guys, i think the hermits are going to accidentally start a prank war again. because just like last time, a game of telephone has begun.
first, false made iskall's build into ''false beans,'' her shop from the previous season. however, to give herself plausible deniability, she signs it with "love, Joel. x" due to his username, smallishbeans.
next, iskall sees this, and completely believes it. he thinks it was joel who pranked him, and as he says to pearl while showing off the sign, which he kept even after tearing the prank down, "joel gave me a kiss." in his most recent video, he pranks joel by sending him loads of anonymous messages in order to completely spam and fill his inbox, preventing him from getting any more mail, with notes such as "thinking about you. x"
of course, joel is going to have absolutely no context for this, because he didn't make the initial prank. so who is joel going to assume sent him all those messages while he was away on holiday? well, i have a guess.
etho.
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setting up the wishlist and the surprise gifts on throne has been a godsend, it's been an endless train of fattening snack deliveries, 400 lbs here i come 😈😈😈😈😈
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A friend of mine sent me your latest post and I couldn't stop thinking about how perfectly Vasco would fit into the role of a coat of arms supporter. It got to the point that I just sat down and made a mock-up of the idea; turns out actually, both of them do a great job at it, together. Literally made this account to share the discovery
(Extra funny points for them fitting the original colour scheme)
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okay hear me out- SAGAU but with sea monster Foul Legacy
sea monster Foul Legacy who smells the golden blood in the water during one of his hunts, hastily swimming to catch the body floating in the sea. he's never seen you in person before, but oh- you're so familiar.
he brings you to shore, away from any cities- oh no, you're bleeding- and carefully pats your wounds with seagrass, fretting as he waits for you to wake up. what should he do- you're obviously the Creator, there's no doubt about it- why in the world are you so hurt?! why were you sinking into the sea, why hasn't Teyvat been celebrating your return, why-
Legacy chitters in surprise when you shift, letting out a few coughs and cracking open your eyes. with a strangled scream you shoot upright and try to scoot away from him, only for Legacy to lower his head and whine sadly. of course you wouldn't want to be around him, he's a monster. but your movements eventually slow, breathing heavily as the cuts sting and sear, and after a moment he tentatively dabs more seagrass against the injuries, trying to show that he means no harm. when he's sure that you won't struggle and accidentally hurt yourself, Legacy gently nudges you into a sitting position with a gentle trill.
he has to hold himself back from just staring in awe. his god, the Creator, is right here in front of him! but he can see the way you shiver, the gleaming blood staining your skin- you need care, not worship. so Foul Legacy shifts closer, gently settling his scaled tail over your legs and pressing his cheek against yours, feeling how you shudder in his arms like you've been running and screaming for years. you stiffen at first but quickly melt into his tender embrace, sniffing as relieved, exhausted tears begin to drip down your cheeks.
on that night, a god finally found an ocean of safety to call their own.
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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