not me finding out that the 'dissapears from tumblr when you meet someone' thing would also in fact apply to me... >_>
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genuinely fascinated by the fact that unlike so many other male fictional characters, peeta’s experience with his abusive mother doesn’t make him a violent misogynist but a pathological people pleaser
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Have you taken any pottery classes or were you entirely self taught? I REALLY want to get into it but classes are quite expensive
I took some sculpting in undergrad, but it was in the context of casting and mold-making, not ceramics. So I'm fairly comfortable with clay as a medium but not so much with clay as an end product--not being able to do armatures and having to think about firing is weird. (If I had the opportunity to do bronze casting again, though, I would, no hesitation.) That puts me in the minority of my current pottery peers, who are largely self-taught or only learned in our studio.
I do pottery now at a co-op studio space, and technically that means that I'm taking classes there--but the classes are more like guided lab time? There's not really assignments or anything, and there's only a couple other people who sculpt, none of whom are in my class. Mostly the class just means that the person in charge demonstrates a technique or two once a week and then lets us do our thing.
Personally I think that shared studio space is the absolute best way to go. You spend less in startup costs (kilns are EXPENSIVE, running kilns is expensive, glaze is expensive) and it plugs you directly in to a group of fellow artists who can help and support you at whatever skill level you're at. Yes, classes are expensive--my class is $250 per season. But for me that includes lab space, 50 lbs of clay per season, almost all of the glaze I use, kiln time, and other people doing all the maintenance and kiln loading/unloading etc. Very much money well spent.
Artist-run shared spaces are often not turning a profit on anything with studio fees, just covering operations costs, so while it's pricey, it generally is just...what it costs to do that hobby. And it is sooooo much easier to be motivated when you're going to what is, basically, Grown-Up Art Club.
But if costs are prohibitive for you to do pottery via classes, and you want to learn to sculpt, then get some polymer clay and see what you can do. It's a different game than actual clay, but form is form, and the medium is secondary to figuring out how to translate an idea into reality.
Polymer clay is relatively affordable and doesn't require nearly the infrastructure of ceramics. If you can't spend the money on classes or a shared studio, then polymer clay is a great way to develop technique and an eye so that when you're in a position to spend the money, you already have the skills to make it worth what you're spending.
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witness your own delusions of grandeur.
art collab with @narutodivorcearcreal, who did the amazing drawing; I colored :)
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Did Brambleclaw actually disown the Three when the secret is revealed? I don't remember this happening (then again, it's been a while) but it does bug me how all three go "Poor brambleclaw :(( He was such a good dad to us and he has to learn we're not even his biokits :(((( poor guy" while simultaneously shitting on Leafpool and Squirrelflight despite them showing them more care and affection before AND after the reveal. If he does disown them, then.... WOW is the double standard real here.
In-canon? It's something you have to approximate. They don't seem to have a concept of ""disowning"" because blood relation is taken as such an insurmountable, FUNDAMENTAL fact of life. He doesn't write them out of his little kitty will and testament, but his actions ARE disowning.
It's as if the fact he is not their biological father is an automatic disowning. From the reveal onwards, he is immediately cold, distant, and the "betrayal" is mentioned often. The Three also explicitly don't blame him for his behavior, like it's just to be expected that he's Not Their Dad anymore.
Lionblaze in particular stares longingly at him several times, really missing him. And like... that's kinda what gets my goat so much
I do believe Brambleclaw is entitled to his feelings of betrayal. I believe Squilf was ultimately in the right to lie, actually, but he's still allowed to be upset and angry that she didn't trust him enough to tell him something so important. THAT SAID, YOU ARE NEVER ENTITLED TO TREAT OTHERS POORLY.
And that's what GETS me. He isn't upset that it was all revealed in such a painful and embarassing way when this could have been avoided, or that his lover struggled with this lie for so long without him, or that he feels he's lost his children. Squilf points it out in The Last Hope-- He's so ANGRY at Squilf that he will THROW HIS FAMILY AWAY
Lionblaze seems desperate to be his son again. Hollyleaf is gone for months, and Brambleclaw is still huffing about the secret when she comes back from the dead. Squilf is fawning in the hopes it makes him talk to her again. Doesn't matter. Brambleclaw Is Upsetti Spaghetti so the narrative will never examine his role in hurting this family he apparently loved so much.
(Narrative seems to understand full well that when Squilf lies for a good reason, that doesn't invalidate the hurt Brambleclaw felt... but when Brambleclaw is upset for a good reason, it actually DOES validate what he put her and his kids through)
In BB it is explicitly a disowning. He cuts them off as his children, and they reciprocate. BB!Lionblaze does so in a ball of fury, vowing that he has ONLY a mother.
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i wonder if the shows ever gonna acknowledge how many clones the batch have just straight up murdered, especially echo whos always the most keen on saving his brothers
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As a Gévaudan Lycan, June’s design is supposed to give off an unknowable and melancholy energy.
Gévaudan Lycans are mimics, and their emotions alter their form, especially if they have little to no control of themselves when they shift.
The way June was changed into a lycan and her experience during first shift were extremely traumatic, and over time, her lycan form reflected her feelings of loss and self-loathing. She fronts as this charming and confident woman, while holding back her deeper emotions that eventually leached into the form that reflects her true self.
Fear, sadness, loss, and rage all mixed into this one entity she cannot control. Once a month, she's forced into facing all of those emotions, reliving that trauma again and again for nearly 30 years.
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We've had more scenes of the bad batch talking about Crosshair leaving in S1/S2 than of them talking about Tech's "death" in S3.
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Would Lucy reviving the rats have taken away the XP the Rat Grinders got for killing them is that anything I’m not sure of the rules/mechanics? Like was she trying to weaken them or was it strictly an act of mercy on her behalf? or a mixture of both?
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also in terms of the bolas playlist it's fascinating to me that the songs added by each person have a slight tendency to represent a consistent aspect of bolas
like
the songs added by slime are their chaos
the songs added by philza are their rebellion
the songs added by cellbit are their rage
the songs added by baghera are their anguish
it's so fucking FASCINATING TO ME but i don't know enough music theory to elaborate lmfao this is Vibes Only
(mouse's songs i can't boil down to an easy noun which is why they aren't mentioned lmao anyway they go hard asf)
(also i went on the longest fucking unhinged elaboration in the tags lmfao i almost didn't have enough tags left to tag "long tags" at the end
(i could have even gone on longer in terms of where their characters were at entering purgatory [philza: cage for a cage; cellbit: fed worker murders; baghera: her past as a federation experiment; slime: turning into a code because of the code pretending to be his daughter] but i ran out of space and also time it's 4AM AAAAA)
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Some aspects of Laudna's behavior from the most recent ep have really started to stand out to me re: her backstory. We're told basically that after leaving Whitestone she roamed to different cities and was subsequently run out of many places by the townsfolk for being...well, a creepy undead witch. This is really all we know of thirty years of her life, we have nothing more detailed than that until Gelvaan, which is also not very detailed on what exactly she was doing there. And it's interesting because this backstory feels like it's meant to elicit a lot of sympathy on Laudna's behalf--i.e. she is being wrongly chased out of places for the crime of being/looking different. But something about the way she approached Imahara Joe's establishment--sending in the creepy whispers, specifically making a bunch of terrifying "rattling noises", and responding with a smile and saying "It works every time" when they heard a noise in response--really has me like. okay. Laudna, did you get chased out of places because you were terrorizing people in those places? because it sounds like you've done this before, potentially many times, and what's "fun scary" to one person can so very easily be "scary scary" to the people on the other end of the schtick.
Laudna clearly loves people, but I do have to wonder if she experiences a certain amount of dissonance about the effects that her actions cause. She very much has this Manic Demon Nightmare Girl persona thing going on, and that delighted, manic energy mixed with her penchant for the macabre, often directed at other people where she enjoys their freaked out reactions? I think, perhaps, there were reasons she kept getting run out of places that we have not, uh, unpacked as of yet.
To go deeper with this, Laudna is a character who rarely feels like she's in charge of her own destiny. Some of this is intentional, like the repeated puppet imagery re: Delilah. But I wonder if, perhaps, Laudna is someone who has had so many things--bad things, terrible things--happen to her that she had learned to erase her own role in her life. There was nothing she could do when the Briarwoods took over Whitestone, there was nothing she could do when she was murdered by Delilah, and there was nothing she could do when she was resurrected as the undead creachure that she is today. But there are thing she could have done in the intervening thirty years to change her situation. She could have pursued threads about getting rid of Delilah for thirty years, long before meeting Imogen. She could have (somewhat) altered her behavior so she wasn't freaking people out wherever she went and maybe she could have stayed somewhere. She could have been proactive in making changes and pursuing things in her life and I just wonder if she has forgotten that she can do that for herself and that the things she does do have consequences. In ep 49, she told Imogen, "The gods have never kept us from our ability to have a choice." But she only says this to Imogen. When does Laudna finally make an active choice? When does she realized that her behavior and the consequences of the behavior are in her control? When does Laudna decide that it's time to stop being a spectator in her own story, a person that things happen to? Soon, I hope. She should be the main character of her own story, and right now she simply isn't
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this is a largely meaningless observation but, based on the fleki uniform demonstration comic, mithrun seems to wear the default style of the canary uniform, probably because he has no desire to personalize it or preference for how to do so, etc. when he does seem to pick his own clothes, though, they don’t look super in-line with what we’re shown of elven clothing styles in his region: high collars look like they’re fairly popular with elves in general, but out of uniform he tends to be a lot more covered up than everyone else—long sleeves, long pants, boots rather than sandals, and he dresses that way both prior to getting eaten and after the events of the series. anyway it’s kind of cute that after everything that happened to him, someone cared enough to remember what his clothing preferences used to be.
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