while Netflix is cancelling shows after one season, Prime made 3 whole seasons of Alex Rider even though only like ten people knows it even exists
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I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them
People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human
“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”
“The purpose of this event was that every participant brings a food item of sorts, correct?”
“Yeah!!”
“And they did not follow this rule while insulting dishes that were brought?”
“Mostly just my dish but yeah >:(“
“How illogical”
“That’s what I’m saying!!!”
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NO BUT HUSK USED TO BE AN OVERLORD? THAT'S SO FUCKING SICK TELL ME MORE!!!!
what's his relationship to the other overlords? do they know that Alastor owns his soul now? What do they think of him? What was his rise to power like? Just HOW powerful is he actually? What is he holding back if he's holding back at all? Did he lose that power or does he still have it? How long was he in power for? Was his rise and fall quick? Is that why no one at the hotel seems to recognize him?
Angel says he isn't one for politics in the pilot so it makes sense why he wouldn't know but what about Vaggie? She seems like the type of person to keep track of that kind of thing. Did he rise to power and then lose it before she arrived in hell? Or does she recognize who the man behind the bar used to be?
And what about products he could have made? Are there old playing cards with his face on them scattered around hell? Poker chips with his branding on them? Abandoned casinos with his name on the sign? Slot machines with dapper little cats on the casing?
How does HE feel about his time as an overlord? Does he miss it? Does he regret it? He regrets gambling his soul away but if he could go back and change that, choose not to gamble with his soul, would he quit while he's ahead or continue to be an overlord? Did he himself own any souls? What happened to them after Alastor got his? Would Alastor own them too?
All questions that could be addressed in the show, but honestly I doubt they will be. We only have 4 episodes left in the season and they're not gonna spend all that precious time on Husk's backstory, no matter how interested I am by it. We might get one or two questions answered though and I would consider that a win :)
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lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you
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For the older grayson brother danny au, realistically Danny would meet all of Dick's younger siblings gradually but the idea all of them meeting him all at once is so funny to me. Even better if none of them knew Dick had an older brother (and 2 older sisters), Dick just mentions he can't hang out with one of them in the gc because he's hanging out with his older brother and all the batkids are like "wtf are you talking about?" Dick swears he's mentioned Danny (and jazz and ellie) at least once but all of them swear they've never heard those names before. Cue the meeting, they've decided to meet at Mcdonald's or sumn and right before they get to the mcdonalds Dick stresses that they should be on their best behaviour cuz Danny and Co aren't from Gotham and they are Normal Civilians TM, they turn the corner and see McDonalds is getting robbed, they rush in to find Danny beating the shit out of the thief with a napkin holder like outta that scene in shameless, Jazz is getting a first aid kit ready and Ellie is cheering in the background
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do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?
i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.
most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.
Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.
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much to think about........
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Once more frustrated by people seeing Light's various moves as stupid because they're looking at it from a point of omniscience and not from the perspective of Light himself and the information he had access to :')
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I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask
Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???
Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.
BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after
I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-
The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.
There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.
But above all else THE LYRICS
ESPECIALLY THAT LAST ONE
"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"
DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.
It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.
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If megumi asked uzhsjdhshd omg I totally see it tbh him wanting you, but I don't think megumi would ever ask yuuji to share you, in any type of way at all. (not trying to push my own hc here!!) I feel like yuuji himself would be the one asking megumi. Yuuji knows that he's yours just as much as he knows you're his. And he loves you too much, a lot, it's purest type of love he has ever felt for anyone. And megumi is his best friend, he loves him just as much, right? Yes, not the same love between you and him ofc but yes. And I have no idea what they were doing but yuuji's just says, kind of out of the blue, that he'd let megumi fuck you. The reason being exactly cause he knows you're his, and you're just so so good that he needs to have someone to talk to (about you and always so respectfully) and who better that his best friend?
you’re opening the pandora’s box that is itfs + reader…. god…..
okok i agree. if you’re dating yuuji, megumi would never ask, yuuji would be the one to bring all three of you together. definitely because he loves you and you’re his, and he loves megumi too, so it just makes sense that his two favorite people also get to have each other—but also, yuuji can tell megumi likes you, and he can tell you think megumi is attractive and since yuuji’s so nice, what kinder thing to do than to set you two up so he can watch (: he definitely enjoys being the mediator, also enjoys the somewhat awkward air between you and megumi, how yeah, maybe it’s a little taboo that the two of you are about to make out while you’re boyfriend watches, but yuuji likes that too… also he likes knowing that you both like him. like how lucky is he that his best friend and his girlfriend adore him so much :(( you two together makes so much sense in his head, because he talks to megumi about you, and he talks to you about megumi, and now, he can just pour all his love for both of you out at the same time
but also…. i’d like to think that yuuji’s maybe not so nice when it’s the other way around—when he and megumi get together first, and you’re megumi’s best friend. he’s not mean, but he does like to tease... how naughty of megumi to ask out yuuji knowing he’s still got a crush on you, and god does yuuji like to tease him about it :/ jerks him off and taunts about how he knows megumi’s dirty little secret—that he’s in love with his best friend and fantasizes not just about having you, but about watching his own boyfriend fuck you too…
yuuji knows megumi would take his feelings for you to the grave if he could (he’d have done the same with his feelings for yuuji if yuuji wasn’t the one to ask him out), but where’s the fun in that! you and megumi are sooo cute together after all, so yuuji doesn’t mind trying to get you two to confess to each other too. uses his proximity to megumi to get closer to you, takes advantage of his bubbly disposition to be physically affectionate with you, uses megumi’s feelings to his advantage to tease, to wink, to smirk whenever you and yuuji hug a little longer, when he texts megumi that he’s meeting up with you for lunch, when he gives you his jacket and doesn’t ask for it back… there’s so much fun in watching megumi blush and whine and get off at the thought of his best friend and his boyfriend together. and the thing is, yuuji genuinely does like you, too, he sees what megumi sees in you, and he thinks megumi is crazy to have not asked you out before, but he supposes everything happens for a reason, because now, this way, yuuji gets to be there and watch it all happen under his guidance. there’s something about the power, about being the bridge between you two even though you and megumi have known each other for much longer, about being in control of a dynamic that could have, but wouldn’t exist without him…
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it's sad how many reviews and stuff around tmbg seem to centre linnell as the sole dark and creepy writer of the band, never really crediting flansburgh too. do "hide away folk family," "dirt bike," "rabid child," "black ops," "cloisonné" mean nothing to them, smh.
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desperately need people to understand that alicent is a victim but she’s also an abuser and a perpetrator
that she actively makes choices to harm other women because of jealousy and envy and the greed deep in her bones because submitting to suffering didn’t get her what those women fight to grasp for themselves.
she is absolutely a victim, in show.
that doesn’t change that she abused rhaenyra and her children, her own son, most likely helaena given how she flinches every time her mother touches her, and is actively weaponizing the patriarchy of westeros against other women- rhaenyra primarily, but also mysaria and dyana.
she isn’t the moral, righteous force of good that even she thinks she is, she’s a wounded woman directing all of the rot, pain, and fury inside her at the wrong people and forces.
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