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#what am I gonna call this??
prozac-shaped-urn · 3 months
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HOOOOBOY WE HAVE DEVELOPMENTS™
I forget who I’ve introduced so lemme just do this rq
We have Felicity Kirk who’s a reclusive hippie artist in her late 60s, Beth Eaton who’s a Londoner travel journalist in her early 50s, Julie Simon who’s a playfully demanding retired percussion professor in her 70s, and Stella Eaton who’s Beth’s daughter.
I now have headcanons of Donna Murphy as Felicity, Kate Winslet as Beth, AnnaSophia Robb as Stella and (since I would honestly love to see her play drums on film so I could treasure it forever) Debra Monk as Julie.
Felicity has a son named Bobby Dean
Julie and Felicity almost had a thing like 20 years ago. Julie says she hurt herself and that Felicity never hurt her. There wasn’t a “sadistic ploy to get [Julie] to fuck her.” She saw what she wanted to see in Felicity but that wasn’t who Felicity is. So nothing happened and even if there was a ploy Julie wouldn’t have fucked her. She was too much in the closet back then.
Stella’s a fashion photographer
Both Stella and Bobby Dean are addicts who overdosed
Beth was Julie’s student in the 80s. Julie has a drum set in her house. Beth had to sell hers when she had Stella but she kept the snare drum and played it while Stella was in a rehab facility after her overdose. When Beth learns of Bobby Dean’s overdose, she plays Julie’s set then calls Stella to tell her the news bc Stella never knew her mom played her snare. She only knew it was stashed in a closet and Beth never touched it.
Julie takes Beth fishing. She hates fishing. And she has nothing to wear except designer clothing. She ends up going in her panties and a tank top she slept in and stilettos.
Julie makes her own margaritas. They’re straight tequila with a squirt of lime juice and ice.
Julie and Beth get high in Julie’s hot tub. Julie’s naked during this. Beth has forgotten about Julie’s loathing of swimsuits and calls her a nudist. Julie retorts “only in the hot tub dear.”
Beth gets caught lurking on Julie’s porch at night with a cigarette in hand watching Felicity and her plaything of a girlfriend making out in Felicity’s hot tub. Naked. Felicity tells her gf to go inside then yells the half mile distance between her house and Julie’s house, “If you’re going to stare, can you at least do it behind a window shade?” (I like being naked in hot tubs. Can you tell?)
Julie doesn’t own a screen of any kind. Nor a digital clock. She’s entirely attachment free except for her landline. This irritates Felicity and she confronts Julie in the grocery store while Beth stands idly by. They have a good natured spat in the aisle and Julie introduces Felicity to Beth and Felicity says, “I know what a pain in the ass she is as a friend, but how was she as a drum instructor?” And Beth says, “A pain in the ass.”
I’m making everyone queer. Fuck it. The world needs more sapphics.
Half of this film came to me in 3 hrs today btw so I might be able to bang this out in a few days if the muses and characters keep it up.
Just bc I like having visuals here’s the mother/daughter casting idea
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And the besties (who remarkably have similar fashion taste to the typical high desert shit we all wear here)
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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the-chaos-goose · 2 years
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gomzdrawfr · 3 months
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*points wand at Ghoap* HUZZAH, GET FLUFFY
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discarded design
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starry-bi-sky · 4 months
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(Part of this post with older brother danyal al ghul)
...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.
She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.
Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.
The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.
Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.
He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.
He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.
But she's starting to see the resemblance, as subtle as it is.
And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.
His eyes turned on to her, and they locked gazes for a moment.
Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.
Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.
"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.
"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more
Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"
Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.
On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.
And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.
Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.
Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?
She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.
Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."
She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?
Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."
"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."
Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."
The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.
She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.
But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.
"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.
Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."
Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.
(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)
"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."
"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."
"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"
Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."
Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."
It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.
"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.
Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.
She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.
"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."
(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)
(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)
Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.
Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."
With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dpxdc crossover#dpdc#danyal al ghul au#older brother danny#sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining.#sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he.#bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me#because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him#which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he#friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on --#-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes.#not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs#a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know#he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks#but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post#when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock#and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot#so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th#waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't#- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought#a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is#'our lovable jerk who is an ex-cult member and whom we will maim someone over.'#not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the#fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes#“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny.#sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have
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salamispots · 6 months
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first 3 rug hooking things I did haha
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bruciemilf · 1 year
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"Oh har har Gotham is terrible to Joker and that's why he acts the way he does," Gotham worships a hot topic furry with the mental stability of a soggy cracker and thinks a 10 year old vigilante is perfectly normal
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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(loosely) that scene from potc... its so Them i think...
#apologies for the low quality scribbles i simply couldn't be fucked!! <3<3<3#and they're a lil funky.... i havent drawn em in a while....#but geez. man. oof. ough#the potential of the pining + Names ouagshashjafkanvfla#THE RITUALS ARE INTRICATE#scribble salad#franklydear#welcome home#ever since finding out how they call each other by last names my brain has been Mush over that#the layers!!! the potential for development!!!#what would the transition to first-name-usage look like#i feel like they're gonna be on first name basis Before they actually refer to each other by their first names#and maybe frank will call him eddie first.... maybe....#leaving eddie to be the one maintaining a sort of 'professional' distance#but in the process making their interactions Way more intimate and emotionally Charged than they would've been otherwise#its about the suspense... about the 'am i allowed to know what your name feels like'....#the 'i want nothing more than to know what my name sounds like in your voice'#receiving your mail and waiting for the time he finally allows that little distance to be closed with one simple syllable#or delivering the mail and waiting for him to open both doors w/ hand & name#both an allowance and a confirmation and an answer and a promise wrapped up in one little word#Im Just Speculating & Rambling at this point#OUGH FRANKLYDEAR <3<3<3<3#i cant wait to watch them really go Through the Horrors while falling in love#bc when nothing is real or certain what else can you cling to but each other#so abnormal about them....#wh has opened my eyes to the inherent romanticism & pain of mail carriers#they will always come to your door but they will also always leave#and the gifts they give you are always from someone Else#all you can hope for are those Moments where your fingers brush as they hand over letters#where the only true words between you are the ones hidden away in ink and belonging to neither of you
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stevebabey · 1 year
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no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!
Begrudgingly, Eddie has to admit that Robin might be right.
It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.
They’re little, but they’re there.
The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.
“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.
Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.
Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”
He says we but he’s looking at Eddie.
Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.
From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”
It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”
Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’
Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.
“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”
Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”
Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”
Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”
That comment alone has Eddie seriously reconsidering his type in men.
There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.
The moment he’s out of earshot, both voices explode in the back of Eddie’s van.
“What did I say—”
“Jesus H Christ, you were right—”
“Literally how many times do I have—”
“Oh my god, you were right—”
“ —before you realise I’m always—”
“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”
“What?” Robin’s nose scrunches up. “What the hell are you—”
“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”
Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”
Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“
Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.
Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.
Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.
He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 
Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.
“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”
Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.
“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.
His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.
“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.
“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?
He doesn’t even need to look at Robin to know she’s smiling, smug as ever.
Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.
Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.
He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.
He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.
Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.
It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.
To Steve, it’s simple: he just wants Eddie to like him.
After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.
He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.
Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.
That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.
Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.
God, he was glad she suggested it.
Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.
‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.
Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.
Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.
But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.
The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.
Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.
After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.
Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.
Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.
It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.
But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.
There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.
So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.
Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.
“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”
Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”
Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.
“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”
And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.
Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.
He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.
“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”
Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.
She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.
Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.
“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.
“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”
Right as the drums to Born to Run filtered out the speaker.
And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.
“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.
And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”
It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.
Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.
Eddie sees the bid coming this time.
Part Three.
— 
yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.
@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus
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originalartblog · 11 months
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the fabled alternate, angstier version of what would happen if Fukuzawa's All Men Are Equal got rid of Chuuya's permanent singularity ability and turned it back to its pre-Arahabaki nature, enhancing others' abilities
welcome to Chuuya's identity crisis... 2!!
continued here
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fossilizedhysterics · 1 month
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guess who finished tlok tonight and immediately had this come to him in a vision!!!!
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poorly-drawn-mdzs · 10 months
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Peeped the horrors
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unexpectedbrickattack · 11 months
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shenanigans
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front-facing-pokemon · 8 months
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comradekatara · 6 months
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“katara is uptight and gets offended when anyone swears in her vicinity” has gotta be one of the lamest fandom jokes. for what it’s worth, i don’t think any of the atla kids wouldn’t swear out of some naive sense of propriety (with perhaps the exception of azula, because she’s an obedient goody two shoes who thinks coarse speech is for the lower classes), but katara would be one to swear a lot. she definitely swears more than sokka, although she’d also regulate her speech better so as not to offend those around her (especially if she is in the process of sucking up to an adult). sokka would swear just because he’s a grumpy, easily frustrated person whose choice of words reflects his frustration, but katara would swear out of her fundamental sense of rebellion. a deep thrill runs through her every time she says fuck or shit, because she is fourteen and away from the admonishing tongue of gran gran for the first time in her life. katara, toph, and aang are still young enough that saying “bad words” fills them with a sense of excitement over “breaking the rules,” whereas for sokka, zuko, and suki, that novelty wore off a while ago and it’s simply a part of their everyday speech. but while sokka is a teacher’s pet at heart who presents as a misanthropic asshole, katara is a mischievous ne’er-do-well at heart who presents as a beacon of polite decorum whenever she wants to get her way (typical elder vs younger sibling distinction). but you know that when katara is yelling at sokka, pakku, toph, zuko, and every other unfortunate soul who may find themselves on the receiving end of her wrath, she’s cramming in as many “what the fuck is your problem?!”s and “get your shit together!!”s as she possibly can. then again, katara would definitely respond with righteous indignation if toph cursed in front of her, but that’s hardly because katara is offended at toph for saying bad words. rather, it’s simply because she also happens to be. a massive hypocrite.
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