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#word vomit < 3
badgeworn-arc · 2 years
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HE’D  FOLLOW  HER  TO  HELL  AND  BACK,  HE  JUST  WISHES  SHE’D  STOP  GOING  THERE  .    .   .   to  get  the  full  story  ,   he’ll  have  to  take  you  back  to  HAWKINS,  INDIANA  SOMETIME  BETWEEN  1958  &  1960  .     behind  the  wheel  of  a  barely  held  together  pickup  truck  with  his  favorite  shotgun  rider  humming  along  to  the  radio  beside  him  as  he  took  the  familiar  path  to  the  usual  hideout.   they  didn’t  even  come  out  here  to  do   what  all  the  other  teens  did  (   no  matter  what   the  whispers  through  town  may  imply  )  they  would   sit,   sometimes  in  silence,  sometimes  talking  ,  but  always  passing  a   cigarette  or  two  between  the  pair.    he  simply  liked  being  in  her  company,  listening  to  her  talk  about  any  and  everything  in  between  he  just  thought  she  was  so  interesting  .   .   .   even  when  she  talked  about  things  he  had  no  clue  about.   especially  then.    HER  NAME  WAS  JOYCE   AND  SHE’D  BEEN  A  FOOT  SHORTER  THAN  HIM  AS  LONG  AS  HE’D  KNOWN  HER  BUT  SHE  WAS  LOUD  AND  FEISTY  AND  SHE  DIDN’T  TAKE  HIS  SHIT  and  maybe  that’s  why  he  liked  her  so  much  .   .   .   jim  hopper  got  every  girl  he’d  wanted  thus  far  and  sometimes  all  he  had  to  do  was  smile  but  joyce  was  immune  to  him  and  maybe  it  was  that  damn  chase  that  enticed  him  so  much.    every  laugh  he  was  able  to  pull  from  her  lips,   every   crinkle  of  her  nose,   every  playful  punch  to  his  shoulder  was  a  victory    ━    the  metaphorical  chipping  at  walls  that  were  built  so  high.    they  played  a  very  dangerous  cat  and  mouse  game,  toeing  the  line  between  platonic  and  romantic.    one  ,  two  ,   three  taps  at  her  foot  under  the  hopper  family  dinner  table  his  mouth  says   ❛  i  should  get  you  home  soon   .   .   .    ❜    her  eyes  beg  him  to  take  the  long  way;  he  obliged  every  time.  they’d  share  a  smoke  and  a  couple  laughs,  trade  the  usual  goodnights  and  see  you  tomorrows  and  sometimes  if  he  was  lucky,  she  lean  over  the  bench  seat  and  kiss  his  cheek  as  a  thank  you  and  toss  a  glance  over  her  shoulder  before  disappearing  into  the  house   ━    only  then  does  he  put  the  car  in  reverse.  
he  remembers  all  too  well  when  it  began  to  go  downhill,  when  she  started  to  worry  about  what  his  other  friends  might  think  of  him  giving  her  the  time  of  day   ━   fuck  his  other  friends  half  of  them  weren’t  even  really  his  friends  .    .    .    they  started  bickering  more  and  sometimes  she  would  skip  out  on  their  shared  break  between  fifth  and  sixth  and  while  he  had  no  problem  smoking  alone  those  times  left  a  bad  taste  in  his  mouth.   LONNIE  BYERS  FOLLOWED  NOT  LONG  AFTER,   TAKING  UP  RESIDENCE   IN  FRONT  OF  HIS  LOCKER  and  suddenly  she  didn’t  need  his  rides  home  anymore.  the  gap  was  there  and  graduation  was  looming  and  she  had  lonnie  and  he  had  chrissy   and  one  day  during  one  of  those  very  last  smoke  breaks  he  took  a  full  step  over  the  invisible  line  and  he  kissed  her  .  .  .  like  he  hadn’t  drank  in  days  and  she  was  that  stream  that  ran  through  the  woods  on  the  outskirts  of  town.   he  thinks  he  loved  her  then,  he  thinks  he’s  maybe  always  loved  her,  there  just  wasn’t  a  right  time  for  them.   nothing  ever  came  from  it  and  before  long  he  was  shipping  off  to  vietnam  and  the  last  he  heard  .   .   .  she  and  lonnie  were  doing  just  fine.    
there  were  many  years  between  before  jim  hopper  made  a  return  to  HAWKINS  ,    his   army  days  behind  him.   he  wonders  for  a  while  if  she  managed  to  get  out  and  if  she’d  got  out  alone,   his  questions  are  answered  by  the  sight  of  her;   gold  band  on  her  finger  and  boy  on  her  hip.   jim  hopper  didn’t  have  the  guts  to  talk  to  her  that  day.   his  post  army  return  to  hawkins  wasn’t  long,  he  met  diane,  they  had  sara,  they  married,  and  they  made  the  trek  to  NEW  YORK.    he  made  it  out  of  that  town  for  a  period  of  time  at  least  and  by  the  time  he  made  a  permanent  return,  the  byers  family  was  fractured  and  he’d  heard  the  stories  of   what  went  down.   not  one  for  small  town  gossip,  what  he’d  heard  made  him  feel  both  guilty  and  sick  but  he  didn’t  have  time  to  dwell  too  long  on  it    ━    headfirst  into  several  addictions  he  had  his  own  shit  to  work  out  and  none  of  that  involved  a  high  school  flame  that  was  less  flame  and  more  wet  match  you  managed  to  get  to  spark  once  (  but  isn’t  it  funny  how  every  woman  he  found  himself   in  the  company  of  strangely  looked  a  little  like  her  in  some  fashion  ?   he’ll  say  it’s  because  his  ex-wife  was  blonde  and  so  were  most  of  the  girls  from  his  past   .   .   .   he  was  ready  for  something  different.   )   . 
THEY  HAD  BEEN  FRACTURED  FOR  A  LONG  TIME  and  to  be  honest  a  rebuilding  of  a  long  lost  friendship  was  not  on  either  of  their  minds  until  the  NOVEMBER  OF  1983.   ever  since  the  vanishing  of  will  byers   .    .   .   jim  had  been  tied  to  joyce   ━   but  if  you  really  knew  him  you  would  know  he’d  been  tied  to  her  for  much  longer.   HE  KNEW  HE  LOVED  HER  THEN   .   .   .   HE  KNEW  HE  STILL  LOVED   HER  NOW  .    .   .   BUT  MAYBE  THERE  WAS  NO  RIGHT  TIME  FOR  JIM  HOPPER  AND  JOYCE  BYERS  ,   MAYBE   THEY  WERE  JUST  ALWAYS  SUPPOSED  TO  BE  AN  ALMOST  .    .    .
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*   @videodingus​   prompted  :     hc + joyce    [   send  me  hc  +  a  word  !  ]
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brookheimer · 1 year
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not sure why people don't seem to understand that shiv being the victim of misogyny and vitriol from all the men in her life can and does coexist with the fact that she is not a feminist liberal hero fighting to save democracy. why is it that we never afford her any nuance? she's either the only good person on the show and deserves to kill every man in a ten foot radius (twitter) or a uniquely evil cruel sociopath with no heart fueled entirely by spite (reddit). is it not just so much more interesting for her to be a fascism aiding and abetting character like the rest of them who also views herself as more progressive in spite of everything else about her and who undergoes horrific treatment at the hands of the men around her yet has no interest in undoing the system that allows them to do so, only in ruling it herself? shiv is not any better than the others nor is she any worse than them. there's no Evil Olympics here guys, nor should there be. snook said it herself in the after credits sequence -- shiv was just lucky that her interests aligned with her sympathies. who knows what she would've done had mencken been her best personal option? yes she cares infinitely more about politics than roman, yes she is still very much interested in maintaining the capitalist, fascist structure and even strengthening it, so long as it ends with her on top (which either way would be a win for liberal causes bc Woman). fascism isn't one-size-fits-all. it's not just mencken and trump. it's also mattson. it's also logan. it's also roman and shiv and kendall. that's... kind of one of the main points of succession? but even so, that does not negate the fact that as a woman it is so hard to watch some of the scenes with her and tom/roman/kendall -- of course that misogyny will resonate with female viewers, as it should!!! but that resonance needs to coexist with a deeper understanding of her character -- if you want to root for a bad bitch fighting against misogyny go watch, i don't know, captain marvel or whatever. what makes shiv interesting is that she's so so so much more than that -- she is the product, victim, and perpetrator of misogyny and fascism, two concepts so heavily intertwined they're virtually inextricable from each other. tl;dr it's one thing to be like my god someone give shiv a gun and it's another entirely to say, entirely seriously, that shiv is the Good Liberal Feminist One and the rest are all evil. like i absolutely adore shiv but i would honest to god find her so fucking boring if she were actually the person these tweets make her out to be i'm sorry
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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becauseplot · 11 months
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Okay so something about the spiderbit wedding has been sitting in the back of my mind for awhile now and I don't know if anyone's talked about it but I just recently figured out the words to articulate it (kind of) so here we go!
Prior to the q!spiderbit wedding, a lot of the fanart/fanfics I saw/read depicted Cellbit waiting at the altar while Roier is walked down the aisle by either Foolish or Vegetta. Which makes sense! It keeps with the idea of the father "giving away" the bride (or in this case, the groom) at the wedding, which wouldn't be possible for Cellbit since he doesn't have any parental figures on the island. So, I was a little surprised when the wedding day came and Cellbit was the one to walk down the aisle while Roier waited at the altar. I was a bit disappointed at first---they missed a chance to do a sweet little spin on a wedding tradition! (Found family* my beloved <3)
But then I kept thinking---something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle to the altar where Roier, his soon-to-be husband and trusted confidant, stands; where Felps, his best friend whom he just got back from an unknown fate, stands; where Forever, the friend he wronged but never lost faith in and wants to do right by going forward, stands.
Something about Cellbit being alone and walking himself down the aisle towards them like he is making an active choice. After the fear and the isolation, pushing others away and hurting those close to him so he could make himself a martyr because he felt like he had to face the Federation alone and that he could only rely on himself---now choosing to walk towards the altar where they stand---walking towards his happy ending.
Because this is his happy ending. I'm not at all an advocate for the idea of "oh romance/marriage is the only thing that will make you happy in life" but not only is being married to Roier something Cellbit desperately wants, this wedding means so much more than just getting married.
Of course, this isn't really the end, but for someone like Cellbit, it's a start. A new beginning. A brand new chapter of love, friendship, and trust. So yes, Cellbit walks down the aisle at his wedding, and he does it alone, and he does it because he deserves it, and he does it because he wants to, and he does it because he has to, and he does it because he needs this.
*I would just like to note that found family does not have to follow a nuclear formula with parent-child roles and I don't wish to propagate this misconception. That's just how Roier's family is structured in canon. Foolish and Vegetta are boyfriends and Roier calls them (or at least Foolish) "dad" that's just how it is and it is beautiful &lt;3
Also apologies if I get any lore wrong. I'm not a Roier or Cellbit main viewer but I learn a lot through what I do watch of their streams and what I absorb through my dash. Hopefully this still makes sense.
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eriophorumcallitrix · 5 months
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ok so i wanna talk about my biggest gripe with the latest reason for disliking tubbo. this ended up accidentally being a more in-depth character explanation from my/tubbos pov. and boy do I mean the compulsive overexplanation really popped off on this one
(disclaimer: you’re obviously allowed to dislike any character you want, I’m not your mom and I’m just voicing my own view + experiences lol)
one of the biggest criticisms for him im seeing as of the moment is that he’s being annoying. and I completely agree. I think he’s being inflammatory at really awful times. but what I don’t agree with is the lack of discussion about why he’s acting this way. chalking his callousness up to simple neglect or lack of care is a disservice to his character.
my interpretation of tubbos current mental state and how he got here is like this:
tension has been high strung for weeks now due to the egg island workers showing up and harassing people. they’ve killed empanada, and there really does not seem to be shit they can do about it. the federation doesn’t give a shit, the workers are OP as all hell, and tubbo has tried everything in his power to keep sunny and her siblings safe. not even his busted set of armor kept him from getting three-tapped. like tubbo said: “why try if there’s no chance of winning?”
so already, he’s depressed and frustrated with himself for not being able to do a damn thing to keep the people he loves safe.
then we get into his relationships with the people around him. in tubbos eyes, pac and fit are forming a close relationship that he feels is going to leave him behind. pac, fit and Ramon have each other now. they’re family now in a way that tubbo doesn’t seem to be a part of now. I can’t remember if he said this exactly, but it was along the lines of: well now there’s not going to be any space for me [if they’re that close.] his closest friends are moving on without him, and there’s nothing he can do about that either.
now we have a depressed barely-adult guy whose self esteem has TANKED because he feels like there’s no use for him anymore. his friends are moving on without him and the only thing he’s good for is how useful he can be to others.
except for sunny.
it barely took a week for them to get attached to each other, and now it’s them against the world. sunny is all he needs, and tubbo is all she needs. they mean everything to each other, and would burn it all down if it made the other smile. and right now? it’s looking like it’ll be just them against the world until further notice.
but sunny has her friends. she has her siblings! she loves them to death and they love her to death too. she has her accountant bad, her bodyguard fit and driver pac! (if I remember correctly xd) and they’ve got her. sunny can trust them, and has them to stick around for.
tubbo does not have this. don’t get him wrong, he’s incredibly grateful that she’s got people on her side that love her other than him! but this doesn’t come without unspoken jealousy and resentment. not resentment towards sunny, obviously, but definitely some jealousy of her relationships with the others. and possible resentment towards the others for not sparing the same kindness towards him.
this is where I tie back to my original point. the difference between sunny and her pa is mostly communication and trust of others. sunny is willing to communicate and trust others, and tubbo is not.
to start with why tubbo isn’t communicating with others right now: i believe he’s reached the point of emotional shutdown. he has tried his damndest to do what he can to resolve the situation and nothing has worked. this is already something I believe is stressing him out really badly, thus taking up a significant portion of his emotional threshold.
and now he can’t even seek solace or help in his friends because he cannot let himself trust them.
he has tried to give out cries for help in ways that aren’t necessarily straightforward. and he’s also said some seriously worrying things lately under the guise of being jokes. i don’t blame the others for not getting that, but I still can’t help but wonder why nobody’s really thought to look any deeper into it? like don’t get me wrong, tubbo says some completely inane shit sometimes. but has the frequency of these “jokes” and his inflammatory behavior not tipped anyone off at all?
regardless, tubbo feels like he’s tried. he’s not that good at communicating, and even when he is, he may not come off as treating the situation with proper sensitivity. it’s already a struggle to communicate, not even mentioning trying to ask for help. this is a whole other layer to wondering why he even tries doing things “right.”
he already thinks people only keep him around for what he can provide, so thats the only thing he thinks he’s got going for him and he’s barely hanging onto it too.
so as a result of not knowing how to cope with the situations around him and pretty much being extended past his emotional capability, he acts out. he doesn’t want fit and pac together because they’re gonna leave him behind. so he tries to ruin it. it doesn’t work, and they are continuing to move on without him. so he constantly comments on how annoying it is, and in a way, tries to get them to push him away themselves. he just wants a resolution to this hurt he’s feeling, and he wants them to just get “the move away” over already. but obviously that’s not gonna happen.
so he makes insensitive jokes, says stupid shit and does stupid shit too. he lies and blames others. he wants his friends to push him away already and give him a good reason to finally run away with sunny and completely isolate. this is beyond his capabilities, and all he needs at this point is a solid reason for him to finally hit the ground running.
but each day he comes back to spawn, doing everything he can to not completely lose it for sunny. he’s trying his best to keep it together for her, and he can’t let himself be weak. admitting his feelings in the place he’s currently in would end up coming out as a breakdown. and he cannot let the people around him see that. it would be a fatal error to open up when he cannot trust the feds nor the egg island workers not to take advantage of his weakness. and he needs to be there for sunny, to at the very least protect her if nothing else.
so essentially: tubbo is past his emotional threshold and is barely keeping it together. the facade is slipping and the harshness/what people perceive as annoying is continuously slipping out from the cracks.
(with this next bit, this is just me recognizing autistic patterns of behavior in myself + some others in tubbo’s character. i dont actually know if he’s autistic this is just me drawing parallels from my experience. and how I have seen these behaviors be treated within the qsmp fandom. don’t say I’m armchair diagnosing him or whatever for the love of god please)
so tubbo cannot cope with the situations around him, which is resulting in his mask slipping. he’s fully aware that he’s being insensitive and kind of an ass, but he is quite literally past his capability of keeping up with social niceties at this point. and i do think the unnecessary jokes in bad taste are purposefully to get people to either notice something is wrong or to get them to push him away so he doesn’t keep hurting their feelings.
and people getting onto him about communication I think simply do not get how utterly difficult it is to communicate when you have reached the point where you’re struggling to mask. not to mention the danger he could put himself in by being vulnerable to others on top of that. so ultimately, brushing off his fears and character traits as a simple “he could do this but doesn’t want to/is just stubborn and annoying for no reason/for a reason that isn’t good enough for me” is kind of ridiculous. it also reminds me of some things I’ve been told in relation to my struggles with autism, but that’s just me. not that i think people are actually being ableist but i do think some of y’all’s arguments are slipping a little too close to ableist rhetoric.
once again you’re allowed to dislike whoever you want and think they’re annoying, but i would encourage you to think a little more in depth as to why you think they’re annoying.
(and I’m not saying some people don’t like autistic traits that aren’t cute n quirky but… it’s getting a little too close for comfort >_>)
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araremonaka · 4 months
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HELLLOO MONAKA >:3
So your child star au, is branch a lil cocky? Like you've mentioned about him in world tour and being famous expecting people to know him. I just wanna kinda grasp his personality a lil more 💖
HIIII ROSE HEHHHE
Anyway he’s def cocky and maybe a little self centered here. He’s lived in his own bubble for pretty much his whole life while living with 3 older brothers (one of which is vicariously living through him) and constantly being the center of attention at a young age its expected.
Like in the movies even in the first movie you’ll notice he would flex his singing skills every chance he gets its that but 100x worse here
He’s a bit of a coward, he avoids confrontation on basically everything. Maybe even paranoid that if he messes up everyone will be disappointed and hate him. He definitely overthinks things.
I feel like some people would misinterpret him as selfish when he’s actually the complete opposite just want to make that clear. He will put up with shenanigans and being in mortal peril if it means keeping everyone happy and safe.
He probably doesn’t have a very good idea of what he himself likes. More of a follower than leader, his public persona is probably the complete opposite of who he actually is.
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darkestspring · 2 years
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yandere targaryen pt 2
a/n: i’ve been waiting for write part two for a while but i’ve been busy with other requests and work and my brain has 1000 ideas but i can never focus on one, im starting a yandad daemon series soon so look out for that but part one to this series can be found here. i hope you enjoy!!! as always i dedicate this to @missglaskin​ for always inspiring me and being such an ammazing write like wow!!! we’re pretty blessed to be able to read your amazing content huh. and special dedication to @frankcastleonlyfans​ for listening to my stupid ramblings about maegor and my other targaryen series. enjoy!
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it seemed as though everything had changed the moment that alicent had married your father, rhaenyra’s anger never ceased and she kept you with her at all times
daemon was still exiled and continued to write you letter, promising to take you away. wouldn’t that be fun, he’d write, an adventure for just the two of us.
you did think it was fun but you were careful not to mention the letters to anyone.
alicent had given birth to your younger brother, aegon II and you had adored him from the moment he was born.
rhaenyra hated that you spent so much time away from her. she hated that her father had marrried her friend. she hated that she was expected to marry. all she had was you and even then, alicent was trying to steal you away.
on aegon’s second name day, it all came to a head. rhaenyra ran away after confronting her father over trying to marry her to jason lannister. she had taken you with her into the woods in her rage.
viserys and alicent had both demanded that you be found. even if ser criston cole ran aftet the both of you, it was dangerous. you must be safe.
rhaenyra clung onto you as she walked further in, you were all she cared about.
“sister, do you love me?” she’d ask you, her eyes settled on you with intensity. you had smiled at her. “of course, i do. i love you and alicent and father very much, aegon too.” the answer left her dissatisfied, she wanted you to love her more
in the end of your trip, both she and you were covered in blood, leaving alicent to panic over you. what had happened to her sweet girl, her beloved daughter.
it had all been a blur after that, rhaenyra had gone on tour to choose a husband. it had been suggested that you marry as well but viserys denied it for now. he wished for your happiness above all.
rhaenyra had sobbed into your shoulder when her request for you to come with had been denied. you were her sister not alicent’s, why could you not be with her. rhaenyra left with sorrow as you waved at her from a distance.
you had gotten much closer with alicent and aegon. he followed you everywhere and you thought it was cute. your own little shadow, viserys had remarked playfully once.
alicent had given birth once more, to a girl named Helaena, you adored her even more, always taking her with you when you explored outside. she would watching the animals and bugs as she rested her head on your shoulder. what a lovely thing she was.
months later, rhaenyra returned without a husband, earning ire from your father and daemon returned, leaving you full of joy.
you had flung yourself into his arms when you had caught up to him after your father had hugged him
he had hugged you just as close, his precious girl. he had missed you too much.
maybe that’s why it hurt just as much when he left. alicent had told you that there were rumors that rhaenyra had been with your uncle in a brothel, you refused to believe it. not your sister.
everything seemed to be getting once, you had to say goodbye to otto tearfully as he left his position of hand of the king. rhaenyra was engaged to leanor valeryon
even when rhaenyra returned to prepare for the wedding, alicent clung to you more but wouldn’t tell you why. she would glare at rhaenyra with such intensity and you felt lost at every turn.
you felt like things were getting out of hand, especially when ser criston had killed ser joffrey. you had begged your father to spare him. you could not lose someone you cared for. you had begged rhaenyra to understand. you had held laenor as he sobbed.
why were the winds changing? why was everything going bad? why were your maids changing every day. Alicent clung to you more as everything changed.
Marriage is not a suitable thing for you, she’d tell you when you asked to be married off, to help support your family. I need you here with me, my lovely daughter. I need you most, please don’t think about leaving.
a chill went down your spine at the look in her eyes. had alicent always been this possessive over you? always wanted to keep you so close to her? you wished you had an answer.
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aureatchi · 1 year
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✧.* 1:49A.M. (minor spoilers; much fluff)
ITACHI is the type of person who surprisingly loves long embraces, snuggles on his neck, endearing kisses, and the tenderness of your lips. 
But Itachi is shy. He doesn’t know how to ask for affection ─ is asking even appropriate? He knows you have yet to realize he is incessantly in love with you; you wouldn’t be able to comprehend how deep an Uchiha’s emotions run. He wants to give back to those concrete signs of passion you give him ─ almost seldom because you are scared to accidentally push his boundaries. Itachi is distant, reserved by default. You knew about the many things he has been through and knew there were things that you didn’t know that could be even worse. You didn’t want to hurt him in ways you were showing you cared. 
But Itachi actually longs for these things. He hadn’t been touched so carefully and as special as you since his mother ─ who he killed. You were the one who sent the light back into his eyes and the vehement pulse into his heart from physical contact. It was one thing to make him feel with your words, with your efforts, with your character. But for you to make him feel with your hands around his neck and his around his waist was rare. 
Rare, but powerful. Itachi is subtle in his wants. But in his mind, he craves these things; he hopes, like a little child, you will read his mind and give him what he wishes ─ for Itachi’s love language is physical touch.
© thyantagonistway 2023 | reblogs appreciated <3
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cloudcountry · 5 months
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i have too many mutuals to tag so yk. i cant tag all of you guys, all i can do is hope that you all see this and know how much i care about you.
when i arrived here on tumblr i wasn't expecting much, it seemed to me like everyone had their friend groups already, and i felt like the odd one out. even though i spent those first few days posting my writing and figuring out how to format things, i still felt like an outsider looking in. it didn't feel like i was really participating.
and honestly, i'm not sure when it started. i'm not sure when being here began to feel like a home away from home, like a space on the internet that was my own and that i could shape however i wanted. i'm not sure when it occurred to me that you guys had a hand in shaping it, too. you showed me the characters you loved and the things that reminded you of me, you placed them on my blog like paintings in a museum, for me to look back on whenever the nostalgic urge hit me. you actively tried to get to know me and form connections with me, even if i scared some of you (which im 100% certain i did.) thank you for taking courage to talk to me, i'm thankful for all of you.
there was a point when i was scared too. it was really hard for me to reach out to people myself but i ended up doing so anyway. (raptor, rinna, and sippy, thank you for welcoming me so warmly. i haven't forgotten it.) i know my blog blew up really quickly, given how much content i was posting at the time, but at the end of the day i still don't like thinking of myself as someone famous or a super recognizable blog in the twst fandom. because at the end of the day, i was just someone doing what they loved.
i'm glad i was given the opportunity to start writing when i was young. i'm glad i kept at it, and i'm glad i shared so many stories with my friends on the playground. i'm glad i honed my writing all throughout school, and i'm glad i still practice today. because if i hadn't picked up the pencil to write that first fanfiction of mine, none of this ever would have happened. and i hated writing as a child, so that could have happened. there's probably another timeline where that did, but we aren't here to talk about that hypothetical auburn.
we're here to talk about me and you guys, because you've given me the precious gift of your time. you've invited me into your lives and let me be a part of them, even if it is only through the screen. you've thought about me while going about your day, and i have thought about all of you. we are connected, in this universe where there was every possibility that we never would have met, and i think that's beautiful. i will forever be grateful that my love for writing can make people smile, that it can make them laugh and cry and scream. i will forever be grateful for the gift to make others feel, and for you all for sharing that with me.
thank you. even if you aren't a mutual, your support has touched me. thank you for reading what i create, thank you for commenting your thoughts, thank you for talking to me and engaging in the fandom community. i hope every single one of you has a wonderful 2024, and that we can make each other happier and keep pushing towards our individual goals with each passing day.
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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karniss-bg3 · 8 months
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What do you think Kar'niss would do if he survives the death of the Absolute and all? With everything over and we'll say that he is by Tav's side until the end as well. Would he worship Tav as another kind of god/goddess, or... something else?
Hm this is an interesting question because there are so many variables at play. With the way Larian has structured the game it seems like all companions have the ability to shift toward good or evil. Of course I've not done a playthrough with Karlach, Wyll and Laezel in my party from start to finish but it's in the works. I know they can dip if Tav pisses them off too much but for the sake of ease, I'll just assume basic good versus evil. Act 3 spoilers head.
Good Ending: At first Kar'niss would've been very hesitant to join Tav and friends, likely even violent. It'd probably take a high persuasion roll to get him into your party. Tav just destroyed those he was loyal to, after all. The artifact could do well to block the tadpoles influence but Kar'niss' shattered mind is a different kettle of fish entirely. I imagine the first interactions with him would be aggressive and stand-offish. After all he was just ripped away from his new home and lost his "Queen". He's likely feeling disjointed, scared and a bit lonely without "Her" voice to bring him comfort. It'll be up to Tav to replace the Absolute's voice with their own. Not only that, but Tav could give Kar'niss healthy love and attention, help break through those years of abuse and build his confidence. It would be slow going because he has so little self worth and trust.
Then there is the matter of him being a drider. I don't think Kar'niss would want to stay in that shape, he likely longs to be a full drow again. That begs the question, does Tav find a way to transform him back or let him stay a drider? Since Tav controls the narrative it'll be up to them on if he switches back. To my knowledge the only way to undo a drider transformation is a wish spell which does exist in the BG3 universe. There could be other ways if Larian wanted to keep it simple but assuming Tav somehow finds someone with a spare wish spell then perhaps that is how he is changed back.
At the end, if Tav works toward this goal, Kar'niss would find more of his own voice. His confidence would grow and he'd learn to stand on his own rather than mindlessly following others at the drop of a hat. He'd be able to think critically and make choices not influenced by whispers in his ear. In other words, he'll -choose- to stay with Tav rather than feel he's obligated to. I don't think his mind will ever fully heal, it's taken too much damage to come back from the torture he's been through. Tav helps keep him grounded though, working with his short comings rather than against it. If Tav romances him then Kar'niss laments in the final cutscene: "When you found us--me, I was in a fog. My body moved as if controlled by magic, but I was not the one commanding it to do so. From the Underdark to Moonrise I played a pawn for the sake of someone else's power. I thought I was doing the right thing, I believed it in the very depths of my heart. They would've condemned me to death and, mind controlled as I was, I would've marched into the sword with my head held high. Not only do I owe my life, I owe my very mind to your aid. I was nearly forever lost, thank you for seeing more in me than an irredeemable monster. I want to remain by your side anywhere the winds take us. I love you."
Bad Ending: While not requested I figured I’d write it up for the sake of curiosity. It starts very similarly except Tav uses their tadpole to overwhelm Kar'niss with authority. Tav may even convince Kar'niss that they are the physical embodiment of the Absolute to keep his compliance throughout. Kar’niss is more agreeable at the start due to this, devout and eagerly awaiting commands. The more Tav chooses to cater to his psychosis rather than break him from it he becomes even more unhinged overtime. There may even be exchanges where Kar’niss seems to talk to himself and ignore Tav completely from time to time. He’s lost to the voices in his mind and the fervent beliefs that have followed him for sometime. When he does have moments of clarity his focus is on doing the Absolute’s will. It’s an obsession and he seems to want to talk about little else. Tav could romance Kar’niss during this time but something may feel off about the interaction. Kar’niss will worship Tav, do anything that is asked, but there is a sense that he is doing so out of blind devotion rather than true affection. It’s empty. His love is tainted by a belief and trust born from deception.
As their journey nears its end, Kar’niss’ mental state has declined to a point where his speech breaks in the middle of conversations. He may zone out and some of his party interactions out in the wild could cease altogether. He’ll refer to Tav as “Majesty” and little else. The perfect obedient pet. Assuming Tav goes with the ending to destroy the Absolute then that fogs up Kar’niss’ fate a bit. I don’t think the other endings allow a romance cutscene to play at the end but I could be wrong. I haven’t tackled them all just yet so I’ll stick with the tadpole annihilation ending here. Even though the tadpoles are gone Kar’niss’ mind is well and truly fucked. Any sense of self has been all but destroyed, leaving nothing behind but a temperamental fanatic in a worse state than Tav found him in. Any use of the word ‘I’ to refer to himself has dropped from his speech completely.
“Majesty, w-we survived. Have we done well? Our devotion is unending for you. Tell us where we shall go and it will be done. We have never known such bliss, such comfort. Our pledge to you will never falter so long as we still draw breath. You need more followers, an army fit for a God/Goddess, and we will provide it Majesty. Just...don’t forget about us. We are still your favorite, yes we are...no one else can love you like us. NO ONE ELSE! Our love for you knows no limits, we will give you everything you desire. We are ready to march by your side, to the ends of the world.”
These are just two of MANY possible outcomes for poor Kar’niss. I think Larian would make his bad ending tenfold worse than I could ever conceive and that will haunt my nightmares for sometime.
Sorry this is so long, my mind wouldn’t shut up. I hope this answers your question. Thanks for the ask!
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lilacthebooklover · 7 months
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thinking about how "high school is killing me" begins with richie and ruth singing about how dead & scared they are and ends with steph, pete and grace standing together and how cyclical npmd is and how max kills richie & ruth when things start to get bed and the play starts with richie's corpse being discovered and it ends with steph and pete together at homecoming and grace being ready to screw things up even more and how max isn't mentioned and doesn't show up once during the number and everyone forgets him after his death. thinking about this freaking musical way too much.
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jenna-louise-jamie · 2 months
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thinking about yassen gregorovich instead of sleeping (because i love him) and how he is a catalyst. yassen stabbs ash -> ash kills john rider -> ian rider raises alex -> yassen kills ian rider -> mi6 blackmails alex into becoming a teenage spy.
i have so many thoughts that i can't properly articulate. obviously this is a simplified chain of events, but yassen and his choices set off a chain reaction of the world's most unfortunate dominos. especially when you read russian roulette. to be clear im not necessarily trying to blame him for everything because that feels very mean. he was also just a 14 year old kid when everything in his life went wrong, just like alex. only difference being yassen literally had no one.
i think i should write an essay about this because i haven't even gotten into my thoughts about what yassen and alex's dynamic would look like past eagle strike. i would imagine it'd be similar to ellie and joel from the last of us part 2.
where obviously yassen loves alex and alex on some level cares for yassen back but struggles to reconcile that with the fact that yassen is responsible for his uncle's death. a very unforgivable act. it would be so messy and complicated and angsty, because on one hand here is an adult who truly cares about him and has a connection with him through his father. yassen could tell alex about john, and trust that yassen truly wants whats best for him. but he killed ian, and he cannot take that back.
while alex reels from those feelings, yassen is also trying to reconcile his love of alex with the knowledge that he on some level is responsible for the suffering alex endured at the hands of mi6. and possibly even the fact that alex's godfather is the one who killed john and helen.
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HIIII!!!!!!!!
I LOVE your human au and would be delighted If you could expound on Wally's relationship with the cast and how he views/ is viewed by others <3
I hope you have a good day/ night whenever you are and I wish your pillow always be cold 🧚‍♀️🧚‍♀️🧚‍♀️
ofc! i've been thinking about it a lot!
i would like to begin by saying that, as with canon, everyone likes Wally. as they should! i think that's an Important tidbit that should always carry across, at least in some way
Wally is... i think it's also important that he's a kind person. he loves deeply, is very forgiving and accepting, and he's just. he's a bizarre little man, and he's wonderful! there is not a malicious bone in his body! he finds delight & beauty in everything he can. he looks at his friends and is filled with deep contentment and joy and love. he's not blind to their flaws (and certainly not his own), but he never minds. those flaws are part of his friends, and he loves every bit of them!
and ok. Wally is not nearly as naive in this au as he is in canon. bc he's had a different life! he's had a rough go of it! unfortunately there's next to no way for normal people to grow up completely innocent & naive & pure, yk? life is harsh. Wally is not spared. he's incredibly kind despite it all. he's still in love with life and humanity. he smiles at strangers in the street & stops to watch bees pollinate flowers & sees parts of his friends in everything. he has many intense feelings even if he doesn't really show it or know how to convey them! he believes in the inherent goodness of people & beauty of being human!
there is a... very wide range of how people (outside of the Neighbors) view Wally. a lot of people find him slightly unsettling and really fucking weird, and well. he is! he's strange, and it's a wonderful part of him! but many don't see it that way. so he was ostracized by his peers in school (all the way through college), his coworkers (the few times he held a job before becoming a full-time artist), and most people in his local community. they just don't get him. they don't See him. Wally doesn't mind all that much! all of the important people in his life accept and love him for who he is, and he wouldn't even think of changing to fit the mold others want to shove him into.
then of course there are the people who treat him like a child, bc ableism is a thing and Wally's very noticeably autistic (even if people only notice subconsciously). this i think would be one of the very few things that outright annoys Wally, even if he doesn't really show it. but then there's the people who, while they might not get him (especially not to the extent his friends do), they accept him. like much of the art community he's involved in - even if a lot of them completely misinterpret his personality / mannerisms. they're all like "ohhhh he's so mysterious and ruminant" that's the 'tism, babes
BUT! YOU ASKED ABOUT SPECIFICALLY HIM AND THE NEIGHBORS! we'll save Barnaby for last since that's. uh. i have a lot to say about it. it's Very Complex in my mind
collectively, all of them love Wally a lot. which i've said! We Know! they also (mostly subconsciously) look for his approval - he's got a certain level of charisma that makes them all want him to like them. which, he does. obviously. unconditionally. and they're all protective of him & very patient with him. i think that's both a result of his natural rizz, how kind & patient he is with them, how well they understand him, and how he's a pacifist. he's their guy and woe befall anyone who dares cross him. (essentially, all of them collectively: the only constant is suffering - omg Wally!!! 💖💖💖)
we'll start with Frank! before he got to know Wally, he thought that Wally was an aloof asshole who thought he was better than everyone. then they started to directly interact and Frank realized "oh you're literally the nicest person i've ever met & also surprisingly relatable. you're just like me fr'. did he have a lil crush on Wally? yes. im saying it now literally everyone in the friend group (except local lesbians poppy & sally) has had at least a teensy crush on Wally at some point. but Frank deeply appreciates Wally's company & his complete lack of judgement. and how he gladly will let Frank talk for hours on end, chiming in with questions to prompt him to talk more! he also appreciates Wally's calm demeanor and vibes. he's one of those people that even when overwhelmed, Frank can handle having Wally around. he's like a human capybara! if Frank needs/wants a buddy with him for Situations, his go-to (after Julie ofc, though depending on the situation he'd pick Wally first) is Wally, since Wally Gets It. also Wally is unafraid to be like "wow, this kinda sucks! we're leaving", thus giving Frank an easy out. they just get along very well! ofc Frank can get frustrated with Wally, but then again he gets frustrated w/ everyone. but since Wally is patient with him, Frank tries to return the favor. also he's gotten into several fistfights over Wally's honor
Julie! she loves Wally so fucking much! he's her lil guy! even if he's kinda boring in a way! he's not very good at games or sports & would rather go on a relaxing walk than play Just Dance, but hey! he always makes Attempts, and she appreciates that! when they were younger and Julie & Sally & Poppy had girls nights (they continue to have girls' nights but everyone is involved. they still call it that tho), they'd often include Wally bc, yk! he's chill like that! Julie also massively respects his ability to say "no thank you" to anything without compromise. if he ever says it to her, she knows that he doesn't mean Any ill will by it! there's a sort of comfort in that! she knows she can be herself around him! also he's just... very good company. he's a shoulder to cry on, a hand to hold, a willing victim & confidante for elaborate schemes! he visits her at work Purely because he knows it delights her to see a friendly face in the middle of a grueling shift! he's always been a bit of a lighthouse to her!
and while Sally can be a little exasperated with how literal Wally is, she finds no small amount of solidarity with him As A Fellow Artist. when they first became friends, they caught on like a house on fire! she mentioned the artistic side of theater, and Wally was immediately on board. then and going forward Wally is always willing and more than happy to assist with painting sets, art advertisements for her performances, etc! they have little brainstorming sessions where she rambles about what she wants sets / costumes to look like, and Wally sketches them out! since Sally was a theater kid and goes on to work in that department (locally, usually), Wally often gets first read of her scripts. Sally highly values Wally's opinion and input. if he's free, sometimes he helps teach the actors' the show choreography. Sally runs through it with him, Wally soaks up the moves like a sponge & memorizes them, and hey! he loves to teach! Sally just. she loves him a lot. they're both artists of a sophisticated nature <3
Howdy thinks Wally is real neat! Wally is good company and is (often unintentionally) hilarious! he's also like... the one person Howdy refuses to scam in any way shape or form. tricking grandmas into buying more than they need? no sweat. tricking Wally into spending slightly more money than intended? Howdy feels like a fucking monster. but yeah, Howdy's just always delighted to see Wally! he likes Wally's unique view of the world and often takes it into consideration when making decisions. when he's stuck on something, he thinks WWWD (what would Wally do!). Howdy also is the one who most often accompanies Wally to his art shows & the like, bc he knows that Wally will accept the first price offer he hears - and Howdy is determined that his incredible works of art are paid for their worth! nobody is gotta cheat his pal outta a single cent! he just likes having Wally around, you know?
Wally & Poppy have an interesting relationship, i think! he tells the cashier "she asked for no pickles" for her! she makes sure he always has a soft place to land! he kinda confuses her, but she finds it endearing in a way? he displays a personality/behavioral quirk and she's like "oh. well alright!" and rolls with it very gracefully. they appreciate each other's mellow demeanor and proclivity for peace. Poppy knows she can always have a nice, quiet conversation with him over tea (even if he doesn't drink it!). and he's always willing to help with anything and everything she needs, no question. i think i've made this joke on this blog before but! in way! he's her emotional support animal lmao. a hand to squeeze to death on an airplane! also it's funny for me to picture a 6'8 woman hunched behind this 5'2 shrimp of a man as if he can hide her
it takes a little bit for Eddie to adjust to Wally's bizarre nature! like i've said, Eddie connects with the group when they're all in their late 20s. he hasn't had over a decade of being friends with Wally like the rest of them. he likes Wally plenty! definitely grows to love him! but it's an adjustment. Wally consistently startles him very easily (Wally is naturally quiet and has a habit of appearing out of nowhere), and Eddie has a hard time getting a read on him. most people do! and also Wally is very handsome/pretty, and that throws Eddie off a bit (it's hard to think when someone so attractive is staring directly into your eyes without blinking) but once he gets somewhat used to Wally & understands as much as he can, he very much appreciates Wally's company & friendship! they find (somewhat subconscious) solidarity in being the kindest and most helpful people in the clique! and Wally is a wonderful island of peace in a turbulent world. Eddie never minds sitting with him for a cup of coffee in the early morning during his route, even if it means his workday ends a few minutes later than usual.
other supporting cast like Wally as well. Ms. Beagle kinda views him as a second son! the Joyful siblings will always find him a little weird and unsettling, but they're nice enough to him. Howdy's family thinks he's neat. etc! but lets talk about Barnaby!
Wally is literally everything to Barnaby. that's his person. there is literally no one that comes before Wally in his eyes and heart. their relationship is and always has been very nontraditional To Me (in this au and somewhat how i view them overall! its complicated!). Wally never subscribed to or understood societal norms, and as a result, Barnaby wound up pretty much shunning them as well when it comes to his lil buddy. their relationship isn't romantic - Wally is very aro and Barnaby just does not feel that way about him, not really. but at the same time it's certainly not entirely platonic!
neither of them can imagine being separated. they met in 7th grade and have been glued together ever since. they've been through some tough shit together! they know each other better than anyone! you cannot have one without the other! they're more than a package deal - they're Inseparable! Barnaby has had many a nightmare of Wally leaving in one way or another, and it scares him more than anything. to him, he can weather any storm as long as Wally is by his side. they obviously don't spend every moment together, but at the end of the day they always come home to each other.
Barnaby just... he loves and respects and values Wally so much. he wants his approval, his attention, his company. sometimes he scares himself by considering the lengths he'd go to for Wally. there is no one he's more comfortable with or feels he understands / is understood by. if somebody has a problem with Wally, they have a problem with Barnaby. if Wally jumped off a cliff, Barnaby would not hesitate to leap after him! Wally says jump, Barnaby asks how high! he's not a violent person at all, but teen Barnaby once broke a bully's jaw for goin' a little too far w/ Wally
is their relationship a smidge unhealthy? a lil codependent? yes <3 yes it is <3 but we all know that Wally would never use this against Barnaby. on his side of the coin, Barnaby is his person as well! Wally has never imagined his life without Barnaby because it just does not occur to him that that's a possibility. there are many things that only Barnaby knows about Wally, sides only he's seen. there's complete & unconditional trust/love between them. they hotbox Home together <3
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chad-enigma · 8 months
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Jaime Reyes (+Khaji) Headcanons ↓
(Unless specified these are all based off Jaime from the 2006 issues)
Everything's under the cut to avoid clutter!
He has birthmarks. So many birthmarks. The most noticable ones are; two over his left brow, one under his bottom lip and another on his right eyelid. He has a lot more but their less prominent in comparison. They all come from Bianca who has just as many but they're in less obvious spots.
He has a bad habit of working in the dark because after so many complaints about the light bill Khaji just gives him night vision. Which has the consequence of others finding him working on essays in the pitch dark like a cryptic. His vision doesn't change much besides a slight green tint that the night vision adopts so he rarely notices the difference until someone points it out.
He gives the suit appendage (?) Fist bumps when they do a good job <3
Watched Naruto religiously as a kid and will drop lore bombs unprompted if anyone mentions the show (Paco is a constant victim)
Adjacent to this he also watched Digimon and prefers it to pokemon (this is mostly out of spite because Milagro would hog the TV to watch reruns and he'd miss his shows).
His hair gets longer after graduation. It just happens while he gets busy with college and this new chapter in life. Khaji suggests it give him a haircut but Jaime decides against it and keeps the hair just below the shoulder.
He and Khaji practice the body swap thing a lot more after life calms down. They don't have a system just yet. Khaji helps Jaime with cooking because despite Bianca trying her best, her son is still a clutz in the kitchen. The furthest Khaji has gone is taking control of their limbs to keep Jaime safe from mundane accidents.
He knows how to speak a little Japanese and German thanks to Khajis' help now! He figures the more he knows the better and practices in his free time.
Khaji burns his flannels at one point and sets a rule that Jaime can only wear flannel twice a week. His fashion sense isn't that great yet but he's trying <3
His taste buds have gotten used to bad foods. Only because of Khaji who's demanded the most atrocious combinations of ingredients during emergencies for the energy and he didn't have a choice but to down them.
Khaji clicks with Brenda a concerning amount and they scare Jaime a bit.
When they do both feel comfortable with taking/giving up control of their body, Khaji makes it a habit of tying up their hair in a half-up half-down style. It also has a habit of using eye make up (a habit it gained when it first landed in Egypt). Khaji replicates the products himself, since the prices are outrageous. + Brenda finds out and considers Khaji her make up dealer.
Since Khaji first fused with him–and since Khaji has made some 'adjustments'–Jaime has a tendency to sleep in weird positions. Face down planking with his arms hanging off the sofa, upper torso hung off the bed, twisted like a pretzel so his back muscles stretch. It scares whoever finds him like that the first time.
Jaime gets called mom a lot by any younger heros/vigilante as a joke (some of them mean it). He'd try rebutting them but he catches himself fretting over them and accepts his fate. (Alberto says he's a lot like Bianca in a lot of ways)
He figures out he's bi only after graduating. He doesn't do much with this information though; just collects a bunch of hero crushes over time. Khaji complains about him not getting laid yet and Milagro tries to set him up with the worst people she can find.
That's it for now! A lot of this is word dump based off of different ideas that have been filling my head for a while now. I hope it's coherent enough! More than willing to keep going if asked just hmu <3
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homielander · 3 months
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the most interesting character detail about maeve through which i have extrapolated at least half my understanding of her is that she prefers to be called maeve. i frequently see "maggie" pop up in meta and fic as her chosen name, but quite literally nobody calls her that, including (and most significantly) elena. elena is maeve's tether to her humanity and her refuge away from vought, yet even elena only ever refers to her as maeve. (and in season 2, we learn that maeve started dating elena before she joined the seven -- before queen maeve's popularity would have become so inescapable that she would feel compelled to introduce herself by that name.) it's especially notable that in her final scene, maeve refers to starlight as annie for only the second time, but she is still called maeve by both annie and elena.
here's what we know about maeve's life as maggie: she had a rocky relationship with her father whom she doesn't seem to speak to anymore, she's from a "cousin-fucker hick town" as described by homelander -- i can't imagine this place being terribly lgbt-friendly, and she generally lacks connection with anyone she would have known before becoming queen maeve. she doesn't have fond memories of this time of her life, and perhaps that extends to all associations with it, including the name maggie.
i tend to think that becoming queen maeve was, in many ways, self-actualizing for her. the act that garners her national attention and earns her a ticket to vought is a heroic one -- she breaks every single bone in her right arm to save a school bus from falling off a bridge. and i know madelyn says she is responsible for the mythos of queen maeve, but this character was still aspirational, and likely someone maeve wanted to live up to. in any case, this new identity gave her a purpose and tools to achieve it: she wanted to help people! by her own admission, maeve enters vought bright-eyed and hopeful, not far off from annie. (maeve is also one of the only supes in the seven not to know about compound v -- she doesn't strike me as religious but believing she's among the very few born with powers would have strengthened her internal drive to be a hero.)
it's for the same reason that i think maeve actually... liked having powers? of course she says otherwise in her last season, but season 3 maeve is cynical and weary from about two decades of dealing with vought and homelander's abuse. they've used her first as the token woman and then the token gay person of the seven. after growing largely passive to the brutality of the job, the flight 37 incident forces her to confront all of the violence she's witnessed and tolerated. she's given pieces of herself away and she loathes the husk of herself that's left. i don't find it surprising that she would want to relinquish every single connection to vought, including her powers.
assuring herself that she will be better off without her powers comes with an added benefit: she gets to distinguish herself from homelander, who would be lost without his powers. and i think she is eager to make this distinction in her mind because there are some uncomfortable similarities between their initiations into vought. the mantle of homelander allows him to exert agency for the first time in his life, just as the mantle of queen maeve endows her with purpose for the first time in hers. (crucially, none of his current circle call him john, either.) they both enjoy being the most powerful superheroes in the world, the unending public adoration, and (in my interpretation) each other. they're also both overwhelmingly lonely and they know it -- homelander teases her multiple times about how she has no friends with a bit more bite in every passing season, while maeve is keenly aware of his isolation and exploits his yearning for love pretty effectively.
maeve steadily grows disillusioned with her position at vought because she still has a moral code, suppressed though it may be. even so, she nearly relents to homelander's vision: that they will be lonely at the top but lonely together. she's pulled out of her miserable state of inaction by annie and elena. annie reminds her of what a hero should be (what she was, once); elena offers her a way out of vought, serving as maeve's light at the end of the tunnel, so to speak.
she escapes that tower as maeve, not maggie. she rejects homelander's god complex which engenders his cruelty towards regular people and 'lesser' supes -- no one will call her queen maeve ever again, at least -- but it is still important to her to be a hero, and for better or for worse, she found that as maeve. i feel like she'd struggle to exist without her powers (possibly the self-awareness hasn't settled in yet) for all the reasons mentioned above. i like to think that eventually, she'll circle around to helping people and resisting vought however possible -- albeit on a smaller, more covert scale so she can continue living a peaceful life with elena.
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