandable - but she's a warrior. She is also a sworn captain of the royal guard, sworn to the King. She can’t just quit like that, can she?

How much time has passed between the death of Adam and when we see Teela with Andra

What has happened to the Royal Family in this time? What about Eternos? Has King Randor and Marlena revealed that he-man was their son Prince Adam? With He-Man out of the picture Has Eternos Fallen? Did Randor go all Mad-King Targaryen and become a ruthless tyrant?

What has happened to all of the other Masters? Ram-Man/Buzzoff/Clamp Champ/Fisto/Stratos/ and so many others? Were they killed off? Did they disband? Or were they exiled, WHAT?!

What about Snake-Mountain? What happened in the aftermath of Skeletor’s apparent death? Did Triclops and Beastman betray Evil-Lyn?

How did Teela meet Andra? What is the “When, where, and how” behind their meeting? What did she do to gain Teela’s trust when she felt betrayed by the world?

What is Andra’s background or history in this series besides being an engineer?

When old hag gives Teela and Andra their mission you can obviously tell it's evil-lyn

He-Man flashbacks are kind of nice but it would have been nice to have a build-up for such flashback or have a series season before his demise with such flashbacks that way it could be more poignant

I do like the idea of Triclops and Trap-jaw building a technical but what put them on the path for this techno cult

The cult kind of feels like the Borg as much as I like the idea of Trap-jaw and Triclops making a cult I don't know how I feel about it being Borg-like

This may be controversial but Andra feels like the stereotypical POC Rooky sidekick you see join the main character on their quest.

Like Grace Randolph said this whole Teela/Andra angle may come up and bite everyone in the ass later on if they don’t follow through which will piss off all the old-time fans and if they don’t follow through with the Teela/Andra angle and make Prince Adam/Teela are a couple then all the LGBTQ fans will be pissed off about that

I can already foresee it happening just like it did with Voltron Legendary Defender with Shiro being gay and his ex-partner Adam being killed in combat

We do get a hint of what the king did after the final battle but still what happened in that time after Prince Adam was killed? Did king Randor go off the deep end and become a dictator, what? These are questions that needed to be asked and answered during the writing stage

When did Evil-Lyn, Cringer, and the Sorceress make an alliance to save what little magic is left and in essence the entire universe?

I have the suspicion that was the Sorceress finally trying to tell Teela she's her mother Ford Shadows that the Sorceress is going to die and Teela is going to take her place

Did Teela really name Cringer, or was it something to boost her up in this mini-series?

Did cringer really tell Tela the Adam loved her?

Thus Begins the quest to reforge the sword to go to heaven and hell to get the parts and rebuild the Power sword thus queue Duncan

How much time has passed between the end of the previous episode and the beginning of this new one?

How is time measured on Eternia?

If Skeletor truly wanted to kill He-Man why didn't you take his power sword when he was shackled up?

Kevin Conroy is ma as Mermaid Man if he gets more roles as mermaid man he might grow on me

Instead of gloating, why didn’t they take He-Man’s sword if it was their prize all along?

Typical 80s cartoon ponds very nice

If Evil-Lyn preached that Man-at-Arms was the most dangerous man in Eternia why didn't they act like it why did they act like He-Man was the most dangerous one?

I do love the jobs both Teela and Evil-Lyn take at each other because they are pretty much the same. Evil-Lyn is Skeletor’s version of the Sorceress and Teela is practically He-Man sorceress when she accepts her destiny.

Teela has seen her father fight hundreds of times how could you not recognize his fighting style?

I like how beast man's loyalty never swayed from evil when I also like Kevin Michael Richardson parentheses? As Beastman I thought I would like him as King Grayskull but I I do like him as beast man

Orko like Castle Grayskull does provide a little hint as to King Randor’s reaction to Prince Adam’s death. I feel this is something they should have put into the series

I feel that all of Orko's scenes in episode 3 and my Following episode 4 are tainted because of Kevin Smith revealing he gets killed and why he decided to have Oracle killed

Why should Beastman show a little fear to Andra who is she to him?

I like that you can still see that Man at Arms still loves the Sorceress and I also find it funny that when it comes to that one huge secret something always gets in the way

Again I hate how they portrayed the span of time in this?

How did they go from a Forest Village so halfway across the world?

Something's been nagging me lately could Evil-Lyn be related to both Teela and the Sorceress somehow?

It could be a reference to how similar the Figures were in the 80s but in some scenes, Teela and Evil-Lyn’s facial structures look almost identical could you be separated sisters?

The further this point it's funny how Evil-lyn and Kela can just cut through the bullshit between their infatuation with He-Man and Skeletor

Again what time something happened between evil-lyn and Merman we don't know what just that he seems bitter that she didn't take over the land while he took a while he tried to take over the seat

It seems that there are undertones to a massive war and the wake of Prince Adam’s death.

I kind of like how even evil-lyn kind of shows that she may be afraid of subterranean

With half of part 1 ended could Skeletor have them influencing her? Why did she have to retrieve the Havoc staff head?

How does Evil-Lyn know so much about the Subterranea?

Teela facing a false He-Man could be a hint of her feelings for Adam. But I think it would be more of a visceral scene if it was Prince Adam and not He-Man.

Was that a hint of Teela becoming the new sorceress?

Scenes between Orko and Lyn were a nice touch. Maybe a better connection between Orko and Lyn than Teela, He-Man, and the others?

Orko’s sacrifice could be the beginning of the Dark-Orko storyline?

Was that the Sorceress’ most recent ancestor, Teela’s Grandmother or GREAT-Grandmother?

Why didn’t Adam finish the chant? If Kevin Smith borrowed aspects from everything relating to He-Man, then why didn’t Adam finish the chant? A few times Adam has been run through in which he could finish the chant to become He-Man.

If Teela is such a badass, why didn’t she attempt to stop a reconstituting Skeletor from stabbing Adam?

Really Andra? You are going to sass Skeletor? He doesn’t know you and would sleep like a baby dispersing you. You are nothing to him, you are lucky he didn’t decide to run you through with the power sword.

And really Skeletor? Because no woman could love a face like your’s? Thats your motivation?

#masters of the universe revelation #motu #he-man #teela #skeletor

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thisiskatsblog · 4 years

Note

Hi Kat, I often come to seek your wisdom and thoughts on matters such as these because you were the first Larry blog I ever found and the last time I did, you really seemed to understand me and my conflicting emotions and messiness haha. So. My question is what are your thoughts on the Ray and SBB twitter accounts? I found them a few months back when I found a thread explaining a theory of why it's L&H and go back now and again to see what is being posted. I am the darkest Larrie there is, yet

contd: I always prefer to be a cynic because I know just how devastating it is when you put your hope in something only to have it crumbled. And in this fandom, you can't trust anything or anyone unless there is hardcore evidence and proof (aka every millisecond of footage of fetus Larry). There is talk about clues, numbers, iphone/androids and these cryptic riddles and hidden meanings. People do admit in the comments it feels like they're clowning yet I also see thousands resting their hopes contd: on these obscure tweets. I will admit the proof thread I originally read made it seem believable but I then I thought 'who am I kidding, there's no way it could genuinely by H&L'. It doesn't seem like something they would risk, nor something either of them would actually do. It seems like two people baiting Larries and giving us false hope (because in this era where we never get public interaction, many have become far more gullible and willing to believe anything, no matter how far

fetched. Ahh I don't know. It just seems far too good to be true that the two of them are communicating with us through cryptic pictures and riddles and messages. Yes I do believe they both have always found ways to communicate with us, whether it is through songs or body language, because we opened our eyes, we were by their sides and stay strong for them because this is a fight they will win, but I really don't know. It's very cruel if someone is indeed baiting us. Thanks x

(^^^ March 23rd)

2. Anonymous said:

March 25th 2020, 7:06:01 am · a month ago

okay so I just read some master posts explaining RBB and SBB in detail (I didn't get why people were hanging onto every word of Ray and Seymour's tweets like that) and my mind is literally going INSANE trying to process it all. As usual their reactions when asked about it directly on that christmas sweater interview told me all I needed to know back when I watched it but had no idea the sheer significance of these bears until now. It's crazy all the ways L&H showed us the truth all along, to

this day it's just mind-blowing to me. Like they were screaming in the midst of drowning (cough cough Director's Cut), desperate for us to listen and thank God so many of us weren't blind. Sometimes I do feel like maybe I am going crazy or I am delusional for believing in this, as FIMQ said, the cognitive dissonance is real. My mind spirals catastrophically and I doubt my own sanity, and then my mind plays all these touches and glances, slipped words and monumental actions on a loop, far too

much evidence to dispute, and I know I can never go back, how can I, when I've never in my whole life witnessed such magnificent, almost otherworldly love, never cared about any celebrity's love life yet this is far more than that, it is fighting for their love, because they should have never had to be that strong, to endure so much pain, so so young, but they weren't that strong for us to be weak. And I can't wait for the day they are free. No one on this earth deserves it more than L&H.

3. Anonymous said:

March 26th 2020, 12:44:47 pm · a month ago

Even I am the darkest Larrie (and yes there is no going back, ever) sometimes I don't know what the fuck I'm doing. Loving and supporting and fighting so fucking hard for a love that is as tragic and excruciating as it is the most beautiful, magnificent thing I have ever witnessed. I wonder, did I get it all wrong and what if they don't find their way back to each other, my waking moments are haunted by memories of them, so young, so clearly smitten, like who the fuck finds their soulmate at

that age? What if even if it is 'always going to be h for Lou', even if they were 'too young to know they had everything' but h doesn't forgive him or remember that yes, their love is worth it? Sometimes I feel I am teetering on the brink of insanity, what if Lou actually has a kid? And Harry's album was about a horrible woman who never deserved him? I think I'll be strong for them, even if I have to wait ten or twenty years but I also feel so much pain thinking about it all. I have never

doubted my own sanity in my life, but lately I wonder so often if I am delusional for having faith in the love of two boys who we're fated to meet and fall in love. I can't even watch them in their baby boyfriends stage or watch edits anymore because I feel physical pain because they never deserved that. I feel pain thinking about their pain, no one should have to face that so young. To be that strong. I want to be strong yet and I try so hard but i also feel I am going mad. I don't even know.

______________________________

Three anons that I suspect are the same person (and maybe even the same one I just answered). Big hugs to you dear anonymous person! And thanks for the compliment. And the patience. I’m so sorry it took me so long to answer. Not sure if I have anything helpful to say, still, except: the fact that you’ve started doubting your sanity, that cognitive dissonance you feel, that dizzy head nauseous gut feeling you get when what you see and what you hear and what you read, just doesn’t match up but you haven’t been able to rationally unravel it yet. That feeling is probably your best proof that something is very amiss, and that Louis’ and Harry’s relationship is very real. We all know that feeling, and it tends to get worse the more caught up in fandom you get.

Your sanity is worth preserving though, so - in my view - it’s better to leave the fandom for a while, however short, to take care of yourself, and be strong for yourself when you feel like it’s draining you too much. You can do that by physically leaving social media, or by taking emotional, and mental distance on a regular basis.

I always remind myself that I have no influence over whether Louis and Harry eventually make it together. And next to no influence over their careers, management, label. I can decide what I do, and have a wee tiny bit of influence on the modest amount of followers of this blog, and then a wee little bit more through the other one - but all in all, my actions, the person they matter most to, the person they influence most, is me. So I try to do, in life, and in this fandom, the things that make me happy. Worrying, does not make me happy. Arguing with hets rads antis and all the other new abbreviations i don’t really get, doesnt make me happy either - I only do it when I’m having one of those days or one of them really sets me off like the other day. But in general, what makes me happy is focusing on the positive. What this fandom has brought me. And has brought other LGBTQ+ people. What are we learning here, what stories do we tell eachother, how are we making eachother better here.

All of that said: Louis, and Harry, have both sung, in this past year, that they “made it”, and referenced eachother’s music videos in important ways. So I honestly don’t think there’s much to worry about. I think that, whatever was causing them difficulties, they already “found their way back”. I think they are allright.

And I want us to be allright to. That’s something we can influence, that we can do for eachother. So I’m sorry it took me so long to get back to you

I enjoyed reading your SBB post, talking about the sweater interview. That part of it was wonderful, and everything we needed to know. I took RBB and SBB with a big grain of salt in the beginning, but I have reason to believe it was them, or someone very close to them, and that interview did confirm that.

With or without permission, that’s difficult to say. Was it queerbaiting? I’ve been asked that question so many times. In a sense noo, because they are LGBTQ+ themselves - but there is the fact that RBB & SSB very deliberately engaged with LGBTQ+ fans and kept them here while they must have known, at least after bullshit 2.0 happened, that they were going to stay closeted.

I don’t know exactly how I feel about that. It was a crazy ride, and some of it was enjoyable, and I think the support is important to them, so I do want to stay around. But I also think it’s shit that LGBTQ+ fans in this fandom have done SO much to support them, and are getting so much shit in return, still, not from them, not at all, but in this environment - and no one is stopping it.

And that’s not just the case in Louis’ fandom, where we’re definitely experiencing enormous amounts of cognitive dissonance with the bearding and babygate. But also in Harry’s. When LGBTQ+ fans bring rainbows night after night, but it’s constantly portrayed as if Harry is the one bringing them, and when it’s LGBTQ+ fans organising to light up arena’s night after night across Europe, but the only time that gets featured is when it’s two straight girls organising it, insisting they are not doing it for queer fans but because we should be one happy family inclusiveness all around.. I can understand the frustration, the impression of queerbaiting, the feeling of being taken for granted, that made some people leave Harry’s fandom. I will stay, I think he’s amazing, and I think he needs and is grateful for the support, but as an LGBTQ+ fan, I still feel like I am in a hostile environment - knowing he is with Louis, and that he cannot speak about it, has never spoken about any concrete relationship with a man. That’s... - that still tells LGBTQ+ people they are not 100% legit.

And that’s probably not a lot better for the straight fans who see what we see: a beautiful relationship they can’t speak about and that’s denied all the time. That, too, tells you your thoughts are not legit, and therefore you are not legit. The gaslighting... it’s probably the most poisonous, detrimental aspect of this fandom. Coming back after more than a year off, I was shocked, at how clear things seemed to me again, compared to how doubtful I had been about my own opinions when I left. Taking time off is not abandoning them. Remember that. For me, it made me stronger, and it allows me to support them now.

So I hope this gets better. Soon. I am still convinced they want that too. And when I start doubting, I listen to Only The Brave...

#doubts #sbb #rbb #cognitive dissonance #gaslighting #Anonymous #ask

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nerdsideofthemedia · 5 years

Text

BB & Renora

I usually don’t tend to spend so much time on shipping, but this one, it feels like the reason is so questioned and even denied is in no small part due to homophobia and heteronormativity. Honestly, if you keep denying it’s basically almost certain now, I’d call it homophobia, unless you don’t think Renora became canon in V4 either. The parallels are as on the nose as they can be and BB had much more romantic buildup and this is part of what I intend to show here.

Just to make things clear, I am not doing this to attack Renora. I think that romance was handled well enough, it’s just too bad that it’s demanded a whole lot more from LGBTQ+ couples. I just want to show that if we want to be pedantic nitpickers who find justifications to see Renora as just a friendship, we can do that, so how come only BB is subjected to such scrutiny?

What was the evidence for Renora before V4?

Was it Nora touching Ren’s nose and saying “Boop”? They’re childhood friends, it’s normal for them to be very close and have gestures specific to them. OK, I don’t really have to guess, because a BSer decided to start a conversation with me, complaining how me saying stuff like BB is canon or close to that made LGBTQ+ raise expectations and the writers would have to deal with queerbaiting accusations when BS becomes canon, which: yes, if BS happens, there will be queerbaiting accusations, which would be more than fair and would have nothing to do with me. (Not that I don’t appreciate it, I just don’t really think I wield that much power within the RWBY community). Fortunately, they did direct to a post about the Renora romantic hints:

- Boop, but if we’re looking at songs, BB isn’t lacking those, including the very first one Red Like Roses. All that Matters and Armed and Ready have lines with romantic connotation and I’ll always argue that though Bmblb isn’t canon, it would have been extremely stupid to create such a song with no intention on delivering. Queerbaiting is not seen as a good thing. Also I’d like to remind you that RT has been supportive of LGBTQ+ with 2 of the main RWBY VAs being bi.

- Jaune, the oblivious guy, picked it up when he asked Ren how he and Nora had gotten together, to which I say: Jaune, the oblivious guy, could have easily misinterpreted a close friendship as a romantic relationship.

- Ren stammers when correcting Jaune and he is usually cool and collected. Still, I’d say it’s normal for teenagers to act that way when there’s crush accusation. That’s exactly how I was as a teenager, even if I didn’t have a crush on the guy.

- Nora’s words: “What are the odds we’d still be together?” followed by “Well, not ‘together-together’… Not that I’m not saying that you’re not handsome; you are handsome, but that’d just be weird, right?”, which the person argued “After that she’s just fumbling for words, and reveals more about how she feels about Ren. She didn’t have to say anythinggg. But she did, and now we know that she thinks Ren is handsome (well, duh). If her feelings for him were completely platonic, she wouldn’t have said anything like that. There’d be no reason for her to. Like seriously if I was writing two characters that were only meant to be platonic, I would never write a scene like that. The implication of those words are too strong.”

When I was a teenager, I literally fumbled over words in a pretty similar way to Nora, including the handsome part, I was not interested in the guy I said that to.

Yes, this isn’t real life, it’s a show, so words like those maybe should have a better reason to be there then verisimilitude of teenage awkwardness, I guess – it’s debatable. Here’s the thing, how can you argue romance as not only one possible interpretation, but THE correct interpretation because of the implication of such words, yet deny the romance as a possible interpretation of Yang and Blake’s scenes despite the implication of a girl flirting with another while phrasing it “coming out tomorrow”, or associating those 2 girls with the word “love”, or having one of the girls stroking a photo of the other one or traveling on a ship named “Pride” or having the ex-boyfriend asking “what does she even see in you?” – all of which are far far more coded as romantic than any of the Renora moments. I think the “Like seriously if I was writing two characters that were only meant to be platonic, I would never write a scene like that. The implication of those words are too strong.” applies to all the cases described.

Renora became undeniable at the end of V4 though, as Ren put his hand over Nora’s. They look at each other, both of them know what that means.

Wait, no, sorry, wrong pictures.

As I was saying they look at each other: they both know what that means. That’s right, they’re really good friends. Wait… no. They’re in love. That’s it. They’re in love.

Did you get my joke and what was being called out or do I have to be even more obvious?

I’m going to flat out say it: if you consider Renora became canon in that moment in V4, BB should be considered canon now. They parallel each other, and the whole excuse that Blake and Yang only held hands to show support after facing their demon can also be used for Renora.

Just a few bonus anti-BB arguments:

Yang can’t represent Yang in Yin-Yang because she’s not a man

Sun doesn’t embody all the concepts of Yang either, so it’s weird to draw an exclusion criteria for Yang but not for Sun (or Blake for that matter). If only Yang hadn’t used a yellow dress, it could have driven the point of Yin-Yang. Wait…

It didn’t actually click for me as to why Yang used a white dress until I watched Passion of the Nerd’s video on Primeval (Buffy). While watching it, I was like:

(Apparently, Yang’s dress was supposed to be yellow, but there was an animation problem. Still, it was a cool thought)

“We can’t trust Adam, he’s delusional even Blake said so herself”

Adam clearly had his reasons to believe those were their feelings, because he didn’t show jealousy immediately. Also why would the writers write those lines with no intention on delivering? Adam didn’t need to be jealous to attack Yang – he wanted to hurt Blake, so attacking her to hurt the latter would be good enough reason, not to mention she was standing in the way of his mission.

Again, I quote the person who tried to defend Renora, yet attack BB: “Like seriously if I was writing two characters that were only meant to be platonic, I would never write a scene like that. The implication of those words are too strong.“

Ruin the team dynamics

I find it funny that the people who criticize Yang for not making her life revolve around Ruby are also the ones who complain about how Bumblebee ruins team dynamics because two characters now prioritize each other. I’m sure this isn’t motivated by homophobia, especially considering the same logic is never used for Renora and even Arkos (don’t even bother with team JNPR aren’t main characters: they’ve appeared almost as much as the main ones), and misogyny, because how dare Yang not be completely about putting Ruby first at all times?

If having 2 sisters on the same team doesn’t ruin the dynamics, then a romantic relationship doesn’t either. It’s not like sisters don’t put each other first too.

I just address the assertion she treated Summer poorly which is based on absolutely nothing other than crapping on a female character just for the sake of it. Yang probably loved Summer and thought she was her mother until told otherwise which happened after Summer’s death.

They ruined Adam because of BB

They didn’t. Adam was never intended to be an anti-hero with a chance for redemption. If you had that idea, it’s on you. His death didn’t happen just because either – it did because it ended both Yang and Blake’s arcs, it marked the end of a chapter in their lives as well as the beginning of their relationship which is only possible precisely because they confronted their demons. It’s the ultimate obstacle that confirms that Blake will no longer run and instead faces her demon and Yang confronted her abandonment issues in V5 when she talked to Raven, yet she still had to deal with the pain caused by Blake leaving and trust her. Their fight with Adam and her reassuring Blake she knows she won’t leave shows Yang knows Blake isn’t Raven: one ran out of selfishness, while the other ran out of selflessness, however misguided. Adam going down is tied to their closure.

And for the love of all that is good and pure, stop saying a relationship isn’t healthy because someone was hurt. Yes, it’s true we should avoid hurting each other, but to think we’ll never hurt someone and call a relationship abusive as soon as someone is hurt is ridiculous. There are no healthy relationships by that standard.

More RWBY posts:

Filmmaking and Bumbleby

Bumblebee was Always the Plan

Bumblebee was Always the Plan part 2

Faunus and the White Fang: The Portrayal of Racism

BB & Renora

Weird Post on Weiss’s Clothes

Foils: Adam and Yang (this one is in wordpress; it was my first one and I didn’t have Tumblr then)

Let’s talk about Adam Taurus (I didn’t post this one on Tumblr because the title and tags could lead Adam fans thinking this was about “his wasted potential” when really it defends the decision of killing him off and explains why it happened)

#bumbleby #rwby bumblebee #yang xiao long #yang and adam #Blake Belladonna #yang x blake #blake x yang #bumblebee rwby #renora parallels #rwby6 #rwby spoilers

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retrauxpunk · 4 years

Text

sv 6.06

recap post of the penultimate episode of silicon valley under the cut (with spoilers as usual)

this miiiight be a downer post so if you want to avoid that ... this is your warning

...

... i think this is the first episode recap post i’m writing that doesn’t start with ‘what the fuck’ because honestly i think i found this episode a bit weird and not ................that good? and MAYBE it’s just because i’ve had a shitty couple days? i’m not totally sure.

but.

I dunno.

I’ll try do this chronologically.

it was a good point of yikes with richard not actually having secured the AT&T deal and just telling his employees that he had because like, that’s a good potential source of conflict. i’m down for that.

i liked when he was talking to AT&T guy and then there’s a cut to dinesh and gilfoyle standing their like shocked parents. dinesh’s expression of ‘WHAT’ ... yeah i like that. also gilfoyle looked especially fine as hell, particularly the hands.

okay.

... gilfoyle using THE AI TO DEBUG CODE? i think this broke my suspension of disbelief. this seems wildly stupid and implausible given, like, gilfoyle’s WHOLE CHARACTER? i don’t really buy that someone who’s as security-conscious and conscientious as he is would, um, DO THIS? please feel free to present counterarguments if you disagree with this (or any other points in this post tbh) because i’m honestly open to hearing them, in fact i would welcome anything that made this episode feel more sense-making and less ‘what the fuck did the show just decide to fire all their tech consultants and throw character out the window?’

LIKE. it’s partly the fact that this seems a bit farfetched on the technological realism front but it’s MORE SO the fact that it just seems so NOT GILFOYLE.

GIVEN THAT FIVE EPISODES AGO HE GOT MAD AT DINESH FOR LETTING THE TWO AIs TALK. HE’S CLEARLY AWARE OF THE RISKS.

and he acts like this cavalier dont give a fuck asshole but i DO NOT BELIEVE that he would risk ALL OF PIED PIPER’S CODE with his AI?????? FUCK what is this!!...?

..............????

okay.

i’m ............ upset that they seem to have COMPLETELY DITCHED this whole jarrich thing they were building up. i’m NOT saying i’m mad that they’re not canonically a romantic couple. i’m saying that -- shipper goggles completely not in the picture -- the first four episodes built up so much stuff for them, there was SO MUCH about their relationship, and with 6.05 and 6.06 there was just fucking NOTHING. and it just. feels like kinda shitty writing? UNLESS?? in the final episode there’s a lot of richard and jared content to make up for it?

like the first four episodes had so MUCH content about their relationship (jared’s whole generally lovelorn thing, accidentally driving to the hacker hostel, quitting, richard throwing a fit when he quit and watching with this cocktail of sadness and bitterness and anger as jared leaves, their fight at the hacker hostel, JARED BRIEFLY FORGETTING TO BE MAD AT RICHARD AND SMILING DURING THE WHOLE BUYING HOOLI THING, richard apologising and telling jared he missed him, JARED FUCKING CRYING) and then there’s just NOTHING? what the FUCK? IS THIS? it HONESTLY feels like the writers were building up to a big richard and jared moment (whether romantic or platonic, either works) but then that storyline got axed by an executive and they got forced into dropping or something, or they just fucking collectively FORGOT about this whole arc seriously WHAT. IS THIS?????

this is the first time in my life i’ve gotten this level of upset about any tv and i guess, well, whatever they do with the finale, it can’t be as bad as what they did with game of thrones!! (i don’t watch game of thrones or read asoiaf, but it was pretty impossible not to catch wind of that whole clusterfuck) that’s gonna be my source of ......... solace.

so yeah.

for FUCK’s sake. all of jared’s talking about gwart, i just. if that’s meant to be sincere i don’t fucking buy it because no fucking way did jared imprint so hard on a person who was fundamentally a rebound

I’M STILL MAD ABOUT THE LACK OF JARRICH STORYLINE WHAT THE FUCK this is not even a queerbaiting issue THEY HAD A FUCKING STORYLINE TOGETHER AND NOW IT’S VANISHED INTO FUCKING SMOKE WHAT THE FUCK

ALSO DID THEY SERIOUSLY JUST WIPE OUT HOLDEN OFF-SCREEN ARE WE REALLY MEANT TO JUST IMAGINE THAT IN THE GAP BETWEEN EPISODES JARED JUST CONTINUOUSLY EMOTIONALLY ABUSED/HARRASSED HOLDEN INTO QUITTING WHAT THE FUCKING FUCK

honestly when i set out to write this recap i was just like ‘this prob won’t be a long post because all i really have feelings about and want to talk about is the ending of the episode’ but clearly ... that has turned out not to be the case

okay anyway, yeah, i mean, it’s definitely plausible that if richard and jared were to real life people that jared would rejoin pied piper and they’d just simply never address their falling out, right, i mean people are plausibly that emotionally constipated sometimes and don’t communicate in situations where you’d expect them to.

BUT THIS ISN’T REAL LIFE IT’S FUCKING TV and it appears to me rather much like shitty screenwriting when you set up a relationship conflict that’s fucking PACKED with juicy emotional moments and then it DISAPPEARS INTO THIN AIR what the FUCK

jesus christ

okay

anyway.

russfest.

honestly when jared was seeing gwart around i was a bit like, okay if this meant to be a legit hallucination it’s a bit Much because, really, jared being that genuinely devoted to gwart that the breakup with her cut him that much? i’m not buying it

so i’m glad it turned out to be Not a hallucination

i liked the twist that actually yaonet wasn’t throttling pied piper, pied piper itself just wasn’t good enough. i liked richard breaking down over it. tbh on a subjectively level i found it a bit painful to watch because he really did behave like a toddler and that was a bit, like, second-hand-embarrassment. but i don’t like object to it or anything.

WHY IS THIS SEASON ONLY SEVEN EPISODES.

the fucking speed with which richard breaks down and then magically finds a solution honestly feels way too rushed and unearned.

U N E A R N E D

that is how i feel about the resolution of this episode. like.

okay so if i remember/understand this correctly, richard’s [extremely hand-wavey solution] was to apply his compression algorithm to son of anton which allowed it to become more intelligent and learn faster/better? and that basically FIXED PIED PIPER? he used gilfoyle’s [a tad unrealistically] bitching AI to like ... have pied piper fix itself?

i barely understand it.

and it’s not like i demand a fully fleshed-out solution, right, like with the middle-out jerkoff epiphany, that wasn’t fleshed out but there was enough detail for it to feel believable. whereas with this ... it did not feel like that.

yeah the whole thing felt way too rushed.

what even was it? like, gilfoyle was using son of anton on pipernet to debug things ... whereas richard first used his compression algorithm on son of anton, then set son of anton loose on pied piper? okay that makes, like, enough sense that if they poured more time and detail into this, then i’d probably be totally happy accepting this in the storyline and my suspension of disbelief wouldn’t have been fucking skullfucked

but this, just. this pacing. i did not like it. it felt massively unearned because there were, what, a very small number of minutes between when richard finds out his tech is inadequate to when he finds a solution?

GOD THEY COULD’VE MADE THIS SO MUCH BETTER IF THEY’D PUT AN EPISODE BETWEEN PROBLEM AND SOLUTION INSTEAD OF JUST LIKE TWO FUCKING MINUTES

this makes me SO MAD IT GIVES ME THE CONFIDENCE TO THINK I COULD WRITE A BETTER STORY THEN THEY DID? FUCK???????

???

okay like yeah totally possible the writers had constraints outside of their control and they did the best they could. but. i’m still not ... happy with the result lol

anyway yeah i’m fucking cheesed off about how richard gets skullfucked with the inadequacy of his own tech, has a breakdown, and then MERE MINUTES OF SCREENTIME LATER, he has a wild solution that works!

and sure, they had it appear to fail first, which was good. but then it magically was back up and running! and yeah i liked how russ said ‘lights!’ and it turned out that this magical new pied piper had gotten so awesome that it build this new feature for itself or whatever, but, honestly, it happened way too quickly to feel believable or satisfying and i’m mad.

because this show has set a pretty high standard in the past and now it’s been a fucking let-down with this episode. god.

what the fuck is this pacing? it was so good at the beginning of this season!! WHAT IS THIS???

AND IF THE PROBLEM IS TIME

THEN WHY THE FUCK DID THEY HAVE SO MANY PLOTLINES WITH FILLER? THE WHOLE ETHAN CONFLICT. GILFOYLE AND MONICA VS TRACY. GAVIN FUCKING BELSON’S STUPID BOOK DEAL. can you imagine how much better this russfest plotline would’ve been if they’d had MORE TIME from not doing those ultimately unimportant subplots? fuck

i have legitimately worked myself into a rage writing this post. i did not expect to have this many feelings, to this level of intensity.

and it’s fucking frustrating because the bones of an awesome arc are here! the moment when the AT&T guy sees the giant hologram from the plane, that could’ve been actually epic rather than a feeling of ‘i know this is meant to be epic but it just feels totally hollow because they completely fucking compressed the biggest part of this whole episode into five fucking minutes’

and richard’s breakdown where he’s jumping on the laptop, screaming about ‘six years’? god that point would’ve been amazing if there’d been more time to explore it!

on a lighter note, i was amused when richard said he had gilfoyle’s laptop because i was like ‘oh okay it’s nice to know that richard is a l33t enough hax0r that he can get through gilfoyle’s undoubtedly Strong laptop security with [presumably] relative ease’ ... and then it turns out it’s dinesh’s laptop and i’m like, ah, okay, less impressive then XD

...there’s no way that the girls in jian-yang’s ‘coding class’ were stupid enough to believe that writing fake amazon reviews constitutes ‘coding’. not in fucking 2019.

i’m mad.

god this has lowered my expectations of the series finale SO MUCH which i guess may be a good thing because, y’know, there’s less capacity for disappointment now.

IT’S OKAY.

EVEN IF THE SERIES ENDS ON A SHIT NOTE, WE HAD FIVE AND A HALF SEASONS OF SHOW THAT RANGED FROM FUCKING AMAZING TO NOT AS GOOD BUT STILL ALRIGHT.

and i have a whole imagination’s worth of potential fan content to be created once the show’s over. i don’t know how long this sv love affair will last but i sure fucking intend to keep it alive as long as i can.

on the topic of fan content, if you’re interested in making sv fan stuff and receiving it as a christmas/holiday gift, please consider signing up for the silicon valley secret santa/gift exchange that i’m running :))) the official blog for it is @svexchange2k19 and the sign-up form is here

#silicon valley #rain watches sv s6 #sv s6 #sv s6 spoilers #silicon valley spoilers #spoilers #precipitation #my sv text posts

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error04notfou · 5 years

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Queer Representation- Why Can’t 2 Men Just Be Friends

All-fucking-right, folks. Let’s sit the fuck down and listen real close for a moment. Don’t worry! I won’t take up tooooo much of your time. I know how busy it is being accidentally an asshole. I’ve been there. I’m gonna be nice, I promise. I just swear a lot.

There are same sex friendships on TV that are healthy and loving. There are a wide variety of relationships that slide themselves along a range of healthfulness and lovingness involving people of similar or same sexes having friendships. If there weren’t, we wouldn’t be having this conversation because there would be no writers making stories that queers become interested in that do not wish to create queer representation.

See the wikipedia page for the following categories: Bromance, Womance, Platonic Love, Bromantic Comedy, Buddy Cop. Google Guy Love. You’ll love it.

Merlin. Sherlock. Supernatural. Star Trek. Scrubs. Boy Meets World. Literally Every Children’s Show Featuring Sentient Creatures.

We wouldn’t have stories written that continuously hint at queer stories without providing actual representation. I’m sure none of you want to hear the term queer baiting right now but I promise ye, us queers don’t want to see it either. Fucken. SHIT, my dudes. Unless you are looking for queer representation- unless you have that reflexive search for queerness in life and in media- queer baiting is something you can miss or misinterpret as friendliness. It has to do with framing, lighting, the scoring, the word choice. There’s a lot of flags a writer can throw up that Hint at possible queerness without being explicit enough to sound any alarms for people not keyed to look for queer representation in media.

Hannibal is Not A Good Example because their goal was to redefine intimacy and it is Gay AS FUCK.

Teen Wolf. Sherlock. Supernatural.

Go to youtube. Type in queerbaiting. There’s lots of videos with info on it. Rowen Ellis has some shit. Sarah Z, The Fucking QueerTUBE CHANNEL EQUIVALENT OF DOES THE DOG DIE, Aretheygay, HAS A VIDEO ON IT. Somewhere in Hbomberguy’s FEATURELENGTH FILM on why Sherlock is garbage, he touches on queerbaiting.

Because they got to eat their cake and have it too, shows, movies, and books keep doing the fucken thing. Continuously throwing out flags of possible queerness for main characters while simultaneously being offended at queer audiences for believing them and then asking where the queer representation was. As well, they get to have continuously running jokes about how haha it’s funny that these two men show affection for each other because that’s gay and they’re not they’re just guys being dudes! (Scrubs. Look. You do a great job, I’m not coming for you but I am coming for Every Film of Michael Bay’s featuring two men who are friends. Pain and Gain? Anyone?)

See Teen Wolf banning the signing of ship fan art. Literally any scene in Sherlock where John Watson no homos so hard he accidentally wraps back around to yes homo.

Here’s the skinny, my dudes. My most righteously dudely dudes. The reason why queers ask for queer representation in media is because they Actually Don’t Have Much representation. It is exceedingly rare to find queer representation. And to find queer representation that doesn’t have a tragic end? Even more difficult. Despite the rustled jimmies of people finding a singular queer in their straight salad and exclaiming about the infestation of queers in this restaurant (the health department aught to be called! Think Of The Children!) it IS rare- unlike same sex friendships in films.

This is a capitalistic system. I know right? When is that going to stop being pointed out? Supply and demand is the basic tenant- or so I was taught in high school economics. I, as a fellow queer, will simply feel grateful that I live in a time where we can be considered a consumer base with a loud enough voice to be seen as providing pressure on an industry that has yet to supply for our demand. Especially since it is difficult for me to forget that it was not so long ago that our voices were considered an inconvenience for demanding the right to be able to live.

What you’ve done above is simplify an incredibly complex issue into its most reductive and unhelpful parts. No one can argue that it’s good for people to be able to have friendships on TV or anywhere else. The problem comes in in that this argument ignores the part where Everyone is Arguing That It’s Not OK To Have QUEER Relationships On TV and that These Relationships are Unhealthy. That is the tacit argument here. That’s the dog-whistle you’re accidentally blowing when you say that.

It’s similar to people who say things like: What about the children? How am I going to explain THIS to them? I’m OK with gays but do they have to shove it in my face like this? Gay marriage is alright by me but I don’t want to see them kiss! Why can’t two men just be good friends! They’re just gals being pals. Queers make up less than 4 percent of the population, why do they have to be in everything I watch? I’m not homophobic, I just don’t want to be inconvenienced. I’m all for queer representation but does it have to be in the shows I like? Why can’t they (the queers) be happy with the representation they do have? Like Brokeback (dead gay) and The Imitation Game (Historical dead gay) or Jack from Will and Grace (Gay Stereotype), or like a shit ton of Alfred Hitchcock’s villains (The Evil Queers (Dibs on that as a band name BTW))? Or the Sassy Gay Accessory Friend like in Riverdale, GBF, that weird alien dude from American Dad?

These are dog whistles. They are silencing tactics. They are manipulation. They are used to implicitly say that queerness is not OK.

So no. No one is going to say it’s bad to see two dudes being friends and expressing that closeness in any media. I can understand the feeling like your views and relationships are under attack. I can understand why people feel afraid to express affection. I feel afraid, too. The difference is when straight people say they’re afraid of seeming gay, what they’re saying is they’re afraid they might be mistaken for me. As if that’s somehow embarrassing or dangerous or immoral.

The part you’re missing when you talk about how frustrating it is that queers see queerness in relationships depicted on TV that you like is that you’re afraid they might be just like you. And a part of your brain associates queerness only with sexual acts. That’s why we’re inappropriate. YOU’RE not queer so you don’t like queer sex! Why would you want to see queer sex on TV? You don’t want to see queer kissing! Queer hand holding! You’re not queer!

That’s why it’s difficult for people to consider explaining it to their kids. That’s why it’s difficult to Accept that there are queer children. That’s why I Now Pronounce You Chuck and Larry is PG 13 despite its r*pe jokes, half naked women, and continuous references to sex, but had they included a same sex kiss as they had initially intended it, the MPAA would have made it rated R (Literally just google it. trufax.) Because these are all facets of homophobia. It’s ingrained and sometimes unconscious. You don’t have to actively hate queers to accidentally help those who do silencing them.

So yeah. Long fucking story short. It would be cool for queers not to have to grasp at any same sex relationship on TV for hints of themselves. I agree. I’m getting fucking tired as all hell having to Read Between The Straight Lines to see the gay subtext. I’d like some straight up gay text. We’ll stop having to come for your platonic friendships when Hollywood finally gets around to inventing actual queer people in its media. And no fucking blink and you’ll miss it Le Fou doesn’t count. Neither does well-they-said-in-a-tweet Dumbledoor.

#queer representation #meta #queer baiting

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sage-nebula · 5 years

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@nerd-bastard replied to your post: “I’m going to make numerous posts about season two of The Dragon Prince...”

well said. i'm still a little raw after vld, and part of me is still upset that the writers deemed it necessary for them to die, but yeah, p much everything you already said. i'm willing to try and trust them based on how clearly important social justice is to their story.

First, I’m sorry this reply is so late! I laid down to rest pretty much immediately after I wrote that post last night and then slept for . . . a long time, haha. But I do want to reply to you, because I have seen a lot of comparisons to VLD ever since The Dragon Prince released, but I really, truly believe we don’t have anything to worry about here. I truly believe there is not even a sliver of a chance that The Dragon Prince will end up anything like VLD. And if I can pass a bit of that reassurance onto you, then I want to (or at least, I want to try).

(Note: This is very long, and also full of VLD negativity / salt / criticism.)

Before anything else, I just want to say that I completely understand being burned by VLD. I don’t know how much you know about my personal feelings on it given that you just started following me recently, but I actually dropped the show after season six because the way Lotor was treated in season six made me so upset that I had to miss work the next day because I was so physically ill from panic attacks. I’m a mixed-race child abuse survivor myself, and so to see Lotor treated the way that he was---to have JDS and LM confirm in a post-season interview that their intention really was to say, “unless you have a good parental figure in your life [like Keith had Shiro, was the example they used], you’ll end up evil and/or just like your abusive parents” was just too much for me. There were already a thousand reasons why I was upset with them for things they had done in VLD and in interviews (e.g. how they used the slur “half-breed” to refer to mixed-race characters, their treatment of female characters such as the generals, and so on), but that was the final straw. I know what happened in seasons seven and eight because it was impossible for me not to hear about it given how big the fandom is, so I know all about the queerbaiting with Adam and what their intentions were with him and Shiro’s sexuality, but I didn’t actually watch myself (outside of select bits of s8 because I couldn’t resist childhood flashbacks for Lotor), and I will not watch anything JDS or LM work on ever again. They have no respect or care for people like me, so I will not have any for them.

So I completely, completely understand still feeling hurt and upset over VLD. Believe me when I say that I am in the same boat, and I have nothing but empathy for you. But I also really, truly believe that we have nothing to fear when it comes to The Dragon Prince and its crew.

To begin with, just some base comparisons:

Voltron: Legendary Defender was produced by DreamWorks Animation, and though both LM and JDS have said that they were fans of the original 80s Voltron series, I think it’s far more believable that they accepted their roles of executive producers for VLD more because of the paycheck and the career boost it would give them than anything else. Surely, DreamWorks decided to create and air a new Voltron series because of the revenue it would bring them, given that it was already an established franchise in the past and it came ready-made with plenty of toy ideas. Likewise, being at the helm of a product that would already garner plenty of attention and exposure for them---and a massive boost to their careers if it was successful---would no doubt be attractive to LM and JDS. I don’t believe that VLD was ever a passion project for any of them. It was a job. It was a job that maybe had the potential to be fun, but it wasn’t something they came up with themselves because of a love for the story or the characters. And keep in mind, I’m not trying to bash them by saying this, I’m just stating what I think are the facts. Plenty of creators in television and even film sign onto projects they don’t necessarily love so that they can get the money and boost to their careers to make the things they do. That’s just how the business is sometimes, and I think that’s what happened here.

But that’s not the case with The Dragon Prince. The Dragon Prince is being created by Aaron Ehasz, Justin Richmond, and Giancarlo Volpe. Aaron and Justin founded WonderStorm in order to make this show (and the game that will tie in to the show). They had the ideas and passion for the story and characters first, before they made their studio. And that’s just it: Their studio of nineteen people exists solely to tell this story. Particularly since we know that Netflix doesn’t have an overhead for the content they air, this means that Aaron, Justin, Giancarlo, and everyone else can do whatever they want with this story. They don’t have executives twisting their arms behind their backs. But more importantly, they’re also telling this story because they want to be. Since they’re a small indie company, this was actually something of a risk for them; they’re not guaranteed more seasons, they’re not guaranteed financial success, and if The Dragon Prince failed, that could mean the end of their company. So they’re not doing this for critical acclaim or money (especially since they all could have gone to other projects being created by major companies like DreamWorks if they wanted more money or exposure). They’re doing it because they have a story they love, that they want to tell, that they want to share with others. All nineteen of them are here because they care, not because it’s “just a job” that they have to do in order to make money or get more exposure and fame.

And that might be all fine and dandy, but just because you’re doing something as a passion project doesn’t mean that you’re doing right by those you want to represent, right? I would agree with that, but I think we can already see massive differences between VLD and The Dragon Prince when it comes to representation.

VLD was originally acclaimed for its representation due to having characters with different racial backgrounds in the main cast. The fact that Shiro was disabled was also critically acclaimed as well, because he was a disabled main character who was still allowed to be a hero. The thing is, however, that VLD’s representation is by and large shallow. They don’t really care about actually representing anyone as much as they care about getting the accolades and praise for doing the bare minimum. As a few examples:

Shiro is disabled, but his disability might as well be a cosmetic difference than anything else. We see Shiro affected by his PTSD a grand total of once (when Sendak was mocking him in season one), and we never see him really impacted by his arm. Keep in mind that I am NOT saying that his character arc should have revolved around his disability. Writing disabled characters with their disability as their only personality trait is horrible writing, and would be even worse than what they actually did. But what I am saying is that while losing his arm and having it replaced with galra tech should have been something traumatizing for Shiro, we never actually see that. We never see him experience phantom pains from his missing limb (which he could do even with the galra arm, as we see with Edward Elric and his automail in the FMA manga). I can’t remember a time when the arm malfunctioned or broke down to the point where he only had one arm in a potentially dangerous situation, and had to cope. Instead, in all honesty, his arm just looked cool and gave him a ton of abilities he wouldn’t have without it. Whereas Edward Elric has phantom pains with his automail, has it break repeatedly, can’t go into very cold or very hot temperatures without risking serious injury and so much more, Shiro’s arm is pretty much there just to look cool and offer convenient solutions to galra problems. He’s disabled, yes, but he’s not shown actually having any of the experiences that disabled people with prosthetic limbs in real life have.

Similarly, we find out in season seven that he had a chronic illness . . . but we never actually see him experiencing that in the show itself. He had a chronic illness as we find out in flashbacks, but in seasons 1-6 he was never shown actually suffering from that chronic illness. The reason given is that Haggar had it removed while experimenting on him (which . . . makes his kidnapping a good thing because he would have died otherwise? What??), but the point still remains that while Shiro could have been excellent representation for people with chronic illness had we seen him have at least some effects of chronic illness on the show (needing medication at the least, or having some fatigue symptoms, or something), he wasn’t, because without being told that he had chronic illness in flashbacks in season seven, no one would have known. I’ve seen people say that he’s supposed to be representative of the chronically ill, but in my personal opinion invisible representation is not representation. It feels an awful lot more like JDS and LM just wanted to slap another representation label on him without doing any of the legwork and call it a day.

They included more female characters, but used them as plot devices or supports for male characters. I distinctly remember a pre-season three interview when LM was gushing about how excited she was for Lotor’s generals, because they were generals now instead of being a part of a harem as they apparently were in the 80s version (I didn’t watch the 80s version, so I couldn’t tell you). But at the end of the day, Acxa, Zethrid, Narti, and Ezor were glorified plot devices or supports for male characters, and other female characters on the show didn’t fare much better. A quick rundown:

Acxa was defined by her relationships to either Lotor or Keith. She was either Lotor’s most loyal general, wanting to carry through his vision or support him endlessly, or she was so moved by Keith’s sparse interactions with her that she wanted to do everything that he did. It briefly seemed as though Acxa did have her own motivations when she turned on Lotor in season four in order to protect Ezor and Zethrid, but in season six that was wiped away by showing that it was all a ploy and that she never lost her loyalty to Lotor in the first place. Don’t misunderstand, I love her relationships with Lotor and Keith as I write them in my works, but I also take care to give Acxa her own backstory and motivations that aren’t dependent on her relationships with those male characters. In canon, we didn’t get that. Not at all.

Narti was a disabled character who was both blind (unless linked with Kova) and mute. She was also abruptly killed off for no reason other than to give Lotor and the other generals a reason to separate. Narti was never given characterization, backstory, or a real purpose in the narrative. She was apparently trusted enough by Lotor to be given his beloved cat, but that ended the moment he struck her down. I used to think that perhaps this was foreshadowing for how he’d react when he found out about Shireplica, which would in turn set the rest of Team Voltron against him, but that wasn’t even it. Instead, it was just that Narti was seen as disposable by LM and JDS, possibly because since she was blind and mute, they didn’t consider her as worthwhile as the other generals. Disgusting.

Ezor and Zethrid were plot devices. In the beginning it seemed that they surely had motivations and character arcs of their own. Ezor was the most upset about Narti’s death, and was the first to call for mutiny, whereas Zethrid only agreed after the first attempt at the rift gateway failed. But as the seasons continued it became more than clear that they were only there to do as the plot commanded them to do. Zethrid suddenly wanted to conquer things in season five despite agreeing with Lotor’s vision before. Ezor was “glad to be on Lotor’s side again” in season six despite being the most upset over Narti and the first to call for mutiny in season four. I fully believe that the only reason why they were written as a couple in later seasons is because they were the only two remaining generals of Lotor’s who didn’t already have another potential love interest (as Acxa had Keith). I also believe they only miraculously survived in season eight due to backlash to their deaths in season seven. But whatever the case, it’s clear that Ezor and Zethrid were not given consideration as individuals. I can’t even list them individually here because that’s how little consideration JDS and LM gave them. It’s goddamn sad.

Krolia only exists to be Keith’s mom. That’s it! At first it might seem as though she did have her own motivations and goals when she was introduced in season five. It seemed highly likely that she left Keith behind because she believed in the cause and the mission to overthrow the Empire, something that she and her son would end up having in common (because Keith would likely make the same choice). But in season six, this was dashed. No, she was perfectly happy to abandon the mission and war to have a family, and only left because she wanted to protect Keith. Fuck the billions of people who were enslaved and dying that Krolia could have cared about---fuck her friends and found family in the Blade of Marmora that she could have cared about, fuck everything else she had going on in her life before she crash landed on Earth that she could have cared about---no, she only cared about Keith. And her role in the show from that point onward was just to be his mom, too. She did end up leading the galra alongside Kolivan later on in season eight, but everything she did was for Keith. She didn’t have any interests, any passions, any goals or opinions that weren’t tied to him in some way. She wasn’t created as her own character, she was created to be Keith’s Mom and that’s it. Disappointing. More important female characters were able to stand on their own for the most part, but even they were done dirty in similar ways. Pidge’s entire character arc revolved around wanting to find her father and brother, for the most part. She had little brief spots of wanting to connect with nature here or there, but for the most part it was all about her male relatives and how she wanted to find them. Her character was never explored more deeply than that. And Allura just wanted to follow in Alfor’s footsteps. All the choices she made with regards to wanting to be a paladin or an alchemist were all because her dad did it first. Rather than giving her an arc about wanting to carve out her own legacy, or realizing that she should want that because Alfor wasn’t the perfect paragon of goodness she believed he was, she instead just wanted to make him proud and that’s it. She was defined by how well she lived up to his legacy. (And that’s not even getting into the misogynoir of her ending, my god.) At the end of the day, LM and JDS wanted to get props for having Strong Female Characters™ without actually writing female characters in a strong way. It’s shallow representation at best.

And finally, the issue of queerbaiting and Bury Your Gays with Adam and Shiro. Prior to season seven, JDS and LM announced that Shiro was gay and had been in a relationship with another instructor at the garrison, Adam. Fans were promised that we would meet Adam and season seven. They generated as much buzz and fanfare as they could, got everyone excited . . . and then not only was it not evident without knowing beforehand that Shiro and Adam were romantically involved, but Adam died about five minutes after his introduction. What they essentially did was pull a JK Rowling: We only knew that Shiro was gay in season seven thanks to them telling us beforehand (similarly to Dumbledore’s “reveal”), and Adam died immediately so there would be no chance of a reconciliation. Shiro did later get to marry a man and have a kiss and all, which is at least something (though the fact that we didn’t get to see that relationship develop is highkey disappointing), but that doesn’t change what they did in season seven. To make matters worse, JDS admitted in his open letter that they knew they were doing the “Bury Your Gays” trope, but that they (paraphrased) “hoped that the reveal of Shiro’s orientation would overshadow it.” I.e., they just wanted the brownie points for saying, “Hey, Shiro’s gay!” instead of actually showing him in a loving relationship with another man and letting the story tell itself. They didn’t want to actually write a queer character or queer relationship; they just wanted the praise and positive buzz for saying they did.

And that’s the same pattern that almost all of VLD’s representation falls into. With the exception of the racial diversity on the show (and even that fails in some areas, such as the writing hinting that mixed-race galra are treated badly, but never delving further into it, though at least we did have skin color diversity among the human characters), VLD’s representation was shallow and only there for brownie points and accolades. The VLD staff did not actually care about representation; they just wanted the awards for having a diverse show. As far as I can recall, I believe that they only started talking about queer representation once people started pestering them about it on twitter. To that end, we could even surmise that it was never originally planned (which would explain why Shiro did not ask Keith about Adam after first waking up in season one, because even if they had broken up, Shiro had planned on marrying that man; you can’t tell me he wouldn’t have cared or been curious), but that they just slapped it on once they saw it would garner positive publicity after shows like Steven Universe aired. Everything LM and JDS ever did was for their own glory; it was never out of genuine care and consideration.

By contrast, The Dragon Prince has given us both representation and care. As another brief rundown:

General Amaya is a deaf character who speaks in ASL and who was created by the crew working with deaf and hard of hearing individuals to make sure she was portrayed authentically. The crew has said in numerous interviews that once they decided to make Amaya deaf, they worked with numerous deaf and hard of hearing people to make sure they were portraying her authentically. They had deaf and hard of hearing people doing ASL in the studio so that the animations were accurate and authentic, too. They didn’t just decide that Amaya was deaf and call it a day; they actually worked with people in that community to make sure that her portrayal would really speak to others in said community, that she wouldn’t be an offensive stereotype or a shallow presentation. And even more than that, we see how Amaya’s disability has informed her character and arc. While she can read lips (and the ability she has to do so is a bit realistic, but that’s been addressed by the creators saying they did a bit of leeway for the sake of the story flow), she still has an interpreter with her in her season one appearances, and we see that her soldiers have learned ASL as well. In fact, it’s because one of the soldiers knows ASL in season two that he is able to tip Amaya---and only Amaya---off to the fact that there are sunfire elves holding him hostage. Amaya being deaf doesn’t define her character, but we do see how it informs her character (and her relationship with her sister, when she and Sarai share a dirty joke that those who don’t know ASL don’t understand!), as well as how it informs and affects the plot.

The female characters are ALL well-rounded, and none of them are dependent on male characters for their arc. Honestly, I have so much to say about the lady characters in The Dragon Prince that I could be here all day if I tried to do a rundown like I did above for VLD, but the simple fact of the matter is that all of the lady characters---even ones we only get glimpses of, such as Sarai---show that they have thoughts, motivations, and character arcs that aren’t dependent on their relationships with male characters in the show. To try to keep it brief:

Rayla was raised and trained by Runaan to be an assassin, and she does want to get Azymondias back to the dragon queen, yes. But she’s also motivated by the sense of shame she has over her parents abandoning their duty as Dragon Guards to flee for their own lives instead. She’s motivated by a deep, internal sense of Right and Wrong that pushes her to hesitate to kill those who aren’t attacking her, and to defy Runaan’s orders once she learns that the egg wasn’t shattered after all. This same internal sense of Right or Wrong has her questioning her job as an assassin in season two, and pushes her to defend the defenseless dragon that Soren and Claudia want to chop to bits. She cares quite a lot about Callum and Ezran, given that it’s heavily implied that they’re the first friends she’s ever had her own age, but she’s not afraid to argue with (or even temporarily separate from) them in order to do what she feels is right. She’s her own character, and even if any of the male characters were removed, she’d have enough to stand on her own.

Claudia was taught dark magic by her father, Viren, and she cares a lot about her brother Soren, yes. However, she also has clear passion and love for dark magic; she considers it “fun” to turn chains into snakes, gets super excited when she has a new breakthrough, and is fascinated by magical ruins and artifacts. She studies magic not because she wants to be like her father or because she wants to make him proud, but because it genuinely fascinates her and she loves pushing her own potential. She’s also impatient and frustrated when her “shortcuts” don’t work out; she uses dark magic for convenience, as seen when she uses it to make pancakes, and she throws tantrums when things don’t go her way. She also has little regard for lives that aren’t human. She’s her own character, and even if any of the male characters were removed, she would still have enough character and motivation to stand on her own.

Sarai was Harrow’s wife, and mother of Callum and Ezran. Lesser shows would have just left her as that. But even though we’ve had hardly any time to get to know Sarai, we see that she was so much more than that. We see little details, like how she had a sweet tooth and felt that dreams that weren’t dirty were “boring.” We also see how she was Harrow’s closest adviser when she was alive, and how she “advised” him through sparring matches. We see how she was passionate that all life was sacred, how she argued against killing Xadians for the benefit of humans, even those humans in her own kingdom. We see how she was willing to stand by Harrow even when she disagreed with him, and that she didn’t let go of her disagreement, but still did what she felt was Right. And we also see that even when she disagreed, she could still see when the success of the mission was more important than anything else, as she gave her life to save Viren’s so that the people of Katolis and Duren would live. Sarai was her own character with her own motivations, and would have been strong even if she hadn’t been Queen of Katolis. These are just three brief examples, but the way that characters such as Amaya, Ellis, Lujanne, and Aanya were portrayed follows these same lines. The female characters in The Dragon Prince are written to be people rather than Strong Female Characters™. Aaron Ehasz and Justin Richmond never bragged about having strong female characters on their show, but they didn’t need to for us to see what a diverse and well-rounded cast of female characters they have.

Finally, the queer representation. In season one it was strongly hinted that Runaan and Tinker Elf from the credits were in a relationship, and I’m of the opinion that Aaron recently confirmed on twitter that Runaan is in fact queer (because when someone asked him if Runaan was the queer character who died, Aaron said “we all know Runaan isn’t dead :)” which would imply that while he’s not dead, he is queer). Unfortunately, they’re not happy together just yet, but I have hope that Runaan will be saved in the coming seasons, that we’ll get to meet Tinker, and that we’ll get to see them happy together. I hope so. Then there’s Aanya’s mothers. I already spoke about this in the post you replied to, so I won’t go on about it at length again, but I will point out that no one on the crew bragged about having queer representation this season (it was a Hypable reviewer who brought it up), nor was their relationship ambiguous in the show itself as Shiro’s and Adam’s was. Moreover, when Aaron addressed the fans, he agreed that fans had a right to be upset that they were, promised more representation in the future, and asked us to trust him. Rather than growing angry at the fans who were upset and liking petty salt posts defending him on twitter the way JDS did before admitting that all he wanted were brownie points, Aaron sympathized with the fans and promised to keep listening. And with the way they improved the animation after hearing fan feedback, I believe that they’ll take this to heart in the future. We already know that Ezran’s choice at the end of this season wasn’t originally planned, but that they went with it because they listened to his character. This tells us they aren’t married to their plot, and are instead writing to character. I believe that they’ll take all this into consideration moving forward.

No show is perfect, because no content creator is perfect. I’m not saying that The Dragon Prince hasn’t or will never make mistakes. But I am saying that we have already seen five billion times more care and consideration from the crew of The Dragon Prince than we ever saw from VLD. All the cards are in place for The Dragon Prince to truly do right by its story, characters, and fans, and that comes right down to the crew and what they’ve already shown us. Any depth and care that VLD had came from the fans rather than the creators or the show itself. With The Dragon Prince, we see depth and care within the first episode or two, and that has never lessened. I completely understand being burned by VLD, because I was, too, but The Dragon Prince is an entirely different project by an entirely different team from an entirely different studio and is on an entirely different (much higher) level. VLD’s sins have no place here, and I truly feel that we have nothing to worry about.

#nerd-bastard #//#///#////#/////#voltron salt #voltron negativity #representation

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ravenrose-99 · 6 years

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Voltron knows what they are doing, please stay positive

Okay, I don’t normally write posts on here, I mostly just browse through and fangirl at as much Voltron shit as I can, but with season 7 being what it was and all the backlash people have been giving the vld cast and crew, I wanted to put my own thoughts out there hopefully to even out all the negativity with a few positive thoughts.

Okay, first off I want to discuss the main thing people have been blowing up about; Adam’s death and the supposed queer baiting.

First off, I think Adam’s death was in fact written for a solid reason. At first, I was like most people, thinking that it was really poor writing to just throw this brand new character away like that without any real development. But after really thinking it over, I began to realize why they might have written in his death, and no, it was not to kill him off just because he’s gay and the writers are homophobic. Honestly, think about it, If they really were wouldn’t it have been better to get there message across by just not making Shiro gay at all? Which we know was an option with that other recorded version where Shiro and Adam are just friends.

Anyway, let's look back at episode 1 during the talk between Adam and Shiro. We know this was supposed to be Adam warning Shiro that if he leaves they are finished as a couple.

But actually, there is more to this scene then just that. It was foreshadowing to Adam’s fate.

He literally wasn’t there when Shiro returned to Earth.

This obviously makes Shiro feel extremely guilty and regretful. He lost his chance to live out a life with Adam due to choosing his career/dream over him. Yes this is depressing, but one of the main rules of writing is that everything is written for a reason, and so far the writers have done a beautiful job following this rule, so what possible reason could there be for killing off Adam?

Well, this is where we get into the queerbaiting. Yes, I will admit, I got a bit upset after seeing how much they really promoted Shiro and Adam, making us think they were a bigger deal then they turned out to be, but what if they still are a big deal. Sure they weren’t the LGBT+ rep we all hoped they would be, and we won’t be seeing them together in Season 8 unless it’s in a flashback, but keep in mind they still were two cannonly gay men in a popular tv show, and that in itself is still a step in the right direction, they are showing that homosexual relationships exist.

Besides, what if they still aren't the only LGBT+ rep?

We know for a fact Ezor and Zethrid were cannonly gay, Bex apparently confirmed it. I personally don’t see an issue in that regard. I thought it was cool to see them together, especially thinking back to their somewhat comical interactions together in the past.

Anyway, we see that they aren’t afraid of making multiple gay couples in this show, and it’s suppose to be set in a time period where society is very accepting to different sexual preferences, so why not show these different sexual preferences. I think there is going to be more LGBT+ rep than just the ex generals and Adashi.

Most of you probably know where I’m going with this.

Now I will admit, I am a hardcore Klance shipper, but I honestly think out of any LGBT+ relationship this show could go for, these two would be a perfect choice. Their relationship has grown so much from rivals to friends, and could easily go that step further into something romantic. Now some say Season 7 was the death of Klance, and my pessimistic side agreed for a while, but if you really think back, we got some serious moments with these two. Honestly, if it weren’t for the Allurance blush scene, I would say these two were official without a second thought.

First we had this look from Lance when Keith said he was going to try and save Axca.

Lance looks genuinely worried for Keith. His view of him has changed so drastically from the beginning of the show.

He’s no longer trying to compete with him, he’s actually praising him.

I honestly think this scene is more than just something goofy they added in for the comedic affect of Keith’s reaction.

Again, everything is written for a reason. In this scene not only is Lance praising Keith as their leader but he’s literally saying Keith is the future. What if this is foreshadowing Keith being Lance’s future? Lance’s choice for his future. We all know he could have easily chosen Allura and they could have made it really romantic, but no, he chose Keith. He didn’t want Keith to be stuck there for eternity. He trusted Keith to lead the coalition and end the war.

Plus Keith looks more than a little annoyed at Bob. Almost like he just wants him to get off his back about it. I mean really look at them, out of all the paladins Keith is the only one that looks really upset during this part of the show.

Not to mention that he was the only one that didn’t have to think before writing down his answer.

I’ve thought for a while that Keith has a crush on Lance, but just refuses to do anything about it because either he doesn’t think Lance would accept his feelings, or (more likely), he’s more concerned with the war and leading Voltron. The Blade hammered into his head that the mission comes above all else, It wasn’t until his mother showed up that he started to hear a different perspective.

Okay, now that we’re on the subject of Keith, lets start to bring this whole thing full circle.

Shiro and Keith are obviously really close, they have been for years. They trust each other, and care very deeply for each other.

Keith knew about Adam and Shiro. He knew how close they were and how Shiro chose the mission over their relationship.

Keith must know how awful Shiro feels now that he can never be with Adam again. He chose the mission above the person he loved. Shiro is going through the stages of grief, which we will probably see next season. He wouldn’t want anyone to have to go through his pain and regret, especially someone like Keith, who has again been told to put the mission is above all else.

Thankfully, his mother taught him a lot during their two years together,

But obviously Keith still has traces of his old self, which we see especially during episode 6.

The loner.

The hothead.

Keith isn’t perfect. Yes he has learned a lot, and grown as a leader and a paladin, but Keith is still Keith. It’s entirely possibly that he would try to choose the mission over someone dear to him, just like Shiro, who would also be the first person to try and stop him.

Lets also not forget this drawing:

It’s a fact that Lance likes girls, specifically Allura. And the scene of them blushing at each other has put a lot of people on edge. Even some Allurance shippers as well, thinking that moment seemed to have come out of no where.

Now I can totally get behind Allura wanting Lance to be safe and telling him that before leaving, because it parallels this:

But it’s the blush that makes the moment seem forced. Allura hasn’t shown any romantic interest toward Lance at all. Most of them have been platonic, and even when she found out about Lance’s feelings, she didn’t look even remotely happy about it.

Now this might have have been somewhat forced for a reason. This makes it possible to address their potential relationship right off the bat next season. It will show if they really do fit together romantically or not. Allura might even brush Lance off a few times, being too busy for him, which could hurt Lance, having it be the second time she would have done this. The first time when she was with Lotor.

This could potentially be the start of Lance’s sexuality arc, and Shiro will be there for him if the show really is sticking to the picture.

Lost post short, this is why I think Adam was killed off. Not because he was gay, but because it was needed for this part of the story to unfold properly. Shiro is full of guilt and regret now. He lost Adam and can never get him back. He wouldn’t want anyone to make the same mistakes he did.

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skalidra · 6 years

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Im the voltron anon... I actually agree with you mostly. I dont think that the vld crew queerbaited. I agree that the voltron fans need to re-evalute themselves. I mostly made that ask for other people, who disagreed and thinks the queerbaiting really happened. I am aware that Shiro is gay, but for me it doesn't feel like it bc it was confirmed in a panel, and isn't really shown in show yet. Most ppl saw the Adam thing and thought "friends". That's my main issue with voltron rn.

I honestly don’t know how you watch that scene with Shiro and Adam and see anything but a romantic partnership. ‘Don’t expect me to be here when you get back’ is not something you say to a friend, not like that. Neither is, ‘Don’t start this again, you don’t need to protect me.’ Or, really any of the lines in that scene.

And when you’re talking to someone else, telling them about how you’re dying, you don’t specify ‘Adam doesn’t want me to go’ unless that one person is the only real important person.

We’ve seen how Shiro interacts with friends. Matt is a friend. Sam is a friend. He did not behave around Adam how he behaved around them, not to mention the clear pain at the memorial.

I’m more inclined to believe that anyone who didn’t see the pairing, didn’t want to see it. Very much like what happened in YOI, where there were still people denying it even when they were exchanging rings in a church. >.>

#Asks #Voltron Spoilers #Anonymous

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georgieharrisons · 6 years

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you just don't want jason and tahani together because you want him for yourself

you caught me, clever anon! if only jason mendoza, known fictional character, doesn’t end up with tahani al jamil, known fictional character, i can have him all for myself!

In all seriousness, while this anon is totally ridiculous (i have no issue with jason/janet which would also make jason unavailable to me if his, you know, general lack of existence didn’t do the trick) i have gotten multiple replies/anons commenting on how that post i made after episode two was ship shaming and shouldn’t have been in the tag so i’m gonna take this opportunity to clear a few things up.

1. i didn’t tag the post jason/tahani or any version of their ship name. but i did tag it with the show and the character names and i shouldn’t have done that. if i have any more cause for ranting about them in the future i will keep it out of the tag (though given how tumblrs tagging system is all broken forever it’ll probably show up there anyways just because the post mentions their names). i also don’t care if people ship jason/tahani. i don’t want it to happen. to me, personally, in my personal opinion, it’s a bad idea and i would not be happy to see the show do it again. i feel like that idea has been played out and i am so sick of love triangles i could vomit. that doesn’t mean that people who disagree with me are bad or wrong or that i’m saying they are bad or wrong. ship whatever you want. for real. it’s a sitcom, we’re here to have fun.

2. the main reason i initially didn’t want jason and tahani together was because of how genuinely unkind she was to him in season two. if you watched season two and disagree with me, that’s cool, but i saw a bunch instances where she was openly demeaning and sometimes downright cruel to him and that’s just...not good in a relationship. it also didn’t get better over time, she acted that way towards him until they broke up. however, season three doesn’t seem to be going that route with them so if she’s nicer to him i honestly would have way less of a problem with it. BUT

3. at this point, as much as it pains me to say it, if the show doesn’t have tahani and eleanor get together for at least a bit, it’s just queerbaiting. it pains me to accuse a show i love of this (particularly from mike schur, who has great queer representation in b99) but eleanor’s attraction to tahani up to this point has only ever been played as a joke. confirming eleanor bisexual outside of the show does nothing if nothing is done to confirm it within the show itself. that’s some jkr bullshit and we aren’t here for that in 2018. and using eleanor’s interest in tahani as nothing but a punchline for the duration of the show, while having no other queer representation on the show (unless you count the demons pretending to be husbands in season 1) is straight up (no pun intended) queerbaiting and just kinda not okay. i’m not passing judgement yet. the season isn’t even halfway over and this show is known for its twists and turns so i’m more than willing to wait and see but this is where i’m at right now.

obligatory disclaimer: these are my opinions. yours may be different. i am not accusing you of being a bad person if your opinions are different. please extend me the same courtesy.

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sherry-smith · 7 years

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The greatest love story ever told

aka, why Sherlock is still one of the best tv shows ever, even if Johnlock actually turns out not to be canon aka, why Johnlock is canon anyway, even if you have lost hope, even if it feel like betrayal/queerbaiting

Initially I wanted to post this after TFP aired if Johnlock turned definitely and for good not canon, but I might as well post it now and eventually reblog it later. Earlier this morning I made a point. Long story short, Johnlock is already canon, but the problem is that most of people can’t see it. No, I’m not a crazy person, I don’t think I hallucinated this romance alongside other john lock shippers. We have facts to support the ship, unlike other ships (of course I’m not trying to tell you that other ships are not valid, I know I may sound harsh but I am not. I am the first one here to believe that it’s important for people to ship whatever they feel like shipping. Every kind of fan is a valid fan) And even if tuck didn’t exist, I’d still think that the show contains canon Johnlock, and that’s because it feel right when it comes to the narrative. Alright, I could stay her all day long trying to explain this point, but that’s not what I want to talk about it. So, for the sake of brevity, just trust me and my writer sense; I used to be a writer, my mindset is still the one of a writer, I know how a writer’s mind works.

Let’s pretend the Clue thing is bullshit (I myself don’t know how to feel about it). Let’s pretend there’s no secret scene, no explicit confession, no kiss. That would be extremely sad for LGBT+ community. What a wasted opportunity. But… would it really be a surprise? Most of shippers even wanted a sex scene, but I’ve always knew it was a big no. Absolutely not. The most explicit thing they could have done in s4 was a kiss, nothing more than a kiss. Why? Because it doesn’t make much sense narratively speaking at this point. At all. Ok, we waited so many years, we knew what we wanted to see. But that’s not about us. Truly good books, or films, or tv series, are not about the audience, that would be called fan service. It’s about the story. And yes, this is the story of two men in love with each other, but it’s also a story about two mentally ill people, and that’s the whole point. Yes, it’s a story about LGBT+, but it’s also a story about mental health, it has been so since day one. John suffers from PTSD and has suffered multiple traumas (the return from war, the Fall, Mary’s lies, and yes, even Mary’s death, even if you don’t ship them, you can’t deny it’s an awful trauma) and he was suicidal (which was obvious but unconfirmed, at least till TLD, bless that episode). And I don’t even know where to start regarding Sherlock. In a deleted scene from ASiP it was implied he is suicidal too, but you don’t really need that scene to figure it out. He’s alone and scared, people constantly treat him like shit only because he’s more clever than anybody else, only because he’s different. And have you ever thought about the Fall? Yes, everything was fake. Still, he had to pretend people where right about him being a fraud, and you know what? To a certain extend, he believe that too. Not because he invented Moriarty, of course he didn’t, be he still feels like he’s a fraud; that’s what low self esteem does to you. And I won’t even talk about his drug addiction, if you stop thinking about it - really thinking about it - it’s so obvious and so painful. The poor kid is so depressed I literally can’t stand it. Let me hug him.

Now, I don’t know what people think about mental illnesses, but let me tell you this one important thing: they don’t let you have any real relationship. Now, it’s kinda difficult to enter this topic because it’s getting personal (and also my sister follows me here on tumblr, so I can’t make clear references to real people I know). Let me just tell you that I know what depressed people are like, I know how suicidal people are like, and I definitely know how people with low self esteem are. In my personal experience, it’s difficult for those kind of people to create strong bonds. Don’t get me wrong, they often strive for it, but they just can’t trust other people 100% and definitely they won’t talk openly and totally sincerely about their mental illness. That’s it, trust issues. They fear other people and mostly they fear themselves. (well, unless they’re on the road to recovery. As I said, it’s difficult to be vague about this topic, but I have no choice. Please, message me if you really want to understand what I’m rambling about). We see this in the show. How many friends does John have? How many friends does Sherlock have? Exactly, you know the answer. So what can we say about other kinds of relationships? What can we say about lovers? Well, it’s even more difficult. So, is it such a big surprise if this too clearly messed up people who are John and Sherlock are not ready to make another step?

They acknowledged they’ve saved each other, in so many ways and so many times. And that is, to me, the definite proof that Johnlock is canon. Because, who can you possibly love more than the person you saved and that saved you? And that happened not just once, but multiple times. But, most importantly, they didn’t just saved each other from being killed by the big villain of the episode; they saved each other from themselves, aka (paraphrasing Mycroft) they’re worst enemies. And if that’s not love, I swear, I don’t know what the hell it is.

After TLD, it’s crystal clear they’re not ready, even if we are. They are still so messed up, but they are on the road of recovery. And they will recover together, helping each other. And they will get better and they will end up kissing and yes, even having sex, when they will be ready. Mofftiss’ portrayal of mental illness is really stunning, and it’s already real, it’s there, on screen, and nobody can take it away from us. It’s canon, and it’s beautiful.

Maybe they won’t really kiss tomorrow. But I know what I expect to be in TFP. And if it proves me right, I won’t stop believing. Give them time. It’s not about the audience, it’s about Sherlock Holmes and John Watson

@yearofjohnlock

#sherlock #tjcl #s4 #mental illness #johnlock

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mild-lunacy · 7 years

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As Far as the Narrative Allows

As should be clear by now, I really love Ivy's reading of TFP; I just wrote a meta on canon Johnlock because of Ivy's reading. And I respect transformative fandom and readings, but... the fact is, if I think of it as being just another transformative reading, like the other rewrites and/or reimagining attempts of S4 in general and TFP in particular, the glow immediately fades, and I can literally feel all my joy and love slipping away. Even my face actually drops when I think of it like that. I mean, I realize that I'm right there with many other fans at this moment, who want to hold on to the love, to the fannish joy if nothing else. I feel that too; I want that too. It's just... my joy has never been purely transformative. I personally can't abide by the idea that I'm denying or disregarding any part of canon, subtextual or textual, including explicit and apparent implicit intent. I do still *love* the canon, after all. And so, I can only follow after Johnlock as far as I can truly, rationally believe the narrative allows.

I also don't really feel the need to reclaim my ship (though I can understand it). It was never either the authors' *or* mine to me, after all. It's *ours*. I'm neither entirely the canon-whore nor a transformative fanon-first type (though no one would accuse me of that). I feel like the magic in fiction happens in the act of communication itself, and it's found in the middle: in the free space between the creators and the audience. That's that collaborative process that Ivyblossom described Mofftiss clearly supporting, particularly in episodes like TAB, which ask a lot of active effort to connect the dots on the part of the viewer, but not *transformative* effort. It's not solving puzzles, and it's not predictive unless there's an arc at play: in the end it's just close reading.

Anyway, what I'm saying is that I have to believe there's different kinds of clues and subtext reading in fandom. There's definitely been very different ways of approaching 'canon Johnlock', that are only obviously revealed as functionally divergent right now. One is the puzzle solving orientation to it: what you might call transformative analysis of the subtext. And then there's mine. I don't transform. I'm not a puzzle solver (and yes, I never have been), but neither do I opt for the typical 'English major' type approach, which once might have been at odds with canon Johnlock, and now may well be embraced and celebrated as part of reclaiming 'our' ship from Mofftiss.

Essentially, while I agree that any reading that can be made to 'fit' with what we know is valid and acceptable, at the same time, my standards in fandom are *much* higher than they would be in an English class. Not everything goes, in my book. It only goes if a given interpretation fits *both* the apparent waters' surface and the contextual currents in the text, as well as the subtext island. I don't begrudge people their happiness or peace of mind, as I realize that's what I'm trying to achieve too, but the fact is that I'd rather be unhappy and never think of Sherlock again than consciously twist canon to fit my needs in any way. I *have* to believe the subtext is real in Johnlock, and they simply chose to keep it subtextual. Otherwise, it's no different than believing they were together in THoB or had a one-night stand during Stag Night. Both of these can work with the text on a very basic level, but make no sense on a deeper narrative or structural level. Therefore, both are discarded as analysis and too painful for me to believe (as I'd only feel delusional). I have to believe Ivy's reading is different, and yet... I'm not sure if I can. Mostly, it does seem different because it does actively work with all levels of canon at all points that I can see; it doesn't merely *fit* or expand upon the text, but illuminates and supports it. To the degree I still think that, I believe Johnlock remains right there, at the topmost layer of actual intentional subtext.

The thing is, I love subtext, and I'm comfortable taking a certain degree of it to be textual if it's integrated with the textual themes and characterization arcs, as I've tried to explain before. It's a delicate balancing act, especially when you lack any explicit proof. In the end, it's just about what works for you and what satisfies you at that point, which is why I'm just rambling about my own reactions here, really. I mean, I still genuinely see an implicit romance built into the (sub)text of BBC Sherlock from the start. That's not just another valid analysis of the show like any other, and I'm not about to start embracing that way of looking at it now, not after years of reasoned resistance. It's not 'just another workable analysis' because nothing else *makes sense*, not in the larger view of Sherlock's arc and the direction, writing, acting and even the internally consistent design choices. That's been my standard, and it remains my standard. My own feelings are obviously important to me, but I didn't see canon Johnlock for the sake of my feelings, and again, I really don't want to start now. Either I see it 'cause I genuinely see it, or I don't. Live by the sword, die by the sword, as they say. It was never a game to me. This is simply and purely about me interpreting the text as honestly and as closely as I can, so yes, of course it's all real (even the hallucinations and/or Mind Palace parts in TAB or elsewhere are real insofar as the characterization goes).

So what am I left with?

I'll support canon Johnlock to the degree it's actually textually necessary to make sense of the narrative, even if I'd ship it and love the characters no matter what. If I didn't think the narrative supported it anymore, I'd simply engage with it as a canon and also a slash ship like any other. I mean, there's nothing wrong with that, surely. Slash can be-- and is-- independent of canon intent. There's no need for me to remake or transform my view of canon for the sake of any ship (see: Thor/Loki or Harry/Draco, say). But we know that Johnlock still isn't like Harry/Draco; Ivy made an illustrative graph to that effect recently. On the other hand, neither is it like Ronan and Adam's romance in The Raven Cycle, unfortunately, because that's Stage 5, like John/Mary. We're still solidly on Stage 4, as we have been since Series 3, basically. And I have no wish to pretend any different any more than I wish to pretend there's more racial diversity than there is in the books, and so Ronan is somehow black. He just *isn't*. He's Irish of the apparent Caucasian type, and that's the end of the story to me.

In the end, I feel like Johnlock remains unique. A bit ineffable, but somehow uniquely undeniable. It isn't queerbaiting to me, but that's my personal reading of the term; I don't feel taunted, baited or deceived. I just feel peaceful when I think of John and Sherlock's relationship after TFP. Everything is fine, and they're together as far as the narrative allows *and* beyond.

#pointless rambles #me myself and i #sherlock feels #johnlock feels #oh fandom #the great divergence #series 4 #sherlock spoilers #tjlc #narrative #reader response #slash meta #fandom meta #shipping

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thecrookedgavel · 4 years

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The Black Box Readings - Ep 1 Transcript

Here’s the transcript for episode 1 of The Black Box Readings, the podcast where I read to you the backup of queer blogs that have gone down.

See Other Episodes

An: Hey, all! And welcome to The Black Box Readings, the new podcast where I read to you the backup of queer blogs that have gone down! I’m your host, An Capuano. So basically, it’s a show where I narrate through a deleted or deactivated blog over the course of a season, with a focus on queer artists. Though to be honest, there was a specific blog that inspired me to make this podcast, and unless this format is super popular, I may just do the one season. Anyway, although reading things in a dramatic fashion is definitely in my wheelhouse, non-fiction podcasts are not. So please bear with me while I go through some growing pains as I try and figure this thing out.

Alright, so this season, we have the story of a digital artist who caught my attention with a really cool piece of Overwatch fanart. It’s about her journey through a life spent mostly online, disability, and navigating through the difficulties of realizing that you’re trans.

For those of you not in the know, I am a disabled trans woman myself, so it’s not a journey I’m altogether unfamiliar with. The biggest reason I’m doing this podcast is because stories like ours get drowned out in the media. I wanted to be able to tell her story so that queer people, young and old, can hear something that resonates with them. And I have a good feeling that this will do that for you.

The Tumblr in question, I won’t say the address. Just know that the title of the blog was: “Less Than Human”. Yeah, I know. Not a very cheery introduction. I sort of choose to think of it, kind of like reclaiming a slur. If she calls herself less than human, other people lose the power to hurt her with it. I’m telling you the blog title because it is important later.

Anyways, enough out of me, here’s the first post of the episode, which happens to be the first post of the blog itself. It’s titled:

“Welcome!

Hey, my name is -”

Ok, so I guess I didn’t think this through. In the post, she uses her deadname, and I don’t feel comfortable reading it out to you all. If I have to choose between deadnaming a trans girl and being a little inaccurate, I’m choosing inaccuracy. I should say, actually, that I don’t consider myself a journalist or anything like that. Also, I get it would be bad of me to use her real name too. So we’ll just call her… Hmmm…. Ok, let’s go with Emmy.

“Welcome!

Hey, my name is Emmy, and I’m 19 years old! Nice to meet you guys! I’ve decided to start posting on my tumblr instead of using it as a dash, lol! I’m a visual artist, though I mostly stick to digital art these days. I spend most of my time reading. My fandoms are Gravity Falls, Steven Universe, Supernatural, Sonic the Hedgehog, Marvel, and of course, Shrek! Lmao. I think Cat Girls are cute, but I’m not a weeb”

*Laugh* I never read this post while she was active. Her sense of humor is really present in this post, she was always silly like this. Anyways, she follows up this post by posting a backlog of art that I figure she must have made and not shown to anyone. It’s all really good stuff. Some fandom, some original. It’s clear to me that she’s not posting her earlier, rougher work. I don’t remember too many details though, as this was a while ago, and I didn’t think to save her artwork when I was copying all her text posts into the google doc. I hope someone out there saved them before they were deleted, though.

I’m not going to bore you by reading every single one of her posts, or anything like that. Just the ones that stand out to me. Here’s one about Supernatural and how she might be falling out of love with it.

“I don’t know guys, I’m finding it hard to watch supernatural these days. Don’t get me wrong, it’s still one of my favorite shows, it’s just totally not as good as the first 5 seasons. That and I WANT DEAN AND CASS TO BE TOGETHER! Is that so wrong? Look, Cass is an immortal being that just HAPPENED to take a male form. If he had a female form, you can bet that he and Dean would have banged already. I’ve read the tumblr posts too, the ones that talk about all the hints the writers give that Dean is gay. This is ABSOLUTELY queerbaiting, and even as a straight guy, I can see that. I have a lot of gay mutuals who have convinced me how ultimately cute Dean and Cass are, and I feel bad for them, because they’re not being treated fair. You think in its 12 seasons there would be something, but no, nothing. Pisses me off”

Here is where we start seeing a connection between Emmy and queer culture. Although she’s currently IDing as straight and male, you can tell she cares about queer representation. Now, I’m not saying that wanting good queer content makes you queer, of course not. Just that knowing that Emmy is queer, when you look back at her earlier posts, there’s some evidence there. She even talks about Castiel, a male character, having a female form, which I find interesting for obvious reasons.

Next up is a post about something outside of her fandoms, a show called Monk. For those of you who don’t know it, it’s a show focused on a detective with OCD who uses his disability to solve crimes no one else can. As someone with OCD myself, I really enjoyed the show, but it’s not without its problems. Hmm, yeah, I’ll get to those after reading the post, I think

“I’ve been watching a new show lately! Well, a show that’s new to me at least. It’s called Monk! I’m 3 seasons in, and I laugh every episode. But it’s not without its serious moments too. It’s about Adrian Monk, a detective with Obsessive Compulsive Disorder (OCD) and it’s like a super power to him. He can do things no one else can. But he also can’t do things that everyone else takes for granted. Mood. He always says “It’s a gift… And a curse” when talking about it. Big mood. Anyway, I highly recommend it, because it’s a positive depiction of someone mentally ill! I’m so used to people who are “crazy” being mass murderers or some shit. Idk, it’s heartwarming.”

I noticed one of the hashtags of her post was, “Finally found a version with captions.” This is important for later and I’ll get to it by the end of the episode. Where the previous post was the first we saw of her queerness, this is the first we’ll see about her connection with mental illness. It’s unclear if she feels her inabilities are balanced off by her abilities, or if her “mood” was just about her being unable to do what others can. Since her “big mood” is regarding Adrian Monk’s favourite quote “It’s a gift and a curse”, I like to think she was being positive and was including her abilities in the “mood.”

While I do agree with Emmy that it’s a positive depiction of someone mentally ill, and that’s certainly better than having yet another bad guy is who’s only evil because he’s crazy, I’m worried that it’s too positive. It’s actually a really common trope where neurodivergent people in media are seen as “super human,” like Sheldon in the Big Bang Theory, or uhh, the main character from The Good Doctor, I forget his name. It makes it look like everyone with autism or OCD are geniuses, and that sort of skews how neurotypicals view people like us in a negative way. Like, I do view my OCD as a gift, I wouldn’t be able to write the way I do, or play video games the same way if I didn’t have it. But I’m not a superhuman by any means. But I’m expected to, in some sense, outperform everyone because of my OCD, because of this impossible standard set by the media. *Sigh* I’m sorry, I’m getting really off topic. I hope you don’t mind this little rant.

Back to Emmy, I find it a little upsetting that she feels herself cursed in some way. Knowing what I know about her, I like to think she was more gifted than cursed, but given the title of her blog, I doubt she would agree with me. We can glean from this post that she is disabled in some way or another. Maybe she herself has OCD? Or maybe she just relates her own, different disability to OCD? It’s hard to tell at this point, and I don’t want to spoil it, especially since it will come up again in a few posts.

Next up, we have a post about not just queer characters, but lesbian characters. I’m sure you have heard of Overwatch by now, even if you haven’t played it. Well, the creative devs promised us that a handful of the cast was queer, and at least to me, it seemed like an empty promise. Hmm, I guess it seems a little bit like the queerbaiting conversation we had earlier. Interesting. You know what I mean, right? Like, why take the risk of pissing off the straight, cis part of your fanbase with queer characters when you can just say some characters are queer and attract a bigger queer fanbase that way? But then they did something that blew me out of the water. They made a comic where Tracer has a girlfriend. This next post from Emmy is about this reveal.

“Merry Christmas! And what a Christmas it’s been. Because I got something I’ve been asking for for a LONG time. Blizzard made Tracer gay! I’m not the only one who’s been asking for this, a huge chunk of the fandom has been saying that Tracer is only into other girls. It’s been my headcanon for so long, and now it doesn’t have to be, because it’s canon! Tracer and Emily are so cute together! And their kiss is so hot too! Yeah, lesbians are really hot in general. They’re every guy’s ultimate fantasy. Thanks, Jeff!”

An: Ok, so before we continue, I think I need to apologize on Emmy’s behalf for the way she talks about lesbians. As a trans lesbian, I had a period where I talked about lesbains that way too. Before I came to terms with that identity, I mean. Since you believe you’re a straight guy, there’s no real explanation for why you’re so into lesbians other than them being a male fantasy. But it’s more than that. It’s part of like, seeing yourself as a girl that the idea of being with a girl that likes girls... that is so fundamentally appealing.

Like, ok. *sigh* I remember this one time very clearly… I was with my girlfriend at the time and a friend of mine at a bubble tea shop. This was probably 9 or 10 years ago now? Jeez. Anyways, this couple of girls starts making out at the table next to us, and I had a full on sexual awakening. I remember that I couldn’t look away. Mostly because my ex wouldn’t let me forget it. I got teased by my friend and berated by my ex. Because I couldn’t explain what happened to her, let alone to myself, I eventually came up with a rather math-y explanation involving vectors of attraction *laugh*. Something like, if women are attractive to me, and men are not attractive to me, then adding their vectors together gives less attraction than two women’s vectors being added together. It was pretty stupid. I don’t talk to either of those two people anymore, by the way.

Anyways, my point is that since this is before she’s realized she’s a lesbian herself, she’s under the false impression that she needs to sexualize lesbians in order to explain why she’s so attracted to the concept. So please don’t hold that against her.

---

With that out of the way, we can move on to her next post. It’s a piece of art she made, and it’s pretty special to me. You see, this was the way I found her blog. One of the blogs I follow, who knows which at this point, must have reblogged it and it came across my dashboard. Again, I don’t have a copy of any of Emmy’s art, but I remember it pretty well. It’s a picture of Emily wearing Tracer’s outfit... Shit… Why did I give Emmy a name so close to Emily? Emily as in Tracer’s girlfriend. Maybe it’s because of my association with her and this drawing? Either way, it’s too late now, I’m not re-recording this whole episode. *Sigh* We’ll just stick with the blogger being named Emmy. Anyways! She’s sort of looking a bit out of place, like she doesn’t know how to feel about having a Chrono-accelerator attached to her chest. There’s a speech bubble in the frame pointing off screen that says, “You look marvellous, love!”, or something to that effect, but it’s obviously supposed to be Tracer saying it. It was a really cute drawing, and I was really fond of it, so I liked and followed. Feels like so long ago.

Anyways, she did reblog the picture afterwards, saying:

“Thank you so much for all the notes! I really appreciate the support. Who knew that something so dumb would be liked by so many people? I really like Emily, and I hope she’s added as a Hero in Overwatch soon! I feel so happy! I’m going to go and do some more drawing, so keep an eye out for more posts!”

Not much going on in this post, but I decided to read it anyway because it contrasts so heavily with the next post. Not the next time she posted, but the next post I’m going to read. Actually, it’s the last post of this episode.

So, I’m going to warn you, this is a side of Emmy we haven’t seen yet. The really negative side. *Sigh* I don’t know what set her off, maybe nothing did, but I think this post is very important to read to you, as it clears the air about her disabilities.

“I really appreciate all the love you’ve given my art, but I feel like I don’t deserve any of it. I’m so broken and worthless and I’ve only been pretending to be normal so that you’ll all like me. The truth is, I’m physically and mentally disabled, and life is just a never ending struggle.

First off, I’m deaf. Very deaf. The quietest thing I can hear in either ear is a chainsaw. It means I can’t understand speech or anything I’d need to be social. I don’t know sign language at all, I was never taught. So I just… stay inside all day. I’ve been homeschooled by my Dad since I was young. He thinks something bad will happen to me if I go outside, because I couldn’t hear something like a car coming towards me. So I live my life online, for the most part. I feel so isolated, and like I can’t relate to anyone normal.

Also, I have Bi-Polar Disorder. For those you don’t know of it, it basically means I have high highs and low lows. I’ve done a good job so far at hiding my lows from everyone and only showing my highs. Until now, I guess… I just feel so low today, and I couldn’t hold it back anymore. I just had to be real. Even if it’s an ugly side of me that I hate. My dad hates how moody I am too. He just doesn’t get that it’s not my fault. Even my highs are hard for him to handle sometimes. Anyway, please forgive me for lying so long”

So, I sense a bit of imposter syndrome here. She’s gotten some success and because she views herself as not even a normal person, she thinks she doesn’t deserve it. It’s a pretty common feeling amongst content creators and something you have to move past if you want to make stuff. It’s like, *sigh* like me, I’m not an expert voice actor, why are people listening to me? I have tricked them into thinking I’m worth listening to. If you’re feeling that way about a recent success, just know that it’s all bullshit and it’s normal to feel that way. I wish I had that knowledge at the time I originally read that post… Because then, I would have messaged her and let her know. But yeah, we have more to unpack here.

She talks about being deaf, and the level that she describes is a profound hearing loss, which is as bad as it gets. I have that level of hearing loss in my left ear, and it’s really hard to deal with. So, I kind of can’t imagine what it would be like to have it in both ears.

Like, for me, I remember this one time where I was at my locker in high school, and someone must have been asking me a question a few times on my bad side. She wanted to know if I had any extra bus tickets, and by the time I finally caught on that she was talking to me, she said something like “Urg, I just want to punch you.” And it wasn’t a joke either, she was very frustrated with the way my hearing loss had affected her. It made me feel small, and like I was an inconvenience to those around me. Guess it didn’t help how I felt that I had a crush on her at the time… Ha… *Sigh* It was very isolating to grow up like that. I didn’t really belong there, but I didn’t exactly belong in the deaf community either, since I could hear fine out of one ear. So when Emmy describes how isolating it is to be deaf and not know sign language, I get it. I really feel that. When I saw this post, it really made me feel for her. This is probably the point in time where I made a mental note to support her art whenever I could.

Lastly she talks about her mental illness, being bi-polar. I know a lot less about bi-polar disorder than I do hearing loss. Though I was in a production that never wrapped up about a bi-polar teen. Actually, I was the strict dad who couldn’t understand his child’s illness, which is a similar theme seen in Emmy’s post. I’ve actually been cast as a dad 3 or 4 times now? Yeah. *Laughs* Anyways, what I understand about it is that it can be seasonal. You might be manic for a season, and depressive for another. But yeah, it doesn’t always work that way. Usually medication can help balance you out, but in Emmy’s case, she wasn’t taking any meds at this point. I’ll say it here for clarity’s sake, but her having bi-polar disorder was a self-diagnosis, not a professional one. That’ll be covered in the next episode, though.

So now the whole “Less than Human” thing makes a bit more sense, doesn’t it? Not because it’s true in any sense, but because it was true to her. Disability is something that people tend to see as different, or othering. There’s a lot of stigma there. We can sort of tell at this point that the way her Dad views her and treats her doesn’t help her feel any better about this either.

That’s why she likes the depiction of mental illness in Monk so much, right? Because it’s a bit of a “More than Human” approach. It gives her some hope that maybe she can be seen positively one day too. As far as movies with Deaf characters goes there’s like 100, if I recall correctly. Which is honestly pitiful compared to the amount of movies, period. So it’s more than likely that she never got to see herself in media in that perspective before.

Also, there’s the markings of a budding trans girl in there too, which may further intensify the feeling of not being human. For years and years *sigh*, there was practically zero positive representation of trans people in media. We’re taught that feeling like this makes us freaks, and that presenting differently than we’re supposed to makes us... something worse than that. It all comes together to form something bitter and isolating. Especially before you start owning those parts of you and finding a community of your own.

Thank you for listening to this episode of The Black Box Readings! I really ranted more than I thought I would. Hopefully you all liked the anecdotal stuff I added in, didn’t really plan on doing that. Follow me on Twitter at TheCrookedGavel to stay up to date on this and other queer podcasts. Feel free to contact me there as well. This is An Capuano, signing off!

#queer #lgbtpride #visualart #podcast #transisbeautiful

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