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#which is good because i just use it to write vaguely aesthetic nonsense
isbergillustration · 7 months
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It is a Not At All Ominous Day in the city
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writingmoth · 11 months
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writing with "vibes" in mind is completely underrated tbh
ive thinking a lot about this bc ive playing a lot of games that use vibes to tell the story/to make gameplay moments stand out. and listen, i know games =\= books, but!!! i think it has merit.
under read more bc it got rambly. its just me wondering aloud about ways to write.
example 1: ffxiv, a fantasy mmorpg that relies HEAVILY on story. it's been out for more than 10 years, so the story is huuuuuuge (i spent like a month and a half just catching up when i started playing two years ago). there are callbacks to the base game in a expansion that came out 9 years after said base game. it makes the whole thing feel like a expertly drawn web of plotlines and characters... except that isn't that case at all. the writers have mentioned multiple times that things that happened in the third expansion (6 years in) weren't planned from the beginning. that is, they just threw paint at the wall back in the base game bc the colors (vibes) looked cool. they just had enough skill to make a painting out of it later.
i guess having a good grasp of your story's themes helps a lot with that, too, now that i think about it. it assures that the colors are at least complimentary when you are slinging them about at the start of the story.
example 2: destiny, which is a completely different game. destiny doesnt use story the same way ffxiv does, though it is important (somewhat)... but lore is where the vibes come in to play for destiny imo. they do so much with so little. still using the painting analogy, it's almost like negative space art - they fill in just enough to give you an idea of the figure but not nearly as much as you would need to discern the details. and still the world feels vast. most of the time you are shooting aliens while wielding space magic, but every weapon, gear, etc has its own lore piece, and whole plotlines/characters that never show up in game or in the main story can be told through them. it's basically just vibes - aesthetic, some character moments, letters/logs, etc. and it works! the world feels lived in, most of the characters are well defined and even though sometimes the main story kinda drags, there is enough to keep you interested.
(it kinda reminds me of how i write description, which i've talked about before, but for the lucky ones who don't follow my rambling nonsense on this blog: i have a lot of trouble visualizing places or people when writing (or reading tbh) so i usually use a lot of atmosphere and emotion to mask the fact that i have no fucking clue what this very important place/person looks like. )
there are cons and pros to this approach. by being so vague and focusing on small bits that seem an ocean apart, the game gives just enough for the player to fill in the blanks themselves. that is good, because then the player is more likely to fill said blanks with stuff they like. it ends up being more of collaborative effort - and i'm sure the writers behind the game use the players' "headcanons" as some sort of thermometer for what/how to write next. so its writers and players feeding off each other's ideas in a way.
buuuuut.... it can also be pretty bad. you risk never committing to a vision or plotline by writing like this. nothing is ever set in stone. retconning, which isn't bad by itself, can happen way too much to be acceptable. if something can end up being anything, what is the point of it existing anyway? why should you care if the spine behind isn't well formed enough to carry the story later?
another danger is that the actual canon and the player's canon can end up being way too different in the end. maybe you meant to write the story this way... but the player filled the blanks just differently enough that "this way" ends up being unsatisfying and wrong.
but the biggest problem, for me, is risking never getting a proper resolution. since so many story moments and worldbuilding elements end up coming from "vibes", you risk relying way too much on the rule of cool.... which sets up a lot of stuff, usually, but never concludes them. that's also my biggest problem with asoiaf, for example - so much of that series is about building up tension, foreshadowing certain battles or encounters or whatever... that the payoff is almost never there (which is only made worse by the loooong time between book releases). it gets to a point that nothing the author comes up with will satisfy what the reader is expecting of the story.
"vibes" (or themes & aesthetics if you will) do a wonderful job of touching a reader's (or player's) strings with imagery, emotion and promise. but whatever comes from it needs to be tied up into an actual storyline (most of the time, at least). ffxiv managed to pull it off with its last two expansions but destiny stumbled a bit with its last one. players were expecting SO much of lightfall after the expansion before it, witch queen, since it managed to nail both vibes and plot. witch queen and the seasons (kind of episodes) after it setup SO much stuff. it promised a lightfall that would be an explosion - a much waited confrontation between the players and the villain, answers given, mysteries solved... and it did nothing of the sort. confusion and anger soon followed.
which is to say... vibes can be very helpful when you pause to interrogate why they interest you so much. why do you like this particular aesthetic, this imagery, this turn of phrase? some elements just pull you in and its fine to go and write a chapter or scene that is basically just you going "wow this is SO cool" even though you have no clear idea why. it's just the vibes it gives. it just presses your right buttons.
... but you will need to wrap them up into something coherent eventually. and for writers i think it's easier - usually "later" just means "once the first draft is done" aka "no one but your trusted betas will ever have to glance at this mess". for live service games like ffxiv or destiny - or even regular rpgs like dragon age or mass effect - it can be very dangerous. writers come and go. turns out that vibes-fuelled story point someone cleared for release 4 years ago doesn't make sense after all! and yeah, hyping up certain characters and plot elements seemed like a great idea for player retention 6 months ago, but what the hell do we do now?
it's too late - the players have already played the thing, they have VERY strong emotions about the thing and they are waiting impatiently for you make the resolution of said thing awesome. and you've got no clue of how to meet said expectations.
(having said all that, i do believe authors can all fall prey to this in non-standalone works too. but we usually have the ability/autonomy to make hard decisions, which video game writers of huge ips like destiny/ffxiv/dragon age/etc usually don't have.)
and of course, using vibes can go very wrong in other ways. you know the negative art destiny does with its worldbuilding/characters? i think books can go way too hard in the opposite direction. i felt this way when reading stuff like acotar, for example. the story wanted to give me certain vibes BADLY, because vibes work!, but i could see right through it (and this is my opinion!) and there was no meat below the all the fanfarre.
sometimes your characters just havent earned the cool/interesting moments.
anyway!! tldr: ive been thinking a lot about just going with the vibes for my wip and i think that's a pretty neat idea actually!! sometimes tending to your darlings can lead to interesting realizations about your story's themes that you otherwise would not notice by being too stuck to rigid plotting and too much rationalization (does it advance the plot? is this scene truly necessary? how is this developing the main character? etc) - but only when you interrogate them enough to find that out and use this newfound knowledge to enhance the story in a revision/another draft.
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bobombun · 2 years
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Tag people you want to get to know better!
Thanks to @crowcrownprince for the tag o/
relationship status: single, and my aro ace self prefers it that way. Though I suppose living with someone could be good, I hear loneliness can really get to you in the long run. Hmm, better ask around if anyone wants to be my roommate when I move out...
favorite color: I don't have a strong preference, but I do come back to red a lot. It's a bright colour, pops out easily.
favorite food: popcorn! Especially the kind sold by the movie theatre (or at least the one over here). Sadly that's expensive (trust me, I used to buy it often) so I instead tend to buy the regular type from supermarkets.
song stuck in your head: this one song from FFXIV Shadowbringers, but I'm not going to look it up in case I find spoilers. The really determined sounding one, surely you know it.
last thing you googled: "Duke Resident Evil" because a tumblr post mentioned him, and I have no idea who he is
dream trip: hmm, hard to say... I suppose a trip to Rome could be fun? Honestly, as long as I can find some museums or historical sites and go on the trip with friends, I'm good.
time: 21:19 as of writing this part
last book you read: uh, good question... Probably Thud! by Terry Pratchett, if manga doesn't count. If it does, then Moriarty the Patriot 1 by Ryosuke Takeuchi and Hikaru Miyoshi.
last book you enjoyed reading: Thud! I absolutely adore Terry Pratchett's Discworld books, and this is one that I happen to own, and so have re-read multiple times. I especially enjoy the ones with Vimes, he's a fun character to follow.
last book you hated reading: hmm, I wonder... I can't really remember one I really hated, nor which one I read last, but I do remember not enjoying The Unknown Soldier by Väinö Linna, but that was because I had to read it for school, and was quizzed on nonsensical minor details such as "what fish did this character mention in his joke?" I never finished the book, though I probably should, considering it's one of those books that every Finn should've read, or at least vaguely know the story of.
bonus: I would be just the worst at being a Let's Player, because I tend to pause a lot to think about something that's vaguely related to the topic at hand, which leads to lengthy pauses in doing quests or progressing a cutscene or what have you while I ponder about the meaning of fish in my life, or how a specific injury would affect me. Then again, maybe there's a market for streamers like that.
favortite thing to cook/bake: dumle muffins! Very tasty, and biting into a muffin and getting warm, melted dumle in the middle is just so heavenly. Though I cook that rarely, so I guess I should say spinach pancakes instead, they're my go-to when I'm alone and need to cook something.
favorite craft to do in your spare time: I've been recently into watercolour pencils, so I'd say sketches of characters being coloured with those.
most niche dislike: the sentence "never change," because while it's meant as a compliment about how you like someone's feature so much you wish they'd keep it forever, I strongly believe in the necessity and inevitability of change, and to me telling someone to never change feels akin to a curse.
opinions of circus(es) now and in history: I love the aesthetic, give it to me any day thanks. I remember enjoying going to a circus as a kid, I should look for a chance to visit again... When it comes to their history, I don't know much, but I've heard plenty of freak circus stories to feel pity for those situations.
do you have a sense of direction and if not what is the worst way you ever got lost: let's put it like this: my go-to way of finding my way to the quest marker in games is to go directly there, no matter what mountain or ocean stands in my way, or if the quest gives told me to just take the boat or turn left over there. As for the worst way... As a kid, I once was near a forest with some people, and we found a frog we decided we had to take to a puddle. We went into the forest, set the frog into a puddle, did a little loop and just missed the exit, prompty getting lost for a few hours. I was wearing shorts I think, and the forest was full of nettles. Next time we hung out at the place again, a few weeks later, we went into the same forest, and purposefully got lost. Kids, I guess.
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interact-if · 3 years
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Umm hi 👉👈 I realized that most of the asks you guys get are about games and rec lists. You guys deserve so much recognition for the work you put in this blog, so I wanted to ask if I can do a little get-to-know-the-mods thing? If that's okay!
1. Besides writing, what are your hobbies?
2. Do you have a niche interest right now?
3. Any fave songs/artists/bands?
4. Any fave movies/tv shows?
5. On a scale of 1-10, how likely would you survive in your wip's world?
You can totally ignore this if you guys want, no pressure. Anyway, much love to all the interact-if mods! You guys are incredible! ❤
We saw this ask and we went 👀 👀 👀 so we’re happy to answer! Thank you so much for the fun ask!
 We also rated our survivability in all of our collective games, since Mars isn't an author! Fun stuff! Spoilers, though: it’s really not looking so great for me (Dani) but that’s fine!!!  😌
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1. I’m a photographer as well as a graphic artist (but not like. A painter/drawer kind of artist!) and, on a general level, a maker and a tinkerer!
2. Fountain pens! I only write with ink, and only with fountain pens, and I use bottled inks/converters!
3. I’m pretty eclectic with music, but my top genres are alt rock, indie, indie pop, etc, as well as top 40s and some rap.
4. I feel like this is the hardest one for me to answer? Favorite movies/shows? Avatar: the Last Airbender has been a favorite show of mine since I was a little kid, but I have a harder time thinking of shows I would call a favorite in recent years. There are shows I’ve liked, and a lot of shows I’ve watched. But I’m picky! And demanding! It takes a lot to earn a place in Dani’s Trophy Case of Favorites. 😌 I would say I quite liked A Quite Place (movie), and I liked Us (movie). When it comes to TV shows, I have a hard time being pleased with them if they don’t end well. As a result, I have a penchant for a good limited series/miniseries (because they’re stories that have an end in mind and the plot reflects that, dagnabbit).
5. Heh. Okay.
In The Goodfellows? I think I stand I chance. I can exercise my sparkling wit and lovable personality to the best effect. I’m gonna give myself an 8/10 survivability rating. Even if I don’t have the right skills, I can go crying to the person who does and they’ll save me. Maybe.
In Creatures’ Cradle? I’m super $**!%d. 😌 1/10 survivability rating. And that 1 is me being nice to myself. The day the apocalypse breaks out I would probably be patient 0. I am self-aware. I would not do well in an apocalypse. Zombies care not for aforementioned sparkling wit and lovable personality, and I have all the muscle of a boiled spaghetti noodle. So it’s a no go.
Greater Than Gods (Cruz): Well. I’m going to be optimistic. And say that I have the wisdom not to do things I shouldn’t do and not to rock boats I shouldn’t rock. I’m going to give myself a 7/10 based on insider information, but also based on reckless optimism!
Vardir (Cruz): Cruz says this is a lighthearted game, so 10/10 LOL.
When it Hungers (Roast): I’m giving myself a nice, mediocre 5/10. I think I could put my mind to work here; I joke that I’m the village idiot, but I’m actually pretty smart! Unfortunately, I’m also curious, and maybe a little bad with authorities who won’t answer my questions. So I knocked off a lot of points due to the fact that I’d probably poke the metaphorical bear. So it’s a real coin flip as to whether I’d really make it or not.
Orthall Bay (Nines): Considering the genre is “horror” and the game intro includes the words “monster” and “maim,” I’m giving myself a whooping, enthusiastic 3/10. Yes, folks, I am that confident in myself! Once again, I can’t charm the socks off a monster (or can I?), so one of my greatest weapons is snatched from beneath my feet. Alas!
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1. Beloved I’m a college student in the middle of a pandemic... i can hardly even write LOL i do draw at times which u can see in my personal blog (nothing too good really) and i used to do karate before things went to shit <3
2. Nothing niche I believe? All I do is leave Netflix as bg noise every day n play popular videgames (genshin)
3. Porter Robinson <3 I love Bea Miller a lot as well but lately I’ve been feeling Porter a lot
4. The Good Place <3
5. My WIPs:
Greater than Gods: Highly situational, the world GtG is set in is as broad as the real world LOL so I don’t have an universal answer. But keeping it vague, and knowing my own personality, I feel like 5/10. depends on my luck.
Vardir: 10/10 no one dies in Vikgade, unless you’re a hunter but I wouldn’t be a hunter <3
Others’ WIPs
I'm gonna give myself a solid 5/10 in all other WIPs because y'all aren't writing lighthearted stories either. I feel like as long as I avoid the role of the MC I will be mostly fine. I hope. But as Dani said I'm also prone to fight the wrong person and dig my own grave so 😌
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1. Well, writing is a very, very, very, distant hobby since Words Hard, but I like to crochet and sculpt a little! Anything to do with fiddling with my hands and I’m good to go. And like, debatable but graphic design is my passion [insert clown emoji here since Tumblr said No]
2. Oh yeah a bunch! DnD yelling at people, thinking of arson, crocheting, rock climbing and simply vibing. I got into podcasts a few years ago and I’m always looking for more recs, so if you have some, hmu 😤
3. Pls,,,,my music taste is,,,so weird do not let me expose myself with lack of consistency but uhh. Current songs that are stuck in my head include; Cult of Dionysus , Achilles Come Down and The Last Shanty  
4. If you’ve ever spoken to me before, I probably yelled about Pacific Rim to you or at you. Plus I love all The Mummy films and really enjoyed Castlevania (s3 excluded, we do not perceive that) as well! 
5. Ah, mod survival simulator pt. 3
Alright, let’s go!  I don’t have a WIP because again, words hard, but like, considering how feral I am when not tryna seem professional hm... 
The Goodfellows: I wanna say a solid 7/10 because I’d hardcore vibe with the Traveler and probably instigate so much nonsense. I can also bribe with blueberry cake so maybe. 
Creature’s Cradle: maybe a 4/10 and only because of pure spite keeping me alive long enough to smack someone. I’ve prepared for hypothetical  zombie apolcapyses and I won’t hesitate to bap, but will be bapped back because I’m weak as hell. 
Greater Than Gods: a toss up between 2/10 and 7/10! I can vibe and be chill but I also have terrible impulse control so... 
Vardir: hm....I think pretty good survival rates all around? If you ask me to fight then like, okay sure, your knees are mine. So maybe a 8/10? 
When it Hungers: .......8/10 just because I’d refuse to die if I can be a cool creature. Living for the aesthetic can and will drag me outta hell. But I’m also clumsy as hell so I’d probably crash as a porcelain or hold a rooster and perish (aka, real rating is a good 3/10) 
Orthall Bay: 2/10, nope. Nope I’d be taken out in a heartbeat. Monsters can go pspsps and I’d head straight into the dark creepy forest like a fool if someone comes @ me. Half the time I’ll just assume it’s sfx makeup and vibe until it’s too late. 
god, never put me in a universe where I cannot squawk like a bird and throw pebbles from a window. Oof
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Anon, you're so sweet! I give you a forehead smoomch <333 As for your questions...
1. If I'm not writing, I'm usually watching video essays on Youtube. My go-to channels as of right now is Disrupt and Aperture! I just really like their videos. Aside from that, I recently got into podcasts. Currently going through Hello From The Hallowoods and Shelter and Warning, which are made by queer creators!
2. Oh oof, there's quite a bit so I'm just gonna put down one thing. For some reason, I really got into collecting tiny astronaut things? I recently bought this astronaut desk light, and I've got a package coming in for the miniatures I ordered. No purpose for them other than I think they're neat <3
3. I'm a bit private with my music taste (even tho I have Spotify connected on Discord lmao), but there's 5 songs that I'm currently obsessed with. I keep replaying them over and over again. Just squeezing all the serotonin I could get outta them.
4. I can't really say I have a fave TV show or movie because I can't really just pick one, but my current fave is 9-1-1 and Resident Alien. 9-1-1 because I just really love the found-family dynamics and how the show tackles sensitive topics, and Resident Alien because it's lighthearted comedy. My all-time fave movie is Flipped! I have the book too and I like rereading from time to time <3
5. You're in for a doozy, anon, because we're rating each other's games <333
The Goodfellows: 7/10
Listen. Shenanigans with the Traveler. I would get up to so many of them and that is what'll get me possibly bodied, not the actual environment itself <3
Greater than Gods: 7/10
I like to think I have enough common sense to uhhh not recklessly flip stones that should not be flipped <3 I'm a cautious and skeptic person irl so I think I'll hold up well? Then again, it's a vast environment change and while I can adapt pretty quick, I wouldn't like the lack of control in the unknown.
Vardir: 10/10
Going off what Cruz said, Vardir is lighthearted and focused on personal growth so I think I'll be okay! Self-growth here I come, babey!
Creatures' Cradle: 8/10
Maybe I'm overestimating myself, but I think I'll be able to survive in a supernatural post-apocalyptic world! Ah, but it depends on the motivation though. I like the idea of rebuilding communities and eventually societies, but the survival turmoil would be a constant battle I'd have to overcome. If we're talking survival itself though, I think I'll do well.
When it Hungers: 8/10
That's probably my wishful thinking but I think I'll be fine. Maybe. Possibly. Don't like the idea of being regulated by an organization so if I was a non-human creature that could pose a problem but I can roll with it <3
Orthall Bay: 6/10
Assuming I'm not playing as MC, my chances of survival uhhh changes quite drastically. Not enough to guarantee an untimely demise, but certainly enough that it would constantly keep me on my toes. I think that's the safest answer I can get without spoiling anything lmao
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Thank you so much for asking! It's super sweet of you <3
1. Too many :'D I knit, I sew, I do carpentry (well, learning), I bake, I'm hammering away at HTML and CSS, my job kind of encourages learning new things and I take that to picking up new hobbies!
2. My time is kind of consumed with school work and work work and WIP work so not a lot of time to pursue niche interests right now. I've been watching a lot of horror game playthroughs, true crime youtubers, and an adorable show on Netflix called the Repair Shop <3
3. My taste in music is "what am I vibing with atm?" I've been listening to a lot of 80's music atm (don't @ me), but also Lo Fang and Kaleo, and whatever spotify recommends me on my discover weekly which is usually complete chaos.
4. I love the Mummy even though it hasn't aged 100% well (I'm a librarian, of course it's one of my gotos LOL), Legally Blonde, Leverage, Jumanji (the original), I'm....very bad at having recent tastes... and very bad at remembering my favorites when asked.
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5.
The Goodfellows: I'm a creature of comfort, 5/10 if I can just luxuriate in town and not actually interact with the story sfjkdbsdkf
Creature’s Cradle: I'd like to think I have a 50/50 shot XD 5/10, I want to think I'd be decent at a zombie apocalypse but ultimately would suffer an early fate.
Greater Than Gods: 10/10 if I'm just vibing, less so if I'm involved in the actual story XD
Vardir: I'd still suffer without technology but I can also knit for a living in this world so I'm down 8/10
When it Hungers: I feel like I could vibe here, there's tech if dated, hot showers, telephones are around by now... might still get bored. 7/10 though it'd be cool to be another creature....I should make a 'what creature of snv are you' quiz!
Orthall Bay: 7/10 idk I feel like after the first monster of the week I'd just skip town XDDDD I'm the worst protagonist, I see danger I just leave.
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jadenite · 4 years
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Hi. I redesigned the DC trinity’s outfits according to my own personal aesthetic preferences.
Detailed breakdown below:
Wondy:
kept mostly in line with the Perez era/JL cartoon look because they’re the most iconic to me; just added a few seams so she’ll match the other two in this group
I added some much needed straps to her bodice; I know the movie proved it can be done without straps too, but in my head the bodice should look more sporty even if it’s made of leather; therefore - straps (in the back they should form the classic X shape sports tank tops usually have) 
changed the belt to be more Sailor Moon-esque because I always loved how that V shape hugs the hip area; it’s also more contemporary
added thigh high stockings (slanted for even more V-shape effects) just ‘cause I wanted more blue on her
I am not a fan of the decision to ditch the stars from the bottom in recent iterations of the comics (which are inspired by the movie outfit) so I want to bring them back; the stars are not a pattern on the bottom anymore though, they’re in a line that follows the shape of the belt
the boots are now made up of shoes + greaves (that wrap around the entire leg so they look like boots), to mirror just a little bit of the newer designs WW has gone through and also to be closer to what the Ancient Greeks used to wear in their time; also, the white lines are now silver/metallic like her bracers (that particular inconsistency always bugged me); the boots are FLAT - no high heels or platforms or other nonsensical things that can’t possibly be useful in combat
I don’t like a skirt on her, or the ‘flaps’ they went with for the movie version; I get that the leather flaps are a very vague reference to the pteruges that Greek/Roman soldier used to wear but they just look off for me; it’s fine for her to only be in a leotard, as her fighting style is quite acrobatic anyway and she needs the full range of movement; what I’m ultimately trying to say is I like her looking more like an athlete than a soldier. 
Bats:
I actually liked the new52 redesign with the extra seams so I kept them, mostly because it reinforces the idea that his suit is all textile instead of being some sort of body armor like the movies/games keep insisting it is and I hate with a passion (he should never ever look like a heavily armored cop y’all) I’m probably gonna end up writing a separate post on why I think Batman should have a very simple, textile-only body suit
the cowl and insignia are inspired from the cartoon designs, specifically JLU and Batman Beyond; I really love him with longer ears, they really drive home the eerie, shadow-dwelling, scary presence he’s perceived as; also taken from the cartoons is the pointy boot tip - yes I think his boots should be pointy...like his ears and a bunch of other smaller details across his outfit BECAUSE I LIKE DESIGN CONSISTENCY FROM TOP TO BOTTOM
belt is also in a V shape because one can never have too many V shapes. I will die on a V-shaped hill also known as a mountain
I reintroduced blue on the inside of his cape as both a nod to the golden-age design, and because I felt he was in dire need of more color on him; I think the increasingly monochrome look he’s suffered throughout the years makes him look too different from the rest of the Justice League and I don’t like that much discrepancy of design and colors between the members
pointy shoulders are a nod to Cass Cain’s Batgirl design and I can’t list all the reasons why this works on so many levels.
Supes:
I learned to love the red trunks in recent years; the part of the fandom that liked them made a very good case and convinced me so congrats red trunk team! Anyway, I decided to keep them in my idealized version of his suit, but extended them a bit further down the thighs to be more like hot pants than underwear (for the full himbo effect); I just really like how this looks because it resembles the old timey strongman getup even more (and I’m pretty sure was the inspiration for the original design)
ditched the belt in favor of something more subtle and integrated into the trunks; I think I achieved something neat here, because, in combination with the trunks, I think I found a way to marry both the original design and the Man of Steel movie one (which I don’t hate)
salutations from Mount V-malaya: the neck, the way the cape attaches to the suit, the logo (lower part), the “belt”, the boots
also more seams, to match Bats’ design (listen, I like having some semblance of design coordination between members of a team okay)
I never liked the exposed neck on practically every iteration of Supes’ costume so I decided to fix that and took inspiration from the Justice Lord Supes design (which has a high neck suit); I am aware that the main reason he has a collarbone neckline is because of the cape but I don’t care, I still think it’s very unflattering to the body.
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gatheringbones · 3 years
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do you write with an outline or just sit and write? (correction because I forgot the right word in english oops)
both.
spent the first six months sitting and writing on the computer, which quickly turned into writing about writing because all I had was a vague aesthetic and a pairing in mind and that was all I had to go on. I had to talk to myself on the page for months and months just working out who my protagonist was, what she wanted, an arc she could go through, a possible world I could shape around that arc, chasing and circling what I found interesting and compelling and letting everything that bored me slough off unnoticed as the story kept evolving and evolving and evolving until certain things felt like bedrock good sense. in the meantime I identified that a good portion of the reason I was struggling with writing queer fiction was because I had some pretty fucked up ideas about what queer fiction was supposed to look like, so I supplemented my writing with boatloads of gay and trans and anti-racist and anti-capitalist literature and history so I could get out from under the demon of my own stunted fearful preconception of what territories I was allowed to explore and what language I would use to do so. Half of my notes from that period are just pages and pages of me having one quiet conversation after another with myself on “well why does this work. what feels right about this. why doesn’t this work? why don’t I like it?” I wasn’t allowed to be mean or avoidant— if I felt uncomfortable or on the verge of shutting down with shame or disinterest, I had to explore why, kindly. I found that if I poked those feelings a bit and talked about them the answer would appear in my response— a more interesting spin or approach would occur to me just by asking myself “well if this doesn’t feel good for these reasons, how can I use those reasons to point myself towards something that does?” Then I had the beginnings of a story. I kept kicking that can down the road and stuff just started happening. The cast was a big nebulous ??? right up until I started asking them what kinds of energy I wanted my protagonist to be exposed to, what kinds of reactions she would have, and what directions that would point her in from there. I kept track of my thinking. If I read it back over, I would pay careful attention to what made my brain vibrate with interest and pleasure and recognize how much more I would be able to motivate myself to keep writing if I built the story around those things instead of how I thought a proper adult story ought to go. The story got unbearably exciting and weird as a result, and I found that if I trusted that and leaned into that I could keep going and trust that my weird intuitive brain would keep throwing me solutions as long as I kept all meanness out of the equation. And I kept reading. I had so many stories I was pulling from as inspiration, but to keep my brain limber and my shame in check I had to keep feeding my writing with as much radical exciting work I could get my hands on. the cast showed up, and the ragged suggestion of a plot suddenly snapped into focus because I had a clearer idea of the moving pieces I had available, and it’s almost impossible to come up with a character-driven plot based on their specific wants and needs and desires when you don’t know what those are.
then, suddenly, I had a outline. I knew who these people were, and I had a world that was specifically crafted to compel them to interact and transform in very specific ways, and I had my whole hero’s journey from start to finish. My ability to write prose was still busted from years and years of abusive self-talk, but the story was there, for better or worse. turned off my computer and pulled out a notebook and a good pen. It was February of 2020 and my brain was self destructing with terror, and I sat in the bamboo alley next to my house and wrote prose by hand so I couldn’t ctrl-a and delete like I always used to. I started in the beginning and began trying to write prose. If the outlining process was zoomed out, this was zoomed in. I practiced building scenes and immersing myself in the physical act of writing by hand in the outdoors in an attempt to keep from going nuts. Once I finished a section, I’d have another small written-down conversation with myself about what worked and what didn’t, what I wanted to keep or change or discard, and then I would circle those changes and go on to my next attempt at the next scene pretending that these changes had been there since the beginning. The important thing was to keep going and to keep track of my thinking. draft two would go back and put things where they were supposed to go, but draft one was for hammering out scene after scene after scene and taking notes on the process. In the meantime I was still breaking my brain down and building it back up with materials that expanded my idea of what was possible, and taking time to reflect on how sometimes the only reason I thought something wasn’t possible was because of shame or disinformation or blatant propaganda. I identified the pleasure of sinking into the struggle of writing a story that isn’t full of boring unexamined shortcuts that prop up terrible systems— the pleasure of struggle in general.
it’s good to sit with a complicated idea that you have to work and work and work at before you can discover what you’re really trying to say with it and how to express that in a way people can follow. it’s good to think of coded ways to make that process of dragging a reader down a complicated idea into something that feels exciting and heroic, so they feel just as excited as you did when you first came up with it. It’s good to be a body engaged in the act of writing, it’s the best feeling in the world. there’s no such thing as being stuck, there’s just stopping because you don’t think you deserve to continue, and that’s nonsense.
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duhragonball · 3 years
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‘21
Amidst all the popular hype for seeing the end of 2020, it didn’t hit me until about lunchtime what the real highlight is that I’ve been waiting for: For the first time since 1999, the year finally ends in “numberty-number” again.    It low-key irritated me that we had to call it “two thousand three” and I was relieved when “twenty-thirteen” caught on, but it still wasn’t right because it was too short, and now we’re back in the sweet spot, and I should be safely dead by 2100, so that’s one less thing I gotta deal with.
Really, even “numberty hundred” rings true to me.    “Nineteen hundred” sounds like a year.    “Twenty-one-oh-six” sounds like a futur-y year, which is even cooler.   So did “Two thousand five”, until I was actually living in it, and it sounds even worse now that it was a long time ago and adults will talk about their childhood happening in that year.    Daniel Witwicky would be old enough to get married and grow a fancier beard than me.    That’s nuts.    My point is that, honestly, it’s the year 3000-3019 that I have to worry about, so if I ever decide to go vampire, those will be the years I hide in the ocean or force society to reset the calendar, whichever’s easier.  
I spent New Year’s Eve finishing Superliminal, which I bought on Steam after I watched Vegeta play it on YouTube.  It has a similar look and feel to the Stanley Parable, so if you liked one you’d probably enjoy the other, although Superliminal has a different theme.  I kept hoping I’d find some secret passage that I wasn’t supposed to take, and a narrator would scold me for finding the “Chickenbutt Ending”, but it doesn’t work that way.    Superliminal’s all about puzzles and awesome visuals, but it does have the same soothing design aesthetics as TSP.   Honestly, I enjoyed just wandering around in Stanley’s office, and Superliminal does the same thing with a hotel and several other settings.   It’s nice.
This got me thinking about how I kind of did everything there was to do in The Stanley Parable, and I sort of wished they would add new stuff to the game, but I’m not sure there would be much point to that.    I could play the older version, but it presents the same message, just with different assets.   The Boss’s Office would look different, but it’d be the same game.   And this got me thinking about various “secret chapters” in pop culture.  Secrets behind the cut.
I first heard about this idea in the 2000′s, when fans invented this notion that there was a secret chapter of Harry Potter and the Order of the Phoenix.    I read a website that tried to explain the concept, and of course it lauded J.K. Rowling with all this gushing praise for working an Easter egg into the book, a literary work of “well, magic.”  
That pretty well sums up my distaste for Harry Potter, by the way.    These days, JKR has thoroughly crapped all over her reputation and legacy, but in the 2000′s it felt like half the planet was in a mad rush to canonize her as a writing goddess, to the point where fans were congratulating her for writing secret chapters that didn’t actually exist.   The idea was based on lore from the books about Neville Longbottom’s parents.    They were patients in a mental hospital, and he’d go to visit them, and they would give him bubble gum wrappers, intended to demonstrate how far remove they’ve become from reality.   The secret chapter lies in those wrappers, which all read “Droobles Best Blowing Gum” or some such.    What if Neville’s parents were only pretending to be mentally ill, so as to throw off their enemies?   Naturally, they would want to stay in contact with their son, so the bubble gum wrappers would have to contain coded messages.    Said code involves unscrambling the letters on the wrappers to make new words, like “goblin” or “sword” or “Muggle” or “Dumbledore”.    The problem is that you can also use it to make other words like “booger” or “drool” or “booobbiess.”   Play with it enough, and you can make the code say anything you want it to say, which means it’s no code at all.   
But the idea was that the not-yet-published sixth HP book would reveal all of this gum wrapper nonsense, and Neville would decode the messages and discover all of his parents’ super-cool adventures.   I’m not sure why we needed a secret chapter if Book 6 was going to explain all of this anyway in several not-secret chapters, but that was the whole point.   Fans didn’t have Book 6 yet, and they were so desperate to read it that they started trying to extrapolate what would happen next based on “clues” from the previous five.    That’s like trying to figure out what Majin Buu looks like by watching the Androids Saga.   I guess some wiseguy would have guessed that he’d resemble #19, but that’d just be blind luck.  
And when you get down to it, this whole secret chapter business is really just a conspiracy.   This is literally how Qanon works.   Some anonymous jackass posted vague “hints” on an imageboard, and people went goofy trying to interpret them and figure out what would happen in the future.   They call it “research” because they spend a ton of time on this, but there’s no basis to any of it.    It took me a few minutes to figure out that you can spell “Muggle” with the words in “Drooble’s Best Blowing Gum”, but that’s not research and it doesn’t prove anything.   But all these guys keep looking for “Hilary Clinton goes to jail next week” and lo and behold that’s all they ever find.   
In the same vein, the gum wrapper thing was really a complaint disguised as a conspiracy, disguised as a “magical secret chapter”.   At least a few fans wanted to see more Neville in their Harry Potter books, they wanted Neville’s parents, or someone like them, to have cool spy adventures or whatever else.   The point is, they clearly weren’t getting what they wanted out of the printed works, but they didn’t want to turn against their Dear Beloved Author, so they started casting about for an alternative reality, one where J.K. Rowling wrote a cooler story and hid it in the pages of the one that actually went to press.    So instead of just saying “Hey, Order of the Phoenix was kind of a letdown, I hope there’s more ninjas in the next book,” they said “Rowling is a genius because I wanted ninjas and she’s definitely going to give them to me, I have the gum wrappers to prove it.”
The same thing happened all over again when the BBC Sherlock show took a turn for the nonsensical.    I don’t know from BBC Sherlock, but I watched the fascinating video critique by Hbomberguy, and it sounds like the show did tons of plot twists until it stopped making sense altogether in the fourth season.    If you skip to 1:09:00 in the video, you’ll hear about fan theories that suggested that season four was supposed to be crappy, as part of a secret meta-narrative plan that would be paid off in a secret, unannounced episode that would not only explain everything, but retroactively justify the crappy episodes that came before.    But it’s been a few years and it never came to pass, so I think we can call this myth busted. 
Most recently, I think we’ve all seen a lot of talk about the final season of Supernatural, where I guess Destiel sort of became canon but only one guy does the love confession and the other doesn’t respond.   But I guess he does say “I love you too”  in the Spanish dub, which means the English language version was edited for whatever reason.    It’s not exactly a secret episode, but the implication is that there’s more to this than what made it to the screen.    So the questions turn to what the screenplay said, what the writers and actors wanted to do, etc. etc.    My general impression is that SPN fans are a bit more used to crushing disappointment, so they’re not quite as delusional about this show being unquestionable genius, like Sherlock and Harry Potter.     Maybe this is an Anglophile thing?   Like, if you suck at something with a British accent, people will accept it more unconditionally?   
I had seen something on Twitter about how there should have been a secret Seinfeld episode in the 90′s.    Someone suggested it at the time, they tape a whole episode, then wait until 2020 to air it, because by then it would be worth a fortune.    But they didn’t do it, because it costs a lot of money to make a TV episode, and if you don’t air the show right away, you aren’t making that money back any time soon.    Yeah, you might recoup a fortune someday, but Seinfeld was making a ton of money then.    It exposes the fannish nature of the idea.    A fan would love to discover a cool secret chapter, but a content creator isn’t necessarily keen on making a cool thing and then hiding it where few people would find it.  
I thought about doing this myself recently.   Maybe Supernatural gave me the bug, but I thought “I’m writing this big-ass story, so what if I wrote me a secret chapter for it?   Wouldn’t that be cool?”     But no, it wouldn’t be cool, because it’d be the same work as writing a regular chapter, and the same stress I feel when I hold off on publishing it.    Except I’d just never publish it, I’d put it in some secret hole on the internet and hope that some superfan who might not even exist can decode whatever clues I leave.  
I mean, it’d be awesome if it got discovered and everyone loved it.    “Hey, I found this hidden chapter!   Mike’s done it again!”   And I could bask in the glory.   But what if no one finds it?  Then I just wasted my time, right?   I want people to read my work.   My monkey brain needs the sweet, sweet validation of those kudos and comments, folks.   Once I realized that, I understood why no one else would want to do a secret chapter either.    Easter eggs are one thing, but the bigger bonus features they put on DVDs were pretty easy to find, and with good reason.
I think that’s what made the Stanley Parable so appealing to play, because it teases you with the idea that you can “break” the game and find some extra content that you weren’t supposed to see, but as you go exploring all those hidden areas, it gradually becomes clear that this is just part of the game; you were meant to find all these things, and that’s why they were put here.      It’s hidden, but he secret aspect of it is just pretend.   
I suppose that what I like about games like TSP and Superliminal is the illusion of secrets more than the secrets themselves.    I like roaming through the hallways, having no idea what I might find ahead.    I kind of wish I could open all the doors, and not just the ones the game designers put stuff behind, but the reality is that there’s nothing on the other side.    I used a cheat code once  to explore the unused doors in TSP and it’s just a bright white field on the other side.   Interesting to look at, but not much of a reveal.   Honestly, the doors themselves are more appealing than anything that could lay behind them.  
And that’s probably what makes secrets so fun.   They could be almost anything, but once you open the present, the number of possibilities drops to one.   If they had ever made that Secret BBC Sherlock Episode, I doubt it would have lived up to expectations, but fans could amuse themselves by imagining what could have been in it.    In the end, though, things usually don’t justify the hype.  For every Undertaker debut at Survivor Series 1990, there’s a Gobbledygooker debut at Survivor Series 1990.   It’s impossible to manufacture a secret with a guaranteed payoff.   
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17 Questions, 17 People*
*I am not tagging 17 people, I am not sorry
Nicknames: Ellie (only adults call me this), Ella Noir (but only by two people and not often because it’s mostly a joke), Eleanora Floradora and a million other nonsense names and such because my mother just likes endearing nicknames but she’s not particularly consistent.
Zodiac: Capricorn
Height: 5 feet 4 and 3/4 inches
Last Googled: “volleyball in Spanish” because we were talking about Haikyuu and one of my brothers said “it means volleyball in Spanish” even though he meant Japanese, and then I couldn’t remember what the Spanish word for volleyball was, so I googled it (it’s different depending on region but vóleibol was the first result)
Song stuck in my head: “Farewell Wanderlust” by The Amazing Devil
Number of followers: For my writeblr it’s 43
Amount of Sleep: These days, when I have nothing to do, it’s 7-9 hours a night (but like. From 1 AM to 10 Am, or 3 AM to 11 AM). During school I usually get...less.
Lucky number: 7 and 3
Favourite Song: I hate picking favourites. Just one? Only one? I can’t. I’m incapable. Also, I refuse. But I did recently discover the band The Amazing Devil, their lyrics are phenomenal and they’re very talented musicians, so please give them a listen. I recommend their songs “The Horror and the Wild,” “That Unwanted Animal,” “Farewell Wanderlust,” “Battle Cries,” and “Pray”.
Favourite Instrument: I really like the piano, partly because I used to play the piano, but also because it’s beautiful and elegant and I like how it sounds. I’m also fond of the violin and the harp, because they’re very beautiful and make beautiful sounds and also are more portable than pianos. (Not that I can play either). I also like drums. Drums are very good and fun, and I like them a lot.
Dream Job: Author.
Aesthetic: God, I don’t know. I like lots of them but I mostly wear sweatpants and t-shirts. I don’t even know what my ideal aesthetic is. Let’s say, patchwork quilt. Lots of things I like all jumbled together that manage to look warm and inviting and interesting as a whole but probably don’t fit together intuitively and might even look bad if seen without all the other parts.
Favourite author: Again with the favourites. I'm not going to choose. In no particular order: Emily A Duncan, Susan Dennard, Traci Chee, Rin Chupeco, N.K. Jemisin, Margaret Owen, Tamsyn Muir, V.E. Schwab, Neon Yang (they changed their name so some of their stuff you might have to search J.Y. Yang to find), Aliette de Bodard, Hannah Abigail Clarke, Zen Cho, L.L. McKinney, Roseanne A. Brown, Rena Barron, Elizabeth Lim, Madeline Miller, Samantha Shannon, Roshani Chokshi, Zoraida Córdova, Sabaa Tahir, and I’ll stop there I think.
Favourite animal noise: uhhhhhh. Contented cat purrs. Those are good.
Random: I never played video games before last year, but then my brothers asked me to play Fire Emblem: Three Houses because they wanted to see which house I chose and also they thought I would enjoy it, and I *did*, so much so that I started writing fanfic for the first time and have now played several hundred hours of FE:3H as well as a good number of hours of FE: Shadow Dragon on the DS, with plans to play a lot of other FE games, plus I have my own Switch now and I’ve played so many hours of Hades, and I have a lot of other games now, too, and just. What a difference a year makes!!!
How it started: the vagueness of this worries me. I don’t know, how did what start? I can’t answer if I don’t know the question. How did this blog start? I was procrastinating my finals at the end of spring semester almost a year ago, I was sleep deprived, it was the beginning of quarantine, and I really wanted to talk to people about stories and writing.
How it’s going: I’ve made friends despite hardly ever posting actual excerpts of things I’ve written, and despite the black hole of original fiction that was my summer 2020. I think I’ve learned some things, I’ve definitely read some cool things, and met some cool people, so that’s neat. I’m glad I decided to join writeblr. It’s made my life better, I think.
Thanks, Carmen, for the tag!!! You’ve tagged me in a lot of things, and I’m slow, so that’s why this one is so late. It was fun, though.
Let’s see, who to tag, who to tag. I guess I could tag the lovely Ethereal Cove people. Feel free not to do this if you don’t have time or don’t want to for any reason.
@atelierwriting @fictional-ghost @klywrites @allywrites22 @waysofink @a-sunflower-at-night @henrike-does-writing-sometimes @fields-of-ink @dominnow @avi-burton-writing @writingonesdreams @mxxnwrites @zielenbloesem
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thebibliomancer · 3 years
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Shadows of the Dark Crystal liveblog pt 14
Shadows of the Dark Crystal by J. M. Lee because a new challenger approaches.
Last times on book: Naia is on a journey to Ha’rar with Kylan to clear brother Gurjin’s name and warn the All-Maudra about all these dark crystals. Due to bad life choices, Naia and Kylan went through the Dark Woods at night, saw all kinds of spooky nonsense, and then Naia dreamfasted with a tree which unspooked the woods. Then a four-armed figure with a mask burst out of a tree.
Chapter 16
A weirdo four-armed guy called urVa has Naia and Kylan for supper. I’m sorry, I mean to supper.
Why would healing the Dark Wood end in releasing a dangerous monster?
Asking the real questions, Naia.
The four-armed possible purple Gelfling-eating monster moves slightly so Naia immediately hucks a bola at it.
It shot from her hand, on target toward the monster’s narrow-set eyes - but quicker than she could see, the thing’s hand darted forth, snatching the center bola stone before it could make its mark. The counterweights flailed uselessly, spinning in open air, striking nothing.
Wow!
Reflexes!
The creature just kind of chuckles at this and finishes the slight movement, removing the wooden mask from its face. Reveaing whorled skin.
!!! Definitely an urRu, yup.
“Sounds like Gelfling breathings,” it mumbled in a voice that sounded like many tones all at once, speaking the Gelfling tongue with an unfamiliar accent. “That Gelfling urVa sees there? Two? Ah! The one who healed Olyeka-Staba.”
! The Archer! Hey, Naia, its cool. This guy is friend-shaped.
Apparently, urVa had come to the Dark Wood to try to help the Cradle-Tree but “seems the Cradle-Tree could be healed by Gelfling hand, or else by none.”
Hmm. That keeps happening. You have a funny way about you, Thra, making Gelfling the only ones who can clean up the messes the urSkeks leave.
Naia is still suspicious that there’s something vaguely Hunter-ish about this guy. Weird but good insight, Naia.
urVa tells the Gelfling that the wood is dangerous and invites them to come with him, in the most ominous way possible, for some reason.
“Come with urVa, for supper. Been a long time inside that tree... Very hungry.”
Surely you know how you sound, dude?
Naia even goes ‘hey supper sounds great but what d’you suppose are the odds that we’re going in the pot?’ to Kylan. And asks him if he thinks urVa is the Hunter.
The boy gets sassy.
“Since when do you believe the songs?” he asked. Naia felt her cheeks warm, but Kylan went on. “The Hunter is ruthless. He isn’t a trickster. If urVa were the Hunter that took my parents, he wouldn’t have given us a false name... He wouldn’t have spoken with us.”
Good points, Kylan.
Besides, they’re both exhausted by traveling and Naia especially by dreamfasting with a tree.
“Maybe... we should see where he’s going. Just to find out.”
Kylan hugged himself with a shiver.
“Do we have a choice?”
“Yes. Our other choice is to sleep here in the wood and see what other monsters come crawling out of it.”
Well, when you put it that way...
So they hurry after urVa through the Woods Formerly Known as Dark which is already making up lost time by sprouting a whole buncha new green plants. They’re able to catch up to urVa without too much effort because as an urRu he has one travel speed and that’s ‘i’ll get there when i get there’
He takes them to a dirt hovel covered in a curtain of “frothy”? vines in a smal glen that urVa has simply littered with chimes made out of every given thing strung up between all the trees.
He has an Aesthetic and I appreciate that.
The hovel itself was hardly more than a few ancient stones holding up a mound of earth. The dusty rocks that made up the entryway were dream-etched, reminding her of the doorways in Great Smerth, back home. urVa entered without a word, leaving the two Gelfling to follow of their own will.
Naia also sees “a satchel full of thin spears with feathers on the ends, each stick longer than Naia was tall” oh my god! She doesn’t know what arrows are!
Although, in fairness, Gelfling as a whole seemed to have skipped past archery in favor of throwing rocks.
“Hmm... Left the door open too long and time came in, I see. Ha-ha.” He waved a hand, clearing some of the dust but stirring up just as much in the process. “Apologies, little Gelfling, for the time inside. Had I been meant to be found, I would have been more prepared.”
I like urVa. He’s fun.
He busies himself boiling a kettle of water and adding stuff to it and basically making soup. Vegetable soup I guess.
“A Drenchen, aren’t you?” urVa said suddenly. “I remember Sog... yes, ah! And that little sapling, what was it? Smerth. I suppose it’s grown enough now to climb, hmm? Do the younglings dangle from its branches like alfen fruits?”
The thought was nearly comical. Naia said, “Not exactly.”
Little sapling? urVa, how long have you been treestuck??
urVa mentions that the great trees like Smerth-Staba and Olyeka-Staba are supposed to be pillars of the world and protectors of Thra but inevitably the shadows of the crystal (oh! Almost a title drop!) have fallen upon them.
“... but I must stay out of such things. Have for a long time, will for a long time yet...”
Darn urRu passivity.
urVa serves Naia and Kylan some sopu.
“Now, eat, eat, little Gelfling. Gelfling like to eat. Yes.”
Yes, exclusively Gelfling like to eat as a unique trait to them =P
Those powerful urRu brains, amirite.
Since Neech seems relaxed, Naia decides she won’t worry either and she consumes soup.
And the more time they spend hanging with urVa, eating soup, the less worried Naia becomes about the other shoe dropping. Because it would be a really long con for urVa to secretly be sinister at this point, right? I mean, I know he isn’t because show and because urRu but Naia doesn’t but it has to seem like this would be a really long way to go ‘haha foooooled you!’
“Do you live here all alone?” Naia asked. “In the wood?”
“No, no. Plenty of trees and rocks.”
I adore urVa.
Naia couldn’t tell if urVa was being intentionally obtuse, so she clarified: “I mean, are there others like you...”
urVa tilted his head and rubbed his chin with a big hand.
“Yes. But we all went our separate ways... after the separation. Divided, then divided again.”
Huuuuh so I know that the urRu would sometimes come to the Valley of the Mystics because the Wanderer was famous for spending more time wandering widely rather than popping back in. But it sounds like the urRu just all fucked off to do their own things most of the time. And the situation with them living together in the Valley was primarily for Jen’s benefit? To give him a stable upbringing of ten dads and minimize the Skeksis deciding to pop in.
Naia was mostly asking because she doesn’t want to be surprised by another four-armed monster showing up so she’s tentatively satisfied with the vague answer.
Kylan has been staring at the markings on the wall this whole time pops in to ask about a triangular emblem with three concentric circles within.
“It is a time, I suppose?” he asked, as if Naia or Kylan might be able to answer him. “Or a door? A time or a door or an awakening. Yes. Something like that.”
“Those aren’t nearly the same thing,” Kylan muttered under his breath. “Perhaps he’s not the Hunter, but he certainly may be mad.”
“He makes a good pot of stew, even so,” Naia replied with a yawn.
Its a tightrope to write a character who is not only incredibly wise but also kind of lost in their own mind because they’re missing half of it.
I also appreciate the dramatic irony where the readers, if they’re familiar with the movie, understand more or less what urVa is getting at.
I also appreciate Kylan’s annoyance with not getting a solid answer. And Naia’s more practical consideration. Good characterization. Best boy Kylan just wants some solid deets to write down. Naia is soup-somnolent.
She watches Kylan try to puzzle out the symbols while also wondering if she could get seconds.
Whats also interesting is that this symbol isn’t known to the Gelfling apparently. Its a hugely important symbol in the lore but the Skeksis have managed to keep it out of public knowledge.
“The Great Conjunction,” Kylan said, and then he stopped. Naia didn’t know what he was referring to or what the words meant, but she shivered. “When single shine the triple suns.”
“Mm,” urVa agreed, though he added nothing despite Kylan’s querulous expression.
Hah.
Instead urVa points Naia and Kylan to a pile of robes so they can get some sleep.
urVa is a good host because the Gelfling nod off pretty much as soon as they lay down.
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ettawritesnstudies · 4 years
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Etta’s big creative to do list for when I’m not drowning in final exams
(the rest are below the cut because this got LONG! I am putting this here so you have some idea of the stuff I’ll be posting about come Monday 5/11 and also so I can find it again instead of putting it in my notebook where it will inevitably get lost among my fluids practice and history essay jottings. if you’re curious about the fact that I am not yet done with my semester, yes, I am absolutely procrastinating an essay right now by writing this. don’t worry about it.)
FINISH STORGE!! I’m only like 3 chapters away from writing The End and I desperately want to do that this year so I can edit and start sharing snippets with alpha readers by this time next year at the latest :D
Outline the Laoche Chronicles
this includes the trilogy outline in broad strokes to make sure everything sets up the next points
a detailed outline for the first book which will need a name eventually
(my outlining process can be found here!)
Character profiles for all the new OCs
(this process can be found in this post!
worldbuilding write-up questionnaire for the new civilizations that’ll feature in the main trilogy and differ from Storge
Learn how to make edits for tumblr because graphic design and anything resembling Proper Authors Platform Branding continue to elude me
This won’t happen this month, but I need to do a cleanout of the social media’s I do have so I can put writing stuff there too and start a proper Author’s Internet Presence. If I do finish Storge this year, I’ll be looking for beta readers eventually and I need to have something to show for myself. This includes...
doing a mass edit of this blog and organizing my tags
teaching myself HTML/CSS and making a custom blog theme that works for my needs or commissioning someone to do this for me
making a Laoche Chronicles wip page
buying a domain and designing an actual authors website
making an #aesthetictrash book Instagram? I’m vaguely aware this is something people do but I only use insta for it’s chat feature with my college friends so I know not the first thing about how that works
I have a disasterous Pinterest that’s 100% private boards for my various bits of nonsense that needs to be turned into a place to showcase WIP aesthetics
I refuse to touch twitter nor facebook nor snapchat nor ticktock with a fifteen foot pole
if you couldn’t tell by now, I was that kid who had a brick trac-phone until 10th grade, and used my smartphone primarily as a music device until very recently
Write a considerable backlog for my Newsies fanfic so I don’t fall behind whenever I go to my internship in a month
Finish the intro for my Vampire Plague Doctor Buddy Cop story and the Chaotic SFF Academia idea that I started last month, and write a few one shots for those Maybe start posting them somewhere if I’m happy with how they turn out?
Make a proper quilt from the 10389238320923 old event t-shirts I have sitting in a pile in the basement so I can take it to college with me in the fall. (also maybe mockup a walking skirt out of an old sheet, so I at least have an idea of what to do whenever proper fabric stores open again)
It’s going to be below freezing tomorrow for SOME REASON despite being MID- MAY, but I need to plant my garden and make a compost pile at some point
Make a list of art skills to start practicing so I can tackle the concept of “learning to draw” in a logical manner like you would in a class, and start doing these drills
Also participate in the rest of MerMay
Read a few books! My current next list of TBR looks like this
Illthdar! I have been dying to get my hands on @illthdar‘s book but I didn’t want to start it during the school year and then have to inevitably put it down like two chapters in because I had boring real life obligations to attend to, so this is my first read for as soon as I’m done with the semester on Sunday.
Pride and Prejudice, which I've heard is excellent and regrettably not actually read yet (nor any of Austen, yes I’m a heretic I know, but I’m also an engineering student and 90% of my time is spent doing maths)
Storm of Fire and Blood - I have had this book for a year and put it down because of school which is a crying shame because I really love this series! For any religious/historical fiction fans I highly recommend the Sword and Serpent trilogy! It’s a retelling of the story of St. George and the Dragon long before he’s ever a saint. I think anyone could enjoy it, but if you’re Catholic or enjoy early Christian history, you’ll get a lot of the references and saint cameos and it’s just! A lot of fun!!
also my patron St. Katherine of Alexandria is a major character in the 2nd and 3rd books and she’s absolutely wonderful so I might be just a little bit biased
Make a few watercolor maps of the world of Laoche! Including detailed maps of the city of Maaren where Storge takes place, and Arga (one of the countries in the later trilogy)
update my bullet journal which has been languishing unused on my dresser since march when I moved home from college 
Carve new dulcimer hammers and teach myself a few songs. (also maybe try to make a longbow or new bridges for the dulcimer but that’s all probably a BIT of a stretch)
Brush up on my piano and guitar practice because I am very very rusty. I need to find some new songs to learn because I don’t really want to relearn Debussy or Chopin again, but I need to find some good ones first...
If you’re still reading this. Wow. Congratulations. That was a lot. and thank you! But yeah! This is what’s been knocking around in my head recently while I was supposed to be studying, but now that it is out of my head and into a post hopefully I will be able to focus again :P This is extremely ambitious and I 100000% will not be able to finish everything on this list, but! it is a plan! Wish me luck!
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Moffat Dracula Review
Plot Summary For People Who Don’t Want To Watch It:
Dracula corners Jonathan, Mina, and Sister Agatha Van Helsing in a secluded convent in Budapest following Jonathan’s escape from his castle. The castle sequence itself is explained in flashback as Jonathan recounts his experience, leading up to the realization that he himself had died during his stay there. 
Realizing he’s now become some form of undead creature, he attempts to kill himself via a stake but is unsuccessful. Despairing at this, he invites Dracula inside the convent in exchange for a true death.  Agatha and Mina are able to stay safe within a circle of sacramental bread but everyone else is massacred. 
When Mina sees Dracula disguised as Jonathan approaching them, she invites him inside the circle. He of course reveals his identity immediately after. Agatha bargains her own life for Mina’s, so Dracula allows the other girl to go free.
Some time later, Dracula sets sail for England aboard the Demeter, a Russian ship with a strangely high number of wealthy passengers and a bluebeard’s cabin no one is allowed to enter. He quickly picks off the passengers one by one, meanwhile himself leading the effort to find the murderer onboard. 
This culminates in the remaining passengers finally searching the ship— and the mysterious cabin which is revealed to have been hiding a sickly Sister Agatha inside. She explains that Dracula is a vampire and together with the passengers they attempt to kill him by setting him on fire. But it is unsuccessful. Agatha urges everyone to escape on lifeboats because she intends to blow up the ship with her and Dracula in it before it is able to reach England. 
Dracula does not die but remains dormant under water. He reaches Whitby roughly 100 years later and is immediately captured by the Jonathan Harker foundation, lead by Agatha’s descendant Dr Zoe Van Helsing. He leaves captivity fairly quickly however with the help of Frank Renfield— a lawyer he hired over skype. 
Zoe is revealed to be dying of cancer. Dracula offers her his blood to heal her but it doesn’t seem to work. It instead gives her a bond to communicate with her dead ancestor Agatha, which gives her more insight about the vampire. 
Meanwhile, Dracula begins preying on Lucy Westenra, a young socialite. Despite leading a seemingly perfect life, she is wholly apathetic and disgruntled with her situation. She allows him to feed on her in exchange for the high a vampire’s bite can give her. He attempts to turn her into a vampire but she’s burned horribly once she’s cremated following her funeral.
Her death leads Zoe and Jack Seward to where Dracula has been staying. During their confrontation however Lucy returns, and after learning about her appearance, begs Jack to kill her, which he does. 
Zoe asks Jack to leave so she may speak to Dracula alone. She surmises that all of Dracula’s weaknesses are actually ineffective. The only thing he fears is death, and humanity’s willingness to die, She then... resolves to sit down and die right there. But at the last moment Dracula drinks her cancerous blood which should in turn kill him... they make out while dying... The end?
If that sounds like it makes no sense, it’s because it doesn’t. 
Final Thoughts:
The plot was nonsensical and the pacing was very poor and completely unstructured. The story itself bore little to no resemblance to Dracula at all, to the point where I wonder why they even bothered to keep the names. 
Most of the characters were new, and the few that were ported over from the Stoker novel had hardly anything in common with their original versions, Dracula included. 
Jonathan was the most in character of the bunch, if he was fairly more genre savvy while stuck in Dracula’s castle. Mina’s characterization seemed to be confined to a single flirtatious letter, an endless well of trust for Jonathan, and constant sobbing. She was more of a liability than anything else. 
Agatha served the role of a genderbent Van Helsing, though her manner was entirely lifted from the Coppola film. This could’ve been very cool if they hadn’t randomly made her a nun without actually committing to it at all. She was not really portrayed as having any actual lived experience as a nun in the victorian era. And faith as a concept was only touched on for her to dismiss— hilariously casually given her position.  
I think the actress’s performance was fairly decent, and she def grew on me in the second episode when she’s not actually in a convent to constantly remind us how dissonant of a nun she is. But it would’ve been nice if they would’ve either committed to actually making her a nun, (a legit vampire hunting nun could be so cool!) or just abandoning the concept altogether. Because the way it was presented just felt like window dressing. 
Also I’m not normally averse to shipping Van Helsing/Dracula but having to genderbend one of the two just to do it is like... hm. Also the weird tension they had going on was very badly executed in general. 
Speaking of Dracula, he had to be the weakest part of the show. He was written in the smuggest, most infuriating way possible. And it might have worked with another actor but this dude just did not have any gravitas or stage presence whatsoever. And it certainly was not helped by the fact that his costuming and makeup were so fucking lackluster. 
Despite being the linchpin of the story, he had no goals nor any particular drive. He was just out there doing Stuff for Reasons and none of them were compelling. It seemed like he was just killing to kill and the writing was not good enough to actually carry any of the vague themes about how he’s looking for new brides (why?) how he’s searching for a The Perfect Fruit (what???) or anything at all really. He had no depth whatsoever beneath his stupid quips and self-satisfied demeanor. 
There was an interesting implication that he needed to choose who he drinks carefully in order to maintain his own personality/sanity/sentience and that without blood he’d… apparently just become like any of the zombies we saw in the show. And that is such a cool concept! But it was not really  explored, nor was it written all that well. Even though it could’ve been (and I think was maybe intended to be???) an excellent source of existential dread! 
But yes, in general there was hardly any depth to this show. They played almost every possible card they could for shock value, and included many unnecessary and frankly underwhelming esoteric concepts that went nowhere. There was so much gore and random effects. We had zombies, vampire infants, and Dracula legit wearing people’s skins. The lore didn’t make any sense either, apparently people just… being unable to die despite their body’s so called death is a common occurrence? It wasn’t clear whether Dracula even had much control over who he changes and whether or not they become proper vampires. The entire thing just seemed poorly thought out. 
There were a lot of easter eggs and references to previous Dracula adaptations (and even some unrelated vampire media). I definitely noticed nods to the Hammer Horror movies and the Lugosi film, which was fun. The biggest noticeable influence however would have to be the 1992 Coppola movie. I have never seen a show try so hard to be another movie lmao. They even went so far as to make a spiritual successor to the film’s main theme that’s about as close as you could probably get without actually licensing the music. 
However, while the Coppola film at least had skill with regards to the costuming and cinematography to carry its aesthetic, this show simply did not. The costumes, the makeup, and the special effects were all lackluster. The set was nice enough but was not shot in a way to really leave much of an impression. 
The first episode was abysmal— mainly due to Dracula’s awful performance (those disgusting fungus covered fake nails, that age makeup, that ACCENT) and the entire awkward af scene where he terrorizes a convent of nuns while naked and covered in blood. But it was at least so bad it was funny.
The second episode was the most tedious to me because it was less offensively awful so I couldn’t even enjoy the badness. There was definitely a sharp uptick of quality whenever Dracula was offscreen for any notable amount of time though. The passengers were rather boring but I liked the crewmen. And Agatha honestly killed it for the latter half. 
The last episode was by far the worst and yet the most entertaining because they just stopped trying at that point. 
Renfield was amazing and an absolute delight every time he was on screen. Dracula found him over skype for God’s sake, how can that not be fantastic? He actually utters the words “Dracula has rights,” and his argument somehow actually fucking works.  
And even Dracula himself was far less insufferable with the shift in dynamics. By being forced to cope with the modern world, he could no longer act like such a smarmy, self-assured know it all. Seeing him freak the fuck out at the sight of helicopters was genuinely fun. 
Lucy’s handling was misogynistic af though. It was bafflingly, needlessly awful. And the way she was vilified at the very end was appalling. They almost had an interesting deconstruction wrt her utter malaise for her life, and the implication that she actually resents her beauty. But then of course she gets burned alive, and then is treated horribly for it by the protagonists. 
Even though it’s clear she has no idea what’s happened to her body, Zoe doesn’t even bother to explain it to her. She just makes her take a selfie of all things so she can see what she really looks like. It didn’t seem like the show had a shred of sympathy for her, because “oh, clearly she was a narcissistic bitch and she deserved what she got” or something like that?? 
The utter indifference everyone has to her death is baffling. It was an afterthought, that seemed like its only purpose for existing was yet again just shock value. The scene, after her death, immediately shifting the focus back to whatever weird personal rivalry that borders on sexual tension  Agatha/Zoe and Dracula have going on.  
But all in all, this adaptation had me baffled, frustrated, and cringing through most of it. It was unintentionally funny quite often and I honestly enjoyed it, but for all the wrong reasons. I highly recommend it to anyone who wants to melt their fucking brain.
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mst3kproject · 4 years
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1113: The Christmas that Almost Wasn’t
I’ve been saving this one, too – not because I particularly dislike the movie but because I wanted to do it close to Christmas, and here we are! In fact, I kind of like The Christmas that Almost Wasn’t, to the point where I’m going to enjoy watching it again.
For years now, Santa Claus has been living rent-free at the North Pole with the permission of the Inuit, but now that land has been bought out from under him by the Scroogish Phineas Prune!  Prune wants rent money or he will seize the toys instead, and so to save Christmas, Santa has to get a job.  He lands a gig as a department store mascot, but then Prune buys the store, too.  Looks like there won’t be a very merry Christmas this year, unless some kind of last-minute miracle can happen.  Fortunately, last-minute miracles are what Christmas movies are all about!
So… why do I like this movie?  It’s not exactly festive – as Max points out, there’s nothing very jolly about Santa hiring a lawyer to deal with his landlord.  The animated title sequence is kind of charming, but the actual opening scene in Mr. Whipple’s office is claustrophobic and dark, and both it and the scene where they confront Prune at the North Pole drag a bit. The songs aren’t catchy (although the nonsense one the elves sing about Prune is fun), and the dealings with rent, lawyers, and evictions are probably way over the heads of the target audience of children.  The depiction of Santa’s workshop as one little hut in the middle of the snow, where about nine elves must make all the millions of presents, is pretty depressing. And of course there’s the downright nightmarish plush animals in the department store.  The screaming giraffe is my favourite.
In general, though, I like the movie’s aesthetic.  It’s set in a nonspecific but vaguely Victorian past with just a hint of fantasy on top, and a lot of the sets have something to say about the people who spend time in those spaces.  Santa and his wife in their north pole hovel are simple people who care far more about others than about themselves.  Whipple’s office is comfortable but not large or fancy, and shows us a man who is reasonably successful but not pretentious.  Prune’s cobwebby house tells us, even before Mrs. Claus brings it up, that he is a man who doesn’t look after himself.  The characters' names speak to similar ideas, such as Mr. Prim the very proper department store owner.  It’s true that this is all quite simplistic, but in a fable for children that’s okay.
The costumes do a similar job, equally well.  It’s not that hard to get Santa Claus or a Dastardly villain right, of course, but enough movies manage to fail at it regardless that I feel The Christmas that Almost Wasn’t has earned a kudo or two. Like the sets, the costumes tell us about the characters.  Mr. Whipple the lawyer, in his tidy but plain suit and festive mittens, is a professional but doesn’t like sticking out in a crowd.  Mr. Prim’s mustache-hair tells us he’s very fussy.  Mrs. Claus, always apparently dressed in her pajamas, is a homebody. Somebody took the trouble to dress all the elves slightly different, so that even though we never really meet them we can tell they’re individuals.
The main characters, furthermore, all have more than one layer! Santa Claus loves children but is worried what they’ll think of him, and his isolated life at the north pole has given him a measure of social anxiety.  Actor Alberto Rabagliati manages to embody both ‘right jolly old elf’ and ‘old man down on his luck’, and sometimes both at the same time.  It’s hard to judge anybody’s performance because of the dubbing (although even there I’ve heard much, much worse), but physically he’s perfect.  Mrs. Claus is a ‘kill them with kindness’ type, and you can see she takes just a bit of spiteful joy in Prune’s response to the word ‘children’.  Whipple can be shy but once he gets into his Lawyer Groove he has no problem getting in Prune’s face.  Blossom the butler is a jerk but has a soft spot for the dog, and so on.  The only character moment I really don’t like is Prune’s redemption at the end.
This bit is simply, as Jonah and the bots observed, too easy – one gift and suddenly years of mental torment and toxic behaviour are gone, poof!  It does give a good ending to the bit where Prune insists he was never a child and the elves can’t find anything about him, but doesn’t the fact that Jonathan lost his letter just give him that much more reason to be angry?  Furthermore, there’s the fact that gifts from Santa and gifts from family coexist in this world, as illustrated by the department store and the Christmas shopping.  Even if he didn’t get a sailboat from Santa, shouldn’t little Phineas have gotten one from his parents?  There are clearly more issues going on here than a simple lost letter.
That brings us to the real meat of this movie.  Last year, at the beginning of my review of Elves, I noted that the Christmas season is a contradictory one – what we actually feel is often violently at odds with what’s supposed to be the ‘Spirit of Christmas’, and the most obvious facet of this dichotomy is the whole ‘Season of Generosity’ thing.  Generosity is great and the world needs more of it, but at Christmas the recipients of this generosity are most often children, who respond by learning greed. This interplay goes on throughout The Christmas that Almost Wasn’t.
We start with the kangaroo court in which Whipple accuses Prune of being a tightwad.  Prune insists that his motives have nothing to do with greed – he just hates children!  In fact, one of the reasons he gives for hating them is because they’re greedy. All they want is toys and candy, and every year Santa indulges the little brats!  Santa, on the other hand, insists that being generous to children will teach them to be generous to others.
At the last moment, when all hope seems lost, we find that Santa was right – the kids are more than happy to donate their piggy banks to pay Santa’s rent!  This not only makes Christmas possible, but also allows Santa and his wife to passive-aggressively pay almost entirely in pennies – I once did this to a high school math teacher who made us all buy a five dollar study guide and let me tell you, there are few things more satisfying.  Even so, there’s a weird extra layer to this action.  The kids are being generous, but they must all know that if they aren’t, it’s them who will suffer the consequences.  Who wouldn’t donate a dollar or two when their Christmas presents are at stake?  Are the children being generous?  Or are they being greedy?
Isn’t that what we all do at Christmas?  When the ancient Romans sacrificed to their gods, they said do ut das, which means something like I am giving so that you might give. We give gifts to friends and family at Christmas in the expectation that they will give us something we wanted. My eight-year-old niece really wanted Wings of Fire III for Christmas this year, and pouted all day because nobody could find it for her, despite the fact that she got a load of other presents. When you give with no expectation of return, that’s charity, which we also do at Christmas – but in our minds, our reward for charity is feeling like a good person, while our reward for giving presents is getting presents back.
Another facet of this in the movie is that Santa actually has an arc of his own, in learning to accept generosity.  Generosity is Santa Claus’ defining trait, but in The Christmas that Almost Wasn’t we see him try to refuse offers of kindness from others. First there’s when Whipple offers to give him the money – Santa tries to refuse, and looks relieved when Whipple finds he doesn’t actually have that much money to give.  Too, Santa has not chosen his lawyer at random.  He knows he can’t afford to hire a lawyer so he goes to somebody who has already offered him a favour, rather than pleading for charity from a complete stranger.  Santa does not expect people to be generous to him.
At the end, when the boy named Charlie suggest that the children could donate the money, Santa once again tries to refuse.  The kids’ show of support, however, is so overwhelming that Santa can’t say no.  He realizes that he doesn’t always have to be the generous one – he can be the recipient. I suppose this is reflected in Prune’s arc, as he, too, finds he can accept generosity.  If this were intentional, it wasn’t done very well, but as I already observed Prune’s entire arc wasn’t done very well.  The film spends far more time on Santa and Whipple than it does on Prune, and we would have needed to know far more about the role of generosity in Prune’s life to get anything out of it.
Happy new year, everybody!  We get a new Mars rover in 2020, which is a great note to start on. I’ve only got a couple more MST3K movies to go, so I’ve been thinking about what I’m going to do with this blog once I’ve covered those.  I’ve had a lot of fun writing this and judging by the likes and reblogs, you guys are having fun reading it.  There’s also the hope that somehow, someday, we’ll get more new episodes.  I think I’ll try doing regular Episodes that Never Were for a while and see how that goes over.  It’s not as if the world has any lack of bad movies, and they keep making new ones all the time.
No, I haven’t seen Cats yet.
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freakystrashdump · 4 years
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This might be quite a big question but what do the coven think of/their relationship with the hotel gang✨✨✨
Alright friendo this is a looooooong one, so get ready! This took so much time to write holy shit
The person who spends most time at the Hotel is Salem, as part of what she calls her “punishment” for calling Lucifer a shit dad. So lets start with her.
Salem
Charlie: Being Lucifers assistant/body guard on the side, she knows Charlie pretty well, and acts as a dotting nanny to her for the most part. While she does love Charlie a lot, she tends to talk down to her at times, like one would to a child, which sometimes makes them clash. But, even so, they are very close, and Charlie appreciates that Salem takes her side often when dealing with her dad.Vaggie: They get along great! Not only have they died in a short time apart from each other, meaning they came from a similar time, they bonded a lot over their love for Charlie. With Charlie being a literal ray of sunshine and the two of them being much more down-to-earth(hell?), cautious and cynical, it’s not hard to see why they like each other. Salem does love to pull the “embarrassing mom” shtick and gush over how cute Charlie and Vaggie are together, much to their dismay.Alastor: Alastor drains her. She does not have enough spoons to deal with him, but even so she is constantly forced to because he likes her. Or likes seeing her suffer. She met him early on after arriving to Hell, what with him and Lucifer being on good terms and all, and it’s been exhausting ever since. She’s Lucifer’s favorite, meaning she’s the most powerful in the coven, meaning Alastor loves pushing her to her limit, the most notable moment being The Witch Bar Incident. To make it worse, she caught a very unfortunate case of the feelings for him at some point when he did something vaguely romantic towards her, and she hates it. She internalizes that shit like a pro, tho.Angel Dust: Kind of sees through the fact that he’s using the Hotel as a free place to crash and is not the happiest about that. Especially after the whole fiasco he pulled with Cherry Bomb. However, even if he is there for his own selfish reasons, he still is a ray of hope for Charlie and the Hotel, which Salem appreciates a lot.Nifty: Even with Nifty being an associate of Alastor, Salem does love how hard working and energetic she is, and what a big help she is around the Hotel.Husk: Salem tends to info-dump about her problems on Husk more than she does to others. It’s the whole bartender thing, probably. Also, the fact that Husk is the least likely to care about it (meaning he wont spread it around to others) and that he’ll give her the most brutal, no-bullshit answer to whatever she’s jabbering on about is somehow comforting.
Draco
Charlie: Despite being a flirt, he did manage to stop himself from being his regular self with Charlie for the most part. Not a good idea to flirt with the Boss’s daughter, afterall. Also, Salem would kill him. He does still flirt platonically and make cute comments, most of which make Charlie giggle a lot. Vaggie and Salem both roll their eyes at this.Vaggie: When they first met, he tried flirting with her before Salem could stop him, and he ended up with a spear in his gut, much to his amusement (”Oh look, I’ve been impaled”). Despite first impressions, they mostly keep it civil.Alastor: He met Alastor when they were both alive, during the height of Alastor’s murder terror. Draco describes it as being the most overwhelming evil he felt during his life, which left him both excited and terrified. Him and Alastor interacting is always filled with politeness and smiling - with a lot underlying threats in their words and tone. -After the Coven formed officially, Draco opened the Bar he always wanted (which the entire Coven helps run, promptly named the Witch Bar), which Alastor visited and almost killed every patron during a song performance (”The Witch Bar Incident”), while possessing Dax, Boogie and to an extent even Draco. While Salem managed to stop him, barely, Draco made a deal with Alastor that he’s allowed to come to the Witch Bar whenever he wishes (the 30/40s aesthetic made Alastor feel like home), letting him perform, entertain and relax - on the house - in exchange for him never harming any of the bar’s patrons.Angel Dust: They had a short fling or two. They’re still super flirty towards each other, and while they don’t hook up very often anymore, Dax, Boogie and Salem still classify Angel as Draco’s “friend with benefits”. Draco finds Angel absolutely hilarious and loves hanging out with him, both sharing a gangster background.Nifty: Finds her weird thing for men a bit off-putting. Something there ain’t right. But he can’t put his fingers on it.Husk: Knows Husk well from his late nights out, they played card together on the occasion. Husk would also visit the Witch Bar at times, and in general, their relationship is pretty chill. Draco loves annoying him with jokes, tho.
Dax
Charlie: Finds Charlie’s energy refreshing (”You’ve got moxie, kid! I love it!”), but the “naive” part doesn’t bode well with her. It’s a dog eat dog world, kid, and she sees Charlie as a bunny about to be torn apart by feral wolves. Because of this, she tends to be tough on her a lot and doesn’t entertain Charlie’s optimism at all, because she feels that Charlie needs to get thicker skin.Vaggie: Appreciates Vaggie’s no-nonsense attitude “You remind me of me when I was younger, kid! Take no shit from no one! CRUSH THEM UNDER YOUR LOUIS VUITTON HEEL! KILL THE MEN WHO WRONGED YOU!!!”Alastor: First met him during the Witch Bar Incident, which is not a good impression to say the least. Being a woman of steel, she tries not to show it, but is absolutely scared shitless of him. She hides it behind obnoxious laughter and loud talking whenever she’s near him, but she’s absolutely sweating bullets. She turns on her professional business mode to the max when dealing with Alastor, because that’s the one role that gives her most comfort, and by Jove she needs that confidence when talking to him.Angel Dust: Oh she just adores him. They love chatting it up about how they eat men for breakfast. Very similar, crude sense of humor, meaning they get along swell. Also, they both have that whole “I always come first” attitude going for them; they know the world is shit and the only person they can rely on is themselves.Nifty: She only had the gremlin child for a day and a half, but if anything happened to her, she would kill everyone in Hell and then herself. Husk: Dax is a betting woman at heart, and Husk quickly became her favorite gambling buddy. They constantly make stupid wagers and play cards in their off time.
Boogie
Charlie: Charlie may be too energetic for poor Boogie, but if anything, Boggie really feels at ease when Charlie is around. She is much nicer than anyone else she met in hell, and gives off very warm vibes and feelings. Loves talking to Charlie because it’s nice to have a positive conversation once in a while.Vaggie: While not super close, Boogie and Vaggie do get along better than most. Boogie sees a similar pain to hers in Vaggie in regards to abuse, which she finds solace in. But Vaggie is also prone to angry outbursts, which don’t bode well with her.Alastor: Like Dax, her first meeting with him was the Witch Bar Incident, and boy oh boy, she can’t stand him at all. Her being an Empath also means whenever Alastor is near, it’s like a constant influx of murdery energy inside her head, and it makes her anxious. He’s dangerous, powerful, and he takes joy in knowing that, and Boogie does not fuck around with that at all.Angel Dust: She’s actually pretty okay with Angel, because she takes solace in the fact he has no interest of that kind for her, one less thing to worry about. Finds him absolutely hilarious, she just wishes he wasn’t so touchy-feely.Nifty: Too energetic. Way too energetic. She talks to fast, everything about her is overwhelming and it really gives Boogie anxiety. Husk: He’s much more chill than everyone else and Boogie really, really appreciates that. She does not mind sitting at the bar with him in silence. Even with Husk being grumpy and yelling a lot, the fact that he doesn’t ask too many questions and respects her physical boundaries makes him one of Boogies favourites in the Hotel.
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vitosscaletta · 4 years
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🍓 🍓 🍓🍓🍓🍓 for ALL your vampire kids! 🦇
AIRIKA..TY FOR MY LIFE! ok this is gonna be long 
CHRISTIAN
🍓 — he’s over 300 years old (that technically makes him an elder according to the lore book… overpowered king) & was embraced in the 1600s, he was the son of a french marquis back in the day 😳 He lived in Versailles for a long time & considered it his home even though people would literally shit in the corners there -_-
🍓 — has NO idea how technology works… he has one of those ugly early 2000s flip phones because he saw other people having those but has absolutely no idea how to use them, much less a computer. Most people just think he’s ~romantic or something for writing letters but he really has no idea how to write an email :(
🍓 — He’s the baron of Bel Air.. has a nice mansion there bc living for over 300 years gives you time to hoard that much money ig. 
🍓 — His grand-sire (??) is Helen of Troy 😳 overpowered af bloodline
🍓 — He doesn’t care about vampire politics in the slightest and is sort of aligned with the camarilla bc he has power within them but there’s no loyalty or conviction.. the main reason he’s in it is to start drama and watch it unfold 💅 He and La🥐 can’t stand each other but also can’t do anything about it… Strauss is okay with him but they’d also sell each other out for one corn chip.. He’s sort of frenemies with Gary, they hate each other because… yknow toreador and nosferatu but they’re equally shady so there’s mutual respect… in an odd way 
🍓 — He doesn’t have any other childe..r… whatever the term is except miss Helena.. he hangs around humans a lot but has no real attachment to them (except being kind of a hoe and.. yknow.). She’s the first mortal in a long time he felt anything for which was mostly just good old toreador obsession but he thought it was love.. she vaguely resembled a lost love of his. and had potential I guess so he actually got permission for embracing her babey… just not from her bc he didn’t even consider someone wouldn’t want to be a vampire.. 🙄
HELENA
🍓 — Having OP Christian as her sire did have its perks even though she hates his guts for embracing her… She automatically had a pretty good position within the camarilla through connection alone :^) she works as sort of an informant/spy for the prince directly.. which puts her at odds with a bunch of people - they either think she’s an inexperienced little girl who doesn’t know what she’s doing and works for an incompetent prince OR hate her for being in his sort of inner circle without having to work for it (like Victoria. she thinks that)
🍓 — CRINGE but it be like that sometimes… she’s descended from a looong line of vampire/witch hunters on her dad’s side - he’s from a catholic german family who was largely involved with the society of Leopold. Michael himself wasn’t overly religious (still studied theology but didn’t actually care) and left all of this behind when he moved to america & got married but after he and Jenny divorced he was like “know what… time to become a zealot again”. His ex-wife and daughters are completely unaware of that of course 😳 dunno if Helena sees him again after becoming a vampire 🙄 but yknow.
🍓 — Doesn’t have any of the “vampires are better than mortals” superiority complex that a lot of the others seem to have.. does think thin-bloods are losers though kjdkjdfnms
🍓 — Only video game she plays is the sims!! she bought ts1 when it came out for fun and got hooked.. ts2 is even better!!!!! first thing she did was make a sim that resembles her and marries a business tycoon 💅💸
🍓 — owned one (1) YSL dress she bought from her savings (which was USED)  but she couldn’t afford anything else so she just wears it with something she found at hot topic every time she goes out with her rich fake friends pre embrace. When she works for La🤡 and actually makes some money she can afford a SECOND dress babey! with shoes!!!
🍓 — She’s actually really into some standard 2004 radio pop songs but also emo songs at the same time.. except the genre didn’t have anything good in 2004 except three cheers for sweet revenge (she’s also really into evanescence, green day and blink 182 which isn’t really emo but it was still part of the experience™ nfdkjdf) - which is also her entire aesthetic summed up, emo meets theatre kid prep.. Helena: *googles “how to look like Gerard Way and Britney Spears at the same time makeup tutorial”*
ERIN
🍓 — sdjhsdh cringe but she’s always been kind of a weirdo but was pretty good at hiding it/acting normal & was part if the prep gang in her high school days (not the leader, more the kind of the replaceable third wheel), she always preferred hanging out with the weirdos though. Post-embrace everyone just thinks “lol crazy malkavian” so she’s just like 🤷‍♀️.. 
🍓 — Her sire, Ray, was suuuch a freak but she liked him because he was something.. different in her sheltered, dull life and made her feel excitement she hasn’t felt in a long time. He bails on her after embracing her bc he sired her without permission & fears execution (even though literally no one cares or even knows he sired someone) but has letters delivered to her from time to time instructing her what to do lol
🍓 — Actually enjoys the freedom vampirism gives her? She’s officially dead so she has the option to start again and be whoever she wants to be… it’s scary at first bc she has no idea what’s going on and where these voices come from but she gets used to it, also the voice of her late grandmother in her head is a comforting presence for her… I imagine she’s actually in there kinda like the heart in dishonored, afterlife isn’t her granddaughter’s mind but it’s sort of an echo of her? IDK she tinkered with magic in life so supernatural schizophrenia added that to Erin’s mind.
🍓 — She loves early 2000′s radio pop (yknow.. Britney Spears, Christina Aguilera, Kelly Clarkson… etc) but also classical music, stuff from the 20′s, alternative rock, the early 2000s goth music that’s playing in L.A.’s nightclubs …. she’s gonna thrive in 2006 when a fever you can’t sweat out drops!!!
🍓 — She’s part of the anarchs but mostly hangs out in hollywood or downtown (only goes to santa monica to visit the asylum (BEST nightclub ever in her onion. isolated SLAPS)
🍓 — yknow in the 2000s when people had invader zim merch from hot topic.. she owns this backpack 🤦‍♀️ it clashes with the rest of her style which is already a horrendous mix of victorian/early 20th century gothic and 2004 prep style 
VICTORIA  
🍓 — her background is still a BIG wip but she was born at some point in the late twenties/early thirties and embraced in 1954 :^) she was a bit of a workaholic and had an intense work ethic but never made it far within the company she was working for because it’s the fifties (thinking maybe it was her father’s company bc she was RICH.. there was a feud between her & a few male relatives on who’s gonna lead or something)… She was eventually noticed by a ventrue businessman who thought her ambition and no-nonsense attitude would be a great addition to the clan - She was promised a opportunity to rise within a different society without le sexism. Go white feminist queen!
🍓 — her embrace wasn’t really what she thought it would be.. drinking other’s blood REPULSES her and she has a hard time adjusting to it, plus kindred society isn’t really what she imagined - by the time she’s embraced L.A. has no camarilla presence so there’s really nothing for her to do so she moves to New York to join them there.. except she’s stuck with a shitty job and no one taking her seriously because of her age 😒 When they establish a presence in Los Angeles she’s the first to suck up to the prince & be assigned a somewhat high position (I guess adviser to the ventrue primogen and also being tight with the prince is good!!)
🍓 — She dresses very business-y BUT always designer bc she got money 😳 her wardrobe is chic but also minimalist, also with a hint of fifties design because fashion peaked then in her opinion.. mostly in dark colors, reds, browns and mostly black combined with minimal jewelry and high heels… very very elegant
🍓 — genuinely loves romcoms from the 50s and 60s (doris day & rock hudson movies b*tch!!) but also “newer” one from the 90s and 2000′s.. notting hill, pretty woman and 13 going on 30 are her favorites that she watches when she’s off duty, cozy in her downtown apartment.. but don’t tell anyone 😤
🍓 — She’s THE queen bee within the L.A. camarilla… doesn’t have any friends in her workplace but she’s respected by everyone and that’s what matters to her (it does get lonely sometimes but it be like that. She’s not gonna give up her status for shallow friendships 😒)
🍓 — loves those ugly small 90s/2000s glasses but they clash with every outfit she has so she doesn’t wear them
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theorynexus · 4 years
Text
68 will be my second post, this morning. I wonder if it will start section 8 of the Meat Epilogue.
Oh darn it. I forgot to make a Hitchhiker’s Guide to the Galaxy/Meaning of Life reference on Meat 42. At least we’re back to a 43, and things might therefore be luckier. Maybe.    (I am very silly when it comes to superstitions regarding numbers, sometimes, even though I don’t really believe them.)
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MY TIMING SENSES WERE TINGLING!!!
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Hmm. Well, strategy meetings and investigations are important.  (Also:  I am again reminded of the dreadful likelihood that Terezi went with Dirk, which continues to be a disturbing thought.)
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Hmm.  For some reason, I have the impression that he does indeed have a vague idea where he’s going, but he may not actually know where/how to find it, yet. That seems pretty likely.  Thus, Roxy would be partially correct. (On that note: Interesting that Jake didn’t actually come with. I thought for sure he’d have snuck aboard at the last moment, or something, as a stow-away.)
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Eh, I’d say it goes a little beyond “prove a point,” but it’s also probably incomprehensible to you, right now.  I guess we’ll all have to be patient before we can more thoroughly sort through his insanity in that regard. As for Jane...   I don’t know. It might be more trouble than it’s worth to contact her.  The fact that Dirk has her as a seemingly important part of his plans suggest that it could essentially be springing a trap on yourself. I wonder how she’ll react to finding out that Dirk’s been mind controlling people and that that probably invalidates the actual results of her election, in the sense that it dramatically undermined the democratic process. (That is a really complicated issue that is somewhat entangled with real life politics, though, so I don’t want to get into a deep and proper discussion of what determines electoral legitimacy on a philosophical or political level here.)
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It is a very interesting choice on Alt!Calliope’s call to focus on incestuous questions and Dave being awkward, rather than to follow tat important call.
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Dirk is so twisted at this point that I’d almost not put it past him, but at the same time, why, Dave, do you have to assume that the motivations are sexual in nature?   (I mean, honestly, it could be the fact that Dirk was trying to force him to have sex with Karkat that gave him the impression that Dirk was [and he is, but maybe not to that extent] way too carnally-minded and motivated.)   Honestly, Dirk’s head is way too concerned with philosophical matters, and if anything he’s probably going to make a clone of himself to have sex with or something stupid like that, if he REALLY has to engage in some sort of tension-releasing copulation that isn’t masturbatory in the way that having sex with someone you’ve brainwashed and twisted into being your personal object of amusement is.   Therefore, I juuust can’t quite see Dirk having sex with Rose/her new robot body.  (Gosh, I hate that I feel compelled to address this.)
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I honestly quite agree with Karkat, and now understand a little bit more about why our focus strayed where it did--- though it would have been nice to receive some sort of narration to indicate that.  And yes, it’s sad that Kanaya’s being put on hold, I guess. A little bit.  (Not really. I understand politicians in places of power can get quite busy, and it may not even be Jane’s decision to have her on hold... though if it is, I can most certainly affirm that that is quite rude.)
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I mean... to be fair, Karkat, it’s rooted in biology.  Humans not having a Mother Grub means that the don’t have a natural means to reduce the genetic load that would be caused by related populations interbreeding and therefore dangerously duplicating genes.  Thus, it is not actually arbitrary, which I am sure you would know if you had spent a bit more time acting like the “geneticist” your troll handle suggests you happen to be (yes, I know it means to refer to his ectobiological frog wrangling/recombination; even so, the point stands).
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I take it that Karkat’s dejection about the election has kept him a bit preoccupied and out of the loop, lately.
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This is horrible (Karkat’s part, I mean).    Roxy’s new new outfit sounds like something I would be very interested in seeing fan art of.   A pink-looking slightly more effeminate Dave look sounds aesthetically striking (and I’m not even a fan of pink). But yeah, good on her for not giving up in frustration for people confusing them, I guess.   ***shrug***
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And we return to this awkward and slightly funny subject. Considering it was not resolved last time, I guess that’s reasonable.   (Some day, maybe I’ll write a post analyzing Roxy’s trans-iness and/or how they/he seems to have been affected by those around he/them in his/their path to figuring it all out.  This sort of issue is always a bit difficult to properly tackle without raising some people’s hackles, so to speak, though, so I am not sure if I’ll end up doing it.  Regardless, it’ll have to be quite some time in the future, should I do so, after I’m at least done reading both sides of the epilogues. I’m sure Roxy’s interactions with John will have some important light to shed on the matter.)   It’s sortof nice that Dave and Roxy can joke about this without it becoming too uncomfortable (apparently) for either of them.
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...   Is revealing this something they’ve discussed before now?  I mean, doing this in front of friends and family could be sortof... bad for things between them, if Karkat’s still trying to figure out how he feels about it and whether he wants to press on vs throttle back?  I mean, just calling each other boyfriends is not something either of them were comfortable with, and just because Dave is now doesn’t mean Karkat necessarily will be.   I dunno.  I feel conflicted on the matter, despite the fact that it is on the border of being cute.
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Yeah, see, this is what I meant:  Awwwwkwaaard.
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Yeah, it definitely did serve as a good distraction, at the very least. ~~~ Jane either not knowing or not being willing to tell (we’ll have to wait for a perspective shift to her to be certain) is no surprise.
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Gah. FINALLY.  If Roxy weren’t such a Void-y ball of fun, everyone would have known this for some time, by now.  (Also: This is another reason why I am quite certain that Dirk was responsible for at least the way that John died. He didn’t want him to be a threat to him.  [I wonder, though: will Candy John potentially pose that problem, in the future, given the fact that he will likely be able to traverse the two different timelines, should he become aware of them?   Heck, this could be the reason why one had to die in the first place. Or one reason.])
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This is what you get when you    A S S   U   M E. Also, Terezi would really be useful due to her Seer powers in particular.
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Well. That is a useful compromise. Good on you for finally figuring something out to bridge the gap between your morals and Dirk’s amorality.  (Also, that presents interesting potential conflict in the future, insofar as there might be a point where Calliope has to decide whether to allow them to take Jade with or not.)
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Has little Timmy fallen down a well?   O: <
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This is funny because it’s like that one time where Jade was sleeping and Dave couldn’t get in touch with her. That time his weird fursona came up. Tightest butt in the jungle, or some stupid nonsense like that.
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Dave is smarter than Dirk would give him credit for, calling him the dumbest of the Stralondes, by the way.
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Not only do they need one of his ships, but it is quite reasonable to assume that they might be able to entice him to follow with them to where Dirk is going.  This is a potentially dangerous gambit, like bringing Gamzee along anywhere, but I think it could pay off in the end.  I think that, as I suggested earlier, Jake’s probably going to be the one to end up killing Dirk, in spite of all the underestimation that and horrific invective that had been directed his way.   In all honesty, this would really seem to be the direction that Jake’s been being pushed in all along, considering all the failed opportunities to interject him into a place of importance in the story.  
Considering his level of devotion and love for Dirk, now, he very strongly reminds me of that one old clown story that AH wrote... the one where the clown was never able to pull himself away from the service of his abusive, evil master. I bring that up specifically to suggest that Jake WILL succeed, however.  I believe that, counter to the example that I just cited, and contrary to all of the deterministic forces that Homestuck has seen in play, the power of Hope will be what is necessary to do the impossible.  A Page has a long, pain-filled story arc, but when it finally blossoms into the great behemoth that its seed of potential suggested it was from the very beginning, amazing things can happen. A Page of Hope is perhaps one of the most potent Classpect-endowed figures that Paradox Space could conjure up.  I have come now to see that this turn on Dirk’s part was probably planned from the beginning, as was the fact that Dirk’s abandonment of him was likely meant to be the catalyst for the eventual realization of Jake’s full potential. Obviously, this will not likely happen in the near future, much to our short-term misfortune. Dirk, if you ever see this, know your folly:  Jake English is just the force you would need to break free of the shackles of the reality you live in---   if only you believed in the him that believes in you.   Instead, your Rage will consume you. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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I love this dramatic comedy.
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Honestly... this is great. From a writing stand-point, this is excellent. The decision to have Dirk drag Terezi along brings more significant stakes to things and drama for the future, especially with the fact that we DO know that he can be brought back to life, now, despite Dirk’s statement to the contrary. Despite all of my pathos earlier, the way this story (the story of Homestuck) is ending is actually getting me excited and washing away the scars that came from the darkest hour of the path previous.     I really like the mechanic of Dirk having reality warping powers and Alt!Calliope being able to counter them, but only in close proximity. With the speed of his ship being a factor, especially, this sets up for some really interesting potential action in the further development of the story, as well.                    That Hussie was able to so masterfully navigate these emotional waters and string me along to this point was brilliant too.    In sum:  WOW, GUYS, I’M PUMPED!!! ... But... while this would actually serve as an excellent, fully complete and enticing epilogue in and of itself, the fact remains... there is yet more. Not only in the Postscript, but in Candy.      This throws many spanners into the works, and I honestly don’t know how to feel about all that!     If this weren’t Andrew Hussie we were talking about, I would be incredibly afraid that what is to come would throw everything off and make the eventual follow-up in Homestuck^2 (which I know he’s at least directing, though he’s not quite as involved in the story as he was in Homestuck, apparently?!) potentially quite messy and of a much lesser quality than I might expect. Given this IS Andrew Hussie we are talking about, however, I actually am quite confident that eventually, it will work out splendidly, and raise his literary accomplishments to even greater heights. Though... I am filled with a bit of trepidation. That “eventually” will be so far in the future. ***laughs awkwardly*** ... Buuuuutttt there’s still more left, even on this page, so I had better get to that. ...
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It is very interesting that she’s been enveloped in that blanket of space so thickly and constantly that she’s come to find it comforting. That said:  How is it possible for her to withdraw and still let narration continue, supposedly without source or accountability, as she states?   Is this meant to suggest that the passive forces of Paradox Space will naturally fill in the gap if there is no one manning the ship, so to speak?   This feels a bit unlikely, considering the lack of content for years of the characters’ lives, and Dirk’s suggestion that “God had abandoned them,” or however the heck he put it. This is all veerrry curious, indeed.  (I do like her commentary on narration. A lot.) ~~~ Woooooo!!!~    It’s really nice to finish this at--   Dangit, time, why do you have to keep ticking into the future?!       Well, even though it’s not 3:14, anymore, it’s still very nice to finish the Meat Epilogue on 02/02/2020.   :’)
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deltaengineering · 5 years
Text
Spring Anime 2019 Part 1: git gud
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I was trying to wait until something really good came along. This ran into a problem. Yes this is a day behind but not because of... that.
Amazing Stranger
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What: Otaku dipshit buys a figurine that turns out to be an alien robot girl from an anime.
❌❌ Otaku dipshit nonsense about perving on a figurine-sized robot girl. It’s bad, yo.
❌ Execution is as questionable as the content. I’ll give it a star for using 3DCG and 2D animation where they respectively make sense.
♎ Only ⅓ runtime so it ended before I could get mad.
Bokutachi wa Benkyou ga Dekinai
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What: Overachiever gets conned into tutoring a bunch of girls with specialized talents and general uselessness. The twist is that they don’t look identical.
♎ Basic ass harem setup with little to distinguish itself. And if it’s not a real harem it’s just a lacklaughter comedy.
♎ Characters aren’t terrible but sort of just there. Their talents are also too cartoonish to take seriously but not outlandish enough to be funny.
♎ You guessed it, production is workmanlike/undistinguished as well.
❌ Didn’t I just watch this? In any case, this lacks Quintuplet’s trademark sass so it’s just painfully mediocre.
Fruits Basket
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What: Poor but optimistic high school girl gets involved with a harem of supernatural critters.
♎ This seems incredibly derivative and unoriginal. Seems of course, because Fruits Basket is the OG so all the others ripped it off in the first place. Doesn’t change the fact that I’ve sampled and discarded dozens of otome harems exactly like this.
✅ The production is aware that they’re adapting a classic over here, so the production values are high. It looks nice.
✅ It’s directed quite competently as well, especially the comic bits have the right timing.
❌ I don’t like the characters much. Tohru is a little annoying and the boyz are a big nothing. That’s not good for a romantic comedy. Side characters fare much better but hey, side characters in a show like this don’t matter.
♎ I have no attachment to Fruits Basket so this will have to stand on its own. So far it looks watchable, but very middle of the road.
Hitoribocchi no Marumaru Seikatsu
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What: Kiraralike about a class of middle school girls that are all named after their personality. The main character (Bocchi Hitori, natch) is lonely and made of social anxiety.
❌ Dealing with #relatable topics is always sketchy, but Bocchi talking to herself for the majority of the episode just gets really old no matter what.
✅ However, once she starts actually talking to other people it gets better. Slightly above average for a show like this, which means inoffensively cute and very mildly comedic.
♎ This is a Kiraralike where all the characters are named after their personality, so I wouldn’t expect any depth. Not that that’s unusual for the genre.
♎ I’ll probably give this 3 episodes because these shows live and die by the cast, which we haven’t seen much of so far. If Bocchi’s character development sticks and we get a few good support characters, it might be fun.
Joshikausei
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What: the sound of one thigh slapping
❌ but
✅✅ though
Kimetsu no Yaiba / DEMON SLAYER
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What: Edgy shounen about a dude whose family gets KILL BY DEMONS (no, he isn’t the demons (his sister is the demons)).
✅ Actually better than that sounds, it’s pretty serious with its approach to the whole revenge thing. The edginess is also only apparent on the margins, so tonally it’s more or less fine.
✅ The main guy isn’t terrible and his superpower (a superlative sense of smell) is fairly subdued for the genre. You could tell a story with this.
✅✅ This is ufotable and it looks REALLY good. ufotable shows are always very elaborate, but their aesthetics can be questionable. This, however, keeps the postprocessing to a minimum and uses CG only where appropriate. I’d say it rivals Emiya-san for the best looking thing they’ve ever done.
❌ The OP shows a bunch of supercool superdudes fighting like they're in a shounen anime, just in case you’re wondering.
❌❌ Three words: Weekly Shounen Jump. This is an instant death sentence for the long run, since it will be stretched until nobody cares anymore, then get swiftly killed - with some lipservice to closure, if you’re lucky.
❌❌ In case you’re willing to take your chances, WSJ is still a magazine for babies and imbeciles, so get ready for its “distinctive” writing style. Here it isn’t quite as bad as in Promised Neverland, but you’re still getting 100% wall-to-wall voiceover coverage explaining things that you either don’t need to know or are blindingly obvious. 
Kono Yo no Hate de Koi wo Utau Shoujo YU-NO
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What: 90s eroge protagonist starts hopping dimensions to look for his dad or something.
❌❌ Those 90s eroge protagonists sure were hilarious, what with their lechery etc. Rest of the cast fills the genre template nicely as well, which is to say they suck.
❌ Doesn’t look outright terrible so far, but it already shows signs of slight jankiness that would lead me to suspect this is a candidate for a production collapse in the future.
❌ Story? Surely you jest. All that happens in the first episode is vague exposition and naked girls falling from the sky. I hear the game gets real good 100 hours in, btw.
❌ This isn’t just some 90s eroge, it is the 90s eroge. You know, before KEY came along and made them all respectable (ostensibly). In any case, YU-NO is regarded as some stone cold classic of epic feels. I have experience with those, and they usually are only great for as long as you can’t read them.
Midara na Ao-chan wa Benkyou ga Dekinai
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What: High school girls hates men because her father happens to be one. Understandable, since he’s also a tiny dirty old man caricature from the 60s. Can love bloom on the ecchifield?
♎ This is mostly inoffensive...
❌ ...except when it isn’t, of course. Which isn’t that often but still too often.
❌ It would also be appreciated if it could be less offensive in those instances because hot damn.
❌ Even if it removed the main source of irritation it would still be nothing much. Something like Hitoribocchi or Benkyou ga Dekinai has at least some potential, this doesn’t look like it’s going anywhere.
❌❌ My man Kenjiro Tsuda is wasting his time on this goblin’s comedy voice.
Mix - Meisei Story
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What: Some kids play baseball, very slowly. You’re supposed to care because you presumably cared about Touch (which Mix is a very far removed sequel to).
❌ I did not in fact care about Touch. Nor about baseball, for that matter.
❌ Seriously, the entire selling point for this is ���Sequel. To. Touch.” It cares not for your indifference towards Touch and would rather you go away.
❌❌ The languid pace is a killer. I know baseball is a boring sport but Mix doesn’t even attempt to make it interesting. This could work as an iyashikei-type show but in that case it would need different hooks, such as characters whose personality goes beyond “good at THIS aspect of baseball”. Maybe they’ll get to that but with this pace it’ll take a few seasons.
✅ I think the 80s design with a few contemporary animation frills looks quite nice. They’re probably doing their job right over there.
Nobunaga-sensei no Osanazuma
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What: One “Oda Nobunaga” is an otaku and somehow also a teacher. Girls looking for his better known ancestor approach him with marriage plans, and since they’re looking for a Sengoku warlord, they come with era appropriate sensibilities.
❌ Do not care much for anime about 14 year old time travellers falling onto some dork’s dick, sorry. Unless they’re real good. Which this isn’t.
❌ I suppose i should be thankful this isn’t an all-out ecchi show, but unlike the characters, “lmao they can’t fuck” gets old.
❌ Besides the obvious, this fails at pacing, comedy, heartwarming, production, etc. I’m getting tired of spelling it all out again, this season definitely has an overabundance of not-quite-terrible-but-subpar-in-every-way romantic comedies.
Senryuu Shoujo
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What: Senryuu is poetry that’s pretty much a haiku, but not hella deep. A quiet weirdo girl and a delinquent type write some of those.
✅ This has low ambitions, but manages to meet them. It’s chill and cute and the characters are likeable.
✅ Half length, which is the correct runtime for something as slight as this.
♎ It’s cheap but not to the degree that it detracts from the experience.
✅ It’s the second coming of Go Go 575 and I’m all about that. Check it out!
ULTRAMAN
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What: uLtRaMaN is an ultrasequel to UlTrAmAn in which Ultraman is now Ultradad and has to take care of his Ultrason.
♎ Decent looking by CG TV anime standards, though the amount of action is so low that it raises the question why it isn’t just live action, especially since it’s partially mocapped already. I would have expected more pizzazz, especially with Kenji Kamiyama AND Shinji Aramaki directing.
♎ Old man superhero has some charm, but the show suggests and Wikipedia confirms: He’s about to get his ass kicked and his much more standard progeny takes over. There goes your selling point.
♎ Apart from that, this appears to be a competent but not especially engaging sequel to Ultraman (i.e., it’s most definitely not SSSS.Gridman). I have no special affinity for Ultraman.
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